Browse content similar to 24/11/2015. Check below for episodes and series from the same categories and more!
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What are you doing? Why have we stopped? | 0:00:32 | 0:00:34 | |
What do you want with me? | 0:00:35 | 0:00:37 | |
Can you please just tell me what this is about? | 0:00:38 | 0:00:41 | |
We've got her. | 0:00:41 | 0:00:42 | |
Where are you going? | 0:00:45 | 0:00:46 | |
Get off me. | 0:00:50 | 0:00:52 | |
Don't make this any harder on yourself. | 0:00:52 | 0:00:54 | |
You can't just leave me here! | 0:00:58 | 0:01:00 | |
LINDA SIGHS | 0:01:05 | 0:01:07 | |
All right? | 0:01:07 | 0:01:08 | |
Ah... Stocking up, I see? | 0:01:08 | 0:01:12 | |
What you talking about? | 0:01:15 | 0:01:16 | |
I wouldn't worry if I were you, | 0:01:16 | 0:01:18 | |
I think he brings his own baby oil. So... | 0:01:18 | 0:01:21 | |
Sorry? | 0:01:21 | 0:01:23 | |
What, you don't know? I thought Sharon would've cleared it with you. | 0:01:23 | 0:01:27 | |
-A stripper? -Yeah - full package! | 0:01:27 | 0:01:29 | |
-Right - that's it! -Mum, I'm joking! | 0:01:29 | 0:01:33 | |
I wish I'd never agreed to this stupid hen do! | 0:01:33 | 0:01:35 | |
What? | 0:01:35 | 0:01:37 | |
Since when did Linda Carter not want an excuse to dress up? | 0:01:37 | 0:01:39 | |
I wanted something classy! | 0:01:39 | 0:01:41 | |
You know, like a meal out or a trip to a show. | 0:01:41 | 0:01:43 | |
But oh, no - I've got to be out there, everyone looking at me. | 0:01:43 | 0:01:46 | |
What? What's wrong with that? | 0:01:46 | 0:01:48 | |
I just don't want to be the centre of attention, that's all. | 0:01:48 | 0:01:51 | |
I'm sorry, this is coming from the woman who sang karaoke at a wake? | 0:01:51 | 0:01:56 | |
That's different. | 0:01:56 | 0:01:57 | |
That was a very moving tribute to a much-loved punter. | 0:01:57 | 0:02:00 | |
Yes - yes, it was. | 0:02:00 | 0:02:02 | |
Oh, yeah, look, Mum - | 0:02:02 | 0:02:03 | |
tomorrow's supposed to be your special night with the girls. | 0:02:03 | 0:02:07 | |
They're all coming because they care about you. | 0:02:07 | 0:02:09 | |
You can't worry about what anyone else thinks, | 0:02:09 | 0:02:12 | |
you just got to enjoy yourself. | 0:02:12 | 0:02:13 | |
Surely you've always wanted a proper hen do? | 0:02:13 | 0:02:16 | |
And you definitely deserve it. | 0:02:16 | 0:02:19 | |
I think you'll find my rendition of My Way had the widow in tears. | 0:02:22 | 0:02:25 | |
Yeah...but maybe not for the right...reasons. | 0:02:26 | 0:02:31 | |
-SHARON: -I can't believe you did this. -Come on, come on. | 0:02:38 | 0:02:41 | |
PHONE RINGS | 0:02:41 | 0:02:42 | |
First time in months I start to feel settled. | 0:02:42 | 0:02:44 | |
-Turns out I'm living with a killer. -Don't be ridiculous. | 0:02:44 | 0:02:47 | |
Well, apparently she's murdered a man! | 0:02:47 | 0:02:49 | |
Not without good reason, I'm sure. | 0:02:49 | 0:02:51 | |
I think I'm going to shoot off, all right? | 0:02:51 | 0:02:53 | |
-You're going? -I'm assuming lunch is over. | 0:02:53 | 0:02:55 | |
-Oh, you're loving this, in't ya? -I am, as it happens. | 0:02:55 | 0:02:58 | |
What the hell were you thinking? | 0:02:58 | 0:03:00 | |
-I was trying to help her. -What, by grassing on her? | 0:03:00 | 0:03:04 | |
Have you got any idea what it's done to her, carrying that guilt around? | 0:03:04 | 0:03:07 | |
She's a Mitchell, it comes with the territory. | 0:03:07 | 0:03:09 | |
I mean, of all the evil things you could have done... | 0:03:09 | 0:03:11 | |
Don't you dare pull that on me! She's my sister. | 0:03:11 | 0:03:13 | |
Yeah, and you've probably got her banged up for life. | 0:03:13 | 0:03:16 | |
-No! It's not going to happen. -You know that for sure, do you? | 0:03:16 | 0:03:18 | |
We're family. We stick together, don't we? | 0:03:18 | 0:03:20 | |
Family! Don't make me laugh, Billy. | 0:03:20 | 0:03:23 | |
Where were you when she was trying to poison my fiance? | 0:03:23 | 0:03:26 | |
Pity she didn't succeed. | 0:03:26 | 0:03:27 | |
-You know your problem, Roxy? You're selfish. -I don't have to listen to this. | 0:03:27 | 0:03:31 | |
No, if the police should talk to anyone, it's you. | 0:03:31 | 0:03:33 | |
Meaning? | 0:03:35 | 0:03:37 | |
Shacked up with a rapist. | 0:03:37 | 0:03:39 | |
If Social Services had any sense, | 0:03:40 | 0:03:42 | |
they'd have taken Amy off you months ago. | 0:03:42 | 0:03:45 | |
SHOUTING | 0:03:45 | 0:03:46 | |
-Ben, stop them! -What am I supposed to do? | 0:03:46 | 0:03:47 | |
-Billy, get this trash out of here! -You don't tell me what to do. | 0:03:47 | 0:03:50 | |
-Phil... -I'll get him. | 0:03:50 | 0:03:52 | |
Phil... | 0:03:52 | 0:03:53 | |
She only did what she thought was right. | 0:03:53 | 0:03:55 | |
-It's kicking off in there. -BILLY: Don't talk to her like that. | 0:03:55 | 0:03:58 | |
You know, all I wanted was a quiet lunch. | 0:03:58 | 0:04:01 | |
But you couldn't even give me that, could you? | 0:04:01 | 0:04:03 | |
I think you'd better go. | 0:04:03 | 0:04:05 | |
Oh! Now he speaks! You should be here sorting this out, | 0:04:05 | 0:04:08 | |
not sloping off to the kitchen. | 0:04:08 | 0:04:10 | |
-Rox, just go, yeah? -Are you serious? | 0:04:10 | 0:04:12 | |
You ain't welcome here, Rox. | 0:04:12 | 0:04:13 | |
I was trying to help her. | 0:04:13 | 0:04:15 | |
-You grassed her up. -Yeah? | 0:04:15 | 0:04:17 | |
It's no better than your old man did to you, is it? | 0:04:17 | 0:04:21 | |
-What's she talking about? -All right, enough, OK? Enough! | 0:04:21 | 0:04:23 | |
-Phil! I love her. -You've got a funny way of showing it. | 0:04:23 | 0:04:26 | |
I'll go to the police station, retract my statement... | 0:04:26 | 0:04:28 | |
-That ain't going to do any good now, is it? -At least let me try! | 0:04:28 | 0:04:31 | |
Ronnie is not your concern any more. We'll deal with it. | 0:04:31 | 0:04:34 | |
Oh, right, is that it? | 0:04:37 | 0:04:39 | |
Are you just all going to turn your back on me, are you? | 0:04:39 | 0:04:42 | |
-You've only got yourself to blame. -I'm your family as well. | 0:04:42 | 0:04:45 | |
Not any more, you're not. | 0:04:45 | 0:04:46 | |
I don't ever want to see you in this house again. | 0:04:46 | 0:04:49 | |
Hello? | 0:05:07 | 0:05:09 | |
Anyone? | 0:05:11 | 0:05:13 | |
Hello! | 0:05:23 | 0:05:24 | |
-All right, son? -All right. | 0:05:30 | 0:05:32 | |
Listen, I'm going for a few pints later if you fancy it. I'm buying. | 0:05:32 | 0:05:36 | |
Nah, I can't, man. I've gotta sort out my set for Vincent. So... | 0:05:36 | 0:05:39 | |
What was that look for? | 0:05:41 | 0:05:43 | |
Nothing. | 0:05:43 | 0:05:44 | |
Nah, nah, nah, mate... If you've got something to say, just say it. | 0:05:45 | 0:05:48 | |
Look, I don't trust the bloke, that's all. | 0:05:48 | 0:05:50 | |
-He's had you running round like a skivvy recently. -Skivvy? I ain't no-one's skivvy, man. | 0:05:50 | 0:05:53 | |
Fats, tell me, how much do you really know about him? | 0:05:53 | 0:05:56 | |
-He just comes strolling out of nowhere, moves into the biggest place on the Square... -So? | 0:05:56 | 0:06:00 | |
Come on. You ain't stupid, mate. | 0:06:00 | 0:06:01 | |
He ain't got that much dough just from running the Albert. | 0:06:01 | 0:06:04 | |
So what you saying, man? | 0:06:04 | 0:06:05 | |
I just think he's trouble, that's all. | 0:06:07 | 0:06:09 | |
What kind of private function? | 0:06:18 | 0:06:20 | |
Oh, some company in East London. You know the type - | 0:06:20 | 0:06:23 | |
skinny jeans, backpacks, beards... | 0:06:23 | 0:06:25 | |
And you expect me to cover? | 0:06:25 | 0:06:26 | |
-I got business elsewhere. -What kind of business? | 0:06:26 | 0:06:29 | |
Nothing for you to worry about. OK? All right... | 0:06:29 | 0:06:33 | |
-Hi. How are you? -Hey, afternoon. | 0:06:33 | 0:06:35 | |
Hey, boss, boss... | 0:06:35 | 0:06:36 | |
I was wondering if we could go over our set list for tonight. | 0:06:36 | 0:06:39 | |
-Um... I'm busy. All right. -Is everything OK? | 0:06:39 | 0:06:41 | |
I pay you to mix a few tunes, not to ask questions. | 0:06:41 | 0:06:44 | |
Sergeant Kenny Morris. | 0:06:46 | 0:06:48 | |
Well, can you tell him that I called? | 0:06:48 | 0:06:50 | |
Yeah, well, thanks - for nothing. | 0:06:52 | 0:06:54 | |
I'll have a packet of mints and an apology, please. | 0:06:56 | 0:06:59 | |
Well, you can have the mints. But um... | 0:07:01 | 0:07:04 | |
yeah, fresh out of apologies, I'm afraid. | 0:07:04 | 0:07:07 | |
What gives you the right to accuse my husband? | 0:07:07 | 0:07:09 | |
-I never accused him. -So what would you call it, then? | 0:07:09 | 0:07:11 | |
Look, it was the police that said someone had given them my address. | 0:07:11 | 0:07:15 | |
You know what your problem is, Denise? | 0:07:15 | 0:07:17 | |
You got too much time on your hands. | 0:07:17 | 0:07:19 | |
Right, you. Get your coat. | 0:07:19 | 0:07:21 | |
I got Shrimpy to cover the stall. | 0:07:21 | 0:07:23 | |
-Where we going? -We've got stuff to sort out. | 0:07:23 | 0:07:25 | |
Um, I'm trying to talk to my sister here. | 0:07:25 | 0:07:27 | |
Nothing that can't wait, I'm sure. | 0:07:27 | 0:07:29 | |
-Yeah, but who's going to cover this place? -Your sister can cover, can't she? | 0:07:29 | 0:07:32 | |
Oh, no, no, no, no. I'm supposed to be going into town. | 0:07:32 | 0:07:35 | |
Shouldn't take any more than a couple of hours. | 0:07:35 | 0:07:38 | |
I don't know what this family's coming to, I really don't. | 0:07:38 | 0:07:42 | |
I mean, his father would be turning in his grave | 0:07:42 | 0:07:44 | |
if he could see him now. | 0:07:44 | 0:07:45 | |
You all right, Dad? | 0:07:45 | 0:07:47 | |
-Yeah, fine. -Have you called Ritchie? | 0:07:47 | 0:07:49 | |
-Not yet. No. -Well, what you waiting for? | 0:07:49 | 0:07:52 | |
Sometimes I wonder who wears the trousers in this house. | 0:07:52 | 0:07:55 | |
I mean, look at him. | 0:07:55 | 0:07:56 | |
Are you sure it's just his ankle he broke? | 0:07:56 | 0:07:59 | |
He'll be fine. Ritchie'll sort it. | 0:07:59 | 0:08:01 | |
What if they come after the rest of us? | 0:08:01 | 0:08:02 | |
They won't, Ben. | 0:08:02 | 0:08:03 | |
Well, you knew about Roxy's boyfriend, didn't you? | 0:08:03 | 0:08:06 | |
That's perverting the course of justice for one, Sharon. | 0:08:06 | 0:08:09 | |
She ain't answering. | 0:08:09 | 0:08:10 | |
-I haven't done anything wrong, and neither has Billy. -Well, don't look at me. | 0:08:10 | 0:08:13 | |
What do you think pays for all them trips to Portugal, then, Sal, eh? | 0:08:13 | 0:08:17 | |
Well, what are we going to do about Ronnie? | 0:08:17 | 0:08:19 | |
It's all right. Dad's got a plan. | 0:08:19 | 0:08:21 | |
Haven't you, Dad? | 0:08:21 | 0:08:22 | |
Yeah. Course I have. | 0:08:22 | 0:08:24 | |
Well, come on then. Let's hear it. | 0:08:24 | 0:08:26 | |
-Right, where's me coat? -Where're you going? | 0:08:26 | 0:08:28 | |
Going to sort this mess out. | 0:08:28 | 0:08:30 | |
-Why did you leave me there? -Well, what could I do? | 0:08:35 | 0:08:38 | |
I should never have gone to the police. | 0:08:38 | 0:08:40 | |
What're you talking about? | 0:08:40 | 0:08:42 | |
-Course you should have. She needs locking up. -She's my sister. | 0:08:42 | 0:08:45 | |
-Yeah, and look at how she treats you! -What have you done, Rox? | 0:08:45 | 0:08:48 | |
Roxy's ex, Carl. Ronnie actually bumped the geezer off. | 0:08:48 | 0:08:51 | |
-Dean! -What? The whole Square is going to know soon. | 0:08:51 | 0:08:55 | |
-What? And you told the police this? -Of course she did. Ronnie's a nutter. | 0:08:55 | 0:08:58 | |
I said I'd meet Buster for a bit of lunch. | 0:08:58 | 0:09:00 | |
I'll close the salon early. All right? | 0:09:04 | 0:09:06 | |
-And I'll make us some dinner. -You think I want to eat after this? | 0:09:06 | 0:09:09 | |
Babe, you've done nothing wrong. She's gone, OK? | 0:09:09 | 0:09:13 | |
You did what you had to do. You'll never see her again. | 0:09:13 | 0:09:16 | |
-Yeah, but Dean... -But nothing. | 0:09:16 | 0:09:18 | |
The Mitchells can do one. | 0:09:18 | 0:09:20 | |
As far as I'm concerned, you're a Wicks now. | 0:09:20 | 0:09:23 | |
I heard about Ronnie. | 0:09:28 | 0:09:29 | |
Not now, Shirley, all right? | 0:09:29 | 0:09:31 | |
-Have you been drinking? -Listen. | 0:09:32 | 0:09:34 | |
You just tell that boy of yours to keep away from my family, do you hear me? | 0:09:34 | 0:09:38 | |
What did he say? | 0:09:46 | 0:09:47 | |
Busy, apparently. | 0:09:47 | 0:09:49 | |
We'll see about that. | 0:09:49 | 0:09:51 | |
Excuse me. Could you tell Sergeant Morris that his mum's outside? | 0:09:51 | 0:09:54 | |
-Carmel! -And, er, don't be palming me off. | 0:09:54 | 0:09:57 | |
I've come halfway across London to bring him his sandwiches. | 0:09:57 | 0:10:01 | |
Ham and pickle. | 0:10:01 | 0:10:02 | |
What're you doing here? | 0:10:20 | 0:10:21 | |
Get in. | 0:10:21 | 0:10:23 | |
They said they were police. | 0:10:23 | 0:10:24 | |
-Just get in and keep your head down, yeah? -Did you know those men? | 0:10:24 | 0:10:27 | |
-We haven't got much time. -How did you know I'd be here? | 0:10:27 | 0:10:30 | |
-I'll explain everything. Now, get in now. -Not until you tell me what you're doing here... | 0:10:30 | 0:10:34 | |
I'm trying to save your life. | 0:10:34 | 0:10:36 | |
He's still not answering. | 0:10:39 | 0:10:42 | |
Hold on. Where are YOU going? | 0:10:42 | 0:10:44 | |
I think I know where he might be. | 0:10:44 | 0:10:46 | |
Don't know why he's bothering. | 0:10:50 | 0:10:52 | |
Roxy's already signed her own death warrant. | 0:10:52 | 0:10:54 | |
Well, it doesn't mean they're going to charge her, does it? | 0:10:54 | 0:10:57 | |
Oh, hark at her. Dad's a murderer and now she's become an expert. | 0:10:57 | 0:11:00 | |
-Sal! -How long have you two been courting? | 0:11:00 | 0:11:03 | |
Nearly a year now. | 0:11:03 | 0:11:05 | |
Something tells me I won't be needing a new hat. | 0:11:05 | 0:11:08 | |
Any word on Phil? | 0:11:08 | 0:11:09 | |
Nothing. | 0:11:09 | 0:11:10 | |
Well, he'll be down the station with Ritchie. | 0:11:10 | 0:11:12 | |
It will be all right, won't it? | 0:11:12 | 0:11:14 | |
Yeah. Yeah, of course. Phil'll sort it. | 0:11:14 | 0:11:16 | |
All right. We're good. | 0:11:42 | 0:11:44 | |
What are we doing back here? | 0:11:45 | 0:11:46 | |
-Just get inside before somebody sees us. -Don't talk to me like that. | 0:11:46 | 0:11:49 | |
-Get off me..! -Just do as you're told for once. Yeah? | 0:11:49 | 0:11:53 | |
-Come on. -All right! | 0:11:54 | 0:11:56 | |
I need to make a phone call first, all right? | 0:12:01 | 0:12:03 | |
Not until you tell me what I'm doing here. | 0:12:03 | 0:12:07 | |
This is about Carl, isn't it? | 0:12:07 | 0:12:08 | |
That's how you knew where to find me. | 0:12:08 | 0:12:11 | |
Oh, my God. You're working for his family, aren't you? | 0:12:13 | 0:12:15 | |
You...need to make a choice. | 0:12:15 | 0:12:17 | |
You either get charged for murder, or you stay and you listen to me. | 0:12:17 | 0:12:22 | |
Which one's it going to be? | 0:12:22 | 0:12:23 | |
MUSIC PLAYS UPSTAIRS | 0:12:25 | 0:12:26 | |
I hear congratulations are in order. | 0:12:26 | 0:12:28 | |
Sorry? | 0:12:28 | 0:12:30 | |
Joining the family business. | 0:12:30 | 0:12:32 | |
Vincent's put a lot of trust in you. | 0:12:32 | 0:12:34 | |
Oh, yeah, yeah. I won't let him down. | 0:12:34 | 0:12:36 | |
Better not. This could be the start of something big for you. | 0:12:36 | 0:12:39 | |
-All right, mate? -'Ey. -You haven't seen Phil, have you? | 0:12:41 | 0:12:44 | |
No, not today, bruv. Sorry. | 0:12:44 | 0:12:46 | |
What's happening upstairs then? | 0:12:46 | 0:12:48 | |
Some private function. | 0:12:48 | 0:12:49 | |
I've left Alastair to deal with it. | 0:12:49 | 0:12:51 | |
PHIL: Oh, you think it's funny. Eh? You think it's funny? Huh? | 0:12:54 | 0:12:57 | |
I said what you all lookin' at? Eh? | 0:13:08 | 0:13:10 | |
It's all right, mate. Don't worry. He owns the gaff. You're all right. | 0:13:10 | 0:13:13 | |
Come on. Get up! | 0:13:13 | 0:13:14 | |
So Ronnie's in the nick, and you're here drinking. | 0:13:21 | 0:13:24 | |
You're an embarrassment. You know that? | 0:13:24 | 0:13:26 | |
-I need another drink. -No, you don't. You need a good slap. | 0:13:26 | 0:13:28 | |
That champagne in the kitchen. You necked that, didn't you? | 0:13:28 | 0:13:31 | |
How long's all this been going on? | 0:13:31 | 0:13:33 | |
30-odd years. | 0:13:34 | 0:13:36 | |
Look at yourself. You're a mess, Phil. | 0:13:36 | 0:13:39 | |
Why don't you shut up? Eh? | 0:13:39 | 0:13:41 | |
-Give it here. -No. You don't need it. | 0:13:44 | 0:13:47 | |
I said, give it here! | 0:13:47 | 0:13:48 | |
BOTTLE SMASHES | 0:13:48 | 0:13:50 | |
KNOCKING AT DOOR | 0:13:56 | 0:13:58 | |
Yeah. Thanks a lot. | 0:14:06 | 0:14:07 | |
Who were those men before? | 0:14:10 | 0:14:13 | |
Acquaintances. | 0:14:13 | 0:14:14 | |
And how did they know that Roxy was going to the police? | 0:14:14 | 0:14:18 | |
Because I've got connections. | 0:14:19 | 0:14:21 | |
What kind of connections? | 0:14:21 | 0:14:24 | |
Let's just say...I've got friends in special places. | 0:14:24 | 0:14:27 | |
What's that for? | 0:14:28 | 0:14:30 | |
I booked you both on a flight at 7:00 from Stansted. | 0:14:39 | 0:14:41 | |
-What're you talking about? -You can't stay here. -Why not? | 0:14:43 | 0:14:46 | |
Because the Old Bill are going to charge you with murder, that's why. | 0:14:46 | 0:14:49 | |
How do you know that? | 0:14:49 | 0:14:51 | |
Go home, pack your bags and I'll drive you to the airport. | 0:14:51 | 0:14:54 | |
I'm not going anywhere until you give me some answers. | 0:14:54 | 0:14:56 | |
-I can only buy you a few more hours. -A few more hours? Why? | 0:14:56 | 0:14:59 | |
Just trust me, all right? | 0:14:59 | 0:15:01 | |
Trust you?! | 0:15:01 | 0:15:02 | |
You bring me here, you don't tell me why, | 0:15:02 | 0:15:05 | |
you expect me to get on a plane and just disappear? | 0:15:05 | 0:15:07 | |
I'm doing it for your own good. | 0:15:07 | 0:15:09 | |
-Those acquaintances of yours... -You don't need to know nothing about them. | 0:15:10 | 0:15:13 | |
-I thought they were going to kill me. -I would never let that happen. | 0:15:13 | 0:15:17 | |
Just take the tickets, and go. | 0:15:17 | 0:15:19 | |
And then what? | 0:15:22 | 0:15:24 | |
Make a new life for yourself. Forget Carl White ever existed. | 0:15:26 | 0:15:29 | |
-My life is here. -Not any more, it ain't. | 0:15:29 | 0:15:32 | |
That poor woman on the stall earlier... | 0:15:35 | 0:15:39 | |
Did you know her? | 0:15:39 | 0:15:40 | |
Er, yeah. Yeah, she's a friend of Patrick's. | 0:15:40 | 0:15:44 | |
Breaks your heart, don't it? | 0:15:45 | 0:15:47 | |
Yeah. | 0:15:47 | 0:15:49 | |
See, that's why I hate to think | 0:15:50 | 0:15:52 | |
that there might be someone out there that's in trouble. | 0:15:52 | 0:15:56 | |
Right - I've had enough of this. What a way to treat your mother. | 0:15:58 | 0:16:02 | |
-Carmel, he's not your son. -That's beside the point. | 0:16:02 | 0:16:05 | |
Mrs Fox? | 0:16:05 | 0:16:07 | |
And you must be my mother. | 0:16:07 | 0:16:09 | |
-Yes. I'm very sorry about that. -No, she's not. We want some answers. | 0:16:09 | 0:16:12 | |
I'm afraid I told you everything I could... | 0:16:12 | 0:16:14 | |
You rock up at her house, scare the living daylights out of her, | 0:16:14 | 0:16:17 | |
and yet you can't even give her a name? | 0:16:17 | 0:16:20 | |
Our custody records are confidential. | 0:16:20 | 0:16:22 | |
Oh, really? So why have they got my details? | 0:16:22 | 0:16:24 | |
It could just be their last known address. | 0:16:24 | 0:16:26 | |
It could be just they plucked it out of thin air. | 0:16:26 | 0:16:28 | |
-So there's nothing I can do? -I'm sorry. | 0:16:28 | 0:16:30 | |
YOU'RE sorry? I'm the one lying awake wondering if someone I know's in trouble. | 0:16:30 | 0:16:34 | |
-Or worse, dead. -Yeah, thanks for that. | 0:16:34 | 0:16:36 | |
Makes you feel big, does it? Upsetting a grown woman like this. | 0:16:36 | 0:16:39 | |
As I said before... | 0:16:39 | 0:16:41 | |
You ought to loosen your collar. It's made you ever so uptight. | 0:16:41 | 0:16:44 | |
If you'll excuse me. I'm about to go on my lunch. | 0:16:44 | 0:16:47 | |
Well, don't expect any sandwiches. Or dinner, for that matter. | 0:16:47 | 0:16:51 | |
Oi, you want something? Do ya? | 0:16:53 | 0:16:54 | |
-Eh? -Will you just leave it? | 0:16:54 | 0:16:56 | |
This place needs tidying up. | 0:17:00 | 0:17:02 | |
You've been sober for what... it's gotta be five years? | 0:17:03 | 0:17:07 | |
So why now? | 0:17:08 | 0:17:09 | |
I asked you a question. | 0:17:10 | 0:17:13 | |
What, you think it's easy, do you? | 0:17:13 | 0:17:15 | |
Hm? Just walking away from it? | 0:17:15 | 0:17:18 | |
Well, you've done it before. | 0:17:19 | 0:17:21 | |
This time it's different. | 0:17:21 | 0:17:23 | |
Oh, and why is that? | 0:17:23 | 0:17:25 | |
-Answer me. -Because I need it, that's why. | 0:17:26 | 0:17:30 | |
You got any idea what it's like in here? | 0:17:32 | 0:17:35 | |
No, you ain't, have ya? Otherwise you'd need it too. | 0:17:35 | 0:17:39 | |
Is this because of what happened with Gavin? | 0:17:41 | 0:17:44 | |
You can't let him get to you like this. | 0:17:44 | 0:17:47 | |
Goodness only knows what we're going to find in here. | 0:18:04 | 0:18:07 | |
Body under the stairs. Lead piping... | 0:18:07 | 0:18:11 | |
-Lead piping? -And I want a lock fixed on that bedroom door | 0:18:11 | 0:18:13 | |
-until I can find somewhere else for us to stay. -Eh? | 0:18:13 | 0:18:17 | |
-Come on, Hon, don't talk daft. -Well, it's easy for you to say, Billy, you grew up with all this. | 0:18:17 | 0:18:21 | |
I'm just a girl from Broadstairs who just happened to marry into the wrong family. | 0:18:21 | 0:18:24 | |
I can't keep my kids here, Billy. | 0:18:24 | 0:18:26 | |
Well, where does that leave US? | 0:18:26 | 0:18:28 | |
It's simple. You either want to be with me, Will and Janet, or you want to be a Mitchell. | 0:18:28 | 0:18:31 | |
Your choice. | 0:18:31 | 0:18:33 | |
-All right? -Hey. | 0:18:40 | 0:18:43 | |
I've got the boys to start clearing up. | 0:18:43 | 0:18:46 | |
What would I do without you, eh? | 0:18:46 | 0:18:48 | |
No, I mean it. Us Mitchell women need to stick together. | 0:18:48 | 0:18:52 | |
-I'm not a Mitchell, though, am I? -Well, as good as. | 0:18:52 | 0:18:55 | |
Well, I don't think Aunt Sal likes me very much. | 0:18:55 | 0:18:57 | |
I shouldn't worry, Abi. I don't think she likes anyone. | 0:18:57 | 0:19:00 | |
Ben tried calling Phil again... | 0:19:01 | 0:19:03 | |
Still nothing? | 0:19:03 | 0:19:04 | |
He is going to be all right, isn't he? | 0:19:06 | 0:19:08 | |
He's just been through the wars these past few weeks. You know. | 0:19:08 | 0:19:12 | |
Yeah. I know Ben's worried about him. | 0:19:12 | 0:19:14 | |
Well, he needn't. Take more than this to knock him off his perch. | 0:19:14 | 0:19:16 | |
So then, what do we do now? | 0:19:18 | 0:19:19 | |
Well, lock ourselves away, I suppose. | 0:19:20 | 0:19:23 | |
Wait for the gossip to die down. | 0:19:23 | 0:19:25 | |
Unless... | 0:19:25 | 0:19:26 | |
Unless what? | 0:19:26 | 0:19:28 | |
Well, shouldn't we just style it out? | 0:19:28 | 0:19:31 | |
Spoken like a true Mitchell. | 0:19:31 | 0:19:33 | |
-Your boarding passes. -I can't. | 0:19:37 | 0:19:39 | |
We've already talked about this. | 0:19:39 | 0:19:41 | |
And what happens when they find me in Ibiza, | 0:19:41 | 0:19:43 | |
-where do I go then? -That won't happen. | 0:19:43 | 0:19:45 | |
How do you know that? | 0:19:45 | 0:19:47 | |
-Cos I can make this go away. -How? | 0:19:47 | 0:19:50 | |
I already told you, I got... I got friends in the right places. | 0:19:50 | 0:19:53 | |
Why are you doing this for me, Vincent? | 0:19:53 | 0:19:54 | |
Because despite everything I still care about you, don't I? | 0:19:54 | 0:19:57 | |
Look, me and you had something special. | 0:19:57 | 0:19:59 | |
I don't want to see you get banged up for this. | 0:19:59 | 0:20:01 | |
How long have we got? | 0:20:03 | 0:20:05 | |
I'll get you there in time. | 0:20:05 | 0:20:07 | |
Well, I need some money. | 0:20:07 | 0:20:09 | |
I went to the bank this morning. | 0:20:09 | 0:20:10 | |
See, once I know you are safely on the plane, | 0:20:13 | 0:20:18 | |
I shall go back and pick up the rest of your things. | 0:20:18 | 0:20:21 | |
Ronnie...! | 0:20:30 | 0:20:32 | |
Oh, boss! I got my set list for tonight, man. | 0:20:32 | 0:20:34 | |
-Yeah, not right now. Yeah? -Oh, oh, OK. | 0:20:34 | 0:20:36 | |
-Can I leave it inside and you can sign off on it later... -Whatever. -OK... | 0:20:36 | 0:20:41 | |
SHE PANTS | 0:20:47 | 0:20:50 | |
MUSIC: Waiting In Vain by Bob Marley and the Wailers | 0:21:12 | 0:21:15 | |
I keep getting this terrible thought, | 0:21:24 | 0:21:26 | |
-what if it's one of my kids? -Oh, don't say that. | 0:21:26 | 0:21:28 | |
Not my Libby, she's got her head screwed on. | 0:21:28 | 0:21:30 | |
-But Chelsea, she's... -When did you last speak to her? | 0:21:30 | 0:21:33 | |
It was a couple of weeks ago, but she... | 0:21:33 | 0:21:35 | |
Excuse me! That's my house. | 0:21:35 | 0:21:37 | |
Dee! Dee... | 0:21:37 | 0:21:38 | |
Oh, don't worry, Helen's looking after the shop. | 0:21:38 | 0:21:40 | |
Did you know about this? | 0:21:41 | 0:21:42 | |
-Well, I did try and tell you. -Tell me what? | 0:21:42 | 0:21:45 | |
Well - Tony, he's just over there... | 0:21:45 | 0:21:47 | |
-Tony? -Yeah, Tony. He's just having a look at some improvements. | 0:21:47 | 0:21:50 | |
What sort of improvements? | 0:21:50 | 0:21:52 | |
-Just a few cosmetic changes, that's...that's all. -Such as? | 0:21:52 | 0:21:56 | |
Well, you know, like a lick of paint, couple of bookshelves... | 0:21:56 | 0:21:59 | |
Oh. That's brilliant, because we're such big readers. | 0:21:59 | 0:22:02 | |
All right. I'm chopping it in half. | 0:22:03 | 0:22:06 | |
-Come again? -Well, look at the size of it, | 0:22:07 | 0:22:09 | |
-you don't need all that space. -I don't believe this. | 0:22:09 | 0:22:11 | |
Listen - you and Patrick can still live in your bit. I'm just selling off the rest. | 0:22:11 | 0:22:15 | |
Oh! That's all right, what am I worrying about? | 0:22:15 | 0:22:17 | |
-I think you need a drink. -Make it a large one. | 0:22:17 | 0:22:19 | |
What about me? | 0:22:19 | 0:22:21 | |
BANGING ON DOOR | 0:22:21 | 0:22:22 | |
Ronnie. Open the door. | 0:22:22 | 0:22:25 | |
I'm not leaving here until you talk to me. | 0:22:28 | 0:22:31 | |
Ronnie. Open up! | 0:22:31 | 0:22:33 | |
Do you think he's in on it too? Like Bonnie and Clive? | 0:22:34 | 0:22:37 | |
Wouldn't put anything past him. | 0:22:38 | 0:22:41 | |
-She ain't here. -Where is she? | 0:22:43 | 0:22:46 | |
Well, if she wanted you to know that, she would've told you, wouldn't she? | 0:22:46 | 0:22:49 | |
Now, you listen, right. | 0:22:51 | 0:22:53 | |
You, William and Janet are all the family that I need, OK? | 0:22:53 | 0:22:57 | |
-You really mean that? -Yes. I do really mean it. | 0:22:57 | 0:22:59 | |
-PHONE RINGS -Just get this... | 0:22:59 | 0:23:01 | |
Hello, Jay. | 0:23:03 | 0:23:04 | |
Well... Bit difficult right now... | 0:23:06 | 0:23:08 | |
-OK, give me five minutes. -That didn't take long, did it? | 0:23:10 | 0:23:13 | |
-It's Phil. -Oh, do you know what, just go. | 0:23:13 | 0:23:15 | |
It's quite obvious where your priorities are. | 0:23:15 | 0:23:17 | |
Are you sure we're supposed to be in here? | 0:23:24 | 0:23:26 | |
I'd rather that than give this lot something to gossip about. | 0:23:26 | 0:23:30 | |
Right, Tracey, can we have a white wine and a G&T, please? | 0:23:30 | 0:23:33 | |
I hear you're making the arrangements for Linda's hen do. | 0:23:33 | 0:23:36 | |
Yeah. Yeah, more fool me, eh? | 0:23:36 | 0:23:38 | |
I want it to be special for her. | 0:23:38 | 0:23:40 | |
Not get caught up in all this Christmas madness. | 0:23:40 | 0:23:42 | |
So what're you doing? | 0:23:42 | 0:23:43 | |
You'll find out soon enough. | 0:23:43 | 0:23:44 | |
Then I'd better give this to you now. | 0:23:44 | 0:23:46 | |
Elaine left it for you to give to Linda as a surprise. | 0:23:46 | 0:23:49 | |
Rather not, if you don't mind. | 0:23:49 | 0:23:51 | |
You seen Phil today? | 0:23:53 | 0:23:55 | |
-He's busy. -Family business. | 0:23:55 | 0:23:57 | |
Is that what you call it? | 0:23:57 | 0:23:58 | |
What you getting at? | 0:23:58 | 0:23:59 | |
You really don't know your husband, do you? | 0:23:59 | 0:24:03 | |
MUSIC: Stir It Up by Bob Marley and the Wailers | 0:24:07 | 0:24:11 | |
-What's wrong with him? -Well, he's been drinking, hasn't he? | 0:24:58 | 0:25:01 | |
-Since when? -Don't know. Just help me get him out of here, yeah? | 0:25:01 | 0:25:04 | |
Right, come on, Phil. Coming back to mine. | 0:25:04 | 0:25:06 | |
Get off me, will you? | 0:25:06 | 0:25:08 | |
Look at the state of you. You're a mess. | 0:25:08 | 0:25:10 | |
That's good. Coming from you. | 0:25:10 | 0:25:12 | |
Oh, don't start all that again. | 0:25:12 | 0:25:14 | |
Oh, Billy, look at ya. Always the runt of the litter, in't ya? | 0:25:14 | 0:25:17 | |
Don't even rise to it, Bill, let's just get him out before Sharon finds out. | 0:25:17 | 0:25:20 | |
Too late. | 0:25:20 | 0:25:22 | |
Oh, come on then, Pearly. | 0:25:27 | 0:25:29 | |
Let's get you out of that stinky nappy. | 0:25:29 | 0:25:32 | |
Yeah...? | 0:25:32 | 0:25:34 | |
What you doing here? | 0:25:34 | 0:25:36 | |
Oh, I was just doing my... my set list for Vincent. | 0:25:36 | 0:25:39 | |
OK - not so fast. | 0:25:40 | 0:25:42 | |
No... | 0:25:42 | 0:25:44 | |
Is that your set list? | 0:25:47 | 0:25:49 | |
Ne-Yo, Rudimental? | 0:25:49 | 0:25:53 | |
Nah... You see, what you need is some classics. | 0:25:53 | 0:25:55 | |
Like...Luther, Whitney, Janet Kay, Bob Marley... | 0:25:55 | 0:25:59 | |
Ki...Ki...Kimmy, I would love to but I really got to go. | 0:25:59 | 0:26:02 | |
Listen - Vincent might pay your wages but half that bar is mine through marriage. | 0:26:02 | 0:26:06 | |
So let me just amend some of this, yeah? | 0:26:06 | 0:26:08 | |
Yeah, fine... But I've really got to go and find Vincent. | 0:26:08 | 0:26:10 | |
-Oh, actually - I want to talk to you about him... -Let's do that. But let's do it later. All right? | 0:26:10 | 0:26:14 | |
So I will see you later, Kimmy. Pearly, I'll see you later. Bye! | 0:26:14 | 0:26:19 | |
-(Oh...) -DOOR CLOSES | 0:26:21 | 0:26:23 | |
What the hell are you doing? | 0:26:35 | 0:26:37 | |
Look, I'll claim self-defence. | 0:26:38 | 0:26:41 | |
ANYTHING is better than running from the police for the rest of my life. | 0:26:41 | 0:26:44 | |
What if you slip up? | 0:26:44 | 0:26:45 | |
Mm? | 0:26:45 | 0:26:47 | |
Look, If I've learnt anything from Phil, it's how to cover my tracks. | 0:26:47 | 0:26:50 | |
-I'm not going to let you do this. -You don't have a choice. | 0:26:51 | 0:26:54 | |
-Listen... -If you don't get your hands off me, I swear... | 0:26:54 | 0:26:56 | |
There is nothing you can say to them that I don't know already. | 0:26:56 | 0:27:00 | |
And what are you, the police? | 0:27:00 | 0:27:02 | |
Oh, my God. You are, aren't you? | 0:27:05 | 0:27:08 |