Browse content similar to 21/01/2016. Check below for episodes and series from the same categories and more!
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I don't understand why you're scared of me. | 0:00:27 | 0:00:29 | |
I just wanted to talk to you. | 0:00:29 | 0:00:31 | |
-She don't want to talk to you. This ain't the first time he's done this. -You don't understand... | 0:00:31 | 0:00:35 | |
-No! You-You stay there. -Stacey, please. | 0:00:35 | 0:00:37 | |
-Someone do something! Please! -Stacey, come on, sweetheart. | 0:00:37 | 0:00:40 | |
No, Alfie, please, just get him out! | 0:00:40 | 0:00:42 | |
Get him out, just hit him. Get him out! | 0:00:42 | 0:00:44 | |
Look, I told you before, if I saw you again, I'd call the police. | 0:00:44 | 0:00:47 | |
Don't pretend you don't know him! | 0:00:47 | 0:00:50 | |
How would I know him? | 0:00:50 | 0:00:51 | |
You're a demon. | 0:00:51 | 0:00:53 | |
You can't cross that. | 0:00:57 | 0:00:59 | |
You can't cross that. | 0:00:59 | 0:01:00 | |
You thought you could trick me - and make me weak - | 0:01:00 | 0:01:03 | |
but God showed me what you really are - he showed me what you want. | 0:01:03 | 0:01:05 | |
-Stace... -Mum! Mum, they're trying to take my baby. | 0:01:05 | 0:01:08 | |
Stace, you're not very well. | 0:01:08 | 0:01:09 | |
No, Mum, look at him! Look at him, just look at him! | 0:01:09 | 0:01:14 | |
Mummy? | 0:01:14 | 0:01:15 | |
No. This... | 0:01:28 | 0:01:29 | |
This is where they expect us to be, they're trying to trap us. | 0:01:29 | 0:01:33 | |
But I'm going to keep you safe, Arthur. I'll keep you safe. | 0:01:33 | 0:01:36 | |
You need to go. | 0:01:39 | 0:01:40 | |
But you know who I am! | 0:01:40 | 0:01:41 | |
I don't care who you are! | 0:01:41 | 0:01:44 | |
You've seen it now. The damage you've caused. | 0:01:44 | 0:01:47 | |
Just stay away from my daughter. | 0:01:47 | 0:01:50 | |
Do you know him? | 0:01:53 | 0:01:54 | |
Course not. | 0:01:54 | 0:01:56 | |
Only it seemed like you did. | 0:01:56 | 0:01:57 | |
Let's not get sidetracked. We need to go and find Stacey, all right? | 0:01:57 | 0:02:01 | |
Where's Martin? | 0:02:01 | 0:02:02 | |
Stacey! | 0:02:04 | 0:02:05 | |
Stacey! | 0:02:06 | 0:02:07 | |
Stacey! | 0:02:11 | 0:02:13 | |
HIGH-PITCHED HUMMING IN BACKGROUND | 0:02:13 | 0:02:15 | |
It's just a candle, OK? | 0:02:16 | 0:02:18 | |
HUMMING STOPS | 0:02:18 | 0:02:20 | |
I know you said no lights, but... | 0:02:20 | 0:02:22 | |
candles are OK, right? | 0:02:22 | 0:02:24 | |
Candles are OK. | 0:02:25 | 0:02:27 | |
Candles are good. | 0:02:27 | 0:02:28 | |
It's like church. | 0:02:28 | 0:02:29 | |
Do you want to tell us what's up? | 0:02:34 | 0:02:36 | |
I need to go somewhere safer. | 0:02:36 | 0:02:38 | |
I have to be a good mum, I have to look after him. | 0:02:38 | 0:02:40 | |
I can't...I can't stay here. I need a cab. | 0:02:42 | 0:02:44 | |
Will you get me a cab? | 0:02:44 | 0:02:45 | |
-To go where? -I don't know. | 0:02:45 | 0:02:47 | |
But God can't talk to me here any more, there's too much dirty air. | 0:02:47 | 0:02:51 | |
Arthur said that I had to go to the church, but... | 0:02:51 | 0:02:53 | |
He'll find me there. But I wasn't...I wasn't brave enough. | 0:02:53 | 0:02:58 | |
I wasn't strong enough! | 0:02:58 | 0:02:59 | |
-Stacey, what's happened? -Please, I need a cab. | 0:03:02 | 0:03:05 | |
Please, can you just get me a cab to take me to the church, | 0:03:05 | 0:03:07 | |
and he'll have a message. | 0:03:07 | 0:03:09 | |
I know what to do, I know where's safe. | 0:03:09 | 0:03:10 | |
-Why don't I just give Martin a call and get him to come and pick you up? -No, no, no! | 0:03:10 | 0:03:14 | |
I won't let him take my baby. | 0:03:14 | 0:03:16 | |
Stace? | 0:03:18 | 0:03:20 | |
Stacey? | 0:03:20 | 0:03:22 | |
DOOR BUZZER | 0:03:29 | 0:03:31 | |
-Stace? -'Let me in, Martin. | 0:03:33 | 0:03:35 | |
'Let me in, Martin.' | 0:03:36 | 0:03:38 | |
This is insane. This is Martin we're talking about here. | 0:03:39 | 0:03:42 | |
Let's go and find him and talk to him and we can sort all this out. | 0:03:42 | 0:03:45 | |
No! He's not what you think. He wants to hurt Arthur. | 0:03:45 | 0:03:49 | |
You don't see what I see. | 0:03:49 | 0:03:50 | |
OK, OK. | 0:03:53 | 0:03:55 | |
Er...what do you see? | 0:03:56 | 0:03:58 | |
He's a demon. | 0:04:03 | 0:04:04 | |
The Devil sent him to trick me. | 0:04:06 | 0:04:08 | |
To make me feel safe. | 0:04:08 | 0:04:09 | |
But I can see him now. | 0:04:09 | 0:04:10 | |
I can smell the Devil on him. | 0:04:10 | 0:04:12 | |
And I had to be brave. | 0:04:12 | 0:04:14 | |
I had to go to the church and speak to God. | 0:04:14 | 0:04:16 | |
Find where's safe. Then the Devil came. | 0:04:16 | 0:04:18 | |
And I fought him, I did, I really tried to be brave, | 0:04:19 | 0:04:22 | |
but he's still out there... | 0:04:22 | 0:04:24 | |
He's out there and he's not going to stop until he has my baby. | 0:04:24 | 0:04:27 | |
Why does the Devil want Arthur? | 0:04:28 | 0:04:30 | |
Look at him! | 0:04:31 | 0:04:33 | |
Look! Look! Look at him! Look! | 0:04:35 | 0:04:37 | |
He's the Lord of Light, he's come again, he's the Son of God. | 0:04:39 | 0:04:44 | |
I told her that... That God had sent me to help her. | 0:04:48 | 0:04:51 | |
JEAN SIGHS HEAVILY | 0:04:53 | 0:04:54 | |
Well, I didn't know that it was going to get this bad, did I? | 0:04:54 | 0:04:57 | |
I just thought I could help her through, you know, | 0:04:59 | 0:05:02 | |
it'd settle down and she'd get better. | 0:05:02 | 0:05:04 | |
You should have called me. | 0:05:06 | 0:05:08 | |
You were on a cruise. | 0:05:08 | 0:05:09 | |
YOU SHOULD HAVE CALLED ME! | 0:05:09 | 0:05:10 | |
MOBILE PHONE RINGS | 0:05:13 | 0:05:16 | |
-Kush, now is not a good time... -'She's here.' | 0:05:18 | 0:05:21 | |
Stacey, she's here, at the flat. | 0:05:21 | 0:05:22 | |
She's saying some pretty crazy stuff, mate. | 0:05:22 | 0:05:26 | |
Something's seriously wrong. | 0:05:27 | 0:05:29 | |
I think you should get here soon as. | 0:05:29 | 0:05:31 | |
Yeah, I'm coming. Now. | 0:05:31 | 0:05:33 | |
Where is she? | 0:05:33 | 0:05:34 | |
Kush and Shabnam's. I'm going to go and see her. | 0:05:34 | 0:05:36 | |
Bring her home. And then, then we can talk. | 0:05:36 | 0:05:39 | |
No. We call her doctor first and get that put in place. | 0:05:39 | 0:05:41 | |
No. Look, she doesn't think she's ill. | 0:05:41 | 0:05:44 | |
If you just send a doctor in there out of the blue, | 0:05:44 | 0:05:47 | |
that sort of thing will send her over the edge. | 0:05:47 | 0:05:49 | |
Over the edge? You were there in the Vic! | 0:05:49 | 0:05:53 | |
I know. | 0:05:54 | 0:05:55 | |
Please, please. | 0:05:56 | 0:05:58 | |
I can make this right. | 0:06:01 | 0:06:02 | |
She trusts me. | 0:06:03 | 0:06:05 | |
Well, at least she did until today. | 0:06:05 | 0:06:07 | |
And that... that trust, that's all we've got. | 0:06:09 | 0:06:12 | |
Just let me talk to her. | 0:06:14 | 0:06:16 | |
She needs professional help. | 0:06:16 | 0:06:17 | |
I know that. | 0:06:17 | 0:06:18 | |
Just give me one chance to help her see that for herself. | 0:06:21 | 0:06:26 | |
-Thank you, Patrick. -Nan not coming? | 0:06:31 | 0:06:33 | |
Hardly the person to ask, am I? | 0:06:33 | 0:06:36 | |
You seemed to be getting on much better earlier. | 0:06:36 | 0:06:38 | |
We were. And then we weren't. | 0:06:38 | 0:06:39 | |
I blame you an' your seize-the-day. | 0:06:39 | 0:06:42 | |
Seize the day. Yeah, man. | 0:06:42 | 0:06:44 | |
Don't give up on her, Grandad. | 0:06:46 | 0:06:48 | |
Never. You find the one you love, work to get 'em. | 0:06:48 | 0:06:50 | |
Work to keep 'em. Never surrender. | 0:06:50 | 0:06:52 | |
She's not answering. | 0:06:58 | 0:07:00 | |
Kat, I wouldn't worry about it. Jean and Martin are on the case. Nothing we can do for 'em now. | 0:07:00 | 0:07:04 | |
I should've done something before, it's obvious she weren't right. | 0:07:04 | 0:07:07 | |
You did do something. You missed your dad's funeral so you could stay with her. | 0:07:07 | 0:07:10 | |
But I didn't stay with her, did I? | 0:07:10 | 0:07:12 | |
I should've took her hand in mine and held her tight. | 0:07:12 | 0:07:15 | |
Looking for a new place? | 0:07:19 | 0:07:21 | |
I can't stay at my Dad's. Not after what he's done. | 0:07:21 | 0:07:23 | |
Ian ain't got the space. | 0:07:23 | 0:07:25 | |
And when were you planning on telling me, | 0:07:26 | 0:07:28 | |
before or after the removal van turned up? | 0:07:28 | 0:07:30 | |
We ain't going far. | 0:07:30 | 0:07:32 | |
-We? -Me and Abi. | 0:07:32 | 0:07:34 | |
Where's Abi now? | 0:07:38 | 0:07:39 | |
She's working late. | 0:07:39 | 0:07:41 | |
So she won't object if you buy me a drink then? | 0:07:42 | 0:07:44 | |
Nance. | 0:07:46 | 0:07:48 | |
Poor kid. Breaks your heart. | 0:07:50 | 0:07:53 | |
Nan's told me a bit about her troubles. | 0:07:53 | 0:07:55 | |
This is the bipolar thing, right? | 0:07:55 | 0:07:57 | |
Well, we don't know what it is yet. She just might be ill. | 0:07:57 | 0:08:00 | |
Expect they'll end up dragging her off again. | 0:08:00 | 0:08:02 | |
But that's for the best though, ain't it? | 0:08:02 | 0:08:04 | |
It can't be safe for her, walking the streets like that. | 0:08:04 | 0:08:06 | |
We don't know yet. There might be other options. | 0:08:06 | 0:08:09 | |
You saw her. Screaming and shouting, throwing glasses around? | 0:08:09 | 0:08:13 | |
I'm sorry, but she needs help | 0:08:13 | 0:08:15 | |
-and if that means locking her up, then... -Kat! | 0:08:15 | 0:08:19 | |
ALFIE SIGHS | 0:08:20 | 0:08:21 | |
-Belinda, I'm sorry. -No, no, no. Let me go. | 0:08:21 | 0:08:24 | |
Kat! | 0:08:29 | 0:08:31 | |
Kat, come back, please. | 0:08:31 | 0:08:34 | |
Look, I'm sorry, OK? | 0:08:34 | 0:08:36 | |
You know what I'm like, | 0:08:36 | 0:08:37 | |
my mouth shoots off, and my brain can't catch up. | 0:08:37 | 0:08:40 | |
Are you seriously going to make me run over there in these heels? | 0:08:42 | 0:08:45 | |
Fine. | 0:08:45 | 0:08:47 | |
You're really worried about Stacey, aren't you? | 0:08:54 | 0:08:57 | |
Get him to the church. | 0:09:00 | 0:09:01 | |
Get him to the church. | 0:09:01 | 0:09:03 | |
He'll tell me what to do. He'll tell me where's safe. | 0:09:03 | 0:09:06 | |
Kush is still trying to get a cab. But, here... | 0:09:09 | 0:09:12 | |
You asked for some paper. And a pen. | 0:09:15 | 0:09:18 | |
(Yeah.) | 0:09:20 | 0:09:21 | |
SHE CLEARS HER THROAT | 0:09:28 | 0:09:29 | |
What are you writing? | 0:09:29 | 0:09:31 | |
Arthur, Arthur tells me things. | 0:09:33 | 0:09:34 | |
I have to write them down - just like they did with the Bible, | 0:09:34 | 0:09:37 | |
otherwise no-one will ever know. In the future. They won't know. | 0:09:37 | 0:09:40 | |
I have to write it down. | 0:09:40 | 0:09:41 | |
So he talks to you? | 0:09:46 | 0:09:47 | |
Yeah, all the time. In my head. All the time. | 0:09:47 | 0:09:49 | |
And...um... | 0:09:51 | 0:09:53 | |
..he told you that he's God's son? | 0:09:55 | 0:09:58 | |
No. | 0:09:59 | 0:10:00 | |
No, I told you. | 0:10:00 | 0:10:02 | |
Ages ago. Remember when I was electrocuted. | 0:10:02 | 0:10:05 | |
The bright light. Too bright to bear. | 0:10:05 | 0:10:08 | |
-And the angel. -Um... -The beautiful, shining angel. | 0:10:08 | 0:10:13 | |
Yeah, you said you saw your dad. | 0:10:13 | 0:10:15 | |
Yeah, I did. | 0:10:15 | 0:10:18 | |
He's an angel. | 0:10:19 | 0:10:20 | |
I didn't understand it then, but I do now, and... | 0:10:22 | 0:10:24 | |
He's an angel. | 0:10:26 | 0:10:27 | |
He just stood there, with the light glistening, and he told me, | 0:10:29 | 0:10:35 | |
he told me that my baby was going to be God's son. | 0:10:35 | 0:10:38 | |
Er...that's... | 0:10:41 | 0:10:42 | |
That's not what you said happened. | 0:10:42 | 0:10:44 | |
Well, I can't tell you everything. I have to keep him safe. | 0:10:44 | 0:10:48 | |
He's got enemies... He's got so many enemies. | 0:10:48 | 0:10:52 | |
They want to kill him. | 0:10:52 | 0:10:53 | |
Just like the first time. With Herod. | 0:10:53 | 0:10:55 | |
And the massacre. That was all the Devil's doing. | 0:10:55 | 0:10:58 | |
But I have to keep him safe, I'm a good mum. | 0:10:59 | 0:11:02 | |
I don't expect you to believe me. It took me ages. | 0:11:04 | 0:11:07 | |
But I understand now. | 0:11:07 | 0:11:09 | |
He'll save the world. | 0:11:09 | 0:11:12 | |
No. | 0:11:12 | 0:11:13 | |
Stacey, he is not the Second Coming. | 0:11:13 | 0:11:15 | |
Yeah, he will save the world! | 0:11:15 | 0:11:17 | |
-He's not God's son. -You don't know what I do! | 0:11:17 | 0:11:19 | |
He's not God's son. He is Kush's son. | 0:11:19 | 0:11:22 | |
-Where is she? -She's in the front room with Shabs. | 0:11:30 | 0:11:32 | |
She doesn't know you're coming. | 0:11:32 | 0:11:34 | |
And, er... | 0:11:34 | 0:11:35 | |
she's scared of you. | 0:11:35 | 0:11:36 | |
Get me some glasses. | 0:11:42 | 0:11:43 | |
The guilt of what you have done has made you ill. | 0:11:48 | 0:11:52 | |
No... | 0:11:52 | 0:11:54 | |
Yeah. | 0:11:54 | 0:11:55 | |
And maybe I can...I can forgive you. | 0:11:55 | 0:11:57 | |
You don't need you to forgive me. It doesn't matter. | 0:11:57 | 0:12:00 | |
None of that matters now. | 0:12:00 | 0:12:03 | |
God chose Kush. That wasn't my plan - that was His. | 0:12:03 | 0:12:06 | |
No... Get out! | 0:12:18 | 0:12:19 | |
Get out, make him go! | 0:12:19 | 0:12:20 | |
-It's all right. -Make him go, please, make him go! | 0:12:20 | 0:12:22 | |
I'm just going to stand here. | 0:12:22 | 0:12:24 | |
The door's open. You can leave whenever you want. | 0:12:24 | 0:12:26 | |
No, I can't, I can't, because he's out there, he's waiting for us. | 0:12:26 | 0:12:30 | |
Take her the glass. | 0:12:30 | 0:12:31 | |
Kush, take her the glass. | 0:12:32 | 0:12:33 | |
Just put them down on the floor in front of her. | 0:12:35 | 0:12:37 | |
OK? | 0:12:37 | 0:12:38 | |
You said broken glass protects him. | 0:12:47 | 0:12:49 | |
This morning. You said that. Remember? | 0:12:50 | 0:12:53 | |
And just now in the pub. | 0:12:53 | 0:12:55 | |
Broken glass. Between me and Arthur. | 0:12:55 | 0:12:57 | |
To keep me away. To stop me... | 0:12:57 | 0:13:00 | |
To stop me hurting him. | 0:13:02 | 0:13:04 | |
Break the glass, Stace. | 0:13:06 | 0:13:08 | |
Then you'll be safe. | 0:13:08 | 0:13:09 | |
How can she be OK after all this? | 0:13:12 | 0:13:15 | |
She's been through it before, ain't she? Nan told me. | 0:13:15 | 0:13:17 | |
She came through it then, she'll come through it again. | 0:13:17 | 0:13:20 | |
They'll fix her up, good as new. | 0:13:20 | 0:13:21 | |
No, she'll have scars. Deep scars. | 0:13:21 | 0:13:23 | |
I know. | 0:13:24 | 0:13:27 | |
What happened to you was different. | 0:13:27 | 0:13:29 | |
Different time. | 0:13:29 | 0:13:30 | |
And you were a child. But you got over it. | 0:13:30 | 0:13:33 | |
You pulled through. | 0:13:33 | 0:13:34 | |
Look at you now, eh? Lovely husband. | 0:13:34 | 0:13:38 | |
-Three gorgeous kids - sorry, four gorgeous kids. -Five. | 0:13:38 | 0:13:42 | |
I've got five kids. | 0:13:42 | 0:13:45 | |
So I'm not over it, Belinda, I'm not even close. | 0:13:45 | 0:13:48 | |
BROKEN GLASS CLINKS | 0:13:50 | 0:13:52 | |
Do you feel better now? | 0:13:56 | 0:13:58 | |
You can't have him. | 0:13:58 | 0:13:59 | |
I don't want him. | 0:13:59 | 0:14:01 | |
I just want you to feel safe. | 0:14:01 | 0:14:03 | |
I don't feel safe with you here. | 0:14:03 | 0:14:04 | |
But you're my girl, Stace. | 0:14:07 | 0:14:09 | |
And that is my son. | 0:14:09 | 0:14:10 | |
It is my job to keep you safe. | 0:14:10 | 0:14:13 | |
I'm going to give you a bit of space... | 0:14:17 | 0:14:19 | |
No, don't go. Please. Don't leave me with him. | 0:14:19 | 0:14:22 | |
I don't know how to make you trust me again. | 0:14:24 | 0:14:27 | |
I don't know how to make it right. | 0:14:29 | 0:14:30 | |
Cos you keep seeing things that nobody else can see, Stace. | 0:14:32 | 0:14:35 | |
No, it's real. | 0:14:35 | 0:14:37 | |
You saw the devil. | 0:14:37 | 0:14:39 | |
That wasn't the devil, that was just some weird kid. | 0:14:39 | 0:14:42 | |
You don't see what I see. | 0:14:42 | 0:14:44 | |
You keep saying that. | 0:14:44 | 0:14:45 | |
So tell me - what do you see? | 0:14:46 | 0:14:49 | |
When you look at me, what do you see? | 0:14:51 | 0:14:53 | |
-Look at me, Stace. -No. | 0:14:56 | 0:14:58 | |
-Please. -No, Arthur says that's how you'll do it. | 0:14:58 | 0:15:00 | |
That's how you'll get inside my head. | 0:15:00 | 0:15:02 | |
Stacey... | 0:15:02 | 0:15:03 | |
look at me. | 0:15:03 | 0:15:05 | |
Please. | 0:15:05 | 0:15:07 | |
There's no devils, no demons. | 0:15:14 | 0:15:17 | |
It's me. | 0:15:17 | 0:15:19 | |
Can you see me, Stacey? | 0:15:22 | 0:15:23 | |
Can you see ME? | 0:15:26 | 0:15:27 | |
That's good. | 0:15:31 | 0:15:32 | |
And I can see you. | 0:15:33 | 0:15:35 | |
I see you and my boy. | 0:15:38 | 0:15:40 | |
And I love you. | 0:15:42 | 0:15:44 | |
I love you both. | 0:15:44 | 0:15:45 | |
And if I wanted to hurt you and Arthur... | 0:15:53 | 0:15:57 | |
..I wouldn't be able to cross this line, would I? | 0:15:59 | 0:16:01 | |
And you know that, right? | 0:16:01 | 0:16:03 | |
Stacey? | 0:16:03 | 0:16:04 | |
But if I can... | 0:16:08 | 0:16:09 | |
..that has to mean something. | 0:16:10 | 0:16:12 | |
That means that... | 0:16:14 | 0:16:15 | |
..you were wrong. | 0:16:16 | 0:16:18 | |
It's just me, Stace. It's Martin. | 0:16:32 | 0:16:34 | |
I was sure. I was so sure. | 0:16:39 | 0:16:41 | |
It's OK, Stacey. | 0:16:41 | 0:16:43 | |
It's OK. | 0:16:43 | 0:16:44 | |
Am... | 0:16:47 | 0:16:48 | |
Am I... | 0:16:49 | 0:16:51 | |
Am I ill? | 0:16:52 | 0:16:53 | |
I just want to feel safe. | 0:16:57 | 0:16:58 | |
And you can. Just not here. | 0:16:58 | 0:17:00 | |
Not any more. | 0:17:00 | 0:17:01 | |
Then I have to go. | 0:17:01 | 0:17:02 | |
-Where do you want to go, Stace? -I have to go to the church. | 0:17:02 | 0:17:05 | |
He'll tell me where's safe. He's got a message. | 0:17:05 | 0:17:07 | |
No, no. The church ain't any safer than here. | 0:17:07 | 0:17:11 | |
I just want to feel safe, I'm so scared, please help me. | 0:17:11 | 0:17:14 | |
There is somewhere. But you have to trust me. | 0:17:18 | 0:17:21 | |
-Do you trust me? -I don't know. | 0:17:23 | 0:17:27 | |
I think so. | 0:17:27 | 0:17:28 | |
I think so, yeah. | 0:17:31 | 0:17:33 | |
Yeah, I just... I just want to feel safe. | 0:17:33 | 0:17:36 | |
OK. | 0:17:37 | 0:17:39 | |
We have to get you to the hospital. | 0:17:39 | 0:17:40 | |
It's the only place that's safe now. For you. | 0:17:43 | 0:17:47 | |
And especially for Arthur. | 0:17:47 | 0:17:48 | |
Do you understand? | 0:17:51 | 0:17:52 | |
And he can stay with me? | 0:17:53 | 0:17:55 | |
You promise me that he can stay with me? | 0:17:55 | 0:17:58 | |
I promise. | 0:17:58 | 0:18:00 | |
And it's safe? | 0:18:00 | 0:18:02 | |
Yeah. | 0:18:02 | 0:18:03 | |
Do you want me to take you there? | 0:18:05 | 0:18:07 | |
Come on. | 0:18:08 | 0:18:09 | |
Apparently Mum thought that no-one would believe that she'd been | 0:18:20 | 0:18:23 | |
carrying twins, so she got rid of one of them. | 0:18:23 | 0:18:25 | |
She thought the boy would turn out like Harry. Evil. | 0:18:25 | 0:18:28 | |
So she packed him off. | 0:18:28 | 0:18:29 | |
I can't believe she'd do that. | 0:18:31 | 0:18:33 | |
There's no surprise there. | 0:18:34 | 0:18:36 | |
Always were Team Mum, weren't you? | 0:18:36 | 0:18:38 | |
Come on, that's not fair. | 0:18:38 | 0:18:40 | |
No, life ain't fair. | 0:18:40 | 0:18:41 | |
Having your son stolen ain't fair. | 0:18:41 | 0:18:43 | |
And if you don't believe me, you ask Nan. | 0:18:43 | 0:18:46 | |
Nan knew? | 0:18:46 | 0:18:47 | |
I don't blame her. | 0:18:48 | 0:18:50 | |
This has got Viv's fingerprints all over it. | 0:18:50 | 0:18:53 | |
Did he have a name? | 0:18:56 | 0:18:57 | |
Luke. | 0:18:59 | 0:19:00 | |
Probably changed now. | 0:19:01 | 0:19:02 | |
And you've got absolutely no idea where he is? | 0:19:04 | 0:19:07 | |
Ireland. | 0:19:07 | 0:19:08 | |
Was a Catholic adoption. | 0:19:09 | 0:19:11 | |
Could be anywhere now. | 0:19:12 | 0:19:14 | |
What? What is it? | 0:19:18 | 0:19:19 | |
Well, it's probably nothing. | 0:19:22 | 0:19:24 | |
Do you remember when Mum took us all up to Ireland? | 0:19:24 | 0:19:27 | |
I've never been to Ireland. | 0:19:28 | 0:19:29 | |
Not you. | 0:19:29 | 0:19:30 | |
Me, Mum, Maureen and Zoe. | 0:19:30 | 0:19:33 | |
You'd have been, what, 15? | 0:19:33 | 0:19:35 | |
You didn't want to go, so you stayed at home with Dad and Lynne. | 0:19:37 | 0:19:40 | |
She took us up in the van, and one day, drove us out to this village. | 0:19:42 | 0:19:45 | |
Left us in a playground. | 0:19:45 | 0:19:47 | |
She went to a church, said she had to pray. | 0:19:47 | 0:19:50 | |
When she came out, it was obvious she'd been crying. | 0:19:52 | 0:19:54 | |
And I asked her what was wrong, and she said... | 0:19:54 | 0:19:56 | |
She said, "It's all Kat's fault." | 0:19:58 | 0:20:01 | |
That don't surprise me. | 0:20:01 | 0:20:03 | |
But I don't understand. | 0:20:03 | 0:20:05 | |
What has that got to do with my son? | 0:20:05 | 0:20:08 | |
As we were driving away, I turned round and looked back at the church, | 0:20:08 | 0:20:11 | |
and there were these two people staring at us, watching us go. | 0:20:11 | 0:20:14 | |
One of them was holding a little boy. | 0:20:17 | 0:20:19 | |
Can you remember what this village was called? | 0:20:25 | 0:20:28 | |
Redwater. | 0:20:28 | 0:20:29 | |
HE TRAMPLES ON BROKEN GLASS | 0:20:35 | 0:20:36 | |
You know, whatever happens with Stacey, | 0:20:46 | 0:20:48 | |
we still need to tell Martin, and we need to do it soon. | 0:20:48 | 0:20:51 | |
What? You really think we can do that to him? | 0:20:52 | 0:20:55 | |
After what we've just seen? | 0:20:55 | 0:20:57 | |
Martin says you're going into hospital. | 0:21:05 | 0:21:07 | |
Yeah, it's safe. | 0:21:07 | 0:21:08 | |
Safe? | 0:21:08 | 0:21:10 | |
Yeah, for Arthur. | 0:21:10 | 0:21:11 | |
Mum, Mum, we have to trust Martin. | 0:21:11 | 0:21:13 | |
The Devil tried to turn me against him, but God showed me the truth. | 0:21:13 | 0:21:17 | |
Martin is our protector. | 0:21:17 | 0:21:19 | |
Arthur's going to be safe in hospital. | 0:21:19 | 0:21:21 | |
It's not about Arthur, Stacey. | 0:21:23 | 0:21:24 | |
But, Mum, they'll never get him there. He'll be safe. | 0:21:24 | 0:21:27 | |
Darling... | 0:21:27 | 0:21:28 | |
it's you that needs to be in the hospital. | 0:21:28 | 0:21:31 | |
You're... | 0:21:31 | 0:21:32 | |
You're not well. | 0:21:32 | 0:21:33 | |
No! Mum, you'll see. You'll see, I'm telling you. | 0:21:33 | 0:21:35 | |
One day you will see! You'll see that Arthur is all that matters. | 0:21:35 | 0:21:39 | |
Martin understands. | 0:21:39 | 0:21:41 | |
Has Martin said that Arthur's going to stay with you in the hospital? | 0:21:41 | 0:21:44 | |
Yeah, that's why we're going. We're going there cos it's safe, Mum, it's the only place that is safe. | 0:21:44 | 0:21:49 | |
I was thinking, when you've got a night off, we should go to the cinema. | 0:21:59 | 0:22:04 | |
See what? | 0:22:04 | 0:22:05 | |
Does it matter? | 0:22:05 | 0:22:06 | |
How about tonight? | 0:22:09 | 0:22:10 | |
Boys, I think I might have overdone it on the old catering, | 0:22:11 | 0:22:14 | |
so help yourselves, knock yourselves out, yeah? | 0:22:14 | 0:22:16 | |
You know, you have to have spent those years together in order | 0:22:16 | 0:22:19 | |
for that bond to grow, and when it does, you know, it's like gold. | 0:22:19 | 0:22:22 | |
You can't just get it after a couple of weeks, or even, you know, a couple of years. | 0:22:22 | 0:22:26 | |
It's when you're so comfortable with each other that you know... | 0:22:27 | 0:22:31 | |
All right? | 0:22:33 | 0:22:34 | |
Oh, you're back early. | 0:22:34 | 0:22:36 | |
I got my shifts mixed up. | 0:22:36 | 0:22:37 | |
Anyone would think that you weren't happy to see me. | 0:22:37 | 0:22:40 | |
'Course I am. | 0:22:40 | 0:22:42 | |
Maybe we should get back and look at property websites. | 0:22:42 | 0:22:45 | |
We were just going to get some food, weren't we? | 0:22:45 | 0:22:47 | |
Well, we've got to take this seriously, Ben. Like a second job. | 0:22:47 | 0:22:50 | |
Do you have any idea how hard it is to find somewhere reasonable to live in London? | 0:22:50 | 0:22:54 | |
-My mate's got a yurt. You can borrow that if you like. -A yurt? What's a yurt? | 0:22:54 | 0:22:58 | |
It's kinda like a posh wigwam. | 0:22:58 | 0:22:59 | |
BEN LAUGHS | 0:22:59 | 0:23:01 | |
Fine. You stay here eating and drinking all evening, | 0:23:01 | 0:23:04 | |
and I'll find us somewhere to live. | 0:23:04 | 0:23:06 | |
Abi! | 0:23:06 | 0:23:07 | |
What about the cinema? | 0:23:12 | 0:23:13 | |
Another time. | 0:23:13 | 0:23:14 | |
Have you phoned the ward | 0:23:26 | 0:23:28 | |
to find out if they've got mother and baby facilities? | 0:23:28 | 0:23:31 | |
-No. -So how can you promise that he'll be able to stay with her? | 0:23:31 | 0:23:35 | |
Well, I'll talk to them. If they haven't got baby equipment, then I'll nip back. | 0:23:35 | 0:23:38 | |
Jean, he has thought it through. | 0:23:38 | 0:23:40 | |
And if they refuse? | 0:23:40 | 0:23:41 | |
-Then I'll bring her home. -JEAN SCOFFS | 0:23:42 | 0:23:44 | |
They won't let you! | 0:23:44 | 0:23:46 | |
They'll take one look at her | 0:23:46 | 0:23:48 | |
and have her sectioned before you can even blink! | 0:23:48 | 0:23:51 | |
-Then what do you suggest I do? -I suggest you tell her the truth. | 0:23:51 | 0:23:54 | |
You tell her that there's a very good chance that Arthur won't be able to stay. | 0:23:54 | 0:23:57 | |
Then she won't come, will she? | 0:23:57 | 0:23:59 | |
And if she won't come willingly, they're going to take her anyway. | 0:23:59 | 0:24:02 | |
So you tell me... | 0:24:02 | 0:24:03 | |
Tell me what am I supposed to do? | 0:24:03 | 0:24:05 | |
I am just trying to do what's right for her. | 0:24:09 | 0:24:12 | |
We're ready. | 0:24:12 | 0:24:13 | |
What's the matter? | 0:24:14 | 0:24:15 | |
-Nothing. -What's happened? Something's happened. | 0:24:15 | 0:24:18 | |
I can... I can see it on your face. | 0:24:18 | 0:24:19 | |
It's fine, everything's fine. | 0:24:19 | 0:24:21 | |
I was just saying to Martin that we'll book into a hotel nearby. | 0:24:21 | 0:24:25 | |
In case anyone needs us. | 0:24:25 | 0:24:28 | |
Thank you. | 0:24:28 | 0:24:30 | |
Appreciate that. | 0:24:30 | 0:24:31 | |
Um... Come on then, let's get going, yeah? | 0:24:31 | 0:24:34 | |
Mum, don't worry. | 0:24:34 | 0:24:35 | |
Don't worry. God is looking after us. | 0:24:36 | 0:24:39 | |
He won't let anything happen to Arthur. | 0:24:39 | 0:24:42 | |
You've got to have faith. | 0:24:42 | 0:24:43 | |
-Redwater? -Yeah. It's just some little village. | 0:24:58 | 0:25:01 | |
She was only a kid when they went. | 0:25:01 | 0:25:03 | |
She couldn't tell me much. | 0:25:03 | 0:25:04 | |
-Redwater. What part of Ireland is that? -Alfie, not now. | 0:25:04 | 0:25:08 | |
-Kat, listen to me OK, sweetheart, this could be incredible, all right? -Yeah, I know, I know. | 0:25:08 | 0:25:12 | |
Which is why we need to give it serious thought. | 0:25:12 | 0:25:15 | |
Anyway, I've got Stacey to worry about first - | 0:25:15 | 0:25:17 | |
-have you heard anything? -No, but... | 0:25:17 | 0:25:19 | |
no news is good news, all right? | 0:25:19 | 0:25:21 | |
Heading home? | 0:25:25 | 0:25:28 | |
Oh! | 0:25:28 | 0:25:29 | |
Just taking a break. | 0:25:29 | 0:25:30 | |
Look... | 0:25:30 | 0:25:31 | |
I love the man, but if he don't get back to Pam soon, | 0:25:31 | 0:25:35 | |
I think I'll die of boredom! | 0:25:35 | 0:25:37 | |
Well, we can't have that happening now, can we? | 0:25:37 | 0:25:39 | |
We'll just have to come up with ways to keep you... | 0:25:39 | 0:25:42 | |
entertained. | 0:25:42 | 0:25:44 | |
You want to go out with me sometime? | 0:25:46 | 0:25:48 | |
Depends. | 0:25:48 | 0:25:49 | |
On what? | 0:25:49 | 0:25:51 | |
Whether your old shrivelled up heart can take the excitement. | 0:25:52 | 0:25:56 | |
Woman... | 0:25:58 | 0:25:59 | |
nothing wrong with my old heart, you know. | 0:25:59 | 0:26:02 | |
It still pumps very good. | 0:26:02 | 0:26:04 | |
Glad to hear that. | 0:26:06 | 0:26:08 | |
Text from Neville. | 0:26:15 | 0:26:16 | |
If I'm not there in half an hour, Lynne's going to beat him to death with a wooden spoon. | 0:26:16 | 0:26:20 | |
Chance'd be a fine thing. | 0:26:20 | 0:26:21 | |
SHE SIGHS | 0:26:21 | 0:26:23 | |
You could come too. I could ring her. | 0:26:23 | 0:26:25 | |
No. Stacey. | 0:26:25 | 0:26:27 | |
Another time, maybe. | 0:26:27 | 0:26:28 | |
I'm so glad we found each other again. | 0:26:30 | 0:26:32 | |
Me and all. Come here. | 0:26:32 | 0:26:33 | |
And good luck with Luke. | 0:26:35 | 0:26:37 | |
If you do decide to find him, let us know. | 0:26:37 | 0:26:38 | |
-We'll keep an eye on Stacey. -Cheers. | 0:26:38 | 0:26:41 | |
-Five kids, eh? -Yeah. | 0:26:41 | 0:26:43 | |
At least three of 'em need an auntie. | 0:26:43 | 0:26:46 | |
I'd like that. And don't worry about Nan. | 0:26:46 | 0:26:48 | |
She can stay with us till she snuffs it. | 0:26:48 | 0:26:50 | |
Might finish Neville off before she does. | 0:26:50 | 0:26:53 | |
If I'm lucky. | 0:26:53 | 0:26:55 | |
You all right? | 0:26:55 | 0:26:56 | |
Yeah, course I am! | 0:26:56 | 0:26:58 | |
Come on, Nan, step lively! Before Lynne turns Godzilla. | 0:26:58 | 0:27:01 | |
Come on! | 0:27:02 | 0:27:03 | |
Martin's got it all in hand. | 0:27:45 | 0:27:46 | |
She'll be OK. | 0:27:48 | 0:27:49 | |
Well, that's just it. | 0:27:51 | 0:27:54 | |
I don't think she will. | 0:27:56 | 0:27:58 | |
I don't think she will be, Ollie. | 0:28:00 | 0:28:02 | |
I really don't think she will. | 0:28:03 | 0:28:05 | |
Am I safe? | 0:28:23 | 0:28:24 | |
-I don't feel safe. -We're safe. | 0:28:24 | 0:28:27 | |
I promise. | 0:28:27 | 0:28:28 | |
We're safe. | 0:28:28 | 0:28:30 | |
TELEPHONE RINGS | 0:28:33 | 0:28:35 | |
CONVERSATION AND OTHER SOUNDS GROW LOUDER TO STACEY | 0:28:35 | 0:28:39 | |
DISCONNECTED VOICES AND SOUNDS GROW LOUDER IN HER MIND | 0:28:42 | 0:28:48 | |
HIGH-PITCHED HUM DROWNS OUT OTHER SOUNDS | 0:28:48 | 0:28:53 |