21/01/2016 EastEnders


21/01/2016

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Transcript


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I don't understand why you're scared of me.

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I just wanted to talk to you.

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-She don't want to talk to you. This ain't the first time he's done this.

-You don't understand...

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-No! You-You stay there.

-Stacey, please.

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-Someone do something! Please!

-Stacey, come on, sweetheart.

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No, Alfie, please, just get him out!

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Get him out, just hit him. Get him out!

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Look, I told you before, if I saw you again, I'd call the police.

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Don't pretend you don't know him!

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How would I know him?

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You're a demon.

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You can't cross that.

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You can't cross that.

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You thought you could trick me - and make me weak -

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but God showed me what you really are - he showed me what you want.

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-Stace...

-Mum! Mum, they're trying to take my baby.

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Stace, you're not very well.

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No, Mum, look at him! Look at him, just look at him!

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Mummy?

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No. This...

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This is where they expect us to be, they're trying to trap us.

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But I'm going to keep you safe, Arthur. I'll keep you safe.

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You need to go.

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But you know who I am!

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I don't care who you are!

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You've seen it now. The damage you've caused.

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Just stay away from my daughter.

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Do you know him?

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Course not.

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Only it seemed like you did.

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Let's not get sidetracked. We need to go and find Stacey, all right?

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Where's Martin?

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Stacey!

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Stacey!

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Stacey!

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HIGH-PITCHED HUMMING IN BACKGROUND

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It's just a candle, OK?

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HUMMING STOPS

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I know you said no lights, but...

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candles are OK, right?

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Candles are OK.

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Candles are good.

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It's like church.

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Do you want to tell us what's up?

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I need to go somewhere safer.

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I have to be a good mum, I have to look after him.

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I can't...I can't stay here. I need a cab.

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Will you get me a cab?

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-To go where?

-I don't know.

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But God can't talk to me here any more, there's too much dirty air.

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Arthur said that I had to go to the church, but...

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He'll find me there. But I wasn't...I wasn't brave enough.

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I wasn't strong enough!

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-Stacey, what's happened?

-Please, I need a cab.

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Please, can you just get me a cab to take me to the church,

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and he'll have a message.

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I know what to do, I know where's safe.

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-Why don't I just give Martin a call and get him to come and pick you up?

-No, no, no!

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I won't let him take my baby.

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Stace?

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Stacey?

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DOOR BUZZER

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-Stace?

-'Let me in, Martin.

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'Let me in, Martin.'

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This is insane. This is Martin we're talking about here.

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Let's go and find him and talk to him and we can sort all this out.

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No! He's not what you think. He wants to hurt Arthur.

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You don't see what I see.

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OK, OK.

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Er...what do you see?

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He's a demon.

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The Devil sent him to trick me.

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To make me feel safe.

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But I can see him now.

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I can smell the Devil on him.

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And I had to be brave.

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I had to go to the church and speak to God.

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Find where's safe. Then the Devil came.

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And I fought him, I did, I really tried to be brave,

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but he's still out there...

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He's out there and he's not going to stop until he has my baby.

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Why does the Devil want Arthur?

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Look at him!

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Look! Look! Look at him! Look!

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He's the Lord of Light, he's come again, he's the Son of God.

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I told her that... That God had sent me to help her.

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JEAN SIGHS HEAVILY

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Well, I didn't know that it was going to get this bad, did I?

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I just thought I could help her through, you know,

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it'd settle down and she'd get better.

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You should have called me.

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You were on a cruise.

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YOU SHOULD HAVE CALLED ME!

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MOBILE PHONE RINGS

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-Kush, now is not a good time...

-'She's here.'

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Stacey, she's here, at the flat.

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She's saying some pretty crazy stuff, mate.

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Something's seriously wrong.

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I think you should get here soon as.

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Yeah, I'm coming. Now.

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Where is she?

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Kush and Shabnam's. I'm going to go and see her.

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Bring her home. And then, then we can talk.

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No. We call her doctor first and get that put in place.

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No. Look, she doesn't think she's ill.

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If you just send a doctor in there out of the blue,

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that sort of thing will send her over the edge.

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Over the edge? You were there in the Vic!

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I know.

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Please, please.

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I can make this right.

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She trusts me.

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Well, at least she did until today.

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And that... that trust, that's all we've got.

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Just let me talk to her.

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She needs professional help.

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I know that.

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Just give me one chance to help her see that for herself.

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-Thank you, Patrick.

-Nan not coming?

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Hardly the person to ask, am I?

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You seemed to be getting on much better earlier.

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We were. And then we weren't.

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I blame you an' your seize-the-day.

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Seize the day. Yeah, man.

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Don't give up on her, Grandad.

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Never. You find the one you love, work to get 'em.

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Work to keep 'em. Never surrender.

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She's not answering.

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Kat, I wouldn't worry about it. Jean and Martin are on the case. Nothing we can do for 'em now.

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I should've done something before, it's obvious she weren't right.

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You did do something. You missed your dad's funeral so you could stay with her.

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But I didn't stay with her, did I?

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I should've took her hand in mine and held her tight.

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Looking for a new place?

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I can't stay at my Dad's. Not after what he's done.

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Ian ain't got the space.

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And when were you planning on telling me,

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before or after the removal van turned up?

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We ain't going far.

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-We?

-Me and Abi.

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Where's Abi now?

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She's working late.

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So she won't object if you buy me a drink then?

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Nance.

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Poor kid. Breaks your heart.

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Nan's told me a bit about her troubles.

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This is the bipolar thing, right?

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Well, we don't know what it is yet. She just might be ill.

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Expect they'll end up dragging her off again.

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But that's for the best though, ain't it?

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It can't be safe for her, walking the streets like that.

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We don't know yet. There might be other options.

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You saw her. Screaming and shouting, throwing glasses around?

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I'm sorry, but she needs help

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-and if that means locking her up, then...

-Kat!

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ALFIE SIGHS

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-Belinda, I'm sorry.

-No, no, no. Let me go.

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Kat!

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Kat, come back, please.

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Look, I'm sorry, OK?

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You know what I'm like,

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my mouth shoots off, and my brain can't catch up.

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Are you seriously going to make me run over there in these heels?

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Fine.

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You're really worried about Stacey, aren't you?

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Get him to the church.

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Get him to the church.

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He'll tell me what to do. He'll tell me where's safe.

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Kush is still trying to get a cab. But, here...

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You asked for some paper. And a pen.

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(Yeah.)

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SHE CLEARS HER THROAT

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What are you writing?

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Arthur, Arthur tells me things.

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I have to write them down - just like they did with the Bible,

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otherwise no-one will ever know. In the future. They won't know.

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I have to write it down.

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So he talks to you?

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Yeah, all the time. In my head. All the time.

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And...um...

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..he told you that he's God's son?

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No.

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No, I told you.

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Ages ago. Remember when I was electrocuted.

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The bright light. Too bright to bear.

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-And the angel.

-Um...

-The beautiful, shining angel.

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Yeah, you said you saw your dad.

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Yeah, I did.

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He's an angel.

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I didn't understand it then, but I do now, and...

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He's an angel.

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He just stood there, with the light glistening, and he told me,

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he told me that my baby was going to be God's son.

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Er...that's...

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That's not what you said happened.

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Well, I can't tell you everything. I have to keep him safe.

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He's got enemies... He's got so many enemies.

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They want to kill him.

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Just like the first time. With Herod.

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And the massacre. That was all the Devil's doing.

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But I have to keep him safe, I'm a good mum.

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I don't expect you to believe me. It took me ages.

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But I understand now.

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He'll save the world.

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No.

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Stacey, he is not the Second Coming.

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Yeah, he will save the world!

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-He's not God's son.

-You don't know what I do!

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He's not God's son. He is Kush's son.

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-Where is she?

-She's in the front room with Shabs.

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She doesn't know you're coming.

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And, er...

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she's scared of you.

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Get me some glasses.

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The guilt of what you have done has made you ill.

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No...

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Yeah.

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And maybe I can...I can forgive you.

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You don't need you to forgive me. It doesn't matter.

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None of that matters now.

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God chose Kush. That wasn't my plan - that was His.

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No... Get out!

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Get out, make him go!

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-It's all right.

-Make him go, please, make him go!

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I'm just going to stand here.

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The door's open. You can leave whenever you want.

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No, I can't, I can't, because he's out there, he's waiting for us.

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Take her the glass.

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Kush, take her the glass.

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Just put them down on the floor in front of her.

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OK?

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You said broken glass protects him.

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This morning. You said that. Remember?

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And just now in the pub.

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Broken glass. Between me and Arthur.

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To keep me away. To stop me...

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To stop me hurting him.

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Break the glass, Stace.

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Then you'll be safe.

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How can she be OK after all this?

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She's been through it before, ain't she? Nan told me.

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She came through it then, she'll come through it again.

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They'll fix her up, good as new.

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No, she'll have scars. Deep scars.

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I know.

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What happened to you was different.

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Different time.

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And you were a child. But you got over it.

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You pulled through.

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Look at you now, eh? Lovely husband.

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-Three gorgeous kids - sorry, four gorgeous kids.

-Five.

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I've got five kids.

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So I'm not over it, Belinda, I'm not even close.

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BROKEN GLASS CLINKS

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Do you feel better now?

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You can't have him.

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I don't want him.

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I just want you to feel safe.

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I don't feel safe with you here.

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But you're my girl, Stace.

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And that is my son.

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It is my job to keep you safe.

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I'm going to give you a bit of space...

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No, don't go. Please. Don't leave me with him.

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I don't know how to make you trust me again.

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I don't know how to make it right.

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Cos you keep seeing things that nobody else can see, Stace.

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No, it's real.

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You saw the devil.

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That wasn't the devil, that was just some weird kid.

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You don't see what I see.

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You keep saying that.

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So tell me - what do you see?

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When you look at me, what do you see?

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-Look at me, Stace.

-No.

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-Please.

-No, Arthur says that's how you'll do it.

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That's how you'll get inside my head.

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Stacey...

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look at me.

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Please.

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There's no devils, no demons.

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It's me.

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Can you see me, Stacey?

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Can you see ME?

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That's good.

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And I can see you.

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I see you and my boy.

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And I love you.

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I love you both.

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And if I wanted to hurt you and Arthur...

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..I wouldn't be able to cross this line, would I?

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And you know that, right?

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Stacey?

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But if I can...

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..that has to mean something.

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That means that...

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..you were wrong.

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It's just me, Stace. It's Martin.

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I was sure. I was so sure.

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It's OK, Stacey.

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It's OK.

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Am...

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Am I...

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Am I ill?

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I just want to feel safe.

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And you can. Just not here.

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Not any more.

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Then I have to go.

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-Where do you want to go, Stace?

-I have to go to the church.

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He'll tell me where's safe. He's got a message.

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No, no. The church ain't any safer than here.

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I just want to feel safe, I'm so scared, please help me.

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There is somewhere. But you have to trust me.

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-Do you trust me?

-I don't know.

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I think so.

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I think so, yeah.

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Yeah, I just... I just want to feel safe.

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OK.

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We have to get you to the hospital.

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It's the only place that's safe now. For you.

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And especially for Arthur.

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Do you understand?

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And he can stay with me?

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You promise me that he can stay with me?

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I promise.

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And it's safe?

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Yeah.

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Do you want me to take you there?

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Come on.

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Apparently Mum thought that no-one would believe that she'd been

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carrying twins, so she got rid of one of them.

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She thought the boy would turn out like Harry. Evil.

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So she packed him off.

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I can't believe she'd do that.

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There's no surprise there.

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Always were Team Mum, weren't you?

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Come on, that's not fair.

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No, life ain't fair.

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Having your son stolen ain't fair.

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And if you don't believe me, you ask Nan.

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Nan knew?

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I don't blame her.

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This has got Viv's fingerprints all over it.

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Did he have a name?

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Luke.

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Probably changed now.

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And you've got absolutely no idea where he is?

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Ireland.

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Was a Catholic adoption.

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Could be anywhere now.

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What? What is it?

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Well, it's probably nothing.

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Do you remember when Mum took us all up to Ireland?

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I've never been to Ireland.

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Not you.

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Me, Mum, Maureen and Zoe.

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You'd have been, what, 15?

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You didn't want to go, so you stayed at home with Dad and Lynne.

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She took us up in the van, and one day, drove us out to this village.

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Left us in a playground.

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She went to a church, said she had to pray.

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When she came out, it was obvious she'd been crying.

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And I asked her what was wrong, and she said...

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She said, "It's all Kat's fault."

0:19:580:20:01

That don't surprise me.

0:20:010:20:03

But I don't understand.

0:20:030:20:05

What has that got to do with my son?

0:20:050:20:08

As we were driving away, I turned round and looked back at the church,

0:20:080:20:11

and there were these two people staring at us, watching us go.

0:20:110:20:14

One of them was holding a little boy.

0:20:170:20:19

Can you remember what this village was called?

0:20:250:20:28

Redwater.

0:20:280:20:29

HE TRAMPLES ON BROKEN GLASS

0:20:350:20:36

You know, whatever happens with Stacey,

0:20:460:20:48

we still need to tell Martin, and we need to do it soon.

0:20:480:20:51

What? You really think we can do that to him?

0:20:520:20:55

After what we've just seen?

0:20:550:20:57

Martin says you're going into hospital.

0:21:050:21:07

Yeah, it's safe.

0:21:070:21:08

Safe?

0:21:080:21:10

Yeah, for Arthur.

0:21:100:21:11

Mum, Mum, we have to trust Martin.

0:21:110:21:13

The Devil tried to turn me against him, but God showed me the truth.

0:21:130:21:17

Martin is our protector.

0:21:170:21:19

Arthur's going to be safe in hospital.

0:21:190:21:21

It's not about Arthur, Stacey.

0:21:230:21:24

But, Mum, they'll never get him there. He'll be safe.

0:21:240:21:27

Darling...

0:21:270:21:28

it's you that needs to be in the hospital.

0:21:280:21:31

You're...

0:21:310:21:32

You're not well.

0:21:320:21:33

No! Mum, you'll see. You'll see, I'm telling you.

0:21:330:21:35

One day you will see! You'll see that Arthur is all that matters.

0:21:350:21:39

Martin understands.

0:21:390:21:41

Has Martin said that Arthur's going to stay with you in the hospital?

0:21:410:21:44

Yeah, that's why we're going. We're going there cos it's safe, Mum, it's the only place that is safe.

0:21:440:21:49

I was thinking, when you've got a night off, we should go to the cinema.

0:21:590:22:04

See what?

0:22:040:22:05

Does it matter?

0:22:050:22:06

How about tonight?

0:22:090:22:10

Boys, I think I might have overdone it on the old catering,

0:22:110:22:14

so help yourselves, knock yourselves out, yeah?

0:22:140:22:16

You know, you have to have spent those years together in order

0:22:160:22:19

for that bond to grow, and when it does, you know, it's like gold.

0:22:190:22:22

You can't just get it after a couple of weeks, or even, you know, a couple of years.

0:22:220:22:26

It's when you're so comfortable with each other that you know...

0:22:270:22:31

All right?

0:22:330:22:34

Oh, you're back early.

0:22:340:22:36

I got my shifts mixed up.

0:22:360:22:37

Anyone would think that you weren't happy to see me.

0:22:370:22:40

'Course I am.

0:22:400:22:42

Maybe we should get back and look at property websites.

0:22:420:22:45

We were just going to get some food, weren't we?

0:22:450:22:47

Well, we've got to take this seriously, Ben. Like a second job.

0:22:470:22:50

Do you have any idea how hard it is to find somewhere reasonable to live in London?

0:22:500:22:54

-My mate's got a yurt. You can borrow that if you like.

-A yurt? What's a yurt?

0:22:540:22:58

It's kinda like a posh wigwam.

0:22:580:22:59

BEN LAUGHS

0:22:590:23:01

Fine. You stay here eating and drinking all evening,

0:23:010:23:04

and I'll find us somewhere to live.

0:23:040:23:06

Abi!

0:23:060:23:07

What about the cinema?

0:23:120:23:13

Another time.

0:23:130:23:14

Have you phoned the ward

0:23:260:23:28

to find out if they've got mother and baby facilities?

0:23:280:23:31

-No.

-So how can you promise that he'll be able to stay with her?

0:23:310:23:35

Well, I'll talk to them. If they haven't got baby equipment, then I'll nip back.

0:23:350:23:38

Jean, he has thought it through.

0:23:380:23:40

And if they refuse?

0:23:400:23:41

-Then I'll bring her home.

-JEAN SCOFFS

0:23:420:23:44

They won't let you!

0:23:440:23:46

They'll take one look at her

0:23:460:23:48

and have her sectioned before you can even blink!

0:23:480:23:51

-Then what do you suggest I do?

-I suggest you tell her the truth.

0:23:510:23:54

You tell her that there's a very good chance that Arthur won't be able to stay.

0:23:540:23:57

Then she won't come, will she?

0:23:570:23:59

And if she won't come willingly, they're going to take her anyway.

0:23:590:24:02

So you tell me...

0:24:020:24:03

Tell me what am I supposed to do?

0:24:030:24:05

I am just trying to do what's right for her.

0:24:090:24:12

We're ready.

0:24:120:24:13

What's the matter?

0:24:140:24:15

-Nothing.

-What's happened? Something's happened.

0:24:150:24:18

I can... I can see it on your face.

0:24:180:24:19

It's fine, everything's fine.

0:24:190:24:21

I was just saying to Martin that we'll book into a hotel nearby.

0:24:210:24:25

In case anyone needs us.

0:24:250:24:28

Thank you.

0:24:280:24:30

Appreciate that.

0:24:300:24:31

Um... Come on then, let's get going, yeah?

0:24:310:24:34

Mum, don't worry.

0:24:340:24:35

Don't worry. God is looking after us.

0:24:360:24:39

He won't let anything happen to Arthur.

0:24:390:24:42

You've got to have faith.

0:24:420:24:43

-Redwater?

-Yeah. It's just some little village.

0:24:580:25:01

She was only a kid when they went.

0:25:010:25:03

She couldn't tell me much.

0:25:030:25:04

-Redwater. What part of Ireland is that?

-Alfie, not now.

0:25:040:25:08

-Kat, listen to me OK, sweetheart, this could be incredible, all right?

-Yeah, I know, I know.

0:25:080:25:12

Which is why we need to give it serious thought.

0:25:120:25:15

Anyway, I've got Stacey to worry about first -

0:25:150:25:17

-have you heard anything?

-No, but...

0:25:170:25:19

no news is good news, all right?

0:25:190:25:21

Heading home?

0:25:250:25:28

Oh!

0:25:280:25:29

Just taking a break.

0:25:290:25:30

Look...

0:25:300:25:31

I love the man, but if he don't get back to Pam soon,

0:25:310:25:35

I think I'll die of boredom!

0:25:350:25:37

Well, we can't have that happening now, can we?

0:25:370:25:39

We'll just have to come up with ways to keep you...

0:25:390:25:42

entertained.

0:25:420:25:44

You want to go out with me sometime?

0:25:460:25:48

Depends.

0:25:480:25:49

On what?

0:25:490:25:51

Whether your old shrivelled up heart can take the excitement.

0:25:520:25:56

Woman...

0:25:580:25:59

nothing wrong with my old heart, you know.

0:25:590:26:02

It still pumps very good.

0:26:020:26:04

Glad to hear that.

0:26:060:26:08

Text from Neville.

0:26:150:26:16

If I'm not there in half an hour, Lynne's going to beat him to death with a wooden spoon.

0:26:160:26:20

Chance'd be a fine thing.

0:26:200:26:21

SHE SIGHS

0:26:210:26:23

You could come too. I could ring her.

0:26:230:26:25

No. Stacey.

0:26:250:26:27

Another time, maybe.

0:26:270:26:28

I'm so glad we found each other again.

0:26:300:26:32

Me and all. Come here.

0:26:320:26:33

And good luck with Luke.

0:26:350:26:37

If you do decide to find him, let us know.

0:26:370:26:38

-We'll keep an eye on Stacey.

-Cheers.

0:26:380:26:41

-Five kids, eh?

-Yeah.

0:26:410:26:43

At least three of 'em need an auntie.

0:26:430:26:46

I'd like that. And don't worry about Nan.

0:26:460:26:48

She can stay with us till she snuffs it.

0:26:480:26:50

Might finish Neville off before she does.

0:26:500:26:53

If I'm lucky.

0:26:530:26:55

You all right?

0:26:550:26:56

Yeah, course I am!

0:26:560:26:58

Come on, Nan, step lively! Before Lynne turns Godzilla.

0:26:580:27:01

Come on!

0:27:020:27:03

Martin's got it all in hand.

0:27:450:27:46

She'll be OK.

0:27:480:27:49

Well, that's just it.

0:27:510:27:54

I don't think she will.

0:27:560:27:58

I don't think she will be, Ollie.

0:28:000:28:02

I really don't think she will.

0:28:030:28:05

Am I safe?

0:28:230:28:24

-I don't feel safe.

-We're safe.

0:28:240:28:27

I promise.

0:28:270:28:28

We're safe.

0:28:280:28:30

TELEPHONE RINGS

0:28:330:28:35

CONVERSATION AND OTHER SOUNDS GROW LOUDER TO STACEY

0:28:350:28:39

DISCONNECTED VOICES AND SOUNDS GROW LOUDER IN HER MIND

0:28:420:28:48

HIGH-PITCHED HUM DROWNS OUT OTHER SOUNDS

0:28:480:28:53

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