Browse content similar to 19/01/2016. Check below for episodes and series from the same categories and more!
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MUSIC PLAYS ON RADIO | 0:00:47 | 0:00:50 | |
MUSIC OFF | 0:00:50 | 0:00:52 | |
-Stace, I thought you'd be ready. -It's gotta be clean. | 0:00:55 | 0:00:57 | |
I need to show him I'm a good mum. It has to be clean. | 0:00:57 | 0:01:00 | |
Do you think you're going to be all right for this funeral today? | 0:01:00 | 0:01:03 | |
Yeah. Arthur told me I've got to go. | 0:01:03 | 0:01:05 | |
God's got a message and he'll speak to me in the church. | 0:01:05 | 0:01:07 | |
-He can speak to you here, though, can't he? -No, he can't. | 0:01:07 | 0:01:09 | |
All, all the er... electricity and phones and the internet, it's... | 0:01:09 | 0:01:12 | |
it's mucking up the air, making it all dirty. | 0:01:12 | 0:01:14 | |
It's, it's so dirty, he can't even find me. | 0:01:14 | 0:01:16 | |
I feel lost. But the church is clean. | 0:01:16 | 0:01:18 | |
It's got thick stone walls and he'll know where to find us. | 0:01:18 | 0:01:21 | |
He'll tell me what to do. | 0:01:21 | 0:01:24 | |
Um...you'd better get ready, then, hey? | 0:01:24 | 0:01:27 | |
Yeah, I just gotta do the windows. | 0:01:27 | 0:01:28 | |
I need to clean the windows. The glass is important. | 0:01:28 | 0:01:31 | |
The glass? | 0:01:31 | 0:01:32 | |
Yeah, Arthur told me it protects him. | 0:01:32 | 0:01:35 | |
DOOR BUZZER | 0:01:35 | 0:01:37 | |
ARTHUR CRIES | 0:01:42 | 0:01:44 | |
-Hi. I'm sorry to bother you... -What are you doing here? | 0:01:52 | 0:01:55 | |
Is Stacey in? | 0:01:55 | 0:01:56 | |
You have got to be kidding me. | 0:01:56 | 0:01:58 | |
-Please, she's my sister... -No, she ain't! | 0:01:58 | 0:02:01 | |
Look, I don't know who you are, or what your sick game is, | 0:02:01 | 0:02:04 | |
but it's going to stop now. | 0:02:04 | 0:02:06 | |
Do you understand? | 0:02:06 | 0:02:07 | |
Cos if I see you again... | 0:02:07 | 0:02:09 | |
..I'll call the police. | 0:02:10 | 0:02:12 | |
You can't do that! You can't stop me from seeing her! | 0:02:18 | 0:02:22 | |
BABY CRIES MORE INSISTENTLY | 0:02:32 | 0:02:34 | |
It's OK, it's OK. | 0:02:50 | 0:02:51 | |
Ssh... | 0:02:51 | 0:02:54 | |
He can't hurt you. He can't hurt you. | 0:02:54 | 0:02:56 | |
I won't let him hurt you. Martin sent him away. | 0:02:56 | 0:02:58 | |
Did you shut the door? | 0:03:06 | 0:03:07 | |
Oh, yeah, yeah. It was nothing. | 0:03:07 | 0:03:09 | |
Just someone selling stuff. You know, | 0:03:09 | 0:03:11 | |
fiver a duster, that sort of thing. | 0:03:11 | 0:03:14 | |
Um...listen, you just get yourself ready, yeah? | 0:03:14 | 0:03:17 | |
12.30 hours, dress inspection. 12.45 hours, final checks. | 0:03:26 | 0:03:31 | |
12.55, hearse departure. | 0:03:31 | 0:03:33 | |
We got that? | 0:03:33 | 0:03:34 | |
John, need you to place the flowers as per our conversation. | 0:03:34 | 0:03:38 | |
Paul, need you to vacuum the cars. | 0:03:38 | 0:03:42 | |
Billy, you can finish off with Mrs Winter. | 0:03:42 | 0:03:45 | |
I thought I'd give Charlie a final spruce up. | 0:03:45 | 0:03:48 | |
Mr Slater's had the works, Billy. | 0:03:48 | 0:03:50 | |
Now, I realise this funeral means a lot... | 0:03:50 | 0:03:52 | |
With all due respect, I'm not letting Charlie Slater | 0:03:52 | 0:03:55 | |
make his final journey with a single hair out of place. | 0:03:55 | 0:03:59 | |
Paul said you were understaffed. | 0:03:59 | 0:04:01 | |
I can help out if you need to get back. | 0:04:01 | 0:04:04 | |
Um, no. It's OK. I've rearranged my appointments. | 0:04:04 | 0:04:07 | |
Well. Right, if you're sure. | 0:04:07 | 0:04:08 | |
But we'd be grateful if you could attend to Mr Slater. | 0:04:08 | 0:04:12 | |
Billy's concerned that he look his absolute best. | 0:04:13 | 0:04:16 | |
Then, I shall make sure he's perfect. | 0:04:18 | 0:04:20 | |
Right, I've taken the ankle biters out for a walk. | 0:04:23 | 0:04:26 | |
They are now in Lily's room playin' a game of | 0:04:26 | 0:04:28 | |
"shut up for ten minutes or you won't get any sweets." Hey? | 0:04:28 | 0:04:31 | |
I reckon a load of kids surfin' a sugar wave at a funeral - | 0:04:31 | 0:04:33 | |
what could possibly go wrong? | 0:04:33 | 0:04:35 | |
What is it? | 0:04:36 | 0:04:37 | |
Nothing. At least nothing I shouldn't have seen coming. | 0:04:37 | 0:04:41 | |
Message from Belinda. | 0:04:41 | 0:04:42 | |
Zoe definitely ain't coming, | 0:04:42 | 0:04:44 | |
and Lynne and Little Mo are making their way straight to the church. | 0:04:44 | 0:04:48 | |
So, if there was any doubt on who people blame, there ain't any more. | 0:04:48 | 0:04:52 | |
-Kat... -No, it's fine. At least I know where I stand. | 0:04:52 | 0:04:56 | |
Come on, sweetheart, it's their loss. | 0:04:56 | 0:04:57 | |
Right, me, you and the boys will go. Front row. Head held high. | 0:04:57 | 0:05:00 | |
No. We sit at the back. And we leave as soon as it's over. | 0:05:00 | 0:05:03 | |
Sweetheart. Whoa, whoa. Listen, you don't have to hide. | 0:05:03 | 0:05:05 | |
You've got every right to be there. | 0:05:05 | 0:05:07 | |
I mean, you're mourning the loss of your dad, | 0:05:07 | 0:05:09 | |
whatever they think. Yeah? Yeah? | 0:05:09 | 0:05:12 | |
-OK. -Lickety-spit. | 0:05:12 | 0:05:14 | |
The family has requested traditional. | 0:05:18 | 0:05:22 | |
Doesn't get any more traditional than the Coker topper. | 0:05:25 | 0:05:28 | |
-Me? -Want you to page Mr Slater's cortege. | 0:05:34 | 0:05:37 | |
Even if it turns out to be postnatal depression, at least you'll know. | 0:05:45 | 0:05:48 | |
It ain't postnatal depression. It's like the complete opposite. | 0:05:48 | 0:05:52 | |
You don't know that till you make the call. | 0:05:52 | 0:05:53 | |
As soon as the funeral's over. | 0:05:53 | 0:05:55 | |
She ain't going to get through a funeral. You should've seen her this morning. | 0:05:55 | 0:05:58 | |
-Can you stop her from going? -If I had a tranquiliser gun. | 0:05:58 | 0:06:02 | |
I mean, like... She thinks she's going to get some kind of message from God in the church. | 0:06:02 | 0:06:07 | |
Look, if you can't stop her without a fuss, | 0:06:07 | 0:06:09 | |
you've just got to support her through today. | 0:06:09 | 0:06:12 | |
Is Jean going to be there? | 0:06:12 | 0:06:13 | |
Oh, God. Yeah. | 0:06:13 | 0:06:17 | |
Look, don't worry about what she's going to say. | 0:06:17 | 0:06:19 | |
She knows Stacey. She knows how to help her. | 0:06:19 | 0:06:22 | |
Look, we can get her through this funeral, | 0:06:22 | 0:06:24 | |
but this has to be a wake-up call, Martin. | 0:06:24 | 0:06:26 | |
When someone's as ill as she is, you can't just sit back | 0:06:26 | 0:06:29 | |
and let it blow over, all right? She needs help now. | 0:06:29 | 0:06:31 | |
-What if she doesn't want help? -Then, you have to get it anyway. | 0:06:31 | 0:06:35 | |
How can I do that to her, Son? | 0:06:35 | 0:06:36 | |
She trusts me. | 0:06:37 | 0:06:39 | |
BROKEN GLASS CRUNCHES | 0:06:39 | 0:06:40 | |
Martin tried to trick me. But I can see. | 0:06:42 | 0:06:44 | |
I can, I can see what he is now. And he...he... I didn't see. | 0:06:44 | 0:06:48 | |
Why didn't I see it? I'm just stupid! | 0:06:48 | 0:06:51 | |
Just stupid! Arthur, we have to leave. | 0:06:51 | 0:06:54 | |
We have to leave. We have to go to the church. It's safe in the church. | 0:06:54 | 0:06:58 | |
They, they... They're going to try and stop us, but we have to be brave. | 0:06:58 | 0:07:02 | |
We have to be brave... | 0:07:02 | 0:07:03 | |
On the table. | 0:07:05 | 0:07:07 | |
They're here. | 0:07:22 | 0:07:24 | |
DOOR BUZZER | 0:07:24 | 0:07:25 | |
-KNOCK ON DOOR -Stace? | 0:07:26 | 0:07:29 | |
Stacey. | 0:07:37 | 0:07:38 | |
Cars are here. | 0:08:02 | 0:08:04 | |
What did you lock the door for? | 0:08:04 | 0:08:06 | |
Glass? | 0:08:08 | 0:08:09 | |
Glass protects him. That's what you said earlier, weren't it? | 0:08:12 | 0:08:15 | |
What are you protecting him against? | 0:08:15 | 0:08:18 | |
Me? | 0:08:18 | 0:08:19 | |
Look, I'm on your side, Stace. You know that, right? | 0:08:24 | 0:08:27 | |
Look, you know that I... You know that I love you. | 0:08:29 | 0:08:32 | |
I'll, er... I'll get Lily. | 0:08:36 | 0:08:39 | |
We just have to get to the church. | 0:08:50 | 0:08:52 | |
Yeah. We have to get to the church. | 0:08:52 | 0:08:55 | |
We have to be brave. It's safe in the church... | 0:08:55 | 0:08:58 | |
You need anything today, Kat, anything at all, you just say, yeah? | 0:09:16 | 0:09:19 | |
Mum, is Grandad Charlie in that box? | 0:09:23 | 0:09:27 | |
Oi. Come on, buddy, I'll tell you all about it. | 0:09:28 | 0:09:31 | |
Let's go and see your brothers, on the swings with Auntie Whitney. | 0:09:31 | 0:09:34 | |
What is it with you and Martin at the moment? | 0:10:01 | 0:10:04 | |
What do you mean? | 0:10:04 | 0:10:06 | |
Well, in the kitchen earlier with the door shut. | 0:10:06 | 0:10:08 | |
All this "secret squirrel". Is there something you should tell me? | 0:10:08 | 0:10:12 | |
He just wanted my advice, that's all. | 0:10:12 | 0:10:15 | |
What about? | 0:10:15 | 0:10:17 | |
He's worried about Stacey. | 0:10:17 | 0:10:19 | |
-I'll see you later. -He's asleep, bless him. | 0:10:21 | 0:10:23 | |
He's brave. He, he shouldn't have to be. | 0:10:24 | 0:10:27 | |
I just want him to be safe and warm and happy. | 0:10:27 | 0:10:30 | |
That's all any of us want for our kids. | 0:10:30 | 0:10:33 | |
You're a good mum, Stace, you know that, right? | 0:10:33 | 0:10:35 | |
SOUNDS GROW DISTORTED | 0:10:38 | 0:10:40 | |
Stacey? What is it? | 0:10:40 | 0:10:42 | |
Stace? | 0:10:52 | 0:10:54 | |
-Where are you going? -Mummy, are you OK? | 0:10:54 | 0:10:57 | |
Just you, then, is it? | 0:11:09 | 0:11:12 | |
Nan too. She has trouble getting out of cars these days. | 0:11:12 | 0:11:17 | |
-Need a forklift. -Neville not showing his face? | 0:11:17 | 0:11:21 | |
-He went with the others. -Course he did. Still, at least one of you showed up. | 0:11:21 | 0:11:25 | |
Can we please not do this today? | 0:11:25 | 0:11:28 | |
I don't need the drama. | 0:11:28 | 0:11:29 | |
Let's just bury our dad, eh? Do you think we can manage that? | 0:11:29 | 0:11:32 | |
When you say "we" you mean me. | 0:11:32 | 0:11:34 | |
Don't worry, Belinda, I'll be as good as gold. | 0:11:35 | 0:11:38 | |
I can't seem to stop meself cryin'. Soppy old cow. | 0:11:41 | 0:11:45 | |
-Patrick, do you want a lift? -Are you sure? | 0:11:58 | 0:12:00 | |
Yeah, course. Um, I'll get Dot. | 0:12:00 | 0:12:02 | |
-How's little Arthur doing? -What? | 0:12:02 | 0:12:05 | |
I wondered how little Arthur was doing. | 0:12:05 | 0:12:07 | |
He's doing great, thanks, Denise. Yeah. | 0:12:07 | 0:12:10 | |
Come on, Stace, this is ridiculous. Nothing's worth this. | 0:12:10 | 0:12:13 | |
Just go back to the flat. | 0:12:13 | 0:12:15 | |
No. No, no! You...you can't have him! | 0:12:15 | 0:12:17 | |
Kat? | 0:12:19 | 0:12:21 | |
Time to go. | 0:12:21 | 0:12:23 | |
STREET SOUNDS GROW LOUD AND DISTORTED | 0:12:34 | 0:12:37 | |
SILENCE | 0:12:49 | 0:12:50 | |
-We're heading off now. -No. Y-Y-You just stay away. | 0:12:53 | 0:12:56 | |
You stay away from us! | 0:12:56 | 0:12:58 | |
Just go without us. Stacey ain't feeling too good. | 0:13:01 | 0:13:03 | |
She stared at me like I was the devil. | 0:13:03 | 0:13:05 | |
Ran off in the pub. She been on the sauce? | 0:13:05 | 0:13:08 | |
Nan, just go with Belinda. | 0:13:08 | 0:13:10 | |
BABY FUSSES | 0:13:14 | 0:13:16 | |
They're heading off now, darlin'. | 0:13:29 | 0:13:31 | |
No. I can't go outside. It ain't safe out there. | 0:13:31 | 0:13:34 | |
What are you scared of? Is this to do with Martin? | 0:13:34 | 0:13:37 | |
He's one of them. So is Nan. They're...they're everywhere, Kat. | 0:13:37 | 0:13:41 | |
There's so many of them. | 0:13:41 | 0:13:43 | |
They want to take my baby and I don't think I'm strong enough. | 0:13:43 | 0:13:46 | |
Arthur? Why would they want to take Arthur? | 0:13:46 | 0:13:48 | |
They want to take him to the devil. | 0:13:48 | 0:13:51 | |
He's, he's outside. He's waiting. | 0:13:51 | 0:13:52 | |
I have, I have to be a good mum. | 0:13:52 | 0:13:54 | |
I have to get him to the church. | 0:13:54 | 0:13:56 | |
He's safe at the church and God will tell me what to do. | 0:13:56 | 0:13:59 | |
But I, I can't go out there. It ain't safe. | 0:13:59 | 0:14:01 | |
Ain't safe anywhere. | 0:14:01 | 0:14:03 | |
You're safe in here. You know that, don't ya? | 0:14:03 | 0:14:05 | |
It's the Vic. You're safe in the Vic. | 0:14:05 | 0:14:08 | |
She's turned against me now. I don't even know why. | 0:14:32 | 0:14:34 | |
Don't take it personally. It's just the illness. | 0:14:34 | 0:14:37 | |
All right? You need to stay strong. | 0:14:37 | 0:14:40 | |
Listen, guys, they're all going. Erm...we need to get a move on. | 0:14:40 | 0:14:44 | |
-She all right? -How could you let her get this bad? | 0:14:44 | 0:14:47 | |
-What do you mean? -Don't fob me off. You see how weird she was last week. | 0:14:47 | 0:14:50 | |
You know how bad she can get. | 0:14:50 | 0:14:52 | |
She don't trust you. I don't know why, but she don't. | 0:14:52 | 0:14:55 | |
I think you should just keep your distance till she calms down. | 0:14:55 | 0:14:58 | |
-But I can't... -And don't argue with me, Martin. | 0:14:58 | 0:15:00 | |
Just go back to the flat and wait till I call. | 0:15:00 | 0:15:02 | |
Alfie, just go ahead without me, all right? I'm going to stay with Stacey. | 0:15:02 | 0:15:05 | |
What are you talking about? It's your dad's funeral. | 0:15:05 | 0:15:08 | |
No, my dad would want me to stay with her. | 0:15:08 | 0:15:09 | |
-I'll text my nan and let her know. -Kat, you need to say goodbye. | 0:15:09 | 0:15:13 | |
I can say my goodbyes here. With Stacey. | 0:15:13 | 0:15:15 | |
All right. If you're staying, then, I'm staying. | 0:15:17 | 0:15:19 | |
I'll go and get the kids off Whitney, all right? | 0:15:19 | 0:15:22 | |
I'll keep an eye on her for you. | 0:15:23 | 0:15:25 | |
Come on. | 0:15:25 | 0:15:26 | |
We weren't to know there'd be a funeral. It's just bad luck. | 0:15:31 | 0:15:34 | |
Don't worry, Kyle. We can just come back another day. | 0:15:34 | 0:15:37 | |
No. | 0:15:37 | 0:15:38 | |
It has to be today. | 0:15:38 | 0:15:40 | |
I can't eat, I can't sleep - it's driving me insane... | 0:15:40 | 0:15:44 | |
I'm not leaving. | 0:15:45 | 0:15:47 | |
Not until I've sat her down and explained who I really am. | 0:15:47 | 0:15:50 | |
MUSIC: The Wonder Of You by Elvis Presley | 0:15:55 | 0:15:59 | |
Oh, come here, you. | 0:16:08 | 0:16:09 | |
How are you feeling? | 0:16:14 | 0:16:16 | |
Look, you've got a new baby and it's hard, but I'm here to help you. | 0:16:17 | 0:16:21 | |
All right? Make sure you get some rest. | 0:16:21 | 0:16:24 | |
-I need to get to the church. -No, we don't. My sisters don't want me there anyway. | 0:16:24 | 0:16:29 | |
Here, Kat. | 0:16:30 | 0:16:31 | |
Don't go far. All right? | 0:16:32 | 0:16:34 | |
Everyone's at church, but we didn't make it. | 0:16:41 | 0:16:44 | |
I'm sorry, Uncle Charlie. | 0:16:47 | 0:16:49 | |
But I need you to know that we're sorry. | 0:16:49 | 0:16:51 | |
We need to say something. | 0:16:57 | 0:16:59 | |
We have to do a speech for Uncle Charlie! | 0:16:59 | 0:17:02 | |
Right, everybody. Could I just have your attention a second... | 0:17:02 | 0:17:05 | |
No. I can do it. | 0:17:05 | 0:17:07 | |
Yeah? All right, go on. You'll be fine, go on. | 0:17:07 | 0:17:09 | |
KAT CLEARS HER THROAT | 0:17:09 | 0:17:12 | |
When I was little, I was a daddy's girl. | 0:17:12 | 0:17:15 | |
He was my hero. | 0:17:15 | 0:17:18 | |
I just wanted to be with him, day and night. | 0:17:18 | 0:17:21 | |
Anyway, one day, I was sick and I couldn't go to school. | 0:17:21 | 0:17:24 | |
My mum was busy, so I ended up going to work with Dad in the cab. | 0:17:24 | 0:17:28 | |
And I sat on the passenger side and I made a seat out of pillows | 0:17:28 | 0:17:33 | |
and he wrapped me in a blanket. | 0:17:33 | 0:17:36 | |
And we just drove around all day, pickin' up fares. | 0:17:36 | 0:17:38 | |
Went over the Thames, | 0:17:38 | 0:17:39 | |
through the tunnel, just singin' stupid songs, laughin' and talkin'. | 0:17:39 | 0:17:44 | |
Well, 'course after that, | 0:17:45 | 0:17:47 | |
I kept trying to pull sickies all the time, but my mum got suss... | 0:17:47 | 0:17:50 | |
Anyway, a few years later, | 0:17:50 | 0:17:51 | |
I went out in the cab with him again, but... | 0:17:51 | 0:17:53 | |
it wasn't the same. I got bored. He got irritable and we just argued. | 0:17:53 | 0:17:59 | |
What I'm trying to say is... | 0:17:59 | 0:18:03 | |
..I don't know what I'm trying to say... Um... | 0:18:04 | 0:18:06 | |
But, my dad was everything to me. | 0:18:08 | 0:18:10 | |
And I couldn't love anyone as much as I loved him. | 0:18:12 | 0:18:15 | |
But we drifted apart. | 0:18:17 | 0:18:18 | |
Some of it was my fault and some of it weren't. | 0:18:19 | 0:18:23 | |
But now he's gone. | 0:18:26 | 0:18:28 | |
And what I would give to be ten years old again... | 0:18:31 | 0:18:34 | |
..driving around in my dad's cab forever and ever. | 0:18:35 | 0:18:38 | |
My cousin, Stacey, she was talking about her little boy earlier. | 0:18:40 | 0:18:43 | |
And she said, she, she just wants him to feel safe, warm and happy. | 0:18:43 | 0:18:48 | |
That's how my dad made me feel - safe, warm and happy. | 0:18:48 | 0:18:51 | |
There's only two men that have made me feel like that. | 0:18:53 | 0:18:57 | |
And one of 'em's gone now. | 0:18:57 | 0:18:59 | |
And the other one? | 0:18:59 | 0:19:01 | |
Only knew him for three hours in Magaluf. | 0:19:01 | 0:19:04 | |
-LAUGHTER -Hey, hey, hey! | 0:19:04 | 0:19:06 | |
Anyway, Charlie. My dad. I miss you. | 0:19:06 | 0:19:10 | |
And wherever you are, I hope you're safe, warm and happy. | 0:19:10 | 0:19:15 | |
-Charlie. -To Charlie. | 0:19:15 | 0:19:18 | |
I didn't think you knew the geezer that well. Shirl? | 0:19:18 | 0:19:20 | |
What's wrong? | 0:19:23 | 0:19:25 | |
Someone's got to do something. He's dying. | 0:19:25 | 0:19:29 | |
Phil? | 0:19:30 | 0:19:31 | |
And did you get to speak to your ex-wife? | 0:19:33 | 0:19:36 | |
Well, I said hello, but er... Had a job to do. | 0:19:36 | 0:19:39 | |
Yeah. You did it well, Billy. You filled that topper. | 0:19:39 | 0:19:42 | |
Not everyone can. | 0:19:42 | 0:19:43 | |
Yeah, well, thanks for letting me do the honours, Les. I, um... | 0:19:43 | 0:19:47 | |
I appreciate it. | 0:19:47 | 0:19:49 | |
Right, well... | 0:19:50 | 0:19:52 | |
I'm sure you did Charlie proud. | 0:19:52 | 0:19:54 | |
DOOR CLOSES I should go with him, see if he's OK. | 0:20:00 | 0:20:03 | |
Yeah. Well, thanks for your help. It's much appreciated. | 0:20:03 | 0:20:08 | |
I did it for Billy. | 0:20:08 | 0:20:10 | |
And it was a nice gesture, letting him page the cortege. | 0:20:10 | 0:20:14 | |
He deserved it. | 0:20:14 | 0:20:15 | |
Well, he's deserved it before. | 0:20:16 | 0:20:18 | |
Well, you always brought out the best in me. | 0:20:21 | 0:20:24 | |
It's been nice having you around today. | 0:20:26 | 0:20:30 | |
I've liked being around. I...miss it. | 0:20:30 | 0:20:35 | |
So...you still got feelings for him? | 0:20:43 | 0:20:46 | |
Then, why tear yourself up? He's a violent manipulative thug. | 0:20:50 | 0:20:55 | |
And if he wants to drink himself to death, let him. | 0:20:56 | 0:20:59 | |
I'm not stupid, Shirl. I know he broke your heart. | 0:21:02 | 0:21:05 | |
I know you probably still hold a torch. | 0:21:07 | 0:21:09 | |
But he don't care about you, love. | 0:21:11 | 0:21:13 | |
He don't care about anyone but himself. | 0:21:13 | 0:21:17 | |
That sort of bloke, well... he don't deserve your tears. | 0:21:17 | 0:21:22 | |
You're right. | 0:21:27 | 0:21:28 | |
-Stacey holding up? -Seems better. How was it? | 0:21:57 | 0:22:00 | |
Packed. All his old mates. | 0:22:00 | 0:22:03 | |
Surprised if you can hire a cab this side of the river. | 0:22:03 | 0:22:06 | |
Where are the others? | 0:22:08 | 0:22:09 | |
Belinda's waiting outside. We're not stopping. | 0:22:09 | 0:22:12 | |
-Lynne's laid on a spread. -You going? | 0:22:13 | 0:22:17 | |
Go wherever I'm driven these days, Kat. | 0:22:17 | 0:22:19 | |
Well, you'd better take some food with you. | 0:22:20 | 0:22:23 | |
Looks like we've over-catered. | 0:22:23 | 0:22:25 | |
Oh, you're here, Stacey. | 0:22:30 | 0:22:33 | |
You was missed at the church. | 0:22:33 | 0:22:34 | |
I...I wanted to go, but I wasn't brave enough. | 0:22:34 | 0:22:37 | |
-And now I've missed the message. -What message? | 0:22:37 | 0:22:40 | |
From God. He was going to tell me what to do. | 0:22:40 | 0:22:42 | |
What to do to keep him safe. And I don't know. | 0:22:42 | 0:22:45 | |
I don't know how to keep him safe. | 0:22:45 | 0:22:46 | |
Stace? | 0:22:46 | 0:22:48 | |
Lily and the other kids want to go upstairs and watch a DVD. | 0:22:48 | 0:22:51 | |
Do you want me to take Arthur? Do you want a break? | 0:22:51 | 0:22:53 | |
Oh, no. He has to stay with me. I have to keep him safe. | 0:22:53 | 0:22:56 | |
All right. Well, Lily's with me anyway. Come on. | 0:22:56 | 0:22:59 | |
Where's Martin? | 0:22:59 | 0:23:01 | |
He's...he's outside. With the devil. They want to take Arthur. | 0:23:01 | 0:23:06 | |
Like what you said with Herod. | 0:23:06 | 0:23:08 | |
I have, I have to keep him safe. | 0:23:08 | 0:23:09 | |
No, no, no, no, no, Stacey. You've got it all wrong... | 0:23:09 | 0:23:11 | |
There they are! Oh! | 0:23:11 | 0:23:13 | |
Oh, look. Isn't he adorable, Ollie? | 0:23:15 | 0:23:19 | |
Oh, he is perfect, just perfect. | 0:23:19 | 0:23:22 | |
Hello, you scrummy little sausage. | 0:23:25 | 0:23:27 | |
She's been a bit excited. Can you tell? | 0:23:27 | 0:23:29 | |
Oh, he is my first grandson. | 0:23:29 | 0:23:32 | |
Oh! | 0:23:32 | 0:23:33 | |
Why weren't you at the church, Stace? You loved Uncle Charlie. | 0:23:36 | 0:23:40 | |
The poor girl, she's exhausted. I think she'd better go home. | 0:23:40 | 0:23:43 | |
-I can't. I can't go home. -Course you can. Go and put your feet up, | 0:23:43 | 0:23:48 | |
I'll take this little one off your hands for an hour - or a month. | 0:23:48 | 0:23:51 | |
Can I have a cuddle at least? | 0:23:54 | 0:23:56 | |
Stace, I've been dying to get my hands on this little one | 0:23:56 | 0:23:59 | |
since Christmas Eve! | 0:23:59 | 0:24:01 | |
Hey. | 0:24:09 | 0:24:11 | |
Oh, hello. | 0:24:11 | 0:24:14 | |
Oh, hello, you. | 0:24:15 | 0:24:18 | |
Oh! | 0:24:18 | 0:24:20 | |
Oh, look! | 0:24:20 | 0:24:23 | |
Hello, you! | 0:24:23 | 0:24:25 | |
How's the food? | 0:24:29 | 0:24:30 | |
Hey, well, let me put it this way - | 0:24:31 | 0:24:33 | |
you set foot in my kitchen and I might not let you out. | 0:24:33 | 0:24:37 | |
Your kitchen, eh? How's about tomorrow night? | 0:24:39 | 0:24:43 | |
Cook you a nice shepherd's pie. | 0:24:43 | 0:24:45 | |
-Oh, I tell you what. I love a shepherd's pie... -For two. | 0:24:45 | 0:24:48 | |
Hey, t-that's very kind of you, the shepherd's pie is great... | 0:24:51 | 0:24:56 | |
but I ain't looking for afters. | 0:24:56 | 0:24:59 | |
May I ask if you have designs on another? | 0:25:00 | 0:25:03 | |
I'll drop a pie round next time I make a batch. | 0:25:10 | 0:25:13 | |
God in heaven, keep him safe, keep him safe. | 0:25:26 | 0:25:28 | |
DISTANT SIREN | 0:25:35 | 0:25:38 | |
You're Bert and Ernie's big brother. Like your mum's my big sister. | 0:25:48 | 0:25:52 | |
You've got to look after them, like she did. | 0:25:54 | 0:25:56 | |
Come on, give your auntie a kiss, eh? | 0:25:57 | 0:26:00 | |
Er, she just asked if she could meet Tommy. | 0:26:04 | 0:26:07 | |
Take him inside, will ya? | 0:26:07 | 0:26:08 | |
If you wanted to meet my boys, you should've come in. | 0:26:12 | 0:26:15 | |
I didn't think I'd be welcome. | 0:26:17 | 0:26:19 | |
Now you know what it feels like. | 0:26:19 | 0:26:21 | |
Can we just stop this? | 0:26:22 | 0:26:23 | |
Can we please, just...stop this? | 0:26:24 | 0:26:26 | |
Nan told me why you stayed. | 0:26:33 | 0:26:35 | |
I could've really done with my big sister in that church today, that's all. | 0:26:37 | 0:26:41 | |
I'm sorry. | 0:26:47 | 0:26:49 | |
I'm sorry for everything. | 0:26:49 | 0:26:53 | |
I'm sorry about Dad, | 0:26:53 | 0:26:56 | |
about us | 0:26:56 | 0:26:58 | |
and the years of nothing - I'm sorry. | 0:26:58 | 0:27:02 | |
Go on, you'd better get going. You know what Lynne's like. | 0:27:08 | 0:27:11 | |
Is there any food left? | 0:27:17 | 0:27:20 | |
Lynne'll chew your ear off. | 0:27:20 | 0:27:23 | |
Don't matter. | 0:27:23 | 0:27:24 | |
I can always blame you, can't I? | 0:27:24 | 0:27:26 | |
Oi! | 0:27:38 | 0:27:41 | |
What did I tell ya? | 0:27:41 | 0:27:42 | |
Oh, Son. | 0:27:46 | 0:27:48 | |
Just checkin' in, Stace. | 0:27:48 | 0:27:50 | |
How are you feeling? | 0:27:50 | 0:27:52 | |
You remember Belinda, don't you? | 0:27:52 | 0:27:54 | |
She don't recognise you without your blonde wig on! | 0:27:55 | 0:27:58 | |
Course she does. I bought Stacey her first vodka. | 0:27:58 | 0:28:01 | |
Oh, Martin! This little one is absolutely gorgeous. | 0:28:07 | 0:28:10 | |
Yeah, he really is. | 0:28:10 | 0:28:11 | |
Would you just take him for a sec, | 0:28:11 | 0:28:13 | |
cos I want to take a photograph for the Wendys. | 0:28:13 | 0:28:15 | |
There we go. | 0:28:15 | 0:28:17 | |
What, are you deaf? I told you to clear off! | 0:28:19 | 0:28:23 | |
NOISE GROWS DISTORTED | 0:28:23 | 0:28:25 | |
You can't stop me from talking to her. What are you afraid of anyway? | 0:28:29 | 0:28:33 | |
No! No! No! Give him back! No, give him back! Give him back! | 0:28:33 | 0:28:36 | |
-You can't have him. -All right... | 0:28:36 | 0:28:37 | |
You can't have him. He's mine! He's mine. | 0:28:37 | 0:28:40 | |
You, you, you stay, you stay away. I'm a good mum! | 0:28:40 | 0:28:42 | |
-I'm a good mum. I keep him safe. -Stacey, please... | 0:28:42 | 0:28:45 | |
-No, you stay away! -What's he done to you, Stace? | 0:28:45 | 0:28:47 | |
Nothing. I've done nothing. | 0:28:47 | 0:28:49 | |
No. He's lying! Mum, can't, can't you see? Can't, can't someone see? | 0:28:49 | 0:28:53 | |
-Someone must see, please. -Stacey, what do you see? | 0:28:53 | 0:28:56 | |
I see the devil. | 0:28:58 | 0:29:01 | |
I see... I see the devil. I see the devil. | 0:29:01 | 0:29:04 |