Browse content similar to 19/02/2016. Check below for episodes and series from the same categories and more!
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No... | 0:00:28 | 0:00:29 | |
No! No, please, please, please don't take him. | 0:00:30 | 0:00:35 | |
Stacey? | 0:00:35 | 0:00:37 | |
Stacey. | 0:00:37 | 0:00:38 | |
It was just a bad dream. | 0:00:39 | 0:00:41 | |
Try... Try to get some more rest. You still look tired, sweetheart. | 0:00:45 | 0:00:50 | |
I couldn't get to sleep. I was... I was worrying about the review. | 0:00:50 | 0:00:55 | |
There really is nothing to worry about, you know. | 0:00:55 | 0:00:58 | |
What's going to happen? | 0:01:00 | 0:01:02 | |
Dr Forde will try to reach an agreement with you. | 0:01:02 | 0:01:06 | |
What if we can't? | 0:01:06 | 0:01:07 | |
Try not to concern yourself with too many "what if"s. | 0:01:08 | 0:01:12 | |
Is Martin coming along to it? | 0:01:12 | 0:01:15 | |
Yeah. He'll be here. | 0:01:15 | 0:01:18 | |
KNOCKING | 0:01:18 | 0:01:19 | |
Early visitor for you, Stacey, my love. She said it's important. | 0:01:21 | 0:01:26 | |
Right, there you go. £1.20 change. | 0:01:32 | 0:01:34 | |
-Thanks a lot. -Thank you very much. | 0:01:34 | 0:01:36 | |
I just heard. What happened? How are they? | 0:01:36 | 0:01:38 | |
Well, Martin hit his head badly and he cracked a rib an' all | 0:01:38 | 0:01:41 | |
so they want to keep him in. | 0:01:41 | 0:01:43 | |
Arthur? | 0:01:43 | 0:01:44 | |
He's fine. Absolutely fine. | 0:01:44 | 0:01:46 | |
What on Earth's happened? | 0:01:46 | 0:01:47 | |
Oh, Martin smashed his van up coming back from a hospital in Bristol. | 0:01:47 | 0:01:50 | |
He was nearly home an' all. | 0:01:50 | 0:01:51 | |
Well, he's home now. | 0:01:54 | 0:01:55 | |
What's he playing at? | 0:01:57 | 0:01:58 | |
Oi! Martin! | 0:02:01 | 0:02:03 | |
Go on, then. I'll cover your stall. | 0:02:05 | 0:02:08 | |
No, maybe later. Go on, go on, go on - get back. | 0:02:08 | 0:02:11 | |
This looks good. | 0:02:14 | 0:02:15 | |
Denny, I was thinking last night. | 0:02:18 | 0:02:20 | |
Why did your grandad think it was OK just to pick you up like that? | 0:02:21 | 0:02:25 | |
I don't know. | 0:02:25 | 0:02:26 | |
How did you leave things? | 0:02:26 | 0:02:28 | |
Did he say when you'd meet up again? | 0:02:28 | 0:02:30 | |
-No. -BEEP | 0:02:30 | 0:02:31 | |
What was that? | 0:02:31 | 0:02:32 | |
Nothing. | 0:02:34 | 0:02:35 | |
Tell me the truth or that games console goes back to the shop. | 0:02:35 | 0:02:38 | |
That's what you always say. | 0:02:38 | 0:02:39 | |
Don't push me. | 0:02:39 | 0:02:41 | |
It was a phone on the game. | 0:02:41 | 0:02:42 | |
Empty your pockets. | 0:02:42 | 0:02:44 | |
No! | 0:02:44 | 0:02:45 | |
OK. | 0:02:45 | 0:02:46 | |
Fine. | 0:02:58 | 0:02:59 | |
And the back ones. | 0:03:03 | 0:03:05 | |
BLEEPING | 0:03:07 | 0:03:09 | |
Nappies. | 0:03:20 | 0:03:21 | |
Babygros. | 0:03:21 | 0:03:23 | |
Right, then I'll get the Marigolds. | 0:03:23 | 0:03:25 | |
He's really not coping, is he? | 0:03:25 | 0:03:27 | |
Martin, you are not well! | 0:03:29 | 0:03:32 | |
-All right, mind the ribs, mind the ribs. -Sorry, sorry. | 0:03:32 | 0:03:34 | |
They let you out? | 0:03:34 | 0:03:35 | |
No, he discharged himself against medical advice. | 0:03:35 | 0:03:37 | |
-What? -I'm fine. | 0:03:37 | 0:03:39 | |
You don't look fine. Come on, sit down. | 0:03:39 | 0:03:41 | |
I just need to get to Stacey's review. | 0:03:41 | 0:03:43 | |
-You're in no fit state to do that. -I have to go. | 0:03:43 | 0:03:45 | |
What happens if it goes badly and they section her again? | 0:03:45 | 0:03:48 | |
Will one of you just please look after Arthur? | 0:03:48 | 0:03:50 | |
-Right, slow down, all right? Sonia is at the hospital - you've got time. -She's right, Dad. | 0:03:50 | 0:03:54 | |
Anyway, you can't go looking like that. | 0:03:54 | 0:03:55 | |
You look like something out The Walking Dead. | 0:03:55 | 0:03:58 | |
Stacey, stop. | 0:04:02 | 0:04:03 | |
No, I need to see them. | 0:04:03 | 0:04:04 | |
Arthur is fine. Not a scratch on him. | 0:04:04 | 0:04:07 | |
He's having a lovely time at the creche at the hospital. | 0:04:07 | 0:04:09 | |
He's got the nurses wrapped around his finger, the charmer. | 0:04:09 | 0:04:13 | |
-And if there's any news on Martin, they're going to call me, OK? -OK. | 0:04:13 | 0:04:16 | |
Why was he driving tired? | 0:04:16 | 0:04:18 | |
Why didn't someone call here? | 0:04:18 | 0:04:20 | |
We didn't want you to worry you. | 0:04:20 | 0:04:22 | |
I want to see my boys. | 0:04:22 | 0:04:23 | |
Well, perhaps they'll let you home today. For good. | 0:04:23 | 0:04:27 | |
So, Stacey, | 0:04:27 | 0:04:28 | |
I've just seen Dr Forde and she's running ahead | 0:04:28 | 0:04:31 | |
of schedule this morning, so she'd like to bring your meeting forward, | 0:04:31 | 0:04:34 | |
but in light of the accident, she said we can postpone. | 0:04:34 | 0:04:39 | |
No. I want to do it today. | 0:04:39 | 0:04:41 | |
I want to go home today. | 0:04:41 | 0:04:43 | |
Morning. | 0:04:47 | 0:04:48 | |
All right. | 0:04:48 | 0:04:49 | |
See Abi just now, she's in a right mood - everything all right? | 0:04:49 | 0:04:52 | |
She wanted a romantic night in, but I was tired. | 0:04:52 | 0:04:54 | |
Oh, you was tired, was ya? | 0:04:54 | 0:04:56 | |
Why don't you shut up, Jay? | 0:04:56 | 0:04:58 | |
Oh, yeah, whatever. | 0:04:58 | 0:04:59 | |
You decided what you're going to do about Gavin? | 0:05:03 | 0:05:05 | |
No. | 0:05:05 | 0:05:06 | |
Just call the police, Sharon. The guy's a nutter. | 0:05:06 | 0:05:09 | |
Look, I've got to go to work, all right? I'll see you later. | 0:05:09 | 0:05:12 | |
OK. | 0:05:12 | 0:05:13 | |
Sweetheart, I need you to listen to me. | 0:05:14 | 0:05:16 | |
You need to stay away from your grandad, OK? | 0:05:16 | 0:05:18 | |
I like having a grandad and you can't stop me from seeing him. | 0:05:18 | 0:05:22 | |
Yes, I can. | 0:05:22 | 0:05:23 | |
Since Phil's gone, Grandad's the only one who gives a stuff. | 0:05:23 | 0:05:26 | |
Ben's with Abi, Jay's got stupid Linzi, and you're always at work! | 0:05:26 | 0:05:31 | |
All right, OK, I'll let him know, thank you. | 0:05:37 | 0:05:40 | |
Martin, the hospital have been on. They want you back. | 0:05:40 | 0:05:44 | |
Well, they can wait. I'll go after the review. | 0:05:44 | 0:05:47 | |
I really don't think you're well enough. | 0:05:47 | 0:05:49 | |
-BUZZING -Looks worse than it is. I can't let her down, not again. | 0:05:49 | 0:05:54 | |
Kathy, you should be back on the stall. | 0:05:55 | 0:05:56 | |
Luke's covering. | 0:05:56 | 0:05:58 | |
-How are you, mate? You all right? -Yeah, I'm fine. I'm fine. | 0:05:58 | 0:06:01 | |
I just want to go and see Stacey, so if you'll all excuse me. | 0:06:01 | 0:06:05 | |
-HE VOMITS -Dad! | 0:06:07 | 0:06:10 | |
-See? He needs to be in hospital. -Yeah, that's just what I said. -No! | 0:06:10 | 0:06:13 | |
Look, can everyone just go, please? | 0:06:13 | 0:06:15 | |
Just let me stay and help out for a bit, yeah? | 0:06:21 | 0:06:23 | |
Yeah. | 0:06:23 | 0:06:24 | |
OK. Look, mate, you want to rest up. | 0:06:24 | 0:06:27 | |
-Come on, come on, just rest up, OK? Sit down, all right? -Yeah. | 0:06:27 | 0:06:32 | |
There's someone to see you. | 0:06:46 | 0:06:48 | |
Breakfast of champions. | 0:06:54 | 0:06:56 | |
What's it got to do with you? | 0:06:57 | 0:06:58 | |
I'm still your wife, aren't I? | 0:06:58 | 0:07:00 | |
So, Shazza, what do you want? | 0:07:04 | 0:07:07 | |
Good morning, Stacey. | 0:07:09 | 0:07:10 | |
Hi. | 0:07:10 | 0:07:12 | |
Hiya. I'm Sonia. I'm a friend of the family. | 0:07:12 | 0:07:16 | |
Nice to meet you, Sonia. | 0:07:16 | 0:07:18 | |
Right, well um, Nurse filled me in on your boyfriend's car accident. | 0:07:19 | 0:07:24 | |
We can still postpone your review, given the circumstances. | 0:07:24 | 0:07:27 | |
No, I'm fine, but I do want to see them. | 0:07:27 | 0:07:30 | |
Well, what we're going to do is just have a quick chatter | 0:07:30 | 0:07:33 | |
about how you've been feeling generally. | 0:07:33 | 0:07:35 | |
Is that all right with you, Stacey? | 0:07:35 | 0:07:36 | |
Great. | 0:07:36 | 0:07:38 | |
First off, have you had any more hallucinations or delusions lately? | 0:07:38 | 0:07:44 | |
Stacey had a rather vivid nightmare this morning. | 0:07:45 | 0:07:49 | |
Do you want to talk about what happened in it? | 0:07:51 | 0:07:54 | |
See, anxiety dreams are perfectly normal. | 0:07:56 | 0:08:01 | |
My ex-husband, Bradley, he died six years ago today. | 0:08:04 | 0:08:08 | |
I'm sorry, Stacey. | 0:08:08 | 0:08:10 | |
In this nightmare, he was...he was trying to take Arthur. | 0:08:10 | 0:08:14 | |
Bradley was trying to take him with him. It felt really real. | 0:08:14 | 0:08:19 | |
Have you had many of these? | 0:08:21 | 0:08:23 | |
Am I getting sick again? | 0:08:24 | 0:08:26 | |
I think it's probably just your subconscious worrying about today. | 0:08:26 | 0:08:29 | |
I'm not worried. | 0:08:29 | 0:08:30 | |
So, um, I take it we haven't had any success | 0:08:32 | 0:08:36 | |
getting hold of a bed in a mother and baby unit? | 0:08:36 | 0:08:39 | |
That's correct. | 0:08:39 | 0:08:41 | |
What we're going to do today, then, is try | 0:08:41 | 0:08:44 | |
and reach a decision about how you and your family move forward. | 0:08:44 | 0:08:49 | |
So, what would you like to do, Stacey? | 0:08:50 | 0:08:54 | |
He wants to keep seeing him. | 0:08:58 | 0:09:00 | |
He likes having a grandad. | 0:09:00 | 0:09:02 | |
Sees him as some sort of father figure, I suppose. | 0:09:02 | 0:09:05 | |
What you banging on about? | 0:09:05 | 0:09:07 | |
Gavin. He picked Denny up from football yesterday. | 0:09:07 | 0:09:10 | |
He just took him. | 0:09:10 | 0:09:11 | |
He got back in touch. | 0:09:13 | 0:09:14 | |
Just...get out. | 0:09:14 | 0:09:16 | |
Phil... | 0:09:16 | 0:09:17 | |
I said get out, out! | 0:09:17 | 0:09:18 | |
You know, I can't believe I'm saying this, but Denny really misses you. | 0:09:20 | 0:09:25 | |
Don't you think you owe him a visit or something after what you done? | 0:09:25 | 0:09:28 | |
Can't you even pull yourself together for five minutes for one kick-around? | 0:09:28 | 0:09:33 | |
Well? | 0:09:33 | 0:09:34 | |
You ain't my problem any more, | 0:09:36 | 0:09:40 | |
and Denny ain't my problem any more. | 0:09:40 | 0:09:43 | |
You nearly killed him! | 0:09:43 | 0:09:44 | |
It's OK. Take your time. | 0:10:00 | 0:10:02 | |
What exactly are my options again? | 0:10:03 | 0:10:06 | |
OK, well, either you stay in here as a voluntary patient | 0:10:06 | 0:10:11 | |
until we find you a bed on a mother and baby unit, | 0:10:11 | 0:10:14 | |
or you continue your treatment at home. | 0:10:14 | 0:10:17 | |
What do you think's best, Doctor? | 0:10:17 | 0:10:20 | |
Well, I think you're doing really well, Stacey, | 0:10:20 | 0:10:24 | |
especially now we've got you on the right medication combination, | 0:10:24 | 0:10:28 | |
but there are still a few things we need to talk about in more detail. | 0:10:28 | 0:10:33 | |
So tell me, do you think you're ready to go home? | 0:10:34 | 0:10:38 | |
Um... | 0:10:40 | 0:10:41 | |
yeah, yeah, I think so. | 0:10:41 | 0:10:43 | |
I hope Arthur gets used to me soon. | 0:10:45 | 0:10:48 | |
And how do you see yourself once you're back? | 0:10:48 | 0:10:51 | |
I see me and Martin and the kids. | 0:10:52 | 0:10:57 | |
You know, like a proper little family, finally. | 0:10:57 | 0:11:02 | |
Reading Arthur his first bedtime story. | 0:11:03 | 0:11:06 | |
Maybe, I don't know, The Hungry Caterpillar - | 0:11:06 | 0:11:09 | |
that was Lily's favourite. | 0:11:09 | 0:11:10 | |
And how does that make you feel? | 0:11:10 | 0:11:12 | |
Happy. | 0:11:13 | 0:11:14 | |
Really happy. | 0:11:17 | 0:11:18 | |
That's great, it really is. | 0:11:18 | 0:11:21 | |
And what do you see as your role once you're back? | 0:11:21 | 0:11:26 | |
Well, I guess a mum, and a good not-wife to Martin. | 0:11:26 | 0:11:30 | |
That's what he calls me. His not-wife. | 0:11:30 | 0:11:34 | |
And how do you see life going, on a day-to-day basis? | 0:11:36 | 0:11:41 | |
Well, I'll have to look after Arthur cos Martin has to go to work, | 0:11:41 | 0:11:45 | |
and I know you're supposed to share the night feeds | 0:11:45 | 0:11:48 | |
but I want to do them all so that Martin can sleep, | 0:11:48 | 0:11:51 | |
cos I can catch up in the day when Arthur's down. | 0:11:51 | 0:11:53 | |
That's what I used to do with Lily. | 0:11:53 | 0:11:55 | |
And I suppose I'll have to get Lily ready for school | 0:11:55 | 0:11:59 | |
and make her breakfast. | 0:11:59 | 0:12:01 | |
She loves Corn Flakes. | 0:12:01 | 0:12:04 | |
Or is it Weetabix? | 0:12:04 | 0:12:06 | |
Oh, I don't know. | 0:12:07 | 0:12:08 | |
I can't...I can't remember what my own daughter has for breakfast. | 0:12:10 | 0:12:15 | |
I can't even get that right. | 0:12:15 | 0:12:16 | |
-It's OK, Stacey. -No, it's not OK, is it? It's not OK. | 0:12:16 | 0:12:19 | |
It's not just breakfast. | 0:12:19 | 0:12:21 | |
It's dinner, and who's going to clean the house? | 0:12:21 | 0:12:24 | |
Who's going to wash the clothes, and do the shopping and the ironing? | 0:12:24 | 0:12:27 | |
You know, what if I'm having a bad day? What if I can't cope? | 0:12:27 | 0:12:31 | |
Then things are just not going to get done, are they? | 0:12:31 | 0:12:33 | |
We'll all help. | 0:12:33 | 0:12:35 | |
Would you like to take a break? | 0:12:35 | 0:12:37 | |
I'll have to sort everything for Martin because he works. | 0:12:37 | 0:12:40 | |
He works really hard, you know? And then it'll just... | 0:12:40 | 0:12:43 | |
Well, it'll just be me. | 0:12:46 | 0:12:47 | |
I'm not ready to leave. | 0:12:54 | 0:12:56 | |
You know, during their lifetime, | 0:13:02 | 0:13:06 | |
the average parent spends around 20 large | 0:13:06 | 0:13:11 | |
on their kids' birthday parties. | 0:13:11 | 0:13:13 | |
Really? | 0:13:13 | 0:13:14 | |
Parties. Pearl's turning one and Kim's already near that number. | 0:13:14 | 0:13:18 | |
Oh, um, can I have a coffee, please? | 0:13:18 | 0:13:20 | |
-Yeah. -Yeah. | 0:13:20 | 0:13:22 | |
I mean, I'm talking face painting, candyfloss machines, | 0:13:22 | 0:13:26 | |
balloon sculptures. | 0:13:26 | 0:13:27 | |
You'll need the money, then. | 0:13:27 | 0:13:29 | |
What am I doing here, Sharon? | 0:13:29 | 0:13:31 | |
220 grand for my share of the Albert. | 0:13:31 | 0:13:34 | |
You selling up? | 0:13:35 | 0:13:37 | |
Yeah. | 0:13:37 | 0:13:38 | |
Hold on. Rewind. | 0:13:38 | 0:13:40 | |
You sent me a voicemail ripping strips off me | 0:13:40 | 0:13:43 | |
cos I was no good with an abacus. | 0:13:43 | 0:13:45 | |
Now you want to shut shop. | 0:13:45 | 0:13:47 | |
It's a bit of a shift, ain't it? | 0:13:47 | 0:13:48 | |
Things change. | 0:13:48 | 0:13:50 | |
Things. | 0:13:50 | 0:13:51 | |
Come on, Vincent - it's what you've always wanted. | 0:13:51 | 0:13:54 | |
Full control of the place, free to do whatever you like. | 0:13:54 | 0:13:57 | |
Kim would be over the moon. | 0:13:57 | 0:13:59 | |
She can start putting on those apres-ski nights again. | 0:13:59 | 0:14:02 | |
OK, so a quarter of a million quid | 0:14:03 | 0:14:06 | |
for half of an East End cocktail bar? | 0:14:06 | 0:14:08 | |
Nah. | 0:14:10 | 0:14:12 | |
Fine, I'll sell it to someone else | 0:14:12 | 0:14:14 | |
and you'll be lumbered with a partner you don't know. | 0:14:14 | 0:14:17 | |
Come on, Sharon. I don't do threats. | 0:14:17 | 0:14:19 | |
OK. Name your price. | 0:14:20 | 0:14:23 | |
Hm. | 0:14:24 | 0:14:26 | |
Oh, you're joking. | 0:14:30 | 0:14:31 | |
No, no, he's still asleep. | 0:14:32 | 0:14:35 | |
Yeah. Bex has gone to check on Lily. | 0:14:35 | 0:14:38 | |
Yeah, all right, I'll let him know, then. Cheers, Teen. | 0:14:39 | 0:14:43 | |
Thanks. Bye-bye. | 0:14:43 | 0:14:44 | |
-All right? -Yeah. | 0:14:56 | 0:14:57 | |
How you feeling? | 0:14:57 | 0:14:58 | |
Like I downed 50 shots of tequila last night. | 0:14:58 | 0:15:02 | |
What time is it? I need to get to Stacey's review. | 0:15:08 | 0:15:10 | |
Mate, mate, just sit down for a second. | 0:15:10 | 0:15:13 | |
Sonia's been on to Teen and, um...they brought it forward. | 0:15:14 | 0:15:20 | |
It's finished, Martin. | 0:15:21 | 0:15:23 | |
They're keeping her in? | 0:15:25 | 0:15:28 | |
Yeah. Sorry, mate. | 0:15:28 | 0:15:30 | |
That's it, then. It's over. | 0:15:30 | 0:15:32 | |
You just got to keep going, OK? | 0:15:32 | 0:15:34 | |
-I'm done. -Oh, come on, Eeyore. | 0:15:34 | 0:15:36 | |
Well, just listen to you, all right? It's like the end of days or something. | 0:15:38 | 0:15:42 | |
What are you even doing here? | 0:15:42 | 0:15:43 | |
Get to that hospital, all right, and fight for your girl, yeah? | 0:15:43 | 0:15:47 | |
There's no point! | 0:15:47 | 0:15:49 | |
Listen, all I ever do is sit there | 0:15:49 | 0:15:51 | |
and wonder what I could have done to make Shabs stay. | 0:15:51 | 0:15:54 | |
Yes, yes, I'm playing that card, ain't I? | 0:15:54 | 0:15:57 | |
Ain't the same thing, is it? | 0:15:57 | 0:15:58 | |
When it comes to losing that person, right, the one you are supposed to be with, | 0:15:58 | 0:16:03 | |
yes, actually, it's exactly the same. | 0:16:03 | 0:16:05 | |
I would do anything to have her back, mate. I'd do anything. | 0:16:05 | 0:16:10 | |
But she's gone, all right? It's too late. | 0:16:12 | 0:16:15 | |
But you, you're not done yet. | 0:16:16 | 0:16:18 | |
You are not done by a long shot. | 0:16:19 | 0:16:21 | |
If you're going to go down, you go down swinging. | 0:16:21 | 0:16:24 | |
At least that way, you know you've done everything that you can. | 0:16:24 | 0:16:27 | |
Yeah. | 0:16:30 | 0:16:32 | |
Hello? | 0:16:32 | 0:16:34 | |
KNOCKING | 0:16:35 | 0:16:37 | |
Got your message. Not late, am I? | 0:16:45 | 0:16:47 | |
How're you feeling? | 0:16:50 | 0:16:52 | |
I don't know if I'm ever going to be ready to face all that. | 0:16:54 | 0:16:57 | |
It's going to take time. But soon, like the doctor said. | 0:16:57 | 0:17:02 | |
And listen, I got some good news for you. | 0:17:02 | 0:17:04 | |
I've just spoken to Tina and Martin's at home with Arthur. | 0:17:04 | 0:17:08 | |
Is he going to come in? | 0:17:08 | 0:17:09 | |
Well, he's not well enough just yet. | 0:17:09 | 0:17:12 | |
OK. | 0:17:12 | 0:17:14 | |
What was he doing in Bristol, anyway? | 0:17:15 | 0:17:17 | |
And why did he have Arthur with him? | 0:17:17 | 0:17:19 | |
Well, he, um... he saw a place for you both | 0:17:19 | 0:17:22 | |
and he just wanted to get down there as soon as. | 0:17:22 | 0:17:24 | |
SONIA SIGHS | 0:17:26 | 0:17:27 | |
-Sonia? -I'm sorry. | 0:17:27 | 0:17:29 | |
What? | 0:17:29 | 0:17:31 | |
Martin phoned me. I was with Tina, we'd been arguing, | 0:17:31 | 0:17:35 | |
fighting... I should have answered. | 0:17:35 | 0:17:37 | |
Well, he could have called someone else. | 0:17:37 | 0:17:38 | |
He could have called Ian or Kathy or...or Kush? | 0:17:38 | 0:17:42 | |
They're not really getting on. | 0:17:42 | 0:17:44 | |
Kush is being really weird with him. Martin don't know why. | 0:17:44 | 0:17:47 | |
Hey, it's OK. | 0:17:50 | 0:17:52 | |
No, it's not OK. None of this is OK. | 0:17:52 | 0:17:55 | |
I'm still managing to ruin everyone else's life, even stuck in here. | 0:17:55 | 0:17:59 | |
No, you're not. | 0:17:59 | 0:18:00 | |
Martin nearly killed himself and Arthur because of me. And Kush... | 0:18:00 | 0:18:04 | |
That's down to Shabnam, not you. | 0:18:04 | 0:18:06 | |
It's got to stop. | 0:18:07 | 0:18:09 | |
What has? | 0:18:10 | 0:18:11 | |
Thank you for today. | 0:18:17 | 0:18:20 | |
For everything. | 0:18:20 | 0:18:22 | |
I need you to go. | 0:18:23 | 0:18:26 | |
OK. | 0:18:28 | 0:18:29 | |
Kettle broken, is it? | 0:18:49 | 0:18:51 | |
I shouldn't have picked Denny up, not without asking you first. | 0:18:52 | 0:18:56 | |
I can only apologise, Sharon. | 0:18:56 | 0:18:58 | |
You should never have got him a phone. You had no right. | 0:18:58 | 0:19:01 | |
Won't happen again. | 0:19:01 | 0:19:02 | |
Too right it won't. | 0:19:02 | 0:19:04 | |
100 grand to leave London | 0:19:04 | 0:19:07 | |
and never contact me or Denny again. | 0:19:07 | 0:19:09 | |
You're poison, Gavin. I don't want you anywhere near my son. | 0:19:39 | 0:19:43 | |
My grandson. | 0:19:43 | 0:19:45 | |
So how're you going to raise all this cash? | 0:19:46 | 0:19:49 | |
Phil coming to the rescue again, is he? | 0:19:49 | 0:19:51 | |
I don't need him. | 0:19:51 | 0:19:52 | |
I'm selling my half of The Albert to my partner. | 0:19:52 | 0:19:55 | |
You can take the money | 0:19:55 | 0:19:57 | |
and set yourself up very nicely somewhere far away. | 0:19:57 | 0:20:00 | |
Or stay here - penniless, desperately trying to forge | 0:20:00 | 0:20:03 | |
a relationship with a daughter who doesn't want to know. | 0:20:03 | 0:20:07 | |
Your choice. | 0:20:07 | 0:20:09 | |
You know when your husband came over for his little visit? | 0:20:09 | 0:20:12 | |
When you kidnapped him, you mean. | 0:20:12 | 0:20:13 | |
He told me about all the times you've forgiven him. | 0:20:13 | 0:20:16 | |
Look where that got me. | 0:20:16 | 0:20:18 | |
So I don't get any of that compassion? | 0:20:18 | 0:20:21 | |
Give me a chance, Princess. | 0:20:23 | 0:20:24 | |
Don't call me that. | 0:20:24 | 0:20:26 | |
We could have something, you know. Be a family. | 0:20:27 | 0:20:30 | |
What's it going to be, Gavin? | 0:20:30 | 0:20:32 | |
-Martin. -All right. | 0:20:38 | 0:20:40 | |
-Look, I'm really sorry that I didn't get back to you. -It's fine. | 0:20:40 | 0:20:43 | |
Where you going? | 0:20:43 | 0:20:44 | |
I'm going to get this section reversed. | 0:20:44 | 0:20:47 | |
I'm going to make them let her out today. | 0:20:47 | 0:20:49 | |
It's too late. | 0:20:49 | 0:20:50 | |
Sonia, the only reason she is not complying with this treatment | 0:20:50 | 0:20:53 | |
is because of Arthur. | 0:20:53 | 0:20:55 | |
If I can just get her home, with her baby, it'll be fine. | 0:20:55 | 0:20:58 | |
Trust me. | 0:20:58 | 0:20:59 | |
She is complying. | 0:20:59 | 0:21:00 | |
What? | 0:21:02 | 0:21:03 | |
It was Stacey's decision. She made the choice. | 0:21:03 | 0:21:07 | |
Martin, she doesn't feel strong enough to come home yet, | 0:21:08 | 0:21:12 | |
so she's going to stay in as a voluntary patient. | 0:21:12 | 0:21:15 | |
-It's for the best. -It's not! | 0:21:15 | 0:21:17 | |
I should have been there at the meeting with her, supporting her. | 0:21:21 | 0:21:26 | |
But she was on her own, Sonia. | 0:21:28 | 0:21:30 | |
I failed her. | 0:21:32 | 0:21:33 | |
-No... -I have. | 0:21:33 | 0:21:35 | |
I failed her. | 0:21:36 | 0:21:38 | |
Just leave him alone. | 0:21:43 | 0:21:45 | |
Leave both of us alone. | 0:21:45 | 0:21:47 | |
No goodbye kiss for your old man, then? | 0:21:50 | 0:21:52 | |
My old man's dead. | 0:21:52 | 0:21:53 | |
Still got your wedding photograph up. | 0:21:55 | 0:21:57 | |
So you going back to your car crash of a hubby, then? | 0:21:57 | 0:22:00 | |
Even when he's drunk, he's a better man then you'll ever be. | 0:22:00 | 0:22:04 | |
PHONE RINGS | 0:22:20 | 0:22:22 | |
Sorry, I'm... I'm being a prat. | 0:22:32 | 0:22:35 | |
I told the doctor what you call me. | 0:22:37 | 0:22:39 | |
What, my not-wife? | 0:22:41 | 0:22:44 | |
I just wanted to be there for you, Martin. | 0:22:48 | 0:22:51 | |
I just wanted to be a good mum. | 0:22:53 | 0:22:55 | |
You're the best, Stacey. You're the best. | 0:22:55 | 0:23:00 | |
I took Arthur on a roof. | 0:23:00 | 0:23:02 | |
-You weren't well. -Yeah, but I could have... | 0:23:02 | 0:23:05 | |
Stace, stop it. | 0:23:05 | 0:23:06 | |
Then there's Lily. | 0:23:08 | 0:23:10 | |
Lily is fine. | 0:23:10 | 0:23:13 | |
When you brought her here, her little face - so sad and angry. | 0:23:13 | 0:23:18 | |
That was me, Martin. 20-odd years ago, that was me. | 0:23:18 | 0:23:23 | |
See, I've been there, I've done it, | 0:23:23 | 0:23:24 | |
I know what it's going to be like for them, and for you. | 0:23:24 | 0:23:28 | |
Yeah, but you are not your mum. OK? | 0:23:29 | 0:23:33 | |
I just want them to be normal. | 0:23:33 | 0:23:35 | |
I just want them to have normal, happy childhoods, not like mine. | 0:23:36 | 0:23:40 | |
I know. | 0:23:41 | 0:23:43 | |
We're going to get through this, all of this. | 0:23:43 | 0:23:46 | |
I love you so much. | 0:23:48 | 0:23:49 | |
I know. | 0:23:49 | 0:23:51 | |
I know you do, but it's not enough. | 0:23:51 | 0:23:54 | |
Love's not enough. | 0:23:56 | 0:23:58 | |
Me, you, Arthur, Lily, | 0:24:02 | 0:24:07 | |
Bex, and then maybe one more in the future. | 0:24:07 | 0:24:11 | |
Going down to Brighton at the weekend. Sunday lunches. | 0:24:12 | 0:24:17 | |
Christmas, birthdays. | 0:24:19 | 0:24:21 | |
Package holidays to Spain, if you want. | 0:24:22 | 0:24:25 | |
Growing old together. | 0:24:27 | 0:24:29 | |
Our future, our little family. | 0:24:30 | 0:24:35 | |
It's got to be worth fighting for, ain't it? | 0:24:37 | 0:24:42 | |
Martin, this darkness, it just... | 0:24:44 | 0:24:47 | |
It just follows me around. It won't go. | 0:24:47 | 0:24:50 | |
My dad, Bradley, Archie.... | 0:24:50 | 0:24:55 | |
And now you and Arthur in that crash. | 0:24:55 | 0:24:58 | |
Yeah. | 0:24:58 | 0:25:00 | |
What... What are you saying? | 0:25:02 | 0:25:05 | |
Stace? | 0:25:07 | 0:25:08 | |
They need me out of their lives. | 0:25:11 | 0:25:14 | |
No. They need their mum. | 0:25:14 | 0:25:16 | |
Thank you. | 0:25:19 | 0:25:22 | |
Thank you for everything, but I know what I need to do now. | 0:25:22 | 0:25:26 | |
I'm setting you free. All of you. | 0:25:28 | 0:25:31 | |
What... What are you talking about? | 0:25:33 | 0:25:38 | |
Let me go, Martin, for good. | 0:25:38 | 0:25:42 | |
You look better. | 0:25:53 | 0:25:55 | |
I'm, er, sorry. | 0:25:55 | 0:25:57 | |
About earlier. | 0:25:57 | 0:25:59 | |
It's OK. | 0:25:59 | 0:26:00 | |
You were right. | 0:26:00 | 0:26:02 | |
I was? | 0:26:02 | 0:26:04 | |
Yeah. I've got to sort meself out, sort my life out. | 0:26:04 | 0:26:09 | |
Well, I'm glad you listened for once. | 0:26:10 | 0:26:12 | |
So I've... I've taken some steps. | 0:26:12 | 0:26:15 | |
Phil, that is great. That is really great. | 0:26:15 | 0:26:19 | |
I know you can do it. | 0:26:19 | 0:26:20 | |
Yeah. | 0:26:20 | 0:26:21 | |
Do you want to come through? | 0:26:21 | 0:26:23 | |
I'd love to. | 0:26:23 | 0:26:24 | |
This is Penny. | 0:26:29 | 0:26:31 | |
Ritchie's assistant. | 0:26:32 | 0:26:35 | |
And this... | 0:26:36 | 0:26:38 | |
is a letter... | 0:26:38 | 0:26:40 | |
..informing you that I've filed for divorce. | 0:26:41 | 0:26:45 | |
Sorted. | 0:26:52 | 0:26:54 | |
Look at him, Stace. | 0:26:58 | 0:27:00 | |
Look at him! | 0:27:03 | 0:27:06 | |
Look how beautiful he is. | 0:27:06 | 0:27:09 | |
And Lily. | 0:27:09 | 0:27:11 | |
You have got so much to live for. Don't give up on them. | 0:27:11 | 0:27:15 | |
Don't you dare! | 0:27:15 | 0:27:17 | |
-I'm doing it for them! -Well, I ain't going to let you. | 0:27:17 | 0:27:20 | |
Stace, they need you in their lives. | 0:27:20 | 0:27:22 | |
Martin, they're your family. Look after them, | 0:27:22 | 0:27:27 | |
bring them up how I wanted them to be brought up, | 0:27:27 | 0:27:29 | |
to be kind and polite, and to help others. | 0:27:29 | 0:27:33 | |
And you tell them... | 0:27:35 | 0:27:36 | |
Stace, you're scaring me. | 0:27:36 | 0:27:37 | |
You tell them that their mummy loved them so much. | 0:27:37 | 0:27:41 | |
You tell them how proud I am. | 0:27:41 | 0:27:43 | |
I'm going to get a doctor, | 0:27:44 | 0:27:48 | |
cos you're going to do something stupid. | 0:27:48 | 0:27:50 | |
Martin, I've made my mind up. | 0:27:50 | 0:27:51 | |
DOOR OPENING | 0:27:51 | 0:27:53 | |
It's this place. | 0:27:56 | 0:27:59 | |
It's this place making you feel like that. | 0:28:00 | 0:28:04 | |
I'm breaking you out of here, Stace. | 0:28:11 | 0:28:13 | |
We're going home. | 0:28:15 | 0:28:16 | |
Right now. | 0:28:18 | 0:28:20 |