Browse content similar to 28/04/2016. Check below for episodes and series from the same categories and more!
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Hang on. | 0:00:30 | 0:00:31 | |
Sorry. Too fast? | 0:00:31 | 0:00:33 | |
No. | 0:00:33 | 0:00:35 | |
Let's get out of here. | 0:00:35 | 0:00:36 | |
You wouldn't? Oh, Mum, you can't. You'll spoil everything. | 0:00:39 | 0:00:42 | |
Look... | 0:00:42 | 0:00:43 | |
Everything all right? | 0:00:43 | 0:00:45 | |
Look, I mean it. All right? | 0:00:46 | 0:00:47 | |
You go out there and tell them you've sold to CostMart. | 0:00:47 | 0:00:50 | |
Do it yourself or... or I will do it for you. | 0:00:50 | 0:00:52 | |
Ian doesn't need anyone making demands right now. | 0:00:52 | 0:00:55 | |
I'm not anyone, Jane. I'm his mother. | 0:00:55 | 0:00:56 | |
Yeah, well, then give him some space. | 0:00:56 | 0:00:58 | |
Yeah, well, I'm trying to do what's best for him | 0:00:58 | 0:01:00 | |
and that is to tell the truth. | 0:01:00 | 0:01:02 | |
It might be a hard thing to do but it's the right thing. | 0:01:02 | 0:01:05 | |
-I can't. -Well, why not? | 0:01:07 | 0:01:09 | |
I mean they'll understand and listen, I'll be right beside you. | 0:01:09 | 0:01:13 | |
Not yet. All right? They're all in there having a good time. | 0:01:13 | 0:01:16 | |
And... | 0:01:16 | 0:01:18 | |
And that was down to me. | 0:01:18 | 0:01:19 | |
It won't get any better the longer you leave it. | 0:01:19 | 0:01:22 | |
Trust me, I know. | 0:01:22 | 0:01:24 | |
Kathy, Ian's just... | 0:01:24 | 0:01:26 | |
Just waiting for the right time. | 0:01:26 | 0:01:28 | |
No. | 0:01:30 | 0:01:31 | |
I don't think there's ever going to be a right time is there, Ian? | 0:01:31 | 0:01:35 | |
I mean, you look at me and you tell me the truth. | 0:01:35 | 0:01:38 | |
In your heart of hearts, do you really want to sell this place? | 0:01:38 | 0:01:41 | |
Our next award of the evening is... | 0:01:45 | 0:01:47 | |
I'll give you an award. | 0:01:47 | 0:01:48 | |
-You behave yourself. All right? -GIGGLING | 0:01:48 | 0:01:51 | |
Right the Pride of Walford Special Recognition Award which this year | 0:01:51 | 0:01:54 | |
goes to a remarkable woman who has selflessly devoted | 0:01:54 | 0:01:58 | |
her life as a foster parent. Now, ladies and gentlemen, | 0:01:58 | 0:02:00 | |
would you please put your hands together for Claudette Hubbard? | 0:02:00 | 0:02:04 | |
APPLAUSE | 0:02:04 | 0:02:06 | |
Claudette? | 0:02:08 | 0:02:10 | |
-Vincent, do you want to do the honours? -Nah... | 0:02:12 | 0:02:14 | |
Whoa, whoa, whoa. Where you going? | 0:02:14 | 0:02:16 | |
-Well, she's my mum an' all. -You're drunk. | 0:02:16 | 0:02:19 | |
-SHE SCOFFS -That's a matter of opinion. | 0:02:19 | 0:02:21 | |
Just go and get it and come back. | 0:02:21 | 0:02:24 | |
-All right, darling. Here... -MICROPHONE FEEDBACK | 0:02:24 | 0:02:27 | |
Ooh! Let me get that for you. | 0:02:27 | 0:02:30 | |
It's a live mic, you see. There you go. | 0:02:30 | 0:02:32 | |
Oh, thanks. Hello. Hello everyone. | 0:02:32 | 0:02:35 | |
Um... | 0:02:35 | 0:02:36 | |
Yeah, my mum. What can I say about her? | 0:02:36 | 0:02:39 | |
She'd be over the moon if she was here. | 0:02:39 | 0:02:42 | |
I was alone and, um... She took me in when no-one else would. | 0:02:43 | 0:02:48 | |
And now I'm on my own again. | 0:02:49 | 0:02:51 | |
Er... | 0:02:52 | 0:02:54 | |
Yeah, everyone has their someone | 0:02:54 | 0:02:57 | |
and my mum used to be my someone. | 0:02:57 | 0:03:01 | |
Well said, darling. | 0:03:05 | 0:03:06 | |
Come on, ladies and gentlemen, let's have a round of applause on that. | 0:03:07 | 0:03:11 | |
Oh, Mas, Mas, let's have a bang on one of them. | 0:03:13 | 0:03:15 | |
-Here you go. -Cheer up. It might never happen. | 0:03:15 | 0:03:18 | |
Oh, I'm serving food at Ian Beales'. | 0:03:18 | 0:03:20 | |
It's already happened. | 0:03:20 | 0:03:21 | |
You know, there was a time I would have been up there getting an award. | 0:03:21 | 0:03:24 | |
I had a business, a family... | 0:03:24 | 0:03:25 | |
Oh, turn it in. What's the matter with you? | 0:03:25 | 0:03:27 | |
-Get off the sidelines, get back in the game. -Nah... | 0:03:27 | 0:03:31 | |
Mick, um, you ain't seen Tina about have you? | 0:03:31 | 0:03:34 | |
I thought she went home with you. SHE SIGHS | 0:03:34 | 0:03:36 | |
Look don't worry. Look. | 0:03:36 | 0:03:37 | |
Don't matter how slaughtered she is, she always finds her way home. | 0:03:37 | 0:03:40 | |
-No. It's not that -What's the matter? -I just... | 0:03:40 | 0:03:43 | |
All right. All right, look. Come with me. Come with me. | 0:03:43 | 0:03:47 | |
Mum we don't have a choice, OK? This has got to happen. | 0:03:47 | 0:03:51 | |
Yeah, I know, but is it the right thing for you? | 0:03:51 | 0:03:54 | |
That's all I'm saying. I mean... | 0:03:54 | 0:03:55 | |
you can change your mind. | 0:03:55 | 0:03:57 | |
Ian, they're going to need you out front soon | 0:03:57 | 0:03:59 | |
cos there's a surprise award. | 0:03:59 | 0:04:01 | |
Jane's right. | 0:04:05 | 0:04:06 | |
I'm not going to change my mind. | 0:04:06 | 0:04:08 | |
This CostMart deal goes through, no matter what. | 0:04:08 | 0:04:11 | |
Well, then you go out there and you tell them. | 0:04:11 | 0:04:13 | |
It won't make you any less of a person, I promise you. | 0:04:13 | 0:04:16 | |
Because even after you've sold to CostMart, | 0:04:16 | 0:04:18 | |
we're still going to have to live here. | 0:04:18 | 0:04:20 | |
How are we going to look people in the eye? | 0:04:20 | 0:04:22 | |
Oh, is that all you care about? What everybody else thinks? | 0:04:22 | 0:04:25 | |
No! I am thinking of Ian. | 0:04:25 | 0:04:28 | |
Those are your friends, your colleagues, | 0:04:28 | 0:04:31 | |
your neighbours out there. | 0:04:31 | 0:04:32 | |
People that you have made your life with. | 0:04:32 | 0:04:34 | |
And they will find out the truth. | 0:04:34 | 0:04:37 | |
Ain't it better that it comes from you? | 0:04:37 | 0:04:39 | |
-BOTTLES RATTLING -Ssh! | 0:04:41 | 0:04:43 | |
THEY GIGGLE | 0:04:48 | 0:04:50 | |
So what's the matter? | 0:05:02 | 0:05:03 | |
Me and Tina, we rowed. | 0:05:05 | 0:05:08 | |
I was embarrassed after that award. | 0:05:08 | 0:05:10 | |
You know? I said some things, we both did. | 0:05:10 | 0:05:12 | |
But she does stupid things sometimes. You know? | 0:05:12 | 0:05:15 | |
And I just can't talk to her when she's like that | 0:05:15 | 0:05:17 | |
and I now I think... | 0:05:17 | 0:05:19 | |
Well, I think we might have broken up now. | 0:05:19 | 0:05:21 | |
-She ain't gonna come home tonight, is she, Mick? -No, no, no. Listen. | 0:05:22 | 0:05:26 | |
Listen, she'll definitely come home. | 0:05:26 | 0:05:28 | |
She... She really wanted to be here for you tonight. | 0:05:28 | 0:05:32 | |
I'm not gonna lie to you, she made a wreck up on that stage tonight. | 0:05:32 | 0:05:35 | |
But she's mad about you. | 0:05:35 | 0:05:38 | |
Do you really think so? | 0:05:38 | 0:05:40 | |
-Because things ain't good at home. -Look. Couples row. | 0:05:40 | 0:05:42 | |
Look, I know Tina, she's probably just gone to hit the booze. | 0:05:42 | 0:05:45 | |
She's waiting for you to calm down. She'll show up. | 0:05:45 | 0:05:48 | |
She might be a bit off her nut, but she'll show up. | 0:05:48 | 0:05:50 | |
Yeah, we're just having a game of dominos. | 0:05:52 | 0:05:55 | |
Look who's here. | 0:05:55 | 0:05:56 | |
You all right? I, er... | 0:05:57 | 0:05:59 | |
I wanted to take Paul out for a drink. | 0:05:59 | 0:06:01 | |
He's really been there for me with Jay. So...is he around? | 0:06:01 | 0:06:05 | |
Oh, he's not feeling well. | 0:06:05 | 0:06:07 | |
Upset stomach. He's gone straight to bed. | 0:06:07 | 0:06:09 | |
Oh, I'll pop my head in, shall I? Cheer him up. | 0:06:09 | 0:06:12 | |
That could cause more harm than good, don't you think? | 0:06:12 | 0:06:16 | |
Sometimes the best thing we can do for people we care about | 0:06:16 | 0:06:20 | |
is to leave them be. | 0:06:20 | 0:06:21 | |
Right. | 0:06:24 | 0:06:26 | |
Well, you'll tell him I called round, yeah? | 0:06:26 | 0:06:28 | |
Of course. | 0:06:28 | 0:06:30 | |
Goodnight. | 0:06:30 | 0:06:32 | |
Yeah... well... I... | 0:06:32 | 0:06:33 | |
-Just tell him I called. -Yeah, I will. Yeah, I'll tell him. | 0:06:36 | 0:06:39 | |
You have a good night. Enjoy your dominos. | 0:06:39 | 0:06:41 | |
-Pam? -DOOR OPENS | 0:06:48 | 0:06:51 | |
You all right? You ready to do, er, do battle? | 0:06:51 | 0:06:55 | |
Oh, I needed that. | 0:06:57 | 0:06:59 | |
So was this a one night only thing? | 0:07:01 | 0:07:04 | |
-Sorry, I just... I just... -Don't worry. | 0:07:07 | 0:07:10 | |
I wasn't expecting anything. It was a one time thing for me too. | 0:07:10 | 0:07:14 | |
You had me going then. | 0:07:14 | 0:07:15 | |
Don't get me wrong, it was lovely. | 0:07:15 | 0:07:17 | |
You're lovely, just not my type. | 0:07:17 | 0:07:20 | |
I get the feeling that we both want other people. | 0:07:20 | 0:07:23 | |
Have you got someone else? | 0:07:24 | 0:07:26 | |
I did love someone but... | 0:07:26 | 0:07:28 | |
..she's not around any more. | 0:07:29 | 0:07:31 | |
What will you do now? | 0:07:32 | 0:07:33 | |
Beer? | 0:07:38 | 0:07:39 | |
We're a right pair, aren't we? | 0:07:40 | 0:07:42 | |
Cheers. | 0:07:46 | 0:07:48 | |
I always do the wrong thing. | 0:07:49 | 0:07:51 | |
That's pretty much what my girlfriend said. | 0:07:51 | 0:07:54 | |
And she was right. | 0:07:54 | 0:07:55 | |
Don't worry. You'll work it out. | 0:07:55 | 0:07:58 | |
I'm not sure if we can. | 0:07:59 | 0:08:00 | |
Right, ladies and gents, it's our last award of the night. | 0:08:02 | 0:08:05 | |
And a surprise one for a family man | 0:08:05 | 0:08:08 | |
without whom Walford would not be the same. | 0:08:08 | 0:08:10 | |
So please put your hands together | 0:08:10 | 0:08:12 | |
for Albert Square's own answer to Alan Sugar | 0:08:12 | 0:08:15 | |
and winner of the Walford Businessman of the Year Award. | 0:08:15 | 0:08:18 | |
The one, the only, | 0:08:18 | 0:08:21 | |
Mr Ian Beale! | 0:08:21 | 0:08:22 | |
One, two. One, two. | 0:08:34 | 0:08:36 | |
Now, I don't know why, but I've been asked to present this award. | 0:08:36 | 0:08:41 | |
Now, them as knows me will know that I ain't one to push myself forward | 0:08:41 | 0:08:45 | |
so I'll just say a few words. | 0:08:45 | 0:08:47 | |
You are a good man, Ian, and a good friend | 0:08:48 | 0:08:53 | |
and I'm very happy to give you this. | 0:08:53 | 0:08:56 | |
-LAUGHTER -Thank you, Dot. Thank you. | 0:08:56 | 0:08:59 | |
Cheese. | 0:09:04 | 0:09:05 | |
I'll just say a few words. | 0:09:08 | 0:09:10 | |
Thank you ever so much for this. Dot, Jack, thank you. | 0:09:12 | 0:09:16 | |
Um... It's been a real honour to host these awards and, um... | 0:09:16 | 0:09:20 | |
Er, my Lucy, she'd be really proud of this so, er... | 0:09:21 | 0:09:25 | |
On behalf of Lucy and all the Beales, | 0:09:25 | 0:09:28 | |
thank you very much. | 0:09:28 | 0:09:29 | |
Um... There is actually one more, er, one more thing. | 0:09:35 | 0:09:38 | |
As you know, we're sadly selling the restaurant | 0:09:38 | 0:09:42 | |
and as I'm amongst friends, I want you to be the first to know | 0:09:42 | 0:09:46 | |
that it's going to become a CostMart. | 0:09:46 | 0:09:50 | |
CostMart? What's that when it's at home? | 0:09:50 | 0:09:54 | |
It's a discount supermarket. | 0:09:54 | 0:09:55 | |
It sells meat and fruit and veg, drinks that sort of stuff. | 0:09:55 | 0:09:59 | |
But I'm sure it'll be good for the area, it'll... | 0:09:59 | 0:10:02 | |
You said it was going to be another restaurant. | 0:10:02 | 0:10:05 | |
-I know, erm... -You lied? I mean that doesn't surprise me, | 0:10:05 | 0:10:08 | |
but you know what you've gone and done, Ian. | 0:10:08 | 0:10:10 | |
You've put us lot who have got stalls out of a job. | 0:10:10 | 0:10:13 | |
Oh, Ian. | 0:10:13 | 0:10:14 | |
Um, I'm... I'm sorry. | 0:10:14 | 0:10:17 | |
I'm sorry. | 0:10:19 | 0:10:20 | |
Satisfied? | 0:10:27 | 0:10:28 | |
That's me. | 0:10:33 | 0:10:34 | |
You going to be all right? | 0:10:34 | 0:10:35 | |
Yeah, I hope so. | 0:10:36 | 0:10:37 | |
Listen, that girl. The one who ain't around any more. | 0:10:37 | 0:10:40 | |
Maybe you should find her again. Talk to her. | 0:10:41 | 0:10:44 | |
I don't know. | 0:10:44 | 0:10:46 | |
Feels like so much has changed between us that... | 0:10:46 | 0:10:48 | |
..I don't even know who she is any more. | 0:10:50 | 0:10:52 | |
I tell you what. I will if you will. | 0:10:54 | 0:10:57 | |
I wouldn't even know where to start. | 0:10:59 | 0:11:02 | |
It's worth a try. If we don't face them sooner or later, | 0:11:03 | 0:11:05 | |
who knows what we'll do next. | 0:11:05 | 0:11:07 | |
Here, give me your phone. | 0:11:08 | 0:11:11 | |
-PHONE CHIMES -Call me if you get a wobble. | 0:11:20 | 0:11:22 | |
OK. | 0:11:25 | 0:11:26 | |
See you later. | 0:11:26 | 0:11:27 | |
-Yeah, see ya. -Bye. | 0:11:29 | 0:11:31 | |
You should have said that you felt lonely. | 0:11:33 | 0:11:35 | |
Alone. Not lonely. | 0:11:35 | 0:11:37 | |
Er, what's the difference? | 0:11:37 | 0:11:38 | |
Um, Vincent, I'm cold. | 0:11:38 | 0:11:40 | |
Well, anyway, what you going to do about it? | 0:11:40 | 0:11:42 | |
-Beat it outta me? -Ay, ay, maybe. | 0:11:42 | 0:11:44 | |
-Yeah. I'd pay to see you try. -All I'm saying is I'm here for you. | 0:11:44 | 0:11:47 | |
All right? It's not all about Mum. I'm right next door. | 0:11:47 | 0:11:51 | |
Yeah, but you've got your perfect house and your perfect baby | 0:11:51 | 0:11:56 | |
-and your perfect... -Vincent! -And her. | 0:11:56 | 0:11:59 | |
-MASOOD: -Excuse me, excuse me. Can you move? | 0:11:59 | 0:12:02 | |
Whoa. Good night? What happened? | 0:12:05 | 0:12:07 | |
Ian Beale, in his wisdom, is selling up the restaurant to CostMart. | 0:12:07 | 0:12:11 | |
What, the cheap shop? | 0:12:11 | 0:12:13 | |
Yeah, the one that sells everything from flowers to food to fish. | 0:12:13 | 0:12:16 | |
-He can't do that. -Well, it seems like he can do anything he wants | 0:12:16 | 0:12:19 | |
and the rest of us have to put up and shut up. | 0:12:19 | 0:12:21 | |
-Oh, is that right? -Yeah. | 0:12:21 | 0:12:22 | |
-Well, he ain't gonna do that while I'm about. -Oi! -What? | 0:12:22 | 0:12:25 | |
Listen, my house is sitting there empty. | 0:12:25 | 0:12:28 | |
-Do you want to come over and talk about it? -Yeah. Coming Shirl? -No. | 0:12:28 | 0:12:31 | |
I'm going to get a kebab. | 0:12:31 | 0:12:32 | |
What, after party? | 0:12:34 | 0:12:35 | |
We're going to go talk strategies about CostMart over at mine. | 0:12:35 | 0:12:38 | |
-You guys coming? -Yeah, I'll be there. | 0:12:38 | 0:12:41 | |
-I'm going to call Dee and tell her to bring a few bottles. -Er... | 0:12:41 | 0:12:44 | |
Well, she'll wanna know, innit? Vincent, could you... | 0:12:44 | 0:12:47 | |
-Pearl? Yeah. All right. -Thanks. -Right. See you over there. | 0:12:47 | 0:12:49 | |
-See you then. -See you later, all right. | 0:12:49 | 0:12:52 | |
Promise me we'll make more of an effort, OK? | 0:12:52 | 0:12:53 | |
-Ugh... -Hey, don't leave me hanging. Come on. All right. | 0:12:53 | 0:12:57 | |
See you later. | 0:12:57 | 0:12:58 | |
Dee, you got any pinot grigio? | 0:12:59 | 0:13:01 | |
KNOCKING | 0:13:15 | 0:13:18 | |
Les, you don't need to keep knocking. | 0:13:18 | 0:13:21 | |
Oh, I know. It's, er, habit now, I suppose. | 0:13:21 | 0:13:24 | |
Paul gone to bed? | 0:13:24 | 0:13:25 | |
Pam, about earlier... | 0:13:26 | 0:13:28 | |
Would you mind helping me make up these beds? | 0:13:28 | 0:13:30 | |
It's my fault, really. I should've done them before. | 0:13:30 | 0:13:32 | |
Perhaps you should give the boy, Ben, a chance? | 0:13:32 | 0:13:36 | |
Oh, I've got your pillow. | 0:13:36 | 0:13:38 | |
Paul does seem to like him a heck of a lot. | 0:13:38 | 0:13:41 | |
I can see you've been taken in by him. | 0:13:41 | 0:13:42 | |
It's not that. I'm just thinking of Paul. | 0:13:42 | 0:13:45 | |
Paul should keep well away from that young man. | 0:13:45 | 0:13:48 | |
Bad things follow him. | 0:13:48 | 0:13:50 | |
He lies constantly. | 0:13:50 | 0:13:52 | |
You know he killed someone, some poor woman. | 0:13:52 | 0:13:54 | |
But, Pam, that was an accident... | 0:13:54 | 0:13:56 | |
I don't like him, Les. | 0:13:56 | 0:13:58 | |
I've got this bad feeling. | 0:13:59 | 0:14:01 | |
He can't be trusted. | 0:14:01 | 0:14:03 | |
And he's certainly not good enough for our Paul. | 0:14:03 | 0:14:05 | |
Maybe you're right. | 0:14:05 | 0:14:07 | |
But you've got to let Paul make his own mistakes. | 0:14:07 | 0:14:11 | |
If you don't, you could end up losing him. | 0:14:11 | 0:14:13 | |
And we both know you don't want that. | 0:14:15 | 0:14:17 | |
Mick? | 0:14:22 | 0:14:23 | |
Teen? | 0:14:23 | 0:14:24 | |
Yeah, it's me. | 0:14:24 | 0:14:26 | |
What d'you want? | 0:14:26 | 0:14:27 | |
I've done a bad thing. | 0:14:29 | 0:14:31 | |
Teen. Er... I'm a bit busy at the moment. | 0:14:33 | 0:14:36 | |
Please, Mick? | 0:14:37 | 0:14:38 | |
I spoke to Sonia, all right? You had a little row. | 0:14:41 | 0:14:43 | |
-That's all it is. Everything's... -I've slept with someone. | 0:14:43 | 0:14:47 | |
TOILET FLUSHES | 0:14:48 | 0:14:50 | |
It's a discount shop. | 0:14:54 | 0:14:56 | |
I know what it is. | 0:14:56 | 0:14:57 | |
I just don't know how it affects us. | 0:14:57 | 0:14:59 | |
Well, if we can't convince you, | 0:14:59 | 0:15:01 | |
we don't stand much chance of convincing anyone else, do we? | 0:15:01 | 0:15:04 | |
CostMart ain't a shop. It's a killer. | 0:15:04 | 0:15:07 | |
-Soon as they open the doors... -Yeah. The Minute Mart'll be extinct. | 0:15:07 | 0:15:10 | |
-Exactly. -Overpriced anyway. | 0:15:10 | 0:15:12 | |
-Er, whose side are you on? -My pocket's. | 0:15:12 | 0:15:14 | |
We could all do with saving a few extra quid, couldn't we? | 0:15:14 | 0:15:17 | |
Yeah, and a bit of healthy competition never hurt anyone. | 0:15:17 | 0:15:20 | |
Hey, there is nothing healthy about a CostMart. | 0:15:20 | 0:15:22 | |
They buy in bulk at stupid cheap prices | 0:15:22 | 0:15:25 | |
and when it comes to selling, they can do BOGOFs. | 0:15:25 | 0:15:28 | |
That's buy one get one free. | 0:15:28 | 0:15:29 | |
I know what it is, Denise. | 0:15:29 | 0:15:31 | |
Well, whatever it is, we can't compete with that. | 0:15:31 | 0:15:33 | |
It's only a matter of time before the market goes under. | 0:15:33 | 0:15:36 | |
Well, what we gonna do about it, then? | 0:15:36 | 0:15:38 | |
We've got to show them we're not happy. | 0:15:38 | 0:15:39 | |
Get them on our side. | 0:15:39 | 0:15:41 | |
-Get people involved. -Yeah. Hit him where it hurts. | 0:15:41 | 0:15:44 | |
Hit 'im with a chip pan. | 0:15:44 | 0:15:45 | |
Do you know, if you've got nothing useful to say just... | 0:15:45 | 0:15:48 | |
Actually, you know what, she's right. | 0:15:48 | 0:15:51 | |
We could boycott him. The restaurant, the chippie... | 0:15:51 | 0:15:54 | |
-The caff. -Bit extreme, innit? | 0:15:54 | 0:15:56 | |
Look, I like a bacon butty as much as the next person, | 0:15:56 | 0:16:00 | |
but this is war. DOORBELL | 0:16:00 | 0:16:02 | |
I mean, if it's a choice between Kush's stall and Ian Beale's empire? | 0:16:02 | 0:16:07 | |
Well, I know which one I'd rather choose. | 0:16:07 | 0:16:08 | |
-Down with Ian Beale, I say. -I'll drink to that. | 0:16:08 | 0:16:12 | |
Down with Ian... | 0:16:12 | 0:16:13 | |
..Beale. | 0:16:15 | 0:16:17 | |
Can I come in? | 0:16:17 | 0:16:18 | |
-Stace? -Yeah? -You'll never guess what Ian's gone and done. | 0:16:19 | 0:16:23 | |
All right, Soph? Where did you get to? | 0:16:24 | 0:16:26 | |
I'm surprised you even noticed. | 0:16:26 | 0:16:27 | |
Don't be silly. | 0:16:27 | 0:16:29 | |
Have you eaten? | 0:16:29 | 0:16:30 | |
You were really putting it away with Tina last I saw. | 0:16:30 | 0:16:32 | |
I need to go to the chemist and get Arthur some medicine. | 0:16:32 | 0:16:35 | |
He's got a temperature and he's not taking his liquid stuff. | 0:16:35 | 0:16:38 | |
Do you want me to get you something from the caff, you two? | 0:16:38 | 0:16:41 | |
-Jacket potato? -All right. Watch Arthur for me. | 0:16:41 | 0:16:44 | |
Are you going to talk to me? | 0:16:53 | 0:16:55 | |
Well, it's why I came | 0:16:55 | 0:16:57 | |
but you might not like what you hear. | 0:16:57 | 0:17:00 | |
Don't matter. | 0:17:00 | 0:17:01 | |
We're mates, you can tell me anything. | 0:17:01 | 0:17:03 | |
Mates? | 0:17:03 | 0:17:05 | |
Mates, yeah. | 0:17:05 | 0:17:06 | |
I was in love with Sarah. | 0:17:09 | 0:17:11 | |
With you. | 0:17:12 | 0:17:13 | |
Who was she? | 0:17:16 | 0:17:18 | |
A waitress at the awards. | 0:17:18 | 0:17:20 | |
Look, I didn't plan it, all right? It just happened. | 0:17:21 | 0:17:25 | |
I know it was stupid. | 0:17:25 | 0:17:26 | |
Yep. That's one way of putting it. | 0:17:26 | 0:17:28 | |
Look, I told ya. I had a chat with Sonia. | 0:17:29 | 0:17:32 | |
She said you had a row. | 0:17:32 | 0:17:34 | |
What I can't get me nut round is the fact that you thought | 0:17:34 | 0:17:37 | |
that sleeping with somebody else would make all that better. | 0:17:37 | 0:17:40 | |
Well, I wasn't thinking. OK? | 0:17:40 | 0:17:42 | |
You definitely weren't thinking. No. | 0:17:42 | 0:17:44 | |
I don't need a telling off right now. | 0:17:44 | 0:17:46 | |
Well, what d'you want, Teen? Cos I'm all out of cheating medals. | 0:17:46 | 0:17:49 | |
Advice? | 0:17:49 | 0:17:51 | |
I told you to go and tell Sonia that you love her. | 0:17:51 | 0:17:54 | |
You being you, embarrass her on the stage | 0:17:55 | 0:17:58 | |
and then sleep with someone else in the same night. | 0:17:58 | 0:18:01 | |
I don't think my advice is really working, Teen. | 0:18:01 | 0:18:03 | |
Mick, please... | 0:18:03 | 0:18:05 | |
Go home. | 0:18:07 | 0:18:08 | |
Tell her. | 0:18:09 | 0:18:11 | |
Have the chat. | 0:18:11 | 0:18:13 | |
Tell her you love her. | 0:18:13 | 0:18:14 | |
And then fingers crossed you and Sonia can move on. | 0:18:14 | 0:18:17 | |
That's easy for you to say. | 0:18:17 | 0:18:19 | |
What? Do you think there's, erm, things I haven't told L? | 0:18:19 | 0:18:23 | |
You know, big things, | 0:18:23 | 0:18:24 | |
things that I know she would not want me to be part of. | 0:18:24 | 0:18:27 | |
But I always tell her in the end. | 0:18:27 | 0:18:29 | |
Do you know why? Because that's what loved up people do. | 0:18:29 | 0:18:32 | |
You always used to say to me you want what I have. | 0:18:33 | 0:18:36 | |
You want a Linda. | 0:18:36 | 0:18:37 | |
And what did I used to tell you? | 0:18:37 | 0:18:38 | |
-Stay the course. -Stay the course. | 0:18:40 | 0:18:43 | |
Even if you're going through hell, you keep going. | 0:18:43 | 0:18:46 | |
You stay the course. I mean... | 0:18:46 | 0:18:47 | |
Churchill said it, you know. | 0:18:49 | 0:18:51 | |
But, erm...it's genius. | 0:18:51 | 0:18:52 | |
Relationships ain't supposed to be like war, Mick. | 0:18:52 | 0:18:55 | |
Why not? Pick a side. | 0:18:55 | 0:18:57 | |
You stick with that side, no matter how hard it gets... | 0:18:57 | 0:19:01 | |
Or how long they take in the khazi. | 0:19:01 | 0:19:02 | |
Sorry. We were just having a little bit of a chat. | 0:19:02 | 0:19:05 | |
I didn't want to wake you up, that's all. | 0:19:05 | 0:19:07 | |
Thank you. | 0:19:09 | 0:19:10 | |
Look, I just wanted to say that, well, my family have been in Walford | 0:19:14 | 0:19:18 | |
a lot longer than most of you put together. | 0:19:18 | 0:19:20 | |
Yeah. Well, you ain't wrong there. | 0:19:20 | 0:19:23 | |
My son is a good man. | 0:19:26 | 0:19:27 | |
When it suits him. | 0:19:28 | 0:19:30 | |
Look, he's just like the rest of us, Denise. | 0:19:30 | 0:19:32 | |
Trying to muddle through as best he can. | 0:19:32 | 0:19:35 | |
And surely you must all see that? | 0:19:35 | 0:19:37 | |
Please, don't be hard on him. | 0:19:38 | 0:19:41 | |
-Bit late. -We're planning on boycotting Ian's businesses, | 0:19:41 | 0:19:45 | |
-starting tomorrow. -Yeah. | 0:19:45 | 0:19:46 | |
You can't just ban a whole family from making a living. | 0:19:46 | 0:19:49 | |
It's not personal, Kathy. | 0:19:49 | 0:19:51 | |
Ian is just doing what he thinks is best for his family. | 0:19:51 | 0:19:54 | |
And, and all you lot here, well, you'd do the same. | 0:19:54 | 0:19:56 | |
Exactly right. | 0:19:56 | 0:19:57 | |
Which is why we can't stand by | 0:19:57 | 0:19:59 | |
and watch someone ruin our livelihoods. | 0:19:59 | 0:20:02 | |
We've got families too. | 0:20:02 | 0:20:03 | |
Cheers. | 0:20:22 | 0:20:23 | |
Oh, sorry. | 0:20:24 | 0:20:26 | |
Don't worry. | 0:20:26 | 0:20:28 | |
What you doing out so late? | 0:20:28 | 0:20:29 | |
Party animal, me. | 0:20:29 | 0:20:31 | |
You on your own? | 0:20:31 | 0:20:32 | |
Oh, I'm just killing time. | 0:20:32 | 0:20:33 | |
I'm meeting some friends in a club in a bit. | 0:20:33 | 0:20:36 | |
Not worth going before 12, is it? | 0:20:36 | 0:20:38 | |
I wouldn't know. Those days are over. | 0:20:38 | 0:20:40 | |
Can I get two jacket potatoes, please, | 0:20:40 | 0:20:42 | |
with tuna to takeaway. Do you want a tea or something? | 0:20:42 | 0:20:46 | |
No, I've got to get home. Shower before heading out. | 0:20:46 | 0:20:50 | |
-Have a good night. -You too. | 0:20:50 | 0:20:52 | |
Oh, Teen. | 0:20:53 | 0:20:55 | |
Would you both stop saying that? | 0:20:55 | 0:20:57 | |
I came for advice not...the look. | 0:20:57 | 0:21:00 | |
What am I going to do? | 0:21:03 | 0:21:04 | |
You've got to tell her the truth, Teen, | 0:21:05 | 0:21:08 | |
and then pray and beg that she's a better person than you were tonight. | 0:21:08 | 0:21:13 | |
I'm sorry, I didn't mean that. | 0:21:14 | 0:21:16 | |
You're a beautiful person, | 0:21:16 | 0:21:17 | |
but you do need to tell her that you've been stupid. | 0:21:17 | 0:21:20 | |
Am I right, L? | 0:21:20 | 0:21:22 | |
Well, actually... | 0:21:22 | 0:21:24 | |
What? | 0:21:24 | 0:21:25 | |
-Never mind. -Go on. No. Please? | 0:21:25 | 0:21:26 | |
Look, I know you love her and you've been together a long time | 0:21:28 | 0:21:31 | |
but, um, maybe you should look at what's happened | 0:21:31 | 0:21:35 | |
and really think about if you're still right for each other? | 0:21:35 | 0:21:39 | |
Yeah, but I spoke to Sonia... | 0:21:39 | 0:21:41 | |
MUFFLED: She stills loves her... She said that. | 0:21:41 | 0:21:44 | |
Why the last minute get away, Babe? | 0:21:44 | 0:21:46 | |
Nancy's allowed to be spontaneous, so why can't I? | 0:21:46 | 0:21:48 | |
-Bit much for a week in Morocco, ain't it? -Ssh-ssh! | 0:21:48 | 0:21:51 | |
All I'm saying is that trust is a delicate thing. | 0:21:54 | 0:21:58 | |
It can't be broken and then patched up just like that. | 0:21:58 | 0:22:01 | |
So they're having a few problems, who ain't? | 0:22:01 | 0:22:03 | |
Sonia cares about Teen. You feel the same. | 0:22:03 | 0:22:06 | |
Do you really want to throw all that away? | 0:22:06 | 0:22:08 | |
FLOORBOARD CREAKS | 0:22:08 | 0:22:10 | |
We can see ya so you might as well come in. | 0:22:13 | 0:22:15 | |
Well, don't keep us in suspense! | 0:22:22 | 0:22:24 | |
I'd hoped you would've realised. | 0:22:26 | 0:22:28 | |
But we were never serious. I never made any promises. | 0:22:28 | 0:22:34 | |
I couldn't. | 0:22:34 | 0:22:35 | |
You didn't know who you were then. I get it. | 0:22:35 | 0:22:38 | |
And I know how important the transition was for you. | 0:22:38 | 0:22:40 | |
But I can't help the way that I feel. | 0:22:40 | 0:22:43 | |
So what? You want us to be a couple? | 0:22:43 | 0:22:45 | |
Because I can't do that. | 0:22:45 | 0:22:47 | |
Why can't you just be my friend? | 0:22:48 | 0:22:50 | |
Why can't you be mine? | 0:22:50 | 0:22:52 | |
I thought you'd understand. | 0:22:53 | 0:22:55 | |
-Not everything is about you, Kyle. -I just don't want to go backwards. | 0:22:55 | 0:22:59 | |
Is that what I am to you? | 0:22:59 | 0:23:01 | |
A part of your life that you just want to forget? | 0:23:01 | 0:23:04 | |
Fine. | 0:23:06 | 0:23:08 | |
Then let me make this easy for you. | 0:23:08 | 0:23:10 | |
Don't go. | 0:23:10 | 0:23:12 | |
We can figure this out. | 0:23:12 | 0:23:13 | |
I do need you, Soph. | 0:23:14 | 0:23:16 | |
For once, I'm going to do what's right for me. | 0:23:16 | 0:23:18 | |
You not sleeping? | 0:23:23 | 0:23:24 | |
Not quite. | 0:23:26 | 0:23:27 | |
I was thinking... | 0:23:30 | 0:23:31 | |
..you used to say that life was full of second chances. | 0:23:33 | 0:23:36 | |
The work you did as a social worker... | 0:23:39 | 0:23:41 | |
..would never have happened if it wasn't for the generosity of people | 0:23:43 | 0:23:47 | |
giving troubled kids another chance. | 0:23:47 | 0:23:49 | |
When did you stop believing that, Birdie? | 0:23:52 | 0:23:54 | |
I don't know. | 0:23:58 | 0:23:59 | |
You're my angel. | 0:24:01 | 0:24:02 | |
You used to see the best in everyone you met. | 0:24:04 | 0:24:07 | |
And I'm sorry if I... | 0:24:10 | 0:24:11 | |
I miss you. | 0:24:14 | 0:24:15 | |
Les? | 0:24:17 | 0:24:18 | |
Will you hold me? | 0:24:20 | 0:24:22 | |
Course I will. | 0:24:22 | 0:24:24 | |
I don't mean to be tough on you. | 0:24:35 | 0:24:37 | |
I know, and you're right. | 0:24:38 | 0:24:41 | |
Promise me you'll at least try with Ben. | 0:24:44 | 0:24:46 | |
For Paul's sake. | 0:24:48 | 0:24:50 | |
I promise. | 0:24:50 | 0:24:51 | |
-Soph, where you going? -Sorry. | 0:24:56 | 0:24:58 | |
I mean, I know it may not seem like it now. | 0:25:39 | 0:25:41 | |
But I would tell her. I think it's the right thing to do. | 0:25:43 | 0:25:46 | |
"There is a higher court than the court of justice | 0:25:46 | 0:25:48 | |
-"and that is the court of conscience." -Eh? -What? | 0:25:48 | 0:25:51 | |
Look, given what's happened, maybe you should rethink | 0:25:51 | 0:25:53 | |
whether you should still be together? | 0:25:53 | 0:25:56 | |
She's right. | 0:25:56 | 0:25:57 | |
Best to call time on it sooner rather than later. | 0:25:57 | 0:25:59 | |
Well, that's three to two. | 0:25:59 | 0:26:01 | |
Lee? | 0:26:02 | 0:26:03 | |
Well, there is an alternative. | 0:26:03 | 0:26:05 | |
Don't tell her. The truth's only going to hurt her | 0:26:07 | 0:26:09 | |
and she don't really need to know, does she, Teen? | 0:26:09 | 0:26:12 | |
Is that what you'd do? | 0:26:12 | 0:26:13 | |
-You're in it now. -Why would you say that? | 0:26:13 | 0:26:15 | |
-Great, Lee. Really grown up. -It's just an option. | 0:26:15 | 0:26:18 | |
What do you want, Teen? Cos really that's all that matters. | 0:26:18 | 0:26:21 | |
I just thought that, you know, | 0:26:21 | 0:26:23 | |
when you finally found someone it would be like... | 0:26:23 | 0:26:26 | |
You know, you'd come home. You know? | 0:26:26 | 0:26:28 | |
Like, you and that person fit. | 0:26:28 | 0:26:30 | |
But with me and Son, it's been really hard lately. You know? | 0:26:31 | 0:26:34 | |
She's been so caught up in helping Martin and Kush and... | 0:26:34 | 0:26:37 | |
You know? And then there's Bex's problems. | 0:26:37 | 0:26:39 | |
And I feel really bad because that's her daughter | 0:26:39 | 0:26:42 | |
but I can't think of the last time she was actually there for me. | 0:26:42 | 0:26:45 | |
I just feel like I don't matter. | 0:26:45 | 0:26:47 | |
Like I'm on the outside, looking into her life. | 0:26:47 | 0:26:51 | |
How do I know we're not still together just out of habit? | 0:26:53 | 0:26:57 | |
-I think you're the only one who knows the answer to that. -Oh! | 0:26:57 | 0:27:00 | |
But what I do know is that the moment you cheat on someone, | 0:27:00 | 0:27:04 | |
that's the beginning of the end. | 0:27:04 | 0:27:06 | |
Maybe not today, maybe not tomorrow but... | 0:27:06 | 0:27:08 | |
All right then. Bed, everyone. Come on. | 0:27:11 | 0:27:13 | |
Let's, er, let's give Tina some space. | 0:27:13 | 0:27:15 | |
It'll be all right. | 0:27:16 | 0:27:17 | |
Night-night, sweetheart. | 0:27:17 | 0:27:19 | |
-Night, Teen. -Mick, you coming? | 0:27:19 | 0:27:21 | |
Yeah. | 0:27:21 | 0:27:23 | |
-I love you. -I love you. | 0:27:25 | 0:27:26 | |
Just do what's right for you, yeah? | 0:27:27 | 0:27:29 | |
SHE SIGHS | 0:27:32 | 0:27:35 | |
You don't have to walk me home, you know. | 0:27:35 | 0:27:37 | |
It's my pleasure, Kathy. | 0:27:37 | 0:27:39 | |
Look, you're a good woman. | 0:27:39 | 0:27:42 | |
And I know you're only looking out for Ian. | 0:27:42 | 0:27:45 | |
I'd probably do the same myself. | 0:27:45 | 0:27:47 | |
How did it get to such a mess? | 0:27:47 | 0:27:50 | |
-The thing is, none of this need happen. -How d'you mean? | 0:27:50 | 0:27:53 | |
You don't want CostMart. Neither do we really. | 0:27:53 | 0:27:57 | |
But Ian, he just doesn't see any other way. | 0:27:58 | 0:28:01 | |
Maybe there's a way you can help him. | 0:28:02 | 0:28:04 | |
How do you mean? | 0:28:04 | 0:28:06 | |
Well, kids don't always see what's best for them. | 0:28:06 | 0:28:08 | |
They don't see what's staring them in the face. | 0:28:08 | 0:28:10 | |
Maybe Ian's missing something. | 0:28:10 | 0:28:12 | |
Maybe you can help him help himself? | 0:28:12 | 0:28:15 | |
Well... | 0:28:17 | 0:28:18 | |
Yeah. There is one thing. | 0:28:18 | 0:28:20 | |
Son? | 0:28:55 | 0:28:56 | |
You're back. | 0:28:56 | 0:28:58 | |
I'm sorry about earlier. | 0:29:02 | 0:29:03 | |
What's wrong? | 0:29:07 | 0:29:08 | |
I've found a lump. | 0:29:11 | 0:29:13 |