Browse content similar to 13/04/2017. Check below for episodes and series from the same categories and more!
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-Denny, I want you to hoover round the place later. -What? | 0:00:41 | 0:00:43 | |
-And, Louise, you can clean the bathroom. -I'm meeting a friend. | 0:00:43 | 0:00:46 | |
Meet who you like when you've done your jobs. | 0:00:46 | 0:00:48 | |
You know what? This is like Christmas all over again. | 0:00:48 | 0:00:50 | |
Why? Cos I want to make things nice? | 0:00:50 | 0:00:53 | |
It's called the Easter holidays for a reason, Sharon. | 0:00:53 | 0:00:56 | |
What? | 0:01:06 | 0:01:07 | |
Nothing. | 0:01:07 | 0:01:08 | |
No, what, Michelle? | 0:01:08 | 0:01:09 | |
Just imagining what would've happened | 0:01:09 | 0:01:12 | |
if I'd spoke to my mum like that. | 0:01:12 | 0:01:14 | |
Well, I was there, remember? | 0:01:14 | 0:01:16 | |
You held your own. | 0:01:16 | 0:01:17 | |
The other day... | 0:01:22 | 0:01:23 | |
I'm sorry. | 0:01:25 | 0:01:27 | |
I was a right cow. | 0:01:27 | 0:01:29 | |
Yeah, you were. | 0:01:29 | 0:01:31 | |
Moo. | 0:01:31 | 0:01:32 | |
Oh, Michelle. | 0:01:39 | 0:01:41 | |
PHONE RINGS | 0:01:43 | 0:01:45 | |
Still no answer. | 0:01:57 | 0:01:58 | |
Don't stress, she's probably in the shower. | 0:01:58 | 0:02:00 | |
She's 40 minutes late for work, Stace. | 0:02:00 | 0:02:03 | |
Tina's still off and Kathy's rushed off her feet. | 0:02:03 | 0:02:06 | |
Well, maybe she's overslept. | 0:02:06 | 0:02:07 | |
She's a teenage girl, you know what they're like. | 0:02:07 | 0:02:09 | |
-Do I? -Well, yeah, you grew up with one, didn't you? | 0:02:09 | 0:02:12 | |
Yeah, but she was well busy with her own life when I came along. | 0:02:12 | 0:02:16 | |
-Martin, she's still your sister. -Why are you defending her? | 0:02:16 | 0:02:18 | |
I'm not. But, you know, family's precious. | 0:02:18 | 0:02:20 | |
And you think I don't know that? | 0:02:20 | 0:02:22 | |
Sorry. | 0:02:23 | 0:02:24 | |
It's just, it's Mark's anniversary today. | 0:02:26 | 0:02:29 | |
Martin, I forgot. | 0:02:29 | 0:02:31 | |
-No, it's all right. -I'm so sorry. | 0:02:31 | 0:02:33 | |
As far as I'm concerned, she's as dead as he is. | 0:02:33 | 0:02:36 | |
I'm not sleeping too well. | 0:02:37 | 0:02:38 | |
Thought I'd take a walk, | 0:02:40 | 0:02:42 | |
visit Mark. | 0:02:42 | 0:02:44 | |
Listen, anniversaries throw up all sorts of feelings. | 0:02:44 | 0:02:48 | |
It's understandable you're feeling low. | 0:02:48 | 0:02:50 | |
It's not just about Mark, though, is it? It's about me. | 0:02:50 | 0:02:53 | |
Making a fool of myself, over and over again. | 0:02:53 | 0:02:57 | |
I tried to call Preston. | 0:03:03 | 0:03:05 | |
Please don't look at me like that. You and me, we'd argued. | 0:03:05 | 0:03:08 | |
I was drunk. I felt desperate. | 0:03:08 | 0:03:10 | |
And? | 0:03:10 | 0:03:12 | |
-His mum answered. -Oh... | 0:03:12 | 0:03:14 | |
Oh, I know. | 0:03:14 | 0:03:16 | |
I know, I've got her words on a loop in my head. | 0:03:16 | 0:03:18 | |
You know, even after all these years, | 0:03:19 | 0:03:22 | |
sometimes I really do not understand you. | 0:03:22 | 0:03:24 | |
-Why? -I dunno. | 0:03:24 | 0:03:26 | |
S'pose I just wanted to tell him how sorry I was, | 0:03:27 | 0:03:30 | |
see if he'd forgive me. | 0:03:30 | 0:03:32 | |
There's no future for you there. You know that. | 0:03:32 | 0:03:34 | |
Well, there's not much of a future for me here either, is there? | 0:03:34 | 0:03:38 | |
Take you out of the equation and what have I got? | 0:03:38 | 0:03:41 | |
A brother who hates me and a Square full of ghosts. | 0:03:41 | 0:03:44 | |
I was just coming to find you. | 0:03:49 | 0:03:51 | |
Do you have you any idea what time it is? | 0:03:51 | 0:03:53 | |
Bex, you're an hour late for work. | 0:03:53 | 0:03:55 | |
Yes, and talking to you is only going to make me later. | 0:03:55 | 0:03:57 | |
What's happened to your leg? | 0:04:06 | 0:04:08 | |
Dance injury. Extreme salsa. | 0:04:08 | 0:04:11 | |
You sure you want us tonight then? | 0:04:12 | 0:04:14 | |
You trying to back out? | 0:04:14 | 0:04:15 | |
No, course not. I'm just saying if you're injured... | 0:04:15 | 0:04:17 | |
We'll see you at seven. | 0:04:17 | 0:04:20 | |
Food style, Michelin star. Dress code, debonair. | 0:04:20 | 0:04:23 | |
I thought tonight was casual. | 0:04:23 | 0:04:26 | |
Casual? That's just another way of saying I don't care. | 0:04:26 | 0:04:29 | |
But what do I know? Maybe you don't. | 0:04:29 | 0:04:32 | |
Look, before you start, I know I was late, all right. | 0:04:36 | 0:04:38 | |
I've already apologised to Kathy. | 0:04:38 | 0:04:40 | |
Oh, no, it ain't that. I just wondered if you were still going to the cinema tonight with your mates. | 0:04:40 | 0:04:44 | |
-I'm not sure. -Why not? It'd be fun, wouldn't it? | 0:04:44 | 0:04:47 | |
What's it to you if I do or I don't? | 0:04:47 | 0:04:49 | |
Don't matter to me. Go, don't go. | 0:04:49 | 0:04:52 | |
If you want the house to yourself so you can run round naked with Dad or whatever... | 0:04:52 | 0:04:55 | |
Excuse me! I never said that. | 0:04:55 | 0:04:57 | |
All right. Sorry. | 0:04:57 | 0:04:59 | |
It's just I want to have a quiet word with your dad. | 0:04:59 | 0:05:01 | |
But if you can't make tonight then that's fine. | 0:05:01 | 0:05:04 | |
Look, it's fine. I'll go out. | 0:05:04 | 0:05:06 | |
All right. Here you are. | 0:05:06 | 0:05:08 | |
Go and buy some popcorn on me. | 0:05:08 | 0:05:10 | |
Thanks, Mum. | 0:05:17 | 0:05:19 | |
Thanks. | 0:05:19 | 0:05:20 | |
Erm, we'll pay you later. | 0:05:20 | 0:05:21 | |
Oh, yeah, right. | 0:05:21 | 0:05:24 | |
The police been round to see you yet? | 0:05:24 | 0:05:26 | |
-Er, no, not yet. No. -What? | 0:05:26 | 0:05:29 | |
Two fellas assault you in your own home and they don't show? | 0:05:29 | 0:05:33 | |
-Give me that copper's number, I'm going to give them a piece of my mind... -It's fine, Mum. | 0:05:33 | 0:05:36 | |
It's all in hand, I promise. | 0:05:36 | 0:05:38 | |
You all right? | 0:05:44 | 0:05:45 | |
Well, first of all I get scammed by two girls, | 0:05:45 | 0:05:47 | |
now your mum's trying to sort out a copper for me. | 0:05:47 | 0:05:50 | |
It's hardly a confidence booster, is it? | 0:05:50 | 0:05:52 | |
It's a good price. | 0:05:57 | 0:05:58 | |
Must be using frozen. | 0:05:58 | 0:06:00 | |
No, they're buying fresh from Billingsgate. | 0:06:00 | 0:06:03 | |
-Have they spoke to you about potato varieties? -They never stop. | 0:06:03 | 0:06:06 | |
You should go inside, | 0:06:06 | 0:06:07 | |
I'm sure Tina and Whitney would love to talk to you about it. | 0:06:07 | 0:06:10 | |
Unfortunately, I've got the books to do. | 0:06:10 | 0:06:12 | |
Martin. | 0:06:22 | 0:06:24 | |
I'm working. | 0:06:24 | 0:06:25 | |
I can see that. | 0:06:25 | 0:06:26 | |
I think we need to talk, don't you? | 0:06:31 | 0:06:33 | |
Both got to live here. | 0:06:35 | 0:06:36 | |
I'm sorry, OK. I am so sorry. I don't know what else I can say. | 0:06:38 | 0:06:42 | |
I've made a huge mistake, and I know you're embarrassed | 0:06:43 | 0:06:47 | |
and ashamed and angry. | 0:06:47 | 0:06:48 | |
How am I meant to make it up to you if you won't even look at me? | 0:06:51 | 0:06:54 | |
Why do you even want to make it up? | 0:06:56 | 0:06:58 | |
-Because you're my brother. -What, and you care so much? -I do. | 0:06:58 | 0:07:02 | |
So what day is it today then, 'chelle? Tell me that. | 0:07:02 | 0:07:05 | |
-Mark. -Now you remember? -What, you think I forgot? | 0:07:07 | 0:07:09 | |
-Of course you forgot. Cos it's not about you and your pathetic problems. -Martin, please... | 0:07:09 | 0:07:13 | |
And now you're going to scrabble around pretending like you didn't. | 0:07:13 | 0:07:16 | |
You really think that little of me? | 0:07:16 | 0:07:18 | |
Bex? Customer. | 0:07:25 | 0:07:26 | |
-What do you want? -Quick word. | 0:07:31 | 0:07:33 | |
-I've got nothing to say to you. -Please. | 0:07:33 | 0:07:35 | |
I know you're angry and you've got good reason to be, | 0:07:36 | 0:07:40 | |
but I came here to warn you. | 0:07:40 | 0:07:42 | |
It's about tonight. | 0:07:42 | 0:07:44 | |
Do you think I'm really going to go to the cinema with you | 0:07:44 | 0:07:46 | |
after what you did? | 0:07:46 | 0:07:48 | |
You're angry, I get it. | 0:07:48 | 0:07:50 | |
-I'm sorry, I shouldn't've come. -Wait, wait. | 0:07:52 | 0:07:55 | |
What about tonight? | 0:07:56 | 0:07:57 | |
Alex booked some seats behind you. | 0:08:00 | 0:08:02 | |
She was going to wait for the film to start, then cut your hair. | 0:08:02 | 0:08:06 | |
-Why are you telling me this? -Cos they're taking it too far. | 0:08:07 | 0:08:11 | |
I said that to them last night. | 0:08:11 | 0:08:12 | |
Alex freaked, so now I'm out. | 0:08:14 | 0:08:17 | |
But I don't care. | 0:08:17 | 0:08:18 | |
Look, I know what we done to you was wrong, | 0:08:20 | 0:08:22 | |
but I guess I was just scared of her. | 0:08:22 | 0:08:24 | |
But I'm not scared any more. | 0:08:26 | 0:08:27 | |
Look, Bex, I just want you to know that I'm sorry, OK. | 0:08:29 | 0:08:32 | |
For a beginner, can I recommend the Maris Piper potato. Very forgiving. | 0:08:39 | 0:08:43 | |
Great. Thanks. | 0:08:43 | 0:08:44 | |
How you doing your batter? | 0:08:44 | 0:08:47 | |
-With a whisk. -Have you thought about a beer batter, maybe? | 0:08:47 | 0:08:51 | |
I swear, any more chip-tips, and I will batter him... | 0:08:53 | 0:08:57 | |
I just said... I just said you still want us to come, | 0:08:57 | 0:08:59 | |
and she's giving me evils like I'm trying to back out. | 0:08:59 | 0:09:02 | |
-Why would I want to back out? -No, you wouldn't. You wouldn't. | 0:09:02 | 0:09:05 | |
At least if this was a normal meal and this was a normal woman. | 0:09:05 | 0:09:10 | |
I know, right? | 0:09:10 | 0:09:11 | |
She's going on about all posh food, wanting us to get all dressed up. | 0:09:11 | 0:09:16 | |
Is there something I don't know here? | 0:09:16 | 0:09:17 | |
When it comes to Kim, there usually is. | 0:09:17 | 0:09:20 | |
Do you know what I think? | 0:09:20 | 0:09:22 | |
I think that she's trying to throw us off balance, | 0:09:22 | 0:09:25 | |
and when I say us, what I actually mean is you. | 0:09:25 | 0:09:29 | |
-Me? -Yeah. | 0:09:29 | 0:09:30 | |
Look, all that stuff with our mum - her mum - and the baby, | 0:09:30 | 0:09:37 | |
it really messed Kim up, | 0:09:37 | 0:09:38 | |
and I think she's sort of being kind of overprotective towards me. | 0:09:38 | 0:09:44 | |
I think it's just going to be some sort of trial by fire, | 0:09:44 | 0:09:47 | |
see if you're up to the job. | 0:09:47 | 0:09:48 | |
-What job? -Of being my boyfriend. | 0:09:49 | 0:09:52 | |
Yeah. | 0:09:54 | 0:09:55 | |
Michelle! | 0:09:56 | 0:09:57 | |
You can walk past me, you know, I ain't going to bite. | 0:09:59 | 0:10:02 | |
I was just heading back. | 0:10:02 | 0:10:04 | |
You all right? | 0:10:04 | 0:10:06 | |
Yeah, yeah, I'm fine. | 0:10:06 | 0:10:08 | |
We are allowed to talk, you know. | 0:10:08 | 0:10:10 | |
Course, but... | 0:10:10 | 0:10:12 | |
Look, I know that we're meant to be all daggers-drawn at the | 0:10:12 | 0:10:14 | |
minute but, to be honest with you... | 0:10:14 | 0:10:17 | |
..I'm not really feeling it. | 0:10:19 | 0:10:20 | |
Jane's got me planting these for the fayre next week. | 0:10:22 | 0:10:24 | |
I'm really behind, I could do with a hand. | 0:10:24 | 0:10:27 | |
Me and you, we make good gardening buddies, don't we? | 0:10:27 | 0:10:30 | |
Don't tell me you're worried about Martin seeing us together. | 0:10:31 | 0:10:35 | |
Look, I'm his wife, and I love him, but stuff him. | 0:10:35 | 0:10:38 | |
Still on for tonight? | 0:10:44 | 0:10:46 | |
Don't tell me you've forgotten. Cinema? | 0:10:47 | 0:10:51 | |
I can't, I'm sorry. I've got a really bad headache. | 0:10:51 | 0:10:54 | |
I was going to text you. | 0:10:54 | 0:10:56 | |
Spoken to Madison today? | 0:10:56 | 0:10:57 | |
No. | 0:10:59 | 0:11:00 | |
No, why? | 0:11:00 | 0:11:02 | |
She wanted to do stuff to you. Like embarrass you. | 0:11:03 | 0:11:06 | |
We said we were done with those games now, | 0:11:07 | 0:11:09 | |
-but she wouldn't let it go, would she, Lou? -No. | 0:11:09 | 0:11:13 | |
I mean, you know we're just messing around, right? | 0:11:13 | 0:11:17 | |
But Madison, she really seems to hate you. | 0:11:17 | 0:11:20 | |
Don't worry, we'll sort her out for you. | 0:11:20 | 0:11:22 | |
-Look, you don't need to do that... -We insist, don't we, Lou? | 0:11:22 | 0:11:25 | |
What you going to do to her? | 0:11:27 | 0:11:29 | |
Nothing too bad. | 0:11:29 | 0:11:30 | |
Hope your headache gets better. | 0:11:33 | 0:11:34 | |
Louise. | 0:11:34 | 0:11:35 | |
The thing you have to understand about Martin is, emotionally, | 0:11:43 | 0:11:47 | |
well, he's basically like a teenager. | 0:11:47 | 0:11:50 | |
I mean, I love him to death, but he just don't feel things by | 0:11:50 | 0:11:53 | |
degrees, it's all or nothing, you know, it's hot or cold. | 0:11:53 | 0:11:56 | |
-You know what I mean? -Yeah. | 0:11:56 | 0:11:58 | |
But, you know, he feels strongly about something but if, | 0:11:58 | 0:12:01 | |
you know, if you handle him in the right way, | 0:12:01 | 0:12:03 | |
then he don't necessarily feel that way for very long. | 0:12:03 | 0:12:06 | |
Maybe. But I'm not holding my breath. | 0:12:06 | 0:12:08 | |
Best case scenario? I give him some space and hope that maybe one day | 0:12:09 | 0:12:13 | |
-he'll be able to tolerate me. -Tolerate? | 0:12:13 | 0:12:16 | |
He's never going to trust me again, is he? | 0:12:16 | 0:12:17 | |
-Oh, he will. -I'm not so sure. | 0:12:17 | 0:12:19 | |
Yes, he will. | 0:12:19 | 0:12:21 | |
He will, cos I do. | 0:12:22 | 0:12:24 | |
Look, I haven't said anything to Martin yet, and sister-in-law | 0:12:30 | 0:12:36 | |
or not, if you tell him before I get a chance | 0:12:36 | 0:12:38 | |
then that'll be the end of you. | 0:12:38 | 0:12:39 | |
I'm, erm... I'm pregnant. | 0:12:43 | 0:12:45 | |
I haven't told anyone yet, it's early days. | 0:12:47 | 0:12:49 | |
I haven't even told my mum. Only you. | 0:12:49 | 0:12:52 | |
Thank you. Oh, congratulations. | 0:12:52 | 0:12:56 | |
Martin did say you were trying, but so soon. | 0:12:56 | 0:12:59 | |
-When you going to tell him? -Tonight. We've got the house to ourselves in case he freaks. | 0:12:59 | 0:13:03 | |
-What, because it's happened so quickly? -Yeah. | 0:13:03 | 0:13:07 | |
I know. We're going to need all the support we can get. | 0:13:07 | 0:13:10 | |
I mean, we're hoping for the best, but if we get the worst, | 0:13:10 | 0:13:13 | |
then he really will need someone to lean on. | 0:13:13 | 0:13:17 | |
Brilliant. | 0:13:20 | 0:13:22 | |
It's Good Friday tomorrow. Why don't you come round ours? | 0:13:22 | 0:13:24 | |
You know, it's nothing special, just family. Me mum's coming. | 0:13:24 | 0:13:29 | |
-I'd love that, but... -Oh, don't worry about Martin, I'll speak to him. | 0:13:29 | 0:13:33 | |
Anyway, it ain't going to be the biggest surprise he gets tonight, is it? | 0:13:33 | 0:13:37 | |
Ah! What you going for? | 0:13:41 | 0:13:44 | |
Model pout? Kissy face? | 0:13:44 | 0:13:47 | |
Shut up! I'm just showing Whit my make-up for tomorrow night. | 0:13:47 | 0:13:51 | |
-Ah, yeah, the girls' big night out. -Mm-hmm. -I'll leave you to it. | 0:13:51 | 0:13:55 | |
-Lauren? -Yeah. | 0:13:59 | 0:14:00 | |
There's a sight to come home to. | 0:14:02 | 0:14:04 | |
-Ooh. How was your day? -Better now. | 0:14:04 | 0:14:07 | |
-Good. -You're ready early, aren't you? -Ready? | 0:14:07 | 0:14:10 | |
Karaoke night at the Vic? The hair, make-up. | 0:14:10 | 0:14:14 | |
Oh. Yeah. | 0:14:14 | 0:14:16 | |
-I'm looking forward to it. -Yeah, me too. | 0:14:16 | 0:14:19 | |
PHONE BEEPS | 0:14:26 | 0:14:27 | |
-DOORBELL RINGS -Killer eyes, yeah? | 0:14:37 | 0:14:40 | |
Killer. | 0:14:40 | 0:14:41 | |
Ah! Welcome, welcome... | 0:14:44 | 0:14:47 | |
-Lookin' good, D. -Tryin' hard, V, you know. | 0:14:47 | 0:14:50 | |
-And these are for you, darling. -Oh, thank you. | 0:14:51 | 0:14:55 | |
We're watching our figures at the moment but, yeah, we appreciate the thought. | 0:14:55 | 0:14:59 | |
And this is for you, squire. | 0:14:59 | 0:15:01 | |
Cheers. You know what, go on through. | 0:15:01 | 0:15:04 | |
'Nuff with the charm. Killer eyes! | 0:15:07 | 0:15:09 | |
Thanks for coming. | 0:15:18 | 0:15:19 | |
Do you want to sit down? | 0:15:24 | 0:15:25 | |
I can't stop thinking about what we done to you, Bex. | 0:15:39 | 0:15:43 | |
I just wanted to say that I'm... | 0:15:43 | 0:15:45 | |
..really, really sorry. | 0:15:46 | 0:15:48 | |
So hang on, why are we here if we ain't got any money? | 0:15:59 | 0:16:03 | |
Remember Jim Branning? Dad said he used to collect glasses for drinks. | 0:16:03 | 0:16:07 | |
You must be joking. | 0:16:07 | 0:16:09 | |
-I ain't begging for a job as a potboy. -We won't need to. | 0:16:09 | 0:16:12 | |
We'll just collect the glasses, and they'll feel obliged. | 0:16:12 | 0:16:15 | |
Trust me. Come on. | 0:16:15 | 0:16:17 | |
Love, even if we don't run the place as a chippy, | 0:16:18 | 0:16:21 | |
it's going to soar in value. | 0:16:21 | 0:16:23 | |
I mean, we'd be mugs to sell it now. | 0:16:23 | 0:16:24 | |
Yeah, if money's the only measure. | 0:16:24 | 0:16:27 | |
No. But, love, you've got to understand. | 0:16:27 | 0:16:29 | |
Fish and chips is in my blood. | 0:16:29 | 0:16:31 | |
Yeah, which is probably one reason why you're high risk for diabetes. | 0:16:31 | 0:16:35 | |
I'm sorry, love. | 0:16:35 | 0:16:38 | |
Look, I know the chippy's important to you. | 0:16:38 | 0:16:40 | |
The foundations of the empire, an' all that, | 0:16:40 | 0:16:41 | |
but you're getting older and so am I. | 0:16:41 | 0:16:45 | |
You don't need to run yourself ragged. | 0:16:45 | 0:16:47 | |
Let's relax and spend a bit more time together. | 0:16:47 | 0:16:51 | |
Yeah, but I'd miss it. The sounds, the smells, the queues... | 0:16:51 | 0:16:55 | |
-The money. -If you're missing the chippy, | 0:16:55 | 0:16:57 | |
we could always do a pop-up outside the restaurant? | 0:16:57 | 0:17:00 | |
Worked a treat last summer. | 0:17:00 | 0:17:02 | |
That is a brilliant idea! | 0:17:02 | 0:17:04 | |
Thanks for everything, man, you've been so awesome. | 0:17:07 | 0:17:10 | |
It's fine. | 0:17:10 | 0:17:11 | |
I told my auntie everything this afternoon. | 0:17:11 | 0:17:14 | |
She said I should give you these. | 0:17:14 | 0:17:16 | |
They're truffles. She makes them every Easter for friends and family. | 0:17:17 | 0:17:22 | |
They're really nice. | 0:17:22 | 0:17:23 | |
Oh, thank you. That is really kind. | 0:17:23 | 0:17:25 | |
-Ooh. -I mean they're really, really nice. | 0:17:26 | 0:17:30 | |
Do you want one? | 0:17:30 | 0:17:31 | |
-Is it that obvious? -Kind of. | 0:17:31 | 0:17:33 | |
Mmm. | 0:17:37 | 0:17:39 | |
GIGGLING | 0:17:45 | 0:17:46 | |
Makes a change from eating your feelings, doesn't it? | 0:17:46 | 0:17:49 | |
What was that? | 0:17:49 | 0:17:50 | |
THEY LAUGH | 0:17:50 | 0:17:52 | |
What did I just eat? | 0:17:52 | 0:17:53 | |
Don't worry, it was totally organic. | 0:17:53 | 0:17:55 | |
What was it?! | 0:17:58 | 0:18:00 | |
You know my cat, Herbie? | 0:18:00 | 0:18:02 | |
Those truffles came straight from his litter tray! | 0:18:03 | 0:18:08 | |
I cannot believe the cheek of her. | 0:18:35 | 0:18:38 | |
So I went to Mark's grave earlier and she's left flowers. | 0:18:38 | 0:18:42 | |
-I don't understand. -Michelle. | 0:18:42 | 0:18:44 | |
I had to remind her - I actually had to remind her about Mark earlier. | 0:18:44 | 0:18:49 | |
-Wouldn't surprise me if she's left them flowers as a message. -For who? | 0:18:49 | 0:18:52 | |
For me, Stace. Acting like she cares about this family. | 0:18:52 | 0:18:55 | |
I think she does, Martin. | 0:18:55 | 0:18:58 | |
You really upset her earlier. | 0:18:58 | 0:18:59 | |
What, you talked to her? | 0:18:59 | 0:19:01 | |
No, not really. | 0:19:02 | 0:19:05 | |
Look, I'm not condoning what she did, but she knows she messed up. | 0:19:05 | 0:19:08 | |
Well, there you go. See, now she's getting at you. She's clever, Stace. | 0:19:08 | 0:19:11 | |
She'll do whatever it takes to wriggle her way back into this family. | 0:19:11 | 0:19:14 | |
But that's it right there, you just said it. | 0:19:14 | 0:19:17 | |
She's your sister, Martin. | 0:19:17 | 0:19:18 | |
She's the only family you've got left if you don't count Ian, | 0:19:18 | 0:19:21 | |
and I ain't being funny, but why would anyone count Ian if they had any sense? | 0:19:21 | 0:19:26 | |
You might need her one day. | 0:19:26 | 0:19:28 | |
We might need her. | 0:19:28 | 0:19:29 | |
Martin, there's something that I want to say... | 0:19:33 | 0:19:36 | |
Bex? | 0:19:36 | 0:19:38 | |
Bex, is that you? | 0:19:39 | 0:19:40 | |
Bex? | 0:19:41 | 0:19:42 | |
Now that was lovely, Kim. | 0:19:54 | 0:19:57 | |
Great ham. | 0:19:57 | 0:19:59 | |
-Prosciutto. -Bless you. | 0:19:59 | 0:20:01 | |
More wine from the crystal decanter? | 0:20:08 | 0:20:10 | |
You know, you don't have to say that it's crystal, you know, | 0:20:10 | 0:20:14 | |
like every single time. | 0:20:14 | 0:20:17 | |
We all know that you bought an expensive wine vase. | 0:20:17 | 0:20:19 | |
Expensive? | 0:20:19 | 0:20:21 | |
How expensive? | 0:20:21 | 0:20:23 | |
How many times do I have to tell you, Vincent? | 0:20:24 | 0:20:26 | |
It's vulgar to talk about money... | 0:20:26 | 0:20:28 | |
in front of people. | 0:20:28 | 0:20:30 | |
If you'll excuse me. | 0:20:31 | 0:20:33 | |
I must partake of the powder room. | 0:20:33 | 0:20:35 | |
-Scream if you need help, all right. -Yeah, all right. | 0:20:37 | 0:20:40 | |
Kush's wine glass is empty, Vincent. | 0:20:53 | 0:20:55 | |
-It's fine, I'm trying to pace myself. -Pour the man a drink. | 0:20:55 | 0:21:01 | |
Yeah. | 0:21:01 | 0:21:02 | |
Let me just pour this for you. | 0:21:04 | 0:21:05 | |
So this... This is nice this, ain't it? | 0:21:20 | 0:21:24 | |
The four of us together. | 0:21:24 | 0:21:25 | |
-One big, happy family. -Yeah. | 0:21:26 | 0:21:28 | |
Is that what you want to be? Family? | 0:21:30 | 0:21:32 | |
Cos with family comes commitment. | 0:21:34 | 0:21:36 | |
All right, I know what you're trying to do here. | 0:21:36 | 0:21:39 | |
Are you committed, Kush? | 0:21:41 | 0:21:43 | |
Take Vincent here. | 0:21:44 | 0:21:46 | |
Casanova. Gangster. Recording artist. | 0:21:46 | 0:21:50 | |
But he gave all that up because he's committed. | 0:21:50 | 0:21:54 | |
Recording artist, yeah. | 0:21:54 | 0:21:57 | |
D said something about you done some rapping? | 0:21:57 | 0:22:01 | |
-Yeah, it was back in the day. -Yeah? -That's not important right now. | 0:22:01 | 0:22:04 | |
-Something I would have heard? -Erm... | 0:22:04 | 0:22:06 | |
Dr Funk, You're Marvellous. | 0:22:08 | 0:22:09 | |
No. No way. That... | 0:22:11 | 0:22:14 | |
-That was a tune! -Really? -Yeah. -Thanks. | 0:22:14 | 0:22:18 | |
No, thank you. Or should I say, "funk you". | 0:22:18 | 0:22:21 | |
I mean, that was my tune. I can't believe this! | 0:22:21 | 0:22:24 | |
-Yeah. -I can't believe it! | 0:22:24 | 0:22:25 | |
I can't believe I'm just sitting across the table from the guy... | 0:22:25 | 0:22:28 | |
Do you know, I want to shake your hand right now. | 0:22:30 | 0:22:32 | |
Can I do that? Can I shake your hand right now? | 0:22:32 | 0:22:34 | |
-Yes. -Come here. | 0:22:34 | 0:22:36 | |
-Boom. -Boom. | 0:22:36 | 0:22:38 | |
Please tell me that ain't real gold. | 0:22:39 | 0:22:41 | |
HE SINGS LIKE KATE BUSH | 0:22:43 | 0:22:45 | |
Oh, cheers, boys. You've been very helpful tonight. | 0:22:51 | 0:22:54 | |
Well, we can see you're busy. | 0:22:54 | 0:22:55 | |
Almost like you're auditioning to be potmen. | 0:22:55 | 0:22:58 | |
She's just being cynical. | 0:22:58 | 0:22:59 | |
-Look, not everyone's on the make. -Oh, no, he's right. Ignore me. | 0:22:59 | 0:23:02 | |
Thank you for your help, and now I'll happily take your money. What can I get you? | 0:23:02 | 0:23:07 | |
-Er, we're all right for the minute. -Yeah, yeah. -Oh. | 0:23:07 | 0:23:09 | |
So have you thought about what you're going to wear tomorrow night? | 0:23:12 | 0:23:16 | |
Er...no. No, not really. | 0:23:16 | 0:23:18 | |
Suit yourself. But I warn you, | 0:23:20 | 0:23:22 | |
I ain't going casual, Lauren, I am dressing to impress. | 0:23:22 | 0:23:26 | |
-Someone's on the pull, then? -Maybe. | 0:23:26 | 0:23:29 | |
It's going to be a fun night for me, eh. | 0:23:29 | 0:23:31 | |
You can be third wheel for once. | 0:23:31 | 0:23:33 | |
You girls want any drinks? | 0:23:35 | 0:23:37 | |
No, I'm fine, thank you. | 0:23:37 | 0:23:38 | |
Are you sure he's all right about us going out tomorrow? | 0:23:41 | 0:23:44 | |
Yeah, course he is. Why? | 0:23:44 | 0:23:47 | |
Well, it's just some fellas, they get funny don't they, | 0:23:47 | 0:23:49 | |
about their girls going out on their own? | 0:23:49 | 0:23:51 | |
He ain't like that. He trusts me and I trust him. | 0:23:51 | 0:23:54 | |
Millions of people call your name. Vincent, come on, please, play it. | 0:23:59 | 0:24:02 | |
-You can do this for me... -It's been such a long time. | 0:24:02 | 0:24:04 | |
-No, it's memories, ain't it. -That I'm trying to let go of. | 0:24:04 | 0:24:07 | |
Come on. Spotlight. | 0:24:07 | 0:24:09 | |
FUNKY MUSIC PLAYS | 0:24:09 | 0:24:10 | |
Stepping in. | 0:24:10 | 0:24:12 | |
Let's hear it. | 0:24:13 | 0:24:15 | |
OK. OK. | 0:24:15 | 0:24:17 | |
# Dr Funk, that's right | 0:24:19 | 0:24:21 | |
# Guess you never ever ever thought I would grab this mic | 0:24:21 | 0:24:24 | |
# No, don't start with your blah, blah, blah | 0:24:24 | 0:24:26 | |
# Just bounce to the rhythm of the strum of the guitar... # | 0:24:26 | 0:24:29 | |
I know what you were trying to do tonight, Kim, don't think I don't. | 0:24:29 | 0:24:33 | |
-So does he pass? -Does it look like he's failed? | 0:24:33 | 0:24:38 | |
He's a good man, you know. You don't need to worry about me. | 0:24:38 | 0:24:41 | |
I ain't worrying about you right now. | 0:24:41 | 0:24:43 | |
You need to marry him before Vincent does. | 0:24:43 | 0:24:46 | |
SHE MOCKS VINCENT'S SINGING | 0:24:46 | 0:24:47 | |
OK! | 0:24:51 | 0:24:52 | |
Yeah, yeah, lovely, lovely. | 0:24:52 | 0:24:56 | |
That was insane. | 0:24:56 | 0:24:57 | |
OK, back in the room. Back in the room. | 0:24:57 | 0:24:58 | |
So are we ready for dessert, yeah? | 0:24:58 | 0:25:01 | |
Nothing too rich, just a little platter of exotic fruits, | 0:25:01 | 0:25:05 | |
on account of me and Vincent looking after our figures for the fayre. | 0:25:05 | 0:25:08 | |
Why? | 0:25:08 | 0:25:09 | |
Well, I'm entering the evening wear competition, | 0:25:09 | 0:25:12 | |
and Vincent's going for Mr Walford. | 0:25:12 | 0:25:14 | |
What? | 0:25:17 | 0:25:18 | |
I just didn't think that anyone was going to actually do that. | 0:25:20 | 0:25:24 | |
And why shouldn't I? | 0:25:24 | 0:25:25 | |
I just think it's a little bit demeaning, you know. | 0:25:25 | 0:25:28 | |
-Maybe you're jealous. -Jealous? | 0:25:28 | 0:25:30 | |
Listen, Kushy-baby, you wait till the fayre. | 0:25:31 | 0:25:34 | |
I've got more curves than the Grand Prix track. | 0:25:34 | 0:25:37 | |
You saying that I don't? | 0:25:37 | 0:25:38 | |
Beyonce. | 0:25:39 | 0:25:41 | |
-Diana Ross. -Ooh. -OK. | 0:25:43 | 0:25:44 | |
Don't get me wrong, don't get me wrong, | 0:25:44 | 0:25:46 | |
she's a very beautiful woman, but she kinda... | 0:25:46 | 0:25:49 | |
She kinda...? | 0:25:49 | 0:25:51 | |
How do I enter? | 0:25:51 | 0:25:52 | |
D, you don't want to do that. | 0:25:52 | 0:25:54 | |
Oh, what, are you scared I'm going to win? | 0:25:54 | 0:25:56 | |
No, no, I mean I've seen her in a dress and she really pulls it out. | 0:25:56 | 0:25:58 | |
And you've just had a baby. | 0:25:58 | 0:26:00 | |
Who cares? | 0:26:00 | 0:26:02 | |
Look, she is beautiful, right, just the way she is. | 0:26:02 | 0:26:07 | |
And she's going to do it. | 0:26:07 | 0:26:10 | |
So am I. | 0:26:10 | 0:26:11 | |
Ha! How do you like that then, eh? | 0:26:11 | 0:26:16 | |
And he's got muscles on his muscles. | 0:26:16 | 0:26:20 | |
Muscles, schmuscles. | 0:26:20 | 0:26:22 | |
That's right, don't act like you ain't scared. | 0:26:22 | 0:26:24 | |
Cos me an' my man here, we are going to blow you off that stage. | 0:26:24 | 0:26:28 | |
Don't you worry about that. | 0:26:28 | 0:26:30 | |
Well, you bring it on. | 0:26:34 | 0:26:36 | |
Hug me. | 0:26:36 | 0:26:38 | |
SHE SOBS | 0:26:40 | 0:26:41 | |
-VIDEO: -Take some mud, roll it in chocolate. | 0:26:43 | 0:26:46 | |
A lovely present for Walford's biggest idiot. | 0:26:46 | 0:26:49 | |
Oh, they look delicious. | 0:26:49 | 0:26:52 | |
-What is it? -Shall we tell her it's cat poo? | 0:26:52 | 0:26:54 | |
LAUGHTER | 0:26:54 | 0:26:56 | |
SHE SOBS | 0:27:05 | 0:27:07 | |
-Look, she's just about to... -What is she doing? | 0:27:11 | 0:27:14 | |
THEY LAUGH | 0:27:15 | 0:27:17 | |
Yes. | 0:27:22 | 0:27:23 | |
It's me. | 0:27:23 | 0:27:24 | |
Please, I need you. | 0:27:28 | 0:27:30 | |
There's no-one to talk to. | 0:27:33 | 0:27:35 | |
I can't cope any more. | 0:27:40 | 0:27:42 | |
I can't cope any more with it. | 0:27:44 | 0:27:46 |