Browse content similar to 03/08/2017 Part Two. Check below for episodes and series from the same categories and more!
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DRILLING | 0:00:28 | 0:00:32 | |
I'd be lost without you. | 0:00:56 | 0:00:58 | |
LAUGHTER IN DISTANCE | 0:01:03 | 0:01:04 | |
-Woody! -What? Stop it. | 0:01:04 | 0:01:06 | |
No, you stop it! | 0:01:06 | 0:01:07 | |
Bex was up half the night, looking in every bag and coat | 0:01:34 | 0:01:36 | |
for that bit of paper. | 0:01:36 | 0:01:38 | |
Do you think it'll help them find Louise? | 0:01:38 | 0:01:40 | |
-CAR HORN -Nothing new from the police. | 0:01:40 | 0:01:42 | |
Think they're desperate enough, they'll try anything now. | 0:01:42 | 0:01:45 | |
These gasworks! | 0:01:45 | 0:01:47 | |
Yeah, you do try anything if you're desperate. | 0:01:47 | 0:01:49 | |
Don't go there, Stace. | 0:01:51 | 0:01:52 | |
-I'm not going anywhere. -What's that? | 0:01:52 | 0:01:54 | |
Well, I'm just saying, they didn't burn it, did they, Michelle? | 0:01:54 | 0:01:57 | |
They didn't even trash it. | 0:01:57 | 0:01:58 | |
You do know that he's got your dad's bench round ours now in bits? | 0:01:58 | 0:02:01 | |
Yeah, there is a gouge out the back, | 0:02:01 | 0:02:03 | |
there are screws missing and she's written "Bernadette" on it. | 0:02:03 | 0:02:06 | |
Let me tell you now, those Taylors, | 0:02:06 | 0:02:07 | |
they are not welcome here. I will not serve them, end of. | 0:02:07 | 0:02:10 | |
They don't strike me as massive fruit-and-veg eaters. | 0:02:10 | 0:02:12 | |
Sorry, but the police reckon that one of them | 0:02:12 | 0:02:14 | |
was actually kipping on it. | 0:02:14 | 0:02:16 | |
All that shows, Stace, is that they're thick. | 0:02:16 | 0:02:18 | |
No, Martin, all that shows is that you've forgotten | 0:02:18 | 0:02:20 | |
what it's like to be up against it. | 0:02:20 | 0:02:22 | |
Oh, come on, right. It don't take a genius, does it? | 0:02:22 | 0:02:24 | |
Beanbag is a tenner. | 0:02:24 | 0:02:26 | |
Or you get a bit of foam, cut it out to size, five squid-oolies. | 0:02:26 | 0:02:29 | |
Well, maybe they don't have a spare "five squid-oolies". | 0:02:29 | 0:02:32 | |
No, no. I'm with Martin on this. | 0:02:32 | 0:02:33 | |
It is about respect, Stace. | 0:02:34 | 0:02:36 | |
People like the Taylors don't know the meaning of the word. | 0:02:36 | 0:02:38 | |
Never mind family. | 0:02:38 | 0:02:40 | |
-Caution. -Yes! You're a good kid. | 0:02:46 | 0:02:48 | |
-Stepping up like that, son. -Nice one, mate. -Thanks. | 0:02:48 | 0:02:51 | |
Mum can't get sent down when you're having a baby. | 0:02:51 | 0:02:53 | |
Nah, and neither can you. | 0:02:53 | 0:02:55 | |
Cos you're going to be taken on by MKF Motors! | 0:02:55 | 0:02:58 | |
MKF Motors don't take people on. It is well known, Mum. | 0:02:58 | 0:03:01 | |
Yeah, I know. | 0:03:01 | 0:03:02 | |
But Keanu is never late for work, is he, Keegs? | 0:03:02 | 0:03:05 | |
You know, he's always the first one there, | 0:03:05 | 0:03:07 | |
he's never taken a day off, and he's the best at servicing them vans. | 0:03:07 | 0:03:10 | |
I mean, if they don't give him a contract today, | 0:03:10 | 0:03:13 | |
they ain't giving no-one a contract today. | 0:03:13 | 0:03:15 | |
Yes, that is what I just said, Mum. | 0:03:15 | 0:03:17 | |
Well, if they don't, then I'll have to have a word, won't I? | 0:03:17 | 0:03:19 | |
And if you do get your contract, yeah, | 0:03:19 | 0:03:21 | |
I'll be buying you a drink, son. | 0:03:21 | 0:03:24 | |
Yeah. Out of your first wages. | 0:03:24 | 0:03:26 | |
Morning. | 0:03:30 | 0:03:31 | |
Yep. | 0:03:31 | 0:03:33 | |
Mick. I... | 0:03:33 | 0:03:35 | |
I just wanted to say thanks. | 0:03:35 | 0:03:37 | |
-For what? -Well, for making us feel so welcome. | 0:03:38 | 0:03:41 | |
You know, this engagement party. It's big of you. | 0:03:41 | 0:03:45 | |
Cos I know that... | 0:03:46 | 0:03:49 | |
me and you have never got on. | 0:03:49 | 0:03:52 | |
I think we should just put it all behind us and... | 0:03:52 | 0:03:55 | |
You know, no hard feelings, mate. | 0:03:55 | 0:03:58 | |
Let's not get on the mate one, eh? | 0:03:58 | 0:04:00 | |
You ain't welcome here, you'll never be welcome here. | 0:04:00 | 0:04:02 | |
Don't my woman pay you to pull pints in Watford? | 0:04:02 | 0:04:05 | |
No? You ought to get back there, ain't you, son? | 0:04:05 | 0:04:07 | |
Yeah. | 0:04:09 | 0:04:10 | |
Understanding woman, your missus, ain't she? | 0:04:10 | 0:04:13 | |
She knows I've got a few things I got to sort out here first, so... | 0:04:14 | 0:04:18 | |
Ta-ta. | 0:04:18 | 0:04:19 | |
Here you are. | 0:04:25 | 0:04:27 | |
Ta. | 0:04:27 | 0:04:28 | |
You turning into an alkie? | 0:04:36 | 0:04:38 | |
Dad used to put whisky in his tea. | 0:04:39 | 0:04:41 | |
What do you want me to do? There ain't no milk left. | 0:04:41 | 0:04:44 | |
No. Or juice, or bread, or cereal. | 0:04:44 | 0:04:47 | |
Anyone hear them last night? | 0:04:48 | 0:04:50 | |
Yeah, I nearly got up and threw a bucket of water over them. | 0:04:50 | 0:04:52 | |
-LAUGHING: -I had to put my headphones on. | 0:04:52 | 0:04:54 | |
Oh, you don't mind, then? | 0:04:54 | 0:04:56 | |
-No, course. -What? | 0:04:57 | 0:05:00 | |
-While you were away, I... -She forgot was a lesbian. | 0:05:02 | 0:05:05 | |
Oi, no! Thank you! | 0:05:05 | 0:05:07 | |
Don't pass judgment on my sexuality. | 0:05:07 | 0:05:09 | |
Oh, leave off. What, you slept with Woody? | 0:05:09 | 0:05:12 | |
No. | 0:05:12 | 0:05:13 | |
We never slept. | 0:05:13 | 0:05:14 | |
She know about this? Whitney? About her fiance? | 0:05:16 | 0:05:18 | |
Oh, chill out, Dad. | 0:05:18 | 0:05:19 | |
It was just a one-off. You know, they weren't together. | 0:05:19 | 0:05:22 | |
And it ain't a secret. | 0:05:22 | 0:05:23 | |
She's on the rebound, Teen. After Lee. It ain't been easy for her. | 0:05:23 | 0:05:26 | |
That's all she needs, isn't it? That tart messing her about. | 0:05:26 | 0:05:29 | |
-Overreact...much? -That's a bit harsh, ain't it? | 0:05:29 | 0:05:31 | |
Look, Whitney can look after herself. It's no big deal. | 0:05:31 | 0:05:35 | |
Why's that, Mother? You had a go on him an' all? | 0:05:35 | 0:05:37 | |
It's not your business, Mick. | 0:05:39 | 0:05:40 | |
So I said to him, "That's not a problem, | 0:05:45 | 0:05:47 | |
"but he needs to make sure he's booked it by four," you know? | 0:05:47 | 0:05:50 | |
Right, so the Wiltshire project. The plan is... | 0:05:53 | 0:05:58 | |
Why didn't we know, Phil? | 0:06:13 | 0:06:15 | |
What? | 0:06:15 | 0:06:16 | |
Anything at all about Louise's life before. What happened with Lisa | 0:06:16 | 0:06:20 | |
and her mental health. | 0:06:20 | 0:06:23 | |
All the stuff that Louise could tell Bex but she couldn't tell us. | 0:06:23 | 0:06:27 | |
I told you, Lisa's always been a drama queen, ain't she? | 0:06:27 | 0:06:30 | |
Oh, has she? Bless her. Flaky little idiot. | 0:06:30 | 0:06:33 | |
It'll be her hormones, most probably. | 0:06:33 | 0:06:36 | |
Or just the fact that she's a girl. | 0:06:36 | 0:06:37 | |
Yeah, but she ain't, though, is she? | 0:06:37 | 0:06:39 | |
She's a middle-aged woman who still thinks the world revolves around her. | 0:06:39 | 0:06:42 | |
She makes her own choices. | 0:06:42 | 0:06:44 | |
She shoots people, she kidnaps sick kids | 0:06:44 | 0:06:46 | |
so don't get all bleeding hearts about it. | 0:06:46 | 0:06:48 | |
Lisa's one of life's victims. | 0:06:48 | 0:06:51 | |
She has a diagnosis, Phil! | 0:06:51 | 0:06:53 | |
A mental health team, medication. | 0:06:53 | 0:06:56 | |
That ain't my problem. And neither is she. | 0:06:56 | 0:06:58 | |
But she is Louise's. | 0:06:58 | 0:06:59 | |
You know, no wonder your daughter never wanted to talk about her. | 0:07:00 | 0:07:04 | |
And that's my fault, and all, is it? | 0:07:04 | 0:07:06 | |
Phil... | 0:07:06 | 0:07:08 | |
Phil! | 0:07:08 | 0:07:09 | |
Look, we need to call the police. | 0:07:11 | 0:07:13 | |
Lisa might not be here but we need them on side. | 0:07:13 | 0:07:16 | |
They need to know we're following the rules. | 0:07:16 | 0:07:18 | |
All right. Good idea. Well, you wait here. | 0:07:18 | 0:07:20 | |
She's my daughter, ain't she? | 0:07:20 | 0:07:22 | |
TEXT MESSAGE ALERT | 0:07:35 | 0:07:37 | |
Um... | 0:07:55 | 0:07:57 | |
I need to leave. | 0:07:57 | 0:07:58 | |
Yeah, sure. Any hassle, say you got my go-ahead. | 0:07:58 | 0:08:01 | |
No... I don't mean early, Josh. | 0:08:01 | 0:08:03 | |
First in, last out. | 0:08:08 | 0:08:09 | |
Not one foot wrong. Passed with flying colours. | 0:08:10 | 0:08:13 | |
It's very impressive. | 0:08:13 | 0:08:15 | |
And come September, | 0:08:15 | 0:08:16 | |
you'll have a level three certificate on your way to you... | 0:08:16 | 0:08:19 | |
-Keanu Taylor. -OK. | 0:08:19 | 0:08:21 | |
You're an apprenticeship success story, Keanu. | 0:08:21 | 0:08:24 | |
Qualification through structured training. | 0:08:24 | 0:08:26 | |
Bags of valuable practical skills development, | 0:08:26 | 0:08:29 | |
career prospects greatly enhanced. | 0:08:29 | 0:08:31 | |
And you've been earning while you've been learning. | 0:08:31 | 0:08:33 | |
And you don't leave with a student loan weighing you down, do you, eh? | 0:08:33 | 0:08:37 | |
Smart lads like you are what keep me in business. | 0:08:37 | 0:08:39 | |
KNOCK ON DOOR | 0:08:54 | 0:08:55 | |
Am I leaving? | 0:08:57 | 0:08:58 | |
Your tutor at college didn't explain? | 0:09:01 | 0:09:03 | |
It's always the same over the summer holidays. | 0:09:05 | 0:09:07 | |
My hands are tied, son. | 0:09:07 | 0:09:08 | |
Minimum wage. | 0:09:08 | 0:09:10 | |
If I could offer you a job, I would, but I can't. | 0:09:10 | 0:09:12 | |
OK... | 0:09:12 | 0:09:13 | |
Well, you complete the course, you reach 18, | 0:09:13 | 0:09:16 | |
your price to me nearly doubles and I can't afford you... | 0:09:16 | 0:09:20 | |
Keanu. | 0:09:20 | 0:09:21 | |
I got overheads, you understand? | 0:09:22 | 0:09:24 | |
And come September I got a brand-new batch of apprentices all ready | 0:09:26 | 0:09:28 | |
and eager to benefit like you did. | 0:09:28 | 0:09:30 | |
I'll tell you what I can give you, though. | 0:09:33 | 0:09:35 | |
A cracking reference. | 0:09:37 | 0:09:39 | |
I'm an idiot. | 0:09:41 | 0:09:42 | |
I am a heartless, selfish person. | 0:09:44 | 0:09:47 | |
Josh, if you knew... | 0:09:49 | 0:09:51 | |
Where's this coming from? | 0:09:51 | 0:09:52 | |
Steven. | 0:09:52 | 0:09:54 | |
He deserves more than this. So much more. | 0:09:58 | 0:10:00 | |
We all do. | 0:10:02 | 0:10:03 | |
And every day that I'm here, I'm stopping us. | 0:10:04 | 0:10:08 | |
-Now what's he said? -No. It's not him. | 0:10:08 | 0:10:11 | |
This is not his fault. It's me. | 0:10:13 | 0:10:15 | |
I'm the one that keeps looking at you. It's in my head. | 0:10:15 | 0:10:19 | |
I'm the one sitting here, wishing that things could be different. | 0:10:21 | 0:10:24 | |
So, Lauren? listen to yourself. | 0:10:24 | 0:10:27 | |
No, no. You don't understand. I can't. | 0:10:27 | 0:10:31 | |
This is not the life that I've got. | 0:10:33 | 0:10:35 | |
This place, you... | 0:10:36 | 0:10:38 | |
I know that you don't get it. | 0:10:40 | 0:10:42 | |
But...this is a fantasy. | 0:10:43 | 0:10:45 | |
Your world. | 0:10:46 | 0:10:47 | |
And... | 0:10:49 | 0:10:51 | |
I'm just not meant to be here. | 0:10:51 | 0:10:53 | |
You're resigning. | 0:10:59 | 0:11:00 | |
Yeah. | 0:11:02 | 0:11:03 | |
This is torture, though, ain't it? | 0:11:06 | 0:11:08 | |
Us being so close and there's no hope. | 0:11:08 | 0:11:10 | |
None? | 0:11:14 | 0:11:15 | |
I know that I said we were going to make this work. | 0:11:19 | 0:11:22 | |
I'm sorry for that, Josh. | 0:11:24 | 0:11:26 | |
Cos I was wrong. | 0:11:27 | 0:11:28 | |
Do I look like a stalker to you? | 0:12:22 | 0:12:24 | |
If I could just see a photograph of your daughter, sir? | 0:12:24 | 0:12:27 | |
Do you have a photo on your phone? | 0:12:27 | 0:12:28 | |
Or on you at all? As in she is your daughter, sir. | 0:12:28 | 0:12:31 | |
Just hotel policy. | 0:12:31 | 0:12:32 | |
I'm not a photo-on-your-phone sort of person. | 0:12:32 | 0:12:35 | |
Look, her name's Louise Mitchell. She's tall, she's got blonde hair. | 0:12:35 | 0:12:38 | |
Her mum's a bit darker. Shorter. | 0:12:38 | 0:12:42 | |
Trippy sort of woman, really. | 0:12:42 | 0:12:44 | |
Look, mate. It's been a long day, all right? | 0:12:45 | 0:12:48 | |
I'm knackered, I been worried out of my mind about her. | 0:12:48 | 0:12:51 | |
It's a straightforward question. | 0:12:51 | 0:12:52 | |
Are they staying here, or not? | 0:12:52 | 0:12:54 | |
Just one second, sir. | 0:12:55 | 0:12:57 | |
If I could just see some form of identification from yourself | 0:13:00 | 0:13:03 | |
before I release that information, sir. Just hotel policy. | 0:13:03 | 0:13:06 | |
Do you have any identification on you? A driving licence, passport? | 0:13:06 | 0:13:09 | |
Utility bill? | 0:13:09 | 0:13:11 | |
Ah! Yeah, as it happens, I've got a utility bill, a council tax bill | 0:13:11 | 0:13:15 | |
and a couple of other bits in the car. I won't be a second. | 0:13:15 | 0:13:18 | |
Very good, sir, right you are. | 0:13:18 | 0:13:19 | |
Hey, are we all right? | 0:13:34 | 0:13:36 | |
Course we're all right. | 0:13:36 | 0:13:38 | |
Look, I know you don't like him, but he's a nice bloke. | 0:13:38 | 0:13:40 | |
-Yeah. -He is. He treats me right. | 0:13:40 | 0:13:44 | |
Listen, darling, I don't want to upset you. | 0:13:44 | 0:13:46 | |
It's the last thing I want to do. | 0:13:46 | 0:13:47 | |
Someone should tell you. Last time he was here... | 0:13:48 | 0:13:51 | |
-..he had a bit of a roll about with Tina and... -Oh, I know. | 0:13:53 | 0:13:56 | |
-Oh. -Everyone's got a past, ain't they? | 0:13:57 | 0:14:00 | |
Course they have. Course they have. | 0:14:00 | 0:14:02 | |
I'm going to go and sort the barrel store out | 0:14:03 | 0:14:06 | |
and put the prosecco on ice and probably bleach the carzies. | 0:14:06 | 0:14:09 | |
Do you know what? | 0:14:09 | 0:14:11 | |
Ain't nothing to do with me who you fall in love with, is it? | 0:14:11 | 0:14:14 | |
-So if you're happy, I'm happy. -Yeah. -All right? | 0:14:14 | 0:14:16 | |
Mick, would you walk me down the aisle, please? | 0:14:16 | 0:14:18 | |
You can say no if it's awkward, or if you don't want to. | 0:14:19 | 0:14:22 | |
It's stupid, it's just that Ryan, and Helen, | 0:14:24 | 0:14:26 | |
they're going to be on honeymoon. | 0:14:26 | 0:14:28 | |
I can't think of anyone else I'd rather give me away. | 0:14:29 | 0:14:32 | |
I'd be honoured. | 0:14:35 | 0:14:37 | |
Yeah? | 0:14:37 | 0:14:39 | |
Thank you. | 0:14:39 | 0:14:41 | |
Thanks, Mick. | 0:14:41 | 0:14:42 | |
Mick, why don't we go on holiday? | 0:14:51 | 0:14:54 | |
-What, me and you? -Why not? | 0:14:54 | 0:14:56 | |
Time. Money. The fact that the last time you set foot in a caravan, | 0:14:57 | 0:15:00 | |
you set it on fire. | 0:15:00 | 0:15:02 | |
You're a pub landlord, Mick. Drinking in the morning. | 0:15:02 | 0:15:04 | |
-Golden rule. -Shut up. This ain't nothing. | 0:15:04 | 0:15:08 | |
Well, I don't think Linda would see it like that. | 0:15:08 | 0:15:10 | |
HE KNOCKS ON DOOR | 0:15:23 | 0:15:26 | |
Excuse me, can you open the door, please? | 0:15:28 | 0:15:30 | |
Can you open the door? No, course you can't. | 0:15:30 | 0:15:32 | |
It's hotel policy I suppose, isn't it? | 0:15:32 | 0:15:34 | |
Lou. Lou, are you in there? Lou! | 0:15:34 | 0:15:37 | |
Lou, can you hear me? | 0:15:37 | 0:15:38 | |
Lou. Lou, please. | 0:15:39 | 0:15:41 | |
Please open the door. | 0:15:41 | 0:15:43 | |
Lou. | 0:15:43 | 0:15:44 | |
Lou... | 0:15:44 | 0:15:46 | |
Oh, thank God. | 0:15:50 | 0:15:51 | |
Are you all right? | 0:15:52 | 0:15:54 | |
Is your mum in there? | 0:15:55 | 0:15:57 | |
Go away, Dad. | 0:15:59 | 0:16:01 | |
Lou! Lou, what are you doing? | 0:16:02 | 0:16:05 | |
Lou! Lou! | 0:16:05 | 0:16:07 | |
Now every second that passes | 0:16:25 | 0:16:27 | |
is an extra second that my daughter is in there and in danger. | 0:16:27 | 0:16:30 | |
And anything... Anything, Dominic, | 0:16:30 | 0:16:32 | |
that happens to her while she's in there, I will hold you | 0:16:32 | 0:16:34 | |
personally responsible for. Now am I getting through to you? | 0:16:34 | 0:16:36 | |
-SHOUTING: -Am I getting through to you?! | 0:16:36 | 0:16:39 | |
KEYS JANGLE | 0:16:39 | 0:16:42 | |
-Lou? -Dad! | 0:16:47 | 0:16:48 | |
-SCREAMING -Argh! | 0:16:48 | 0:16:51 | |
Right. Let's get this party started, hey? | 0:16:58 | 0:17:01 | |
CHEERING | 0:17:01 | 0:17:03 | |
It weren't me. It weren't me. | 0:17:11 | 0:17:13 | |
-Mum, it's all right. -She told me. She told me. | 0:17:13 | 0:17:15 | |
Put the phone down, you mental cow. | 0:17:15 | 0:17:17 | |
-Call the police. -Mum. Just give me the phone, please. | 0:17:17 | 0:17:20 | |
Devil on his shoulder. | 0:17:20 | 0:17:21 | |
-Devil on his shoulder. -Tell Dave on security. Ambulance. | 0:17:21 | 0:17:24 | |
Put the phone down! Put the phone down! | 0:17:24 | 0:17:26 | |
Put it down! | 0:17:26 | 0:17:28 | |
-Oh, darling, look at the state of you. -It's not her fault. | 0:17:33 | 0:17:36 | |
-It's all right, it's all right. -Dad... -It's all right, darling, I'm here now. | 0:17:36 | 0:17:39 | |
It's all right. | 0:17:39 | 0:17:40 | |
Has someone called an ambulance? Call an ambulance! | 0:17:40 | 0:17:43 | |
Darling, darling... | 0:17:43 | 0:17:45 | |
Oh, no. | 0:17:45 | 0:17:46 | |
No... No. What have you done? | 0:17:46 | 0:17:48 | |
-Devil on his shoulder. Devil on his shoulder... -What've you done?! | 0:17:48 | 0:17:51 | |
Open your eyes, open your eyes! and you look at what you've done! | 0:17:51 | 0:17:54 | |
Now I swear. I swear, if she dies I will track you down. | 0:17:54 | 0:17:58 | |
I will track you down and I will break you, you stupid, weak, | 0:17:58 | 0:18:01 | |
-pathetic woman! -Phil! | 0:18:01 | 0:18:03 | |
Well, what's the matter with you? | 0:18:16 | 0:18:17 | |
-They don't want me. -Oh, darling. | 0:18:22 | 0:18:26 | |
That's all right, it's a waste of time anyway. | 0:18:26 | 0:18:28 | |
They don't want me, Mum. | 0:18:29 | 0:18:31 | |
Oh, come here. It's all right. Oh! | 0:18:31 | 0:18:35 | |
I moved some stuff around. Dad didn't mind. | 0:18:40 | 0:18:43 | |
I know Whit's your best mate so... | 0:18:43 | 0:18:45 | |
Hey, dance with me. | 0:18:54 | 0:18:56 | |
-I've already danced with you. -Come on, dance with her. | 0:18:56 | 0:18:59 | |
-You'll have to get used to doing what you're told soon, mate. -Oi! | 0:18:59 | 0:19:01 | |
She's not marrying me for my dancing abilities, are you, babe? | 0:19:01 | 0:19:05 | |
Have a dance. | 0:19:05 | 0:19:07 | |
-Has he been drinking since breakfast? -He's all right. | 0:19:07 | 0:19:09 | |
How many have you had, Dad? | 0:19:09 | 0:19:11 | |
Dance with the bird. | 0:19:11 | 0:19:13 | |
What's the matter with you? Go on. She's asked you to dance, ain't she? | 0:19:15 | 0:19:18 | |
Calm down, Mick, mate, have a glass of water. | 0:19:18 | 0:19:20 | |
-What do you mean have a glass... Who you talking to? -Mick! | 0:19:20 | 0:19:23 | |
Come on, you've had a skinful, old feller. | 0:19:29 | 0:19:31 | |
Let's get you up, come on. | 0:19:31 | 0:19:33 | |
-Lou. Louise. -Is she breathing? | 0:19:44 | 0:19:47 | |
Yeah, yeah, she's breathing. | 0:19:47 | 0:19:49 | |
Lou, Lou, can you hear me? | 0:19:49 | 0:19:50 | |
Thank God. Come on, darling. | 0:19:51 | 0:19:53 | |
Come on, lets get you up, come on. | 0:19:53 | 0:19:55 | |
Come on, let's get you up. | 0:19:55 | 0:19:57 | |
I know it hurts. Come on, it's all right. | 0:19:57 | 0:20:00 | |
It's OK, Lisa. | 0:20:00 | 0:20:03 | |
It's OK. | 0:20:03 | 0:20:04 | |
No. No. | 0:20:04 | 0:20:06 | |
He hurts you, though. He hurts you. | 0:20:06 | 0:20:08 | |
Says you done terrible, terrible things. It weren't you. | 0:20:08 | 0:20:11 | |
Weren't your fault. Don't want to know. | 0:20:11 | 0:20:13 | |
Mum... | 0:20:13 | 0:20:15 | |
Yes. | 0:20:16 | 0:20:18 | |
Oh, yes, I am. | 0:20:18 | 0:20:19 | |
-Wherever I am. -I want to go with Mum. | 0:20:19 | 0:20:22 | |
-No, no, no. You need to see a doctor. -Mum, I promised! | 0:20:22 | 0:20:25 | |
Lisa, come on. Come on. | 0:20:25 | 0:20:27 | |
Hospital... | 0:20:28 | 0:20:30 | |
We go together. | 0:20:32 | 0:20:33 | |
Come on, come on. | 0:20:36 | 0:20:39 | |
Sharon... | 0:20:44 | 0:20:45 | |
are you mad? | 0:20:45 | 0:20:47 | |
What, "Mad, stupid woman"? | 0:20:47 | 0:20:50 | |
No, Phil. I'm not. | 0:20:50 | 0:20:52 | |
Now, do you really still think that none of this is your fault? | 0:20:52 | 0:20:56 | |
I should go. | 0:21:07 | 0:21:09 | |
Do you want me to go? | 0:21:09 | 0:21:11 | |
Cos I will, I'll leave. I'll get a job again. | 0:21:11 | 0:21:14 | |
I'll do anything, Mick, not to make you unhappy, | 0:21:16 | 0:21:18 | |
so do you want me to go? | 0:21:18 | 0:21:19 | |
No. | 0:21:22 | 0:21:24 | |
Right, well, then something's got to give, ain't it? | 0:21:25 | 0:21:27 | |
I know you don't want to talk about... | 0:21:30 | 0:21:33 | |
what happened with us. | 0:21:33 | 0:21:34 | |
So don't talk. | 0:21:36 | 0:21:38 | |
Just listen. | 0:21:38 | 0:21:40 | |
I love you. | 0:21:44 | 0:21:45 | |
You're my main man. | 0:21:48 | 0:21:49 | |
I know that you're the one I'm going to be running to | 0:21:51 | 0:21:53 | |
for the rest of my life. | 0:21:53 | 0:21:54 | |
Whether it's here or the other side of the world. | 0:21:56 | 0:21:58 | |
And if things were different... | 0:22:02 | 0:22:04 | |
If there weren't 20 years between us. | 0:22:06 | 0:22:10 | |
And Lee. | 0:22:10 | 0:22:11 | |
And if you weren't happily married to the best woman you've ever met. | 0:22:14 | 0:22:18 | |
But you are. | 0:22:19 | 0:22:21 | |
I think we both... | 0:22:25 | 0:22:27 | |
We both were in a bad place, weren't we? | 0:22:30 | 0:22:32 | |
Things got mixed up and... | 0:22:34 | 0:22:36 | |
You and me, us like that, it's... | 0:22:38 | 0:22:40 | |
It ain't real. | 0:22:42 | 0:22:43 | |
And going away... | 0:22:46 | 0:22:47 | |
..helped me move on. | 0:22:49 | 0:22:50 | |
I love you. | 0:22:54 | 0:22:55 | |
And you love Linda. | 0:22:56 | 0:22:58 | |
And I love Woody. | 0:23:01 | 0:23:03 | |
This is my home, Mick. | 0:23:05 | 0:23:06 | |
This is the only place that I've ever really felt like | 0:23:09 | 0:23:12 | |
I've fitted, you know? | 0:23:12 | 0:23:13 | |
But I will go. | 0:23:19 | 0:23:20 | |
I can't stay, not if we can't... | 0:23:23 | 0:23:25 | |
Not if we can't put this behind us. Not if you can't move on. | 0:23:25 | 0:23:28 | |
All I want is the two blokes that I love the most in the world... | 0:23:31 | 0:23:35 | |
..to be mates. | 0:23:37 | 0:23:38 | |
Can you do that for me, Mick? | 0:23:43 | 0:23:45 | |
I need you to decide if you can do that. | 0:23:48 | 0:23:51 | |
El... | 0:24:14 | 0:24:15 | |
I don't care what's going on there any more. | 0:24:22 | 0:24:25 | |
When you get this... | 0:24:26 | 0:24:28 | |
..come home. | 0:24:31 | 0:24:32 | |
Come home, now, please. | 0:24:34 | 0:24:37 | |
Or there'll be nothing to come back to. | 0:24:40 | 0:24:42 |