Browse content similar to 20/03/2018. Check below for episodes and series from the same categories and more!
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Nan? That was Martin's. | 0:00:33 | 0:00:36 | |
I want an armband. | 0:00:36 | 0:00:37 | |
Go and brush your teeth, Lil. | 0:00:37 | 0:00:39 | |
That flaming door. | 0:00:39 | 0:00:40 | |
Why are you so jumpy? | 0:00:40 | 0:00:42 | |
It's the shock waves. | 0:00:42 | 0:00:44 | |
See if them skinflints get the message now. | 0:00:44 | 0:00:46 | |
Trouble, what you doing? You all right? | 0:00:46 | 0:00:50 | |
Uh, teeth. | 0:00:54 | 0:00:56 | |
Teeth. | 0:00:56 | 0:00:57 | |
You all right? | 0:00:57 | 0:00:59 | |
I just thought I'd come round. | 0:01:02 | 0:01:04 | |
You know, see if anything needed doing. Is this mine? | 0:01:04 | 0:01:07 | |
Uh, yeah, it's the grief. | 0:01:07 | 0:01:11 | |
Right, well, I'm just glad I wasn't in it. | 0:01:11 | 0:01:15 | |
How you getting on with the donations page? | 0:01:15 | 0:01:17 | |
Well, we're barely over 400 quid. | 0:01:17 | 0:01:19 | |
Hasn't changed since last night. | 0:01:19 | 0:01:21 | |
-We're never going to raise five grand. -In a day. | 0:01:21 | 0:01:24 | |
-A day? -Bel rung when you was in the bath, Kat's coming tomorrow. | 0:01:24 | 0:01:27 | |
-Martin, you're clever, help us. -No, Nan, we're fine. | 0:01:27 | 0:01:30 | |
Well, if you need 5K, you're gonna need more than my help, ain't ya? | 0:01:30 | 0:01:33 | |
So why don't I go and grab as many people as I can and get them round here. | 0:01:33 | 0:01:36 | |
-No, we've been round the houses. -No, but I'm talking about getting heads together, Stace, | 0:01:36 | 0:01:40 | |
-you know, coming up with ideas. -Martin, I can handle this. | 0:01:40 | 0:01:42 | |
Let him do it. | 0:01:42 | 0:01:44 | |
I'll take the kids round Carmel's, free you up, | 0:01:44 | 0:01:47 | |
then I'll go knocking on doors. | 0:01:47 | 0:01:49 | |
Come on, let me help ya, Stace. | 0:01:50 | 0:01:54 | |
It's about Kat, not me. | 0:01:56 | 0:01:59 | |
Yeah. | 0:01:59 | 0:02:00 | |
I know that. | 0:02:01 | 0:02:03 | |
BABY CRIES | 0:02:08 | 0:02:11 | |
All night. No break. | 0:02:14 | 0:02:17 | |
-Crying and crying. -What? | 0:02:17 | 0:02:19 | |
Crying and crying. | 0:02:21 | 0:02:23 | |
Yeah, I was too by 5am. | 0:02:23 | 0:02:25 | |
We were just minutes away from leaving for our special place. | 0:02:27 | 0:02:32 | |
Which wasn't so special after all. | 0:02:32 | 0:02:35 | |
-Don't remind me, she's still not talking to me. -Hmm. | 0:02:36 | 0:02:40 | |
The only way I can make it up to her is by soothing this baby. | 0:02:40 | 0:02:45 | |
Yeah, well, I can help, I've got years of experience. | 0:02:45 | 0:02:48 | |
Tamwar didn't stop crying until he was about 19. | 0:02:48 | 0:02:52 | |
Hmm, but we got there in the end. | 0:02:52 | 0:02:54 | |
BABY CRIES | 0:02:54 | 0:02:57 | |
So how long have you got this baby for exactly? | 0:02:57 | 0:03:01 | |
HE SIGHS | 0:03:01 | 0:03:03 | |
You all came? I'm proper chuffed. | 0:03:04 | 0:03:07 | |
-As if we wouldn't. -God bless you all. | 0:03:07 | 0:03:09 | |
-SHARON: So where's Dot? -She's lighting more candles. | 0:03:09 | 0:03:12 | |
Right, well, I'll grab her later. | 0:03:12 | 0:03:15 | |
So what can we do for you, Stace? | 0:03:15 | 0:03:16 | |
Well, basically Kat is being brought here tomorrow. | 0:03:16 | 0:03:23 | |
KNOCK AT DOOR | 0:03:23 | 0:03:25 | |
-She's early. -Why don't you shut up. -Robbie! -I'll get it. | 0:03:25 | 0:03:28 | |
Look, I'm really not ready to see her | 0:03:28 | 0:03:32 | |
if you can even call that seeing her. | 0:03:32 | 0:03:35 | |
-Sorry. -Oh, it's Mr Scotch eggs. | 0:03:37 | 0:03:40 | |
No, but we've hit a bit of a snag. | 0:03:40 | 0:03:42 | |
Well, actually, it's quite a big one. | 0:03:42 | 0:03:45 | |
Basically, we, erm... | 0:03:45 | 0:03:47 | |
We can't afford to bury Kat. | 0:03:47 | 0:03:49 | |
We haven't got the money, and no-one has, so... | 0:03:50 | 0:03:54 | |
There's just an unmarked pauper's grave just sitting there waiting for her... | 0:03:54 | 0:04:00 | |
So is there anything anyone can think of to help us, you know, raise the money? | 0:04:02 | 0:04:07 | |
In a day? As in one day? | 0:04:07 | 0:04:09 | |
-What are you, parrot? -Anyone? | 0:04:09 | 0:04:12 | |
-We ain't at school. -Ian? | 0:04:14 | 0:04:16 | |
-Where are you going to put her when she gets here? -How is that helping? | 0:04:17 | 0:04:20 | |
Well, what I would really love is for her to be here, | 0:04:20 | 0:04:23 | |
in the front room, in a coffin, with us. | 0:04:23 | 0:04:25 | |
But we ain't got that cos coffins cost a fortune. | 0:04:25 | 0:04:29 | |
-Don't grow on trees, you know. -They're made of them, though. | 0:04:32 | 0:04:38 | |
Look, I've got an appointment to get to, all right. I'm really sorry. | 0:04:38 | 0:04:42 | |
That's handy, innit? | 0:04:42 | 0:04:45 | |
Hold up, why don't we have a big night in the Vic? | 0:04:45 | 0:04:47 | |
-We've only got tonight, Mick. -So that's the night we do it. | 0:04:47 | 0:04:50 | |
-Well, when you say a big night, what...? -You know, like a do, a thing. | 0:04:50 | 0:04:52 | |
-We're always having some sort of turn out in there, ain't we? -Tonight's not a good night for me. | 0:04:52 | 0:04:56 | |
-Well, we could do karaoke? -Fiver a song. | 0:04:56 | 0:04:58 | |
-Oh, it needs to be bigger than that, Whitney. -Well, a tenner, then. | 0:04:58 | 0:05:01 | |
No, I think what Sharon means is that it's got to be something unmissable. | 0:05:01 | 0:05:04 | |
-You know, we need the Vic rammed. -It's like Kat's guiding you two. | 0:05:04 | 0:05:07 | |
So, we got the venue. What else do we need? | 0:05:07 | 0:05:09 | |
-We've got the booze. -Well, it's just the food. | 0:05:09 | 0:05:11 | |
-Over to you, Ian. -What? No, no, I didn't... -SHIRLEY: -Cheers, Beale. | 0:05:11 | 0:05:14 | |
Nothing better than free nosh. | 0:05:14 | 0:05:16 | |
There you go, Stace, it's all coming together lovely, eh? | 0:05:16 | 0:05:18 | |
Let's put our swedes together, let's come up with the greatest show on earth. | 0:05:18 | 0:05:22 | |
Mate, it's Jay from Cokers. | 0:05:24 | 0:05:26 | |
Listen, I might be wrong, | 0:05:26 | 0:05:27 | |
but you had that woman whose husband pulled through? | 0:05:27 | 0:05:30 | |
You did! Brilliant. | 0:05:32 | 0:05:34 | |
Yeah, all right, me and my mate will be round in a minute. | 0:05:34 | 0:05:36 | |
All right, mate. Ta, ta. Bye, bye, bye. | 0:05:36 | 0:05:38 | |
-I'm guessing I'm the mate. -Yep. | 0:05:38 | 0:05:40 | |
-C'mon then, clock's ticking. Come on! -All right! | 0:05:40 | 0:05:44 | |
Sharon left that before she went to Dot's. | 0:05:48 | 0:05:51 | |
-We're going to do this, we are, I promise. -Stace? | 0:05:51 | 0:05:56 | |
-Come on, Stace, read 'em. -All right. | 0:05:56 | 0:05:58 | |
OK. | 0:06:00 | 0:06:01 | |
-Paintballing... -In the Vic? -What string said that? | 0:06:03 | 0:06:07 | |
Come on, Stace. | 0:06:07 | 0:06:08 | |
-This is a good one. Meat raffle. -Yeah, I like that one. | 0:06:08 | 0:06:12 | |
Whose idea was that? | 0:06:12 | 0:06:14 | |
Oh, at school, are we? | 0:06:15 | 0:06:18 | |
I know a bloke on the market that knows a bloke that knows a bloke. | 0:06:18 | 0:06:21 | |
-What sort of meat? -Well, meat's meat, innit? | 0:06:21 | 0:06:23 | |
-You've seen enough of it. -ROBBIE SNIGGERS | 0:06:23 | 0:06:25 | |
Read another one, Stace. | 0:06:25 | 0:06:28 | |
Uh... | 0:06:28 | 0:06:29 | |
Wet T-shirt competition. | 0:06:29 | 0:06:31 | |
Oh, Walford's Got Talent. | 0:06:34 | 0:06:36 | |
Oh, I love that one! That's a good one, innit? | 0:06:36 | 0:06:38 | |
-I love that one, yeah. -That was your idea, weren't it? -Maybe. | 0:06:38 | 0:06:41 | |
-Any more? -Erm... | 0:06:41 | 0:06:43 | |
-Do an auction. -Of what though? -Of anything, anything you like. | 0:06:44 | 0:06:48 | |
I mean, I dunno, what about a meal at Ian's restaurant when it opens. | 0:06:48 | 0:06:51 | |
-Yeah, that's cordon bleu cooking. -Fine dining for two. Kushty, yeah. | 0:06:51 | 0:06:54 | |
-Bet you my meat makes more money. -Bet you it don't. | 0:06:54 | 0:06:57 | |
Game on. Loser gets a smack in the mouth. | 0:06:57 | 0:06:59 | |
-Oh, bring it on, Shirl. -All right. Enough, you two. | 0:06:59 | 0:07:02 | |
Anyone else? | 0:07:02 | 0:07:04 | |
Yeah, me. | 0:07:04 | 0:07:05 | |
I was up west the other morning and I really needed a wee, | 0:07:05 | 0:07:09 | |
so I went into this pub. | 0:07:09 | 0:07:10 | |
It was only like half nine, but they were doing this life drawing class. | 0:07:10 | 0:07:14 | |
Is this, like, going anywhere or...? | 0:07:14 | 0:07:16 | |
Apart from going to the loo? | 0:07:16 | 0:07:18 | |
Well, it was packed. | 0:07:18 | 0:07:20 | |
What I'm saying is people were paying more than 20 quid to get in. | 0:07:20 | 0:07:22 | |
So auction what exactly? | 0:07:22 | 0:07:25 | |
Me. | 0:07:26 | 0:07:28 | |
I'll pose starkers and then people have to buy a ticket tonight, | 0:07:28 | 0:07:32 | |
and, if they don't, they don't get in to see the class. | 0:07:32 | 0:07:36 | |
-Are you sure, Whit? -Yeah, she's sure. | 0:07:36 | 0:07:38 | |
-Mo should do it, shouldn't she? -You perv, Beale. | 0:07:38 | 0:07:41 | |
No, as a tribute for Kat. I mean, it's fitting. Poetic. | 0:07:41 | 0:07:45 | |
There ain't no poetry in my folds. | 0:07:45 | 0:07:47 | |
No, it's all right, Whit. I'll do it. | 0:07:47 | 0:07:49 | |
Well, hold up. Let's have a little chat about it, eh? | 0:07:49 | 0:07:52 | |
No, no, no. I'm comfortable with it. So you can put that up for grabs. | 0:07:52 | 0:07:55 | |
And I'll tell you what, it's exactly what Kat would've done. | 0:07:55 | 0:07:57 | |
-She'd have put the goods on show. -What's next, Stace? | 0:07:57 | 0:08:00 | |
Right, last one. | 0:08:00 | 0:08:02 | |
Uh... | 0:08:03 | 0:08:04 | |
You ain't getting in unless you're wearing leopard print | 0:08:04 | 0:08:07 | |
and pay an entry fee. | 0:08:07 | 0:08:09 | |
Yeah, well, you know, the night's about Kat, | 0:08:09 | 0:08:11 | |
-so should be a sense of her in that, you know. -That's nice. -Mick, that's lovely. | 0:08:11 | 0:08:15 | |
-How much to get in? -Well, I dunno. What, a ching, what? | 0:08:15 | 0:08:17 | |
-How about 50? -Nan! | 0:08:17 | 0:08:19 | |
-IAN: -Look, let's not get carried away here. I mean, we need to let people know. | 0:08:19 | 0:08:22 | |
We need to sort of like spread the word and advertise it. | 0:08:22 | 0:08:24 | |
Well, Tina's got a bike. You can borrow that. Get round the Square quicker. | 0:08:24 | 0:08:28 | |
-All right, so I'm doing the advertising, the food, a meal? -Give the man a medal. | 0:08:28 | 0:08:31 | |
Calm down, we'll all get involved. We'll get the flyers printed. | 0:08:31 | 0:08:34 | |
-We'll sell it like the royal wedding. -Ian's got a point, though. Can we really do this? | 0:08:34 | 0:08:38 | |
I mean, aren't we already a little bit too late? | 0:08:38 | 0:08:40 | |
That's the Dunkirk spirit. | 0:08:40 | 0:08:42 | |
Let's all give up and go jump in the sea. | 0:08:42 | 0:08:44 | |
I didn't want to do this but I'm begging. | 0:08:44 | 0:08:47 | |
Make an old woman proud, eh? | 0:08:47 | 0:08:49 | |
-Well, I'm in. -Yeah, same. | 0:08:51 | 0:08:53 | |
-Yeah, no, let's have it, eh, let's have it. -Yeah. -All right. -Thank you all so much. | 0:08:53 | 0:08:57 | |
The obituary. We've still got time to get it into the Gazette. | 0:08:57 | 0:09:00 | |
We could spread the word for tonight. | 0:09:00 | 0:09:01 | |
-Look, we ain't... We ain't even got the money for that. -Oh. | 0:09:01 | 0:09:05 | |
-Well... -I'm sure I've got something. | 0:09:06 | 0:09:10 | |
-There's an apple, there. -That's the spirit. | 0:09:10 | 0:09:12 | |
There you go, there's another little score there. | 0:09:12 | 0:09:15 | |
Oh, look, here you are. | 0:09:15 | 0:09:18 | |
-Ready? -Where we going now? -Home delivery. | 0:09:18 | 0:09:21 | |
Can't they come and collect it? | 0:09:21 | 0:09:23 | |
Bend your knees and mind your back. | 0:09:23 | 0:09:26 | |
40, 45, 50. | 0:09:28 | 0:09:31 | |
DOORBELL RINGS | 0:09:31 | 0:09:33 | |
PHONE RINGS | 0:09:42 | 0:09:44 | |
Shut up you damn thing! | 0:09:47 | 0:09:49 | |
PHONE RINGS MO SIGHS | 0:09:49 | 0:09:51 | |
C'mon, keep ticking. | 0:10:13 | 0:10:16 | |
Dunno why I'm even doing this. Kat has never given me the time of day. | 0:10:18 | 0:10:22 | |
What, you telling me you never...? | 0:10:22 | 0:10:24 | |
Never what? | 0:10:24 | 0:10:26 | |
Never fancied her? | 0:10:26 | 0:10:29 | |
What, me and Kat? | 0:10:29 | 0:10:31 | |
Oh, I reckon you and Kat would have been interesting. | 0:10:31 | 0:10:36 | |
Well, she may have slipped underneath my radar once or twice. | 0:10:36 | 0:10:40 | |
But you never... You know? | 0:10:41 | 0:10:43 | |
-No, no, she was with Alfie, obviously! -Right, yeah. | 0:10:43 | 0:10:47 | |
-And that's the only thing that stopped you, is it? -Yeah. | 0:10:47 | 0:10:50 | |
Yeah, and obviously the fact I'd have to talk to her. | 0:10:50 | 0:10:53 | |
Yeah, that's true, Slaters do go on a bit, don't they? | 0:10:53 | 0:10:56 | |
There's one way of shutting them up. | 0:10:56 | 0:10:58 | |
You knew all about that. | 0:10:58 | 0:10:59 | |
Yeah. | 0:11:03 | 0:11:05 | |
Still do. | 0:11:07 | 0:11:09 | |
But you and Stacey aren't together? | 0:11:09 | 0:11:12 | |
Well, I mean we are and we aren't. | 0:11:12 | 0:11:15 | |
Oh, I see, that's why you've been grinning from ear to ear since you got here. | 0:11:16 | 0:11:20 | |
It was the best ever. | 0:11:20 | 0:11:21 | |
I mean, I'm buzzing Ian, I'm on fire. | 0:11:21 | 0:11:23 | |
You ever felt like that? | 0:11:23 | 0:11:24 | |
Yeah. Yeah, course. | 0:11:25 | 0:11:27 | |
One minute I'm comforting her and then the next... | 0:11:27 | 0:11:32 | |
-I thought she was devastated? -Yeah, she was. Massively. | 0:11:32 | 0:11:35 | |
But, I don't know, it must have just sparked something, you know? | 0:11:35 | 0:11:38 | |
You do know this is not real, don't you? | 0:11:38 | 0:11:41 | |
Yeah. | 0:11:41 | 0:11:42 | |
Yeah, course. | 0:11:42 | 0:11:44 | |
Don't go making it into something it ain't. | 0:11:44 | 0:11:47 | |
I'm just saying, I don't want loads of pervs piping at ya. | 0:11:50 | 0:11:52 | |
Well, you didn't mind 20 years ago. | 0:11:52 | 0:11:54 | |
Well, maybe I did and I didn't say anything. | 0:11:54 | 0:11:56 | |
You know, we were younger then. | 0:11:56 | 0:11:57 | |
Oh. Oh, I get it now. | 0:11:57 | 0:11:59 | |
-What you're really saying is that you think I'm too old. -Oh, shut up. You look double strong. | 0:11:59 | 0:12:03 | |
It was all right when everything was perky and I didn't have crow's feet, | 0:12:03 | 0:12:06 | |
-but now you're thinking that people won't buy tickets. -Why are you twisting it into that? | 0:12:06 | 0:12:10 | |
Well, tell me that I'm wrong. | 0:12:10 | 0:12:11 | |
I should be the only person that sees how beautiful, gorgeous and special you are. | 0:12:11 | 0:12:15 | |
-That's it. -Aw, well, you will when you buy a ticket and a pencil. | 0:12:15 | 0:12:19 | |
Come on, Teen, nearly there, just a few more steps. | 0:12:19 | 0:12:22 | |
What's that? | 0:12:27 | 0:12:29 | |
Meat. | 0:12:29 | 0:12:31 | |
-As promised. -Well, what is it? Hippo? | 0:12:31 | 0:12:33 | |
-You know, a thank you would be nice. -We're going to get a reputation. What if someone eats that and dies? | 0:12:33 | 0:12:37 | |
-Then we throw another big night for them. -I swear there's a pulse. | 0:12:37 | 0:12:41 | |
Is that the Gazette? | 0:12:50 | 0:12:51 | |
Can you give me the best price on an obituary? | 0:12:51 | 0:12:54 | |
Careful it might bite. | 0:13:04 | 0:13:07 | |
-Seriously. What is it? -Why don't you ever trust me? | 0:13:07 | 0:13:10 | |
-I don't want to get closed down over this. -That is not a horse. | 0:13:10 | 0:13:13 | |
Did you see any hooves? | 0:13:15 | 0:13:17 | |
All right, I want to talk to the geezer you got it off. | 0:13:17 | 0:13:20 | |
-What's his number. -It's a bloke that knows a bloke. | 0:13:20 | 0:13:24 | |
-Not a jockey is he? -Oh, will you stop it. | 0:13:24 | 0:13:26 | |
That is 100% cow. | 0:13:26 | 0:13:28 | |
Or pig. | 0:13:30 | 0:13:31 | |
-What do you reckon? -Oh, Don. | 0:13:43 | 0:13:45 | |
She would've loved that. | 0:13:45 | 0:13:47 | |
I just didn't ever think people would be like this. | 0:13:47 | 0:13:50 | |
Well, it's called community and, you know what, | 0:13:50 | 0:13:52 | |
I'm glad to know it's still around. | 0:13:52 | 0:13:54 | |
It's going to be heaving in the Vic tonight, you'll see. | 0:13:54 | 0:13:57 | |
Thought I retired from all this. | 0:14:04 | 0:14:07 | |
Retired? Don't you mean fired from all this? | 0:14:07 | 0:14:11 | |
Well, Stace? What do you reckon? Do you like it? | 0:14:11 | 0:14:14 | |
Well, I don't know if like it is the right word, | 0:14:14 | 0:14:17 | |
but I don't understand, Jay, I ain't got the money. | 0:14:17 | 0:14:20 | |
Well, it's a good job you ain't gotta pay for it then, innit? | 0:14:20 | 0:14:23 | |
-Ain't someone going to be missing it? -No. A woman's donated it. | 0:14:23 | 0:14:26 | |
Her husband rallied round in the end, so... | 0:14:26 | 0:14:28 | |
-Can we talk about this later? Only it ain't half heavy. -I'll help, Billy. | 0:14:28 | 0:14:31 | |
Are you sure, Jay? | 0:14:31 | 0:14:33 | |
Yeah, I mean, I know it ain't the one you'd want, Stace, | 0:14:33 | 0:14:36 | |
but it's a good'un, you know, 900 quid's worth. | 0:14:36 | 0:14:38 | |
Yeah, and what with this and the donations page, | 0:14:38 | 0:14:40 | |
you're only going to need three and a half grand. | 0:14:40 | 0:14:43 | |
Well, then I love it. | 0:14:43 | 0:14:44 | |
If you can love a coffin, that is. | 0:14:44 | 0:14:46 | |
-Where do you want it, Stace? -Just in the front room please, Bill. | 0:14:46 | 0:14:50 | |
-Here y'are. -Oh, here you are. | 0:14:50 | 0:14:53 | |
-The stand for this is in the funeral parlour, all right? -All right. | 0:14:53 | 0:14:56 | |
-Ready? -Ready. -Right. | 0:14:56 | 0:14:58 | |
Thank you. | 0:14:58 | 0:15:00 | |
BABY SCREAMS | 0:15:10 | 0:15:12 | |
Come on, Harley, enough's enough, time for a rest, little one. | 0:15:12 | 0:15:16 | |
Try the bottle of milk again. | 0:15:16 | 0:15:18 | |
Hello, handsome, who's this, then? | 0:15:18 | 0:15:21 | |
Oh, he's got some lungs on him. | 0:15:23 | 0:15:26 | |
We think he's having withdrawal symptoms. | 0:15:26 | 0:15:30 | |
His mum's an addict. He's got heroin pulsing through his veins. | 0:15:30 | 0:15:33 | |
-Oh, won't be milk he wants, then. -Mm. -Poor little love. | 0:15:33 | 0:15:38 | |
I'm the same when someone nicks my biscuits. | 0:15:38 | 0:15:40 | |
Yes, I am. Yeah. I'm the same. | 0:15:40 | 0:15:43 | |
-PHONE PLAYS MUSIC -You don't take my biscuits. No. | 0:15:43 | 0:15:46 | |
BABY STOPS CRYING Shh. | 0:15:46 | 0:15:47 | |
-Listen. -He's stopped. | 0:15:47 | 0:15:50 | |
Oh, bless him, he's nodded off. | 0:15:50 | 0:15:53 | |
You see that? That's a woman's touch. | 0:15:53 | 0:15:56 | |
Any time you want more, just give us a whistle. | 0:15:56 | 0:15:59 | |
-If Mariam asks, I calmed the baby. -Why's that then? | 0:16:03 | 0:16:07 | |
You saw her yesterday. You saw the rage in her eyes. | 0:16:07 | 0:16:10 | |
Are you sure people are going to want to buy cakes? | 0:16:14 | 0:16:16 | |
-They're Kat cakes. -Alcohol is banned in this house. | 0:16:16 | 0:16:20 | |
So, better get rid of it quick. | 0:16:25 | 0:16:29 | |
Shouldn't one of us stay sober? | 0:16:29 | 0:16:31 | |
Yeah, cos that oven's really dangerous. Just neck it. | 0:16:31 | 0:16:35 | |
-Shirley, slow down. -Yeah, it's going to end in mayhem. | 0:16:35 | 0:16:40 | |
You know, Kat weren't my favourite cup of tea, | 0:16:40 | 0:16:43 | |
but you gotta say this - life was never dull when she was around. | 0:16:43 | 0:16:46 | |
Mm. It's always the lively ones that go first. | 0:16:46 | 0:16:49 | |
Who do you reckon's going to be next? | 0:16:49 | 0:16:51 | |
What sort of sick question is that, Tina? | 0:16:51 | 0:16:54 | |
I'm just saying, you know, you can make all the plans in the world, | 0:16:54 | 0:16:57 | |
but it don't mean a thing when your number's up. | 0:16:57 | 0:16:59 | |
You know, I was having quite a nice time until you opened your gob. | 0:16:59 | 0:17:02 | |
Well, it ain't me, is it? It's God. | 0:17:02 | 0:17:05 | |
You know, he looks down and then he points at someone, | 0:17:05 | 0:17:08 | |
and you never know who he's going to pick next. | 0:17:08 | 0:17:11 | |
Well, hopefully he won't spot us if we're all under the table. | 0:17:11 | 0:17:14 | |
THEY LAUGH | 0:17:14 | 0:17:16 | |
-Ain't her colour. -What? | 0:17:25 | 0:17:27 | |
-She'd hate it. -We ain't gotta take it back, have we? | 0:17:27 | 0:17:30 | |
-No, she don't mean it. -I do, Stace. | 0:17:30 | 0:17:32 | |
Look, I know you've got this special idea of what Kat would want, | 0:17:32 | 0:17:35 | |
but we ain't got a choice. | 0:17:35 | 0:17:36 | |
It's not her, I know it, and you know it. S'cuse me. | 0:17:36 | 0:17:40 | |
It's your call, Stace. | 0:17:43 | 0:17:46 | |
It's staying. | 0:17:46 | 0:17:47 | |
I'll sort her out. | 0:17:47 | 0:17:49 | |
-Right, well, shall we make a move, then? -Yeah, yeah. | 0:17:52 | 0:17:54 | |
Jay, you're an angel. | 0:17:54 | 0:17:56 | |
-That's all right, Stace. -Thank you. | 0:17:56 | 0:17:58 | |
That's all right, don't worry about it. | 0:17:58 | 0:18:00 | |
Do you think we should throw a sheet over it or something? | 0:18:07 | 0:18:09 | |
Hide it from Lil. | 0:18:09 | 0:18:12 | |
Stace? | 0:18:12 | 0:18:14 | |
Come here. | 0:18:14 | 0:18:16 | |
Hey, look, if this is too much... | 0:18:17 | 0:18:19 | |
No. | 0:18:25 | 0:18:27 | |
This is going to be the best send-off ever. | 0:18:27 | 0:18:29 | |
Remember, I got him off to sleep. | 0:18:34 | 0:18:37 | |
Mum's the word. | 0:18:37 | 0:18:38 | |
MASOOD GASPS | 0:18:38 | 0:18:40 | |
BABY CRIES | 0:18:40 | 0:18:41 | |
We need Karen. | 0:18:41 | 0:18:43 | |
Arshad is that you? | 0:18:43 | 0:18:45 | |
Yes, just popped back in for a blanket. | 0:18:45 | 0:18:48 | |
Shhh. Please, please, quiet. | 0:18:48 | 0:18:51 | |
PHONE RINGS | 0:18:55 | 0:18:58 | |
Be there, all right? It's gonna be the best party ever. | 0:19:07 | 0:19:10 | |
Here you are. | 0:19:10 | 0:19:12 | |
Thanks. | 0:19:15 | 0:19:17 | |
-Stace... -Martin, I am not going there. | 0:19:20 | 0:19:22 | |
-All right, I've got too much on. -Well, I've not said anything yet. | 0:19:22 | 0:19:25 | |
-You've been saying it all morning. -Have I? | 0:19:25 | 0:19:27 | |
Yeah, three little words. | 0:19:27 | 0:19:29 | |
Dot's kitchen table. | 0:19:29 | 0:19:32 | |
I thought the legs were going to fall off. | 0:19:32 | 0:19:34 | |
Look, it should never have happened. | 0:19:37 | 0:19:40 | |
Right, I can't even think about me and you right now. | 0:19:40 | 0:19:44 | |
I don't even know if there is a me and you. | 0:19:44 | 0:19:47 | |
Yeah, and I didn't expect you to. | 0:19:49 | 0:19:53 | |
No, I'm just saying, you know, that I get it. | 0:19:53 | 0:19:55 | |
You don't have to worry about us. | 0:19:55 | 0:19:58 | |
-Grief sex is just that, innit? It's grief sex. -Shh. | 0:19:58 | 0:20:01 | |
Keep your voice down. | 0:20:01 | 0:20:03 | |
And what makes you think it was grief sex? | 0:20:03 | 0:20:05 | |
-I mean, what is the difference between that and... -Married sex? -Yeah. | 0:20:05 | 0:20:09 | |
I think we found out yesterday. | 0:20:09 | 0:20:12 | |
You're an idiot. | 0:20:12 | 0:20:14 | |
-BABY CRIES -Hey, lungs, it's me. | 0:20:15 | 0:20:18 | |
Yeah, your fave. | 0:20:18 | 0:20:20 | |
Who's a cheeky chappie, eh? | 0:20:20 | 0:20:22 | |
See, it's not the woman's touch after all. | 0:20:22 | 0:20:24 | |
Oh, just give it time, will you, handsome. | 0:20:24 | 0:20:26 | |
You know, let me work my magic. | 0:20:26 | 0:20:28 | |
And would you stop looking down my top when I'm bent over him. | 0:20:28 | 0:20:32 | |
Oi. | 0:20:32 | 0:20:34 | |
Cheeky, cheeky, cheeky choo. | 0:20:34 | 0:20:36 | |
Cheeky, cheeky, choo. | 0:20:36 | 0:20:38 | |
Maybe he needs a fix. | 0:20:40 | 0:20:42 | |
That's a terrible thing to say. GRIME MUSIC PLAYS | 0:20:42 | 0:20:45 | |
Oi, oi, Keegan! Keegan! | 0:20:45 | 0:20:49 | |
-What? -Will you turn that down, will ya? | 0:20:49 | 0:20:52 | |
MUSIC FADES BABY CRIES | 0:20:54 | 0:20:58 | |
It's the music, I think he likes the music. | 0:20:58 | 0:21:01 | |
That's music? | 0:21:01 | 0:21:03 | |
Keegan, Keegan! Turn it back up! | 0:21:03 | 0:21:07 | |
-You just said... -Full volume! Now! | 0:21:07 | 0:21:10 | |
-Hey! -Ey! | 0:21:15 | 0:21:17 | |
Result. And cheaper than smack. | 0:21:17 | 0:21:20 | |
Fat Elvis, it's me. I'm back in the area. | 0:21:22 | 0:21:26 | |
What you going to give me for a coffin? | 0:21:26 | 0:21:30 | |
Brand-new, no previous owner. | 0:21:31 | 0:21:35 | |
-Nan? -I'll call you back. | 0:21:35 | 0:21:38 | |
-What you doing? -Wow, cool! -No, Lily, that's not cool. | 0:21:41 | 0:21:46 | |
-Go and take your coat off. -It's got woodworm. | 0:21:46 | 0:21:49 | |
STACEY SIGHS Nan, what is it about this coffin? | 0:21:49 | 0:21:52 | |
It's like it's everyone's funeral. | 0:21:52 | 0:21:54 | |
-She's our Kat, not theirs. -No, Nan. | 0:21:54 | 0:21:58 | |
She's always going to be ours. | 0:21:58 | 0:22:00 | |
It's just that, you know, we needed help, and, God love 'em, they delivered. | 0:22:00 | 0:22:05 | |
It should be our way. | 0:22:05 | 0:22:06 | |
Us Slater girls should be picking out the coffin, | 0:22:06 | 0:22:09 | |
decking out Kat in the right clothes, | 0:22:09 | 0:22:11 | |
they don't know her, not like we do. | 0:22:11 | 0:22:14 | |
Well, I'm sorry, Nan, if you think I ain't got it right, | 0:22:14 | 0:22:17 | |
but I am trying my best. | 0:22:17 | 0:22:20 | |
Here she is. Eating alone. Cute. | 0:22:33 | 0:22:36 | |
Shut up, it's what I do these days. | 0:22:36 | 0:22:38 | |
Yeah, well, you don't have to. I'm here now. | 0:22:38 | 0:22:42 | |
Yeah, well I'm off boys. They're useless. They never show up when they're meant to. | 0:22:42 | 0:22:45 | |
-Well, lucky I'm a man, then. -Cute. | 0:22:45 | 0:22:48 | |
-Maybe if you come back in ten years. -Nah, but seriously... | 0:22:48 | 0:22:51 | |
Save it, Keegan, I like someone else. | 0:22:51 | 0:22:54 | |
Yeah, but Hunter's got problems. | 0:22:54 | 0:22:56 | |
Just leave him to it. | 0:22:56 | 0:22:58 | |
Problems? | 0:22:58 | 0:23:00 | |
It's private, man stuff. | 0:23:00 | 0:23:02 | |
Yeah, well, I grew up with Hunter, and we shared everything. | 0:23:02 | 0:23:05 | |
So spill. | 0:23:05 | 0:23:07 | |
BABY CRIES | 0:23:09 | 0:23:12 | |
-You ready? -No. | 0:23:12 | 0:23:15 | |
MUSIC: From The Outside by Wiley | 0:23:19 | 0:23:20 | |
# I've been in the wrong system The wrong territory for way too long | 0:23:20 | 0:23:23 | |
# If I say it's right and I show it to Johnny | 0:23:23 | 0:23:25 | |
# Looks back at me like it sounds wrong... # | 0:23:25 | 0:23:27 | |
-I think it's working. -Sorry? | 0:23:27 | 0:23:29 | |
I said I think it's working! | 0:23:29 | 0:23:31 | |
# I go macho on people eediat tunes cos really Wiley goes in | 0:23:31 | 0:23:34 | |
# I'm torn between catering for me and the fans, I'm going mad | 0:23:34 | 0:23:37 | |
# I only hear my big hits where people go to get tans. # | 0:23:37 | 0:23:40 | |
-How much are they charging on the door tonight? -Tenner I think. | 0:23:40 | 0:23:43 | |
Can't help but think I missed an opportunity there. | 0:23:43 | 0:23:46 | |
-Ian! -Well, who was Kat anyway? | 0:23:46 | 0:23:48 | |
I mean, she's just some loud-mouthed tart, | 0:23:48 | 0:23:50 | |
I mean, so why's everybody helping her out? | 0:23:50 | 0:23:52 | |
Didn't do it for me. So what's the difference between me and her? | 0:23:52 | 0:23:55 | |
Well, Stacey probably. And this is for her, Ian. | 0:23:55 | 0:23:57 | |
Surely even you can see that? | 0:23:57 | 0:24:00 | |
Hunter. | 0:24:04 | 0:24:05 | |
You going in the Vic later? They're letting anyone in, any age. | 0:24:05 | 0:24:09 | |
Not sure I want to celebrate a dead person. | 0:24:09 | 0:24:12 | |
I'm not being funny, right, but that's what people should do. | 0:24:12 | 0:24:15 | |
They should make something of it, don't you think? | 0:24:15 | 0:24:18 | |
What's that? | 0:24:21 | 0:24:22 | |
You won't get in without it. | 0:24:25 | 0:24:27 | |
-Eh! -They're really hard. -They're rock cakes. | 0:24:39 | 0:24:42 | |
Yeah, that started off as fairy cakes. | 0:24:42 | 0:24:44 | |
THEY LAUGH | 0:24:44 | 0:24:46 | |
-Is that the meat for the raffle? -Well, it ain't your dancing partner. | 0:24:48 | 0:24:52 | |
-It's all green round the edges, Shirley. -Nah, it's the light in here. -No, it is green, look! | 0:24:52 | 0:24:56 | |
There's something wrong with your eyes! | 0:24:56 | 0:24:58 | |
Rest in peace, whatever you are. | 0:24:58 | 0:25:01 | |
This is the most fun I've ever had when someone died. | 0:25:03 | 0:25:05 | |
It's only a piece of meat, Teen. | 0:25:05 | 0:25:07 | |
-I'm talking about Kat. -So am I. -SHARON LAUGHS | 0:25:07 | 0:25:10 | |
-You're wicked. -You'd've laughed at that one. | 0:25:10 | 0:25:13 | |
Yeah, and then belted you. | 0:25:13 | 0:25:15 | |
You know, us girls don't get together enough. | 0:25:15 | 0:25:18 | |
But Kat's made that happen today and we should honour that. | 0:25:18 | 0:25:21 | |
So tonight we're going to be getting our slap on, | 0:25:21 | 0:25:23 | |
we're going to be rubbing in a vat of fake tan, | 0:25:23 | 0:25:26 | |
and we're going to channel Kat Moon | 0:25:26 | 0:25:27 | |
until every pocket, purse and wallet is empty. | 0:25:27 | 0:25:31 | |
-Woo! Cheers! -To Kat. -Cheers. | 0:25:31 | 0:25:34 | |
-So we're keeping the coffin? -Well, yeah, we'll have to, Nan. | 0:25:34 | 0:25:36 | |
It's 900 quid's worth. | 0:25:36 | 0:25:39 | |
-KNOCK AT DOOR -Who's that? | 0:25:39 | 0:25:42 | |
Why are you so jumpy? Are you expecting someone? | 0:25:42 | 0:25:46 | |
Not me, love. | 0:25:46 | 0:25:48 | |
-Mum? -Martin called me. I came as soon as I could. | 0:25:50 | 0:25:54 | |
Well, I was going to phone you, it's just been a bit hectic. | 0:25:54 | 0:25:56 | |
The train was packed, then it was delayed, | 0:25:56 | 0:25:59 | |
then this great, big, fat man sat on me. | 0:25:59 | 0:26:01 | |
-Said he couldn't see me. -Oh, it's all right, you're here now. | 0:26:01 | 0:26:04 | |
-Well, how could he not see me? -Why don't you just take your coat off, Mum? | 0:26:04 | 0:26:07 | |
World's gone mad, Stacey, there's too many people in it. | 0:26:07 | 0:26:09 | |
-And there's one less now. -Mo? When did you get here? | 0:26:09 | 0:26:14 | |
-Few days ago. -Stace, I dunno what to say. | 0:26:14 | 0:26:17 | |
Well, there isn't really anything to say. | 0:26:17 | 0:26:19 | |
Well, actually, there's plenty. That's the reason why I came. | 0:26:19 | 0:26:22 | |
Only Martin said that Kat's dead. He was joking, wasn't he? | 0:26:22 | 0:26:26 | |
Well, that's a bit of a rotten joke, Mum. | 0:26:26 | 0:26:29 | |
Well, why's he saying it? | 0:26:29 | 0:26:30 | |
-Why do you think? -What, he really thinks it? | 0:26:30 | 0:26:34 | |
Well, yes, we all do. | 0:26:34 | 0:26:36 | |
-Oh, that's madness. -Talking of which. -Well, it is. | 0:26:36 | 0:26:39 | |
Cos I only spoke with her earlier. | 0:26:39 | 0:26:42 | |
She's not dead. | 0:26:44 | 0:26:45 | |
What? | 0:26:45 | 0:26:47 |