Browse content similar to The Ghost in the Machine. Check below for episodes and series from the same categories and more!
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OWL HOOTS | 0:00:02 | 0:00:03 | |
Hello? | 0:00:15 | 0:00:18 | |
FLOORBOARDS CREAK | 0:00:18 | 0:00:20 | |
Hello? | 0:00:25 | 0:00:27 | |
Hello? | 0:00:33 | 0:00:34 | |
Father? | 0:00:34 | 0:00:36 | |
Thank God you're here. | 0:00:37 | 0:00:39 | |
I came as quickly as I could. | 0:00:39 | 0:00:41 | |
My condolences, Mrs McKinley. | 0:00:41 | 0:00:43 | |
-For...? -Your message said it was urgent. | 0:00:43 | 0:00:46 | |
I assumed someone was in need of last rites? | 0:00:46 | 0:00:49 | |
It's too late for that, Father. | 0:00:49 | 0:00:52 | |
What I need is an exorcism. | 0:00:52 | 0:00:55 | |
I'm serious. | 0:00:55 | 0:00:57 | |
This house...is haunted. | 0:00:57 | 0:01:00 | |
The noises you could explain away, | 0:01:00 | 0:01:03 | |
but then...things started moving. | 0:01:03 | 0:01:07 | |
I'm sure there's a rational explanation. | 0:01:07 | 0:01:11 | |
Elspeth. | 0:01:11 | 0:01:12 | |
Your sister? | 0:01:16 | 0:01:17 | |
She wants to tell us something. | 0:01:18 | 0:01:21 | |
She's not resting easy. | 0:01:23 | 0:01:26 | |
We don't know if she's dead... | 0:01:28 | 0:01:31 | |
When she disappeared, | 0:01:31 | 0:01:34 | |
they said she'd be back in a few days. | 0:01:34 | 0:01:37 | |
It's been nine years. | 0:01:37 | 0:01:40 | |
That still doesn't mean she's dead. | 0:01:40 | 0:01:42 | |
And it certainly doesn't mean that she's haunting you. | 0:01:42 | 0:01:45 | |
We just need this to stop. | 0:01:45 | 0:01:48 | |
Please, Father, help us. | 0:01:48 | 0:01:51 | |
-We need an exorcism. -Nonsense. | 0:01:51 | 0:01:54 | |
I'll give your house a blessing. | 0:01:56 | 0:01:57 | |
But there are no such things as ghosts! | 0:01:57 | 0:02:00 | |
CHANDELIER CRASHES | 0:02:00 | 0:02:02 | |
CHURCH BELL TOLLS | 0:02:34 | 0:02:37 | |
That's really the earliest you can do? | 0:02:37 | 0:02:40 | |
I'm afraid so. | 0:02:40 | 0:02:42 | |
-Then tonight it is. -Yes. | 0:02:42 | 0:02:44 | |
Darling? | 0:02:44 | 0:02:46 | |
Selina! | 0:02:47 | 0:02:49 | |
Bye. | 0:02:52 | 0:02:54 | |
Do you remember Elspeth Grainger going missing? | 0:02:58 | 0:03:01 | |
I most certainly do. | 0:03:01 | 0:03:03 | |
I always thought if you hadn't been off on the pilgrimage | 0:03:03 | 0:03:06 | |
to Lourdes for the duration, he'd never have got away with it. | 0:03:06 | 0:03:10 | |
Who? | 0:03:10 | 0:03:12 | |
Victor McKinley. | 0:03:12 | 0:03:14 | |
Charlotte's husband? | 0:03:14 | 0:03:16 | |
What was he accused of? Abduction? | 0:03:16 | 0:03:19 | |
Murder. | 0:03:19 | 0:03:21 | |
But they had to let him go. | 0:03:21 | 0:03:23 | |
No body, no evidence. | 0:03:23 | 0:03:25 | |
That does tend to put the kibosh on an investigation. | 0:03:25 | 0:03:28 | |
She just vanished off the face of the earth. | 0:03:28 | 0:03:31 | |
If ever a house were haunted, Cudeley Manor would be it. | 0:03:31 | 0:03:35 | |
Cobblers... | 0:03:35 | 0:03:37 | |
to borrow from the vernacular. | 0:03:37 | 0:03:39 | |
She didn't get that from me. | 0:03:39 | 0:03:40 | |
Go offer the McKinleys a lift, would you? | 0:03:40 | 0:03:44 | |
Next time you want to gossip, Mrs McCarthy, run it by me first. | 0:03:44 | 0:03:47 | |
Elspeth eloped, | 0:03:47 | 0:03:50 | |
to get away from that domineering father of theirs. | 0:03:50 | 0:03:52 | |
Everybody knows that. | 0:03:52 | 0:03:55 | |
God arises, His enemies are scattered, | 0:04:04 | 0:04:07 | |
-and those who hate Him flee before Him. -(This is ridiculous.) | 0:04:07 | 0:04:11 | |
ALL: As smoke is driven away, so are they driven. | 0:04:11 | 0:04:14 | |
As wax melts before the fire, so the wicked perish before God. | 0:04:14 | 0:04:19 | |
(It's not going to help.) | 0:04:19 | 0:04:21 | |
See the cross of the Lord. Be gone, you hostile powers! | 0:04:21 | 0:04:24 | |
And then there was light! | 0:04:27 | 0:04:30 | |
It's a sign! | 0:04:30 | 0:04:31 | |
It's the electrics. They keep cutting in and out. | 0:04:31 | 0:04:34 | |
Looks like mice ate the cable. | 0:04:34 | 0:04:36 | |
It's fixed, for now. What's all this? | 0:04:36 | 0:04:39 | |
We're setting my sister's spirit free. | 0:04:39 | 0:04:41 | |
-Mr Wake's doing our renovation work. -If you'd like to join us? | 0:04:41 | 0:04:44 | |
This is sick. | 0:04:44 | 0:04:46 | |
-Invoice. -Another one? Your estimate said... -That's for the overtime. | 0:04:48 | 0:04:52 | |
I still haven't been paid for that last one yet. | 0:04:52 | 0:04:55 | |
See to it. | 0:04:56 | 0:04:58 | |
Shall we continue? | 0:05:00 | 0:05:01 | |
-From the snares of the devil... -ALL: Lord, deliver us. | 0:05:01 | 0:05:04 | |
That you help your Church to serve you in security and freedom... | 0:05:04 | 0:05:07 | |
ALL: We beg you to hear us. | 0:05:07 | 0:05:08 | |
-That you humble the enemies of the holy Church. -ALL: We beg you to hear us. | 0:05:08 | 0:05:12 | |
HE SPEAKS IN LATIN | 0:05:12 | 0:05:14 | |
ALL: Amen. | 0:05:14 | 0:05:16 | |
-Is that it? -It's done. | 0:05:20 | 0:05:23 | |
Finally(!) Can I go, then? | 0:05:23 | 0:05:25 | |
Isn't there supposed to be some kind of a sign? | 0:05:31 | 0:05:34 | |
A clap of thunder, lightning, | 0:05:34 | 0:05:36 | |
something that tells us that she's actually gone? | 0:05:36 | 0:05:39 | |
Believe me, if your sister is dead, she rests in peace. | 0:05:39 | 0:05:43 | |
There's nothing here now. | 0:05:43 | 0:05:45 | |
-Oh... -Guess who? -Er... | 0:05:59 | 0:06:02 | |
Oh, you're going to have to help me out. | 0:06:02 | 0:06:04 | |
SHE GIGGLES | 0:06:04 | 0:06:05 | |
It's me...Selina. | 0:06:05 | 0:06:08 | |
Ah. Er... | 0:06:08 | 0:06:10 | |
I know you've noticed me. | 0:06:10 | 0:06:12 | |
You're a bit young for this, aren't you? | 0:06:13 | 0:06:16 | |
Old enough to marry. | 0:06:16 | 0:06:19 | |
Old enough to elope. | 0:06:19 | 0:06:21 | |
ELECTRICITY CRACKLES | 0:06:21 | 0:06:23 | |
CRASH, WOMAN SCREAMS | 0:06:24 | 0:06:27 | |
It's not possible! | 0:06:28 | 0:06:30 | |
-It's Elspeth. -It's not possible! | 0:06:30 | 0:06:32 | |
Please, breathe. | 0:06:32 | 0:06:34 | |
Oh! It's only a painting. | 0:06:34 | 0:06:37 | |
It flew at me. | 0:06:37 | 0:06:38 | |
She's still here! | 0:06:38 | 0:06:40 | |
-Cord's still intact. -It didn't work! | 0:06:40 | 0:06:42 | |
I've got to get out. | 0:06:42 | 0:06:44 | |
-No, Victor, please! -I have to go! | 0:06:44 | 0:06:47 | |
Father, please, help us! | 0:06:47 | 0:06:49 | |
I think we should revisit this in the cold light of day. | 0:06:49 | 0:06:53 | |
We can't be alone here overnight. Not now. | 0:06:53 | 0:06:56 | |
What about Mr McKinley? Isn't he coming back? | 0:06:56 | 0:06:58 | |
Father, you can't stay. You're expected at the Bishop's for matins. | 0:06:58 | 0:07:02 | |
Sid, can you stay? | 0:07:04 | 0:07:07 | |
Er...no, no, I have to, erm, return the car to Lady F. | 0:07:07 | 0:07:12 | |
-He's scared. -I am not scared. | 0:07:12 | 0:07:14 | |
Good. Mrs McCarthy and I will take the car back, | 0:07:14 | 0:07:17 | |
and we'll see you in the morning. | 0:07:17 | 0:07:19 | |
Sure, I never knew you could drive. | 0:07:25 | 0:07:29 | |
How hard can it be? | 0:07:29 | 0:07:30 | |
ENGINE TURNS OVER | 0:07:32 | 0:07:34 | |
That Mr McKinley's a rum one. | 0:07:34 | 0:07:37 | |
GEARS CREAK AND GRIND | 0:07:38 | 0:07:40 | |
So? | 0:07:40 | 0:07:42 | |
I heard he was struck off and that's why they're back in town. | 0:07:42 | 0:07:46 | |
Probably killed a patient. Maybe that's who's haunting them. | 0:07:46 | 0:07:49 | |
No-one's haunting them. I'm not interested in gossip. | 0:07:49 | 0:07:52 | |
I'm more interested in who's trying to fake Elspeth's ghost. | 0:07:52 | 0:07:57 | |
Well, why did you say the prayers if you don't believe in ghosts? | 0:07:57 | 0:08:00 | |
It's all in the mind. | 0:08:00 | 0:08:02 | |
I thought that telling Charlotte that the ghost was gone | 0:08:02 | 0:08:05 | |
was what she needed to hear. | 0:08:05 | 0:08:07 | |
And now? | 0:08:07 | 0:08:09 | |
HE REVS LOUDLY | 0:08:10 | 0:08:12 | |
HANDBRAKE CREAKS | 0:08:14 | 0:08:15 | |
ENGINE STOPS | 0:08:15 | 0:08:17 | |
Now we walk home. | 0:08:17 | 0:08:19 | |
BOOK DROPS Oh! | 0:08:24 | 0:08:26 | |
HE SNORES | 0:08:42 | 0:08:43 | |
HE YELLS | 0:08:52 | 0:08:54 | |
Do you want to wake up the whole house?! | 0:08:54 | 0:08:55 | |
I was about to say the same to you. | 0:08:55 | 0:08:57 | |
Ohh, isn't it past your bedtime? | 0:08:57 | 0:08:59 | |
You're from London, aren't you? | 0:08:59 | 0:09:00 | |
Used to be. | 0:09:00 | 0:09:02 | |
Why stick around here? I've never been anywhere more boring. | 0:09:02 | 0:09:05 | |
You'd be surprised. | 0:09:05 | 0:09:07 | |
Run away with me. | 0:09:07 | 0:09:09 | |
This is intimate. | 0:09:10 | 0:09:11 | |
CREAKING AND CLINKING | 0:09:11 | 0:09:13 | |
What was that? | 0:09:13 | 0:09:15 | |
It's the ghost. | 0:09:15 | 0:09:17 | |
CREAKING | 0:09:23 | 0:09:25 | |
THEY GASP, CAT HISSES | 0:09:26 | 0:09:28 | |
Oh, it's a cat! I hate cats! | 0:09:28 | 0:09:30 | |
-Oh, you...! -"I'm not scared!" | 0:09:30 | 0:09:33 | |
THEY LAUGH | 0:09:33 | 0:09:35 | |
RUMBLING | 0:09:37 | 0:09:39 | |
Mum? | 0:09:52 | 0:09:54 | |
Mrs McKinley? | 0:09:58 | 0:10:00 | |
RAIN POURS | 0:10:03 | 0:10:05 | |
I don't understand. We saw her come in here. | 0:10:07 | 0:10:09 | |
WINDOW RATTLES | 0:10:09 | 0:10:12 | |
I've been outside the whole time. She did not come past me. | 0:10:12 | 0:10:16 | |
She's vanished. | 0:10:16 | 0:10:18 | |
Mum?! | 0:10:18 | 0:10:19 | |
Come on, let's search the house. | 0:10:19 | 0:10:22 | |
DOOR OPENS | 0:10:22 | 0:10:23 | |
Mum?! | 0:10:36 | 0:10:38 | |
Is that you? Mum? | 0:10:41 | 0:10:44 | |
FOOTSTEPS APPROACH | 0:10:44 | 0:10:46 | |
-You should be in bed. -Oh, Dad, thank God you're back! | 0:10:46 | 0:10:49 | |
Selina? You all right? | 0:10:49 | 0:10:51 | |
-What's he doing here? -It's Mum.... | 0:10:51 | 0:10:54 | |
She's vanished. | 0:10:54 | 0:10:56 | |
-You can't explain it, can you, Father? -What? | 0:11:18 | 0:11:22 | |
-The "ghost", or the disappearance? -Either. | 0:11:22 | 0:11:25 | |
Maybe they're connected. | 0:11:25 | 0:11:27 | |
Maybe Elspeth's spirit is taking its revenge. | 0:11:27 | 0:11:31 | |
What was Lady Felicia's term? Oh, yes... | 0:11:33 | 0:11:36 | |
"cobblers". | 0:11:36 | 0:11:38 | |
A clue? | 0:11:43 | 0:11:45 | |
This has been out of print for years! | 0:11:45 | 0:11:49 | |
Father! You're not going to steal it?! | 0:11:51 | 0:11:54 | |
I'll give it back. | 0:11:54 | 0:11:55 | |
She's hardly going to be reading it, is she? | 0:11:55 | 0:11:58 | |
Not in the short term. | 0:11:58 | 0:12:00 | |
Father? | 0:12:00 | 0:12:03 | |
You'd better hurry up. Valentine's here. | 0:12:03 | 0:12:05 | |
DOGS BARK | 0:12:05 | 0:12:09 | |
That'll do for now. | 0:12:09 | 0:12:11 | |
And don't leave town. | 0:12:11 | 0:12:13 | |
-Inspector... -What? | 0:12:15 | 0:12:17 | |
This is a big operation | 0:12:17 | 0:12:19 | |
for someone who's only been missing for a few hours. | 0:12:19 | 0:12:21 | |
It's a potential murder investigation. | 0:12:21 | 0:12:23 | |
You think she's been killed? | 0:12:23 | 0:12:26 | |
He's done it before. | 0:12:26 | 0:12:27 | |
And got away with it. | 0:12:27 | 0:12:29 | |
-I'm not going to let it happen again. -You're saying... | 0:12:29 | 0:12:32 | |
Victor McKinley might have killed both of them? | 0:12:32 | 0:12:35 | |
Victor was struck off for mis-prescribing strong sedatives, | 0:12:35 | 0:12:38 | |
and all indications are that Mrs McKinley was drugged | 0:12:38 | 0:12:41 | |
or Carter and her daughter would've heard her being abducted. | 0:12:41 | 0:12:44 | |
She could have left the house of her own accord. | 0:12:44 | 0:12:47 | |
No, she couldn't. Not alone, anyway. | 0:12:47 | 0:12:49 | |
The only other exit is by the windows. | 0:12:49 | 0:12:51 | |
But there's only two sets of keys, | 0:12:51 | 0:12:53 | |
-and Charlotte didn't have either of them. -Who did? | 0:12:53 | 0:12:55 | |
Ah! Finally, you're asking the right questions. | 0:12:55 | 0:12:58 | |
The builder, Seth Wake, had one. | 0:12:58 | 0:13:01 | |
-And the other... -What possible reason would Victor have | 0:13:01 | 0:13:04 | |
for abducting his own wife? | 0:13:04 | 0:13:07 | |
I didn't know who else to call. | 0:13:08 | 0:13:10 | |
Well, I'm glad you picked me. | 0:13:10 | 0:13:11 | |
Anything I can do, | 0:13:11 | 0:13:13 | |
anything at all... | 0:13:13 | 0:13:15 | |
I need an alibi. | 0:13:15 | 0:13:17 | |
-Sorry? -They'll try to pin this on me. | 0:13:17 | 0:13:19 | |
After what happened with Elspeth, the Inspector will have a field day! | 0:13:19 | 0:13:22 | |
You want me to lie for you? | 0:13:22 | 0:13:24 | |
If not for my sake, for my daughter's. | 0:13:24 | 0:13:27 | |
She doesn't deserve to go through that again. | 0:13:27 | 0:13:29 | |
If I say I was with you, alone, all evening... | 0:13:29 | 0:13:34 | |
you know what this means for my reputation. | 0:13:34 | 0:13:36 | |
What reputation? | 0:13:36 | 0:13:38 | |
Insults are not the way to convince a lady to do you a favour. | 0:13:38 | 0:13:41 | |
It's not that, is it? You think I might've done it. | 0:13:42 | 0:13:46 | |
No. | 0:13:46 | 0:13:48 | |
FOOTSTEPS APPROACH | 0:13:48 | 0:13:50 | |
Mr McKinley, I need you to come down the station. | 0:13:50 | 0:13:53 | |
I'm not going anywhere with you. | 0:13:53 | 0:13:55 | |
Your wife called the station last night, | 0:13:55 | 0:13:57 | |
minutes before she disappeared. | 0:13:57 | 0:13:59 | |
Her last words before she was cut off were, | 0:13:59 | 0:14:02 | |
"I know what happened to Elspeth." | 0:14:02 | 0:14:04 | |
What? | 0:14:04 | 0:14:06 | |
How many times? | 0:14:08 | 0:14:10 | |
Elspeth ran away. | 0:14:10 | 0:14:13 | |
She had some...secret boyfriend. | 0:14:13 | 0:14:16 | |
She wanted Charlotte to start caring for their father so she could marry him. | 0:14:16 | 0:14:19 | |
Charlotte said no. | 0:14:19 | 0:14:21 | |
So, when her father went into hospital, | 0:14:21 | 0:14:23 | |
she ran off with her lover and left us in it. | 0:14:23 | 0:14:25 | |
Leaving her packed bags waiting on the bed? | 0:14:25 | 0:14:28 | |
If Elspeth had run off with a lover, wouldn't he be missing, too? | 0:14:28 | 0:14:31 | |
Yet no-one for miles around left at the same time. | 0:14:31 | 0:14:35 | |
You were her lover, Victor, | 0:14:36 | 0:14:38 | |
and when she threatened to tell her sister what you were up to, | 0:14:38 | 0:14:41 | |
-you killed her. -Not this again. | 0:14:41 | 0:14:43 | |
The house was bolted from the inside. | 0:14:43 | 0:14:46 | |
By your own testimony, you, your wife, | 0:14:46 | 0:14:48 | |
and your eight-year-old daughter were the only other people there. | 0:14:48 | 0:14:51 | |
If Elspeth left of her own accord, who bolted the door? | 0:14:51 | 0:14:54 | |
I don't know! | 0:14:54 | 0:14:56 | |
CAT MEOWS | 0:14:58 | 0:15:00 | |
Oh, Marmite, I'm sorry, you must be starving. | 0:15:00 | 0:15:03 | |
KNOCK AT DOOR | 0:15:16 | 0:15:17 | |
Selina? | 0:15:17 | 0:15:19 | |
Er, listen... | 0:15:21 | 0:15:24 | |
Lady Felicia's told me to come and get you, | 0:15:24 | 0:15:26 | |
all right? She doesn't want you on your own. | 0:15:26 | 0:15:28 | |
-We don't even know when your dad's going to get back. -He didn't do it! | 0:15:28 | 0:15:31 | |
He didn't hurt Mum, and he didn't hurt Auntie Elspeth. | 0:15:31 | 0:15:34 | |
-How do you know that? -He's my dad! | 0:15:34 | 0:15:36 | |
They can't put him through this again. | 0:15:36 | 0:15:39 | |
I know I was only little, | 0:15:39 | 0:15:40 | |
but I saw what happened when Auntie Elspeth went missing. | 0:15:40 | 0:15:43 | |
He fell apart! | 0:15:43 | 0:15:45 | |
There must be someone else who had a reason to kill her. | 0:15:45 | 0:15:48 | |
Inspector, about Victor McKinley's arrest... | 0:15:56 | 0:16:00 | |
Victor's out. | 0:16:00 | 0:16:02 | |
Lady Felicia's given him an alibi. | 0:16:02 | 0:16:05 | |
Lady Felicia? | 0:16:05 | 0:16:07 | |
I'm amazed you didn't know. | 0:16:07 | 0:16:09 | |
They were sweethearts years ago. | 0:16:09 | 0:16:11 | |
Apparently, they've rekindled their affair. | 0:16:11 | 0:16:15 | |
God knows where I go from here. | 0:16:15 | 0:16:17 | |
DIGGING | 0:16:17 | 0:16:19 | |
What's that? | 0:16:19 | 0:16:20 | |
Oi! | 0:16:24 | 0:16:26 | |
What do you think you're doing? | 0:16:26 | 0:16:28 | |
Heavy rain overnight. The bank of one of the foundations collapsed. | 0:16:28 | 0:16:32 | |
-So? -Who knows when work will start again on this lot. | 0:16:32 | 0:16:35 | |
It's safer to fill it in and then re-dig later, if need be. | 0:16:35 | 0:16:38 | |
Unless you want somebody else to disappear? | 0:16:38 | 0:16:41 | |
HE SCOFFS | 0:16:41 | 0:16:43 | |
WOOD CREAKS THEN SNAPS | 0:16:43 | 0:16:45 | |
Argh! | 0:16:45 | 0:16:47 | |
All right. I take your point. | 0:16:50 | 0:16:52 | |
As you were. | 0:16:52 | 0:16:53 | |
What's that? | 0:16:56 | 0:16:58 | |
-Sergeant! -Sir? -Get Dr Miller. | 0:17:05 | 0:17:08 | |
He's going to want to certify this. | 0:17:08 | 0:17:09 | |
We've got a body. | 0:17:09 | 0:17:11 | |
No! Please, no! | 0:17:11 | 0:17:13 | |
It's all right. | 0:17:13 | 0:17:15 | |
-It's not your mother. -How do you know? | 0:17:15 | 0:17:17 | |
Whoever that is, they're long dead. | 0:17:17 | 0:17:20 | |
Oh, dear God. A skeleton! | 0:17:20 | 0:17:23 | |
You know what this means, Father? | 0:17:23 | 0:17:25 | |
I'm sure you're going to tell me. | 0:17:25 | 0:17:27 | |
They've finally found Elspeth. | 0:17:27 | 0:17:29 | |
And if Elspeth's dead, | 0:17:29 | 0:17:32 | |
and Charlotte went missing in exactly the same way | 0:17:32 | 0:17:35 | |
they have to be linked! Two murders. | 0:17:35 | 0:17:38 | |
It's Victor McKinley, you mark my words. | 0:17:41 | 0:17:44 | |
But Victor's got an alibi. | 0:17:44 | 0:17:47 | |
Gotcha. | 0:17:50 | 0:17:52 | |
-It's a woman. -They know already? | 0:17:52 | 0:17:55 | |
Awaiting official confirmation, | 0:17:55 | 0:17:57 | |
but she was wearing some kind of bracelet or necklace. | 0:17:57 | 0:17:59 | |
They found beads with the body. | 0:17:59 | 0:18:01 | |
I'll call HQ with the news. If I solve two murders this week, | 0:18:02 | 0:18:05 | |
the Chief Constable will practically be buying me...flowers. | 0:18:05 | 0:18:10 | |
Can I help you, Father? | 0:18:14 | 0:18:17 | |
Yes, I'm here in my professional capacity, about the body. | 0:18:17 | 0:18:20 | |
I wondered when we might be able to give her...or him | 0:18:20 | 0:18:23 | |
a Christian burial? | 0:18:23 | 0:18:25 | |
It'll be a while. The coroner's going to have a job with this one. | 0:18:25 | 0:18:27 | |
Hmm. | 0:18:27 | 0:18:29 | |
If that's everything? | 0:18:29 | 0:18:32 | |
Sid? | 0:18:38 | 0:18:39 | |
I don't often see you here voluntarily. | 0:18:39 | 0:18:41 | |
I need to talk to you. | 0:18:41 | 0:18:43 | |
-About the case? -Yeah, there's something you don't know. | 0:18:44 | 0:18:48 | |
Elspeth had a lover. | 0:18:48 | 0:18:50 | |
It was all very hush-hush, her father wouldn't have approved. | 0:18:50 | 0:18:52 | |
So, they needed a go-between, and I needed a sixpence. | 0:18:52 | 0:18:55 | |
Why didn't you come forward then? | 0:18:55 | 0:18:57 | |
I was a kid. Do you really think His Nibs would've listened to me? | 0:18:57 | 0:19:01 | |
Anyway, I liked him. | 0:19:01 | 0:19:04 | |
-And now? -I don't like him. | 0:19:04 | 0:19:06 | |
I've been watching him. There's something...off. | 0:19:06 | 0:19:09 | |
DOOR OPENS | 0:19:09 | 0:19:11 | |
Carter... | 0:19:12 | 0:19:14 | |
what are you doing here? | 0:19:14 | 0:19:16 | |
Sid, the Inspector needs to know this. | 0:19:19 | 0:19:22 | |
I don't want you getting involved with this case at the McKinleys'. | 0:19:33 | 0:19:36 | |
If I wanted to be told what to do, I'd be at home with my husband. | 0:19:36 | 0:19:40 | |
Not in a cheap hotel with you. | 0:19:40 | 0:19:43 | |
Why'd you marry him? | 0:19:47 | 0:19:49 | |
You didn't look at me twice. | 0:19:51 | 0:19:53 | |
You were born to be lady of the manor. | 0:19:55 | 0:19:57 | |
Out of my league. | 0:19:57 | 0:19:59 | |
Feeble excuse. | 0:19:59 | 0:20:02 | |
Suppose I'd already had my fingers burnt. | 0:20:02 | 0:20:06 | |
-Who? -I meant it. | 0:20:06 | 0:20:08 | |
About Victor McKinley. | 0:20:08 | 0:20:10 | |
The police catch you, you'll be in trouble. | 0:20:10 | 0:20:13 | |
What's to catch? | 0:20:13 | 0:20:14 | |
After all, I really did have a room booked that night. | 0:20:14 | 0:20:18 | |
BANGING AT DOOR | 0:20:18 | 0:20:20 | |
Police! Seth Wake, open up! We know you're in there! | 0:20:20 | 0:20:23 | |
(You can't afford to get caught in here.) | 0:20:23 | 0:20:25 | |
Yeah? | 0:20:26 | 0:20:27 | |
-Yeah? -Seth Wake, I am arresting you on suspicion of the murders | 0:20:30 | 0:20:33 | |
-of Elspeth and Charlotte McKinley. -What?! | 0:20:33 | 0:20:35 | |
If your bit of stuff in the bathroom wants to keep her anonymity, | 0:20:35 | 0:20:38 | |
I suggest you come quietly. | 0:20:38 | 0:20:40 | |
I didn't kill Elspeth! I didn't kill either of them! | 0:20:40 | 0:20:42 | |
But you and Elspeth were lovers? | 0:20:42 | 0:20:44 | |
You were due at the scene the night she disappeared. | 0:20:44 | 0:20:46 | |
-No! -And the day Charlotte McKinley went missing, | 0:20:46 | 0:20:49 | |
you realised she'd worked out the truth about you and Elspeth. | 0:20:49 | 0:20:51 | |
-You came back that night. -No! -Do you have an alibi? | 0:20:51 | 0:20:54 | |
Erm... | 0:20:54 | 0:20:56 | |
Question the woman, too. | 0:20:56 | 0:20:58 | |
Sorry, Guv. She's gone. | 0:21:02 | 0:21:05 | |
Oh, what?! | 0:21:05 | 0:21:07 | |
You heard they arrested Seth? | 0:21:14 | 0:21:16 | |
Don't give up hope. | 0:21:17 | 0:21:19 | |
I don't think he'd hurt her. | 0:21:19 | 0:21:21 | |
Especially when these aren't even his. | 0:21:21 | 0:21:24 | |
What did you do to her, Dad? | 0:21:27 | 0:21:29 | |
No, no, you don't understand... | 0:21:29 | 0:21:31 | |
They'll hang Seth! You know that, right? | 0:21:31 | 0:21:33 | |
-I didn't drug her. -So what are these? | 0:21:33 | 0:21:36 | |
Sweeties? | 0:21:36 | 0:21:38 | |
-Are they tasty? -Stop that! Put them down. | 0:21:38 | 0:21:39 | |
If they're not dangerous, there's no problem, is there? | 0:21:39 | 0:21:43 | |
Is this what you did to Mum? | 0:21:43 | 0:21:45 | |
-Is this how you stopped her finishing that call? -Put them down! | 0:21:45 | 0:21:48 | |
Yeah. | 0:21:51 | 0:21:52 | |
Yeah, that's what I thought. | 0:21:52 | 0:21:55 | |
Selina! | 0:21:57 | 0:21:59 | |
Father! | 0:22:04 | 0:22:06 | |
Is something amiss, Mrs M? | 0:22:06 | 0:22:08 | |
Have you... | 0:22:09 | 0:22:11 | |
have you heard anything in the church? | 0:22:11 | 0:22:13 | |
You mean like the rattling of ancient chains? | 0:22:15 | 0:22:18 | |
Exactly! | 0:22:18 | 0:22:19 | |
No. Nothing like that. | 0:22:19 | 0:22:22 | |
Father, you're making mock. | 0:22:22 | 0:22:24 | |
I think St Mary's is haunted! | 0:22:24 | 0:22:26 | |
What's this? | 0:22:27 | 0:22:29 | |
-Pear drops. Blood sugar, that's what you need. -Oh! | 0:22:29 | 0:22:32 | |
Am I disturbing you? | 0:22:42 | 0:22:44 | |
-Not at all. -Ooh, what's the riddle? | 0:22:44 | 0:22:47 | |
These numbers and letters in the dust wrapper of Charlotte's book. | 0:22:48 | 0:22:52 | |
Lots of them are crossed out, but this set isn't. | 0:22:52 | 0:22:55 | |
I thought it might give us a clue. | 0:22:55 | 0:22:57 | |
I thought, "nine across, seven up." A location, maybe. | 0:22:57 | 0:23:01 | |
Or the last two clues of a crossword. | 0:23:01 | 0:23:06 | |
Or a chess move. | 0:23:06 | 0:23:08 | |
Check...mate. | 0:23:08 | 0:23:10 | |
That was... | 0:23:10 | 0:23:12 | |
I was in the middle of that. | 0:23:13 | 0:23:16 | |
Now that you've finished "helping me", | 0:23:16 | 0:23:19 | |
what can I do for you? | 0:23:19 | 0:23:20 | |
What have they got on Seth? | 0:23:20 | 0:23:23 | |
They think he's responsible for Elspeth's disappearance. | 0:23:24 | 0:23:27 | |
Seth Wake was her lover, that much he admits. | 0:23:27 | 0:23:31 | |
He says they were planning to run away together. | 0:23:31 | 0:23:34 | |
He waited outside, she didn't turn up. | 0:23:34 | 0:23:37 | |
He can't have done it. | 0:23:37 | 0:23:39 | |
The supposition is that Elspeth changed her mind, | 0:23:39 | 0:23:41 | |
told him she wasn't coming, they argued, he killed her. | 0:23:41 | 0:23:45 | |
I don't believe he did anything to Elspeth. | 0:23:45 | 0:23:48 | |
But I know he didn't do anything to Charlotte. | 0:23:48 | 0:23:52 | |
He doesn't have an alibi. | 0:23:52 | 0:23:54 | |
Yes, he does. | 0:23:54 | 0:23:56 | |
Please, don't stand on ceremony(!) | 0:24:01 | 0:24:03 | |
I need to change my testimony. | 0:24:03 | 0:24:06 | |
-I'm sorry? -Seth Wake. | 0:24:06 | 0:24:07 | |
He has an alibi for the night Charlotte went missing. | 0:24:07 | 0:24:11 | |
He was with me, in my hotel room. | 0:24:11 | 0:24:14 | |
HE LAUGHS | 0:24:16 | 0:24:18 | |
Forgive me, Lady Felicia, | 0:24:20 | 0:24:22 | |
but are you planning on giving an alibi to every man I interview? | 0:24:22 | 0:24:25 | |
How many of you were there in that hotel room, exactly? | 0:24:25 | 0:24:28 | |
How incredibly impertinent! | 0:24:28 | 0:24:30 | |
When you provided a witness statement, | 0:24:30 | 0:24:32 | |
you signed a declaration your statement was true. | 0:24:32 | 0:24:35 | |
Are you saying you were lying? | 0:24:35 | 0:24:36 | |
I was...confused. | 0:24:36 | 0:24:39 | |
I got the wrong night. | 0:24:39 | 0:24:41 | |
Well, Lady Felicia, how many men are you seeing? | 0:24:41 | 0:24:45 | |
Your statement stands. Now, stop wasting my time. | 0:24:47 | 0:24:50 | |
Guv'nor? | 0:24:50 | 0:24:52 | |
What is it, Inspector? | 0:25:00 | 0:25:03 | |
The coroner's report on the skeleton... | 0:25:03 | 0:25:05 | |
What does it say? | 0:25:05 | 0:25:07 | |
Apparently, the body was male. | 0:25:08 | 0:25:11 | |
So, not Elspeth? | 0:25:11 | 0:25:13 | |
Top marks for deduction, Father. | 0:25:13 | 0:25:15 | |
I thought it was wearing jewellery? | 0:25:15 | 0:25:17 | |
-It was. -A bracelet, necklace, beads, wasn't it? | 0:25:17 | 0:25:20 | |
Heavens' sake, Father. What does it matter? | 0:25:20 | 0:25:23 | |
As long as Seth's in the clear? | 0:25:23 | 0:25:25 | |
There's no chance of that, I'm afraid. | 0:25:25 | 0:25:27 | |
Since his arrest, we've searched his cottage. | 0:25:27 | 0:25:30 | |
We found notes to him from Elspeth. | 0:25:30 | 0:25:34 | |
"Please, don't do anything stupid." | 0:25:34 | 0:25:37 | |
"I don't know if I can go through with this." | 0:25:37 | 0:25:39 | |
"I'm sorry." | 0:25:39 | 0:25:41 | |
She was breaking up with him. | 0:25:43 | 0:25:44 | |
She was afraid of him. | 0:25:44 | 0:25:46 | |
But without the other side of the conversation, | 0:25:46 | 0:25:49 | |
-those notes are meaningless. -We're pressing charges... | 0:25:49 | 0:25:52 | |
bodies or no. | 0:25:52 | 0:25:53 | |
GASPING | 0:25:56 | 0:25:58 | |
Help! | 0:26:01 | 0:26:03 | |
Help! | 0:26:03 | 0:26:05 | |
Somebody! | 0:26:05 | 0:26:07 | |
Let me out! | 0:26:07 | 0:26:10 | |
Let me out! | 0:26:10 | 0:26:12 | |
Let me out! | 0:26:13 | 0:26:16 | |
BICYCLE BELL RINGS | 0:26:17 | 0:26:19 | |
I thought you might want to make a confession. | 0:26:21 | 0:26:24 | |
It was you who made the chandelier fall, wasn't it? | 0:26:25 | 0:26:29 | |
You created the ghost at the house? | 0:26:29 | 0:26:31 | |
I just wanted Mum to move us back to London. | 0:26:31 | 0:26:34 | |
I didn't know it would end up like this. | 0:26:34 | 0:26:37 | |
You haven't caused any of this. | 0:26:37 | 0:26:40 | |
It'll be all right, Selina. | 0:26:40 | 0:26:42 | |
What's this? | 0:26:44 | 0:26:45 | |
St Anthony. | 0:26:45 | 0:26:47 | |
Patron saint of lost things and missing persons. | 0:26:47 | 0:26:51 | |
So I thought he might help you. | 0:26:51 | 0:26:53 | |
Thank you. | 0:26:53 | 0:26:55 | |
That body they found in the garden, he was wearing a necklace, wasn't he? | 0:26:56 | 0:26:59 | |
So the police said. | 0:26:59 | 0:27:01 | |
Maybe it was one of these. | 0:27:03 | 0:27:05 | |
Maybe that's why you found him. | 0:27:05 | 0:27:07 | |
It wasn't a chain. It was beads. | 0:27:07 | 0:27:09 | |
The body was wearing a rosary! | 0:27:12 | 0:27:13 | |
During the Reformation, the Catholics were persecuted. | 0:27:13 | 0:27:17 | |
They built themselves hiding places, | 0:27:17 | 0:27:18 | |
priest holes for their holy men, and their books and their relics. | 0:27:18 | 0:27:22 | |
So, you think that skeleton was a priest who got caught? | 0:27:22 | 0:27:24 | |
Who didn't make it to the priest hole in time. | 0:27:24 | 0:27:26 | |
What priest hole? | 0:27:26 | 0:27:29 | |
So... | 0:27:30 | 0:27:31 | |
..she sat here, reading. | 0:27:32 | 0:27:35 | |
Yes... | 0:27:39 | 0:27:42 | |
Nine across, seven up. | 0:27:42 | 0:27:45 | |
Nine across, seven up. | 0:27:45 | 0:27:47 | |
HE MUTTERS | 0:27:47 | 0:27:49 | |
No. | 0:28:02 | 0:28:03 | |
Maybe your mother's notes just mean something else entirely. | 0:28:03 | 0:28:07 | |
That's not Mum's handwriting. | 0:28:07 | 0:28:09 | |
Pray Father, give your blessing, for I have sinned. | 0:28:27 | 0:28:29 | |
It's been ten years since my last confession. | 0:28:29 | 0:28:32 | |
-This had better be good. -You and Elspeth... | 0:28:32 | 0:28:35 | |
Were eloping. Were lovers. | 0:28:35 | 0:28:37 | |
Yes, I've been through this. | 0:28:37 | 0:28:38 | |
Were you searching for something in the house? | 0:28:38 | 0:28:41 | |
There was a family legend, | 0:28:43 | 0:28:45 | |
an old wives' tale, | 0:28:45 | 0:28:47 | |
a hidden hoard, somewhere in the Manor. | 0:28:47 | 0:28:50 | |
We thought if we found it, we...could get married. | 0:28:50 | 0:28:54 | |
Leave. Her father couldn't control our lives. | 0:28:54 | 0:28:58 | |
What happened that night? | 0:28:58 | 0:29:01 | |
We were going to run away. | 0:29:01 | 0:29:03 | |
We were due to meet at the pond at six. | 0:29:04 | 0:29:07 | |
I waited all night. | 0:29:07 | 0:29:09 | |
What do you think became of her? | 0:29:09 | 0:29:11 | |
I think she found whatever was hidden in that house. | 0:29:13 | 0:29:18 | |
Gold... | 0:29:18 | 0:29:20 | |
jewels... | 0:29:20 | 0:29:22 | |
then just took it. | 0:29:22 | 0:29:25 | |
What other explanation can there be? | 0:29:25 | 0:29:27 | |
Is this Elspeth's handwriting? | 0:29:29 | 0:29:32 | |
That's right. | 0:29:32 | 0:29:33 | |
Her ones always looked like sevens. | 0:29:33 | 0:29:36 | |
Why, what does it say? | 0:29:36 | 0:29:39 | |
-It says, "Never give up hope." -HE KNOCKS AT DOOR | 0:29:39 | 0:29:42 | |
-Sergeant? -Sir? | 0:30:10 | 0:30:12 | |
What's this? | 0:30:13 | 0:30:15 | |
Search me. | 0:30:15 | 0:30:16 | |
'Come to McKinley house as soon as you get this.' | 0:30:18 | 0:30:21 | |
When's he going to learn? | 0:30:24 | 0:30:26 | |
I don't take orders from a priest. | 0:30:26 | 0:30:28 | |
Of course not, sir. | 0:30:30 | 0:30:31 | |
PHONE RINGS | 0:30:35 | 0:30:37 | |
CHOKING | 0:30:41 | 0:30:43 | |
Hello? | 0:30:43 | 0:30:44 | |
Dad! | 0:30:46 | 0:30:47 | |
Help! Somebody, help me! | 0:30:57 | 0:30:59 | |
Selina? | 0:30:59 | 0:31:01 | |
Father? Help! It's my dad - he's done something awful. | 0:31:01 | 0:31:04 | |
He's still breathing. | 0:31:08 | 0:31:10 | |
Stay here, I'll call a doctor. | 0:31:10 | 0:31:12 | |
Please. As fast as you can. | 0:31:15 | 0:31:17 | |
Nine across, one up, not seven. | 0:31:20 | 0:31:23 | |
Ha-haa! | 0:31:32 | 0:31:33 | |
Charlotte? | 0:32:12 | 0:32:13 | |
LOW GROAN | 0:32:20 | 0:32:21 | |
Charlotte! | 0:32:21 | 0:32:22 | |
Father, water! Please! | 0:32:26 | 0:32:29 | |
Don't worry, I'm getting you out now. | 0:32:29 | 0:32:32 | |
Hello? | 0:32:32 | 0:32:34 | |
I thought I told you to stay with your father. | 0:32:34 | 0:32:36 | |
Mum! | 0:32:36 | 0:32:37 | |
Please tell me that you didn't move the umbrella! | 0:32:37 | 0:32:41 | |
SOUND OF STONE SCRAPING | 0:32:41 | 0:32:44 | |
DOOR CLUNKS SHUT | 0:32:44 | 0:32:45 | |
Father? | 0:32:45 | 0:32:46 | |
I knew it was a wild goose chase. | 0:32:49 | 0:32:51 | |
'Which number, please?' | 0:32:57 | 0:32:59 | |
The presbytery, please. | 0:32:59 | 0:33:01 | |
'Just putting you through.' | 0:33:01 | 0:33:02 | |
'Morning. Father Brown's residence. Mrs McCarthy speaking.' | 0:33:04 | 0:33:08 | |
Mrs McCarthy, tell the Father, | 0:33:08 | 0:33:10 | |
-I'm bringing charges for wasting police time. -But, sir! | 0:33:10 | 0:33:13 | |
Victor McKinley's upstairs. Out cold. | 0:33:13 | 0:33:16 | |
Looks like suicide. | 0:33:16 | 0:33:17 | |
Why can't they hear us? | 0:33:19 | 0:33:21 | |
This place was built to be soundproof. | 0:33:22 | 0:33:24 | |
The priests hiding down here were only safe if they couldn't be heard. | 0:33:24 | 0:33:27 | |
And how did THEY get out? | 0:33:27 | 0:33:29 | |
They didn't! | 0:33:29 | 0:33:31 | |
Until a sympathiser who knew the coast was clear let them out. | 0:33:31 | 0:33:34 | |
It had to be utterly secret, | 0:33:35 | 0:33:37 | |
so unless you were in on it, you wouldn't even know it was here. | 0:33:37 | 0:33:40 | |
Then how did Mum find this one? | 0:33:40 | 0:33:42 | |
Ah. | 0:33:42 | 0:33:43 | |
The book. | 0:33:45 | 0:33:47 | |
She was reading your Auntie Elspeth's book | 0:33:47 | 0:33:49 | |
about historic Gloucestershire houses, | 0:33:49 | 0:33:52 | |
trying to find out what, or who... | 0:33:52 | 0:33:54 | |
..was haunting you. | 0:33:56 | 0:33:57 | |
The marks inside were Elspeth's. | 0:34:02 | 0:34:03 | |
I imagine no-one has even opened that book | 0:34:06 | 0:34:08 | |
since the night she disappeared. | 0:34:08 | 0:34:10 | |
The police station, please. | 0:34:24 | 0:34:26 | |
Hello? This is Charlotte McKinley. | 0:34:27 | 0:34:30 | |
You have to tell the inspector, I know what happened to Elspeth. | 0:34:31 | 0:34:35 | |
But if Auntie Elspeth found it first, why didn't she... | 0:34:58 | 0:35:01 | |
No, she can't be. | 0:35:07 | 0:35:08 | |
What's that box? | 0:35:18 | 0:35:21 | |
The mythical family treasure. | 0:35:21 | 0:35:22 | |
Looks like Elspeth found it after all. | 0:35:30 | 0:35:32 | |
Much good it did her. | 0:35:33 | 0:35:35 | |
How could you let Selina follow you? | 0:35:37 | 0:35:39 | |
I'd come to terms with this, for me. | 0:35:41 | 0:35:44 | |
She's 17. | 0:35:46 | 0:35:47 | |
There are three of us down here now, making noise. | 0:35:52 | 0:35:55 | |
Someone will hear us! | 0:35:55 | 0:35:57 | |
We're all going to die down here. | 0:35:59 | 0:36:01 | |
It just says "sorry". | 0:36:09 | 0:36:11 | |
Not a confession per se, | 0:36:11 | 0:36:13 | |
but perhaps the alibi Lady Felicia gave the builder was true, | 0:36:13 | 0:36:16 | |
-after all. -Ah, the penny drops! | 0:36:16 | 0:36:19 | |
Is Victor going to be all right? | 0:36:19 | 0:36:21 | |
The doctor thinks he got here just in time. | 0:36:21 | 0:36:23 | |
What are you all doing here, anyway? | 0:36:23 | 0:36:26 | |
Well, it's hardly my fault if you insist on talking | 0:36:26 | 0:36:28 | |
police business whilst on the telephone to me. | 0:36:28 | 0:36:32 | |
I'm amazed Father Brown isn't here to gloat, too. | 0:36:32 | 0:36:34 | |
-Where is he, then? -And what about Selina? Where is she? | 0:36:34 | 0:36:37 | |
-Don't look at me! -That's another two people missing. | 0:36:37 | 0:36:40 | |
I'll get the men searching the woods. | 0:36:40 | 0:36:42 | |
If you want to help, you can join them. | 0:36:42 | 0:36:44 | |
Charlotte? | 0:36:54 | 0:36:56 | |
Charlotte? | 0:36:56 | 0:36:57 | |
Where does this tunnel lead? | 0:37:00 | 0:37:02 | |
I went all the way down there. | 0:37:03 | 0:37:04 | |
It felt like miles. | 0:37:06 | 0:37:07 | |
I tried banging and shouting, but... | 0:37:08 | 0:37:10 | |
It's just a dead end. | 0:37:12 | 0:37:14 | |
Or really sound-proofed, like down here. | 0:37:14 | 0:37:17 | |
What does it matter, anyway? | 0:37:18 | 0:37:19 | |
We know no-one heard you, or they'd have helped. | 0:37:19 | 0:37:22 | |
Unless they thought your mother was a ghost. | 0:37:24 | 0:37:27 | |
Father Brown? | 0:37:32 | 0:37:33 | |
Damnation! | 0:37:37 | 0:37:39 | |
Sorry. | 0:37:42 | 0:37:43 | |
Listen... | 0:37:45 | 0:37:47 | |
I don't do this praying thing often. | 0:37:47 | 0:37:50 | |
Fair cop, ever. But I've got a bit of a situation. | 0:37:53 | 0:37:57 | |
Three people have gone missing. Four, if you count Elspeth. | 0:37:59 | 0:38:02 | |
If you do exist, maybe you could see your way to sending me a sign? | 0:38:03 | 0:38:09 | |
MUTED CLANKING | 0:38:17 | 0:38:20 | |
CLANKING CONTINUES | 0:38:29 | 0:38:31 | |
Father? | 0:38:48 | 0:38:49 | |
Hello? | 0:38:57 | 0:38:58 | |
Do you come here often? | 0:39:01 | 0:39:03 | |
Inspector... | 0:39:03 | 0:39:05 | |
I have never been so pleased to see you! | 0:39:05 | 0:39:08 | |
HE LAUGHS | 0:39:08 | 0:39:10 | |
I'm sorry. | 0:39:12 | 0:39:13 | |
I don't understand. | 0:39:14 | 0:39:16 | |
I thought morphine was for coughs, and toothache. | 0:39:16 | 0:39:19 | |
But if you have enough, it's really... | 0:39:19 | 0:39:22 | |
-calming. -And addictive. | 0:39:22 | 0:39:24 | |
When your aunt went missing, I badly needed to be calm. | 0:39:26 | 0:39:29 | |
No-one believed it wasn't me. | 0:39:30 | 0:39:33 | |
I believed you. | 0:39:33 | 0:39:34 | |
And the morphine... | 0:39:37 | 0:39:40 | |
that's why they struck you off? | 0:39:40 | 0:39:42 | |
Who told you about that? | 0:39:42 | 0:39:43 | |
I'm not a child, Dad. | 0:39:43 | 0:39:45 | |
I know more than you think I do. | 0:39:45 | 0:39:47 | |
We should never had dragged you out here without telling you why. | 0:39:48 | 0:39:51 | |
When your father...lost his job... | 0:39:51 | 0:39:55 | |
..we just couldn't afford to live that life. | 0:39:56 | 0:39:58 | |
But everything's changed now. | 0:39:58 | 0:40:01 | |
The jewels you found, they're hugely valuable. | 0:40:01 | 0:40:04 | |
We can walk away, move back to London. | 0:40:04 | 0:40:07 | |
If that's what you want? | 0:40:08 | 0:40:10 | |
Anima eius et animae omnium fidelium defunctorum | 0:40:13 | 0:40:16 | |
per misericordiam Dei requiescant in pace. | 0:40:16 | 0:40:21 | |
Ite in pace. | 0:40:21 | 0:40:22 | |
ALL: Amen. | 0:40:22 | 0:40:24 | |
Go in the peace of Christ. | 0:40:25 | 0:40:27 | |
Thanks be to God. | 0:40:27 | 0:40:29 | |
I heard there was a note for you with her body. | 0:40:48 | 0:40:50 | |
I shouldn't have stopped looking. | 0:40:53 | 0:40:55 | |
-I should never have believed... -There's nothing you could've done. | 0:40:55 | 0:40:58 | |
You shouldn't punish yourself forever. | 0:41:04 | 0:41:06 | |
I think I'll punish myself for a while longer yet. | 0:41:10 | 0:41:13 | |
You still won't elope with me? | 0:41:28 | 0:41:30 | |
Even now I'm an heiress? | 0:41:30 | 0:41:31 | |
Trust me, I am tempted. | 0:41:33 | 0:41:36 | |
But even £10,000 doesn't make you five years older. | 0:41:36 | 0:41:40 | |
Come find me in five years, then. | 0:41:40 | 0:41:42 | |
Father? | 0:41:45 | 0:41:47 | |
Can I ask you a question? | 0:41:47 | 0:41:49 | |
-The ghost - how did you know it was me? -I didn't. | 0:41:49 | 0:41:53 | |
But when the painting came off the wall, | 0:41:53 | 0:41:55 | |
I knew someone was pushing the lath and plaster from the other side. | 0:41:55 | 0:41:58 | |
Seth had left the house and you were the only one not in sight. | 0:41:58 | 0:42:01 | |
I did everything else. Hands up to that, | 0:42:01 | 0:42:04 | |
but the painting, I was with Sid. Ask him! | 0:42:04 | 0:42:06 | |
-Oh, come on! -Father, I swear on my mother's life... | 0:42:06 | 0:42:10 | |
It wasn't me. | 0:42:10 | 0:42:12 | |
And of course, we all know ghosts don't exist. | 0:42:12 | 0:42:15 | |
-Father Brown. -Father Brown. | 0:42:26 | 0:42:28 | |
I've heard so much about you. | 0:42:28 | 0:42:30 | |
All good, I hope? | 0:42:30 | 0:42:31 | |
Are you a relative of the deceased, or... | 0:42:31 | 0:42:34 | |
I hear you got yourself stuck in a tunnel. | 0:42:34 | 0:42:36 | |
Inspector Valentine had to save you. | 0:42:36 | 0:42:38 | |
Well, I suppose I did, yes. | 0:42:39 | 0:42:41 | |
Meddling. It's a dangerous business. | 0:42:41 | 0:42:44 | |
-I'm sorry - who are you? -Ah! | 0:42:44 | 0:42:47 | |
You two have met. | 0:42:47 | 0:42:49 | |
Do you mind if I borrow the Father for a second? | 0:42:49 | 0:42:51 | |
Father, I don't think I've thanked you properly. | 0:42:53 | 0:42:56 | |
Two cases closed. | 0:42:56 | 0:42:57 | |
Make it three. The skeleton you dug up in the garden. | 0:42:57 | 0:43:00 | |
I've been doing some digging of my own in the parish records. | 0:43:00 | 0:43:03 | |
There are references that the disappearance of a travelling priest... | 0:43:03 | 0:43:07 | |
And I appreciate you keeping your investigative involvement on the QT. | 0:43:07 | 0:43:12 | |
Yes, well, my boss isn't that interested in detective work | 0:43:12 | 0:43:15 | |
so I'm happy to let you have the credit. | 0:43:15 | 0:43:17 | |
You have no idea what it means to me. | 0:43:17 | 0:43:20 | |
-Maybe we can work together in the future. -Ah. | 0:43:20 | 0:43:23 | |
I see. You haven't heard. | 0:43:24 | 0:43:26 | |
I'm London-bound. | 0:43:26 | 0:43:28 | |
DCI, Metropolitan Police. | 0:43:28 | 0:43:32 | |
So you see, I really do mean it. | 0:43:32 | 0:43:34 | |
Thank you. | 0:43:34 | 0:43:36 | |
Inspector Sullivan will be taking over as the new DI of Kembleford. | 0:43:36 | 0:43:39 | |
So, no more meddling, eh? | 0:43:39 | 0:43:41 | |
I don't want to be picking up the pieces. | 0:43:41 | 0:43:44 | |
-You know, I almost think I'll miss you, Father. -The feeling might be mutual. | 0:43:44 | 0:43:55 |