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Are you all right? | 0:00:34 | 0:00:35 | |
Hello? | 0:00:36 | 0:00:38 | |
Inspector Sullivan, I thought you could arrange for one of those | 0:00:44 | 0:00:48 | |
surveillance-type operations. | 0:00:48 | 0:00:50 | |
Surveillance? | 0:00:50 | 0:00:51 | |
Yes, and dust for fingerprints. | 0:00:51 | 0:00:53 | |
Now, you can start with this. | 0:00:55 | 0:00:58 | |
Mrs McCready... | 0:00:58 | 0:00:59 | |
Mrs McCarthy. | 0:00:59 | 0:01:01 | |
Believe it or not, strawberry theft is not my greatest priority. | 0:01:01 | 0:01:05 | |
Now see here, young man! | 0:01:06 | 0:01:08 | |
Oh, I see - our concerns are beneath you, are they? | 0:01:10 | 0:01:13 | |
Big city boy. | 0:01:13 | 0:01:15 | |
That's not what I meant. | 0:01:15 | 0:01:16 | |
I'll have you know, my award-winning strawberry scones | 0:01:16 | 0:01:19 | |
put Kembleford on the map. | 0:01:19 | 0:01:21 | |
At least Inspector Valentine took his responsibilities seriously. | 0:01:21 | 0:01:25 | |
You're not even listening! | 0:01:25 | 0:01:27 | |
I can't get a word out of him. | 0:01:27 | 0:01:28 | |
Sir? | 0:01:28 | 0:01:30 | |
Can you hear me? | 0:01:30 | 0:01:31 | |
Murder. | 0:01:37 | 0:01:38 | |
His heart's stopped. Call an ambulance! | 0:01:43 | 0:01:47 | |
Call an ambulance! | 0:01:47 | 0:01:49 | |
"..though he were dead, he shall live. | 0:02:18 | 0:02:21 | |
"And whosoever liveth and believeth in me, shall not die forever." | 0:02:21 | 0:02:25 | |
And you didn't observe anyone near him? | 0:02:27 | 0:02:30 | |
Not that I recall. By the way... | 0:02:30 | 0:02:33 | |
Lady Felicia. A pleasure. | 0:02:33 | 0:02:36 | |
Yes. | 0:02:36 | 0:02:38 | |
I haven't seen Felix at mass in a long time. | 0:02:38 | 0:02:41 | |
Nor his wife, for that matter. | 0:02:41 | 0:02:43 | |
Looks to me as if he's been in hospital. | 0:02:43 | 0:02:45 | |
And why did he say "murder"? | 0:02:45 | 0:02:47 | |
-"Murder"? -Mrs McCarthy, I'd appreciate some discretion. | 0:02:47 | 0:02:51 | |
Good luck that. | 0:02:51 | 0:02:52 | |
-And what's that supposed to mean? -Simply that you're disadvantaged | 0:02:52 | 0:02:56 | |
when it comes to the control of your tongue. | 0:02:56 | 0:02:58 | |
Well, at least I'm not in the habit of following half-naked men | 0:02:58 | 0:03:01 | |
-up the street. -Oh! | 0:03:01 | 0:03:04 | |
Any sign of foul play? | 0:03:04 | 0:03:06 | |
-Humbug? -No. | 0:03:06 | 0:03:08 | |
Based on preliminary observations, I'd say heart failure. | 0:03:10 | 0:03:16 | |
What about the cuts on the hand? Right palm. | 0:03:16 | 0:03:20 | |
Minor abrasions. | 0:03:23 | 0:03:25 | |
Defensive wounds? | 0:03:25 | 0:03:27 | |
I believe your work is done here, Father. | 0:03:27 | 0:03:31 | |
That used to be my husband. Always smiling. | 0:03:31 | 0:03:35 | |
Always quick with a joke. | 0:03:37 | 0:03:39 | |
When he came back from the war, it was like he'd been gutted. | 0:03:41 | 0:03:44 | |
Everything he used to be, wrenched out of him. | 0:03:46 | 0:03:51 | |
Who's the other gentleman? | 0:03:51 | 0:03:53 | |
His brother. He was killed in action. | 0:03:53 | 0:03:57 | |
Last month, I finally realised I couldn't take it any more. | 0:03:57 | 0:04:01 | |
The years of silence. The stillness. | 0:04:03 | 0:04:06 | |
So I told him. | 0:04:08 | 0:04:11 | |
Told him I'd leave him if he didn't do something about it. | 0:04:11 | 0:04:15 | |
I'd...found a place. | 0:04:17 | 0:04:19 | |
They specialise in trauma and shellshock for veterans. | 0:04:21 | 0:04:24 | |
-Did... -Did... | 0:04:24 | 0:04:26 | |
Did Felix have any enemies? | 0:04:28 | 0:04:30 | |
He hardly even left the house. | 0:04:32 | 0:04:34 | |
Why? Do you think it could have been...? | 0:04:36 | 0:04:40 | |
Just a routine question. Nothing to worry about. | 0:04:40 | 0:04:43 | |
-More tea? -Mmm! | 0:04:46 | 0:04:47 | |
Two suggestions, if I may. | 0:04:55 | 0:04:57 | |
Either Mr Underwood met an enemy at this "retreat" | 0:04:57 | 0:05:01 | |
or he wasn't talking about his own murder. | 0:05:01 | 0:05:04 | |
Father Brown, I've been well-briefed by my predecessor | 0:05:04 | 0:05:07 | |
on your propensity for extra-curricular deduction. | 0:05:07 | 0:05:10 | |
But I propose that you manage the funeral | 0:05:10 | 0:05:14 | |
and I'll manage the investigation. | 0:05:14 | 0:05:16 | |
Agreed? | 0:05:16 | 0:05:17 | |
Of course. | 0:05:17 | 0:05:18 | |
MUSIC: "The Blue Danube" by Strauss | 0:05:37 | 0:05:41 | |
Can I help you? | 0:06:39 | 0:06:41 | |
Father Brown. I'm here about your patient, Felix Underwood. | 0:06:44 | 0:06:49 | |
We've just been informed. Terrible. | 0:06:53 | 0:06:55 | |
How did he escape? | 0:06:57 | 0:06:59 | |
May I ask, what's your interest? | 0:06:59 | 0:07:01 | |
I'm gathering information for the Requiem mass. | 0:07:01 | 0:07:04 | |
Even so, you'll have to leave. | 0:07:04 | 0:07:06 | |
The presence of a priest could disturb the patients. | 0:07:06 | 0:07:10 | |
-How so? -Connotations of hell and damnation. I'll show you to the door. | 0:07:10 | 0:07:14 | |
Nurse Farrow. | 0:07:14 | 0:07:16 | |
That won't be necessary. | 0:07:16 | 0:07:18 | |
But the patients... | 0:07:18 | 0:07:19 | |
They'll be fine. Dr Henshaw. Director. | 0:07:19 | 0:07:21 | |
Father Brown. Priest. | 0:07:21 | 0:07:24 | |
Let me show you around. | 0:07:24 | 0:07:25 | |
My apologies for Nurse Farrow. | 0:07:28 | 0:07:31 | |
She's always been somewhat over-zealous | 0:07:31 | 0:07:33 | |
but she only has the patients' best interests at heart. | 0:07:33 | 0:07:36 | |
We're devastated about what's happened. | 0:07:36 | 0:07:38 | |
Felix seemed to be making progress. | 0:07:38 | 0:07:42 | |
He'd never sleepwalked before. | 0:07:42 | 0:07:44 | |
You think that's what happened? | 0:07:45 | 0:07:48 | |
Seems the most likely explanation. | 0:07:48 | 0:07:50 | |
What kind of therapy do you practice, | 0:07:53 | 0:07:55 | |
if you don't mind my asking? | 0:07:55 | 0:07:57 | |
We take a humanistic approach. | 0:07:57 | 0:07:59 | |
Role-play, visualisations, encounter groups. | 0:07:59 | 0:08:02 | |
Nothing invasive. | 0:08:02 | 0:08:04 | |
Fascinating. | 0:08:04 | 0:08:06 | |
You've an interest in my line of work? | 0:08:06 | 0:08:08 | |
Well, in a sense, we're not that different. | 0:08:09 | 0:08:12 | |
Both in the same business of helping people on a road to a better self. | 0:08:12 | 0:08:18 | |
Please... | 0:08:18 | 0:08:19 | |
My daddy's a wizard. | 0:08:34 | 0:08:36 | |
So are you, by the look of it. | 0:08:36 | 0:08:37 | |
Benjamin made this for me. | 0:08:37 | 0:08:39 | |
-Benjamin? -Former patient. | 0:08:39 | 0:08:41 | |
Jeremy, it's time for elevenses. | 0:08:41 | 0:08:42 | |
Are you a wizard? | 0:08:42 | 0:08:44 | |
As it happens. | 0:08:44 | 0:08:46 | |
-Elevenses, Jeremy. -More magic! More magic! | 0:08:55 | 0:08:58 | |
We've got your favourite biscuits. | 0:08:58 | 0:09:00 | |
-NOW! -Jeremy, calm down. Deep breaths. All right? | 0:09:00 | 0:09:05 | |
What do we do when we feel upset? | 0:09:05 | 0:09:07 | |
Count to ten. | 0:09:07 | 0:09:09 | |
OK. | 0:09:10 | 0:09:11 | |
Sorry about that. He's prone to the odd tantrum. | 0:09:14 | 0:09:17 | |
He seems very young to be ex-service personnel. | 0:09:17 | 0:09:20 | |
On occasion, we cater to their relatives. | 0:09:20 | 0:09:23 | |
Jeremy's father was killed in the war. | 0:09:23 | 0:09:26 | |
His mother couldn't cope, so she sent him here. | 0:09:26 | 0:09:29 | |
-May I use your facilities? -Just on the right. | 0:09:31 | 0:09:34 | |
Dr Henshaw? Inspector Sullivan. | 0:09:37 | 0:09:40 | |
We spoke on the phone. | 0:09:40 | 0:09:42 | |
I'd like to start by seeing a list of all the patients who were | 0:09:42 | 0:09:45 | |
here during Mr Underwood's stay. | 0:09:45 | 0:09:48 | |
I'm afraid that won't be possible, Inspector. | 0:09:48 | 0:09:51 | |
Confidentiality, you understand. | 0:09:51 | 0:09:53 | |
Oh. Given the circumstances, I was hoping for some co-operation. | 0:09:53 | 0:09:59 | |
I assure you, I'm not being obstructive but, like you, | 0:09:59 | 0:10:02 | |
I'm bound by certain legal and ethical principles. | 0:10:02 | 0:10:05 | |
Produce a court order, and I'd be happy to oblige. | 0:10:05 | 0:10:08 | |
Patient register. | 0:10:34 | 0:10:35 | |
Romans 10:10. | 0:10:48 | 0:10:50 | |
10:10. | 0:10:50 | 0:10:52 | |
Romans 10:10. | 0:11:07 | 0:11:10 | |
"For, with the heart, we believe unto justice | 0:11:10 | 0:11:13 | |
"but, with the mouth we confess unto salvation." | 0:11:13 | 0:11:17 | |
BELL TOLLS | 0:11:25 | 0:11:29 | |
MUSIC: Chorale "Nun Komm Der Heiden Heiland" by Bach | 0:11:30 | 0:11:34 | |
Deep breath. | 0:11:34 | 0:11:36 | |
Thank you, gentlemen. | 0:11:39 | 0:11:40 | |
KNOCKING | 0:11:56 | 0:11:59 | |
KNOCKING | 0:12:01 | 0:12:02 | |
Stop! | 0:12:02 | 0:12:04 | |
Down! Down! Please, down! | 0:12:04 | 0:12:06 | |
MUFFLED SHOUT | 0:12:06 | 0:12:09 | |
SHE SCREAMS | 0:12:12 | 0:12:14 | |
Is he dead? Alive? | 0:12:25 | 0:12:28 | |
Does he even have a soul? | 0:12:30 | 0:12:33 | |
As far as I can tell, he's in perfect health. | 0:12:33 | 0:12:35 | |
Two days ago you certified him dead. | 0:12:35 | 0:12:38 | |
Because he had no pulse and he wasn't breathing. | 0:12:38 | 0:12:40 | |
Good thing he wasn't embalmed. | 0:12:40 | 0:12:42 | |
Or given a postmortem, for that matter. | 0:12:42 | 0:12:44 | |
I swear to God, that man was not alive when I examined him, | 0:12:44 | 0:12:48 | |
which leads me to conclude that this is more your department than mine. | 0:12:48 | 0:12:51 | |
While I can't completely rule out a supernatural resurrection, | 0:12:51 | 0:12:54 | |
I would be more inclined to go for the rational explanation first. | 0:12:54 | 0:12:58 | |
Mr Underwood? | 0:13:04 | 0:13:05 | |
Felix. Can you tell us what happened to you? | 0:13:07 | 0:13:11 | |
Perhaps if you took him home, | 0:13:15 | 0:13:16 | |
maybe in familiar surroundings, that may jog his memory. | 0:13:16 | 0:13:19 | |
I don't want him in my home. | 0:13:19 | 0:13:21 | |
Mrs Underwood, I know this is difficult. | 0:13:21 | 0:13:23 | |
Difficult? My husband just came back from the dead. | 0:13:23 | 0:13:27 | |
Dorothy, I suspect Felix was never dead. | 0:13:27 | 0:13:30 | |
Look at the cuts on his hands. | 0:13:30 | 0:13:32 | |
Healing. | 0:13:38 | 0:13:40 | |
Perhaps you could show him some photos. | 0:14:01 | 0:14:03 | |
Play some songs he liked. | 0:14:03 | 0:14:06 | |
I have a confession to make. | 0:14:10 | 0:14:12 | |
-How did you get this? -I paid a visit to Danvers Retreat. | 0:14:17 | 0:14:21 | |
-It sort of fell into my cassock. -Do you realise I could arrest you on the spot? | 0:14:21 | 0:14:24 | |
-And thwart your own investigation? -You're interfering in official police... | 0:14:24 | 0:14:27 | |
I know, I know. I'm terrible, aren't I? | 0:14:27 | 0:14:29 | |
The point is, that one of the patients, | 0:14:29 | 0:14:31 | |
Benjamin Pennington, was admitted for two weeks' observation, | 0:14:31 | 0:14:35 | |
but was discharged only a week later, on the same day Felix disappeared. | 0:14:35 | 0:14:39 | |
-Suspicious, don't you think? -Or a coincidence. | 0:14:39 | 0:14:42 | |
Possibly, but surely it can't hurt to find the whereabouts of Benjamin Pennington. | 0:14:42 | 0:14:49 | |
-I'll pay them another visit. -You'll need my assistance. | 0:14:49 | 0:14:52 | |
Why's that? | 0:14:52 | 0:14:53 | |
In case of clues of a Biblical nature. | 0:14:53 | 0:14:55 | |
Alive? | 0:15:07 | 0:15:08 | |
Although somewhat subdued. | 0:15:08 | 0:15:10 | |
I'd like him readmitted. | 0:15:13 | 0:15:14 | |
That won't be possible until the investigation's over. | 0:15:14 | 0:15:18 | |
Are you implying I'm some sort of threat? | 0:15:18 | 0:15:21 | |
Just before Mr Underwood collapsed, he said the word "murder". | 0:15:21 | 0:15:24 | |
What are you suggesting? That someone here tried to kill him? | 0:15:24 | 0:15:28 | |
At present, I'm just collating information. | 0:15:28 | 0:15:31 | |
On which point, I'd like to interview your former patient, Benjamin. | 0:15:31 | 0:15:35 | |
The one who made the wizard hat for Jeremy. | 0:15:35 | 0:15:38 | |
Well, he discharged himself a few days ago. | 0:15:38 | 0:15:41 | |
In that case, I'd like to interview your current patients, | 0:15:41 | 0:15:45 | |
starting with a young woman - dark, curly hair. | 0:15:45 | 0:15:48 | |
Sarah Mulgrew. | 0:15:48 | 0:15:50 | |
She's unlikely to be of use. | 0:15:50 | 0:15:51 | |
Communicates almost entirely through Bible passages. | 0:15:51 | 0:15:54 | |
Memorised the entire thing. | 0:15:54 | 0:15:56 | |
Luckily, I know the good book like the back of my hand. | 0:15:56 | 0:16:01 | |
She's probably in the recreation room. | 0:16:04 | 0:16:06 | |
Right. | 0:16:09 | 0:16:10 | |
"Genesis 18:4." | 0:16:12 | 0:16:13 | |
"But I will fetch a little water, and wash ye your feet, | 0:16:14 | 0:16:19 | |
"and rest ye under a tree". | 0:16:19 | 0:16:20 | |
Meaning? | 0:16:22 | 0:16:23 | |
"Fetch a little water." | 0:16:26 | 0:16:28 | |
Any rivers nearby? Dr Henshaw? | 0:16:29 | 0:16:33 | |
"Rest ye under a tree." | 0:16:33 | 0:16:34 | |
Disused. Belonged to the farm next door. | 0:16:38 | 0:16:41 | |
You think this is what she was referring to? | 0:16:41 | 0:16:43 | |
-I'm sure of it. -How? | 0:16:43 | 0:16:45 | |
"Genesis 23:4." | 0:16:45 | 0:16:48 | |
Like the back of your hand? | 0:16:48 | 0:16:50 | |
-Blast it! -Oh, dear. | 0:16:52 | 0:16:54 | |
"I am a stranger and a sojourner with you: | 0:16:54 | 0:16:56 | |
"give me a possession of a burying place, | 0:16:56 | 0:16:59 | |
"that I may bury my dead..." | 0:16:59 | 0:17:01 | |
FLIES BUZZ | 0:17:14 | 0:17:16 | |
There's a body. | 0:17:16 | 0:17:18 | |
Remember this? | 0:17:25 | 0:17:26 | |
MUSIC: "If I Didn't Care" by The Ink Spots | 0:17:26 | 0:17:29 | |
We listened to it before you shipped out. | 0:17:29 | 0:17:32 | |
Danced together in this room. | 0:17:33 | 0:17:35 | |
-# If I didn't care -# If I didn't care | 0:17:39 | 0:17:41 | |
-# More than words can say -# More than words can say | 0:17:44 | 0:17:47 | |
-# If I didn't care -# If I didn't care | 0:17:49 | 0:17:53 | |
-# Would I feel this way? -# Would I feel this way? | 0:17:55 | 0:17:58 | |
-# If this isn't love... -# If this isn't love... # | 0:18:00 | 0:18:03 | |
Please come back to me, Felix. | 0:18:03 | 0:18:05 | |
# Then why do I thrill... # | 0:18:05 | 0:18:11 | |
# And what makes my head go round... # | 0:18:11 | 0:18:14 | |
MUSIC STOPS | 0:18:14 | 0:18:16 | |
Leave it. | 0:18:18 | 0:18:19 | |
Felix? | 0:18:21 | 0:18:23 | |
Why was I in a coffin? | 0:18:26 | 0:18:27 | |
We thought you were dead. You weren't breathing. | 0:18:29 | 0:18:32 | |
Re-born. | 0:18:36 | 0:18:37 | |
What? | 0:18:38 | 0:18:39 | |
What happened? | 0:18:42 | 0:18:43 | |
I'm hungry. | 0:18:50 | 0:18:52 | |
I'll make you something to eat. | 0:18:54 | 0:18:56 | |
-Mr Pennington? -Yes. | 0:19:08 | 0:19:10 | |
Stabbed in the chest. | 0:19:12 | 0:19:15 | |
Based on the rigor, I'd say he was killed two days ago. | 0:19:15 | 0:19:18 | |
Is it my imagination, or is the doctor intoxicated? | 0:19:21 | 0:19:25 | |
Oh, dear. | 0:19:25 | 0:19:28 | |
This what passes for professionalism, is it? | 0:19:28 | 0:19:32 | |
Oh, dammit! | 0:19:32 | 0:19:33 | |
Oh, dear. | 0:19:33 | 0:19:35 | |
At least that may explain why he mistakenly certified Felix's death. | 0:19:35 | 0:19:39 | |
An asinine consolation, if I ever heard one. | 0:19:39 | 0:19:43 | |
What time did Mr Pennington discharge himself? | 0:19:43 | 0:19:47 | |
I think it was around 4pm. | 0:19:47 | 0:19:49 | |
You didn't see him on the grounds afterwards? | 0:19:49 | 0:19:51 | |
If I'd seen him, I would've mentioned it. | 0:19:51 | 0:19:53 | |
I don't appreciate your insinuations, Inspector. | 0:19:53 | 0:19:56 | |
SHOUT | 0:19:56 | 0:19:57 | |
Benjamin! | 0:19:57 | 0:19:58 | |
-Calm down. -Benjamin! -Jeremy, no! | 0:19:58 | 0:20:01 | |
Count to ten. It's all right. | 0:20:01 | 0:20:03 | |
He's going to wake up. | 0:20:06 | 0:20:08 | |
I'm afraid not, Jeremy. I'm sorry. | 0:20:08 | 0:20:11 | |
MUSIC: "Clair de Lune" by Debussy | 0:20:12 | 0:20:16 | |
May I join you? | 0:20:47 | 0:20:49 | |
I'm very impressed with your knowledge of my favourite book. | 0:20:54 | 0:20:59 | |
Dare I say it, you know it better than me. | 0:20:59 | 0:21:03 | |
John 1:1. | 0:21:05 | 0:21:07 | |
Wait. No, wait. Don't tell me. | 0:21:08 | 0:21:10 | |
Let me see if I can get it without looking it up. | 0:21:10 | 0:21:13 | |
No, give up. | 0:21:15 | 0:21:17 | |
"In the beginning was the Word, and the Word was with God, | 0:21:19 | 0:21:23 | |
"and the Word was God." | 0:21:23 | 0:21:25 | |
Mmm. | 0:21:27 | 0:21:28 | |
What about Romans 10:10? | 0:21:29 | 0:21:31 | |
Is there something you want to confess? | 0:21:34 | 0:21:36 | |
It was supposed to be me. My turn. | 0:21:41 | 0:21:45 | |
Your turn? For what? | 0:21:47 | 0:21:50 | |
John 11:25. | 0:21:50 | 0:21:52 | |
"I am the resurrection and the life." | 0:21:55 | 0:21:58 | |
"He that believeth in me, although he be dead, shall live." | 0:21:58 | 0:22:04 | |
But I got scared. So Benjamin took my place. | 0:22:04 | 0:22:09 | |
Took your place? | 0:22:14 | 0:22:15 | |
In what? | 0:22:18 | 0:22:19 | |
Dr Henshaw! | 0:22:22 | 0:22:25 | |
He was interrogating Sarah. | 0:22:25 | 0:22:28 | |
Interrogating? | 0:22:28 | 0:22:29 | |
Without my supervision? | 0:22:29 | 0:22:31 | |
Go to your room. | 0:22:31 | 0:22:32 | |
Wait. I want to ask you a few questions first. | 0:22:32 | 0:22:35 | |
Inspector, I must protest. | 0:22:35 | 0:22:37 | |
How did you know there was a body down the well? | 0:22:37 | 0:22:39 | |
Enough. | 0:22:39 | 0:22:40 | |
It's all right. | 0:22:40 | 0:22:42 | |
Father, I must insist you leave. | 0:22:42 | 0:22:44 | |
She was trying to tell me something. | 0:22:49 | 0:22:51 | |
My hands are tied. | 0:22:51 | 0:22:52 | |
I apologise for my behaviour. I'll be leaving now. | 0:22:55 | 0:22:58 | |
MUSIC: "Ode to Joy" from Symphony No.9 In D Minor Op. 125 by Beethoven | 0:23:02 | 0:23:07 | |
Terribly sorry. How embarrassing. | 0:23:07 | 0:23:08 | |
Lately I've been having a problem with my impulse control. | 0:23:08 | 0:23:12 | |
It's when I get nervous. I'd better be going. | 0:23:12 | 0:23:16 | |
-Father Brown! -I appear to be having an episode. | 0:23:20 | 0:23:23 | |
Father! | 0:23:27 | 0:23:29 | |
I'm sorry, Inspector. I can't help myself. | 0:23:30 | 0:23:33 | |
Doctor, I suggest you admit Father Brown | 0:23:35 | 0:23:41 | |
for psychiatric evaluation. | 0:23:41 | 0:23:44 | |
The retreat's only for ex-service personnel. | 0:23:44 | 0:23:47 | |
I was in the Glosters. An army chaplain. | 0:23:47 | 0:23:51 | |
Unfortunately, we're full. | 0:23:51 | 0:23:52 | |
Last I counted, you had at least two empty beds. | 0:23:52 | 0:23:56 | |
I'm starting to find your reluctance somewhat suspicious. | 0:23:56 | 0:23:59 | |
Nurse, fetch an admissions form. | 0:24:01 | 0:24:03 | |
Now. | 0:24:03 | 0:24:05 | |
-Are you sure you know what you're doing? -Absolutely. | 0:24:11 | 0:24:14 | |
You should leave me. What else is there left to do? | 0:24:30 | 0:24:36 | |
You could talk to me. | 0:24:36 | 0:24:38 | |
What good is that? | 0:24:38 | 0:24:40 | |
Better than keeping things bottled up. | 0:24:40 | 0:24:44 | |
Maybe that's where some things belong. | 0:24:44 | 0:24:48 | |
You're a coward. | 0:24:48 | 0:24:50 | |
Felix! | 0:24:53 | 0:24:54 | |
Benjamin. | 0:24:54 | 0:24:55 | |
Who's Benjamin? | 0:25:01 | 0:25:03 | |
No! | 0:25:03 | 0:25:04 | |
Felix! | 0:25:08 | 0:25:10 | |
-Kleptomania? -Frequently. Mr Hammond's apple tree is a particular casualty. | 0:25:12 | 0:25:17 | |
Gambling? | 0:25:17 | 0:25:19 | |
I like an occasional flutter. | 0:25:19 | 0:25:20 | |
Occasional? | 0:25:20 | 0:25:22 | |
Every day. | 0:25:22 | 0:25:23 | |
Compulsive eating? | 0:25:23 | 0:25:25 | |
Who can resist second helpings? | 0:25:25 | 0:25:27 | |
Or third. | 0:25:27 | 0:25:30 | |
Or fourth. | 0:25:30 | 0:25:32 | |
Do you ever have the urge to take off your clothes in public? | 0:25:32 | 0:25:36 | |
Often, especially during mass. | 0:25:36 | 0:25:39 | |
Thank you for your candour, Father. | 0:25:39 | 0:25:42 | |
That concludes the evaluation. Nurse Farrow? | 0:25:42 | 0:25:45 | |
Congratulations. | 0:25:45 | 0:25:46 | |
You score highly on most markers for impulse control disorder. | 0:25:46 | 0:25:52 | |
You would seem to be in the right place. | 0:25:52 | 0:25:55 | |
We'll start you on a treatment plan tomorrow morning. | 0:25:55 | 0:25:58 | |
Thank you. | 0:26:03 | 0:26:05 | |
It's such a relief to be finally getting some help. | 0:26:05 | 0:26:08 | |
May I come in? | 0:26:33 | 0:26:35 | |
Please return to the ward, Father. | 0:26:36 | 0:26:38 | |
Father Brown! | 0:26:54 | 0:26:55 | |
Visiting hours are over. | 0:26:55 | 0:26:58 | |
I'm here on official church business. | 0:26:58 | 0:27:01 | |
Irrelevant. | 0:27:01 | 0:27:02 | |
Nurse, trust me it would be simpler if you let her stay. | 0:27:02 | 0:27:06 | |
She'll only be here for a few minutes, I promise you. | 0:27:06 | 0:27:10 | |
I always suspected you were a few pints short of a milk churn, | 0:27:12 | 0:27:16 | |
but a lunatic asylum? | 0:27:16 | 0:27:18 | |
I'm investigating. | 0:27:18 | 0:27:19 | |
So I gather. | 0:27:19 | 0:27:21 | |
This one's definitely dead, is he? There's no chance he might... | 0:27:21 | 0:27:24 | |
None at all. | 0:27:24 | 0:27:26 | |
And what if the killer decides he doesn't want you investigating? | 0:27:26 | 0:27:30 | |
I've brought you a casserole - heaven only knows what kind of food | 0:27:32 | 0:27:36 | |
they serve in this place. | 0:27:36 | 0:27:38 | |
The soup's very good. | 0:27:38 | 0:27:39 | |
Very decorative. Oh. | 0:27:41 | 0:27:42 | |
Mrs McCarthy, how would you like to assist me in my investigation? | 0:27:45 | 0:27:49 | |
Don't be teasing. | 0:27:49 | 0:27:51 | |
You see that cabinet? | 0:27:51 | 0:27:52 | |
There's a key in there - three down, two from the right. | 0:27:52 | 0:27:57 | |
While I distract the nurse, I'd like you to pinch it for me. | 0:27:57 | 0:28:01 | |
What's it for? | 0:28:01 | 0:28:02 | |
Let's keep things on a need-to-know basis, shall we? | 0:28:02 | 0:28:05 | |
Shall I bake it into one of my scones and bring it... | 0:28:05 | 0:28:07 | |
No, leave it under the flowerpot in the corridor on your way out. | 0:28:07 | 0:28:12 | |
Remember - three down, two from the right. | 0:28:12 | 0:28:17 | |
Right you are. | 0:28:17 | 0:28:19 | |
Lovely to see you, Father. | 0:28:19 | 0:28:21 | |
And I hope you'll be feeling better soon. | 0:28:21 | 0:28:25 | |
Thank you, Mrs McCarthy. | 0:28:25 | 0:28:26 | |
Nurse, I wonder if I might trouble you for a glass of water. | 0:28:40 | 0:28:45 | |
I'm afraid I feel rather faint. | 0:28:45 | 0:28:47 | |
Thank you. | 0:28:55 | 0:28:57 | |
I'm terribly sorry. Thank you, thank you. Sorry. | 0:29:00 | 0:29:04 | |
Three down! | 0:29:09 | 0:29:10 | |
I'm most terribly sorry. I'm afraid... | 0:29:11 | 0:29:14 | |
..impulse control issue again. | 0:29:14 | 0:29:16 | |
Would you be so kind? | 0:29:16 | 0:29:18 | |
THUNDER | 0:29:22 | 0:29:24 | |
SNORING | 0:29:24 | 0:29:27 | |
THUNDER | 0:29:36 | 0:29:38 | |
THUNDER AND LIGHTNING | 0:30:16 | 0:30:18 | |
Sarah? Sarah? | 0:30:56 | 0:30:59 | |
-What are you doing? -Ssh! | 0:31:13 | 0:31:16 | |
What are you doing? | 0:31:16 | 0:31:17 | |
I wanted to talk to Sarah about your friend Benjamin. | 0:31:20 | 0:31:23 | |
How did he get down the well? | 0:31:26 | 0:31:29 | |
I don't want to talk about Benjamin. Do more magic. | 0:31:29 | 0:31:32 | |
I've got one too. | 0:31:42 | 0:31:44 | |
Ah! | 0:31:47 | 0:31:48 | |
What does yours unlock? | 0:31:50 | 0:31:52 | |
The magic potion room. | 0:31:53 | 0:31:55 | |
How exciting. | 0:31:55 | 0:31:57 | |
"Test subjects, Felix Underwood and Benjamin Pennington. | 0:32:08 | 0:32:13 | |
"Present, Dr Walter Henshaw and Nurse Bridget Farrow." | 0:32:13 | 0:32:16 | |
Tetrodotoxin amalgamate. | 0:32:18 | 0:32:20 | |
Psilocybin Extract. | 0:32:23 | 0:32:25 | |
Psilocybin. | 0:32:26 | 0:32:28 | |
Felix Underwood, Benjamin Pennington. Psilocybin, ten milligrams. | 0:32:30 | 0:32:34 | |
-'I can't.' -'Yes, you can. Unburden yourself.' | 0:32:48 | 0:32:52 | |
'Only then can you be reborn.' | 0:32:52 | 0:32:53 | |
'I can't do it. I can't.' | 0:32:53 | 0:32:57 | |
-Reborn? -'Say the words, Felix. Forgive him!' | 0:32:57 | 0:33:00 | |
'Argh!' | 0:33:01 | 0:33:02 | |
'Argh!' | 0:33:04 | 0:33:05 | |
Jeremy, back to bed. | 0:33:08 | 0:33:10 | |
Key. | 0:33:13 | 0:33:15 | |
I've told you before, this isn't a play room. | 0:33:17 | 0:33:19 | |
Psilocybin. If I remember my botany, that is an hallucinogenic alkaloid. | 0:33:21 | 0:33:29 | |
In small doses, it helps the patients to engage with their emotions. | 0:33:29 | 0:33:33 | |
Is that what Felix was doing? | 0:33:35 | 0:33:37 | |
Exactly. | 0:33:37 | 0:33:39 | |
What happened next? I guess there was a struggle. | 0:33:39 | 0:33:45 | |
That's what broke the mirror in the therapy room. | 0:33:45 | 0:33:47 | |
That mirror's been broken for weeks. | 0:33:47 | 0:33:49 | |
Not the shard I saw on the floor. | 0:33:49 | 0:33:52 | |
That was recent - not a speck of dust on it. | 0:33:52 | 0:33:54 | |
You've been experimenting with your patients. | 0:33:57 | 0:34:02 | |
Nurse, the patient appears to be having some sort of delusional episode. | 0:34:02 | 0:34:06 | |
Agreed. | 0:34:06 | 0:34:07 | |
"Men will always be mad - and those that try to cure them..." | 0:34:07 | 0:34:13 | |
"...are the maddest of all." Voltaire. | 0:34:13 | 0:34:16 | |
He also wrote that nothing is more contrary to the clergy | 0:34:16 | 0:34:20 | |
than reason and common sense. | 0:34:20 | 0:34:22 | |
Quite the opposite - my common sense tells me that I should be going. | 0:34:22 | 0:34:26 | |
I'm sorry, Father. | 0:34:32 | 0:34:33 | |
My formula. Tetrodotoxin amalgamate. | 0:34:40 | 0:34:45 | |
Lowers respiration and heart rate to an almost undetectable level. | 0:34:45 | 0:34:49 | |
The drug you administered to Felix the night he disappeared. | 0:34:49 | 0:34:53 | |
Reconstituted - should take effect much quicker this time. | 0:34:53 | 0:34:57 | |
Though you should be aware, its side-effects include memory loss. | 0:34:57 | 0:35:01 | |
Is that why you gave it to him? To erase his memory? | 0:35:01 | 0:35:05 | |
On the contrary, I was trying to re-awaken his spirit. | 0:35:05 | 0:35:09 | |
By simulating death? | 0:35:09 | 0:35:11 | |
By cleansing his psyche. A sort of baptism, if you like. | 0:35:11 | 0:35:16 | |
I assume you've subjected your method to clinical trials? | 0:35:16 | 0:35:20 | |
Tested it for evidence of efficacy? | 0:35:23 | 0:35:26 | |
If it's evidence you want, then look no further. | 0:35:26 | 0:35:30 | |
You were his patient? | 0:35:33 | 0:35:35 | |
The trauma of childhood abuse washed away virtually overnight. | 0:35:35 | 0:35:40 | |
Nothing short of a miracle. | 0:35:40 | 0:35:43 | |
What about Felix Underwood? | 0:35:43 | 0:35:45 | |
Traumatised. Ben Pennington? | 0:35:45 | 0:35:47 | |
-Murdered. -That was an accident. | 0:35:49 | 0:35:51 | |
Don't let him get to you. | 0:35:51 | 0:35:52 | |
I was trying to help them. | 0:35:57 | 0:35:58 | |
I instructed Felix to imagine that Benjamin was the soldier who | 0:35:58 | 0:36:02 | |
killed his brother. | 0:36:02 | 0:36:03 | |
To forgive him. | 0:36:03 | 0:36:05 | |
-I can't. -Yes, you can. Unburden yourself. | 0:36:05 | 0:36:09 | |
-Only then can you be reborn. -I can't! | 0:36:09 | 0:36:12 | |
Say the words, Felix. Felix, forgive him. | 0:36:12 | 0:36:18 | |
'He had a psychotic reaction.' | 0:36:18 | 0:36:20 | |
No! | 0:36:20 | 0:36:22 | |
Argh! | 0:36:29 | 0:36:31 | |
Understandably, he was distraught at what he'd done. | 0:36:36 | 0:36:40 | |
So we administered the rebirthing formula straightaway | 0:36:41 | 0:36:46 | |
and hurried off to dispose of the body. | 0:36:46 | 0:36:48 | |
I know it was wrong to cover up the death, but what choice did I have? | 0:36:54 | 0:36:59 | |
It's my life's work. | 0:37:02 | 0:37:03 | |
To have the potential to heal thousands. | 0:37:06 | 0:37:08 | |
Millions, even. | 0:37:11 | 0:37:13 | |
Or just one. That's what you're hoping for, isn't it? | 0:37:13 | 0:37:18 | |
To heal Jeremy. | 0:37:19 | 0:37:20 | |
Your son. | 0:37:23 | 0:37:24 | |
What happened to him? | 0:37:28 | 0:37:29 | |
There was a storm. | 0:37:33 | 0:37:35 | |
Bend in the road I didn't see in time. | 0:37:38 | 0:37:43 | |
-It wasn't your fault. -I was drinking. | 0:37:43 | 0:37:45 | |
I killed his mother. | 0:37:54 | 0:37:56 | |
And turned my five-year-old son into... | 0:37:58 | 0:38:01 | |
..what he is. | 0:38:03 | 0:38:05 | |
A sweet, imaginative boy who loves his father? Isn't that enough? | 0:38:05 | 0:38:10 | |
I can help him to be so much more. | 0:38:12 | 0:38:15 | |
Once I've perfected my formula, I can repair the damage. | 0:38:15 | 0:38:19 | |
He can be reborn. | 0:38:19 | 0:38:21 | |
At what cost? | 0:38:21 | 0:38:24 | |
Benjamin was an innocent. | 0:38:24 | 0:38:26 | |
Don't listen to him. | 0:38:26 | 0:38:29 | |
His blood is on your hands! | 0:38:29 | 0:38:33 | |
And on mine. | 0:38:33 | 0:38:35 | |
I remember. | 0:38:35 | 0:38:38 | |
Don't. | 0:38:38 | 0:38:39 | |
No. Do it. Make me forget... | 0:38:39 | 0:38:45 | |
Make me forget. | 0:38:45 | 0:38:47 | |
How many more have to suffer in your quest for personal redemption? | 0:38:50 | 0:38:55 | |
How many more years looking at your son | 0:38:58 | 0:39:01 | |
and seeing only what you've lost, not what you have? | 0:39:01 | 0:39:05 | |
I can't. | 0:39:07 | 0:39:09 | |
Let go of your guilt. | 0:39:09 | 0:39:12 | |
-I can't. -Enough of this. | 0:39:12 | 0:39:14 | |
No! | 0:39:26 | 0:39:28 | |
No. | 0:39:29 | 0:39:31 | |
No! | 0:39:40 | 0:39:41 | |
Nurse Farrow, take care of our patient. | 0:39:44 | 0:39:48 | |
Yes, Doctor. | 0:39:51 | 0:39:53 | |
What happens now? | 0:39:56 | 0:39:57 | |
Healing. | 0:40:01 | 0:40:02 | |
Please. Not in front of my son. | 0:40:15 | 0:40:17 | |
What's happening? | 0:40:17 | 0:40:18 | |
Daddy's going away for a while. | 0:40:18 | 0:40:22 | |
Have you been bad? | 0:40:22 | 0:40:25 | |
Count to ten, Daddy. It's all right. | 0:40:27 | 0:40:30 | |
My clever boy. | 0:40:33 | 0:40:35 | |
Mrs Underwood? | 0:40:49 | 0:40:50 | |
I'll be speaking to the prosecuting solicitors. | 0:40:51 | 0:40:55 | |
I can't make any promises, but I don't believe they'll charge him. | 0:40:55 | 0:40:58 | |
Are you all right? | 0:41:01 | 0:41:04 | |
I remember. | 0:41:04 | 0:41:06 | |
Father Brown? | 0:41:13 | 0:41:14 | |
I'd like to see you at the station. | 0:41:17 | 0:41:19 | |
I'll be there directly. | 0:41:19 | 0:41:20 | |
I am always at St Mary's and you are ALWAYS welcome. | 0:41:31 | 0:41:35 | |
Matthew 9:22. | 0:41:38 | 0:41:40 | |
A man of letters. | 0:42:12 | 0:42:14 | |
You sound surprised. | 0:42:14 | 0:42:16 | |
Pleasantly. | 0:42:16 | 0:42:18 | |
Reminders to me that reason | 0:42:18 | 0:42:20 | |
and rationality are the primary tools of an enquiring mind. | 0:42:20 | 0:42:23 | |
Couldn't agree more. | 0:42:23 | 0:42:25 | |
-Is that so? -Now you sound surprised. | 0:42:25 | 0:42:28 | |
Not qualities I associate with men of faith. | 0:42:29 | 0:42:33 | |
Then I imagine we have a great deal to learn from each other. | 0:42:33 | 0:42:37 | |
A peace offering. | 0:42:37 | 0:42:38 | |
Thank you...so much. | 0:42:47 | 0:42:49 | |
Arrest warrant. | 0:42:52 | 0:42:55 | |
For me? | 0:42:55 | 0:42:56 | |
Good guess. But no. Dr Miller. | 0:42:56 | 0:42:59 | |
I'm having him charged with criminal negligence. | 0:42:59 | 0:43:03 | |
Bit harsh. | 0:43:03 | 0:43:04 | |
I won't tolerate professional impropriety of any kind. | 0:43:04 | 0:43:08 | |
Now, it would be churlish of me | 0:43:08 | 0:43:11 | |
to deny you've been of some facility in the solving of this case... | 0:43:11 | 0:43:14 | |
Thank you. | 0:43:14 | 0:43:16 | |
..which is the only reason I'm holding one warrant in my hand, | 0:43:16 | 0:43:18 | |
and not two. | 0:43:18 | 0:43:20 | |
But trust me, next time you won't get off so lightly. | 0:43:20 | 0:43:25 | |
That's all. | 0:43:26 | 0:43:28 |