Browse content similar to The Man in the Shadows. Check below for episodes and series from the same categories and more!
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SUSPENSEFUL MUSIC | 0:00:02 | 0:00:05 | |
QUIET FOOTSTEPS | 0:00:12 | 0:00:13 | |
TWIG SNAPS | 0:00:25 | 0:00:27 | |
CAR HORN BLARES | 0:01:00 | 0:01:01 | |
Stop! Help! | 0:01:01 | 0:01:03 | |
Drive, drive! He's trying to kill me! | 0:01:03 | 0:01:06 | |
Come on, come on! | 0:01:06 | 0:01:07 | |
MUSIC: 'Father Brown Theme' by Debbie Wiseman | 0:01:10 | 0:01:13 | |
He was that fast, I thought I was done for. | 0:01:43 | 0:01:45 | |
-Inspector! -No-one's allowed through. | 0:01:45 | 0:01:47 | |
No, Father! This is a crime scene. | 0:01:47 | 0:01:50 | |
But that poor man's soul. At least let me pray over his body. | 0:01:50 | 0:01:53 | |
If we need your services later, we'll let you know. | 0:01:53 | 0:01:56 | |
You wouldn't have even found him if it wasn't for me. | 0:01:56 | 0:01:59 | |
Yes, tell me, what were you doing trespassing on private land? | 0:01:59 | 0:02:02 | |
We'll let you carry on with your job. | 0:02:02 | 0:02:04 | |
Mmm. | 0:02:04 | 0:02:06 | |
Oh, don't bother knocking. | 0:02:21 | 0:02:22 | |
Have you seen? | 0:02:22 | 0:02:24 | |
It was no accident. | 0:02:25 | 0:02:26 | |
Don't be ridiculous, Sidney. It's in the newspaper. | 0:02:26 | 0:02:29 | |
You mean it's what Inspector Sullivan told the newspaper. | 0:02:29 | 0:02:32 | |
That body was dry as a bone when I saw it. | 0:02:32 | 0:02:34 | |
Archibald Waterson. I know that name. | 0:02:34 | 0:02:36 | |
Wasn't he a friend of the Sheppards? | 0:02:36 | 0:02:38 | |
Best man at their wedding last year? | 0:02:38 | 0:02:40 | |
Yes. Yes, I think you may be right. | 0:02:40 | 0:02:43 | |
Why is Sullivan covering this up? | 0:02:43 | 0:02:45 | |
He's not even interviewed me as a witness. | 0:02:45 | 0:02:47 | |
True. Still, I suppose it's none of our business. | 0:02:47 | 0:02:53 | |
KNOCKING | 0:02:56 | 0:02:57 | |
Mrs Sheppard, I've come to offer my condolences | 0:03:02 | 0:03:05 | |
on the death of your friend. | 0:03:05 | 0:03:06 | |
That's kind of you. Come in. | 0:03:06 | 0:03:09 | |
Congratulations! | 0:03:11 | 0:03:13 | |
Thank you. | 0:03:13 | 0:03:14 | |
Ah, I've been looking for you. | 0:03:18 | 0:03:20 | |
Must be your lucky day. | 0:03:20 | 0:03:22 | |
I spoke to Alf Turner at the Red Lion. | 0:03:22 | 0:03:24 | |
He told me about your fanciful interpretation of what happened yesterday. | 0:03:24 | 0:03:28 | |
Nothing fanciful about it. | 0:03:28 | 0:03:29 | |
You've got to stop this. | 0:03:29 | 0:03:31 | |
What? It's a free country. | 0:03:31 | 0:03:33 | |
Trust me... | 0:03:35 | 0:03:36 | |
..don't go making a fuss. | 0:03:38 | 0:03:40 | |
You know me, Inspector. Soul of discretion. | 0:03:40 | 0:03:43 | |
We're still in shock. | 0:03:50 | 0:03:52 | |
Archie was one of the finest men I ever met. | 0:03:52 | 0:03:54 | |
Do you know what happened? | 0:03:58 | 0:04:00 | |
Only what we read in the paper - that he drowned. | 0:04:00 | 0:04:03 | |
I wonder what he was doing at the lake. | 0:04:04 | 0:04:07 | |
I don't know, it was a warm day. | 0:04:07 | 0:04:09 | |
He probably just wanted to cool off. | 0:04:09 | 0:04:11 | |
Did he live nearby? | 0:04:13 | 0:04:15 | |
Little Haydock. | 0:04:15 | 0:04:17 | |
That's several miles away. | 0:04:17 | 0:04:19 | |
Yes, I don't know what he was doing around here. | 0:04:19 | 0:04:22 | |
We saw him yesterday morning at the Manor. | 0:04:22 | 0:04:25 | |
Made plans for the weekend. | 0:04:26 | 0:04:28 | |
He was part of the restoration project? | 0:04:28 | 0:04:30 | |
Archie specialised in the conservation of oil paintings. | 0:04:30 | 0:04:33 | |
There must be hundreds of those at Bridgemore. | 0:04:33 | 0:04:36 | |
Everyone there is going to miss Archie. | 0:04:36 | 0:04:38 | |
The pair of you most of all. | 0:04:39 | 0:04:41 | |
We barely slept last night. | 0:04:41 | 0:04:43 | |
Well, I've intruded for far too long. | 0:04:45 | 0:04:47 | |
Once again, my sincerest condolences. | 0:04:50 | 0:04:53 | |
Thank you. | 0:04:53 | 0:04:55 | |
RADIO BLARES | 0:04:59 | 0:05:01 | |
KNOCKING | 0:05:01 | 0:05:02 | |
INAUDIBLE SCOFFING | 0:05:02 | 0:05:04 | |
Oi! | 0:05:07 | 0:05:08 | |
CLATTERING AND SHOUTING | 0:05:08 | 0:05:11 | |
BIKE BELL TINGS | 0:05:14 | 0:05:16 | |
GASPING AND GRUNTING | 0:05:17 | 0:05:19 | |
FROM INSIDE CARAVAN: Oh! Oh! Oh! | 0:05:19 | 0:05:22 | |
STRUGGLE CONTINUES | 0:05:24 | 0:05:26 | |
GLASS SMASHES | 0:05:32 | 0:05:34 | |
Help! | 0:05:34 | 0:05:35 | |
KNOCKING | 0:05:35 | 0:05:37 | |
Sid? | 0:05:37 | 0:05:38 | |
KNOCKING | 0:05:38 | 0:05:40 | |
Are you all right? | 0:05:40 | 0:05:42 | |
SID PANTS | 0:05:50 | 0:05:52 | |
Sid, are you sure you're up to this? | 0:06:04 | 0:06:07 | |
Of course. | 0:06:07 | 0:06:09 | |
All right, what exactly are we looking for? | 0:06:11 | 0:06:13 | |
Anything out of the ordinary. | 0:06:13 | 0:06:16 | |
This is where the Sheppards knew Archie from. | 0:06:16 | 0:06:18 | |
We can learn a great deal about all three of them from here. | 0:06:18 | 0:06:21 | |
Why are you suspicious? | 0:06:21 | 0:06:23 | |
Because one of them said they found out about what happened from the morning's paper, | 0:06:23 | 0:06:26 | |
-the other one said they couldn't sleep the previous night because of it. -Ha! | 0:06:26 | 0:06:30 | |
Perhaps they had good reason to lie. | 0:06:32 | 0:06:35 | |
Sullivan isn't treating this case as routine. | 0:06:35 | 0:06:39 | |
Something else is going on here. | 0:06:39 | 0:06:41 | |
I'll see what I can find. | 0:06:48 | 0:06:50 | |
Assuming His Lordship lets us into his house in the first place. | 0:06:50 | 0:06:53 | |
Oh, he will. I hope you realise the sacrifice I'm making. | 0:06:53 | 0:06:56 | |
You know he's a madman? | 0:06:57 | 0:06:59 | |
He's a member of the House of Lords! | 0:06:59 | 0:07:01 | |
Exactly. | 0:07:01 | 0:07:02 | |
BELLS TINKLE | 0:07:06 | 0:07:07 | |
Ah, hello. Come in, come in. | 0:07:07 | 0:07:10 | |
I was just practising my stroke. Do you play? | 0:07:10 | 0:07:13 | |
I did, I did - but never on carpet. | 0:07:13 | 0:07:15 | |
Ah-ha-ha! It's good to see you, old girl. | 0:07:15 | 0:07:19 | |
Whoo! Mwah! | 0:07:19 | 0:07:21 | |
Now, please, make yourselves at home. | 0:07:22 | 0:07:25 | |
So, what can I do for you? | 0:07:33 | 0:07:37 | |
Well, Monty and I are holding a little soiree next Saturday, you know. | 0:07:37 | 0:07:44 | |
Sounds divine. | 0:07:44 | 0:07:45 | |
I was just passing and I thought I'd ask you in person. | 0:07:45 | 0:07:49 | |
We'd love it if you could come. | 0:07:49 | 0:07:51 | |
-What red-blooded man could refuse such an offer? Eh? -Yeah. | 0:07:51 | 0:07:55 | |
LORD MASTERS BURPS | 0:07:55 | 0:07:57 | |
I was sorry to hear what happened, Lord Masters. | 0:07:57 | 0:08:00 | |
Sorry, what? | 0:08:00 | 0:08:02 | |
The man working on your restoration project. Archibald Waterson. | 0:08:02 | 0:08:07 | |
Ah! I've been expecting you. | 0:08:07 | 0:08:11 | |
Now, where the hell is the thing? | 0:08:11 | 0:08:15 | |
There. | 0:08:15 | 0:08:16 | |
DOOR CREAKS | 0:08:26 | 0:08:28 | |
Are you sure this is for me? | 0:08:51 | 0:08:52 | |
I found it on my desk this morning. | 0:08:52 | 0:08:55 | |
Archie had left a note with it. | 0:08:55 | 0:08:56 | |
He said an important stranger would ask about him | 0:08:56 | 0:09:00 | |
and I should give them this envelope. | 0:09:00 | 0:09:02 | |
Did you know Archie well? | 0:09:03 | 0:09:04 | |
Barely at all. | 0:09:04 | 0:09:06 | |
Those restoration fellows stick to the far side of the house. | 0:09:06 | 0:09:10 | |
Love letter, is it? | 0:09:11 | 0:09:12 | |
"I'll take the secret to my grave." | 0:09:13 | 0:09:15 | |
-Does that mean anything to you? -No. | 0:09:17 | 0:09:19 | |
CAR PULLS UP OUTSIDE | 0:09:19 | 0:09:21 | |
Do you know him? | 0:09:25 | 0:09:27 | |
I can't say. | 0:09:29 | 0:09:30 | |
Oh, like that, is it? Eh? | 0:09:30 | 0:09:33 | |
Sorry. Who are you? | 0:09:44 | 0:09:46 | |
Lady Felicia's driver. | 0:09:46 | 0:09:49 | |
Oh. | 0:09:49 | 0:09:50 | |
Are you all right? | 0:09:50 | 0:09:52 | |
Allergies. | 0:09:52 | 0:09:53 | |
Oh. | 0:09:53 | 0:09:54 | |
It's William, isn't it? I've seen you around Kembleford. | 0:09:55 | 0:09:59 | |
I'm sorry to hear about your mate. | 0:09:59 | 0:10:02 | |
That must be tough for you. | 0:10:02 | 0:10:04 | |
I'm fine. Thank you. | 0:10:05 | 0:10:06 | |
Right. | 0:10:06 | 0:10:08 | |
Right you are. | 0:10:11 | 0:10:12 | |
So, when did the restoration project start? | 0:10:21 | 0:10:23 | |
My dear, I have people who remember dates for me. | 0:10:23 | 0:10:27 | |
Would you like some apple crumble? | 0:10:27 | 0:10:29 | |
Roughly. | 0:10:29 | 0:10:31 | |
Er, well, 18 months ago. Give or take. | 0:10:31 | 0:10:34 | |
How did you find the people to do it? | 0:10:34 | 0:10:37 | |
I didn't, they found me. | 0:10:37 | 0:10:38 | |
They're a benevolent organisation, who wanted to help me | 0:10:38 | 0:10:42 | |
preserve my family's heritage for future generations. | 0:10:42 | 0:10:46 | |
Sticky tart? | 0:10:46 | 0:10:48 | |
No cake, thank you. How many people work on it? | 0:10:48 | 0:10:51 | |
Well, I don't know. | 0:10:51 | 0:10:53 | |
These restoration fellows, they keep themselves to themselves | 0:10:53 | 0:10:56 | |
and I rattle around the East Wing. | 0:10:56 | 0:10:58 | |
I suppose about a dozen in total. | 0:10:58 | 0:11:02 | |
That seems a lot. | 0:11:02 | 0:11:04 | |
Well, it's a big house. | 0:11:04 | 0:11:05 | |
No-one's tried to catalogue it since great Uncle Basil. | 0:11:05 | 0:11:09 | |
HE LAUGHS | 0:11:09 | 0:11:10 | |
What a fruitbat he was. | 0:11:10 | 0:11:12 | |
He organised the heirlooms in colour order, | 0:11:12 | 0:11:16 | |
according to their aura. | 0:11:16 | 0:11:18 | |
So you don't go over to the part of the house where they work? | 0:11:18 | 0:11:21 | |
They use dangerous chemicals! | 0:11:21 | 0:11:23 | |
No, they said it was safest for me to stay clear. | 0:11:23 | 0:11:26 | |
Not that I mind, of course. No, I'm quite happy here with Terrance. | 0:11:26 | 0:11:31 | |
Terrance? | 0:11:32 | 0:11:33 | |
Oh. | 0:11:33 | 0:11:35 | |
Ah! | 0:11:36 | 0:11:37 | |
Nobody is to touch anything in this room until I give the word. | 0:11:41 | 0:11:44 | |
You're all to return home and remain there until I send for you. | 0:11:45 | 0:11:49 | |
Sorry, wrong door. | 0:11:56 | 0:11:58 | |
Now, Cousin George - he set himself the challenge of translating | 0:12:01 | 0:12:05 | |
every book in the house into Ancient Greek. | 0:12:05 | 0:12:08 | |
Died tragically with the finishing line just in sight, | 0:12:08 | 0:12:12 | |
16 books from the end of the zoology section. | 0:12:12 | 0:12:16 | |
We've taken up too much of your time. | 0:12:16 | 0:12:18 | |
Oh, not at all. | 0:12:18 | 0:12:19 | |
It's a delight to see you without old Monty in tow. | 0:12:19 | 0:12:22 | |
Was it he who insisted you be chaperoned with the priest? | 0:12:22 | 0:12:25 | |
Father Brown is not here to keep an eye on me. | 0:12:25 | 0:12:28 | |
Methinks the lady doth protest too much. | 0:12:28 | 0:12:30 | |
It's been a pleasure. I look forward to the weekend. | 0:12:30 | 0:12:33 | |
I'm already counting the minutes. Tick, tock. | 0:12:33 | 0:12:36 | |
Must dash. | 0:12:36 | 0:12:38 | |
Goodbye, Your Lordship. Terrance. | 0:12:38 | 0:12:40 | |
I didn't see nothing. Honestly, I can keep shtoom. | 0:12:42 | 0:12:45 | |
Take him to the station for now. | 0:12:45 | 0:12:47 | |
Who are you? | 0:12:47 | 0:12:49 | |
You were warned. | 0:12:49 | 0:12:50 | |
Lady Felicia. | 0:12:57 | 0:12:59 | |
What has Sid done? | 0:12:59 | 0:13:01 | |
And you must be Father Brown. | 0:13:01 | 0:13:03 | |
You have the better of me. | 0:13:03 | 0:13:05 | |
What are you doing here, Daniel? | 0:13:05 | 0:13:07 | |
Oh, you know. Same old, same old. | 0:13:07 | 0:13:09 | |
Please, I'm sure we can sort this out. | 0:13:09 | 0:13:11 | |
I'll arrange for someone to give you a lift back to town | 0:13:11 | 0:13:14 | |
while your driver is indisposed. | 0:13:14 | 0:13:15 | |
Now, if you'll excuse me, I have urgent matters to attend to. | 0:13:15 | 0:13:18 | |
Lady Felicia, can you please explain what's going on? | 0:13:23 | 0:13:25 | |
Who was that man? | 0:13:25 | 0:13:27 | |
His name is Daniel Whittaker. | 0:13:27 | 0:13:29 | |
How do you know him? | 0:13:32 | 0:13:34 | |
We had dealings during the war. | 0:13:34 | 0:13:37 | |
He works for the government. | 0:13:38 | 0:13:40 | |
What part of the government? | 0:13:41 | 0:13:44 | |
MI5. | 0:13:44 | 0:13:46 | |
Wait there. | 0:13:56 | 0:13:57 | |
What now? | 0:14:02 | 0:14:04 | |
I realise there are legal reasons why you shouldn't talk about this. | 0:14:04 | 0:14:07 | |
I won't abandon Sid. | 0:14:07 | 0:14:08 | |
Good. We need a better idea about what's really happening. | 0:14:08 | 0:14:12 | |
The restoration project is just a front. | 0:14:12 | 0:14:14 | |
That's why the Sheppards lied to me. | 0:14:14 | 0:14:16 | |
What do you make of Archie's letter? | 0:14:16 | 0:14:18 | |
"I'll take the secret to my grave." | 0:14:18 | 0:14:19 | |
He must have left it as a safeguard in case anything happened to him. | 0:14:19 | 0:14:22 | |
-He knew he was in danger. -But why didn't he ask for help? | 0:14:22 | 0:14:25 | |
Why put yourself in harm's way? | 0:14:25 | 0:14:27 | |
Perhaps he was involved in something illegal? | 0:14:27 | 0:14:30 | |
-I'll find out more about the official investigation. -Good. | 0:14:30 | 0:14:33 | |
-Cheerio. -Anon, anon. -Thank you. | 0:14:33 | 0:14:36 | |
HE SIGHS | 0:14:39 | 0:14:40 | |
Hello, Archie. | 0:14:56 | 0:14:58 | |
Lord Masters, do you think I might have a quick word? | 0:15:08 | 0:15:11 | |
Oh, hello. Have a seat, have a nibble. | 0:15:11 | 0:15:16 | |
Excuse my fingers. There you go. | 0:15:18 | 0:15:22 | |
Thank you. | 0:15:23 | 0:15:24 | |
My name is James Gregson, I'm overseeing the restoration project. | 0:15:26 | 0:15:31 | |
I'm here because a member of my staff had an unfortunate | 0:15:31 | 0:15:34 | |
accident yesterday. | 0:15:34 | 0:15:36 | |
Oh, yes. Beastly business, | 0:15:36 | 0:15:38 | |
as I was saying to that minx and her priest earlier. | 0:15:38 | 0:15:43 | |
They were asking about it? | 0:15:43 | 0:15:45 | |
Poor Archie. He left a letter for them. | 0:15:45 | 0:15:48 | |
Do you know what it said? | 0:15:51 | 0:15:52 | |
You have finally gone insane. | 0:15:59 | 0:16:02 | |
Just a moment, Mrs McCarthy. | 0:16:02 | 0:16:04 | |
The shame of it. | 0:16:04 | 0:16:06 | |
Unless you've heard that poor soul | 0:16:06 | 0:16:08 | |
knocking on his coffin to be let out, you must stop this. | 0:16:08 | 0:16:12 | |
There's nothing here. | 0:16:13 | 0:16:14 | |
Oh, surprise, surprise(!) What are you up to? | 0:16:14 | 0:16:17 | |
Nothing. | 0:16:21 | 0:16:23 | |
A likely story. | 0:16:23 | 0:16:24 | |
Now I'm going to have to clear all this up, | 0:16:24 | 0:16:28 | |
get some fresh flowers. | 0:16:28 | 0:16:29 | |
And do you think you could resist digging up any more residents | 0:16:31 | 0:16:35 | |
until I get back? | 0:16:35 | 0:16:36 | |
Scout's honour. | 0:16:37 | 0:16:39 | |
SHE SIGHS | 0:16:41 | 0:16:43 | |
May I? | 0:16:58 | 0:17:00 | |
Please. | 0:17:00 | 0:17:01 | |
You aren't going to read it? | 0:17:06 | 0:17:08 | |
-What did you make of it? -Nothing. | 0:17:08 | 0:17:11 | |
Spare me the modesty. | 0:17:11 | 0:17:12 | |
You've solved too many crimes to be the bumbling idiot you appear to be. | 0:17:12 | 0:17:16 | |
No, I am a bumbling idiot. | 0:17:16 | 0:17:20 | |
But I see patterns to things. | 0:17:20 | 0:17:22 | |
You seem to know a lot about me. | 0:17:22 | 0:17:24 | |
You've shown up on our radar a few times. | 0:17:24 | 0:17:27 | |
Have you got a file on me? | 0:17:27 | 0:17:28 | |
Why don't we pool our resources? | 0:17:29 | 0:17:32 | |
We both want the same thing, after all. | 0:17:32 | 0:17:34 | |
-Do we? -The truth. | 0:17:34 | 0:17:35 | |
I want my friend released. | 0:17:35 | 0:17:37 | |
Then perhaps you could start by telling me about the letter. | 0:17:37 | 0:17:40 | |
Well, it obviously wasn't meant for me | 0:17:47 | 0:17:50 | |
and Archie didn't leave it for his colleagues either, | 0:17:50 | 0:17:53 | |
which means he didn't trust them. | 0:17:53 | 0:17:55 | |
He wanted it to go to an outsider - someone who'd come to | 0:17:57 | 0:17:59 | |
investigate if things went wrong - | 0:17:59 | 0:18:01 | |
you. | 0:18:01 | 0:18:02 | |
But I got to the manor house first, | 0:18:03 | 0:18:06 | |
which meant Lord Masters got the wrong end of the stick... | 0:18:06 | 0:18:11 | |
..and doesn't know what's going on in his own house. | 0:18:13 | 0:18:16 | |
But you do. | 0:18:16 | 0:18:18 | |
I'm sure Lady Felicia has filled you in. | 0:18:19 | 0:18:21 | |
She said nothing. | 0:18:23 | 0:18:25 | |
Fine. | 0:18:25 | 0:18:27 | |
If you want to play it that way. My name is Daniel Whittaker | 0:18:27 | 0:18:30 | |
and I work for the Security Service. | 0:18:30 | 0:18:32 | |
There, can we move on now? | 0:18:32 | 0:18:33 | |
Yes, I'd like to know how Sid is. | 0:18:33 | 0:18:36 | |
-Maybe later. You worked out what the message means. -Yes. | 0:18:36 | 0:18:40 | |
It wasn't a question. What did you find? | 0:18:40 | 0:18:43 | |
Nothing. | 0:18:43 | 0:18:44 | |
Local officers don't know the sources of each others' aliases - | 0:18:44 | 0:18:48 | |
only senior staff. | 0:18:48 | 0:18:50 | |
And you, it appears. | 0:18:50 | 0:18:51 | |
I recognised the name. | 0:18:52 | 0:18:54 | |
I buried Archibald Waterson 20 years ago. | 0:18:57 | 0:19:01 | |
-He was 18 months old. A tragic death. -I can imagine. | 0:19:03 | 0:19:06 | |
Why did your man use that poor little boy's name? | 0:19:06 | 0:19:10 | |
When we create new identities for our officers, | 0:19:10 | 0:19:14 | |
it's easier to use real people - dead people. | 0:19:14 | 0:19:17 | |
There's an existing paper trail we can manipulate. | 0:19:17 | 0:19:20 | |
-How tasteless. -You did ask. | 0:19:20 | 0:19:22 | |
Do you know who killed that young man? | 0:19:25 | 0:19:28 | |
What did you find at the grave? | 0:19:28 | 0:19:30 | |
I found nothing there. | 0:19:30 | 0:19:33 | |
We found your friend trespassing in a very sensitive area. | 0:19:34 | 0:19:38 | |
It's a serious charge, espionage. | 0:19:38 | 0:19:40 | |
I did not find anything at that grave. | 0:19:42 | 0:19:45 | |
I'll see you later, Father. | 0:19:47 | 0:19:49 | |
I thought we were sharing information? | 0:19:49 | 0:19:51 | |
I've changed my mind. | 0:19:51 | 0:19:52 | |
You cannot play with an innocent man's life like this. | 0:19:52 | 0:19:55 | |
-Actually, I can. -I cannot give you what I do not have. | 0:19:55 | 0:19:58 | |
Don't leave it too long to come to your senses. | 0:19:58 | 0:20:00 | |
Once people disappear, it can be hard to find them again. | 0:20:00 | 0:20:03 | |
Take a seat. | 0:20:07 | 0:20:08 | |
I want to see Sid. | 0:20:09 | 0:20:11 | |
Sorry, orders from on high - no visitors. | 0:20:11 | 0:20:14 | |
Then let me speak to Daniel Whittaker. | 0:20:14 | 0:20:16 | |
Can I ask why? | 0:20:16 | 0:20:18 | |
You can ask. | 0:20:18 | 0:20:19 | |
Ah, good. I'll need your office. | 0:20:19 | 0:20:21 | |
Lady Felicia, this way. | 0:20:21 | 0:20:23 | |
I suppose this is your doing? | 0:20:42 | 0:20:44 | |
What happened? | 0:20:45 | 0:20:47 | |
I went down to put fresh flowers on that grave. This is what I found. | 0:20:47 | 0:20:51 | |
Is that the only vase that was broken? | 0:20:53 | 0:20:55 | |
Yes. Why? | 0:20:55 | 0:20:57 | |
Because the vase on Archie's grave was cream. | 0:20:57 | 0:21:00 | |
Why are you here, Daniel? | 0:21:07 | 0:21:09 | |
Oh, the usual. Trying to save the country. | 0:21:09 | 0:21:12 | |
We're hardly in danger out here. | 0:21:12 | 0:21:14 | |
It's that kind of complacency that'll get us all killed. | 0:21:14 | 0:21:17 | |
Oh, is that your job? Going round trying to frighten people? | 0:21:17 | 0:21:21 | |
We don't have officers out in this godforsaken nowhere | 0:21:21 | 0:21:24 | |
just for the fun of it. | 0:21:24 | 0:21:26 | |
It's because the fight is going on right now, all around us. | 0:21:26 | 0:21:28 | |
Is that why you had my driver arrested? | 0:21:28 | 0:21:30 | |
Because he's a threat to national security? | 0:21:30 | 0:21:33 | |
We all need a little leverage. | 0:21:33 | 0:21:34 | |
Your priest has something I need. | 0:21:36 | 0:21:39 | |
A conscience? | 0:21:40 | 0:21:41 | |
An item he found in his graveyard. | 0:21:42 | 0:21:44 | |
What is it? | 0:21:45 | 0:21:47 | |
I don't know. | 0:21:47 | 0:21:49 | |
I thought you might find out and bring it to me. | 0:21:49 | 0:21:52 | |
You are joking? | 0:21:52 | 0:21:53 | |
Oh, I rarely joke. Especially when reputations are concerned. | 0:21:53 | 0:21:57 | |
I really don't care what you tell people about me. | 0:21:57 | 0:22:00 | |
How about the Earl? Does he feel the same way? | 0:22:00 | 0:22:03 | |
We paid our debt. | 0:22:03 | 0:22:05 | |
And we're very grateful for that. | 0:22:05 | 0:22:07 | |
So now we're offering you another chance to help your country. | 0:22:07 | 0:22:11 | |
This isn't fair. | 0:22:11 | 0:22:13 | |
Past indiscretions can be made to vanish for a while, | 0:22:13 | 0:22:16 | |
but sadly they never really go away. | 0:22:16 | 0:22:18 | |
Which is a problem for men who rely on their reputation. | 0:22:18 | 0:22:23 | |
A few words in the right ears, who knows what the fallout might be? | 0:22:23 | 0:22:26 | |
I need something from you in return. | 0:22:29 | 0:22:32 | |
The man who died. | 0:22:32 | 0:22:33 | |
I want details. | 0:22:35 | 0:22:37 | |
Why not? Your friend might unearth something useful. | 0:22:37 | 0:22:41 | |
But you know the price. | 0:22:41 | 0:22:43 | |
Yes. | 0:22:44 | 0:22:45 | |
You swapped the vases! | 0:22:53 | 0:22:54 | |
Now, don't you go giving me grief. | 0:22:55 | 0:22:57 | |
Someone had to tidy up the mess you made... | 0:22:57 | 0:23:00 | |
Father Brown...! | 0:23:00 | 0:23:02 | |
"Dear Mother, enjoying my holiday. Weather fine. | 0:23:10 | 0:23:13 | |
"It was a long journey, but we got here safely. | 0:23:13 | 0:23:16 | |
"Your loving daughter, Marjory." | 0:23:16 | 0:23:19 | |
And what does that mean? | 0:23:20 | 0:23:21 | |
It means Marjory is having a nice holiday. | 0:23:23 | 0:23:25 | |
What have you gone and got yourself mixed up in this time? | 0:23:25 | 0:23:29 | |
It's safer if you don't know. | 0:23:30 | 0:23:33 | |
I am a grown woman! I don't need protecting. | 0:23:33 | 0:23:36 | |
But maybe he did. | 0:23:38 | 0:23:40 | |
Now, please, don't start talking in riddles. | 0:23:40 | 0:23:42 | |
Take this. | 0:23:44 | 0:23:46 | |
Put it somewhere safe. | 0:23:46 | 0:23:47 | |
Oh, and he's off again. | 0:23:49 | 0:23:51 | |
Oh... | 0:23:59 | 0:24:00 | |
We can name the baby after him? | 0:24:12 | 0:24:13 | |
It would be a way of remembering him. | 0:24:16 | 0:24:18 | |
I'm hardly likely to forget. | 0:24:18 | 0:24:20 | |
Sorry. | 0:24:21 | 0:24:23 | |
-It was just a thought. -Hey, I'm sorry. | 0:24:23 | 0:24:26 | |
I should be stronger than this. | 0:24:29 | 0:24:30 | |
KNOCKING | 0:24:33 | 0:24:34 | |
Father Brown. Please, come in. | 0:24:39 | 0:24:41 | |
-Hello. -What can we do for you? | 0:24:44 | 0:24:47 | |
Perhaps I should start by saying that I know what you do. | 0:24:47 | 0:24:50 | |
Not exactly, but I know that you're more than historians. | 0:24:52 | 0:24:55 | |
And I've had a thought... | 0:24:56 | 0:24:59 | |
and I wondered if you could help me? | 0:24:59 | 0:25:01 | |
What with? | 0:25:01 | 0:25:03 | |
I think we all know that Archie's death was not an accident. | 0:25:08 | 0:25:11 | |
He deliberately put himself in danger and paid the price. | 0:25:13 | 0:25:16 | |
What makes you think that? | 0:25:16 | 0:25:17 | |
I've been trying to work out why. At first, I thought he must have | 0:25:17 | 0:25:20 | |
been in trouble, but then another possibility occurred to me. | 0:25:20 | 0:25:24 | |
Compassion. | 0:25:24 | 0:25:26 | |
He was trying to save someone else. | 0:25:26 | 0:25:28 | |
Save them from what? | 0:25:28 | 0:25:29 | |
Well, I was rather hoping you could tell me that. | 0:25:31 | 0:25:34 | |
If you know what we are, | 0:25:36 | 0:25:37 | |
then you'll understand that we can't talk about this. | 0:25:37 | 0:25:41 | |
A shame. | 0:25:41 | 0:25:42 | |
I was hoping to reach out to whoever Archie was trying to help | 0:25:45 | 0:25:48 | |
because they must be carrying a terrible burden. | 0:25:48 | 0:25:52 | |
I must be mistaken. | 0:25:59 | 0:26:01 | |
Silly me. | 0:26:03 | 0:26:05 | |
I'm always wading out of my depth. | 0:26:05 | 0:26:07 | |
I won't trouble you any longer. | 0:26:10 | 0:26:12 | |
Why did you say that he put himself in danger? | 0:26:14 | 0:26:16 | |
He left a note, in case anything happened to him. | 0:26:19 | 0:26:24 | |
What did it say? | 0:26:24 | 0:26:26 | |
Oh, it's not my place to tell you. | 0:26:26 | 0:26:29 | |
Good day. | 0:26:31 | 0:26:32 | |
Hello, William. | 0:26:42 | 0:26:43 | |
Why do you think I was involved? | 0:26:43 | 0:26:45 | |
I know a broken man when I see one. | 0:26:45 | 0:26:47 | |
What was in Archie's letter? | 0:26:48 | 0:26:50 | |
There's a game going on around me, one I do not wish to play. | 0:26:50 | 0:26:54 | |
Spies and official bullies and all manner of madness. | 0:26:54 | 0:27:00 | |
The people in my parish are suffering because of this. | 0:27:02 | 0:27:05 | |
They are my only concern. | 0:27:05 | 0:27:08 | |
Then help me. | 0:27:08 | 0:27:10 | |
I've done a terrible thing. | 0:27:11 | 0:27:13 | |
FATHER BROWN SIGHS | 0:27:13 | 0:27:15 | |
Forgive me Father for I have sinned. | 0:27:19 | 0:27:21 | |
It's been six weeks since my last confession. I... | 0:27:21 | 0:27:24 | |
..I killed my best friend. | 0:27:25 | 0:27:27 | |
What happened? | 0:27:29 | 0:27:30 | |
Archie had intercepted a dead drop... | 0:27:33 | 0:27:37 | |
a message to the Soviets about our work at the manor. | 0:27:37 | 0:27:40 | |
Marion was still at work. | 0:27:40 | 0:27:42 | |
Archie came to confront me over what he had discovered. | 0:27:43 | 0:27:46 | |
Why? | 0:27:46 | 0:27:48 | |
Because I sent the message. | 0:27:48 | 0:27:50 | |
I used to be a Soviet spy. | 0:27:53 | 0:27:54 | |
Does Marion know? | 0:27:56 | 0:27:58 | |
No. | 0:27:58 | 0:27:59 | |
No, it would destroy her. | 0:28:01 | 0:28:03 | |
It was being with her that first made me change my views. | 0:28:04 | 0:28:08 | |
I realised we could have a better life here. A family. | 0:28:09 | 0:28:13 | |
The past six months, I've just fed the Soviets lies | 0:28:13 | 0:28:16 | |
and inconsequential information. | 0:28:16 | 0:28:18 | |
Did you explain this to Archie? | 0:28:18 | 0:28:19 | |
I tried... | 0:28:19 | 0:28:21 | |
..but he was furious. | 0:28:22 | 0:28:24 | |
'I trusted you!' | 0:28:24 | 0:28:25 | |
He felt betrayed. | 0:28:25 | 0:28:27 | |
He attacked me. | 0:28:28 | 0:28:30 | |
I just wanted him to stop. | 0:28:30 | 0:28:31 | |
To give me a chance to explain. | 0:28:32 | 0:28:34 | |
He was frantic. | 0:28:34 | 0:28:36 | |
He broke a bottle. | 0:28:37 | 0:28:39 | |
It was just instinct. | 0:28:39 | 0:28:40 | |
There was a knife. | 0:28:40 | 0:28:41 | |
I didn't mean to hurt him. | 0:28:41 | 0:28:43 | |
'Argh!' | 0:28:43 | 0:28:45 | |
I swear. | 0:28:45 | 0:28:47 | |
I can't live with myself. | 0:28:50 | 0:28:52 | |
Please, Father, please absolve me of my sins. | 0:28:52 | 0:28:54 | |
I can't. | 0:28:56 | 0:28:58 | |
What? | 0:28:58 | 0:28:59 | |
You attacked Sid Carter this morning. | 0:29:02 | 0:29:04 | |
I panicked. | 0:29:06 | 0:29:08 | |
What you did was deliberate. | 0:29:08 | 0:29:10 | |
So how can I believe you regret anything? | 0:29:10 | 0:29:14 | |
You can't tell anyone. | 0:29:15 | 0:29:17 | |
I won't, but I urge you to give yourself up | 0:29:17 | 0:29:20 | |
-for the sake of your mortal soul. -They'll kill me. | 0:29:20 | 0:29:23 | |
I must warn you that Archie left what he found for your superiors. | 0:29:23 | 0:29:28 | |
Others will follow, looking for you. | 0:29:28 | 0:29:31 | |
What can I do? Marion is pregnant. | 0:29:31 | 0:29:33 | |
How can I tell her what I am? What I was? | 0:29:33 | 0:29:36 | |
Then you will pay a terrible price. | 0:29:38 | 0:29:40 | |
For that, I am sorry. | 0:29:42 | 0:29:44 | |
Keep an eye on her... | 0:29:47 | 0:29:48 | |
..and on my child. | 0:29:51 | 0:29:53 | |
-Make sure that they're all right. -Of course. | 0:29:53 | 0:29:56 | |
I'll get the train to London, disappear until I can find a... | 0:29:56 | 0:30:00 | |
Don't tell me your plans. | 0:30:00 | 0:30:01 | |
I don't want anything more to do with this. | 0:30:04 | 0:30:06 | |
Goodbye, Father. I'm sorry I couldn't be a better man. | 0:30:10 | 0:30:15 | |
What's the matter? | 0:30:31 | 0:30:33 | |
You're scaring me. | 0:30:40 | 0:30:41 | |
-Is Father Brown here? -No, he is not. | 0:30:51 | 0:30:53 | |
Do you know when he'll be back? | 0:30:55 | 0:30:57 | |
Oh, I thought you could tell me. | 0:30:57 | 0:30:59 | |
I presume you're a part of his latest little escapade? | 0:30:59 | 0:31:03 | |
No. | 0:31:03 | 0:31:05 | |
Why? What's he been up too? | 0:31:05 | 0:31:08 | |
Heaven only knows. | 0:31:08 | 0:31:09 | |
But he seems to think this has something to do with it. | 0:31:09 | 0:31:13 | |
Hello? | 0:31:16 | 0:31:17 | |
Her Royal Highness is here, | 0:31:19 | 0:31:20 | |
and your precious postcard is behind the tea caddy. | 0:31:20 | 0:31:24 | |
Oh, and your dinner is in the oven. | 0:31:24 | 0:31:26 | |
Lady Felicia. | 0:31:35 | 0:31:37 | |
Any luck? | 0:31:37 | 0:31:38 | |
A copy of the police report. | 0:31:38 | 0:31:40 | |
How did you manage that? | 0:31:42 | 0:31:45 | |
Oh, you know, wild flirtations and laughing at dreadful jokes. | 0:31:45 | 0:31:48 | |
I need to go. | 0:31:48 | 0:31:50 | |
Are you all right? | 0:31:51 | 0:31:52 | |
Yes. | 0:31:52 | 0:31:54 | |
It's frightening, what we've got ourselves involved in. | 0:31:56 | 0:32:00 | |
Better get on. I need to explain to my husband why I've invited | 0:32:03 | 0:32:07 | |
that landed lunatic to our soiree. | 0:32:07 | 0:32:09 | |
Ha-ha. Mmm. | 0:32:09 | 0:32:10 | |
DOOR CLOSES | 0:32:15 | 0:32:16 | |
We do still have police business to conduct. | 0:32:20 | 0:32:22 | |
I'm sure you'll cope. | 0:32:22 | 0:32:24 | |
Lady Felicia. | 0:32:24 | 0:32:25 | |
Take it. | 0:32:25 | 0:32:27 | |
-Thank you for your service. -Go to hell. | 0:32:29 | 0:32:31 | |
Inspector! | 0:33:22 | 0:33:24 | |
Get your people to watch the roads out of town. | 0:33:26 | 0:33:28 | |
We'll take the station. | 0:33:28 | 0:33:30 | |
-Why? -We have our man. | 0:33:30 | 0:33:33 | |
TRAIN HORN BLOWS | 0:33:33 | 0:33:35 | |
The ticket clerk saw a man fitting his description. | 0:34:07 | 0:34:10 | |
He bought a ticket to London. | 0:34:10 | 0:34:13 | |
Sir? | 0:34:13 | 0:34:14 | |
Father Brown. | 0:34:14 | 0:34:16 | |
That'll keep him out of our way. | 0:34:16 | 0:34:18 | |
That's the train for Birmingham. | 0:34:18 | 0:34:20 | |
TRAIN HORN BLOWS | 0:34:25 | 0:34:27 | |
Ah. | 0:34:28 | 0:34:30 | |
The thing about my job is you do drink an awful lot of tea | 0:34:30 | 0:34:33 | |
and I do like my sugar. | 0:34:33 | 0:34:34 | |
And the inevitable biscuit. | 0:34:36 | 0:34:38 | |
How did you find me? | 0:34:40 | 0:34:43 | |
When a chap in your line of work says one thing, | 0:34:43 | 0:34:45 | |
you can be sure he means another. | 0:34:45 | 0:34:47 | |
And you said you were going to London. | 0:34:47 | 0:34:49 | |
Did you bring the police? | 0:34:49 | 0:34:51 | |
Our conversation remains between us and God. | 0:34:51 | 0:34:54 | |
Although I do think you have some explaining to do. | 0:34:54 | 0:34:57 | |
I've just seen my wife's face for the last time. | 0:34:57 | 0:35:00 | |
My child will grow up without a father. | 0:35:00 | 0:35:02 | |
Can you call that justice? | 0:35:02 | 0:35:04 | |
You lied to me. | 0:35:04 | 0:35:05 | |
The confession is sacrosanct, | 0:35:05 | 0:35:07 | |
not somewhere where you can spin stories. | 0:35:07 | 0:35:11 | |
The train is stopping. | 0:35:11 | 0:35:12 | |
It's signals. | 0:35:12 | 0:35:14 | |
We're only just out of Kembleford. | 0:35:14 | 0:35:16 | |
Another train coming in. Single line working. | 0:35:16 | 0:35:18 | |
This is your doing. | 0:35:18 | 0:35:19 | |
No-one knows you're here. | 0:35:21 | 0:35:22 | |
Stay where you are! | 0:35:24 | 0:35:26 | |
Liar. | 0:35:26 | 0:35:27 | |
William! | 0:35:29 | 0:35:31 | |
William! | 0:35:31 | 0:35:33 | |
Keep back! Both of you! | 0:35:37 | 0:35:39 | |
Just stay calm. | 0:35:40 | 0:35:42 | |
Tunnel. | 0:35:45 | 0:35:46 | |
What? | 0:35:46 | 0:35:48 | |
Tunnel! | 0:35:48 | 0:35:49 | |
TRAIN HORN BLOWS | 0:35:49 | 0:35:51 | |
Please let me help you. I know you didn't kill your friend. | 0:35:53 | 0:35:57 | |
-We've got him now. -No! You have to get in there. | 0:36:00 | 0:36:03 | |
-He's not going anywhere. -Do it. | 0:36:03 | 0:36:05 | |
Oh, no. | 0:36:08 | 0:36:09 | |
Damn. | 0:36:14 | 0:36:16 | |
I'm sorry. | 0:36:20 | 0:36:21 | |
SHE CRIES QUIETLY | 0:36:27 | 0:36:29 | |
How did you know he was involved? | 0:36:31 | 0:36:33 | |
You do realise this is an official investigation? | 0:36:35 | 0:36:38 | |
I'm bound by different laws. | 0:36:40 | 0:36:42 | |
How did you know he'd be on that train? | 0:36:44 | 0:36:48 | |
Lucky guess. | 0:36:48 | 0:36:50 | |
Shouldn't you be writing this down? | 0:36:50 | 0:36:53 | |
As you said, different laws. | 0:36:53 | 0:36:55 | |
If you let Sid Carter go, I will ensure that he says | 0:36:57 | 0:37:01 | |
nothing about what he has seen. | 0:37:01 | 0:37:03 | |
We don't make deals. | 0:37:03 | 0:37:05 | |
I think you will this time. | 0:37:06 | 0:37:08 | |
I found... | 0:37:09 | 0:37:10 | |
I already have the postcard, thanks to a friend of yours. | 0:37:10 | 0:37:15 | |
Well, I think that's all. | 0:37:18 | 0:37:20 | |
You can go. | 0:37:22 | 0:37:24 | |
KETTLE WHISTLES | 0:37:27 | 0:37:28 | |
I'll get you a tea. | 0:37:30 | 0:37:31 | |
You don't need to. | 0:37:35 | 0:37:36 | |
The kettle was already on. | 0:37:36 | 0:37:38 | |
I know William cared very much for you. | 0:37:39 | 0:37:41 | |
He would have done anything for you. | 0:37:41 | 0:37:43 | |
No matter what trouble you were in. | 0:37:45 | 0:37:47 | |
What do you mean? | 0:37:47 | 0:37:50 | |
He died trying to throw us off the scent. | 0:37:50 | 0:37:53 | |
He made himself look guilty... | 0:37:55 | 0:37:58 | |
..so that we thought he was acting on his own. | 0:37:59 | 0:38:02 | |
Have a seat. | 0:38:06 | 0:38:08 | |
Could I trouble you for some sugar? | 0:38:40 | 0:38:42 | |
Only I have a terrible sweet tooth. | 0:38:52 | 0:38:54 | |
The story William told me can't be true. | 0:38:57 | 0:39:00 | |
I've read the police report on Archie's death. | 0:39:03 | 0:39:06 | |
Archie found out that William was a Soviet agent. | 0:39:09 | 0:39:12 | |
He should have reported him, but he didn't. | 0:39:14 | 0:39:17 | |
He wanted his friend to explain. But there was no misunderstanding. | 0:39:18 | 0:39:22 | |
William was working for the other side. | 0:39:23 | 0:39:26 | |
It turned into a fight, | 0:39:27 | 0:39:29 | |
but William couldn't have killed Archie in self-defence... | 0:39:29 | 0:39:33 | |
..because Archie was stabbed in the back. | 0:39:35 | 0:39:37 | |
It's an interesting story. | 0:39:55 | 0:39:56 | |
Before I came here, | 0:40:00 | 0:40:01 | |
I prayed that you only acted to defend your husband. | 0:40:01 | 0:40:05 | |
That you had no idea of his political beliefs. | 0:40:06 | 0:40:09 | |
On the contrary, you defected to his cause. | 0:40:11 | 0:40:15 | |
And why would you think that? | 0:40:16 | 0:40:18 | |
When he was cornered, William took his own life... | 0:40:18 | 0:40:21 | |
..as I imagine he was trained to do, rather than be captured. | 0:40:22 | 0:40:27 | |
And you showed your hand when you put cyanide... | 0:40:29 | 0:40:32 | |
..into your tea. | 0:40:34 | 0:40:35 | |
I will not let you take your own life and your child's. | 0:40:38 | 0:40:44 | |
It won't be long now. | 0:40:45 | 0:40:46 | |
I swapped the teas. | 0:40:50 | 0:40:51 | |
I should just follow you around all day, Father. | 0:41:01 | 0:41:04 | |
You turn up the most interesting things. | 0:41:04 | 0:41:06 | |
FATHER BROWN SIGHS | 0:41:08 | 0:41:10 | |
-You know what I did? -Yes. | 0:41:19 | 0:41:22 | |
I'm so sorry. | 0:41:22 | 0:41:23 | |
There's no need for you to apologise. | 0:41:23 | 0:41:25 | |
I betrayed you. | 0:41:25 | 0:41:27 | |
I'm sure you did what you did for the best of reasons. | 0:41:27 | 0:41:31 | |
Selfish ones. | 0:41:31 | 0:41:33 | |
Well, without the police report, I wouldn't have known the truth | 0:41:33 | 0:41:37 | |
and I'm sure Daniel charged you a high price for it. | 0:41:37 | 0:41:40 | |
Right, let's bring Sid from the choky. | 0:41:43 | 0:41:47 | |
If you say so. | 0:41:47 | 0:41:48 | |
Next time, keep quiet when I tell you. | 0:41:56 | 0:41:58 | |
Whatever you say, Inspector. | 0:41:58 | 0:42:00 | |
Are you all right? | 0:42:00 | 0:42:02 | |
I'll live. | 0:42:02 | 0:42:04 | |
Oh, I'll be on my way. Thank you, Father, for your assistance. | 0:42:04 | 0:42:08 | |
You have a keen mind. You're wasted out here. | 0:42:11 | 0:42:15 | |
On the contrary, | 0:42:15 | 0:42:16 | |
I think that you've proved that this is where I should be. | 0:42:16 | 0:42:20 | |
There's a war on, just as terrible as the last one. | 0:42:20 | 0:42:23 | |
The Red Menace poses as much of a threat as the Nazis ever did. | 0:42:23 | 0:42:27 | |
Then we have to hold ourselves to higher standards. | 0:42:28 | 0:42:31 | |
If we resort to bullying and underhand tactics, | 0:42:31 | 0:42:35 | |
then what's the point? | 0:42:35 | 0:42:38 | |
We're as bad as them. | 0:42:38 | 0:42:39 | |
You've no idea what goes on to let you live in ignorant peace. | 0:42:40 | 0:42:44 | |
The evils I see every single day. | 0:42:44 | 0:42:46 | |
Then I feel for you. | 0:42:49 | 0:42:51 | |
Lady Felicia. | 0:42:54 | 0:42:55 | |
Inspector? | 0:43:02 | 0:43:04 | |
Sad to see him go? | 0:43:06 | 0:43:07 | |
Get out of here, Father. | 0:43:12 | 0:43:13 | |
PHONE RINGS | 0:43:20 | 0:43:22 | |
'Father Brown, I need your help!' | 0:43:25 | 0:43:28 | |
I woke up this morning and my whole staff has changed - | 0:43:31 | 0:43:36 | |
unless I'm losing my marbles. | 0:43:36 | 0:43:38 | |
Surely not. | 0:43:38 | 0:43:39 | |
Over 18 months they've been working in here. | 0:43:40 | 0:43:44 | |
What have they been doing all this time? | 0:43:47 | 0:43:49 |