The Judgement of Man Father Brown


The Judgement of Man

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Rein.

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I imagined it would have been bigger.

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Because of its value, I suppose.

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A painting like this exudes intimacy.

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It invites the viewer in.

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Delicate brushwork.

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Consummate use of light and shade.

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The exquisite depth of field.

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A timely reminder of the need for redemption.

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Yes.

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The worthy few at the gates of Heaven.

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The lost souls, condemned to damnation.

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Really is one of the finest examples of a Doom painting

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ever put to canvas.

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1452.

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Yes, the artist left his mark.

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LOUD CRASH

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You clumsy lummox!

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Have you any idea of the value of art?

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Ted, that lighting in there is all wrong.

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I want theatre, I want drama.

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A celestial milieu to stimulate the senses.

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I'm surrounded by Philistines.

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It was very trusting of the Vatican to lend you the painting.

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Ah, it was hidden away in the Apostolic Archives.

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I persuaded a cardinal to pull some strings.

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Oh! As if I don't have enough to contend with.

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What a surprise.

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And how did you get in?

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Well, I persuaded Mr Cadwaller to give me a sneak preview.

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I am very interested in this exhibition.

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Well, don't tell Felicia. I'll never hear the end of it.

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Yes, well, I've checked on security arrangements.

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Everything seems to be in order.

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Well, the Belvedere is fully equipped

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with a foolproof alarm system. All the exhibits are perfectly safe.

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I'll be allocating PC Nyland to keep an eye on things.

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Just to put our minds at rest.

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I'm never going to open on time, at this rate.

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Perhaps I should leave you to it.

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Yes, perhaps you should.

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I have an appointment. Pictura Magazine.

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-Ah.

-Now, there's the journalist who's come to interview me,

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so I shall see you both at tomorrow's preview.

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-Sir.

-It promises to be exclusive.

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Binkie Cadwaller.

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Museum curator.

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I've been looking forward to meeting you.

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Yes, well, I can only spare you about 20 minutes, I'm afraid.

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Well, let's get on with it then.

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Right, well, why don't we do this in my office?

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I imagine you'll want to take a photograph of me.

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It's certainly arousing plenty of interest.

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Yes, and a drain on police resources.

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I hear the painting was insured for a million pounds.

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So are Betty Grable's legs.

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I know what I'd rather look at.

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I don't suppose there's any chance of a lift back...

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to Kembleford?

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A good exhibition takes one on a journey,

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stimulates the senses and educates the mind.

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It really is all about the narrative.

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We both know the value of a good story.

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Well, I was rather hoping for a decent spread.

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Last month's Pictura piece on Poussin

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could, at best, be described as amateurish.

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I like to have an angle.

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In fact, I'm thinking that this article

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should be less about the painting,

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and more about the man behind the masterpiece.

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Binkie Cadwaller - what makes him tick?

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Well, clearly a woman with taste.

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And the slightest hint of an accent?

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I was brought up in Germany.

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A country very close to my heart.

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The simple pleasures of Baden-Baden.

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The intimate bierkellers of Hamburg.

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Leipzig. Do you know it?

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That's a city that I'm not...

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not, um, terribly familiar with, I'm afraid.

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Tinted by the grey hues of Stalinist monotony.

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I was hoping that I might have a look at the painting.

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Oh, no, no, I'm afraid you're going to have to wait.

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Security concerns.

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It has such an intriguing history.

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Rumoured to have fallen into private hands before the war.

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The painting belongs to the Vatican.

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I am merely its custodian.

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Now, if you'll excuse me, I really must get on.

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Are you quite sure it was him? Your eyesight isn't what it was.

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I think I can still manage to see across the street.

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Someone has only gone and nicked my sparkplugs.

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I'm going to have to call the railway station now, because

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the Rolls is out of action and Her Ladyship is turning

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up on the 3.15 train.

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If I were you, I would go to the police.

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They'd only accuse me of wasting their time.

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He knew I was there. He was taunting me.

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If Flambeau's decided to show his face, that can only mean trouble.

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Did you just say Flambeau?

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The Father claims to have seen him.

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Outside the Belvedere Museum.

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Well, you know what that means.

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Yes.

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He wants to steal the painting.

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It's awfully kind of you to offer me a lift.

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Pleasure's all mine.

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I left His Lordship up on the grouse moors.

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He likes to shoot things.

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In that case, I'm glad he's not here.

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I'm all alone in this big empty house.

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I'd never leave a beautiful woman to her own devices.

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You're nearly as fast as your driving.

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I don't make a habit of picking up strangers.

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In my case, I'm glad you did.

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So what brings you to Kembleford?

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I'm over in England to paint some landscapes.

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-An artist?

-I dabble.

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It makes a welcome change from the oil business.

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I'm attending a preview at the Belvedere, tomorrow.

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Curator's a friend of mine.

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-Religious art, it's not your thing?

-On the contrary,

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religious art is my forte.

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I'd be delighted if you came as my guest.

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Then I'd be delighted to escort you.

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-Thank you, Hornby.

-My Lady.

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Lounge suits and summer frocks. We're very informal.

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I'll swing by and pick you up.

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Shall we say 2.30?

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-I don't even know your name.

-Charles Coiner the Third.

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Friends call me Chip.

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And when exactly is Flambeau planning to steal this painting?

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Tomorrow afternoon. At the preview.

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-In front of all those guests?

-Well, Flambeau likes a challenge.

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-Impossible.

-Implausible.

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I'm expected to brief my men over an impending art heist,

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based on a half-baked hunch?

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That just about sums it up, yes.

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Why are you sharing this information?

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Because the church owns the painting.

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I have a vested interest.

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I came this close to catching him last time.

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If I remember rightly, you helped him get away.

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That's not quite how I remember it.

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I'd go as far as aiding and abetting.

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Sorry, sir. Thought you should see this.

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You've raised your concerns. We'll take it from here.

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Mirren McConnell - released on licence from Winsome Green.

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'How is he my problem?'

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'Failed to liaise with his probation officer.'

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-Seems he's gone to ground, sir.

-Well, hand it down to uniform.

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It's his past form, sir.

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Sergeant, get some reinforcements down to the Belvedere right away.

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All weekend leave is cancelled.

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I want a car posted outside through the night.

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Perhaps if we were working together?

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If Flambeau makes an appearance, we'll be there to apprehend him,

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and you won't be anywhere in sight.

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I'll have you taken off the guest list.

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He gives you information, you throw it back in his face.

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If either of you set foot in that museum tomorrow, I'll have

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you arrested for obstruction, understood?

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So we're just supposed to sit around

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and let Flambeau run rings around them, are we?

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Mirren McConnell. Name ring any bells?

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They call him The Spark. Wires, explosives, alarms - he's your man.

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Scar from his ear to his chin.

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So, Flambeau may well have found himself an accomplice.

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HE CLEARS THROAT

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Back in the morning. Bright and early.

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ELECTRONIC BUZZING

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BUZZING STOPS

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I'm on the press list. Rebecca Himelbaum.

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I don't know how I ever let you talk me into this.

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You didn't take much convincing.

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Bishop Talbot.

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And the Dowager...Duchess of Worcester.

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-IN PLUMMY VOICE:

-I'm afraid I left my tickets in the car.

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Your spectacles, ma'am.

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Oh, thank you, Carter.

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I shall require these to admire the paintings.

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Until then, you carry them, young man.

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-IN OWN VOICE:

-Are you quite sure the bishop is indisposed?

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Tied up at a synod in London.

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That ring better come off. It was Mother's.

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She must have had big hands.

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Oi-oi, look out.

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Lies and deceit.

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We have descended to Flambeau's level already.

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-Mr Coiner is in the petroleum business.

-Oh, crude oil?

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You make me sound so vulgar.

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On the contrary, he's something of an art connoisseur.

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Yes, well, the Old Masters have had their day.

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Pop art is the future.

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Bright young things like Paolozzi and Rauschenberg.

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Perhaps you should advise me on a good investment.

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Binkie's expert eye has proved rather lucrative.

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Champagne, madame, monsieur.

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Thank you.

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I hear your latest acquisition is quite valuable.

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No wonder security's tight.

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Listen, perhaps I should go and liaise with Inspector Sullivan.

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Excuse me.

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I'm in safe hands.

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An exhibition to remember.

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I'll drink to that.

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I've got officers posted throughout the museum.

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Based on a spurious tip-off.

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My openings have always been fondly remembered.

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We wouldn't want to lower the tone, now, would we?

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Yes, Jemima.

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-Stake out the lobby, sergeant.

-Yes, sir.

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Oh, and, Goodfellow,

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try and blend in.

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Yes, sir!

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GUARD CLEARS THROAT LOUDLY

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Certainly takes the breath away.

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Uh...I've always found it rather dark.

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Trial and retribution.

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The blinking of an eye between time and eternity.

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The moment a soul's fate is sealed forever.

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A consummate assessment.

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I learned about art from my father.

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Do you think the guilty ever pay for their sins?

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I think you know my answer to that question.

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I saw you arrive yesterday.

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How is the article on Mr Cadwaller shaping up?

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Oh, it will be enlightening, I can promise you that.

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A fitting obituary to a colourful career.

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No sign of him so far. Maybe he got cold feet.

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-IN PLUMMY VOICE:

-As I said to Her Majesty only last Tuesday,

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the monarchy is safe in your hands.

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I am often called upon to offer discreet advice,

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as a redoubtable stalwart of the peerage.

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Are we perhaps getting a bit carried away?

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Listen, I'm going to go and look for McConnell.

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-IN OWN VOICE:

-Well, I don't think much of the paintings.

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Far too much naked flesh.

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-HUSHED:

-I think we should concentrate on the matter in hand.

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-HUSHED:

-Now, he strikes me as a very likely suspect.

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I think that's the mayor, Mrs McCarthy.

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And I think you told me Flambeau is a master of disguise.

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Oh, don't you worry, Father.

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Nothing gets past me.

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Father Brown! I wondered where you'd got to.

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That's all we need.

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Lady Felicia.

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-How was Scotland?

-Rather weird.

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You simply have to meet a new friend of mine. He's American.

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Oh, he was here a moment ago.

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Excuse me.

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Unfinished business.

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Why are you wearing my tiara?

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I'm working undercover

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as the Dowager Duchess of Worcester.

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Well, you are a loss to the aristocracy.

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Oh, thank you so much.

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Perhaps you'd care to tell me what I've missed.

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"Ladies and gentlemen, I should like to...

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-"congratulate you..." Oh!

-Zut alors!

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-Pardonnez-moi!

-You imbecile!

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Votre chemise! Wet! Wet! Wet!

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G'oh! Get on with your work!

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I've got to go and get changed for my welcoming speech, haven't I?!

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HE BREATHES HEAVILY

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I finished the article.

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-You shouldn't be in here.

-I wanted you to read it.

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Yes, well, I have a speech to make.

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I'd read it now...if I were you.

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I've made you a copy.

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A list of priceless artwork.

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Matisse, Klimt, Egon Schiele...

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Perhaps you're familiar with them.

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I have no idea what you're talking about.

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Paintings stolen by the Nazis from Jewish families.

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Abramsky.

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Braunstein.

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Himelbaum.

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Perhaps you remember me now.

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HE EXHALES HEAVILY

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Well, I wish someone had warned me.

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We don't even know if Flambeau's here.

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TICKING

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I might have known.

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A bomb.

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It's a bomb...it's a bomb!

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Sergeant! SCREAMING AND SHOUTING

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DROWNED OUT BY COMMOTION

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There's no need to panic!

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Speak for yourself!

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Quick as you can, come on!

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They need some help. A bomb!

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Boom! Boom!

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Allez! Allez!

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HE SNORTS

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Misdirection.

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A classic diversionary tactic.

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I'd love to stop and chat,

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but there's a painting I need to steal.

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And if I tried to stop you?

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That wouldn't be advisable.

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Not while I've got a knife in my hand.

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Hmm.

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A painting on the theme of redemption.

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A irresistible prize.

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A welcome addition to my private collection.

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And will you be strolling out of here in broad daylight?

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That might be imprudent.

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Perhaps I should narrow the odds in my favour.

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HE WHISTLES

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Hercule?

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Rebecca?

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-TICKING

-Red...

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in, black in.

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Red out.

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He's got the painting.

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TICKING STOPS

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-BUZZING

-Oh, no.

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It's going to blow! Get down!

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LOUD POP

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Thank you, Inspector.

0:22:370:22:39

CLOCK CHIMES "LA MARSEILLAISE"

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One of these days...

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The painting!

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Oh, no, you don't...

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The painting's gone! Seal the exits.

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I want everyone searched.

0:23:030:23:04

Have you seen Father Brown?

0:23:070:23:08

He must be still inside.

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That's him! That's our man!

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I need to get you out of here.

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-I can't leave the others!

-It isn't safe.

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Well, of all the nerve!

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Get your greasy hands off me!

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Himelbaum.

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I've been looking at your war record.

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Distinguished service.

0:24:410:24:42

Military Medal.

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Unexploded mortar shell.

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Blew up in my face when I was trying to defuse it.

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I should be a hero.

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But you fell victim to a life of crime.

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Written off.

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In favour of men who barely saw service.

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You realise you'll get ten more years for this?

0:25:000:25:03

Bomb wasn't real.

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If we don't catch Flambeau,

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you'll take the rap.

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He paid me a visit in prison.

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Hired me for the job.

0:25:180:25:20

-Half the money upfront...

-And now you're out of pocket.

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The rest of the money's in a safety deposit box.

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Cheltenham Station.

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I expect he'll try and pick it up, with me indisposed.

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Then we'll make sure we're waiting for him.

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In the meantime,

0:25:330:25:34

there's a cell in this station with your name on it.

0:25:340:25:37

I want to talk to my solicitor.

0:25:370:25:39

Sergeant, get on to Cheltenham.

0:25:390:25:41

All available units to the railway station.

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-Inspector...

-I'll meet them there.

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Any news on Flambeau's whereabouts?

0:25:450:25:48

None that I'll be sharing with you.

0:25:480:25:50

It's just I'm concerned about Mr Cadwaller.

0:25:510:25:54

No-one's seen him since the heist.

0:25:540:25:56

Maybe he was in on it.

0:25:560:25:57

What do you mean by that?

0:26:010:26:02

Recently cautioned for suspected "shilling",

0:26:020:26:04

pushing up the value of his paintings

0:26:040:26:05

through fake bids at auction.

0:26:050:26:07

Yes, the Met investigation couldn't prove anything,

0:26:070:26:09

but your pal Cadwaller's got form.

0:26:090:26:12

Now, if you'll excuse me, I've a thief to apprehend.

0:26:120:26:15

ENGINE REVS

0:26:150:26:16

He'll be halfway to France by now.

0:26:190:26:21

While the police waste their time chasing shadows.

0:26:210:26:24

HE SIGHS

0:26:240:26:26

Any news on Binkie?

0:26:260:26:27

Ashamed to show his face, no doubt.

0:26:270:26:30

His reputation in tatters.

0:26:300:26:32

Binkie Cadwaller...

0:26:330:26:35

is hiding a grievous secret,

0:26:350:26:37

if the claims made in this article can be verified.

0:26:370:26:40

Someone else is intent on destroying him, someone with a vested interest.

0:26:400:26:45

Maybe Her Ladyship knows where he's got to.

0:26:450:26:47

And she left with the American gentleman.

0:26:470:26:50

Some people know no shame.

0:26:500:26:51

What did the American gentleman look like?

0:26:520:26:56

Handsome, I suppose...in a raffish sort of way. Expensive suit...

0:26:560:27:00

..and French cologne.

0:27:020:27:04

Stolen from under our very noses.

0:27:050:27:08

Typical French audacity.

0:27:080:27:10

I didn't even get to set eyes on him.

0:27:120:27:14

At least they caught Flambeau's accomplice.

0:27:160:27:19

McConnell was expendable.

0:27:190:27:21

Collateral damage.

0:27:210:27:22

Something's been troubling me.

0:27:240:27:26

Well?

0:27:260:27:28

Don't keep me in suspense.

0:27:280:27:29

You offered to pick me up at 2.30.

0:27:290:27:31

You knew what time the preview started, even before I invited you.

0:27:330:27:36

You're smarter than you look.

0:27:370:27:39

You're no oil man.

0:27:390:27:41

Your hands are too soft.

0:27:410:27:42

I've never been to Texas.

0:27:420:27:44

-The climate doesn't suit me.

-I had you down for a gentleman.

0:27:440:27:48

You're nothing but a common thief.

0:27:480:27:50

I needed a ticket. You wanted attention.

0:27:500:27:52

How dare you presume to know anything about me!

0:27:520:27:54

You're trapped in a loveless marriage,

0:27:540:27:55

filling the void with mundane distractions.

0:27:550:27:57

You see each other briefly at breakfast

0:27:570:27:59

and His Lordship only ever looks right through you.

0:27:590:28:01

If you don't leave this instant, I'll ring for Hornby.

0:28:010:28:04

You gave the butler the evening off.

0:28:040:28:05

Cheltenham Picture House: Singin' In The Rain.

0:28:050:28:08

RUNNING FOOTSTEPS RECEDE

0:28:100:28:12

Hello, police?

0:28:160:28:18

This is Lady Felicia Montague... SHE GASPS

0:28:190:28:21

The police are busy searching for a thief.

0:28:230:28:25

The last place they'll look for him is here.

0:28:250:28:27

BELL RINGS

0:28:290:28:31

-Oh, thank goodness!

-Well, if it isn't the bishop.

0:28:390:28:42

I was expecting you earlier.

0:28:420:28:43

Tell me you've brought reinforcements.

0:28:430:28:45

I'm afraid I came alone.

0:28:470:28:48

Not even armed with your trusty umbrella?

0:28:480:28:50

Ah, in all the excitement,

0:28:510:28:53

I must have left it in the cloakroom.

0:28:530:28:55

Inept and forgetful - you ARE losing your touch.

0:28:550:28:58

Rebecca Himelbaum.

0:28:580:29:00

You know her.

0:29:000:29:01

I knew her once.

0:29:050:29:06

In another life.

0:29:070:29:09

A wartime liaison that ended abruptly.

0:29:100:29:13

Bitte! Bitte! Nein, nein, nein!

0:29:130:29:16

Vater!

0:29:160:29:17

Rebecca! Nein!

0:29:170:29:19

-Bitte, nehmen Sie sie nicht weg!

-Rebecca, nein!

0:29:190:29:22

Sie auch. Jetzt.

0:29:240:29:26

No! Lass die Finger von ihr!

0:29:290:29:31

BELL RINGS

0:29:330:29:36

Nicht bewegen!

0:29:390:29:42

-Los!

-Rebecca!

0:29:420:29:43

Bewegen!

0:29:450:29:46

In den Wagen!

0:29:500:29:51

MARCHING BOOTS Halt dein Maul!

0:29:510:29:53

Los!

0:29:540:29:55

They took the Himelbaums to Theresienstadt,

0:30:020:30:05

a camp near the Elbe.

0:30:050:30:07

I never saw any of them again.

0:30:070:30:08

-Until today.

-I was convinced Rebecca had been murdered.

0:30:090:30:13

A victim of the Holocaust.

0:30:130:30:15

Binkie betrayed her.

0:30:150:30:16

Cadwaller knew the Himelbaums owned priceless works of art.

0:30:170:30:20

He struck a deal with the SS.

0:30:200:30:22

He sent them to their deaths in return for a cut of the loot.

0:30:220:30:25

You're lying.

0:30:250:30:26

It soon became a lucrative habit.

0:30:270:30:29

Binkie might be a rogue, but he wouldn't stoop that low.

0:30:290:30:31

As soon as the war ended, he sold on the art

0:30:310:30:35

for an exorbitant profit.

0:30:350:30:37

There were plenty of buyers.

0:30:370:30:39

The Vatican, for one.

0:30:390:30:40

You stole that painting to settle a grudge.

0:30:410:30:44

This time it was personal.

0:30:450:30:47

-Where is it now?

-That would be telling.

0:30:470:30:49

Must be well hidden, otherwise I would have spotted it.

0:30:490:30:52

Rebecca is determined to exact her own revenge.

0:30:520:30:55

Why do women always complicate things?

0:30:550:30:58

The police will arrest her for murder, unless we find her.

0:30:580:31:02

Cadwaller deserves all he gets.

0:31:020:31:03

Do you want her to hang?

0:31:050:31:08

The past is history.

0:31:080:31:09

-It's of no concern to me.

-This is your chance to make amends.

0:31:090:31:12

This time you CAN save her.

0:31:120:31:14

We don't even know where she's taken him.

0:31:160:31:18

Someone will have seen them leaving the Belvedere.

0:31:180:31:20

Two office doors.

0:31:230:31:25

BOTH: They never left the museum.

0:31:250:31:27

CHURCH BELL TOLLS

0:31:270:31:29

I've been compiling a dossier since the war,

0:31:300:31:32

enough damning evidence to lock you up for life.

0:31:320:31:37

Circumstantial evidence.

0:31:370:31:39

You'll never be able to prove a thing.

0:31:390:31:41

First the Jews were forced to hide their art.

0:31:410:31:44

Then they were forced to hide themselves.

0:31:440:31:46

Now it is the Nazis who are hiding.

0:31:480:31:50

The Nazis and their collaborators.

0:31:510:31:53

I had no idea what the SS were doing.

0:31:530:31:55

You won't be around to refute the claims.

0:31:560:31:59

-I doubt you'll be missed.

-You're insane!

0:31:590:32:02

You were party to genocide.

0:32:020:32:03

-I've presented the evidence.

-This is your trial.

0:32:030:32:06

Ways to kill a war criminal...

0:32:100:32:13

I could leave you here to starve...

0:32:150:32:17

..untie you now and shoot you while you escape.

0:32:190:32:22

They say gas is a quick way to die.

0:32:240:32:27

We can't ask the people you sent to the camps.

0:32:290:32:32

Please...

0:32:320:32:34

-this is madness.

-Dangerously toxic in confined spaces.

0:32:340:32:38

Thick steel walls.

0:32:440:32:46

No-one will hear you scream.

0:32:470:32:50

We've only got an hour before Lady Felicia calls the police.

0:32:570:33:00

You keep him talking...

0:33:000:33:01

I'll break his neck.

0:33:010:33:02

GLASS SMASHING

0:33:090:33:11

Ah, I only meant to hit the bonnet.

0:33:110:33:13

Misdirection.

0:33:130:33:15

I'll make a thief of you yet.

0:33:150:33:17

A hoard of buried treasure, safe from prying eyes.

0:33:280:33:32

And thieving hands.

0:33:320:33:33

There are worse sins than avarice.

0:33:330:33:34

A sin is a sin.

0:33:340:33:36

Sin requires guilt,

0:33:360:33:37

a cognitive emotion I've never experienced.

0:33:370:33:40

Rebecca? You loved her once.

0:33:400:33:42

Love is an indulgence

0:33:430:33:45

that leads only to weakness.

0:33:450:33:47

A trap, like religion. I'll never make the same mistake again.

0:33:470:33:51

It's a very lonely predicament.

0:33:510:33:52

You took a vow of celibacy.

0:33:520:33:54

Every night in an empty bed?

0:33:540:33:56

I can always talk to God.

0:33:560:33:57

Praying for some company? Now, I'd say that was lonely.

0:33:570:34:00

I think we should split up.

0:34:000:34:02

I think so too.

0:34:020:34:03

Rebecca?

0:34:090:34:11

GUN COCKS

0:34:190:34:21

Cadwaller is mine.

0:34:270:34:29

I didn't come back for Cadwaller.

0:34:300:34:31

What did you turn into...

0:34:350:34:38

while I festered in that place?

0:34:380:34:40

I thought you were dead.

0:34:400:34:42

You're no better than the man who betrayed us.

0:34:420:34:44

I stole the painting to ruin him.

0:34:450:34:47

I didn't need your help.

0:34:470:34:49

Vengeance is God's alone.

0:34:510:34:53

You brought me a priest?

0:34:530:34:55

He will face justice.

0:34:580:34:59

My mother died of typhoid in Birkenau.

0:34:590:35:02

I held her in my arms...

0:35:030:35:05

and she didn't even know me.

0:35:050:35:06

This is not the way.

0:35:060:35:08

My father was killed in Auschwitz.

0:35:080:35:10

Betrayed and condemned,

0:35:110:35:13

deprived of his dignity,

0:35:130:35:14

the people he loved.

0:35:140:35:16

But you survived.

0:35:160:35:17

It took me eight long years to find the proof to damn Cadwaller.

0:35:170:35:21

And now I'm supposed to forgive?

0:35:210:35:22

If it helps you to find peace, yes.

0:35:220:35:24

It's a little too late for a homily, Father.

0:35:240:35:27

If Cadwaller dies, you'll hang.

0:35:270:35:29

Bittersweet revenge.

0:35:300:35:32

I give you my word...

0:35:320:35:33

..he will face justice,

0:35:340:35:36

in return for his life.

0:35:360:35:38

I locked him in.

0:35:390:35:41

-HISSING

-Help me!

0:35:410:35:43

Please, God! Somebody!

0:35:430:35:46

HE COUGHS AND SPLUTTERS

0:35:470:35:49

If you ever really loved me, you'd let him die.

0:35:540:35:57

If that man dies, she will be a murderer.

0:36:080:36:10

-I'll see she gets away.

-To live like you?

0:36:100:36:12

A fugitive?

0:36:120:36:13

You owe her more than that.

0:36:130:36:15

Open it.

0:36:170:36:18

He unlocked the vault with a gun to his head.

0:36:210:36:23

I don't even know the combination.

0:36:230:36:25

For once in your life, use your dubious skills for good.

0:36:250:36:28

Drive camshaft. Three-digit encryption.

0:36:330:36:35

14.

0:36:470:36:48

We're running out of time.

0:36:510:36:53

To crack a lock like this could take hours.

0:36:530:36:56

I need tools. Silence.

0:36:560:36:58

14?

0:37:000:37:01

The year in the painting.

0:37:050:37:07

1452.

0:37:070:37:08

14-5-2?

0:37:080:37:11

Try that?

0:37:110:37:12

CHOKING AND GASPING

0:37:250:37:27

HE COUGHS AND SPLUTTERS

0:37:330:37:36

An early death would be too good for you.

0:37:420:37:44

The police will be arriving soon.

0:37:460:37:48

I wouldn't want them to find you here.

0:37:480:37:50

Say a prayer for the Himelbaums, Father.

0:37:500:37:53

After all, we share the same god.

0:37:530:37:55

Go after her.

0:37:580:37:59

I went to the camp after liberation.

0:38:040:38:06

No names.

0:38:060:38:08

Only numbers.

0:38:080:38:10

So you consigned me to history?

0:38:100:38:12

-It was easier.

-Easier?

0:38:150:38:17

For whom?

0:38:170:38:18

I tortured myself for not being able to save you.

0:38:180:38:21

It was only a memory that kept me alive.

0:38:210:38:24

The memory of someone I loved.

0:38:250:38:26

So you see, you did save me.

0:38:280:38:30

Perhaps I could search for the man I once was.

0:38:320:38:35

We've both changed.

0:38:350:38:37

We're strangers now.

0:38:380:38:40

I would never have been enough for you.

0:38:460:38:48

You sent them to their deaths.

0:38:560:38:58

-It was just business.

-They were murdered...

0:38:580:39:01

-..for a painting?

-If you expose me,

0:39:020:39:05

you'll implicate the church.

0:39:050:39:06

The guilty will answer for what they have done.

0:39:090:39:12

And you will pay with a proper trial.

0:39:120:39:15

The first time I held it...

0:39:160:39:18

..I was looking into heaven.

0:39:190:39:21

I saw the wicked...

0:39:230:39:24

..condemned to doom.

0:39:250:39:27

To damnation.

0:39:270:39:29

I saw my own fate.

0:39:320:39:35

God is a merciful judge.

0:39:350:39:36

There is always redemption for those who truly seek it.

0:39:380:39:42

I still want you to return that painting.

0:39:540:39:56

I thought I'd hang it in my dressing room.

0:39:560:39:58

And what will it remind you of?

0:39:580:39:59

This is hardly the time for a sermon.

0:39:590:40:02

You've exiled yourself to a life of purgatory.

0:40:020:40:04

Surrounded by beautiful things.

0:40:040:40:06

Because your soul is dark.

0:40:070:40:09

You grew up without your father.

0:40:090:40:11

You couldn't help Rebecca.

0:40:110:40:13

Is it because you couldn't save them?

0:40:140:40:16

You are a bereaved human being who now chooses to feel nothing.

0:40:180:40:23

The choices are mine to make.

0:40:230:40:25

There's no going back.

0:40:250:40:27

My valet will be waiting.

0:40:290:40:30

Then you mustn't let me keep you.

0:40:300:40:33

The forecast is for evening showers.

0:40:330:40:35

Why don't you take this?

0:40:400:40:42

At least let me protect you from the rain.

0:40:430:40:45

A reckless offer to make to a thief.

0:40:450:40:47

Well, I know that I will get it back when I see you again.

0:40:470:40:50

SIREN APPROACHES

0:40:520:40:54

A bientot, Father Brown.

0:40:560:40:58

TYRES SCREECH

0:41:020:41:04

-Where's Flambeau?

-I'm afraid...he gave me the slip.

0:41:100:41:13

He played me for a fool.

0:41:260:41:28

Beguiled and deceived by easy flattery.

0:41:280:41:31

Yes, well, Flambeau can be quite the charmer.

0:41:330:41:36

You let him off the hook. Again.

0:41:360:41:37

You're beginning to sound like Inspector Sullivan.

0:41:370:41:40

On top of everything else, I've just had the bishop on the telephone,

0:41:400:41:44

"anguished" and "outraged" at the loss of the painting.

0:41:440:41:46

Wait till he reads about Binkie's wartime exploits.

0:41:460:41:49

-Oh...!

-There'll be quite a few sweaty palms in St Peter's.

0:41:490:41:52

I made a promise to Rebecca,

0:41:560:41:59

and we're all going to have to live with the consequences.

0:41:590:42:02

While Flambeau gets away with the stolen loot.

0:42:020:42:04

-Jesus, Mary and Joseph.

-How on earth did you find it?

0:42:100:42:14

He didn't have the painting when he left the museum.

0:42:140:42:17

Events conspired against him.

0:42:180:42:20

'He realised that I could help him get it out of the Belvedere,

0:42:210:42:25

'hidden in my brolly.

0:42:250:42:26

'Some clever improvisation to evade the police.'

0:42:280:42:31

That's him! That's our man!

0:42:310:42:33

I need to get you out of here.

0:42:340:42:36

-I can't leave the others!

-It isn't safe.

0:42:360:42:39

He knew I'd work out where he was hiding.

0:42:390:42:41

An unwitting accomplice.

0:42:420:42:44

Unfortunately for Flambeau...

0:42:440:42:46

..I can be absent-minded.

0:42:480:42:49

"For what shall it profit a man

0:42:580:43:00

"if he gain the whole world

0:43:000:43:02

"and suffer the loss of his soul."

0:43:020:43:04

Argh!

0:43:050:43:07

HE MUTTERS IN FRENCH

0:43:120:43:14

So wait,

0:43:220:43:23

he didn't go back to save Rebecca?

0:43:230:43:26

Who knows?

0:43:260:43:27

But for Flambeau,

0:43:270:43:29

redemption is still...

0:43:290:43:30

..a long way off.

0:43:320:43:34

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