Browse content similar to The Truth in the Wine. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Shot! | 0:00:04 | 0:00:05 | |
Something to eat, your ladyship? | 0:00:13 | 0:00:14 | |
No, thank you. I'm saving my palate for the wine-tasting. | 0:00:14 | 0:00:18 | |
And why doesn't that surprise me? | 0:00:18 | 0:00:20 | |
Careful, Anthony! We're not running the Derby! | 0:00:20 | 0:00:23 | |
Is that the reclusive colonel? | 0:00:24 | 0:00:26 | |
He looks like a hero from an H Rider Haggard novel. | 0:00:26 | 0:00:29 | |
In that case, does that make Lady Edna She-Who-Must-Be-Obeyed? | 0:00:30 | 0:00:34 | |
Ladies and gentlemen, | 0:00:34 | 0:00:36 | |
welcome to the launch of our first official vintage. | 0:00:36 | 0:00:40 | |
If you'd like to follow me to the winery, we shall begin the tour. | 0:00:40 | 0:00:43 | |
Oh, heads! | 0:00:45 | 0:00:47 | |
Well stopped. | 0:00:53 | 0:00:54 | |
Here it comes! | 0:00:55 | 0:00:56 | |
Not joining us for the tour? | 0:00:59 | 0:01:00 | |
The colonel don't want the likes of me there. | 0:01:00 | 0:01:04 | |
Enjoy. | 0:01:04 | 0:01:05 | |
Let me introduce Gregoire Bisset, | 0:01:08 | 0:01:11 | |
the rising star of French viniculture. | 0:01:11 | 0:01:14 | |
Gregoire has helped me transform our little patch of England | 0:01:15 | 0:01:19 | |
into a vineyard to rival the finest in Europe, | 0:01:19 | 0:01:21 | |
one of only three wine estates in the whole country. | 0:01:21 | 0:01:25 | |
And he speaks excellent English, | 0:01:25 | 0:01:27 | |
so we don't have to rely on my schoolboy French. | 0:01:27 | 0:01:31 | |
Erm... | 0:01:34 | 0:01:35 | |
So here's the press room, | 0:01:35 | 0:01:37 | |
where we extract the juice from the new harvest. | 0:01:37 | 0:01:40 | |
Et, er... | 0:01:43 | 0:01:44 | |
we grow Seyval blanc which creates a beautiful white juice. | 0:01:45 | 0:01:50 | |
I show you... | 0:01:51 | 0:01:52 | |
I thought he said white. | 0:02:09 | 0:02:10 | |
This is wrong... | 0:02:11 | 0:02:13 | |
Was it your dog? | 0:02:59 | 0:03:01 | |
It was my son's. | 0:03:03 | 0:03:04 | |
Bacchus was a present to Tom from the colonel. | 0:03:06 | 0:03:08 | |
Find Tom and keep him away. He shouldn't see this. | 0:03:09 | 0:03:11 | |
Yes, Mrs Grayson. | 0:03:11 | 0:03:13 | |
Shall I take you back to the house, Lady Edna? | 0:03:13 | 0:03:16 | |
I think that would be best. | 0:03:16 | 0:03:18 | |
I think we could all do with some fresh air. | 0:03:19 | 0:03:21 | |
An excellent idea. We shall continue with the tour. | 0:03:21 | 0:03:25 | |
Tom! | 0:03:25 | 0:03:26 | |
Where's Tom? | 0:03:29 | 0:03:30 | |
Went inside. | 0:03:32 | 0:03:33 | |
Stay away from him. | 0:03:33 | 0:03:34 | |
You'll fill his head with mischief. | 0:03:34 | 0:03:36 | |
He's a young lad. His head's already full of mischief. | 0:03:38 | 0:03:41 | |
Anyway, he's the only one round here who don't think I'm scum. | 0:03:42 | 0:03:46 | |
Want some? | 0:03:48 | 0:03:49 | |
Pinched that? | 0:03:49 | 0:03:51 | |
Colonel don't mind. There's plenty more where that came from. | 0:03:51 | 0:03:54 | |
You'll get in trouble. | 0:03:54 | 0:03:56 | |
I don't think so. | 0:03:56 | 0:03:57 | |
Why don't you come and join me? We could erm...have a little party. | 0:03:58 | 0:04:02 | |
-No, thanks. -Why not? Huh? | 0:04:02 | 0:04:03 | |
Prefer your men a bit more continental? | 0:04:05 | 0:04:07 | |
You're drunk. | 0:04:07 | 0:04:08 | |
I just want a cuddle. | 0:04:10 | 0:04:11 | |
Here, see? | 0:04:13 | 0:04:15 | |
-You're desperate to get your hands on me. -No! Let go of me! | 0:04:15 | 0:04:18 | |
What's the matter, eh? | 0:04:18 | 0:04:19 | |
No! | 0:04:20 | 0:04:21 | |
Urgh! | 0:04:23 | 0:04:24 | |
You vicious... | 0:04:24 | 0:04:25 | |
Unfortunately, we must battle the English weather. | 0:04:29 | 0:04:32 | |
-I've heard of hair of the dog, but... -Shh! | 0:04:32 | 0:04:34 | |
The key is irrigation. | 0:04:34 | 0:04:35 | |
With good irrigation, we can transform water into wine. | 0:04:35 | 0:04:38 | |
Who would do such a thing to a poor dog? | 0:04:38 | 0:04:41 | |
It was Henry Gibbs, I'm telling you. | 0:04:41 | 0:04:43 | |
Er, could you excuse me for a moment? Just carry on. | 0:04:46 | 0:04:48 | |
One second. | 0:04:48 | 0:04:50 | |
Over here we have a...a small area of Pinot blanc. | 0:04:53 | 0:04:56 | |
Bit of an experiment... | 0:04:56 | 0:04:58 | |
What happened? | 0:04:58 | 0:04:59 | |
Gibbs. | 0:04:59 | 0:05:00 | |
What did he do? | 0:05:00 | 0:05:02 | |
He tried to... | 0:05:02 | 0:05:03 | |
I'm sorry. You're busy. | 0:05:05 | 0:05:07 | |
Tea? | 0:05:13 | 0:05:15 | |
Tea is for gossip. Brandy for shock. | 0:05:15 | 0:05:17 | |
Oh, careful with that decanter. | 0:05:19 | 0:05:21 | |
Wedding present from my late husband. | 0:05:21 | 0:05:24 | |
Oh. | 0:05:24 | 0:05:25 | |
Along with this... | 0:05:25 | 0:05:26 | |
That is beautiful. | 0:05:27 | 0:05:29 | |
Contains the key to his heart. | 0:05:29 | 0:05:31 | |
I must confess to an ulterior motive in getting you alone. | 0:05:35 | 0:05:38 | |
Oh, forgive me, Father, my defrocking days are long gone. | 0:05:38 | 0:05:42 | |
More raisin than grape, nowadays. | 0:05:42 | 0:05:45 | |
I wanted to have a chat. | 0:05:46 | 0:05:48 | |
You have not been to Mass for months. | 0:05:49 | 0:05:52 | |
Well, I...lose track of the days. | 0:05:52 | 0:05:54 | |
I er... | 0:05:54 | 0:05:55 | |
And my Anthony's too busy to drive me. | 0:05:55 | 0:05:57 | |
Hardly surprising, dealing with a saboteur. | 0:05:58 | 0:06:01 | |
Criminals everywhere. | 0:06:02 | 0:06:04 | |
The country's going to the dogs. | 0:06:04 | 0:06:07 | |
If you'll excuse the pun. | 0:06:07 | 0:06:08 | |
Hmm. | 0:06:08 | 0:06:09 | |
Well, your son is a colonel. He'll look after you. | 0:06:09 | 0:06:12 | |
SHE CHUCKLES | 0:06:12 | 0:06:13 | |
Don't you let that eye patch fool you. | 0:06:14 | 0:06:17 | |
He got that walking behind his father's horse as a boy. | 0:06:17 | 0:06:20 | |
Anthony was in the... | 0:06:20 | 0:06:21 | |
What's it? The... | 0:06:23 | 0:06:25 | |
The diplomatic corps. | 0:06:25 | 0:06:27 | |
The real army couldn't get rid of him quick enough. | 0:06:27 | 0:06:29 | |
Would you? | 0:06:30 | 0:06:31 | |
After you... | 0:06:31 | 0:06:33 | |
So kind. I can't wait to taste it. | 0:06:33 | 0:06:36 | |
Let me know if you'd like to place an order. | 0:06:37 | 0:06:39 | |
Has Mother offended you? Because erm... | 0:06:47 | 0:06:50 | |
She was a little agitated, that's all. | 0:06:50 | 0:06:52 | |
She's not been quite herself of late. | 0:06:53 | 0:06:56 | |
Exhaustion probably. She's having trouble sleeping. | 0:06:56 | 0:06:59 | |
Have you consulted a doctor? | 0:06:59 | 0:07:02 | |
All "avaricious quacks", apparently. | 0:07:02 | 0:07:04 | |
Mmm. | 0:07:04 | 0:07:05 | |
I've tried talking to her but erm...she doesn't make it easy. | 0:07:06 | 0:07:11 | |
My punishment for spending two decades abroad. | 0:07:11 | 0:07:14 | |
I'm the prodigal son trying to make amends. | 0:07:14 | 0:07:16 | |
I have a book that might help. | 0:07:16 | 0:07:18 | |
Priests must be familiar with the idiosyncrasies of older people. | 0:07:18 | 0:07:22 | |
Shall I drop it round tomorrow? | 0:07:23 | 0:07:26 | |
I'd appreciate it. | 0:07:26 | 0:07:27 | |
Erm...is there anything else you'd like help with? | 0:07:28 | 0:07:31 | |
The dog... | 0:07:32 | 0:07:33 | |
Ah, I've heard you're a bit of a sleuth. | 0:07:33 | 0:07:35 | |
No. Erm... | 0:07:35 | 0:07:37 | |
That is a problem I can deal with myself. | 0:07:37 | 0:07:39 | |
-Until tomorrow, then. -Tomorrow. | 0:07:40 | 0:07:42 | |
What on earth were you trying to achieve? | 0:07:56 | 0:07:58 | |
I told you. I want a share of the vineyard. | 0:07:58 | 0:08:00 | |
Half my harvest was in that vat. | 0:08:00 | 0:08:02 | |
There won't be a vineyard if you carry on like this! | 0:08:02 | 0:08:05 | |
Then give me what I want. | 0:08:05 | 0:08:07 | |
I spilt blood for this country. | 0:08:07 | 0:08:09 | |
I deserve my piece of it as much as you. | 0:08:09 | 0:08:11 | |
And how would I explain that to Lady Edna? | 0:08:11 | 0:08:14 | |
That I've given part of our estate away to a stranger, a labourer. | 0:08:14 | 0:08:17 | |
Not my problem. | 0:08:17 | 0:08:18 | |
Look, I'm trying to help you here. | 0:08:19 | 0:08:21 | |
You're the one who said that you can't afford to pay me off. | 0:08:21 | 0:08:24 | |
But if you'd prefer to give me the money... | 0:08:24 | 0:08:27 | |
You've crossed a line. | 0:08:27 | 0:08:28 | |
I want you gone. Today. | 0:08:28 | 0:08:30 | |
You sure about that? | 0:08:32 | 0:08:33 | |
I've tolerated you for long enough. | 0:08:38 | 0:08:40 | |
Don't presume to know what sort of man you're dealing with. | 0:08:41 | 0:08:44 | |
Leave. | 0:08:48 | 0:08:50 | |
I'll be back for what I'm owed! | 0:08:54 | 0:08:56 | |
Thank you, Father. | 0:09:02 | 0:09:03 | |
So, Father, you got any leads? | 0:09:03 | 0:09:06 | |
Woof! Woof! | 0:09:06 | 0:09:07 | |
That's not funny, Sid! Poor Tom. | 0:09:07 | 0:09:10 | |
First of all, he lost his father in the war | 0:09:10 | 0:09:12 | |
and then somebody goes and murderers his dog. | 0:09:12 | 0:09:15 | |
Father... | 0:09:15 | 0:09:16 | |
Don't you want it? | 0:09:17 | 0:09:19 | |
I prefer my wine with a little less...body. | 0:09:19 | 0:09:21 | |
-Hmm. -Good night. | 0:09:23 | 0:09:25 | |
HONKS HORN | 0:09:29 | 0:09:30 | |
WINDOW SHATTERS | 0:09:35 | 0:09:36 | |
PISTOL SHOT | 0:09:48 | 0:09:49 | |
PISTOL SHOT | 0:09:52 | 0:09:53 | |
BIRDS CAW | 0:09:55 | 0:09:56 | |
Henry Gibbs? | 0:10:44 | 0:10:45 | |
Before you say anything, I'm just here to see the colonel. | 0:10:48 | 0:10:50 | |
Just don't get involved and don't get in my way. | 0:10:51 | 0:10:54 | |
Have you seen...? | 0:10:56 | 0:10:57 | |
-Yes. -Yes, of course you have. | 0:10:58 | 0:10:59 | |
CLEARS HIS THROAT | 0:11:03 | 0:11:04 | |
What do you think, sir? | 0:11:07 | 0:11:08 | |
Two gunshots, only one entry wound. | 0:11:09 | 0:11:12 | |
Bruising to his neck. | 0:11:13 | 0:11:15 | |
So... | 0:11:15 | 0:11:17 | |
Struggle for the weapon. | 0:11:17 | 0:11:18 | |
Gun goes off, hitting the side table. | 0:11:19 | 0:11:22 | |
Gibbs is overpowered by the killer, | 0:11:23 | 0:11:26 | |
shoots him at close range. | 0:11:26 | 0:11:27 | |
And the bullet passes through the body... | 0:11:28 | 0:11:31 | |
..before hitting the mirror. | 0:11:33 | 0:11:35 | |
Curious corbelling. | 0:11:43 | 0:11:45 | |
Gibbs was well-built. | 0:11:53 | 0:11:54 | |
So, I'd say our suspect is probably male, | 0:11:54 | 0:11:58 | |
fit, | 0:11:58 | 0:11:59 | |
possibly with combat training. | 0:11:59 | 0:12:01 | |
Anything else I can do? | 0:12:01 | 0:12:03 | |
Could you offer my mother some words of comfort when she wakes up? | 0:12:05 | 0:12:08 | |
She was disturbed by the commotion, found the whole thing very upsetting. | 0:12:09 | 0:12:12 | |
I gave her something to help her get back to sleep. | 0:12:12 | 0:12:15 | |
Father, if you wouldn't mind leaving us? | 0:12:16 | 0:12:19 | |
I'd like to check some basic facts. | 0:12:27 | 0:12:29 | |
We told your colleague. | 0:12:30 | 0:12:31 | |
We heard two gunshots in the night. | 0:12:31 | 0:12:33 | |
We all went to my study and found the body. | 0:12:33 | 0:12:36 | |
-What more do you need to know? -Who arrived first? | 0:12:36 | 0:12:38 | |
I did. | 0:12:38 | 0:12:39 | |
Lord have mercy! | 0:12:41 | 0:12:42 | |
He's dead. | 0:12:43 | 0:12:44 | |
Shall I call the police? | 0:12:44 | 0:12:45 | |
Erm, yes, of course. | 0:12:45 | 0:12:46 | |
-The police. -The labourers' wages are gone! | 0:12:51 | 0:12:53 | |
Oh...! | 0:12:55 | 0:12:56 | |
Your bedroom's nearest the study and yet you were the last one to arrive. | 0:12:56 | 0:12:59 | |
I checked on her ladyship first. She was still asleep. | 0:12:59 | 0:13:02 | |
Only, I must have disturbed her | 0:13:02 | 0:13:04 | |
because next thing, she's downstairs | 0:13:04 | 0:13:06 | |
and all screaming the place down. | 0:13:06 | 0:13:07 | |
Lady Edna was understandably distressed. | 0:13:07 | 0:13:10 | |
Gibbs was killed by a handgun. Is there one on the premises? | 0:13:10 | 0:13:13 | |
No. | 0:13:13 | 0:13:14 | |
I've ordered a search of the house and grounds, just in case. | 0:13:14 | 0:13:17 | |
Surely it was just a burglary gone wrong? | 0:13:17 | 0:13:19 | |
Are you suggesting that Gibbs disturbed a burglar? | 0:13:19 | 0:13:22 | |
I'm suggesting he WAS one. | 0:13:22 | 0:13:23 | |
In that case, it's hardly likely that he shot himself. | 0:13:23 | 0:13:26 | |
-Maybe he had an accomplice? -Exactly! | 0:13:26 | 0:13:28 | |
The other fellow shot Gibbs and then ran off with the money. | 0:13:28 | 0:13:31 | |
Possible. The missing money wasn't with Gibbs' belongings. | 0:13:31 | 0:13:33 | |
But that doesn't mean the accomplice isn't someone in this room. | 0:13:33 | 0:13:36 | |
How well did you all know the victim? | 0:13:38 | 0:13:40 | |
Miss Fletcher probably knew him better than the rest of us. | 0:13:40 | 0:13:43 | |
That ain't true! | 0:13:43 | 0:13:44 | |
He was...after me. | 0:13:45 | 0:13:46 | |
I told him I weren't interested. | 0:13:47 | 0:13:49 | |
None of us knew him. | 0:13:49 | 0:13:50 | |
He came here looking for work and has been nothing but trouble since. | 0:13:50 | 0:13:53 | |
In fact, I went to see him yesterday and told him to move on. | 0:13:53 | 0:13:56 | |
Did you indeed? | 0:13:56 | 0:13:57 | |
Well, that'll be all. | 0:13:59 | 0:14:00 | |
The sergeant will take your fingerprints. | 0:14:00 | 0:14:02 | |
Until we find our killer, no-one is to leave the estate. | 0:14:02 | 0:14:05 | |
Don't you remember anything? | 0:14:09 | 0:14:11 | |
I think I...had a bad dream. | 0:14:11 | 0:14:14 | |
We had a break-in, Mother, remember? | 0:14:15 | 0:14:18 | |
I er... | 0:14:19 | 0:14:21 | |
..think I would like to be left in peace. | 0:14:21 | 0:14:23 | |
Perhaps a breath of fresh air? | 0:14:25 | 0:14:27 | |
Very well. | 0:14:28 | 0:14:29 | |
I'll be back to check on you later. | 0:14:29 | 0:14:31 | |
So, did you meet Gregoire on your travels? | 0:14:34 | 0:14:37 | |
No, after I came back. | 0:14:38 | 0:14:40 | |
I er... | 0:14:40 | 0:14:41 | |
..needed help here, so I placed an advertisement. | 0:14:41 | 0:14:44 | |
Gregoire turned up like a gift from Dionysus | 0:14:45 | 0:14:47 | |
with a reference from a top vineyard in Bordeaux. | 0:14:47 | 0:14:50 | |
Do you still have the reference? | 0:14:51 | 0:14:53 | |
Only, the Kembleford Wine Appreciation Society | 0:14:53 | 0:14:56 | |
would be very keen to know more about our Gallic friend. | 0:14:56 | 0:14:59 | |
Done. | 0:14:59 | 0:15:00 | |
I'll dig it out for you. | 0:15:00 | 0:15:02 | |
He's a good chap, take my word for it. | 0:15:02 | 0:15:05 | |
Er, Mrs McCarthy... | 0:15:06 | 0:15:07 | |
..noticed a hint of romance between Gregoire and Emily. | 0:15:09 | 0:15:12 | |
Did she now? | 0:15:13 | 0:15:15 | |
He's certainly keen. | 0:15:15 | 0:15:17 | |
As for her, I wouldn't know. | 0:15:17 | 0:15:19 | |
What about Gibbs? | 0:15:21 | 0:15:23 | |
An itinerant labourer. | 0:15:23 | 0:15:25 | |
Arrived a few weeks ago. | 0:15:25 | 0:15:27 | |
First time I'd laid eyes on him. | 0:15:27 | 0:15:29 | |
Inspector! I've found something! | 0:15:30 | 0:15:33 | |
Ah... | 0:15:37 | 0:15:38 | |
Well done, Sergeant. | 0:15:38 | 0:15:40 | |
Good work. | 0:15:40 | 0:15:41 | |
An Enfield No.2. | 0:15:41 | 0:15:43 | |
Standard issue British Army service revolver. | 0:15:44 | 0:15:46 | |
Mark one double star. | 0:15:47 | 0:15:50 | |
Not in production until 1942. | 0:15:51 | 0:15:53 | |
I was in Africa by then. | 0:15:53 | 0:15:55 | |
Anyway, I've always preferred the Webley. | 0:15:55 | 0:15:58 | |
Those later Enfields don't have a safety on the hammer. | 0:15:58 | 0:16:01 | |
Tend to go off if you have to hit the deck in a hurry. | 0:16:01 | 0:16:03 | |
You seem to know a lot about guns, | 0:16:03 | 0:16:05 | |
considering you're a member of the diplomatic corps. | 0:16:05 | 0:16:07 | |
One picks things up. | 0:16:07 | 0:16:08 | |
If you'll excuse me? | 0:16:10 | 0:16:11 | |
Still here, Father? | 0:16:14 | 0:16:16 | |
Er... | 0:16:16 | 0:16:17 | |
-Er, yes. God's work, never done. -Mm-hm... | 0:16:17 | 0:16:20 | |
Thank you. | 0:16:25 | 0:16:26 | |
Mrs Grayson, is it true you have access to the safe? | 0:16:31 | 0:16:34 | |
Colonel and I both have keys. | 0:16:35 | 0:16:38 | |
I've done the accounts since the old master's day. | 0:16:38 | 0:16:40 | |
For the vineyard as well? | 0:16:40 | 0:16:43 | |
Right now that's just a very long list of expenses. | 0:16:43 | 0:16:45 | |
The vineyard's not making any money? | 0:16:45 | 0:16:48 | |
Well, it's early days. | 0:16:48 | 0:16:49 | |
I'd like to see the books, if I may? | 0:16:51 | 0:16:53 | |
I'll get them for you when I've finished preparing lunch. | 0:16:53 | 0:16:55 | |
The Met are on the telephone, sir. They've got something for you. | 0:16:56 | 0:16:59 | |
Very good, Sergeant. | 0:16:59 | 0:17:01 | |
-Oh... -Hands off! | 0:17:02 | 0:17:03 | |
Must have been distressing... | 0:17:17 | 0:17:18 | |
..seeing his dead body. | 0:17:19 | 0:17:20 | |
I know what you're getting at, Father, | 0:17:22 | 0:17:24 | |
but there weren't nothing between us. | 0:17:24 | 0:17:26 | |
Now, please, I'm already behind. | 0:17:26 | 0:17:28 | |
Ah, Miss Fletcher... | 0:17:28 | 0:17:30 | |
-Would you excuse us, please, Father? -Oh, stay. | 0:17:30 | 0:17:33 | |
I know what you coppers are like. | 0:17:33 | 0:17:35 | |
I imagine you do. I've just had an interesting chat | 0:17:35 | 0:17:38 | |
with a colleague down at the Metropolitan Police. | 0:17:38 | 0:17:40 | |
You've quite a colourful history. | 0:17:40 | 0:17:43 | |
Trespass. | 0:17:43 | 0:17:44 | |
Theft. | 0:17:44 | 0:17:45 | |
Soliciting. | 0:17:45 | 0:17:46 | |
You try living on the streets, bombs falling all around, | 0:17:46 | 0:17:50 | |
parents six feet under. | 0:17:50 | 0:17:51 | |
I did what I had to. | 0:17:51 | 0:17:53 | |
Common assault. | 0:17:54 | 0:17:55 | |
Gibbs had a bite mark on his hand. | 0:17:56 | 0:17:58 | |
Oh, he had it coming! | 0:17:58 | 0:17:59 | |
Well...I never shot nobody. | 0:18:02 | 0:18:04 | |
Yeah, I bit him, so what? | 0:18:04 | 0:18:06 | |
I was defending myself. He was...trying it on. | 0:18:06 | 0:18:09 | |
Trying what on? | 0:18:10 | 0:18:11 | |
Oh, Inspector... | 0:18:11 | 0:18:13 | |
I think we both know what she means by that. | 0:18:14 | 0:18:16 | |
Did you report this? | 0:18:17 | 0:18:19 | |
I told the colonel. Said he'd ask Gibbs to leave. | 0:18:19 | 0:18:22 | |
I don't know what took him so long. | 0:18:22 | 0:18:23 | |
Well, Gibbs used to joke that the colonel would never fire him | 0:18:23 | 0:18:27 | |
because they were old army buddies, but... | 0:18:27 | 0:18:30 | |
They served together? | 0:18:30 | 0:18:31 | |
I doubt it. Gibbs was a born liar. | 0:18:31 | 0:18:34 | |
Look, the colonel is a good man, | 0:18:35 | 0:18:38 | |
a hero. | 0:18:38 | 0:18:39 | |
He saved my life the first time I met him. | 0:18:39 | 0:18:42 | |
One night, in Farringdon, not long after the war, | 0:18:42 | 0:18:46 | |
three lads dragged me down an alley. | 0:18:46 | 0:18:48 | |
The colonel's walking past, hears me scream and comes running, | 0:18:48 | 0:18:51 | |
scares them off. | 0:18:51 | 0:18:53 | |
He gave me this job to get me off the streets. | 0:18:53 | 0:18:55 | |
A hero, indeed. | 0:18:55 | 0:18:56 | |
Three against one. | 0:18:56 | 0:18:58 | |
How did he scare them off? | 0:18:58 | 0:18:59 | |
Well, he had his gun, so... | 0:18:59 | 0:19:01 | |
Colonel, I have a few more questions regarding the murder of Henry Gibbs. | 0:19:09 | 0:19:12 | |
If you'd like to accompany me to the station... | 0:19:12 | 0:19:15 | |
KNOCKING | 0:19:19 | 0:19:21 | |
Anthony... | 0:19:24 | 0:19:25 | |
I'm afraid your son's not here. | 0:19:37 | 0:19:39 | |
Of course not. | 0:19:39 | 0:19:40 | |
I'll never see my boy again. | 0:19:42 | 0:19:44 | |
I'm sure that's not true. | 0:19:44 | 0:19:46 | |
It is! | 0:19:46 | 0:19:47 | |
Would you pray for him, Father? | 0:19:49 | 0:19:51 | |
I will. | 0:19:51 | 0:19:53 | |
And I will do everything I can to help him, I promise you. | 0:19:53 | 0:19:57 | |
Is there anything else I can do to help? | 0:20:20 | 0:20:23 | |
Oh, thank you, we'll be fine. | 0:20:23 | 0:20:25 | |
Monsieur Bisset is driving me into Kembleford shortly. Would you like a lift? | 0:20:27 | 0:20:30 | |
I'm sure your bicycle would fit in the back. | 0:20:30 | 0:20:32 | |
That would be very kind. | 0:20:32 | 0:20:34 | |
-Is the colonel to be expected back for dinner? -How should I know? | 0:20:36 | 0:20:40 | |
-Sorry, I... -What have I told you about wearing your hair down? | 0:20:40 | 0:20:42 | |
-I lost my ribbon. -Well, then, cut a new one. | 0:20:42 | 0:20:44 | |
Shall we see you outside, Father? | 0:20:49 | 0:20:51 | |
Five minutes. | 0:20:54 | 0:20:55 | |
47 seconds. | 0:21:23 | 0:21:24 | |
SNIFFS | 0:21:24 | 0:21:26 | |
Always had a thing about fires. | 0:21:42 | 0:21:44 | |
My grandfather told me that, if you stare at the flames for long enough, | 0:21:47 | 0:21:50 | |
you might catch a glimpse of the Devil. | 0:21:50 | 0:21:52 | |
Did you? | 0:21:54 | 0:21:55 | |
No. Not today. | 0:21:59 | 0:22:00 | |
We're leaving, so... | 0:22:01 | 0:22:03 | |
SNIFFS | 0:22:07 | 0:22:08 | |
Gibbs' military records. | 0:22:10 | 0:22:11 | |
He spent six months guarding the same temporary base in Tunis | 0:22:13 | 0:22:17 | |
in which you were stationed. | 0:22:17 | 0:22:19 | |
Along with hundreds of other men, no doubt. | 0:22:19 | 0:22:22 | |
It's mere coincidence that he turned up in Kembleford? Admit it. | 0:22:22 | 0:22:25 | |
-You knew Gibbs all along. -No. | 0:22:25 | 0:22:27 | |
You asked him to leave. Did he agree? | 0:22:29 | 0:22:31 | |
Reluctantly. | 0:22:33 | 0:22:34 | |
Did you have to threaten him with your gun? | 0:22:34 | 0:22:37 | |
Like I said, that gun was... | 0:22:37 | 0:22:39 | |
Easy enough to get into the hands of an officer. | 0:22:39 | 0:22:41 | |
The safe wasn't forced. | 0:22:44 | 0:22:45 | |
Only you and Mrs Grayson have a key. | 0:22:46 | 0:22:49 | |
But she has an alibi. | 0:22:49 | 0:22:51 | |
Gregoire saw her leaving the room after the gunshots were fired. | 0:22:51 | 0:22:54 | |
How could I have dumped the gun in the pond | 0:22:54 | 0:22:56 | |
and still been first on the scene? | 0:22:56 | 0:22:58 | |
You could have hidden it, then taken it to the pond later. | 0:22:58 | 0:23:01 | |
And my motive? | 0:23:01 | 0:23:02 | |
Money. | 0:23:02 | 0:23:04 | |
Get your old army buddy to help stage a burglary, | 0:23:04 | 0:23:06 | |
claim on the insurance. | 0:23:06 | 0:23:08 | |
The estate accounts. | 0:23:13 | 0:23:14 | |
You're broke. | 0:23:16 | 0:23:18 | |
I'm guessing that Gibbs got greedy in the last minute, | 0:23:18 | 0:23:21 | |
demanded a larger cut. | 0:23:21 | 0:23:22 | |
There was an argument and you killed him. | 0:23:22 | 0:23:25 | |
Weak speculation. | 0:23:25 | 0:23:26 | |
I've sent the gun off to forensics for fingerprints. | 0:23:27 | 0:23:30 | |
Let's see what turns up, shall we? | 0:23:30 | 0:23:32 | |
Could you telephone Lady Felicia for me, please? | 0:23:35 | 0:23:38 | |
Ask her to speak to her friend at the Foreign Office | 0:23:39 | 0:23:42 | |
and see what she can find out about the colonel? | 0:23:42 | 0:23:44 | |
So, do you think the colonel murdered Henry Gibbs? | 0:23:44 | 0:23:47 | |
My ideas are still fermenting. | 0:23:48 | 0:23:50 | |
Either way, I made a promise to Lady Edna to discover the truth | 0:23:50 | 0:23:54 | |
and I intend to honour it. | 0:23:54 | 0:23:56 | |
Oh, but where are you off to now? | 0:23:57 | 0:23:59 | |
To the police station. | 0:23:59 | 0:24:00 | |
I'm sure the colonel will need some spiritual guidance. | 0:24:00 | 0:24:03 | |
Oh, and I nearly forgot, while you're on the telephone, | 0:24:05 | 0:24:08 | |
please tell Sid I have a job for him. | 0:24:08 | 0:24:10 | |
Thank you. | 0:24:16 | 0:24:17 | |
Why are you here? | 0:24:19 | 0:24:20 | |
Because I promised your mother I'd do what I could. | 0:24:20 | 0:24:23 | |
A waste of time. | 0:24:23 | 0:24:25 | |
The inspector's determined to see me hang. | 0:24:25 | 0:24:27 | |
If you're telling the truth, you'll need to have faith and be patient. | 0:24:27 | 0:24:30 | |
-Are you? -I swear to you, I didn't kill Gibbs. | 0:24:30 | 0:24:33 | |
That's not what I asked. | 0:24:33 | 0:24:35 | |
Do you believe it's always wrong to lie? | 0:24:37 | 0:24:41 | |
Even if it's for a greater good? | 0:24:42 | 0:24:44 | |
Interesting question. | 0:24:44 | 0:24:45 | |
St Augustine argues that a lie is never justified | 0:24:45 | 0:24:48 | |
and yet, in the Bible, Rahab lies to save the lives of two Jewish spies | 0:24:48 | 0:24:53 | |
and is herself spared from death. | 0:24:53 | 0:24:55 | |
What do you think? | 0:24:55 | 0:24:57 | |
I think that if you have something to confess, | 0:24:57 | 0:24:59 | |
you had better do it now while you have the chance. | 0:24:59 | 0:25:01 | |
It would be in strictest confidence. | 0:25:03 | 0:25:05 | |
There's nothing to tell. | 0:25:07 | 0:25:09 | |
You have no idea who killed Gibbs? | 0:25:09 | 0:25:10 | |
-None at all. -Because... | 0:25:10 | 0:25:12 | |
You should go. | 0:25:12 | 0:25:13 | |
Very well. But in my experience, the truth will always out. | 0:25:14 | 0:25:17 | |
I suppose it's a question of intention. | 0:25:19 | 0:25:21 | |
Are you lying to protect yourself? | 0:25:21 | 0:25:23 | |
Or someone else? | 0:25:24 | 0:25:25 | |
Psst! Father! | 0:25:39 | 0:25:40 | |
What are you doing here? | 0:25:44 | 0:25:45 | |
Well, you told me to follow them. | 0:25:45 | 0:25:47 | |
I wanted you to follow them in Kembleford, | 0:25:53 | 0:25:55 | |
not loiter around their house. | 0:25:55 | 0:25:57 | |
You've got to see this... | 0:25:57 | 0:25:58 | |
So, when I was in town, Gregoire or whatever his name is, | 0:26:00 | 0:26:02 | |
goes to get a broken headlight fixed. | 0:26:02 | 0:26:04 | |
I'm thinking, hang about, why's he got a broken headlight? | 0:26:04 | 0:26:06 | |
Look under the front. | 0:26:06 | 0:26:08 | |
Father? | 0:26:17 | 0:26:18 | |
Father...! | 0:26:20 | 0:26:21 | |
What exactly are you doing? | 0:26:21 | 0:26:23 | |
Well, I've always been fascinated by cars. | 0:26:23 | 0:26:25 | |
You know, transmissions, | 0:26:25 | 0:26:28 | |
differentials, that sort of thing. | 0:26:28 | 0:26:30 | |
Really? | 0:26:30 | 0:26:31 | |
I got your message. | 0:26:32 | 0:26:34 | |
I understand you found Gregoire's letter of recommendation. | 0:26:34 | 0:26:37 | |
-The colonel mentioned that you wanted to see it. -Thank you. | 0:26:37 | 0:26:40 | |
-Would you like a cup of tea? -No, no, no. | 0:26:40 | 0:26:42 | |
I won't trouble you any longer. | 0:26:42 | 0:26:44 | |
I would never have thought that. | 0:26:47 | 0:26:49 | |
-What? -She looks every inch the respectable war widow. | 0:26:51 | 0:26:54 | |
Sid, what? | 0:26:54 | 0:26:55 | |
Right, the Frog's gone in the garage, she's popped in the bank. | 0:26:56 | 0:26:59 | |
Oh, and you are acquainted with a certain young bank clerk. | 0:26:59 | 0:27:02 | |
We may have exchanged pleasantries in the past. | 0:27:02 | 0:27:05 | |
There you go. Have a bash on that. | 0:27:05 | 0:27:07 | |
Check out her name. | 0:27:08 | 0:27:09 | |
What's that? | 0:27:16 | 0:27:18 | |
Gregoire's letter of recommendation. | 0:27:18 | 0:27:19 | |
Oh, so it's the Frenchman now? | 0:27:20 | 0:27:22 | |
Mrs Grayson gave him an alibi. | 0:27:23 | 0:27:25 | |
Oh... | 0:27:25 | 0:27:26 | |
PHONE RINGS | 0:27:26 | 0:27:27 | |
Father Brown. | 0:27:35 | 0:27:36 | |
Sullivan here. I need you to come to the police station, Father. | 0:27:36 | 0:27:39 | |
The colonel has just tried to hang himself. | 0:27:40 | 0:27:42 | |
Right away. | 0:27:42 | 0:27:43 | |
I have to return to the police station. | 0:27:44 | 0:27:47 | |
You're not going anywhere until you've heard my news. | 0:27:47 | 0:27:50 | |
I'd been in to see him a few minutes before. | 0:27:51 | 0:27:54 | |
May I ask why? | 0:27:56 | 0:27:57 | |
We found two sets of prints on the revolver. | 0:28:00 | 0:28:02 | |
One of them belonged to him. | 0:28:02 | 0:28:04 | |
I told him he was going to be charged with murder. | 0:28:04 | 0:28:07 | |
Who did the other set belong to? | 0:28:07 | 0:28:09 | |
We don't know yet. | 0:28:10 | 0:28:11 | |
Why have you sent for me? | 0:28:11 | 0:28:12 | |
Yes, well, the colonel wants to save us the bother | 0:28:12 | 0:28:15 | |
of sending him to the scaffold. | 0:28:15 | 0:28:17 | |
So, for once, our professional interests coincide. | 0:28:18 | 0:28:21 | |
It's your duty to stop him committing a mortal sin | 0:28:21 | 0:28:24 | |
and mine to see him stand trial. | 0:28:24 | 0:28:26 | |
I'd like you to talk to him. | 0:28:30 | 0:28:31 | |
Stop him from trying again. | 0:28:31 | 0:28:33 | |
You think he will? | 0:28:33 | 0:28:34 | |
We've taken his sheets | 0:28:34 | 0:28:35 | |
but, as you know, there are many ways for a man to kill himself. | 0:28:35 | 0:28:38 | |
I'll do what I can. | 0:28:38 | 0:28:39 | |
At least this should put your mind at rest. | 0:28:43 | 0:28:46 | |
How so? | 0:28:47 | 0:28:48 | |
Always a sign of a guilty conscience. | 0:28:48 | 0:28:51 | |
Forgive me, Father. | 0:29:01 | 0:29:03 | |
I was in a dark place. | 0:29:03 | 0:29:05 | |
Then let in God's light. | 0:29:06 | 0:29:08 | |
Open up your heart. | 0:29:08 | 0:29:09 | |
How did you lose your eye? | 0:29:10 | 0:29:12 | |
A riding accident. | 0:29:14 | 0:29:16 | |
I...I fell and my horse kicked out. | 0:29:16 | 0:29:18 | |
Your horse? | 0:29:18 | 0:29:19 | |
Lady Edna said it was your father's. | 0:29:20 | 0:29:22 | |
I... | 0:29:23 | 0:29:24 | |
You know what her memory's like. | 0:29:24 | 0:29:25 | |
Take off your eye patch. | 0:29:27 | 0:29:28 | |
What? | 0:29:30 | 0:29:31 | |
You told your guests that you only had schoolboy friendships, | 0:29:32 | 0:29:35 | |
which is puzzling | 0:29:35 | 0:29:36 | |
for a diplomat stationed in Tunisia. | 0:29:36 | 0:29:38 | |
And you were telling the truth about not knowing Gibbs | 0:29:39 | 0:29:42 | |
until he arrived at the estate, weren't you? | 0:29:42 | 0:29:44 | |
Whereas Colonel Forbes-Leith would have seen him a hundred times. | 0:29:45 | 0:29:48 | |
Take it off. | 0:29:48 | 0:29:49 | |
Why? | 0:29:50 | 0:29:51 | |
Because, according to the Foreign Office, | 0:29:52 | 0:29:54 | |
the real Colonel Forbes-Leith died in Tunis... | 0:29:54 | 0:29:57 | |
..in 1945. | 0:29:57 | 0:29:59 | |
Who are you? | 0:30:09 | 0:30:10 | |
Joseph Hawkins, | 0:30:11 | 0:30:13 | |
Sergeant, | 0:30:13 | 0:30:14 | |
25762751. | 0:30:14 | 0:30:17 | |
Pleased to meet you. | 0:30:18 | 0:30:19 | |
I met him in hospital. | 0:30:24 | 0:30:26 | |
The real colonel. | 0:30:26 | 0:30:27 | |
For a month, he kept talking about this crazy plan | 0:30:28 | 0:30:31 | |
to build a vineyard on his estate back home. | 0:30:31 | 0:30:34 | |
We didn't even realise how similar we looked until one of the nurses got us mixed up. | 0:30:34 | 0:30:38 | |
You stole his identity? | 0:30:38 | 0:30:40 | |
Stole? | 0:30:40 | 0:30:41 | |
It was his idea. | 0:30:41 | 0:30:42 | |
He knew he was dying. | 0:30:44 | 0:30:45 | |
He got me to practise his voice, taught me about his family, | 0:30:46 | 0:30:50 | |
his childhood. | 0:30:50 | 0:30:51 | |
He gave you his life. | 0:30:53 | 0:30:54 | |
Why? | 0:30:55 | 0:30:56 | |
He wanted someone to build his vineyard, | 0:30:59 | 0:31:02 | |
carry on his name. | 0:31:02 | 0:31:03 | |
He wanted his mother to have a son. | 0:31:05 | 0:31:07 | |
I'm an orphan. | 0:31:07 | 0:31:08 | |
No family to miss me. | 0:31:08 | 0:31:10 | |
It was my chance to become something better. | 0:31:11 | 0:31:13 | |
Water into wine. | 0:31:15 | 0:31:16 | |
When the fever finally took him, | 0:31:18 | 0:31:21 | |
I got a friend to intercept the telegram to the estate. | 0:31:21 | 0:31:24 | |
All I needed was his eye patch and a...spare uniform. | 0:31:25 | 0:31:29 | |
But surely Lady Edna realised that you weren't her son? | 0:31:31 | 0:31:34 | |
He wrote me a letter to give her, | 0:31:34 | 0:31:36 | |
just in case, explaining his reasons, but...I never needed it. | 0:31:36 | 0:31:39 | |
And she'd not seen him for decades, remember? | 0:31:40 | 0:31:42 | |
He was just a lad when he signed up. | 0:31:42 | 0:31:44 | |
Hello, Mother. | 0:31:44 | 0:31:45 | |
She's always been a few grapes short of a bunch. | 0:31:49 | 0:31:52 | |
It was such chaos after the war, | 0:31:52 | 0:31:54 | |
it was easy enough to fudge the paperwork. | 0:31:54 | 0:31:56 | |
So no-one in Kembleford knew that Colonel Forbes-Leith was dead? | 0:31:56 | 0:32:00 | |
It was all going well until Gibbs turned up. | 0:32:02 | 0:32:04 | |
Knew the colonel, he said. | 0:32:05 | 0:32:06 | |
He was going to spill the beans, so I offered him a job to keep him sweet. | 0:32:08 | 0:32:11 | |
But it wasn't enough. | 0:32:11 | 0:32:12 | |
I've killed a lot of men, Father. | 0:32:15 | 0:32:16 | |
I can tell you about every one. | 0:32:18 | 0:32:19 | |
But I didn't kill Gibbs. | 0:32:21 | 0:32:22 | |
I heard the gunshots and er... | 0:32:24 | 0:32:25 | |
..I found him in the study, | 0:32:27 | 0:32:28 | |
already dead. | 0:32:28 | 0:32:30 | |
With Emily. | 0:32:31 | 0:32:32 | |
She was in a such a state. I told her to hide the gun. | 0:32:34 | 0:32:36 | |
I thought, without it, the police would have no proof, | 0:32:36 | 0:32:38 | |
not if we kept our mouths shut. | 0:32:38 | 0:32:40 | |
She admitted killing him? | 0:32:40 | 0:32:41 | |
No, she didn't have to. Her hands were covered in his blood. | 0:32:41 | 0:32:44 | |
And you will hang to protect her? | 0:32:44 | 0:32:47 | |
Gibbs was only there because of me. | 0:32:47 | 0:32:48 | |
She was attacked because of my lies. | 0:32:49 | 0:32:51 | |
No wonder she took matters into her own hands. | 0:32:51 | 0:32:53 | |
But if she was defending herself... | 0:32:53 | 0:32:55 | |
With her past, nobody'd believe her. | 0:32:55 | 0:32:57 | |
I won't risk it. | 0:32:57 | 0:32:59 | |
Tell the truth. You can still save yourself. | 0:32:59 | 0:33:01 | |
Are you talking about my soul or my neck? | 0:33:01 | 0:33:03 | |
Both, perhaps. | 0:33:03 | 0:33:05 | |
Let me tell the inspector. | 0:33:06 | 0:33:07 | |
No. | 0:33:07 | 0:33:08 | |
No, this is what I deserve. | 0:33:08 | 0:33:10 | |
Why are you determined to die? | 0:33:10 | 0:33:12 | |
You said it yourself. | 0:33:14 | 0:33:16 | |
The truth will come out. | 0:33:16 | 0:33:18 | |
The only people who've ever cared for me | 0:33:19 | 0:33:21 | |
will discover what a fraud I am. | 0:33:21 | 0:33:24 | |
How could I look Lady Edna in the eye again? | 0:33:24 | 0:33:26 | |
The shame is unbearable. | 0:33:27 | 0:33:29 | |
The shame is because you're wearing a mask. | 0:33:29 | 0:33:32 | |
Take it off. | 0:33:34 | 0:33:36 | |
Let them know who you are. | 0:33:36 | 0:33:38 | |
But everything I am is a lie. | 0:33:39 | 0:33:41 | |
YOU built the vineyard. | 0:33:43 | 0:33:45 | |
YOU looked after them all for all those years. | 0:33:45 | 0:33:48 | |
Let them remember Joseph Hawkins. | 0:33:49 | 0:33:51 | |
Can't promise they'll believe you. | 0:33:55 | 0:33:57 | |
That depends. | 0:33:58 | 0:33:59 | |
Where is the letter that Colonel Forbes-Leith gave you | 0:34:01 | 0:34:04 | |
to give to Lady Edna? | 0:34:04 | 0:34:06 | |
It's in a hidden compartment at the bottom of the safe. | 0:34:07 | 0:34:10 | |
Same place I kept the gun. | 0:34:10 | 0:34:11 | |
No letter. | 0:34:16 | 0:34:17 | |
PISTOL SHOT | 0:34:27 | 0:34:28 | |
DOOR OPENS | 0:34:28 | 0:34:29 | |
-Father? -Requiescat in pace. | 0:34:30 | 0:34:32 | |
-What are you doing in here? -Amen. | 0:34:33 | 0:34:34 | |
Special prayer for the dead. | 0:34:37 | 0:34:39 | |
I wonder if I might have a word with everyone in the drawing room? | 0:34:43 | 0:34:46 | |
He ain't no colonel? | 0:34:52 | 0:34:53 | |
This is not possible. | 0:34:53 | 0:34:55 | |
He's a charlatan? | 0:34:55 | 0:34:56 | |
Oh, don't be too quick to judge. | 0:34:56 | 0:34:57 | |
You've all sought to transform yourselves. | 0:34:58 | 0:35:01 | |
Didn't you, | 0:35:01 | 0:35:03 | |
Miss Maitland? | 0:35:03 | 0:35:04 | |
Miss? | 0:35:05 | 0:35:07 | |
You said your old man died in the war. | 0:35:07 | 0:35:09 | |
My George did die in the war! | 0:35:10 | 0:35:12 | |
But...we were never actually married. | 0:35:13 | 0:35:16 | |
I met him just before he left for France. | 0:35:17 | 0:35:19 | |
One night together and then... | 0:35:19 | 0:35:21 | |
Father, is there a reason you wish to humiliate me? | 0:35:21 | 0:35:24 | |
Yes. | 0:35:24 | 0:35:26 | |
Because the truth, in its entirety, could save that man. | 0:35:26 | 0:35:29 | |
I don't see how. So I took George's name. | 0:35:30 | 0:35:32 | |
I didn't want everyone judging Tom for my foolishness. | 0:35:34 | 0:35:36 | |
But I have been entirely loyal to Lady Edna and the colonel. | 0:35:37 | 0:35:41 | |
Of course you have. | 0:35:41 | 0:35:43 | |
They took you and your son in when others wouldn't. | 0:35:43 | 0:35:45 | |
And when you saw the chance | 0:35:45 | 0:35:47 | |
of saving their estate from financial ruin, | 0:35:47 | 0:35:49 | |
you had no hesitation. | 0:35:49 | 0:35:50 | |
The labourers' wages have gone! | 0:35:52 | 0:35:54 | |
Knowing that the insurance would pay the money back, | 0:35:55 | 0:35:58 | |
"Mrs Grayson" | 0:35:58 | 0:35:59 | |
deposited the money in the estate's account... | 0:36:00 | 0:36:03 | |
...under "income from wine sales". | 0:36:03 | 0:36:05 | |
But, of course, we know that not a single bottle was sold yesterday. | 0:36:05 | 0:36:09 | |
I warned the colonel, or whoever he is, | 0:36:10 | 0:36:12 | |
a hundred times that we were on a knife-edge, but he wouldn't listen. | 0:36:12 | 0:36:16 | |
-But this is beside the point. I certainly didn't kill anyone. -No. | 0:36:16 | 0:36:19 | |
But there is a killer in this room. | 0:36:19 | 0:36:20 | |
Isn't there? | 0:36:23 | 0:36:24 | |
Yes, all right. | 0:36:28 | 0:36:29 | |
I confess. | 0:36:30 | 0:36:31 | |
Monsieur Bisset! | 0:36:31 | 0:36:33 | |
But, please, it was an accident. | 0:36:33 | 0:36:35 | |
He just ran in front of the car. | 0:36:37 | 0:36:39 | |
The car? | 0:36:39 | 0:36:40 | |
He just lay there... | 0:36:40 | 0:36:42 | |
What are you on about? | 0:36:42 | 0:36:43 | |
Bacchus. | 0:36:43 | 0:36:44 | |
Tom's dog. | 0:36:44 | 0:36:46 | |
Oh, dear. | 0:36:51 | 0:36:53 | |
I tell you what. Cos I like you, I'll get rid of the body. | 0:36:53 | 0:36:56 | |
Get that headlight fixed and the colonel will be none the wiser. | 0:36:56 | 0:36:59 | |
They'll think he ran away. | 0:36:59 | 0:37:00 | |
What will you do with him? | 0:37:00 | 0:37:02 | |
I know just the place. Pop him on the back. | 0:37:02 | 0:37:04 | |
Then you burned your shirt in case anybody saw the blood. | 0:37:07 | 0:37:09 | |
The colonel would have fired me. | 0:37:10 | 0:37:12 | |
Please, I love my job. | 0:37:13 | 0:37:15 | |
Nobody would pay me to make wine. | 0:37:15 | 0:37:17 | |
Mmm. | 0:37:17 | 0:37:18 | |
Gregoire's qualifications were somewhat exaggerated. | 0:37:18 | 0:37:22 | |
I don't think Sergeant Hawkins speaks French | 0:37:23 | 0:37:25 | |
because this letter appears to commend your talents | 0:37:25 | 0:37:28 | |
as a reliable delivery driver. | 0:37:28 | 0:37:30 | |
It was a misunderstanding. I just needed a job. | 0:37:31 | 0:37:34 | |
And I showed the letter to the colonel and... | 0:37:34 | 0:37:36 | |
He seemed to think that I... | 0:37:36 | 0:37:38 | |
Well...the next thing I knew, | 0:37:38 | 0:37:41 | |
I was his vigneron. | 0:37:41 | 0:37:42 | |
So you know nothing about making wine? | 0:37:42 | 0:37:45 | |
I found a book in a second-hand shop. It's been most helpful. | 0:37:45 | 0:37:48 | |
But yours is, perhaps, the greatest lie of all. | 0:37:53 | 0:37:56 | |
You were first to the study, weren't you? | 0:37:56 | 0:37:58 | |
I found Gibbs. He weren't breathing. | 0:38:01 | 0:38:03 | |
I told the colonel that I wanted Gibbs dealt with. | 0:38:06 | 0:38:08 | |
I didn't think he'd kill him. | 0:38:08 | 0:38:10 | |
Get rid of it, | 0:38:10 | 0:38:12 | |
then wash your hands. | 0:38:12 | 0:38:13 | |
Say nothing. | 0:38:13 | 0:38:15 | |
Yes, sir. | 0:38:15 | 0:38:16 | |
So, you agreed to hide the revolver to help the colonel. | 0:38:17 | 0:38:20 | |
He changed my life. | 0:38:21 | 0:38:23 | |
The colonel, sergeant, I don't care what he is, I'd still be on the streets if it weren't for him. | 0:38:23 | 0:38:27 | |
But he thinks you killed Gibbs. | 0:38:28 | 0:38:30 | |
What?! | 0:38:31 | 0:38:32 | |
How would you have known how to get into the safe? | 0:38:32 | 0:38:34 | |
Still less that the revolver was in there? | 0:38:35 | 0:38:38 | |
No. It wasn't you. | 0:38:38 | 0:38:40 | |
Two shots. | 0:38:40 | 0:38:42 | |
I think the first shot was an accident. | 0:38:42 | 0:38:45 | |
Somebody dropped the Enfield No.2 | 0:38:45 | 0:38:48 | |
and it misfired. | 0:38:49 | 0:38:50 | |
Somebody frail. | 0:38:52 | 0:38:54 | |
Somebody frightened. | 0:38:54 | 0:38:55 | |
They then managed to pick the revolver back up | 0:38:56 | 0:38:58 | |
and shoot Gibbs dead. | 0:38:58 | 0:39:01 | |
What's in the locket? | 0:39:03 | 0:39:05 | |
The key to your husband's heart? | 0:39:06 | 0:39:08 | |
Oh! | 0:39:09 | 0:39:10 | |
My little joke. | 0:39:10 | 0:39:12 | |
My husband had the safe installed. | 0:39:14 | 0:39:16 | |
All he really cared about was money. | 0:39:17 | 0:39:19 | |
What happened last night? | 0:39:28 | 0:39:30 | |
I heard a noise. Somebody breaking in. | 0:39:36 | 0:39:38 | |
So... | 0:39:38 | 0:39:40 | |
..I went to get the gun. | 0:39:40 | 0:39:42 | |
Anthony... | 0:39:42 | 0:39:44 | |
Oh, Sergeant Hawkins, is it? | 0:39:44 | 0:39:45 | |
..told me that he kept one in the safe, to reassure me, I suppose. | 0:39:46 | 0:39:49 | |
But... | 0:39:50 | 0:39:51 | |
..the gun wasn't the only thing I found. | 0:39:53 | 0:39:55 | |
I recognised the handwriting straight away. | 0:39:55 | 0:39:58 | |
Anthony always did funny Hs. | 0:39:58 | 0:40:00 | |
DOOR CREAKS OPEN | 0:40:01 | 0:40:02 | |
-Don't worry, I'm just here for what I'm owed. -Get out! | 0:40:06 | 0:40:09 | |
Get out or I'll call my son! | 0:40:09 | 0:40:11 | |
Your son is dead, old woman. | 0:40:11 | 0:40:13 | |
And you will be next unless you keep your mouth shut! | 0:40:13 | 0:40:16 | |
But, then, you know... | 0:40:29 | 0:40:31 | |
..I think I always knew | 0:40:32 | 0:40:35 | |
Sergeant Hawkins wasn't | 0:40:35 | 0:40:37 | |
my Anthony. | 0:40:37 | 0:40:39 | |
Perhaps it was easier to go along with it than to accept the truth? | 0:40:41 | 0:40:44 | |
My son is dead, isn't he? | 0:40:48 | 0:40:50 | |
Yes. | 0:40:51 | 0:40:52 | |
But why didn't you tell the truth straightaway? | 0:40:54 | 0:40:57 | |
Nobody would have blamed you. It was self-defence. | 0:40:57 | 0:40:59 | |
I wanted that impostor to take the blame. | 0:41:02 | 0:41:05 | |
He lied to me! | 0:41:06 | 0:41:07 | |
And he should hang for that? | 0:41:08 | 0:41:10 | |
Shouldn't he? | 0:41:10 | 0:41:12 | |
When you think about it, | 0:41:12 | 0:41:13 | |
Sergeant Hawkins has dedicated his life to fulfilling your son's dying wish. | 0:41:13 | 0:41:16 | |
He built up his vineyard, he looking after you. | 0:41:18 | 0:41:21 | |
I do not agree with the deception, | 0:41:22 | 0:41:23 | |
but neither do I think him an evil man. | 0:41:23 | 0:41:25 | |
Do you? | 0:41:27 | 0:41:29 | |
Rise and shine. | 0:41:38 | 0:41:39 | |
Am I going to court? | 0:41:39 | 0:41:41 | |
Somebody's confessed. | 0:41:41 | 0:41:42 | |
Emily? | 0:41:44 | 0:41:45 | |
No. Lady Edna. | 0:41:45 | 0:41:46 | |
You're not serious? | 0:41:46 | 0:41:48 | |
The second set of prints on the gun belonged to her. | 0:41:48 | 0:41:50 | |
She's not being charged, either. | 0:41:50 | 0:41:52 | |
Apparently it was reasonable self-defence. | 0:41:52 | 0:41:55 | |
I'll explain everything later. | 0:41:56 | 0:41:57 | |
But, meanwhile, there are some people who want to meet Joe Hawkins. | 0:41:57 | 0:42:01 | |
Welcome home, sir. | 0:42:08 | 0:42:09 | |
Thanks, Tom. | 0:42:09 | 0:42:10 | |
Welcome home, Colonel. | 0:42:15 | 0:42:17 | |
Call me Joe. | 0:42:18 | 0:42:19 | |
And er... | 0:42:19 | 0:42:21 | |
..I was only ever a sergeant. | 0:42:21 | 0:42:22 | |
Congratulations. | 0:42:31 | 0:42:33 | |
I wondered how long it would take. | 0:42:33 | 0:42:35 | |
Thank you, sir. | 0:42:38 | 0:42:40 | |
Nothing to say for yourself? | 0:42:52 | 0:42:54 | |
Forgive me, Lady Edna. | 0:42:54 | 0:42:57 | |
My intention was never to dishonour your son's name, | 0:42:58 | 0:43:02 | |
only to honour his love for you. | 0:43:02 | 0:43:04 | |
Sentimental claptrap! | 0:43:05 | 0:43:07 | |
Listen, whoever you are, | 0:43:08 | 0:43:10 | |
you've carried me up and down these stairs, | 0:43:10 | 0:43:12 | |
listened to me wittering on for hours | 0:43:12 | 0:43:15 | |
and kept this old pile of stones going. | 0:43:15 | 0:43:17 | |
Whatever charade brought you here... | 0:43:19 | 0:43:21 | |
..this is your home. | 0:43:22 | 0:43:24 | |
But let's have no more of this sergeant nonsense. | 0:43:27 | 0:43:30 | |
Colonel's much better. | 0:43:30 | 0:43:32 | |
Whoever's going to buy wine from Sergeant Hawkins? | 0:43:32 | 0:43:35 | |
Huh? | 0:43:35 | 0:43:36 |