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CHOIR: # All creatures of our God and King | 0:00:02 | 0:00:05 | |
# Lift up your voice and with us sing | 0:00:05 | 0:00:09 | |
# Hallelujah ... # | 0:00:09 | 0:00:11 | |
ENGINE BACKFIRES | 0:00:11 | 0:00:15 | |
ENGINE CUTS OUT | 0:00:15 | 0:00:19 | |
# Thou silver moon with softer gleam | 0:00:19 | 0:00:23 | |
# O praise Him | 0:00:23 | 0:00:26 | |
# O praise Him | 0:00:26 | 0:00:28 | |
# Hallelujah | 0:00:28 | 0:00:30 | |
# Hallelujah | 0:00:30 | 0:00:32 | |
# Hallelujah | 0:00:32 | 0:00:36 | |
# Thou rushing wind that art so strong | 0:00:36 | 0:00:41 | |
# Ye clouds that sail in heaven along | 0:00:41 | 0:00:45 | |
# Hallelujah | 0:00:45 | 0:00:47 | |
# Hallelujah | 0:00:47 | 0:00:51 | |
# Thou fire so masterful and bright | 0:00:51 | 0:00:55 | |
# Providing us with warmth and light | 0:00:55 | 0:00:59 | |
# O praise Him. # | 0:00:59 | 0:01:02 | |
GUN BLAST | 0:01:02 | 0:01:04 | |
GUN BLAST | 0:01:21 | 0:01:23 | |
To get all the way to the final and then to lose to that bunch of... | 0:01:52 | 0:01:57 | |
Would you please slow down? | 0:01:57 | 0:01:59 | |
This vehicle is in need of a jolly good clean. | 0:01:59 | 0:02:01 | |
I should never have given Sid any time off. | 0:02:01 | 0:02:04 | |
For the last time, will you slow down? | 0:02:04 | 0:02:07 | |
Urgh, vile. | 0:02:07 | 0:02:09 | |
If he thinks he's getting a tip... | 0:02:09 | 0:02:12 | |
I've got a good mind to get out and walk! | 0:02:12 | 0:02:14 | |
Beastly little man. | 0:02:17 | 0:02:19 | |
Good riddance, I say. | 0:02:19 | 0:02:20 | |
Where exactly are we? | 0:02:21 | 0:02:24 | |
Miles from anywhere. | 0:02:24 | 0:02:26 | |
Salam. | 0:02:43 | 0:02:45 | |
-A naked man. -Really? | 0:02:51 | 0:02:54 | |
Over there. | 0:02:54 | 0:02:56 | |
He walked straight out in front of me. | 0:02:56 | 0:02:58 | |
Well, he's not there now. | 0:02:59 | 0:03:01 | |
How much wine have you actually had? | 0:03:01 | 0:03:03 | |
Evesham is just over that hill. | 0:03:03 | 0:03:06 | |
Oh, Lord Delcott lives there. He'll arrange a lift. | 0:03:06 | 0:03:10 | |
Right. | 0:03:10 | 0:03:11 | |
Come along. | 0:03:11 | 0:03:13 | |
And where is Evesham? | 0:03:21 | 0:03:22 | |
Ah. | 0:03:24 | 0:03:26 | |
These heels are murder. | 0:03:26 | 0:03:27 | |
Oh. Ugh. | 0:03:30 | 0:03:31 | |
Is that blood? | 0:03:31 | 0:03:33 | |
Probably animal. | 0:03:33 | 0:03:35 | |
There's a lot of traps about. | 0:03:35 | 0:03:38 | |
Diabolical contraptions. | 0:03:38 | 0:03:40 | |
LADIES GASP | 0:03:40 | 0:03:42 | |
Let's head for that building over there. | 0:03:47 | 0:03:49 | |
If I had known you were invited, I'd never have come. | 0:03:56 | 0:03:59 | |
Deviant. | 0:04:00 | 0:04:01 | |
You're no different to me. | 0:04:04 | 0:04:06 | |
In fact, you're worse. | 0:04:06 | 0:04:08 | |
Nothing but a whining hypocrite. | 0:04:08 | 0:04:10 | |
Not fighting over me, I hope? | 0:04:12 | 0:04:14 | |
Forgive my behaviour, madame. | 0:04:16 | 0:04:18 | |
Why, Dr Barashi, | 0:04:21 | 0:04:24 | |
your pipe has gone out. | 0:04:24 | 0:04:26 | |
If you need a refill, there's more in the lounge. | 0:04:27 | 0:04:30 | |
So... | 0:04:32 | 0:04:34 | |
have my two little tarts arrived yet? | 0:04:34 | 0:04:37 | |
No. | 0:04:37 | 0:04:38 | |
But forget about them. | 0:04:38 | 0:04:40 | |
Tomorrow evening, you will have all the pleasure you desire. | 0:04:40 | 0:04:44 | |
Tomorrow! | 0:04:45 | 0:04:47 | |
I should have stayed in London another night. | 0:04:47 | 0:04:49 | |
GUN BLASTS | 0:04:53 | 0:04:56 | |
You madman! | 0:04:56 | 0:04:58 | |
It was an accident. | 0:04:58 | 0:05:00 | |
No. | 0:05:00 | 0:05:02 | |
It's because I beat him at poker. | 0:05:02 | 0:05:04 | |
Syrus, watch where you're pointing that. | 0:05:04 | 0:05:07 | |
She means the pistol. | 0:05:07 | 0:05:09 | |
Madame Chania, I will not be an object of fun! | 0:05:09 | 0:05:12 | |
Please, calm down. | 0:05:12 | 0:05:14 | |
You have mocked me for the last time. | 0:05:14 | 0:05:16 | |
-It's always the same. -Syrus... | 0:05:16 | 0:05:18 | |
Insults whenever we meet. | 0:05:18 | 0:05:20 | |
London, Paris, Rome. | 0:05:20 | 0:05:22 | |
Still not working. | 0:05:49 | 0:05:51 | |
And my guests arrived by taxi, so there's no-one here to drive you. | 0:05:51 | 0:05:54 | |
Are there no vehicles? | 0:05:54 | 0:05:56 | |
No. | 0:05:56 | 0:05:57 | |
Well, it's getting very late. We'll have to stay the night. | 0:05:57 | 0:06:00 | |
In Sodom and Gomorrah? | 0:06:00 | 0:06:01 | |
Sorry, we're fully booked. | 0:06:01 | 0:06:03 | |
Surely you can find them somewhere. | 0:06:03 | 0:06:05 | |
Thank heavens he's dressed. | 0:06:05 | 0:06:07 | |
-Perhaps the maid could give up her room for the lady? -Er... | 0:06:07 | 0:06:10 | |
I can sleep in the attic, madame. | 0:06:12 | 0:06:14 | |
Very well. And the good Father can stay in the cottage... | 0:06:14 | 0:06:17 | |
with your servant. | 0:06:17 | 0:06:20 | |
-Servant? -What a splendid idea. Problem solved. | 0:06:20 | 0:06:23 | |
Fork! | 0:06:27 | 0:06:28 | |
Apologies. | 0:06:31 | 0:06:33 | |
Feed me. | 0:06:37 | 0:06:38 | |
Scusi? | 0:06:38 | 0:06:40 | |
Feed me. | 0:06:40 | 0:06:42 | |
Please, help yourself to food and drink. | 0:06:54 | 0:06:57 | |
Mimi, could you pour the wine? | 0:06:57 | 0:07:00 | |
So, have you owned this place long? | 0:07:06 | 0:07:09 | |
I am only leasing it. | 0:07:09 | 0:07:11 | |
A little venture of mine while staying in your beautiful country. | 0:07:11 | 0:07:16 | |
So... | 0:07:16 | 0:07:18 | |
the priest is staying the night? | 0:07:18 | 0:07:20 | |
Yes. May be fun watching his halo slip, no? | 0:07:20 | 0:07:24 | |
You are very honoured. | 0:07:24 | 0:07:26 | |
Madame Chania's guests are invitation only. | 0:07:27 | 0:07:30 | |
How do you all know each other? | 0:07:30 | 0:07:33 | |
Actually, I only know my guests by reputation. | 0:07:33 | 0:07:36 | |
International playboys, very notorious. | 0:07:36 | 0:07:39 | |
Really? | 0:07:39 | 0:07:41 | |
When I heard they were in London for a poker tournament, | 0:07:41 | 0:07:44 | |
I just had to invite them for the weekend. | 0:07:44 | 0:07:47 | |
An offer we could not resist. | 0:07:47 | 0:07:49 | |
Really? | 0:07:49 | 0:07:50 | |
Tomorrow night, | 0:07:50 | 0:07:52 | |
we have a touring entourage of genuine Japanese geishas, | 0:07:52 | 0:07:56 | |
all willing to fulfil any whim | 0:07:56 | 0:08:00 | |
or any desire of my guests. | 0:08:00 | 0:08:03 | |
Oh. | 0:08:03 | 0:08:04 | |
We'll be gone by then. | 0:08:04 | 0:08:06 | |
Do you partake in the, er... | 0:08:06 | 0:08:09 | |
..entertainment? | 0:08:11 | 0:08:13 | |
-I am not attracted to women, if that's what you mean. -Oh, no... | 0:08:13 | 0:08:17 | |
My passion is providing pleasure for others. | 0:08:17 | 0:08:20 | |
-You do not approve, Father? -Well... | 0:08:22 | 0:08:25 | |
We all have passionate desires we should embrace, | 0:08:28 | 0:08:32 | |
whether it be fine food, alcohol... | 0:08:32 | 0:08:36 | |
Sex. | 0:08:36 | 0:08:37 | |
Naturism. | 0:08:37 | 0:08:39 | |
Or even religion. | 0:08:39 | 0:08:41 | |
We cannot, should not, deny what makes us happy. | 0:08:43 | 0:08:46 | |
Mmm... | 0:08:49 | 0:08:51 | |
but there's the paradox. | 0:08:51 | 0:08:53 | |
Paradox? | 0:08:53 | 0:08:55 | |
Well, happiness is an unexpected gift. | 0:08:55 | 0:08:57 | |
It is evasive. | 0:08:59 | 0:09:00 | |
If we pursue it, we will never achieve it. | 0:09:01 | 0:09:04 | |
Utter nonsense. | 0:09:06 | 0:09:08 | |
No, the Father has a point. | 0:09:08 | 0:09:10 | |
I've spent years overindulging, and for what? | 0:09:10 | 0:09:13 | |
I'm not even sure what it is to be happy. | 0:09:15 | 0:09:18 | |
Oh, Count, not thinking of retiring and settling down, are we? | 0:09:18 | 0:09:23 | |
Who knows? | 0:09:23 | 0:09:25 | |
Isn't that for the guests? | 0:09:42 | 0:09:43 | |
Still no sign of the girls I ordered. | 0:09:47 | 0:09:50 | |
Sorry, no. | 0:09:50 | 0:09:52 | |
Well... | 0:09:54 | 0:09:55 | |
I can't wait. | 0:09:55 | 0:09:57 | |
Name your price. | 0:09:57 | 0:09:59 | |
Please do not ask me that. | 0:09:59 | 0:10:02 | |
Oh, sorry. | 0:10:04 | 0:10:06 | |
I didn't mean to offend you. | 0:10:06 | 0:10:08 | |
I'm frightfully sorry, but my head is simply splitting. | 0:10:11 | 0:10:15 | |
The first left at the top of the stairs. | 0:10:15 | 0:10:18 | |
Thank you. Good night. | 0:10:18 | 0:10:21 | |
Good night. | 0:10:21 | 0:10:22 | |
You've had more helpings than me, Father. | 0:10:24 | 0:10:27 | |
Lovely. Really lovely. | 0:10:27 | 0:10:30 | |
"A weekend of unbridled excess." | 0:10:30 | 0:10:33 | |
More like a child's party. | 0:10:33 | 0:10:36 | |
Patience, Doctor. Patience. | 0:10:36 | 0:10:39 | |
Most here are dreadful bores. | 0:10:44 | 0:10:47 | |
If it were not for you, I would have retired to my room. | 0:10:47 | 0:10:50 | |
Oh. | 0:10:50 | 0:10:52 | |
Mrs McCarthy, may I speak freely? | 0:10:52 | 0:10:55 | |
If you must. | 0:10:56 | 0:10:58 | |
The moment I saw you, I knew there was something very... | 0:10:59 | 0:11:05 | |
simple about you. | 0:11:05 | 0:11:07 | |
Simple? | 0:11:07 | 0:11:10 | |
Forgive my English. | 0:11:10 | 0:11:12 | |
Wholesome. Homely. | 0:11:12 | 0:11:16 | |
In my circles, that is a breath of fresh air. | 0:11:16 | 0:11:20 | |
Oh... | 0:11:22 | 0:11:24 | |
Father Brown. | 0:11:24 | 0:11:26 | |
Looks like your whisky infused cake does not agree with the Father. | 0:11:27 | 0:11:31 | |
It's more likely to be the infusion of opium. | 0:11:31 | 0:11:35 | |
You didn't? | 0:11:35 | 0:11:37 | |
I did. | 0:11:37 | 0:11:38 | |
KNOCKING | 0:11:43 | 0:11:44 | |
Come in. | 0:11:44 | 0:11:46 | |
Lady Felicia, please, may I get my things? | 0:11:48 | 0:11:52 | |
Of course. | 0:11:52 | 0:11:54 | |
Shiatsu is very good for headaches. | 0:11:56 | 0:11:58 | |
Is that Russian? | 0:11:58 | 0:12:01 | |
Allow me to demonstrate. | 0:12:01 | 0:12:03 | |
Very kind. | 0:12:03 | 0:12:05 | |
Please. Close your eyes. | 0:12:07 | 0:12:10 | |
-Mm. -That's it. | 0:12:16 | 0:12:18 | |
Just relax. | 0:12:18 | 0:12:20 | |
Wonderful. | 0:12:22 | 0:12:23 | |
We all have pressure points throughout our bodies. | 0:12:25 | 0:12:28 | |
Some dull the senses. | 0:12:28 | 0:12:32 | |
And others arouse them. | 0:12:32 | 0:12:37 | |
I really must go to bed. | 0:12:37 | 0:12:39 | |
I'm afraid the cottage only has one bedroom. | 0:12:41 | 0:12:44 | |
I'll sleep here. | 0:12:46 | 0:12:47 | |
Are you all right? | 0:12:50 | 0:12:51 | |
Mm. | 0:12:51 | 0:12:53 | |
Are you in pain? | 0:12:53 | 0:12:55 | |
Pain, pleasure... | 0:12:55 | 0:12:57 | |
As a hedonist, I choose the latter. | 0:12:57 | 0:13:00 | |
Can't have one without the other. | 0:13:02 | 0:13:03 | |
Who says I can't, you big meanie? | 0:13:03 | 0:13:08 | |
It's getting very late. | 0:13:08 | 0:13:10 | |
We all have passionate desires we should embrace, | 0:13:12 | 0:13:18 | |
like food, embrace, alcohol, or even religion. | 0:13:18 | 0:13:23 | |
It was near her body. | 0:13:47 | 0:13:49 | |
Pixie's Palace. Tibb Street, Evesham. | 0:13:49 | 0:13:53 | |
The two tarts I hired. | 0:13:53 | 0:13:55 | |
The doctor could not wait for tonight's geishas, | 0:13:55 | 0:13:59 | |
so yesterday booked two girls from a local bordello. | 0:13:59 | 0:14:02 | |
They never arrived. Or so we thought. | 0:14:02 | 0:14:05 | |
So where's the other girl? | 0:14:07 | 0:14:08 | |
The blood on the hill. | 0:14:08 | 0:14:10 | |
Madame Chania, I cannot call the police. | 0:14:12 | 0:14:14 | |
The line is still dead. | 0:14:14 | 0:14:16 | |
Yes, it's been cut. | 0:14:16 | 0:14:19 | |
May I get you a drink, Mrs McCarthy? | 0:14:21 | 0:14:25 | |
No. You may not. | 0:14:25 | 0:14:26 | |
The sooner I am away from this hotel, the better. | 0:14:26 | 0:14:30 | |
Perhaps when we have left here, you would allow me to call on you? | 0:14:30 | 0:14:33 | |
And take you for English tea? | 0:14:33 | 0:14:36 | |
I'm afraid not. | 0:14:36 | 0:14:37 | |
It was foolish of me to accept Madame Chania's invitation. | 0:14:39 | 0:14:42 | |
Meeting you has made me realise that. | 0:14:42 | 0:14:47 | |
You barely know me. | 0:14:47 | 0:14:49 | |
It's strange, but it does not feel like that to me. | 0:14:49 | 0:14:55 | |
It was hidden in the bushes near the cottage. | 0:14:57 | 0:14:59 | |
Must be the girl's. | 0:15:03 | 0:15:05 | |
-Is it working? -It won't start. | 0:15:05 | 0:15:07 | |
So we're still stuck here. | 0:15:07 | 0:15:09 | |
I'm sure it's fixable. | 0:15:09 | 0:15:11 | |
I've covered the body. | 0:15:11 | 0:15:13 | |
Thank you. | 0:15:13 | 0:15:15 | |
That's very decent of you. | 0:15:15 | 0:15:17 | |
You know, Father, there is only one man in this hotel | 0:15:17 | 0:15:21 | |
who hates women enough to kill them. | 0:15:21 | 0:15:23 | |
I shall be taking all my meals in my room from now on. | 0:15:28 | 0:15:32 | |
It's the safest place. | 0:15:32 | 0:15:34 | |
Very good, sir. | 0:15:34 | 0:15:36 | |
You know, after death, it's an instinct to procreate. | 0:15:36 | 0:15:41 | |
It's a biological urge. | 0:15:41 | 0:15:45 | |
Dr Barashi. | 0:15:45 | 0:15:47 | |
Do not touch her again. | 0:15:48 | 0:15:51 | |
Why would you care? | 0:15:51 | 0:15:53 | |
I heard you last night in your room, slapping her. | 0:15:53 | 0:15:57 | |
How I discipline her is no concern of yours. | 0:15:57 | 0:16:00 | |
She is my servant. | 0:16:00 | 0:16:02 | |
Are you all right? | 0:16:14 | 0:16:16 | |
I am a servant. | 0:16:16 | 0:16:18 | |
As are you, Father. | 0:16:18 | 0:16:22 | |
Fulfilling Madame Chania's wishes is what pleases me. | 0:16:22 | 0:16:26 | |
I do it willingly and gladly. | 0:16:26 | 0:16:28 | |
But you are so much more than just a servant. | 0:16:31 | 0:16:34 | |
Forgive me, Father, but I have things to do. | 0:16:37 | 0:16:40 | |
Come with me on one of my naturist walks. | 0:16:59 | 0:17:02 | |
Oh, Syrus. | 0:17:02 | 0:17:03 | |
It will make you feel alive. | 0:17:03 | 0:17:06 | |
You know, you remind me of a puppy I once had. | 0:17:06 | 0:17:10 | |
A puppy? | 0:17:10 | 0:17:12 | |
Always licking. | 0:17:12 | 0:17:14 | |
Lick, lick, lick. | 0:17:14 | 0:17:19 | |
Have you fixed it? | 0:17:23 | 0:17:25 | |
Yes, it was just an oil leak. | 0:17:25 | 0:17:28 | |
Well, you should go immediately to the police. | 0:17:28 | 0:17:30 | |
Ladies, I think you should go with him. | 0:17:30 | 0:17:33 | |
-On that thing? -It's not safe to stay. | 0:17:33 | 0:17:35 | |
But what about you, Father? | 0:17:35 | 0:17:36 | |
I'll be fine until the police arrive. | 0:17:36 | 0:17:38 | |
I thought I might go back up the hill, where we found the blood. | 0:17:38 | 0:17:42 | |
GUNSHOTS | 0:17:45 | 0:17:47 | |
Pity that's not all he has his sights on. | 0:17:50 | 0:17:53 | |
You mean Mimi. Poor girl. | 0:17:53 | 0:17:57 | |
Strange how people think they can treat her as they please. | 0:17:57 | 0:18:01 | |
Forget what the doctor said, Father. | 0:18:01 | 0:18:04 | |
The occasional slap keeps her in line. | 0:18:04 | 0:18:07 | |
You said your passion was giving pleasure. | 0:18:07 | 0:18:09 | |
Why then would you want to hurt someone? | 0:18:09 | 0:18:13 | |
Getting some practice in, Father. | 0:18:18 | 0:18:21 | |
The killer could strike again. | 0:18:21 | 0:18:23 | |
Indeed. | 0:18:23 | 0:18:25 | |
Care to join me? | 0:18:25 | 0:18:26 | |
No, thank you. | 0:18:26 | 0:18:29 | |
Drive carefully. | 0:18:30 | 0:18:32 | |
I am not going on the back. | 0:18:32 | 0:18:34 | |
Well, I can't get my legs that wide. | 0:18:36 | 0:18:40 | |
Oh, you really are impossible. | 0:18:40 | 0:18:42 | |
Can you tell me your name? | 0:18:58 | 0:19:00 | |
Where are you from? | 0:19:02 | 0:19:03 | |
Cuba. | 0:19:07 | 0:19:08 | |
Oh, damn. | 0:19:25 | 0:19:27 | |
Sorry, ladies. | 0:19:27 | 0:19:30 | |
I'll check the garage for petrol. | 0:19:32 | 0:19:35 | |
Won't be a moment. | 0:19:35 | 0:19:37 | |
I am perfectly capable, thank you. | 0:19:42 | 0:19:45 | |
Lady Felicia! | 0:20:03 | 0:20:05 | |
Lady Felicia! | 0:20:05 | 0:20:06 | |
Fire! Fire! | 0:20:14 | 0:20:17 | |
Oh, hello! | 0:20:17 | 0:20:18 | |
Fire! Fire! Fire! | 0:20:18 | 0:20:21 | |
-Fire. -What? | 0:20:23 | 0:20:25 | |
Fire! | 0:20:25 | 0:20:26 | |
We could have been killed. | 0:20:45 | 0:20:48 | |
Yes. | 0:20:48 | 0:20:50 | |
Thank you for saving my life! | 0:20:50 | 0:20:52 | |
Are you all right? | 0:20:56 | 0:20:58 | |
I think so. | 0:20:58 | 0:21:00 | |
What happened? | 0:21:00 | 0:21:02 | |
A leak in the petrol tank. | 0:21:02 | 0:21:04 | |
Didn't you notice when you repaired it? | 0:21:04 | 0:21:06 | |
Someone must have punctured it when I left it outside the hotel. | 0:21:06 | 0:21:10 | |
It looks like the killer doesn't want us to leave, | 0:21:10 | 0:21:14 | |
until they're finished with us. | 0:21:14 | 0:21:17 | |
Barashi is behind this! | 0:21:26 | 0:21:28 | |
He hasn't even come out to see what caused the explosion. | 0:21:28 | 0:21:31 | |
-That's just how he is. -No. | 0:21:31 | 0:21:33 | |
I'm so pleased you're all right. | 0:21:33 | 0:21:36 | |
Hey, Barashi. | 0:21:45 | 0:21:47 | |
Take cover. | 0:21:52 | 0:21:53 | |
Lord and his Holy Saints! | 0:21:53 | 0:21:55 | |
-Father! -The killer's out there. | 0:21:55 | 0:21:57 | |
Get down. | 0:21:57 | 0:21:59 | |
He was killed by his own gun. | 0:21:59 | 0:22:02 | |
But the pistol was pointing away from him. | 0:22:08 | 0:22:10 | |
He wasn't killed by a bullet. | 0:22:10 | 0:22:13 | |
The firing pin went backwards into his forehead. | 0:22:13 | 0:22:17 | |
So it was tampered with. | 0:22:17 | 0:22:19 | |
Modified. | 0:22:19 | 0:22:20 | |
Yes. The safety catch has been removed. | 0:22:20 | 0:22:24 | |
But how did the killer know Dr Barashi would choose that pistol? | 0:22:26 | 0:22:30 | |
They didn't. The killer doesn't care who dies. | 0:22:33 | 0:22:36 | |
So any one of us could be next. | 0:22:36 | 0:22:39 | |
I think until the killer is caught, we should stay together. | 0:22:41 | 0:22:45 | |
Yes. | 0:22:45 | 0:22:48 | |
I wonder who's doing it? | 0:22:48 | 0:22:50 | |
I don't know, but I'm sure it's not the Count. | 0:22:50 | 0:22:54 | |
He seems very gentle. | 0:22:54 | 0:22:57 | |
He's very taken with you. | 0:22:57 | 0:22:59 | |
Nonsense. | 0:22:59 | 0:23:01 | |
He's also very rich with a title. You could do worse. | 0:23:01 | 0:23:06 | |
Madame Chania, come away. The killer could be out there. | 0:23:10 | 0:23:13 | |
So you don't think it's one of us? | 0:23:13 | 0:23:16 | |
Who knows? But better to be safe. | 0:23:16 | 0:23:18 | |
Mimi told me to come up. | 0:23:21 | 0:23:24 | |
All this killing has unnerved me. | 0:23:24 | 0:23:28 | |
I'm scared to be alone. | 0:23:28 | 0:23:31 | |
The Count, madame. | 0:23:44 | 0:23:46 | |
You wanted to see me? | 0:23:46 | 0:23:48 | |
I do not understand. | 0:23:52 | 0:23:54 | |
I need to feel safe. | 0:23:54 | 0:23:55 | |
And I've always found, well, two men are better than one. | 0:23:55 | 0:24:00 | |
Please! | 0:24:03 | 0:24:04 | |
Syrus does not share his women with anyone! | 0:24:04 | 0:24:07 | |
"The Unholy Virgin". | 0:24:20 | 0:24:22 | |
And "Vixens on Horseback". | 0:24:24 | 0:24:27 | |
And "Hellcats of the Night". | 0:24:27 | 0:24:30 | |
Father. | 0:24:30 | 0:24:33 | |
Syrus. | 0:24:33 | 0:24:34 | |
So what do you think we should do, Father? | 0:24:34 | 0:24:37 | |
Perhaps I should hike up to the road, hitch a lift. | 0:24:39 | 0:24:42 | |
Are you mad? | 0:24:42 | 0:24:44 | |
Out in the open, the killer could pick you off like that. | 0:24:44 | 0:24:46 | |
Yes. | 0:24:46 | 0:24:48 | |
Sounds like someone's enjoying themselves. | 0:24:53 | 0:24:55 | |
Indeed. | 0:24:55 | 0:24:57 | |
I think I'll get some fresh air. | 0:24:59 | 0:25:02 | |
Oh, thank goodness, you're here. | 0:25:15 | 0:25:18 | |
Are you the proprietor? | 0:25:18 | 0:25:20 | |
Yes, but how did you know to come? | 0:25:20 | 0:25:23 | |
There's a young woman with a gunshot wound. | 0:25:23 | 0:25:25 | |
We thought she was from Cuba, | 0:25:25 | 0:25:27 | |
but then I remembered this place. | 0:25:27 | 0:25:29 | |
Actually, sir, it was my idea. Local knowledge. | 0:25:29 | 0:25:32 | |
Don't interrupt, Sergeant. | 0:25:32 | 0:25:33 | |
As I was saying... | 0:25:33 | 0:25:35 | |
Morning, Inspector. | 0:25:35 | 0:25:37 | |
No, it can't be. | 0:25:37 | 0:25:39 | |
Hmm, it is. | 0:25:42 | 0:25:44 | |
The girl was local. | 0:25:47 | 0:25:48 | |
And there's another one by the cottage. | 0:25:48 | 0:25:51 | |
-Sorry? -But she's dead. | 0:25:51 | 0:25:53 | |
There's a body? | 0:25:53 | 0:25:54 | |
Actually, there's two. | 0:25:54 | 0:25:57 | |
WHIMPERING | 0:26:05 | 0:26:08 | |
What's that noise? | 0:26:08 | 0:26:10 | |
It sounds like whimpering. | 0:26:10 | 0:26:13 | |
SHE SCREAMS | 0:26:24 | 0:26:27 | |
Oh, Inspector, thank heavens! | 0:26:31 | 0:26:34 | |
What's happened? | 0:26:34 | 0:26:36 | |
The maid. She's killed the Count. | 0:26:36 | 0:26:39 | |
I just found him on the floor. | 0:26:45 | 0:26:48 | |
Don't touch the weapon. | 0:26:48 | 0:26:50 | |
Mimi. | 0:26:50 | 0:26:51 | |
Your hands. | 0:26:51 | 0:26:53 | |
I shook him to see if he was alive. | 0:26:53 | 0:26:55 | |
Arrest her. | 0:26:55 | 0:26:56 | |
But she is not capable! | 0:26:56 | 0:26:58 | |
Father, please, they're making a mistake. | 0:26:58 | 0:27:01 | |
Straight down. It will help. | 0:27:04 | 0:27:07 | |
Oh, the poor Count. | 0:27:11 | 0:27:13 | |
Mrs McCarthy. | 0:27:13 | 0:27:14 | |
Father, you must help her. Mimi would not hurt a soul. | 0:27:14 | 0:27:18 | |
Right. I need to take statements from everyone. | 0:27:20 | 0:27:23 | |
Let's start with you, Father. | 0:27:23 | 0:27:26 | |
Silly me. | 0:27:27 | 0:27:29 | |
Where are you off to? | 0:27:30 | 0:27:32 | |
Is this your room, Father? | 0:27:39 | 0:27:41 | |
Madame Chania's. | 0:27:41 | 0:27:43 | |
The chandelier directly below shook several times before you arrived. | 0:27:45 | 0:27:49 | |
Have you gone barking mad? | 0:27:54 | 0:27:56 | |
Drag marks. | 0:27:56 | 0:27:59 | |
To the door that connects with Mimi's room. | 0:27:59 | 0:28:02 | |
So you think the Count was murdered here, | 0:28:03 | 0:28:06 | |
then his body was dragged through there? | 0:28:06 | 0:28:08 | |
Precisely. | 0:28:08 | 0:28:10 | |
Blood? | 0:28:18 | 0:28:19 | |
Father? | 0:28:24 | 0:28:25 | |
Madame Chania, may I have the key to this door? | 0:28:26 | 0:28:29 | |
Of course. | 0:28:29 | 0:28:31 | |
Must be in here somewhere. | 0:28:35 | 0:28:38 | |
What's that? | 0:28:40 | 0:28:41 | |
Safety catch. | 0:28:46 | 0:28:48 | |
Like the one missing from the pistol which killed the doctor. | 0:28:49 | 0:28:52 | |
I've no idea how it got in there. | 0:28:52 | 0:28:55 | |
I don't suppose you know anything about this, do you? | 0:28:55 | 0:28:57 | |
My lighter. | 0:28:57 | 0:28:58 | |
I was wondering whose it was. | 0:28:58 | 0:29:00 | |
I found it on the driveway after the explosion. | 0:29:00 | 0:29:05 | |
It doesn't make any sense. | 0:29:05 | 0:29:06 | |
Madame Chania, I'm arresting you on suspicion of murder. | 0:29:06 | 0:29:10 | |
No! | 0:29:10 | 0:29:12 | |
You're not obliged to say... Madame Chania! | 0:29:12 | 0:29:15 | |
Stop her, Sergeant! | 0:29:19 | 0:29:21 | |
-What are you doing? -Leave her alone. | 0:29:21 | 0:29:23 | |
-Mimi! -Let her go! | 0:29:23 | 0:29:25 | |
Put her in the car. | 0:29:25 | 0:29:27 | |
I'm releasing you without charge. Don't leave the premises. | 0:29:28 | 0:29:32 | |
I'll get you out. I promise. I'll get you out. | 0:29:34 | 0:29:38 | |
Come on. | 0:29:38 | 0:29:40 | |
Come on. | 0:29:42 | 0:29:44 | |
Sit down. | 0:29:50 | 0:29:51 | |
I don't understand. | 0:29:56 | 0:29:58 | |
I owe her everything. | 0:29:58 | 0:30:01 | |
She used you. | 0:30:03 | 0:30:04 | |
No! | 0:30:04 | 0:30:05 | |
She gave me a life, took me off the streets when I had nothing. | 0:30:05 | 0:30:10 | |
-Mimi... -And like you, I'd give up my life for the one I serve. | 0:30:12 | 0:30:17 | |
Father, I've arranged a car to take you back. | 0:30:19 | 0:30:22 | |
Thank you. | 0:30:22 | 0:30:24 | |
But in the meantime, I still need that statement. | 0:30:24 | 0:30:26 | |
Now. | 0:30:26 | 0:30:27 | |
I know, it's very upsetting. | 0:30:41 | 0:30:45 | |
But Father Brown is right. Madame Chania treated you appallingly. | 0:30:47 | 0:30:52 | |
But what am I going to do without her? | 0:30:52 | 0:30:54 | |
You don't need her. You'll cope. | 0:30:54 | 0:30:56 | |
No. | 0:30:56 | 0:30:58 | |
Trust me, you will. | 0:30:58 | 0:30:59 | |
But you mustn't blame yourself. | 0:30:59 | 0:31:02 | |
You're worth more than that. | 0:31:02 | 0:31:04 | |
You really think so? | 0:31:07 | 0:31:09 | |
Yes, I do. | 0:31:09 | 0:31:11 | |
Forgive me, I... | 0:31:22 | 0:31:24 | |
She's just upset, | 0:31:27 | 0:31:29 | |
and like all of us, has been bewitched by Madame Chania. | 0:31:29 | 0:31:32 | |
Those roses have been pruned within an inch of their life. | 0:31:55 | 0:31:59 | |
What would you know about pruning roses? | 0:31:59 | 0:32:01 | |
I know your mind's on the Count. | 0:32:01 | 0:32:03 | |
He was just a stranger. | 0:32:04 | 0:32:06 | |
Strangers can sometimes have the deepest effect on us. | 0:32:06 | 0:32:09 | |
The thrill of the unknown. The danger. | 0:32:09 | 0:32:13 | |
Nonsense. | 0:32:13 | 0:32:15 | |
Well, it seems to me you can look at this in one of two ways. | 0:32:15 | 0:32:18 | |
You can either dwell on what might have been, | 0:32:18 | 0:32:21 | |
or you can cherish the memory. | 0:32:21 | 0:32:23 | |
For a brief moment, somebody made you feel special. | 0:32:23 | 0:32:28 | |
Alive. | 0:32:28 | 0:32:30 | |
I know that look. | 0:32:34 | 0:32:36 | |
I have been racking my brains to find a motive for the murders. | 0:32:38 | 0:32:41 | |
Has Madame Chania confessed? | 0:32:41 | 0:32:43 | |
Insists she's innocent, but won't say any more. | 0:32:43 | 0:32:47 | |
Well, I'm just glad to be away from that hotel. | 0:32:47 | 0:32:50 | |
Even before the murders, there was so much ungodly behaviour. | 0:32:50 | 0:32:54 | |
Indeed. That maid was... | 0:32:54 | 0:32:57 | |
far too tactile. | 0:32:57 | 0:33:00 | |
Oh! | 0:33:01 | 0:33:03 | |
Madame Chania is the killer. | 0:33:03 | 0:33:06 | |
But we already know that. | 0:33:06 | 0:33:08 | |
Where are you off to? | 0:33:08 | 0:33:10 | |
To hitch a ride! | 0:33:10 | 0:33:12 | |
Father Brown. | 0:33:46 | 0:33:47 | |
Ah. There you are. | 0:33:47 | 0:33:51 | |
Going somewhere? | 0:33:53 | 0:33:54 | |
I cannot bear to stay. | 0:33:54 | 0:33:55 | |
But what brings you back, Father? | 0:33:57 | 0:34:00 | |
Books. | 0:34:00 | 0:34:02 | |
Books? | 0:34:05 | 0:34:06 | |
Madame Chania said she wasn't attracted to women, | 0:34:06 | 0:34:09 | |
yet most of her novels appear to be lesbian erotica. | 0:34:09 | 0:34:12 | |
Rather odd. | 0:34:12 | 0:34:14 | |
Unless you are the real Madame Chania. | 0:34:14 | 0:34:19 | |
What? | 0:34:19 | 0:34:21 | |
You changed roles with your maid before the guests arrived. | 0:34:21 | 0:34:25 | |
You're not serious? | 0:34:25 | 0:34:27 | |
Thus relinquishing your hostess duties, | 0:34:27 | 0:34:30 | |
you were free to roam the hotel | 0:34:30 | 0:34:33 | |
at will, killing when the opportunity arose. | 0:34:33 | 0:34:35 | |
That's absurd. | 0:34:37 | 0:34:38 | |
No doubt you told your maid that the swap was some... | 0:34:38 | 0:34:42 | |
hedonistic game. | 0:34:42 | 0:34:45 | |
Father, you said yourself, I was set up. | 0:34:45 | 0:34:48 | |
In retrospect, it seemed too obvious. | 0:34:48 | 0:34:53 | |
You were set up, | 0:34:53 | 0:34:55 | |
by yourself. | 0:34:55 | 0:34:56 | |
But you knew that someone was bound to spot the glaring clues | 0:34:59 | 0:35:02 | |
you had laid. | 0:35:02 | 0:35:05 | |
And that they'd assume you were framed by "Madame Chania." | 0:35:07 | 0:35:12 | |
Making you above suspicion. | 0:35:13 | 0:35:15 | |
You used her lighter to start the fire | 0:35:17 | 0:35:20 | |
and then planted the safety catch in her bag. | 0:35:20 | 0:35:23 | |
So I killed everyone? | 0:35:23 | 0:35:26 | |
The Count, Dr Barashi, | 0:35:26 | 0:35:28 | |
even the girl he hired? | 0:35:28 | 0:35:31 | |
If the police hadn't arrived, you'd have killed us all. | 0:35:31 | 0:35:34 | |
Myself and my companions were, like the girls, unwanted visitors, | 0:35:35 | 0:35:40 | |
who had to be dealt with. | 0:35:40 | 0:35:42 | |
But one of them got away. | 0:35:42 | 0:35:45 | |
If all this were true, Father, | 0:35:51 | 0:35:53 | |
don't you think the "real maid" would have told the police | 0:35:53 | 0:35:57 | |
her true identity? | 0:35:57 | 0:35:59 | |
Not if you told her not to. | 0:36:04 | 0:36:05 | |
Dr Barashi said he heard Madame Chania slapping you. | 0:36:08 | 0:36:13 | |
But it was the other way round. Wasn't it? | 0:36:15 | 0:36:18 | |
And when you said you'd give your life for the one you serve, | 0:36:20 | 0:36:23 | |
you were actually referring to the way your maid | 0:36:23 | 0:36:26 | |
felt about you. | 0:36:26 | 0:36:28 | |
If only she knew the truth. | 0:36:30 | 0:36:33 | |
The truth. | 0:36:34 | 0:36:35 | |
The truth... | 0:36:39 | 0:36:41 | |
is that I am not Madame Chania. | 0:36:41 | 0:36:45 | |
Yes. I believe you. | 0:36:46 | 0:36:49 | |
I expect Madame Chania was a made-up name. | 0:36:54 | 0:36:57 | |
Used to rent this hotel. | 0:36:57 | 0:37:00 | |
So that after your killing spree, | 0:37:00 | 0:37:02 | |
you could return to your travels and your real name. | 0:37:02 | 0:37:07 | |
So, if I am not Madame Chania, who am I? | 0:37:07 | 0:37:13 | |
Reading matter for the journey? | 0:37:13 | 0:37:15 | |
German erotica, | 0:37:15 | 0:37:17 | |
Lulu and Lucia, | 0:37:17 | 0:37:20 | |
Business as Usual... | 0:37:20 | 0:37:22 | |
African Safari. | 0:37:24 | 0:37:26 | |
Big game hunter? | 0:37:28 | 0:37:30 | |
Ah, but that's a man's sport, Father. | 0:37:30 | 0:37:32 | |
I remember reading some time ago in the National Geographic magazine | 0:37:35 | 0:37:40 | |
about a white woman killing things in Africa. | 0:37:40 | 0:37:44 | |
What was her name? | 0:37:44 | 0:37:47 | |
Madame Chania... | 0:37:47 | 0:37:49 | |
..is an anagram, | 0:37:51 | 0:37:54 | |
of Ana Demiachia, | 0:37:54 | 0:37:57 | |
the Italian huntress who has shot | 0:37:57 | 0:38:00 | |
almost every living creature on Earth. | 0:38:00 | 0:38:03 | |
Finally! I just couldn't resist a little clue. | 0:38:12 | 0:38:16 | |
So, all your victims are trophies? | 0:38:16 | 0:38:21 | |
Syrus. | 0:38:34 | 0:38:36 | |
I'm going to give you a sporting chance, Father, | 0:39:07 | 0:39:10 | |
although you may be a little sluggish | 0:39:10 | 0:39:14 | |
after the opium cake. | 0:39:14 | 0:39:16 | |
Does killing give you pleasure? | 0:39:18 | 0:39:22 | |
Ever since I was a child. | 0:39:22 | 0:39:24 | |
So this was all planned? | 0:39:24 | 0:39:26 | |
Meticulously. To lure strangers to an isolated place. | 0:39:26 | 0:39:31 | |
Multiple deaths, all by my hand. Such power! | 0:39:31 | 0:39:36 | |
But why pick those three men? | 0:39:36 | 0:39:39 | |
I had to choose someone. Their lack of ambition repulsed me. | 0:39:39 | 0:39:44 | |
Ambition? | 0:39:44 | 0:39:45 | |
They were obsessed by cheap, meaningless thrills, | 0:39:45 | 0:39:48 | |
lechery, gluttony. | 0:39:48 | 0:39:50 | |
A true hedonist puts pleasure before everything. | 0:39:50 | 0:39:55 | |
Before another's pain. | 0:39:55 | 0:39:58 | |
Another's life. | 0:39:58 | 0:40:00 | |
People are just animals. | 0:40:00 | 0:40:03 | |
And you're a different kind of animal? | 0:40:03 | 0:40:05 | |
Technically. I'm a hedonistic existentialist. | 0:40:05 | 0:40:09 | |
A what? | 0:40:09 | 0:40:11 | |
I cope with the nightmare of living with the joy of killing. | 0:40:11 | 0:40:16 | |
When I load the last bullet, the hunt begins, | 0:40:18 | 0:40:23 | |
so you'd better run, Father. | 0:40:23 | 0:40:26 | |
But watch out for my traps. | 0:40:28 | 0:40:31 | |
Last one, Father, then I shoot you. | 0:40:33 | 0:40:38 | |
Yes. I believe you will. | 0:40:40 | 0:40:44 | |
Father Brown! | 0:40:45 | 0:40:48 | |
Father Brown! | 0:40:48 | 0:40:50 | |
I'm going to find you! | 0:40:50 | 0:40:52 | |
Father! | 0:40:58 | 0:41:00 | |
Father Brown! | 0:41:03 | 0:41:04 | |
Father Brown! | 0:41:04 | 0:41:06 | |
'You may be a little sluggish after the opium cake.' | 0:41:10 | 0:41:14 | |
Father! | 0:41:14 | 0:41:16 | |
'Ana Demiachia.' | 0:41:16 | 0:41:17 | |
Where are you hiding, Father? | 0:41:17 | 0:41:19 | |
'Every living creature...' | 0:41:19 | 0:41:20 | |
'Trophies.' | 0:41:20 | 0:41:22 | |
I will find you, Father! | 0:41:22 | 0:41:24 | |
'She's dead.' | 0:41:24 | 0:41:26 | |
'People are just animals.' | 0:41:26 | 0:41:27 | |
'Multiple deaths, all by my hand.' | 0:41:27 | 0:41:30 | |
-'She's dead.' -'Such power!' | 0:41:30 | 0:41:32 | |
'But watch out for my traps.' | 0:41:32 | 0:41:34 | |
SHE SCREAMS | 0:41:34 | 0:41:36 | |
Help me! | 0:41:36 | 0:41:38 | |
Father Brown! | 0:41:38 | 0:41:40 | |
Help me, Father Brown! | 0:41:40 | 0:41:43 | |
God said, "Let the Earth bring forth | 0:42:08 | 0:42:13 | |
"the living creature in its kind, | 0:42:13 | 0:42:17 | |
"the cattle, the creeping things, | 0:42:17 | 0:42:20 | |
"and the beasts of the Earth, | 0:42:20 | 0:42:23 | |
"each according to its kind." | 0:42:23 | 0:42:27 | |
And it was so done. | 0:42:27 | 0:42:29 | |
# All creatures of our God and King | 0:42:34 | 0:42:39 | |
# Lift up your voice and with us sing | 0:42:39 | 0:42:45 | |
# Hallelujah | 0:42:45 | 0:42:48 | |
# Hallelujah | 0:42:48 | 0:42:52 | |
# Thou burning sun with golden beam | 0:42:53 | 0:42:59 | |
# And silver moon with softer gleam | 0:42:59 | 0:43:04 | |
# O praise Him | 0:43:06 | 0:43:09 | |
# O praise Him | 0:43:09 | 0:43:12 | |
# Hallelujah | 0:43:12 | 0:43:15 | |
# Hallelujah | 0:43:15 | 0:43:19 | |
# Hallelujah! # | 0:43:19 | 0:43:23 | |
GLASS SMASHING | 0:43:35 | 0:43:36 |