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Ah... That's the last of your cavalry. | 0:00:02 | 0:00:04 | |
And that, Father, is check mate. | 0:00:08 | 0:00:12 | |
SHE CACKLES | 0:00:12 | 0:00:13 | |
Yeah... never did have much luck with my bishops. | 0:00:13 | 0:00:17 | |
Still, it wouldn't be summer until you'd beaten me at chess. | 0:00:17 | 0:00:21 | |
So... | 0:00:21 | 0:00:23 | |
-time for a rematch? -'This way, Mr Moxley.' | 0:00:23 | 0:00:26 | |
DOG BARKS | 0:00:26 | 0:00:28 | |
Later, perhaps. Right now, I think I have some visitors. | 0:00:28 | 0:00:31 | |
Father Brown, I might have known. | 0:00:38 | 0:00:41 | |
Mrs McCarthy, Jeremiah... | 0:00:42 | 0:00:45 | |
I was just welcoming Aggie back to Kembleford. | 0:00:45 | 0:00:48 | |
Bridget, how have you been keeping? | 0:00:48 | 0:00:51 | |
Until this morning, I was doing quite well. | 0:00:51 | 0:00:54 | |
Then I entered the church | 0:00:54 | 0:00:55 | |
only to find a chalice had been snatched off the altar. | 0:00:55 | 0:00:59 | |
Oh, dear. I presume you have informed the police? | 0:00:59 | 0:01:03 | |
We're on our way. | 0:01:03 | 0:01:05 | |
But first, we thought we would confront the culprit directly. | 0:01:05 | 0:01:08 | |
Your son was witnessed by Mr Moxley here, fleeing the churchyard. | 0:01:08 | 0:01:13 | |
What rot. ALFONS! | 0:01:13 | 0:01:15 | |
The bearded, brutish fellow. I'll swear on the cross. | 0:01:15 | 0:01:18 | |
-Alfons was here all morning. -I saw him there with my own eyes. | 0:01:18 | 0:01:22 | |
Aggie and her family have been visiting Kembleford for years. | 0:01:22 | 0:01:26 | |
If you would only take time to get to know them... | 0:01:26 | 0:01:28 | |
I do know them. They're all the same. | 0:01:28 | 0:01:30 | |
And that Chalice is worth all your caravans put together | 0:01:30 | 0:01:34 | |
AND it's a personal favourite of mine. | 0:01:34 | 0:01:37 | |
Let's see what the inspector says, shall we? | 0:01:38 | 0:01:41 | |
You! I've warned you about coming round here. | 0:01:41 | 0:01:44 | |
I could make the same request. | 0:01:44 | 0:01:46 | |
Isn't there a rubbish dump somewhere you could occupy? | 0:01:46 | 0:01:49 | |
Young man, we are here to investigate a theft. | 0:01:49 | 0:01:52 | |
DOG GROWLS Alfons. | 0:01:52 | 0:01:54 | |
You keep away from here. | 0:01:54 | 0:01:56 | |
Alfons... | 0:01:56 | 0:01:57 | |
may I remind you, that violence begets violence. | 0:01:57 | 0:02:02 | |
And, Jeremiah, may I suggest you don't lose your head. | 0:02:02 | 0:02:06 | |
-In a manner of speaking. -He doesn't frighten me, Father. | 0:02:08 | 0:02:11 | |
Then I'll try harder. | 0:02:11 | 0:02:13 | |
You're just dirty pagans, raising dirty children | 0:02:13 | 0:02:16 | |
on other people's land | 0:02:16 | 0:02:18 | |
and it's always other people that has to pay the price. | 0:02:18 | 0:02:21 | |
BIRDS FLUTTER | 0:02:21 | 0:02:23 | |
This is your final warning. Keep away from this land | 0:02:26 | 0:02:30 | |
or you'll have to be carried away... | 0:02:30 | 0:02:33 | |
in a box. | 0:02:33 | 0:02:34 | |
On the third night, as the fire burns to embers | 0:03:14 | 0:03:17 | |
and she sits beside the cradle, | 0:03:17 | 0:03:18 | |
Clarissa realises it's not the house that's cursed at all, it's the baby. | 0:03:18 | 0:03:23 | |
And in the corner of the room, in the dying light, | 0:03:23 | 0:03:27 | |
she sees the twitching shadow of a wicked boggart. | 0:03:27 | 0:03:30 | |
-You hate it? -No, it's thrilling. | 0:03:32 | 0:03:36 | |
-One thing? -Yes? | 0:03:36 | 0:03:38 | |
I'm not entirely sure I know what a boggart is. | 0:03:38 | 0:03:40 | |
-Oh, that's easy. It's... -A boggart, Father, is an unwelcome little imp | 0:03:40 | 0:03:45 | |
from another world. | 0:03:45 | 0:03:46 | |
One who causes nothing but trouble. | 0:03:46 | 0:03:49 | |
Forgive my daughter. She has a fine talent, I'm assured, | 0:03:49 | 0:03:52 | |
but her fantasies are a little far-fetched for my taste. | 0:03:52 | 0:03:56 | |
I think it's wonderful that a young woman has such passion. | 0:03:56 | 0:04:00 | |
-Hannah, I laid out a dress for you. Go and change. -Yes, Daddy. | 0:04:00 | 0:04:03 | |
You're not one of those priests who don't partake, I hope? | 0:04:09 | 0:04:13 | |
And what sort of priests are those? | 0:04:13 | 0:04:15 | |
I must say, again, how surprised I was to see you | 0:04:17 | 0:04:20 | |
at the traveller's camp, this morning. | 0:04:20 | 0:04:23 | |
Surely, you of all people, know that some souls are not worth saving? | 0:04:23 | 0:04:27 | |
I must respectfully disagree. | 0:04:27 | 0:04:30 | |
The travellers may not be your sort of people, Jeremiah, | 0:04:30 | 0:04:32 | |
but they're always welcome at St Mary's | 0:04:32 | 0:04:34 | |
My daughter has always been so fond of you. | 0:04:34 | 0:04:37 | |
So, I must thank you for escorting her to Lady Felicia's. | 0:04:37 | 0:04:41 | |
Without a chaperone it would be out of the question. | 0:04:41 | 0:04:44 | |
We are all looking forward to hearing her latest work. | 0:04:44 | 0:04:47 | |
Her last novel sold very well, I hear. You must be proud. | 0:04:47 | 0:04:50 | |
I am just happy that she spends her time upstairs writing, | 0:04:50 | 0:04:53 | |
not socialising with every Tom, Dick and Sid in Kembleford. | 0:04:53 | 0:04:57 | |
Still, they attempt to woo her through the post, | 0:04:58 | 0:05:01 | |
her so-called fans. | 0:05:01 | 0:05:03 | |
All these letters are for Hannah? | 0:05:03 | 0:05:05 | |
Yes, and gifts. Perfume from Paris, chocolates from Belgium. | 0:05:05 | 0:05:09 | |
Help yourself, Father. | 0:05:11 | 0:05:13 | |
Since they published her photograph in Modern Profile magazine, | 0:05:16 | 0:05:19 | |
the letters seem to come in almost daily. | 0:05:19 | 0:05:22 | |
And let me tell you, these men have not got literature on their minds. | 0:05:22 | 0:05:25 | |
She's 22, Jeremiah. | 0:05:25 | 0:05:27 | |
She is no longer a girl. | 0:05:28 | 0:05:30 | |
And her work, I understand, is very mature. | 0:05:31 | 0:05:34 | |
Yes, she has done very well for herself, there's no mistake of that. | 0:05:35 | 0:05:40 | |
But she knows that her duties here are her first priority. | 0:05:40 | 0:05:43 | |
When the time is right for a suitor, | 0:05:44 | 0:05:48 | |
it's a decision we'll take together. | 0:05:48 | 0:05:50 | |
Ah, Hannah. | 0:05:51 | 0:05:54 | |
Yes, you look very smart. | 0:05:54 | 0:05:57 | |
You will read your work, | 0:05:57 | 0:05:59 | |
take an hour to socialise, and then return here. | 0:05:59 | 0:06:02 | |
-Is that clear? -Of course. | 0:06:02 | 0:06:06 | |
Goodbye, Daddy. | 0:06:06 | 0:06:08 | |
Yep. Eight o'clock, then. | 0:06:08 | 0:06:10 | |
Don't take your eyes off her. | 0:06:12 | 0:06:14 | |
I used to dream of losing myself in these fields. | 0:06:18 | 0:06:21 | |
I'd run out as far as I could go, | 0:06:21 | 0:06:22 | |
but I was never more than half a mile from home. | 0:06:22 | 0:06:25 | |
Daddy still thinks of me as that little girl. | 0:06:25 | 0:06:28 | |
I fear, he always will. | 0:06:28 | 0:06:30 | |
Do you know how many weddings I've been to, Hannah? | 0:06:30 | 0:06:33 | |
For the bride, it's always the happiest day of her life, | 0:06:33 | 0:06:35 | |
for the father, it's often bittersweet. | 0:06:35 | 0:06:38 | |
Did somebody tell you I was courting, Father? | 0:06:38 | 0:06:40 | |
It's not true, I assure you. | 0:06:40 | 0:06:42 | |
All I meant to say was, sometimes it's hard for a father | 0:06:42 | 0:06:44 | |
to let go of his daughter. | 0:06:44 | 0:06:46 | |
But it's necessary to give her some freedom | 0:06:46 | 0:06:49 | |
or let her access her own finances, at least. | 0:06:49 | 0:06:52 | |
-He's unreasonably strict. -Mm. | 0:06:53 | 0:06:55 | |
If my second novel is published, I hope it will give him the chance | 0:06:55 | 0:06:58 | |
to see how I've matured. | 0:06:58 | 0:07:00 | |
If? | 0:07:00 | 0:07:02 | |
From what I hear, the literary establishment | 0:07:02 | 0:07:04 | |
is waiting with baited breath. | 0:07:04 | 0:07:06 | |
I wanted to ask, if you'd be the first to read it? | 0:07:08 | 0:07:12 | |
It would mean so much to me. | 0:07:12 | 0:07:14 | |
It'd be an honour. | 0:07:15 | 0:07:17 | |
Goodness, all these people. They're not here for me? | 0:07:39 | 0:07:43 | |
Indeed, they are. And these are just your local fans, Hannah. | 0:07:43 | 0:07:48 | |
Ah. Oh, Mrs McCarthy, | 0:07:50 | 0:07:52 | |
how nice of you to come and support our local writer. | 0:07:53 | 0:07:57 | |
Oh, yes. And I thought I might see Jeremiah. | 0:07:57 | 0:08:01 | |
I do hope he has made a full statement to the police | 0:08:01 | 0:08:04 | |
about those...those travellers. | 0:08:04 | 0:08:06 | |
Daddy stayed home tonight. | 0:08:06 | 0:08:08 | |
In fact, I expect he's already asleep by the fire. | 0:08:08 | 0:08:11 | |
We are all distressed about this theft, Mrs McCarthy, | 0:08:11 | 0:08:15 | |
but the matter is now in Inspector Sullivan's hands. | 0:08:15 | 0:08:18 | |
Perhaps you could take the night off? | 0:08:18 | 0:08:20 | |
-A sherry? -Oh, well. Maybe a little one. | 0:08:22 | 0:08:26 | |
Help me relax. | 0:08:26 | 0:08:28 | |
Father Brown, Hannah. Let me introduce, Harry Grandage. | 0:08:29 | 0:08:34 | |
Father Brown. | 0:08:34 | 0:08:37 | |
Harry. I'm a journalist and a big fan. | 0:08:37 | 0:08:42 | |
I sent Harry a copy of The Darkest Rose last year. | 0:08:43 | 0:08:46 | |
And I fell in love. | 0:08:46 | 0:08:49 | |
Well, thank you, really. Mr...Grandage? | 0:08:49 | 0:08:54 | |
Harry, please. | 0:08:54 | 0:08:56 | |
Harry's something of a globetrotter, | 0:08:56 | 0:08:58 | |
he seeks out the truth. | 0:08:58 | 0:09:00 | |
Where you deal in fiction, he finds the facts. | 0:09:00 | 0:09:03 | |
Sadly, my stories rarely come with happy endings. | 0:09:03 | 0:09:06 | |
Your words took me away, Miss Moxley, | 0:09:06 | 0:09:09 | |
at a time when I needed saving. | 0:09:09 | 0:09:11 | |
It's so nice to tell you in person. | 0:09:12 | 0:09:14 | |
Come, Hannah. It's a sorry sight to see the guest of honour | 0:09:14 | 0:09:17 | |
without a drink in her hand. | 0:09:17 | 0:09:19 | |
Are you staying with Lady Felicia? | 0:09:24 | 0:09:26 | |
She mentioned a reading by Miss Moxley, how could I resist? | 0:09:26 | 0:09:28 | |
I've only just got back from Brussels. | 0:09:28 | 0:09:30 | |
I spent two months there before travelling down to Antwerp. | 0:09:30 | 0:09:33 | |
I was covering the damage from the North Sea floods. | 0:09:33 | 0:09:36 | |
So many lives affected. | 0:09:36 | 0:09:38 | |
My work always seems to bring me to people in times of grief. | 0:09:38 | 0:09:42 | |
It takes its toll. | 0:09:42 | 0:09:45 | |
So, when I read The Darkest Rose, I was so happy to lose myself to it. | 0:09:45 | 0:09:49 | |
It's a modern masterpiece. | 0:09:49 | 0:09:52 | |
Well, you're certainly a fan. | 0:09:52 | 0:09:54 | |
More than a fan. | 0:09:54 | 0:09:56 | |
Miss Moxley's work offers escape. | 0:09:56 | 0:09:58 | |
-HANDBELL RINGS -I'm sure her second novel will be just as uplifting. | 0:09:58 | 0:10:02 | |
Ladies and Gentlemen, | 0:10:02 | 0:10:03 | |
if you'd like to take your seats, we're ready to begin. | 0:10:03 | 0:10:06 | |
MUSIC: Kindertotenlieder by Gustav Mahler | 0:10:15 | 0:10:19 | |
Mrs Mallory lay stiff and bloated at Clarissa's feet. | 0:10:20 | 0:10:24 | |
Across her throat a tidy, fine slash, | 0:10:24 | 0:10:27 | |
the stinging mark of a whip sharp tail. | 0:10:27 | 0:10:31 | |
And all around the room, she saw the messy trail of an uninvited guest. | 0:10:31 | 0:10:36 | |
A fresh fall of soot blanketed the hearth | 0:10:36 | 0:10:39 | |
and the floor was marked by jagged claws. | 0:10:39 | 0:10:42 | |
As she rushed to the empty cot, | 0:10:42 | 0:10:45 | |
she saw the boggart's promise had been fulfilled. | 0:10:45 | 0:10:48 | |
The housekeeper was dead and the baby was gone. | 0:10:48 | 0:10:52 | |
APPLAUSE | 0:10:55 | 0:10:58 | |
What a frightful story. | 0:11:04 | 0:11:06 | |
If that's what passes for modern literature, | 0:11:06 | 0:11:08 | |
I'll stick with the Woman's Weekly. | 0:11:08 | 0:11:10 | |
It's certainly a change of tone from her. | 0:11:10 | 0:11:12 | |
From high jinks and espionage, to things that go bump in the night. | 0:11:12 | 0:11:15 | |
Still, Harry seems rather impressed. | 0:11:15 | 0:11:18 | |
I'm not sure it's Hannah's work he's so taken with. | 0:11:18 | 0:11:21 | |
He certainly didn't waste much time in getting her autograph. | 0:11:21 | 0:11:24 | |
Now, I doubt Jeremiah would approve | 0:11:24 | 0:11:26 | |
his daughter talking to a journalist. | 0:11:26 | 0:11:28 | |
Really! She spends all day and night locked up in that room | 0:11:28 | 0:11:31 | |
tap-tappidy, tap-tapping away, how's she supposed to ever meet anybody? | 0:11:31 | 0:11:34 | |
I don't suppose she is. | 0:11:34 | 0:11:35 | |
Besides, she's got a lot more to offer than just her writing. | 0:11:35 | 0:11:38 | |
-She's kind and beautiful and she's... -She's vanished. | 0:11:38 | 0:11:42 | |
I beg your pardon? | 0:11:42 | 0:11:44 | |
-Where's she gone? -I haven't the foggiest. | 0:11:45 | 0:11:48 | |
Excuse me. Oh, thank you. | 0:11:50 | 0:11:53 | |
Ahem, excuse me. Thank you. | 0:11:54 | 0:11:57 | |
No luck finding her? | 0:12:00 | 0:12:02 | |
I've tried every room of the house. | 0:12:02 | 0:12:04 | |
All 600 of them. | 0:12:04 | 0:12:06 | |
She's probably away with the fairies. | 0:12:06 | 0:12:08 | |
That seems to be where she's most comfortable. | 0:12:08 | 0:12:11 | |
Unfortunately, her father was very keen | 0:12:11 | 0:12:13 | |
on the importance of time keeping. | 0:12:13 | 0:12:15 | |
So, unless you'd like your parish to be without a priest... | 0:12:15 | 0:12:18 | |
We could cut across the fields and maybe meet her on her way home. | 0:12:18 | 0:12:22 | |
Good idea. | 0:12:22 | 0:12:24 | |
DOOR CREAKS | 0:12:38 | 0:12:40 | |
Hannah? | 0:12:41 | 0:12:43 | |
Jeremiah? | 0:12:43 | 0:12:46 | |
-The door was open. -We are not trespassing. | 0:12:54 | 0:12:57 | |
MUFFLED THUD | 0:13:01 | 0:13:03 | |
Father, what was that? | 0:13:03 | 0:13:06 | |
May I borrow your hatpin, Mrs McCarthy? | 0:13:16 | 0:13:19 | |
Thank you. | 0:13:25 | 0:13:27 | |
Holy mother of God! | 0:13:46 | 0:13:49 | |
HE PRAYS IN LATIN | 0:13:49 | 0:13:55 | |
What an almighty mess. | 0:13:55 | 0:13:57 | |
Some kind of burglary, I suppose. | 0:13:57 | 0:13:59 | |
Or... or maybe an attack? | 0:13:59 | 0:14:02 | |
I mean, a dead body... | 0:14:02 | 0:14:05 | |
and Father, what do you make of these deep scratches on the floor? | 0:14:05 | 0:14:10 | |
And look, soot everywhere. | 0:14:10 | 0:14:12 | |
-Perhaps, Hannah's boggart was here? -Oh, what nonsense. | 0:14:14 | 0:14:19 | |
After this morning, I think we both know who is responsible for this. | 0:14:19 | 0:14:23 | |
And how do you think Alfons disappeared? Up the chimney? | 0:14:24 | 0:14:29 | |
DISTANT SMASHING | 0:14:29 | 0:14:31 | |
Father, it's locked. | 0:14:34 | 0:14:37 | |
Downstairs. | 0:14:37 | 0:14:39 | |
Mrs McCarthy? Father Brown? | 0:14:57 | 0:15:00 | |
Whatever's the matter? | 0:15:00 | 0:15:02 | |
You say you came straight from the reading, Father? | 0:15:04 | 0:15:07 | |
That's correct. Miss Moxley is a fine writer. | 0:15:07 | 0:15:11 | |
So I've heard. What's she like as a daughter? | 0:15:11 | 0:15:14 | |
Mostly, I think, very obedient. | 0:15:14 | 0:15:17 | |
Does she know? About her Father? | 0:15:17 | 0:15:19 | |
She's distressed. Lady Felicia is well acquainted with the family. | 0:15:20 | 0:15:24 | |
She'll be looked after. | 0:15:25 | 0:15:27 | |
Might be an idea to get some light in here, sergeant. | 0:15:27 | 0:15:30 | |
Shutter's locked tight, sir. There's no key. | 0:15:30 | 0:15:33 | |
So, did anything unusual happen at the reading? | 0:15:33 | 0:15:35 | |
Did Miss Moxley seem at all distracted to you? | 0:15:35 | 0:15:38 | |
-She was nervous before she read. -What's her latest novel about? | 0:15:38 | 0:15:42 | |
It's... | 0:15:43 | 0:15:45 | |
it's about a murderous boggart | 0:15:45 | 0:15:49 | |
locked in an attic wreaking havoc, | 0:15:49 | 0:15:52 | |
scratches up the floor and then disappears up the chimney. | 0:15:52 | 0:15:57 | |
-A boggart... -Yes, I know what a boggart is, thank you very much. | 0:15:58 | 0:16:02 | |
I just don't think it's likely that one jumped out of a novel | 0:16:02 | 0:16:05 | |
and into this study. | 0:16:05 | 0:16:06 | |
That'll be all, Father. Thank you. | 0:16:06 | 0:16:09 | |
Oh, you're politely asking me to leave? | 0:16:09 | 0:16:12 | |
-Inspector... -I can be more direct, if you like? | 0:16:16 | 0:16:20 | |
-Break-in gone wrong, inspector? -Possibly, sergeant. | 0:16:28 | 0:16:32 | |
Let's wait and see what Miss Moxley has to say for herself, shall we? | 0:16:32 | 0:16:36 | |
Good morning, Father. | 0:16:43 | 0:16:45 | |
Well, don't you look dreadful? | 0:16:49 | 0:16:52 | |
You've had your nose in that book all night, I suppose? | 0:16:54 | 0:16:57 | |
Well, Hannah left us with such a cliffhanger, | 0:16:57 | 0:17:00 | |
I wanted to see how Clarissa faired with her little boggart. | 0:17:00 | 0:17:03 | |
-How did you sleep? -Not a wink. | 0:17:08 | 0:17:10 | |
I had nightmares about sinister men and wicked creatures. | 0:17:10 | 0:17:15 | |
I'm going to speak with Hannah this morning. | 0:17:17 | 0:17:21 | |
She seemed very upset. | 0:17:21 | 0:17:23 | |
Well, tell her never fear. | 0:17:23 | 0:17:25 | |
I'm sure the inspector will catch up with that Alfons soon enough. | 0:17:25 | 0:17:28 | |
-You seem certain he's involved. -The men clearly had history. | 0:17:32 | 0:17:37 | |
He should be taken in for questioning at the very least. | 0:17:37 | 0:17:40 | |
They need to act quickly. | 0:17:40 | 0:17:42 | |
Aggie and her family will be leaving soon. | 0:17:42 | 0:17:44 | |
Leaving Kembleford? Well, they can't! | 0:17:44 | 0:17:48 | |
Mrs McCarthy, I think you need to make your mind up | 0:17:51 | 0:17:54 | |
because you are in danger of sending mixed messages. | 0:17:54 | 0:17:59 | |
Where are you going now? | 0:17:59 | 0:18:02 | |
I'm going to the police station. | 0:18:02 | 0:18:04 | |
A man has been murdered and somebody must be held to account. | 0:18:04 | 0:18:07 | |
There was a jewellery box in the attic, Miss Moxley. | 0:18:13 | 0:18:16 | |
I was hoping you could tell me what the contents were? | 0:18:16 | 0:18:19 | |
Oh... | 0:18:21 | 0:18:23 | |
-I'm not sure. -You're not sure? | 0:18:23 | 0:18:27 | |
They were my mother's, but I never wear them. | 0:18:27 | 0:18:30 | |
Do you think it was stolen? | 0:18:30 | 0:18:32 | |
Yes. There seems to have been a struggle in the attic. | 0:18:32 | 0:18:35 | |
Downstairs, however, there was no sign | 0:18:35 | 0:18:38 | |
of any forced entry into the house. | 0:18:38 | 0:18:40 | |
Whoever was there, was most likely welcomed in by your father. | 0:18:40 | 0:18:43 | |
Hannah, good morning. How are you? | 0:18:47 | 0:18:50 | |
Father, I was just asking Miss Moxley some questions. | 0:18:53 | 0:18:56 | |
Well, just ignore me. Quiet as a mouse. | 0:18:58 | 0:19:00 | |
Where were you after the reading? | 0:19:04 | 0:19:06 | |
I was with Mr Grandage, we walked around the grounds. | 0:19:08 | 0:19:13 | |
Right, of course. I was boring her with travelling stories. | 0:19:13 | 0:19:17 | |
When Hannah realised Father Brown had gone, she hurried home. | 0:19:17 | 0:19:21 | |
If I had never come for drinks in the first place... | 0:19:21 | 0:19:24 | |
He didn't want me to go. | 0:19:24 | 0:19:27 | |
Poor girl's exhausted. Can't your questions wait? | 0:19:27 | 0:19:30 | |
-HE CLEARS HIS THROAT -Yes, that will be all, for now. | 0:19:32 | 0:19:35 | |
-I'll show you to the door, inspector. -Thank you. | 0:19:35 | 0:19:38 | |
Hannah, I know this is a terrible shock... | 0:19:50 | 0:19:52 | |
-Excuse me, Father. I'm sorry, I think I need to lie down. -Yes. | 0:19:52 | 0:19:57 | |
Try and rest. I'll bring you up some tea. | 0:19:57 | 0:19:59 | |
-She's in shock. -Hm. | 0:20:06 | 0:20:08 | |
It's only natural she should feel guilty about leaving the house, | 0:20:08 | 0:20:10 | |
but nobody could foresee a burglary. | 0:20:10 | 0:20:12 | |
I think her sense of guilt goes deeper than that. | 0:20:15 | 0:20:18 | |
What are you suggesting? | 0:20:18 | 0:20:20 | |
She seemed nervous about more than her reading, yesterday. | 0:20:22 | 0:20:25 | |
And the goodbye hug she gave her father was rather... | 0:20:26 | 0:20:31 | |
..final. | 0:20:33 | 0:20:35 | |
How long has she known Mr Grandage? | 0:20:37 | 0:20:39 | |
As I understand, she only met him yesterday. You were there. | 0:20:40 | 0:20:44 | |
Lady Felicia, there seems to be a disruption | 0:20:44 | 0:20:46 | |
in the west part of your wood. | 0:20:46 | 0:20:47 | |
-I trust you wouldn't mind accompanying me down there? -Yes. | 0:20:47 | 0:20:51 | |
Jeremiah Moxley is dead | 0:20:52 | 0:20:55 | |
and we must make sure his murderer is brought to justice. | 0:20:55 | 0:20:58 | |
Nobody here knows anything of that man, | 0:20:58 | 0:21:01 | |
besides the fact he was a sourpuss with a face like thunder. | 0:21:01 | 0:21:04 | |
Oh, speaking ill of the dead now? | 0:21:04 | 0:21:07 | |
That lavender will never settle the child, rub chamomile on the gums. | 0:21:07 | 0:21:12 | |
Nobody asked for your advice, thank you. | 0:21:13 | 0:21:16 | |
Here, take him. | 0:21:16 | 0:21:19 | |
Perhaps you could call out your son? I've got some questions for him. | 0:21:19 | 0:21:22 | |
If you want to speak to Alfons, you'll have to go through me. | 0:21:22 | 0:21:25 | |
My back may be shot, but my fists work just fine. | 0:21:25 | 0:21:29 | |
Ma! Go inside. | 0:21:29 | 0:21:31 | |
Not for all the whisky in Windsor. | 0:21:33 | 0:21:35 | |
Oh, here's the inspector now. | 0:21:35 | 0:21:37 | |
At last, someone with some actual authority. | 0:21:37 | 0:21:40 | |
What seems to be the problem, here? | 0:21:40 | 0:21:42 | |
While the whole of Kembleford is reeling from the murder of Jeremiah, | 0:21:42 | 0:21:45 | |
your prime suspect is about to hitch his wagon to the next town | 0:21:45 | 0:21:49 | |
to sell his ill-gotten gains. | 0:21:49 | 0:21:51 | |
We had no business with that man. | 0:21:51 | 0:21:53 | |
It's true, Jeremiah had more enemies than friends, Mrs M. | 0:21:53 | 0:21:56 | |
Yes, but which of those enemies threatened his life | 0:21:56 | 0:21:59 | |
on the very day he died? | 0:21:59 | 0:22:01 | |
Is that right? | 0:22:01 | 0:22:02 | |
Did you threaten Mr Moxley? | 0:22:02 | 0:22:04 | |
Perhaps you'd be more comfortable answering my questions | 0:22:05 | 0:22:08 | |
at the station. | 0:22:08 | 0:22:09 | |
It wasn't a threat, it was a warning. | 0:22:09 | 0:22:12 | |
Father Brown heard it himself, he was standing right there. | 0:22:12 | 0:22:16 | |
Father? Can you verify this? | 0:22:18 | 0:22:20 | |
I don't think anybody was acting reasonably yesterday morning... | 0:22:23 | 0:22:26 | |
Father Brown, did you see this man | 0:22:26 | 0:22:28 | |
threaten Jeremiah Moxley the day he died? | 0:22:28 | 0:22:30 | |
I saw something of the sort. | 0:22:33 | 0:22:35 | |
That's good enough for me. | 0:22:36 | 0:22:38 | |
I am arresting you on suspicion of the murder of Jeremiah Moxley, | 0:22:38 | 0:22:41 | |
you are not obliged to say anything, | 0:22:41 | 0:22:43 | |
but anything you do say will be taken down and given in evidence. | 0:22:43 | 0:22:48 | |
According to my records, | 0:22:48 | 0:22:49 | |
Jeremiah has complained several times about your presence. | 0:22:49 | 0:22:53 | |
Is there a particular reason why you settle so close to the Moxley house? | 0:22:53 | 0:22:58 | |
Her ladyship has always offered the land. | 0:22:58 | 0:23:01 | |
From what I know of the man, he was a controlling bully. | 0:23:04 | 0:23:07 | |
I'm sure many people wanted him gone. | 0:23:09 | 0:23:11 | |
May I remind you, you're still under caution. | 0:23:11 | 0:23:14 | |
And if you expect me to believe you were nowhere near the house... | 0:23:15 | 0:23:19 | |
I was at the camp. And a dozen witnesses will confirm it. | 0:23:19 | 0:23:23 | |
I've no doubt they will. | 0:23:25 | 0:23:28 | |
But I'd rather stick to the evidence. | 0:23:28 | 0:23:30 | |
So let's just wait and see if your fingerprints match the ones | 0:23:30 | 0:23:33 | |
we found in the attic. | 0:23:33 | 0:23:35 | |
Shouldn't take long. | 0:23:35 | 0:23:37 | |
In the meantime, I've requested a warrant to search the caravans. | 0:23:37 | 0:23:42 | |
What are you expecting to find? | 0:23:42 | 0:23:44 | |
I'll know when I've found it. | 0:23:46 | 0:23:47 | |
"Dear Larry..." | 0:23:57 | 0:24:00 | |
Ah, yes, I did correct her. | 0:24:00 | 0:24:03 | |
Rather charming, really. | 0:24:03 | 0:24:06 | |
Added to which I have an Uncle Larry whose birthday is fast approaching. | 0:24:06 | 0:24:10 | |
Mr Grandage, are you planning on staying long? | 0:24:12 | 0:24:15 | |
Hannah asked me to stay. | 0:24:15 | 0:24:17 | |
I think she finds some comfort in me. | 0:24:17 | 0:24:20 | |
The two of you are becoming close. | 0:24:20 | 0:24:23 | |
I'm pleased to say, we are. | 0:24:23 | 0:24:25 | |
When I first read her book, I was in the Republic of Korea, | 0:24:25 | 0:24:28 | |
covering the war, | 0:24:28 | 0:24:30 | |
a taste of hell. | 0:24:30 | 0:24:33 | |
Her work offered me the chance to escape then, | 0:24:33 | 0:24:35 | |
and now I can do the same for her. | 0:24:35 | 0:24:37 | |
A distraction in the worst of times. | 0:24:38 | 0:24:41 | |
Father Brown, here you are. | 0:24:41 | 0:24:43 | |
Hannah. | 0:24:44 | 0:24:46 | |
If you're ready, I thought I would escort you home. | 0:24:47 | 0:24:50 | |
I did promise your father. | 0:24:50 | 0:24:52 | |
That's kind, but I think I will stay put. | 0:24:52 | 0:24:56 | |
Felicia and Mr Grandage are looking after me. | 0:24:56 | 0:24:58 | |
Felicia said that one of the travellers | 0:25:01 | 0:25:03 | |
was arrested for Daddy's murder. | 0:25:03 | 0:25:05 | |
Who is he? | 0:25:05 | 0:25:06 | |
Your father had a minor dispute yesterday with a man called Alfons. | 0:25:09 | 0:25:14 | |
The police are investigating. | 0:25:16 | 0:25:18 | |
How could he... To an old man? | 0:25:19 | 0:25:22 | |
I can't bear to think... | 0:25:22 | 0:25:24 | |
The Inspector is asking him some questions. | 0:25:25 | 0:25:29 | |
I'm sure if he wishes to press charges, | 0:25:29 | 0:25:31 | |
he will have to provide serious evidence. | 0:25:31 | 0:25:34 | |
You've no right going through my belongings. | 0:25:38 | 0:25:40 | |
Your son is in serious trouble, do you realise that? | 0:25:40 | 0:25:44 | |
You've got an awful lot of junk in here. | 0:25:44 | 0:25:46 | |
I trade door to door, | 0:25:46 | 0:25:49 | |
home-made jams and wild flowers. | 0:25:49 | 0:25:52 | |
Things I find and make myself, what's wrong with that? | 0:25:52 | 0:25:55 | |
Nothing at all. | 0:25:55 | 0:25:56 | |
How much for this? | 0:26:02 | 0:26:04 | |
Well, that's not... | 0:26:05 | 0:26:07 | |
That don't belong to Alfons. | 0:26:07 | 0:26:09 | |
You don't say. | 0:26:09 | 0:26:10 | |
I mean, I've no idea who put that there. | 0:26:10 | 0:26:14 | |
Kembleford Boggart, perhaps? | 0:26:15 | 0:26:17 | |
That must be a very gripping book | 0:26:24 | 0:26:26 | |
because you haven't said a word for an hour or more. | 0:26:26 | 0:26:29 | |
I am so proud of you, Father. | 0:26:33 | 0:26:35 | |
It's nice to leave the investigation to the police, for once. | 0:26:36 | 0:26:40 | |
On the contrary, Mrs McCarthy, my investigations have been ongoing. | 0:26:42 | 0:26:48 | |
And if you'll be so kind I would like you to accompany me | 0:26:50 | 0:26:55 | |
to the Moxley house. | 0:26:55 | 0:26:56 | |
Whatever for? | 0:26:56 | 0:26:58 | |
Yes, I think we both need a lesson in perspective. | 0:26:58 | 0:27:01 | |
And how are you proposing we get inside the house, Father? | 0:27:13 | 0:27:17 | |
Oh. | 0:27:22 | 0:27:24 | |
Perhaps we could use this. | 0:27:26 | 0:27:28 | |
Come up to the attic and I'll explain. | 0:27:33 | 0:27:35 | |
Miss Moxley certainly is a popular girl, | 0:27:37 | 0:27:41 | |
make of that what you will. | 0:27:41 | 0:27:43 | |
They're fan letters. They might cheer her up a little. | 0:27:43 | 0:27:46 | |
Come along. | 0:27:50 | 0:27:51 | |
Found in your waistcoat. | 0:27:54 | 0:27:56 | |
I'm not sure they're really your style. | 0:27:57 | 0:27:59 | |
But you'd make a tidy sum selling them. | 0:28:03 | 0:28:05 | |
I didn't steal those. | 0:28:07 | 0:28:08 | |
I didn't kill that man. I've done nothing wrong, | 0:28:15 | 0:28:18 | |
I swear on my life. | 0:28:18 | 0:28:20 | |
You may well be swearing on your life. | 0:28:21 | 0:28:23 | |
The jewellery in your pocket, | 0:28:25 | 0:28:28 | |
and now the matching fingerprints on the attic room door. | 0:28:28 | 0:28:30 | |
You could well be heading for the gallows. | 0:28:30 | 0:28:33 | |
When we entered this room the other night, | 0:28:37 | 0:28:39 | |
what was the first thing you remarked on? | 0:28:39 | 0:28:41 | |
Well, the body, obviously, | 0:28:41 | 0:28:43 | |
and then those scratch marks on the floor, | 0:28:43 | 0:28:46 | |
and soot everywhere. | 0:28:46 | 0:28:47 | |
It reminded me of Hannah's story. | 0:28:49 | 0:28:53 | |
Like some dreadful re-enactment. | 0:28:53 | 0:28:56 | |
Precisely. | 0:28:56 | 0:28:57 | |
But neither of us had ever been in this attic room before. | 0:28:57 | 0:29:01 | |
So how would we know that what we saw was unusual? | 0:29:01 | 0:29:05 | |
Perhaps it wasn't unusual. | 0:29:05 | 0:29:07 | |
What if soot fell from that chimney every day? | 0:29:08 | 0:29:12 | |
For instance, when somebody retrieved something from it. | 0:29:14 | 0:29:17 | |
Like what? | 0:29:18 | 0:29:19 | |
For example... | 0:29:19 | 0:29:21 | |
A key. | 0:29:24 | 0:29:25 | |
And what if a badly hung door | 0:29:32 | 0:29:36 | |
made marks on the floor every time it is opened, | 0:29:36 | 0:29:40 | |
makes the scratches of deadly talons. | 0:29:40 | 0:29:42 | |
Not life imitating art, Mrs McCarthy, art imitating life. | 0:29:44 | 0:29:50 | |
It wasn't until I finished Hannah's manuscript that | 0:29:52 | 0:29:55 | |
I realised the most significant image of all... | 0:29:55 | 0:29:57 | |
The missing child. | 0:30:02 | 0:30:03 | |
Heavens above... A baby, hidden away! | 0:30:10 | 0:30:14 | |
To his shame, Jeremiah Moxley was a grandfather. | 0:30:14 | 0:30:17 | |
I believe it was his influence that kept the child hidden. | 0:30:17 | 0:30:20 | |
It's high time some light was let into this gloomy place. | 0:30:21 | 0:30:25 | |
-Father, the chalice! -Mmm. | 0:30:27 | 0:30:30 | |
What on earth is it doing here? | 0:30:30 | 0:30:32 | |
My guess is that Jeremiah stole it himself | 0:30:32 | 0:30:34 | |
in an attempt to frame the travellers. | 0:30:34 | 0:30:36 | |
But why? | 0:30:36 | 0:30:37 | |
Because the father of Hannah's child was not the sort of man | 0:30:41 | 0:30:44 | |
Jeremiah Moxley wanted in his daughter's life. | 0:30:44 | 0:30:47 | |
Two minutes. | 0:30:50 | 0:30:51 | |
So, what words of comfort do you bring me, Father? | 0:31:03 | 0:31:06 | |
Only these. | 0:31:06 | 0:31:08 | |
If Hannah Moxley seemed ashamed of your relationship, if she asked you | 0:31:08 | 0:31:12 | |
to keep quiet about it, it was only at the insistence of her Father. | 0:31:12 | 0:31:16 | |
You must know that. | 0:31:16 | 0:31:18 | |
I found the nursery... | 0:31:23 | 0:31:25 | |
..and the key to the front door she left for you. | 0:31:27 | 0:31:30 | |
You were planning to leave together, yes? | 0:31:33 | 0:31:35 | |
She swore me to secrecy. | 0:31:36 | 0:31:38 | |
She was terrified about what people would think of her | 0:31:38 | 0:31:41 | |
and of our child. | 0:31:41 | 0:31:43 | |
She was desperate to leave but only if nobody knew the truth. | 0:31:43 | 0:31:47 | |
Well, now your life is at stake | 0:31:51 | 0:31:55 | |
and I fear her father's shame may last for the rest of her life. | 0:31:55 | 0:32:00 | |
They found her jewellery, Father, in my waistcoat. | 0:32:02 | 0:32:05 | |
Ah, I see. | 0:32:06 | 0:32:09 | |
She told me to take it from the house. | 0:32:09 | 0:32:12 | |
Jeremiah controls her money, just like he controls everything else. | 0:32:12 | 0:32:15 | |
Those jewels were the only thing of value she has. | 0:32:15 | 0:32:19 | |
We first made plans to leave last summer. | 0:32:21 | 0:32:24 | |
She was freer, then. | 0:32:25 | 0:32:27 | |
She'd visit the camp, read us her stories. | 0:32:27 | 0:32:32 | |
I never intended it to... | 0:32:32 | 0:32:35 | |
But... | 0:32:35 | 0:32:36 | |
You fell in love. | 0:32:38 | 0:32:39 | |
And she fell pregnant. Her father was beside himself. | 0:32:41 | 0:32:46 | |
"I've just locked her up." When she first came to see me, | 0:32:46 | 0:32:49 | |
just a few days ago, she told me about the child. | 0:32:49 | 0:32:51 | |
She told me where to find her door key | 0:32:51 | 0:32:53 | |
and she promised to meet me from the party. | 0:32:53 | 0:32:56 | |
I was worried her father would catch me | 0:32:56 | 0:32:58 | |
sneaking back into the house, but... | 0:32:58 | 0:33:00 | |
Jeremiah was already dead. | 0:33:02 | 0:33:04 | |
And when you heard us, you locked the study door and... | 0:33:07 | 0:33:11 | |
Holy Mother of God. | 0:33:13 | 0:33:15 | |
'..hid in the nursery.' | 0:33:15 | 0:33:16 | |
'I could heard you but I was trapped.' | 0:33:16 | 0:33:19 | |
So you created a diversion. | 0:33:19 | 0:33:22 | |
'Up the chimney. | 0:33:22 | 0:33:24 | |
'Leaving me to ponder a broken flowerpot | 0:33:24 | 0:33:28 | |
and a distressed geranium.' | 0:33:28 | 0:33:31 | |
I could have killed him. | 0:33:31 | 0:33:33 | |
For what he'd done to us, the way he kept them locked up in that house | 0:33:33 | 0:33:36 | |
but I swear, Father, on the Lord's name, I didn't. | 0:33:36 | 0:33:41 | |
I found him there, dead, beside that letter opener. | 0:33:41 | 0:33:44 | |
Letter opener. | 0:33:48 | 0:33:50 | |
Of course. | 0:33:50 | 0:33:51 | |
Initially, I thought that the murderer must be close to home | 0:33:52 | 0:33:55 | |
but now, I realise that he has been at a safe distance all the time. | 0:33:55 | 0:34:02 | |
Father, nice to see you. | 0:34:16 | 0:34:19 | |
You've caught me on my way out of town. | 0:34:19 | 0:34:22 | |
Just come from Lady Felicia's, looking for Hannah. | 0:34:22 | 0:34:25 | |
Well, that is her shawl in the back of your car? | 0:34:27 | 0:34:30 | |
I've offered her a place to stay in the city. | 0:34:32 | 0:34:34 | |
She's desperately in need of escape. | 0:34:34 | 0:34:37 | |
I presume you'll be informing Inspector Sullivan she's leaving? | 0:34:37 | 0:34:40 | |
Actually, Father, we were hoping for a bit of discretion, | 0:34:40 | 0:34:44 | |
a new start for the girl. | 0:34:44 | 0:34:45 | |
I've offered to help her in any way I can. | 0:34:45 | 0:34:47 | |
Things are very complicated. | 0:34:47 | 0:34:49 | |
Don't mind, do you? | 0:34:54 | 0:34:56 | |
I know about the baby, Harry. | 0:35:00 | 0:35:02 | |
I've just met with his father. | 0:35:02 | 0:35:04 | |
Yes. A terrible business. | 0:35:05 | 0:35:07 | |
She feels quite betrayed by him, obviously. | 0:35:08 | 0:35:12 | |
She'll be back from the camp any moment now - | 0:35:12 | 0:35:14 | |
I'm sure she'd rather just disappear with little fuss. | 0:35:14 | 0:35:17 | |
I'm trying to piece together a story, | 0:35:17 | 0:35:20 | |
and I have a few pages missing. | 0:35:20 | 0:35:22 | |
I thought you might be able to fill in the gaps while we wait. | 0:35:23 | 0:35:26 | |
I'm not sure I'll be much help. | 0:35:26 | 0:35:27 | |
Yesterday, when she signed your book, | 0:35:29 | 0:35:32 | |
I saw a frown set on your face. | 0:35:32 | 0:35:35 | |
She got my name wrong. | 0:35:35 | 0:35:37 | |
It was more than that. | 0:35:37 | 0:35:39 | |
She had no idea who you were. | 0:35:39 | 0:35:41 | |
And when you first saw her handwriting, you realised | 0:35:42 | 0:35:46 | |
you had no idea who she was either. | 0:35:46 | 0:35:48 | |
It was then, I think, you decided to pay a visit | 0:35:49 | 0:35:52 | |
to the place you'd been writing to. | 0:35:52 | 0:35:53 | |
Writing to? I don't know what you mean. | 0:35:53 | 0:35:56 | |
You had been writing to her from Belgium for months. | 0:35:58 | 0:36:01 | |
And you thought that she was writing back to you. | 0:36:03 | 0:36:06 | |
But you had no idea she didn't even get to read her fan mail. | 0:36:08 | 0:36:13 | |
Her father controlled that, as he controlled everything else. | 0:36:13 | 0:36:17 | |
You felt betrayed. It must have made you very angry. | 0:36:17 | 0:36:21 | |
This is a wonderful work of fiction, Father. You're quite the fantasist. | 0:36:21 | 0:36:25 | |
Father Brown! | 0:36:26 | 0:36:27 | |
I can explain. | 0:36:27 | 0:36:29 | |
BABY CRIES | 0:36:29 | 0:36:30 | |
There's no need. | 0:36:37 | 0:36:39 | |
I've seen the nursery for myself and I've spoken to Alfons. | 0:36:39 | 0:36:43 | |
What a beautiful baby boy you both have. | 0:36:43 | 0:36:46 | |
He deserves a good life. | 0:36:46 | 0:36:47 | |
I wish we could we could stay, Father, | 0:36:48 | 0:36:50 | |
but I can't imagine what people would say if they knew. | 0:36:50 | 0:36:53 | |
Hannah, listen. I don't think Alfons killed your father. | 0:36:53 | 0:36:56 | |
-We really must go. -I wish I had your faith, | 0:36:56 | 0:36:59 | |
but I don't know what to believe any more. | 0:36:59 | 0:37:01 | |
Goodbye, Father. Pray for us. | 0:37:01 | 0:37:04 | |
When I went to your house, | 0:37:04 | 0:37:06 | |
the key you left for Alfons was still beneath the statue. | 0:37:06 | 0:37:09 | |
He didn't need it to get in, because somebody was already there, | 0:37:09 | 0:37:13 | |
-with your father. -Why were you at my house? | 0:37:13 | 0:37:15 | |
I think it's time you read some of your fan mail. | 0:37:15 | 0:37:19 | |
This one from Belgium is particularly interesting. | 0:37:19 | 0:37:24 | |
Hannah... | 0:37:24 | 0:37:25 | |
BABY GURGLES | 0:37:25 | 0:37:27 | |
You span a good story, Harry, and now it's time the truth comes out. | 0:37:27 | 0:37:32 | |
I know you think you're trying to help the girl, | 0:37:32 | 0:37:35 | |
but please, just let us go. | 0:37:35 | 0:37:37 | |
She's made her choice. Hannah! Get in the car. | 0:37:37 | 0:37:39 | |
She is a grieving woman who has been easily influenced. | 0:37:39 | 0:37:44 | |
You have manipulated her into thinking that she is safe with you, | 0:37:44 | 0:37:48 | |
while an innocent man may be sent to hang. | 0:37:48 | 0:37:51 | |
What does this letter mean, Harry? | 0:37:51 | 0:37:53 | |
Have you been writing to me? | 0:37:53 | 0:37:55 | |
Yes. | 0:37:55 | 0:37:57 | |
He has been writing to you. | 0:37:57 | 0:37:59 | |
He and your father have been making plans for your future. | 0:37:59 | 0:38:04 | |
Harry didn't come back to Kembleford for your latest work. | 0:38:04 | 0:38:07 | |
He came back for you. | 0:38:07 | 0:38:09 | |
It wasn't like that, Hannah. I didn't know! | 0:38:09 | 0:38:12 | |
I thought it was you writing back to me, I thought we were... | 0:38:12 | 0:38:16 | |
You were at my house last night? | 0:38:21 | 0:38:24 | |
It was you. | 0:38:24 | 0:38:26 | |
For your own sake, tell the truth. | 0:38:26 | 0:38:30 | |
I only wanted what is best for you. | 0:38:31 | 0:38:34 | |
Your father told me he had been writing back to me on your behalf. | 0:38:34 | 0:38:37 | |
That he needed to be sure I was the correct suitor for you. | 0:38:37 | 0:38:41 | |
What kind of twisted old man are you? | 0:38:41 | 0:38:43 | |
I was going to explain everything to her. | 0:38:43 | 0:38:45 | |
It's much more complicated... | 0:38:45 | 0:38:46 | |
'I was furious. | 0:38:46 | 0:38:48 | |
'Humiliated. | 0:38:48 | 0:38:50 | |
'And then, as we spoke downstairs, I heard the baby cry.' | 0:38:50 | 0:38:53 | |
BABY CRIES | 0:38:53 | 0:38:54 | |
What in God's name? | 0:38:54 | 0:38:56 | |
It didn't make a difference to me. I wanted you both. | 0:38:56 | 0:38:59 | |
But he wouldn't listen... | 0:38:59 | 0:39:00 | |
A baby. All this while, you've been hiding a child? | 0:39:00 | 0:39:03 | |
No, no, no, no! Please, please! The girl made one mistake. | 0:39:03 | 0:39:06 | |
There is no reason why anyone should know. | 0:39:06 | 0:39:08 | |
-I'm going back to the party. -No, you're not! | 0:39:08 | 0:39:10 | |
-I need to speak with her. -No! You mustn't! You can't. | 0:39:10 | 0:39:13 | |
'When I threatened to tell you the truth, he turned on me. | 0:39:13 | 0:39:15 | |
'He was too afraid to lose you. It was an accident, I swear.' | 0:39:15 | 0:39:18 | |
GRUNTING | 0:39:24 | 0:39:25 | |
HE SCREAMS | 0:39:25 | 0:39:27 | |
BABY CRIES | 0:39:27 | 0:39:28 | |
All I wanted was to take you away, to escape with you. | 0:39:30 | 0:39:33 | |
-Isn't that what you wanted? -No! | 0:39:33 | 0:39:35 | |
You're no better than he was. | 0:39:35 | 0:39:38 | |
You want to control me. | 0:39:38 | 0:39:40 | |
Well, I won't let you. | 0:39:40 | 0:39:43 | |
I've spent too long locked away. | 0:39:43 | 0:39:45 | |
I want a free life. | 0:39:45 | 0:39:48 | |
I owe that much to him. | 0:39:48 | 0:39:49 | |
Hannah, please! | 0:39:49 | 0:39:51 | |
BABY CRIES | 0:39:51 | 0:39:53 | |
When that child is safely with his grandmother, | 0:39:56 | 0:40:01 | |
she will take that letter to the police. | 0:40:01 | 0:40:04 | |
He came at me. I had no choice. | 0:40:04 | 0:40:07 | |
Then that is what you must tell them. | 0:40:08 | 0:40:10 | |
I don't know how any of this happened! | 0:40:12 | 0:40:15 | |
All I wanted was to escape to the life she wrote about. | 0:40:15 | 0:40:19 | |
No more misery and suffering, just... | 0:40:19 | 0:40:22 | |
..a family. | 0:40:23 | 0:40:25 | |
Some peace. | 0:40:26 | 0:40:27 | |
If you love the girl, you must come clean. | 0:40:29 | 0:40:31 | |
For her sake? | 0:40:33 | 0:40:34 | |
No, no. | 0:40:34 | 0:40:36 | |
For your sake. | 0:40:36 | 0:40:38 | |
For the sake of your soul. | 0:40:38 | 0:40:40 | |
You may not get YOUR happy ending, Harry. | 0:40:43 | 0:40:46 | |
But you can give Hannah the life she deserves. | 0:40:47 | 0:40:50 | |
So, has he confessed yet? | 0:40:56 | 0:40:58 | |
Father Brown left in a hurry. | 0:40:58 | 0:40:59 | |
I don't think he's convinced you've got your man, Inspector. | 0:40:59 | 0:41:02 | |
The problem with the priest, sergeant, | 0:41:02 | 0:41:04 | |
is that he over-complicates everything. | 0:41:04 | 0:41:06 | |
Alfons couldn't be easier to convict | 0:41:06 | 0:41:07 | |
if he'd walked into the station and handed himself over. | 0:41:07 | 0:41:10 | |
Yes, sir, how can I help you? | 0:41:13 | 0:41:15 | |
My name is Harry Grandage. | 0:41:15 | 0:41:16 | |
I'm here to confess | 0:41:17 | 0:41:18 | |
to the accidental killing of Jeremiah Moxley. | 0:41:18 | 0:41:21 | |
CHURCH BELLS RING | 0:41:25 | 0:41:27 | |
In nomine Patris | 0:41:30 | 0:41:33 | |
et Filii et Spiritus Sancti. | 0:41:33 | 0:41:35 | |
ALL: Amen. | 0:41:35 | 0:41:36 | |
Jeremiah, may you be blessed with a life | 0:41:38 | 0:41:41 | |
free from intolerance and free from shame. | 0:41:41 | 0:41:45 | |
ORGAN PLAYS | 0:41:46 | 0:41:48 | |
Would you mind? | 0:42:00 | 0:42:02 | |
Hello, sweetheart. | 0:42:02 | 0:42:03 | |
Oh, look at them. What a perfectly beautiful family. | 0:42:07 | 0:42:12 | |
It's not hard to see why Harry would crave such a life. | 0:42:12 | 0:42:15 | |
He spent so long reporting the worst of the world. | 0:42:15 | 0:42:17 | |
Perhaps he'd seen enough. | 0:42:17 | 0:42:19 | |
Too much of the world is better than not enough. | 0:42:19 | 0:42:21 | |
And for better or worse, Hannah is a free woman now. | 0:42:21 | 0:42:24 | |
And in the end, Harry did the right thing. | 0:42:24 | 0:42:28 | |
With the church's guidance! | 0:42:28 | 0:42:31 | |
Oh, excuse me. | 0:42:32 | 0:42:33 | |
I owe you an apology. | 0:42:37 | 0:42:38 | |
You owe us more than one. | 0:42:38 | 0:42:40 | |
As though my Alfons could do such a thing. | 0:42:40 | 0:42:43 | |
I was taken in by Jeremiah's lies, and I feel terrible for it. | 0:42:43 | 0:42:49 | |
So this is for you. | 0:42:49 | 0:42:51 | |
For your back - it's a muscle rub. | 0:42:51 | 0:42:54 | |
St John's wort and valerian, my mother's own remedy. | 0:42:54 | 0:42:58 | |
I use witch hazel and beeswax. | 0:42:58 | 0:43:00 | |
Oh, this will work much better. I made it myself. | 0:43:00 | 0:43:03 | |
All right. | 0:43:03 | 0:43:04 | |
Worth a try. | 0:43:04 | 0:43:07 | |
Well, when all's said and done, | 0:43:07 | 0:43:09 | |
we're not so different, Aggie and myself. | 0:43:09 | 0:43:12 | |
What's this, Mrs McCarthy, a change of heart? | 0:43:12 | 0:43:15 | |
"Absolute heathen", wasn't it? | 0:43:15 | 0:43:17 | |
"Nothing but a pest..." | 0:43:17 | 0:43:19 | |
I never said such things. | 0:43:19 | 0:43:21 | |
Malicious gossip. Pure fiction. | 0:43:21 | 0:43:23 | |
And remember, there's a fine line between fact and fantasy. | 0:43:24 | 0:43:28 | |
Couldn't have put it better myself. | 0:43:29 | 0:43:31 | |
Walk on. | 0:43:37 | 0:43:38 |