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And on Thursday, I took the Lord's name in vain when I got a splinter. | 0:00:05 | 0:00:10 | |
I am sorry for this and all of my sins. | 0:00:10 | 0:00:13 | |
Ego te absolve a peccatis tuis in nomine Patris et Filii et... | 0:00:13 | 0:00:18 | |
One more thing. | 0:00:18 | 0:00:19 | |
By 11 in the morning tomorrow, Bishop Talbot will be shot dead. | 0:00:19 | 0:00:23 | |
How do you know this? | 0:00:25 | 0:00:26 | |
Oh, there you are, Father. | 0:00:34 | 0:00:36 | |
The bishop's office has just telephoned. | 0:00:36 | 0:00:39 | |
Bishop Talbot won't be coming to deliver the Corpus Christi homily tomorrow after all. | 0:00:39 | 0:00:43 | |
Would you believe it? He's off shooting birds. | 0:00:44 | 0:00:47 | |
Shooting?! | 0:00:48 | 0:00:56 | |
Bentley Duke has invited me to go shooting on his estate. | 0:01:20 | 0:01:23 | |
Bentley Duke? What, the theatrical impresario? | 0:01:23 | 0:01:27 | |
But, My Lord, you loathe the theatre. | 0:01:28 | 0:01:30 | |
Yeah, well, I do. | 0:01:30 | 0:01:31 | |
However, Duke has offered to fund | 0:01:31 | 0:01:34 | |
all the repairs to the tower at St George. | 0:01:34 | 0:01:37 | |
Ah... | 0:01:37 | 0:01:38 | |
Unexpected? | 0:01:38 | 0:01:39 | |
He has a house nearby. | 0:01:39 | 0:01:41 | |
Says he finds St George... | 0:01:41 | 0:01:43 | |
inspirational. | 0:01:43 | 0:01:45 | |
Well, I would love to use his ill-gotten gains for better use. | 0:01:46 | 0:01:50 | |
So, tomorrow, God willing, we shall seal the deal. | 0:01:50 | 0:01:54 | |
Will you be alone together? | 0:01:55 | 0:01:57 | |
No. | 0:01:57 | 0:01:58 | |
There'll be other heathens of the theatre world. | 0:01:59 | 0:02:01 | |
And dear Lady Felicia, | 0:02:01 | 0:02:03 | |
thank goodness. | 0:02:03 | 0:02:05 | |
My Lord, I wonder if you might rearrange your meeting with Mr Duke? | 0:02:05 | 0:02:09 | |
Why on earth should I do that? | 0:02:09 | 0:02:11 | |
I may not have told you before how much my congregation look forward to your homily on Corpus Christi. | 0:02:12 | 0:02:16 | |
Well, tell me now. | 0:02:17 | 0:02:18 | |
Well, for many of them, | 0:02:18 | 0:02:19 | |
it is simply the highlight of the church calendar. | 0:02:19 | 0:02:22 | |
Oh, I see. | 0:02:23 | 0:02:24 | |
Well, being stuck with your tedious witterings all year round, | 0:02:24 | 0:02:27 | |
I'm not surprised. | 0:02:27 | 0:02:29 | |
But that's still no reason for putting the whole future of St George in jeopardy. | 0:02:29 | 0:02:34 | |
But, My Lord, shooting? | 0:02:35 | 0:02:37 | |
It's like golf. | 0:02:37 | 0:02:39 | |
It livens up a good country walk. | 0:02:40 | 0:02:43 | |
Yes, but, with respect, My Lord, | 0:02:43 | 0:02:45 | |
golf does not involve the slaughter of God's creatures. | 0:02:45 | 0:02:49 | |
Controlling the bird population doesn't trouble the Vatican, Brown. | 0:02:49 | 0:02:52 | |
As you well know. | 0:02:52 | 0:02:54 | |
But, My Lord, why not meet Mr Duke after your homily at St Mary's? | 0:02:54 | 0:02:57 | |
Or at the theatre? | 0:02:57 | 0:02:59 | |
Are you all right, Brown? | 0:03:02 | 0:03:03 | |
Perfectly well. | 0:03:03 | 0:03:05 | |
In that case, get out of my way. | 0:03:05 | 0:03:06 | |
I have a course record to beat. | 0:03:06 | 0:03:09 | |
Bah! Eh? | 0:03:13 | 0:03:15 | |
I'm so thrilled you could join us, Bish. | 0:03:17 | 0:03:19 | |
I only hope I don't embarrass myself, Mr Duke. | 0:03:19 | 0:03:21 | |
Isn't life full of surprises? | 0:03:21 | 0:03:23 | |
I always assumed you devil dodgers disapproved of cold-blooded killing. | 0:03:23 | 0:03:26 | |
And then two of you sign up for this. | 0:03:26 | 0:03:29 | |
Two? | 0:03:29 | 0:03:30 | |
Your colleague. | 0:03:30 | 0:03:31 | |
I'm very grateful to you for organising this. | 0:03:34 | 0:03:37 | |
Grateful enough to tell me what you're up to? | 0:03:37 | 0:03:39 | |
As you know, I will always drop everything to support the bishop. | 0:03:39 | 0:03:42 | |
Mm-hm. | 0:03:42 | 0:03:43 | |
Well, it's my goddaughter Natasha you have to thank. | 0:03:43 | 0:03:46 | |
That's her, talking to Bentley Duke. | 0:03:46 | 0:03:48 | |
She got me on the list, too. | 0:03:48 | 0:03:49 | |
She seems to have Bentley wrapped round her finger. | 0:03:49 | 0:03:52 | |
So, why are you here? | 0:03:52 | 0:03:54 | |
To meet Bentley Duke. I loved acting. | 0:03:54 | 0:03:57 | |
I was in all the school productions. | 0:03:57 | 0:03:58 | |
So, you want to talk to him about the theatre? | 0:03:59 | 0:04:01 | |
No. I want a part in one of his productions. | 0:04:01 | 0:04:04 | |
-My Lord. -What in the devil's name is the meaning of this? | 0:04:05 | 0:04:08 | |
Well...it's a peculiar quirk of fate. | 0:04:08 | 0:04:10 | |
Lady Felicia insisted I accompany her. | 0:04:11 | 0:04:14 | |
Didn't you, Lady Felicia? | 0:04:14 | 0:04:16 | |
If you do anything to jeopardise my discussion with Mr Duke, | 0:04:17 | 0:04:21 | |
I shall have you strung from the crypt at St George | 0:04:22 | 0:04:26 | |
with a shotgun up your... | 0:04:26 | 0:04:27 | |
-Darling Felicia! -Oh! | 0:04:27 | 0:04:28 | |
Hello! I'm Natasha. | 0:04:30 | 0:04:31 | |
Father Brown. | 0:04:31 | 0:04:33 | |
I am indebted to you. | 0:04:33 | 0:04:35 | |
Don't be silly. | 0:04:35 | 0:04:37 | |
Any friend of my wonderful godmother is a friend of mine. | 0:04:37 | 0:04:39 | |
Natasha has the lead role in Room For Three? at Cheltenham Rep. | 0:04:39 | 0:04:43 | |
A new play? | 0:04:43 | 0:04:44 | |
Yes. It's rather naughty. | 0:04:44 | 0:04:46 | |
Then I shall be booking tickets immediately. | 0:04:46 | 0:04:49 | |
Felicia said you were fun! | 0:04:49 | 0:04:50 | |
Natasha, you unforgivable liar! | 0:04:50 | 0:04:52 | |
You told me you were bringing your godmother, not your sister! | 0:04:52 | 0:04:54 | |
Oh, Bentley! | 0:04:54 | 0:04:56 | |
Bentley Duke. | 0:04:56 | 0:04:57 | |
-Lady Felicia Montague. -Delighted. | 0:04:57 | 0:04:59 | |
And you must be this spectacular girl's, what, grandfather? | 0:04:59 | 0:05:02 | |
Ah! | 0:05:02 | 0:05:03 | |
Father Brown. | 0:05:03 | 0:05:04 | |
I'm very grateful that you could accommodate me today. | 0:05:04 | 0:05:07 | |
What Natasha wants, Natasha gets. | 0:05:07 | 0:05:10 | |
I must say, though, your boss looked less than thrilled to see you. | 0:05:10 | 0:05:13 | |
Yes, I remind him of the paperwork left on his desk. | 0:05:14 | 0:05:17 | |
So, the Cotswolds have enticed you out of London? | 0:05:18 | 0:05:21 | |
When London bites, I come out to the country to lick my wounds. | 0:05:21 | 0:05:23 | |
Your murder weapon. | 0:05:24 | 0:05:25 | |
No. Thank you. | 0:05:25 | 0:05:27 | |
Oh... | 0:05:27 | 0:05:28 | |
Oh, dear. | 0:05:28 | 0:05:29 | |
Natasha, darling, I need you to check whether my barrel is straight enough. | 0:05:30 | 0:05:34 | |
The Lord Chamberlain, the theatre censor, | 0:05:35 | 0:05:37 | |
banned Bentley's last production from the West End. | 0:05:37 | 0:05:40 | |
Decided it was too racy. Bentley lost thousands. | 0:05:40 | 0:05:42 | |
Who's that? | 0:05:44 | 0:05:46 | |
Peter Redhill. | 0:05:46 | 0:05:47 | |
Oh, yes. | 0:05:47 | 0:05:49 | |
He acts, he directs and he's a bit of a dish. | 0:05:49 | 0:05:52 | |
-Isn't he married to a member of the royal family? -Yes. | 0:05:54 | 0:05:57 | |
Which is why his affair with Natasha was the talk of the press. | 0:05:57 | 0:06:00 | |
Not the press I read, evidently. | 0:06:01 | 0:06:03 | |
Fascinating... | 0:06:05 | 0:06:06 | |
WHISTLE | 0:06:07 | 0:06:08 | |
HOUNDS BARK | 0:06:10 | 0:06:11 | |
SHOTGUN FIRE | 0:06:19 | 0:06:21 | |
Got it! | 0:06:25 | 0:06:27 | |
LAUGHS RAUCOUSLY | 0:06:27 | 0:06:29 | |
-I've got some catching up to do. -I wasn't aware it was a competition. | 0:06:29 | 0:06:32 | |
Closer. | 0:06:34 | 0:06:35 | |
Oh, dear... | 0:06:41 | 0:06:42 | |
So, Bishop Talbot, do you think adulterers should be treated like murderers? | 0:06:47 | 0:06:51 | |
I think marriage is sacred, Mr Redhill. | 0:06:51 | 0:06:54 | |
-Well, that is not quite the same thing. -Peter... | 0:06:54 | 0:06:56 | |
You said in The Times, and I quote, | 0:06:56 | 0:06:57 | |
that "we should treat the ending of a marriage as seriously as the death of a person." | 0:06:57 | 0:07:01 | |
I did indeed. | 0:07:01 | 0:07:02 | |
And then you singled me out for destroying my marriage. | 0:07:02 | 0:07:04 | |
The newspapers singled you out when they put pictures of you | 0:07:04 | 0:07:07 | |
-cavorting with your mistress on their front pages! -So, I am a murderer. | 0:07:07 | 0:07:10 | |
Well, don't we execute murderers in this country? | 0:07:10 | 0:07:13 | |
Go on, then. Shoot me! | 0:07:13 | 0:07:14 | |
Does the drinking help you with your aim, Mr Redhill? | 0:07:14 | 0:07:18 | |
Do you find being a righteous prig helps you sleep at night, Bishop? | 0:07:18 | 0:07:21 | |
Who's this, your lapdog? | 0:07:21 | 0:07:23 | |
Sober up you, fool. | 0:07:25 | 0:07:26 | |
There's only one fool here, Bentley. | 0:07:26 | 0:07:28 | |
Good work, Davies. | 0:07:31 | 0:07:32 | |
Thank you, My Lord. | 0:07:32 | 0:07:33 | |
WHISTLE | 0:07:34 | 0:07:35 | |
Drive over. Follow me. | 0:07:36 | 0:07:38 | |
Is the next drive far, Mr Duke? | 0:08:00 | 0:08:03 | |
Just over here. | 0:08:03 | 0:08:04 | |
Oh, pooh drops! | 0:08:08 | 0:08:09 | |
Is it entirely safe shooting here? | 0:08:09 | 0:08:11 | |
No. But as the London critics love to point out, | 0:08:11 | 0:08:14 | |
I do have something of a reckless streak. | 0:08:14 | 0:08:16 | |
Mr Duke... We should talk about the tower at St George. | 0:08:17 | 0:08:21 | |
-Privately. -Oh, absolutely. | 0:08:22 | 0:08:24 | |
But, first, call of nature and all that. | 0:08:24 | 0:08:26 | |
Of course. | 0:08:26 | 0:08:27 | |
-Awful man. -My Lord... | 0:08:28 | 0:08:30 | |
Oh, do run along, Brown! | 0:08:31 | 0:08:32 | |
Have you gone deaf, Brown? | 0:08:35 | 0:08:36 | |
My Lord, you need to leave now. | 0:08:36 | 0:08:39 | |
-Please. -Have you gone utterly mad, Brown? | 0:08:39 | 0:08:41 | |
-Down! -What on earth...?! | 0:08:45 | 0:08:46 | |
My Lord? | 0:08:50 | 0:08:51 | |
I've been shot. | 0:08:51 | 0:08:53 | |
Where is the pain? | 0:08:55 | 0:08:56 | |
No pain. | 0:08:56 | 0:08:58 | |
Just numbness... | 0:08:58 | 0:08:59 | |
Ah, Inspector Sullivan. Did anyone see the sniper? | 0:09:17 | 0:09:20 | |
No. | 0:09:20 | 0:09:21 | |
But the offending cartridge tells me it was someone in this shooting party. | 0:09:21 | 0:09:24 | |
Problem is, you were all separated at the time. | 0:09:24 | 0:09:27 | |
How long was the deceased in your service? | 0:09:27 | 0:09:30 | |
Who, Davies? | 0:09:30 | 0:09:31 | |
Five years. Ten, maybe. | 0:09:31 | 0:09:33 | |
It seems he had an altercation with Mr Redhill shortly before his death. | 0:09:33 | 0:09:36 | |
Yes. | 0:09:36 | 0:09:38 | |
Regular theatre-goer, was he? | 0:09:38 | 0:09:40 | |
Davies? | 0:09:40 | 0:09:41 | |
Never set foot in the theatre. | 0:09:41 | 0:09:43 | |
Right. | 0:09:43 | 0:09:44 | |
Inspector Sullivan... | 0:09:44 | 0:09:46 | |
Forgive me, surely the shot was meant for me? | 0:09:46 | 0:09:49 | |
You? I don't think so. | 0:09:50 | 0:09:52 | |
Father Brown said he saw the gun fired from over there, | 0:09:52 | 0:09:55 | |
along with this cartridge still smoking. | 0:09:55 | 0:09:57 | |
The gunman, or woman, would have to have been virtually blind | 0:09:57 | 0:10:01 | |
to have missed you by that margin. | 0:10:01 | 0:10:02 | |
Davies was the target. | 0:10:02 | 0:10:04 | |
No, but... | 0:10:04 | 0:10:05 | |
-Brown! -My Lord? | 0:10:05 | 0:10:07 | |
Moments before the shot, Father Brown told me I had to leave. | 0:10:07 | 0:10:10 | |
He was certain I was in trouble. Weren't you, Brown? | 0:10:10 | 0:10:12 | |
Is this true, Brown? | 0:10:16 | 0:10:17 | |
Well? | 0:10:19 | 0:10:21 | |
I haven't got time for this. | 0:10:22 | 0:10:23 | |
Mr Redhill... | 0:10:23 | 0:10:24 | |
Where's your tongue, man? | 0:10:25 | 0:10:27 | |
Please, forgive me, My Lord. | 0:10:30 | 0:10:31 | |
CHURCH BELL TOLLS | 0:10:41 | 0:10:42 | |
He didn't set the world alight, my husband. | 0:10:48 | 0:10:51 | |
But he was a good man. | 0:10:51 | 0:10:53 | |
Honest. | 0:10:53 | 0:10:54 | |
Loyal. | 0:10:54 | 0:10:55 | |
God will hold your hand through this, Ethel. | 0:10:57 | 0:11:00 | |
Thank you, Father. | 0:11:00 | 0:11:01 | |
Can you manage, financially? | 0:11:02 | 0:11:05 | |
I've been prudent all my life. | 0:11:06 | 0:11:08 | |
Done extra work. Put money aside. | 0:11:08 | 0:11:10 | |
No, it's the loneliness I'm worried about. | 0:11:12 | 0:11:14 | |
Albert wasn't a talker. | 0:11:15 | 0:11:17 | |
But he did just sit and listen. | 0:11:18 | 0:11:20 | |
Landlord at the old Red Lion's going to miss him, an' all. | 0:11:28 | 0:11:30 | |
Albert was a teetotaller when I tied the knot for him and Ethel. | 0:11:30 | 0:11:34 | |
Well, that's marriage for you! | 0:11:34 | 0:11:36 | |
So, who's the killer, then? | 0:11:36 | 0:11:38 | |
Well, assuming it's a member of the shooting party, | 0:11:38 | 0:11:42 | |
I think we can eliminate Lady Felicia from the suspect list. | 0:11:42 | 0:11:45 | |
Not really her style. | 0:11:45 | 0:11:47 | |
Which means it must be one of "the theatre heathen". | 0:11:48 | 0:11:50 | |
You want to sit in on rehearsals? | 0:11:57 | 0:11:59 | |
Well, I wish to follow your lead, Mr Duke, | 0:11:59 | 0:12:01 | |
in building a bridge between the church and the theatre. | 0:12:01 | 0:12:04 | |
What bridge have I ever built with you lot? | 0:12:04 | 0:12:06 | |
By offering to fund the rebuilding of St George's. | 0:12:06 | 0:12:09 | |
Your boss was never going to see a penny. | 0:12:10 | 0:12:12 | |
-I got him on that shoot purely for sport. -Sport? | 0:12:12 | 0:12:15 | |
To wind up Peter Redhill. Our very own lapsed Catholic boy. | 0:12:15 | 0:12:18 | |
Reminds me. I must ring your boss to tell him that, sadly, the deal's off. | 0:12:19 | 0:12:22 | |
Do you have a grudge against Bishop Talbot? | 0:12:23 | 0:12:26 | |
He peddles hypocrisy and lies. You all do. | 0:12:27 | 0:12:29 | |
While theatre is all about the truth. | 0:12:30 | 0:12:32 | |
We reflect reality. | 0:12:33 | 0:12:35 | |
You disguise and distort it. | 0:12:35 | 0:12:37 | |
Thank you for dropping by. | 0:12:37 | 0:12:39 | |
I was very sorry to hear about your recent West End show being closed. | 0:12:39 | 0:12:43 | |
Yes, I'm sure you were. | 0:12:44 | 0:12:45 | |
I read the script of A Rather Private Affair | 0:12:45 | 0:12:49 | |
and found it very enjoyable. | 0:12:49 | 0:12:50 | |
The scene where the priest confesses | 0:12:50 | 0:12:53 | |
his infatuation to the mother-in-law | 0:12:53 | 0:12:55 | |
was very amusing. | 0:12:55 | 0:12:57 | |
So, this is why the bishop calls you his "blackest sheep". | 0:12:58 | 0:13:02 | |
What would he say if he knew you were here with me now? | 0:13:02 | 0:13:05 | |
I imagine he would disapprove. | 0:13:05 | 0:13:06 | |
Strongly. | 0:13:07 | 0:13:09 | |
In fact... | 0:13:09 | 0:13:10 | |
..he would be furious. | 0:13:11 | 0:13:12 | |
Would he, now? | 0:13:12 | 0:13:14 | |
It's lovely. But I think you can make her even more arch here. | 0:13:15 | 0:13:18 | |
Sorry to interrupt, Peter. | 0:13:18 | 0:13:21 | |
Our friend Father Brown's going to be popping in and out of rehearsals from time to time. | 0:13:21 | 0:13:24 | |
Hope that's all right. | 0:13:24 | 0:13:26 | |
What? | 0:13:26 | 0:13:27 | |
I promise I will be as quiet as the proverbial church mouse, Mr Redhill. | 0:13:27 | 0:13:31 | |
Aren't you having enough fun at my expense? | 0:13:38 | 0:13:40 | |
-Don't be so paranoid. I'm doing you a favour. -A favour? | 0:13:40 | 0:13:43 | |
Your friend the bishop will be livid. | 0:13:43 | 0:13:44 | |
Almost as livid as you must have been when you missed him from five yards. | 0:13:44 | 0:13:48 | |
How dare you! | 0:13:48 | 0:13:49 | |
Right. Let's run that last sequence again. | 0:13:51 | 0:13:54 | |
You are a marvel, Father. | 0:13:59 | 0:14:01 | |
Lady Felicia! Don't tell me Bentley Duke's given you a part already? | 0:14:01 | 0:14:04 | |
-No. But he's very keen to see my passion. -I'm sure he is. | 0:14:04 | 0:14:08 | |
So, I've offered to help out with some fundraising. | 0:14:08 | 0:14:10 | |
I've no need to ask why you're here. | 0:14:10 | 0:14:13 | |
Natasha's not involved, is she? | 0:14:13 | 0:14:15 | |
I think it is the work of a man. | 0:14:15 | 0:14:17 | |
Thank goodness for that. | 0:14:17 | 0:14:19 | |
Oh, gosh, I hope it wasn't Peter. | 0:14:20 | 0:14:22 | |
Where would you like to go from, Peter? | 0:14:25 | 0:14:27 | |
We've just left scene two and go to where... | 0:14:27 | 0:14:30 | |
So... | 0:14:30 | 0:14:32 | |
Room For Three? | 0:14:32 | 0:14:33 | |
Yes. | 0:14:33 | 0:14:34 | |
It's a frightfully funny play. | 0:14:34 | 0:14:36 | |
You see, Peter's character is unhappily married | 0:14:36 | 0:14:39 | |
to this awful woman. | 0:14:39 | 0:14:40 | |
And they go away to this hotel on a golfing holiday | 0:14:40 | 0:14:43 | |
where Peter meets Natasha, who's staying in the next room. | 0:14:43 | 0:14:46 | |
And then the two of them, well, you know... | 0:14:46 | 0:14:48 | |
-Get on? -Exactly. | 0:14:50 | 0:14:51 | |
But, then, Peter hurts his back playing golf and is bedbound. | 0:14:52 | 0:14:55 | |
So then, it's all about doors opening and doors closing | 0:14:55 | 0:14:59 | |
and whether his wife will find out and catch them at it. | 0:14:59 | 0:15:01 | |
Take your time! | 0:15:01 | 0:15:02 | |
I heard every word. She's awful! | 0:15:08 | 0:15:10 | |
What it's really about is whether Peter and Natasha love each other | 0:15:10 | 0:15:12 | |
or if it's all just a bit of fun. | 0:15:12 | 0:15:14 | |
I see... | 0:15:14 | 0:15:15 | |
A most unfortunate sequence of events. | 0:15:15 | 0:15:17 | |
It all began with a watering can. | 0:15:17 | 0:15:19 | |
How dreadful! | 0:15:19 | 0:15:21 | |
Listen, we've got 43 minutes before she's back from lunch. | 0:15:21 | 0:15:25 | |
My wife is nothing if not a creature of habit. | 0:15:25 | 0:15:27 | |
Oh, darling! | 0:15:27 | 0:15:29 | |
You imagining your first performance, perchance? | 0:15:39 | 0:15:42 | |
I am. | 0:15:42 | 0:15:43 | |
Your goddaughter is a natural. | 0:15:45 | 0:15:47 | |
Isn't she? | 0:15:47 | 0:15:48 | |
It's so good to catch up. | 0:15:48 | 0:15:50 | |
We used to see so much of each other. | 0:15:50 | 0:15:52 | |
She'd come up nearly every holidays, until she was about 14. | 0:15:52 | 0:15:54 | |
She had a family in the area. | 0:15:56 | 0:15:57 | |
Oh? Who? | 0:15:57 | 0:15:58 | |
Just an uncle, actually. | 0:16:00 | 0:16:02 | |
Winston Grater. | 0:16:02 | 0:16:04 | |
Winston... Yes. Moved to Cirencester. | 0:16:06 | 0:16:09 | |
-You knew him? -A regular at St Mary's. | 0:16:09 | 0:16:11 | |
I still get a Christmas card. | 0:16:11 | 0:16:13 | |
What? | 0:16:17 | 0:16:18 | |
Lady Felicia? | 0:16:20 | 0:16:21 | |
Well, you don't have to tell me, if you don't want to. | 0:16:23 | 0:16:26 | |
That man did vile... | 0:16:31 | 0:16:33 | |
vile things to her. | 0:16:34 | 0:16:35 | |
You understand? | 0:16:36 | 0:16:37 | |
She was just a girl. | 0:16:39 | 0:16:41 | |
It was so awful. | 0:16:41 | 0:16:43 | |
I mean, she did tell her parents. They didn't believe her. | 0:16:44 | 0:16:48 | |
Didn't believe who? | 0:16:48 | 0:16:49 | |
Inspector Sullivan. | 0:16:49 | 0:16:51 | |
I might have known you'd have wormed your way in here, Father. | 0:16:51 | 0:16:53 | |
Are you here to buy tickets for the performance, Inspector? | 0:16:53 | 0:16:56 | |
No. I have some more questions for Peter Redhill. | 0:16:56 | 0:16:58 | |
He's at lunch. And rehearsals don't begin again until half-past three. | 0:16:58 | 0:17:02 | |
Right. | 0:17:02 | 0:17:03 | |
Have you established a deeper link between Mr Redhill and the bishop? | 0:17:03 | 0:17:07 | |
If I have, rest assured, you'll be the last to hear, Father. | 0:17:07 | 0:17:10 | |
Because, if Mr Redhill wanted to kill anyone in the woods, | 0:17:10 | 0:17:14 | |
it would have been Bentley Duke. | 0:17:14 | 0:17:15 | |
Why is that? | 0:17:15 | 0:17:17 | |
Because the love of his life is now in Mr Duke's arms. | 0:17:17 | 0:17:20 | |
I'm sure that's no news to you, Inspector. | 0:17:22 | 0:17:24 | |
A sensible career move on her part, I'm sure. | 0:17:28 | 0:17:30 | |
Oh, Bishop Talbot is looking for you. | 0:17:31 | 0:17:33 | |
He's been insisting that he was the real target. | 0:17:33 | 0:17:35 | |
You jumping on him must have unhinged him. | 0:17:35 | 0:17:37 | |
It certainly would have unhinged me. | 0:17:37 | 0:17:39 | |
I was baffled by your behaviour in the woods. | 0:17:43 | 0:17:45 | |
But, suddenly, this morning I understood. | 0:17:46 | 0:17:50 | |
You heard in confessional that I was to be shot. | 0:17:52 | 0:17:55 | |
Am I right? | 0:17:56 | 0:17:57 | |
Well, the seal is...sacrosanct. | 0:17:59 | 0:18:01 | |
However, you were prepared to act according to what you heard. | 0:18:02 | 0:18:06 | |
And for that, of course, I am grateful. | 0:18:06 | 0:18:08 | |
But my would-be assassin is still at large. | 0:18:09 | 0:18:12 | |
And because Inspector Sullivan doesn't seem interested, | 0:18:12 | 0:18:16 | |
I'm sure the good Lord, in all His wisdom, | 0:18:16 | 0:18:18 | |
would forgive you if... | 0:18:18 | 0:18:20 | |
..you dropped a hint who it is. | 0:18:21 | 0:18:23 | |
Brown... | 0:18:28 | 0:18:29 | |
I couldn't help noticing that you have a collection | 0:18:32 | 0:18:35 | |
of stage play manuscripts. | 0:18:35 | 0:18:37 | |
Don't Kiss Me, I'm From Surrey. | 0:18:38 | 0:18:40 | |
This was banned for blasphemy. | 0:18:41 | 0:18:42 | |
-How did you get it? -Brown, this is highly important. | 0:18:43 | 0:18:46 | |
Banned. | 0:18:46 | 0:18:47 | |
Banned. | 0:18:47 | 0:18:48 | |
Highly controversial. | 0:18:50 | 0:18:51 | |
Banned. | 0:18:52 | 0:18:53 | |
I had no idea, My Lord, that you had an interest in the theatre. | 0:18:55 | 0:18:59 | |
Oh, the Lord Chamberlain and I are old friends. | 0:18:59 | 0:19:02 | |
He sends me all the latest play texts. | 0:19:04 | 0:19:06 | |
May I ask why? | 0:19:06 | 0:19:08 | |
He values my opinion. | 0:19:08 | 0:19:09 | |
Now, look, could we get back to the matter in hand? | 0:19:10 | 0:19:13 | |
Who was it, Brown? | 0:19:14 | 0:19:15 | |
Would you mind if I borrowed Don't Kiss Me, I'm From Surrey? | 0:19:16 | 0:19:19 | |
I'm very keen to read it. | 0:19:19 | 0:19:21 | |
Would you mind? | 0:19:21 | 0:19:22 | |
Peter Redhill might well have had reason to kill the bishop. | 0:19:29 | 0:19:33 | |
But he's a crack shot. Even when drunk, he wouldn't have missed. | 0:19:33 | 0:19:36 | |
Bentley Duke, on the other hand, is so wayward, | 0:19:38 | 0:19:41 | |
he could have missed the bishop, even from that range. | 0:19:41 | 0:19:44 | |
But why would Bentley Duke have wanted to kill the bishop? | 0:19:45 | 0:19:49 | |
Don't tell me you're stuck, Father. | 0:19:50 | 0:19:52 | |
I am. | 0:19:52 | 0:19:54 | |
Yes. | 0:19:54 | 0:19:55 | |
I am stuck. | 0:19:55 | 0:19:56 | |
Go back to the scene of the crime. | 0:19:58 | 0:20:00 | |
I do so regularly, in my mind. | 0:20:00 | 0:20:02 | |
And on every occasion I return empty-handed. | 0:20:03 | 0:20:07 | |
You know, some people say I have my head in the clouds. | 0:20:09 | 0:20:11 | |
I wouldn't dare comment on your personality. | 0:20:11 | 0:20:14 | |
Your calves, on the other hand... | 0:20:14 | 0:20:16 | |
Darling...! | 0:20:17 | 0:20:19 | |
There you are! | 0:20:19 | 0:20:20 | |
The scene of the crime... | 0:20:20 | 0:20:22 | |
-Of course! -What? | 0:20:24 | 0:20:25 | |
Never has the phrase been more apt. | 0:20:28 | 0:20:31 | |
-It was a scene... -Was it? | 0:20:32 | 0:20:34 | |
I was assigned a role. | 0:20:36 | 0:20:37 | |
My character was there to distract from what was really happening. | 0:20:38 | 0:20:42 | |
Inspector Sullivan was right. | 0:20:45 | 0:20:47 | |
Davies was the intended target. | 0:20:49 | 0:20:51 | |
-Sid... -Mm-hm? | 0:20:59 | 0:21:00 | |
I need you to go to the pub. | 0:21:00 | 0:21:02 | |
Right. Any in particular? | 0:21:03 | 0:21:04 | |
Red Lion. | 0:21:04 | 0:21:06 | |
I need you to talk to Davies' old drinking chums. | 0:21:06 | 0:21:09 | |
Find out if it really was marriage that drove him to drink. | 0:21:09 | 0:21:12 | |
What about Lady F? | 0:21:13 | 0:21:15 | |
You have her blessing. | 0:21:15 | 0:21:16 | |
Oh... | 0:21:23 | 0:21:24 | |
It's a tough job, but someone's got to do it. | 0:21:26 | 0:21:28 | |
-You want protection? -Yes. | 0:21:31 | 0:21:33 | |
I thought having someone covering your back, so to speak, was a perk of the job. | 0:21:33 | 0:21:37 | |
Inspector, this is a serious matter. | 0:21:37 | 0:21:38 | |
The person who tried to kill me in those woods will try again. | 0:21:38 | 0:21:41 | |
I am convinced. | 0:21:41 | 0:21:43 | |
Look, as I've already advised, | 0:21:43 | 0:21:44 | |
you shouldn't read anything into what Father Brown says or does. | 0:21:44 | 0:21:47 | |
This has nothing to do with Father Brown any more. | 0:21:47 | 0:21:51 | |
This morning, I received a phone call which has convinced me someone in those woods wanted me dead! | 0:21:52 | 0:21:56 | |
All right, it wasn't marriage that drove Davies to drink. | 0:21:59 | 0:22:02 | |
It was gambling debts. | 0:22:03 | 0:22:04 | |
Our little Davies was an active member | 0:22:06 | 0:22:09 | |
of the Kembleford underground horse-betting fraternity. | 0:22:09 | 0:22:12 | |
Which is not an easy thing to say on five pints of Stoat's Tipple, I can tell you that. | 0:22:12 | 0:22:16 | |
A week before he died, | 0:22:18 | 0:22:19 | |
Davies put a small fortune on a dead cert at Kempton. | 0:22:19 | 0:22:24 | |
But guess what? It fell at the first. | 0:22:24 | 0:22:27 | |
But here's the thing. Davies was completely skint. | 0:22:27 | 0:22:30 | |
Everybody knew it. | 0:22:31 | 0:22:32 | |
-So, where did he get the money for the bet? -Ah-ha... | 0:22:33 | 0:22:35 | |
Your embroideries are wonderful. | 0:22:40 | 0:22:42 | |
It's just a hobby. | 0:22:42 | 0:22:43 | |
You should never play down your passions. | 0:22:45 | 0:22:47 | |
That was Albert's favourite. | 0:22:47 | 0:22:49 | |
I made that for our silver wedding anniversary. | 0:22:49 | 0:22:51 | |
-Have you ever considered selling any of these? -No! | 0:22:55 | 0:22:58 | |
Who'd want any of those things? | 0:22:59 | 0:23:01 | |
Plenty of people. | 0:23:01 | 0:23:02 | |
And they'd pay a pretty penny, I'm sure. | 0:23:02 | 0:23:05 | |
I might buy one myself. | 0:23:06 | 0:23:07 | |
You don't say! | 0:23:08 | 0:23:09 | |
What am I saying, how rude of me? These are deeply personal. | 0:23:09 | 0:23:12 | |
And it's not as if you need the money, what with all your savings. | 0:23:14 | 0:23:18 | |
Well, if there's one that takes your fancy, Father, | 0:23:20 | 0:23:23 | |
I might be open to persuasion. | 0:23:23 | 0:23:25 | |
No, Ethel. I was wrong to suggest it. | 0:23:25 | 0:23:27 | |
The thing is... | 0:23:29 | 0:23:30 | |
..I do need the money. | 0:23:31 | 0:23:33 | |
Why? What happened? | 0:23:33 | 0:23:35 | |
Now, there's a man on a mission. | 0:23:41 | 0:23:42 | |
I recognised the bicycle. A visit of compassion? | 0:23:42 | 0:23:45 | |
One does what one can. | 0:23:46 | 0:23:48 | |
See, I had a shilling bet with Goodfellow that you were really here | 0:23:48 | 0:23:50 | |
because you'd found out about Davies stealing all Ethel's savings. | 0:23:50 | 0:23:53 | |
I bet another shilling that, having spoken to Ethel, | 0:23:53 | 0:23:56 | |
you'd head straight for Laceman's Sewing Factory to check her alibi. | 0:23:56 | 0:23:59 | |
Might she have sneaked into the woods, stolen a cartridge | 0:23:59 | 0:24:02 | |
and shot her husband? | 0:24:02 | 0:24:03 | |
Er-hum... | 0:24:06 | 0:24:07 | |
Let me save you a journey, Father. | 0:24:10 | 0:24:12 | |
12 women at the sewing factory gave me sworn statements | 0:24:12 | 0:24:15 | |
that Ethel never left her machine that morning. | 0:24:15 | 0:24:18 | |
She didn't do it. | 0:24:18 | 0:24:19 | |
I see. | 0:24:21 | 0:24:22 | |
Oh, if it's any consolation, | 0:24:22 | 0:24:24 | |
I've spent most of this investigation down a blind alley myself. | 0:24:24 | 0:24:27 | |
You see, I really thought Davies was the intended victim. | 0:24:27 | 0:24:30 | |
But now, thanks to your bishop, I'm back on track. | 0:24:31 | 0:24:34 | |
All right, Sergeant, now we've got our motive, | 0:24:34 | 0:24:36 | |
let's go and get our man. | 0:24:36 | 0:24:38 | |
We should be just in time for the final dress rehearsal. | 0:24:38 | 0:24:40 | |
Tally-ho! | 0:24:40 | 0:24:42 | |
Revenge? For what? | 0:24:48 | 0:24:50 | |
For Bishop Talbot wiping out a large chunk of your fortune. | 0:24:51 | 0:24:53 | |
Well, go on, then, Inspector. | 0:24:56 | 0:24:57 | |
I warn you, though, spotting holes in stories is how I made my fortune. | 0:24:57 | 0:25:01 | |
The Lord Chamberlain closed down your recent West End production, | 0:25:02 | 0:25:05 | |
A Rather Private Affair, | 0:25:05 | 0:25:07 | |
after just two performances. | 0:25:07 | 0:25:08 | |
It was sold out for five months | 0:25:08 | 0:25:10 | |
and you lost £10,000. | 0:25:10 | 0:25:12 | |
It must have been hilarious. | 0:25:12 | 0:25:14 | |
The show, I mean. | 0:25:14 | 0:25:15 | |
This isn't news, Inspector. | 0:25:15 | 0:25:16 | |
Bishop Talbot advises the Lord Chamberlain what plays to ban. | 0:25:16 | 0:25:19 | |
That's not news either, is it? | 0:25:19 | 0:25:21 | |
Well, it is, actually. | 0:25:21 | 0:25:22 | |
Well, all right, you probably only found that out | 0:25:22 | 0:25:25 | |
after you'd put your insider into the Lord Chamberlain's office. | 0:25:25 | 0:25:28 | |
I'd suggest you spend less time on farces | 0:25:31 | 0:25:34 | |
and study a thriller or two, Mr Duke. | 0:25:34 | 0:25:36 | |
Learn to cover your tracks. | 0:25:36 | 0:25:38 | |
Telephoning Bishop Talbot yesterday and mocking him, | 0:25:38 | 0:25:41 | |
that was a bit of a clue. | 0:25:41 | 0:25:42 | |
What is all this? | 0:25:44 | 0:25:45 | |
Your insider found out about Bishop Talbot | 0:25:45 | 0:25:47 | |
persuading the Lord Chamberlain to pull your show. | 0:25:47 | 0:25:49 | |
And that is why you wanted revenge. | 0:25:49 | 0:25:52 | |
You spun the lie about paying for St George | 0:25:52 | 0:25:54 | |
to lure Talbot into the woods. | 0:25:54 | 0:25:56 | |
And you would have killed him as planned, | 0:25:56 | 0:25:58 | |
had it not been for your terrible aim. | 0:25:58 | 0:25:59 | |
-This is absurd. -Is it? | 0:25:59 | 0:26:01 | |
Look, all right... | 0:26:01 | 0:26:02 | |
I found out about that Bible-thumping idiot trying to shaft me. | 0:26:03 | 0:26:06 | |
I wanted revenge. But shooting him? | 0:26:06 | 0:26:08 | |
Inspector, in my career, I've made real enemies, proper enemies, | 0:26:08 | 0:26:12 | |
men I have genuinely wanted dead. | 0:26:12 | 0:26:14 | |
Do you think I would risk the noose for a paper bag like the bishop? | 0:26:15 | 0:26:18 | |
Um, Lady Felicia... | 0:26:24 | 0:26:26 | |
Yes? | 0:26:26 | 0:26:27 | |
Er, Mrs McCarthy, Sid and I are about to take our seats. | 0:26:28 | 0:26:31 | |
Of course. | 0:26:31 | 0:26:33 | |
But Natasha's lost her scarf. It's complete chaos back here. | 0:26:33 | 0:26:36 | |
Why couldn't the Inspector have waited until after first night to have arrested Bentley? | 0:26:36 | 0:26:41 | |
-Can I help? -Yes. | 0:26:41 | 0:26:43 | |
Ah! Found it! | 0:26:46 | 0:26:48 | |
ANNOUNCER: Ladies and gentlemen, act one beginners, please. | 0:26:53 | 0:26:56 | |
Miss Ferango, Mr Redhill... | 0:26:56 | 0:26:57 | |
Where have you been? | 0:27:05 | 0:27:06 | |
Oh, my goodness! I thought this was my door. | 0:27:17 | 0:27:20 | |
I'm so sorry! | 0:27:20 | 0:27:21 | |
It's quite all right. Connecting rooms, eh? | 0:27:21 | 0:27:24 | |
I'll... | 0:27:24 | 0:27:25 | |
Sorry. Can I just say, I think you have a smashing set of clubs. | 0:27:25 | 0:27:28 | |
LAUGHTER | 0:27:28 | 0:27:30 | |
Thank you. | 0:27:30 | 0:27:31 | |
Actually, my coach tells me I have a wonderful grip too. | 0:27:31 | 0:27:34 | |
I'm sure your all-round stroke play is excellent. | 0:27:38 | 0:27:41 | |
What's your handicap? | 0:27:42 | 0:27:44 | |
I have a weakness for chocolate. And married men. | 0:27:44 | 0:27:47 | |
I see... | 0:27:47 | 0:27:48 | |
Would you care for some Black Forest gateau? My wife made it. | 0:27:48 | 0:27:52 | |
LAUGHTER | 0:27:52 | 0:27:54 | |
APPLAUSE | 0:27:56 | 0:27:57 | |
Oh, poor Harry! Is the pain still unbearable? | 0:28:00 | 0:28:03 | |
I'm afraid so. Though there are moments when it's merely relentless. | 0:28:03 | 0:28:06 | |
LAUGHTER | 0:28:06 | 0:28:08 | |
Oh, darling... | 0:28:08 | 0:28:09 | |
Harry? | 0:28:09 | 0:28:10 | |
My wife! For the first time in her life, she's back early! | 0:28:12 | 0:28:15 | |
LAUGHTER | 0:28:15 | 0:28:16 | |
KNOCKING | 0:28:16 | 0:28:17 | |
Harry! | 0:28:17 | 0:28:18 | |
Go! | 0:28:20 | 0:28:21 | |
LAUGHTER | 0:28:21 | 0:28:22 | |
-The cleaner must have locked it! -What?! | 0:28:24 | 0:28:26 | |
KNOCKING | 0:28:27 | 0:28:28 | |
Harry! Open the door! | 0:28:28 | 0:28:30 | |
KNOCKING | 0:28:30 | 0:28:31 | |
Madam, this is the hotel's rodent control squad. | 0:28:31 | 0:28:36 | |
We've had reports of rats in the room. | 0:28:37 | 0:28:39 | |
Please, bear with us. | 0:28:39 | 0:28:40 | |
Madame...? | 0:28:42 | 0:28:43 | |
She's gone! | 0:28:49 | 0:28:50 | |
Oh, darling... | 0:28:52 | 0:28:53 | |
You're a genius! | 0:28:54 | 0:28:56 | |
APPLAUSE | 0:28:56 | 0:28:57 | |
Well, cheers! Cheers! | 0:29:02 | 0:29:03 | |
Well done. Absolutely brilliant performance. | 0:29:05 | 0:29:07 | |
I particularly loved the first half. | 0:29:07 | 0:29:10 | |
Oh, thank you so much. | 0:29:10 | 0:29:11 | |
Convincing performance. | 0:29:14 | 0:29:15 | |
Thank you. | 0:29:15 | 0:29:16 | |
In the confessional, I mean. | 0:29:16 | 0:29:18 | |
Why did you kill Davies? | 0:29:19 | 0:29:21 | |
And why did you warn me of your plan? | 0:29:21 | 0:29:23 | |
I have no idea what you're talking about. | 0:29:26 | 0:29:27 | |
Father... | 0:29:29 | 0:29:30 | |
Peter wants us both to join him in the bar for a celebratory glass. | 0:29:30 | 0:29:34 | |
Or three. | 0:29:34 | 0:29:35 | |
I may be persuaded. | 0:29:37 | 0:29:38 | |
Oh, marvellous. | 0:29:38 | 0:29:40 | |
But, on the other hand... | 0:29:44 | 0:29:46 | |
..I may need to save my stamina. | 0:29:48 | 0:29:50 | |
-Early-morning mass. -Shame. | 0:29:50 | 0:29:52 | |
Glowing reviews, I'm sure. | 0:30:15 | 0:30:16 | |
Er, the door was open. | 0:30:18 | 0:30:19 | |
Is hiding in a lady's dressing room normal behaviour for a priest? | 0:30:21 | 0:30:24 | |
You played a nun masquerading as a plantation owner. | 0:30:27 | 0:30:30 | |
Sure you were very good. | 0:30:33 | 0:30:35 | |
But there is another detail in the credits which interests me. | 0:30:35 | 0:30:39 | |
Temporary wardrobe mistress, | 0:30:40 | 0:30:42 | |
Ethel Davies. | 0:30:42 | 0:30:43 | |
I imagine that a leading lady | 0:30:44 | 0:30:47 | |
has to trust her wardrobe mistress absolutely. | 0:30:47 | 0:30:49 | |
After all, she makes you look the part. | 0:30:50 | 0:30:53 | |
And although she was with you for... | 0:30:54 | 0:30:56 | |
A few weeks? | 0:30:57 | 0:30:58 | |
..I imagine you got very close. | 0:30:58 | 0:31:00 | |
So close that you shared your deepest, darkest secrets. | 0:31:01 | 0:31:05 | |
Which is how you found out that she was also... | 0:31:06 | 0:31:09 | |
..cruelly betrayed by a man. | 0:31:10 | 0:31:13 | |
Natasha... | 0:31:14 | 0:31:15 | |
you killed Davies. | 0:31:15 | 0:31:17 | |
But I believe you acted out of empathy. | 0:31:19 | 0:31:21 | |
Can I trust you, Father? | 0:31:23 | 0:31:24 | |
Yes. | 0:31:25 | 0:31:26 | |
Can you take my confession here? | 0:31:29 | 0:31:31 | |
Yes. | 0:31:31 | 0:31:32 | |
Bless me, Father, for I have sinned. | 0:31:41 | 0:31:42 | |
It has been four days since my last confession. | 0:31:43 | 0:31:45 | |
My uncle... | 0:31:53 | 0:31:55 | |
..he took away from me everything I had... | 0:31:57 | 0:31:59 | |
..everything I believed. | 0:32:00 | 0:32:02 | |
Coming back, after all these years, I felt it all again. | 0:32:04 | 0:32:07 | |
The anger. | 0:32:08 | 0:32:09 | |
When Ethel told me what her husband had done... | 0:32:12 | 0:32:14 | |
..how he had not just stolen her money, | 0:32:16 | 0:32:18 | |
but every drop of love from her heart... | 0:32:18 | 0:32:20 | |
..I had to ease her pain. | 0:32:21 | 0:32:23 | |
But I have regretted it every minute since. | 0:32:26 | 0:32:28 | |
I thought it would help me... | 0:32:30 | 0:32:32 | |
..bury a demon. | 0:32:33 | 0:32:35 | |
I now have a new demon. | 0:32:36 | 0:32:38 | |
Why did you warn me of your plans? | 0:32:39 | 0:32:41 | |
I hoped you would throw the police off the scent. | 0:32:43 | 0:32:46 | |
By making it seem that the bishop was the target? | 0:32:46 | 0:32:50 | |
Yes. | 0:32:50 | 0:32:51 | |
But you knew that I could tell nobody about what you told me. | 0:32:52 | 0:32:55 | |
I believed you would find a way. | 0:32:56 | 0:32:58 | |
Oh, Father, I have been such a fool. | 0:33:00 | 0:33:02 | |
You can still gain God's forgiveness. | 0:33:03 | 0:33:05 | |
But He will only forgive if He knows that you are truly repentant. | 0:33:05 | 0:33:10 | |
I want this torment to end. | 0:33:12 | 0:33:13 | |
Then you must take responsibility for your crime. | 0:33:13 | 0:33:17 | |
I'll be hanged... | 0:33:20 | 0:33:21 | |
If you go to the police yourself, | 0:33:21 | 0:33:22 | |
then I believe the church will be lenient. | 0:33:22 | 0:33:24 | |
But if they come to you... | 0:33:27 | 0:33:30 | |
Natasha, you must do the right thing. | 0:33:30 | 0:33:33 | |
Peter's worried sick Natasha isn't going to be back for the matinee. | 0:33:37 | 0:33:40 | |
I fear she may be gone longer than that. | 0:33:40 | 0:33:43 | |
But Natasha doesn't have an understudy. | 0:33:43 | 0:33:45 | |
She never, ever misses a performance. | 0:33:45 | 0:33:47 | |
Father... | 0:33:47 | 0:33:48 | |
Inspector. | 0:33:49 | 0:33:50 | |
Natasha's just given us a sworn statement. | 0:33:50 | 0:33:52 | |
I see. | 0:33:52 | 0:33:53 | |
She claims that you told her who killed Davies. | 0:33:53 | 0:33:56 | |
Then she has fooled me a second time. | 0:33:57 | 0:33:59 | |
Is she right? That Bentley confessed to you? | 0:34:00 | 0:34:03 | |
Father Brown, is Bentley Duke the killer or not? | 0:34:06 | 0:34:09 | |
Right... | 0:34:12 | 0:34:13 | |
You leave me no alternative | 0:34:13 | 0:34:15 | |
but to continue this conversation at the station. | 0:34:15 | 0:34:17 | |
Get in the car, please. | 0:34:17 | 0:34:18 | |
WHISTLE | 0:34:26 | 0:34:27 | |
TANNOY: The train departing from platform two is the 12.50, | 0:34:29 | 0:34:33 | |
calling at all stations to Cirencester. | 0:34:33 | 0:34:36 | |
I think you're right, Inspector. | 0:34:47 | 0:34:49 | |
I think Davies was the intended target. | 0:34:49 | 0:34:51 | |
According to Natasha, Bentley Duke confessed the murder to you. | 0:34:51 | 0:34:55 | |
And you sat on that while he roamed free and Ethel Davies grieved. | 0:34:55 | 0:34:58 | |
I had no idea Bentley Duke was a Catholic. | 0:35:00 | 0:35:02 | |
Your precious seal of the confessional is a disgrace! | 0:35:03 | 0:35:06 | |
Nothing more than a licence for criminals | 0:35:07 | 0:35:09 | |
to feel good about their crimes and escape justice! | 0:35:09 | 0:35:12 | |
And yet you think I broke the seal of the confessional... | 0:35:12 | 0:35:15 | |
..to Natasha? | 0:35:16 | 0:35:17 | |
So, you're calling Natasha a liar? | 0:35:18 | 0:35:20 | |
Bentley Duke could have gone back to the bishop and finished the job. | 0:35:20 | 0:35:23 | |
Would you have been happy having a second murder on your conscience? | 0:35:23 | 0:35:26 | |
Two murders... | 0:35:26 | 0:35:28 | |
Yes! That's it! | 0:35:28 | 0:35:29 | |
What is? | 0:35:30 | 0:35:31 | |
The two hands... It's a pact! | 0:35:33 | 0:35:35 | |
It's a way of disguising motive. | 0:35:37 | 0:35:39 | |
That's simple... | 0:35:40 | 0:35:41 | |
That's so, so clever. | 0:35:41 | 0:35:43 | |
12.50 to Cirencester... | 0:35:44 | 0:35:46 | |
Inspector, there's another murder about to be committed in an hour. | 0:35:46 | 0:35:50 | |
We need to stop it. | 0:35:50 | 0:35:51 | |
This won't work, Father. | 0:35:51 | 0:35:52 | |
If we take your fastest car... | 0:35:52 | 0:35:54 | |
I mean, distracting me with this nonsense. | 0:35:54 | 0:35:56 | |
But we need to leave now! | 0:35:56 | 0:35:58 | |
Sorry, sir. The Superintendent's on the telephone. | 0:35:58 | 0:36:00 | |
Sit down! | 0:36:04 | 0:36:05 | |
You're not going anywhere. | 0:36:05 | 0:36:07 | |
Lady Felicia, could your motorcar beat a railway train? | 0:36:24 | 0:36:28 | |
Let's find out. | 0:36:29 | 0:36:30 | |
Cirencester, please, Sid. | 0:36:32 | 0:36:33 | |
Can we stop here, please, Sid? | 0:37:11 | 0:37:13 | |
Thank you. | 0:37:13 | 0:37:14 | |
Ethel! | 0:37:20 | 0:37:22 | |
Leave me be, Father. | 0:37:22 | 0:37:23 | |
Ethel, I know about your pact with Natasha. | 0:37:23 | 0:37:26 | |
Father Brown? | 0:37:28 | 0:37:30 | |
Go back in the house, please, Winston. | 0:37:31 | 0:37:33 | |
-What's all this about? -Just do as I say. | 0:37:34 | 0:37:35 | |
Go back into the house. | 0:37:35 | 0:37:37 | |
What in the devil's name is going on here? | 0:37:37 | 0:37:39 | |
Get inside. Before this woman kills you. | 0:37:39 | 0:37:42 | |
Let her try. | 0:37:44 | 0:37:45 | |
Ethel! | 0:37:49 | 0:37:51 | |
I'm a woman of my word, Father. | 0:37:51 | 0:37:52 | |
Natasha's done her bit for me. | 0:37:52 | 0:37:54 | |
Natasha? | 0:37:54 | 0:37:55 | |
You ruined that poor girl's life. | 0:37:55 | 0:37:57 | |
You wretched, evil man. You'll rot in hell! | 0:37:57 | 0:37:59 | |
Dear God...! | 0:37:59 | 0:38:00 | |
Ethel, I know how angry you must feel, | 0:38:00 | 0:38:02 | |
but two wrongs do not make a right. | 0:38:02 | 0:38:05 | |
I must not let her down. | 0:38:05 | 0:38:07 | |
Father, please...! | 0:38:07 | 0:38:08 | |
Revenge is mine. | 0:38:10 | 0:38:12 | |
I will repay, sayeth the Lord. | 0:38:12 | 0:38:14 | |
Be not overcome by evil... | 0:38:17 | 0:38:19 | |
..but overcome evil by good. | 0:38:20 | 0:38:22 | |
Oh, Natasha... | 0:38:27 | 0:38:29 | |
Forgive me! | 0:38:29 | 0:38:30 | |
I'm calling the police! | 0:38:31 | 0:38:32 | |
Well, if you think that's right. | 0:38:33 | 0:38:35 | |
She needs locking up! | 0:38:35 | 0:38:37 | |
Probably. | 0:38:37 | 0:38:38 | |
But then, we all do things we regret later... | 0:38:39 | 0:38:42 | |
..don't we... | 0:38:42 | 0:38:43 | |
..Winston? | 0:38:45 | 0:38:46 | |
HUMS | 0:39:05 | 0:39:07 | |
You know, some people say I have my head in the clouds. | 0:39:07 | 0:39:10 | |
Hmmmm.... | 0:39:10 | 0:39:12 | |
Ethel has chosen not to kill your uncle | 0:39:15 | 0:39:18 | |
and has handed herself in. | 0:39:18 | 0:39:20 | |
How dare you interfere! | 0:39:21 | 0:39:22 | |
-Where are you going? -To kill him myself! | 0:39:22 | 0:39:24 | |
Ethel cannot protect you for long. | 0:39:24 | 0:39:26 | |
She's not an actress. | 0:39:27 | 0:39:29 | |
So I can't afford to waste time talking to you. | 0:39:29 | 0:39:31 | |
The police will go to your uncle's. They will find you. | 0:39:31 | 0:39:34 | |
And then what? | 0:39:34 | 0:39:35 | |
Why did you tell me you were planning to kill Bishop Talbot? | 0:39:37 | 0:39:41 | |
Because you were my uncle's excuse. | 0:39:44 | 0:39:46 | |
God was forgiving him in that confessional box, through you. | 0:39:48 | 0:39:51 | |
That's what he told me. | 0:39:52 | 0:39:54 | |
You knew exactly what he was doing, yet you did nothing to help. | 0:39:54 | 0:39:57 | |
So I set you a trap. | 0:39:58 | 0:40:00 | |
Of course. | 0:40:00 | 0:40:02 | |
What would you do if you heard that your precious boss was in danger? | 0:40:02 | 0:40:04 | |
Answer? | 0:40:05 | 0:40:07 | |
Risk your life saving him, where you had abandoned me to evil. | 0:40:07 | 0:40:12 | |
You are the greatest hypocrite of them all, Father Brown. | 0:40:13 | 0:40:15 | |
I came this close to shooting you in those woods. | 0:40:16 | 0:40:19 | |
And to hide my hatred from you has been the greatest acting challenge of my life. | 0:40:19 | 0:40:22 | |
I understand. | 0:40:23 | 0:40:24 | |
You won't deny my uncle confessed to you? | 0:40:24 | 0:40:27 | |
I cannot say anything. | 0:40:28 | 0:40:29 | |
And you understand why. | 0:40:31 | 0:40:32 | |
He didn't confess. | 0:40:35 | 0:40:37 | |
Father, I will take your silence to mean that my uncle lied to me. | 0:40:40 | 0:40:44 | |
He did not tell you what he was doing. | 0:40:45 | 0:40:47 | |
You did not sit by while evil was committed. | 0:40:48 | 0:40:51 | |
Then I have misjudged you. I am sorry. | 0:40:53 | 0:40:55 | |
Good. | 0:41:01 | 0:41:02 | |
You can still receive God's forgiveness. | 0:41:04 | 0:41:06 | |
Do you want your uncle punished? | 0:41:08 | 0:41:10 | |
With all my heart. | 0:41:12 | 0:41:14 | |
Then go to the police and tell them everything. | 0:41:14 | 0:41:17 | |
Mr Duke... | 0:41:24 | 0:41:25 | |
Felicia. Peter. | 0:41:25 | 0:41:26 | |
-Good to have you back. -Yes. | 0:41:26 | 0:41:28 | |
Pair of liars. | 0:41:28 | 0:41:30 | |
You'd much rather Natasha was here and I was rotting away in a cell. | 0:41:30 | 0:41:33 | |
Don't look so glum. I'm thrilled to be back! | 0:41:34 | 0:41:36 | |
Even if it is to close the show. | 0:41:37 | 0:41:39 | |
Mr Duke... | 0:41:39 | 0:41:40 | |
I wonder if you would consider me, | 0:41:40 | 0:41:43 | |
in Natasha's place? | 0:41:43 | 0:41:44 | |
Well, that's very sporting of you. | 0:41:49 | 0:41:50 | |
I mean, in the play. | 0:41:51 | 0:41:52 | |
Oh... | 0:41:54 | 0:41:55 | |
Really? | 0:41:55 | 0:41:56 | |
I know her lines. I know where she stands. | 0:41:56 | 0:41:58 | |
Well, yes, I'm a couple of years older than her, | 0:41:58 | 0:42:00 | |
but if you and Peter will just give me the chance | 0:42:00 | 0:42:03 | |
to show what I could do. | 0:42:03 | 0:42:04 | |
-Act one, scene four? -Fine. | 0:42:08 | 0:42:10 | |
All right, when you're ready, my dear. | 0:42:19 | 0:42:21 | |
Is that...? | 0:42:35 | 0:42:36 | |
Must have been a tough decision for them. | 0:42:52 | 0:42:55 | |
Very difficult. | 0:42:55 | 0:42:57 | |
-Are you all right, Lady Felicia? -No. | 0:42:57 | 0:42:58 | |
Brown! | 0:42:59 | 0:43:01 | |
The delightful Mrs McCarthy insisted I'd find you here. | 0:43:02 | 0:43:05 | |
Word? | 0:43:05 | 0:43:06 | |
Have they got the right person this time? | 0:43:09 | 0:43:12 | |
-The right person? -Well, the actress. Is she my assassin? | 0:43:12 | 0:43:15 | |
Well, just nod. Or shake your head. Do something. | 0:43:16 | 0:43:18 | |
What do you want? | 0:43:20 | 0:43:21 | |
A new set of hymn books? | 0:43:21 | 0:43:23 | |
A television in the presbytery? | 0:43:24 | 0:43:26 | |
Tell me! | 0:43:27 | 0:43:28 | |
I would never be able to look you in the eye again, My Lord. | 0:43:30 | 0:43:35 | |
You confounded man! | 0:43:35 | 0:43:36 |