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'This is the BBC Home Service. Here is the news. | 0:00:06 | 0:00:10 | |
'A major manhunt has been launched in Kembleford, Gloucestershire. | 0:00:10 | 0:00:14 | |
'Police are on the hunt for an escaped prisoner, | 0:00:14 | 0:00:17 | |
'absconded from custody | 0:00:17 | 0:00:18 | |
'whilst being transported from court to Her Majesty's Prison Gloucester. | 0:00:18 | 0:00:23 | |
'Described as a male in his 30s, | 0:00:23 | 0:00:25 | |
'six feet tall, slim build, black hair and clean shaven. | 0:00:25 | 0:00:30 | |
'He is wanted for murder and believed to be dangerous. | 0:00:30 | 0:00:34 | |
'Members of the public are urged to keep their doors and windows locked | 0:00:34 | 0:00:38 | |
'and anyone seeing him is advised not to approach but to call the police.' | 0:00:38 | 0:00:42 | |
Father, I need your help. | 0:00:46 | 0:00:49 | |
I was called out to Gallows Cross in Wenlock woods. | 0:01:29 | 0:01:32 | |
It's the site of the old gibbet | 0:01:33 | 0:01:35 | |
and known suicide spot. | 0:01:35 | 0:01:36 | |
Chaffing to the wrists. Suggests restraint. | 0:01:39 | 0:01:43 | |
These look like hypodermic needle marks. | 0:01:43 | 0:01:47 | |
Foul play, sir? | 0:01:47 | 0:01:49 | |
Let's not jump to conclusions until after the postmortem, DC Albert. | 0:01:49 | 0:01:53 | |
Rather exotic plumage for Wenlock woods. | 0:01:58 | 0:02:02 | |
Budgerigar. A sky-blue Opaline is my guess. | 0:02:02 | 0:02:07 | |
Don't tell me I can now add ornithologist | 0:02:07 | 0:02:09 | |
to your list of expertise. | 0:02:09 | 0:02:10 | |
My grandmother kept parakeets, sir. | 0:02:10 | 0:02:13 | |
Are you familiar with Dr Locard's principle of exchange? | 0:02:13 | 0:02:18 | |
Violent action constituting a crime cannot occur... | 0:02:18 | 0:02:21 | |
Without leaving a trace. | 0:02:21 | 0:02:23 | |
I'm well acquainted with the latest forensic theories, | 0:02:23 | 0:02:25 | |
thank you, Constable. | 0:02:25 | 0:02:28 | |
Bag it up and we'll... | 0:02:28 | 0:02:29 | |
-Inspector Sullivan. -Inspector Trueman. | 0:02:30 | 0:02:34 | |
There's been an error in communication. | 0:02:34 | 0:02:36 | |
This case was assigned to me. | 0:02:36 | 0:02:39 | |
We were in the area so the call was diverted. | 0:02:39 | 0:02:42 | |
Like you say, communications error. | 0:02:42 | 0:02:44 | |
I'm here now and can take over. | 0:02:44 | 0:02:46 | |
No need, we've just finished. Haven't we, DC Albert? | 0:02:46 | 0:02:51 | |
Yes, sir. | 0:02:51 | 0:02:52 | |
'Inspector Clive Trueman.' | 0:02:53 | 0:02:55 | |
Six months secondment from the British South Africa Police | 0:02:56 | 0:02:59 | |
on the personal recommendation of the Chief Constable. | 0:02:59 | 0:03:03 | |
No love lost between you two, then. | 0:03:03 | 0:03:06 | |
The dead man was Norman Finlay. | 0:03:06 | 0:03:09 | |
A reporter for the Gloucester News. | 0:03:09 | 0:03:11 | |
According to colleagues, | 0:03:11 | 0:03:13 | |
he'd been boasting about a big expose he was working on. | 0:03:13 | 0:03:16 | |
He planned on selling it to a national newspaper. | 0:03:16 | 0:03:18 | |
Fame and fortune beckoned. | 0:03:18 | 0:03:20 | |
Unlikely candidate for a suicide. What do you think, Albert? | 0:03:21 | 0:03:26 | |
I think I'm up to the challenge of my first murder investigation. | 0:03:30 | 0:03:33 | |
Norman Finlay's diary has one entry the day he died. | 0:03:35 | 0:03:39 | |
An appointment at 8pm. With whom? | 0:03:39 | 0:03:42 | |
We need to check all houses in the vicinity. | 0:03:42 | 0:03:44 | |
I've already taken the liberty, sir. | 0:03:44 | 0:03:46 | |
There are seven properties in a two mile radius. Two abandoned. | 0:03:50 | 0:03:55 | |
One vacant and for sale, which leaves four. | 0:03:55 | 0:03:59 | |
Good work. I'll need a list of... | 0:04:00 | 0:04:03 | |
Thank you, Constable. | 0:04:07 | 0:04:09 | |
Anything else I can do, sir? | 0:04:11 | 0:04:13 | |
I'm here to observe and to learn | 0:04:13 | 0:04:14 | |
but if there's any doing to be done then say the word. | 0:04:14 | 0:04:20 | |
Some tea wouldn't go amiss. | 0:04:20 | 0:04:22 | |
White, no sugar, one rich tea biscuit, sir. | 0:04:22 | 0:04:25 | |
-How's the new boy shaping up? -Yes... | 0:04:32 | 0:04:35 | |
Still, you can't fault him for enthusiasm. | 0:04:35 | 0:04:38 | |
Did you want something, Sergeant? | 0:04:40 | 0:04:43 | |
Norman Finlay's postmortem report. | 0:04:43 | 0:04:45 | |
I'm not used to having my findings questioned. | 0:04:55 | 0:04:57 | |
Just clearing up a few anomalies. | 0:04:57 | 0:05:01 | |
These here look like hypodermic needle marks, | 0:05:03 | 0:05:06 | |
but there are no sign of any drugs. | 0:05:06 | 0:05:08 | |
Perhaps he went to his doctor for some blood tests. | 0:05:10 | 0:05:13 | |
And you didn't notice the chafing to the wrists? | 0:05:13 | 0:05:18 | |
I noticed contact dermatitis, | 0:05:18 | 0:05:20 | |
most likely caused by over starched shirt cuffs, cheap carbolic. | 0:05:20 | 0:05:24 | |
I hope you're not implying I'm past it, laddie? | 0:05:28 | 0:05:32 | |
Jock Hamilton's a decent man. | 0:05:32 | 0:05:33 | |
He's a drunk, past his prime, should've been retired years ago. | 0:05:33 | 0:05:37 | |
I began house-to-house enquiries, starting with Wenlock Dip, | 0:05:37 | 0:05:41 | |
home of Sir Jeffrey Greensleeves. | 0:05:41 | 0:05:44 | |
Our Justice of the Peace. | 0:05:44 | 0:05:46 | |
-You know him? -Yes. | 0:05:47 | 0:05:49 | |
Not as well as Sid does. | 0:05:50 | 0:05:52 | |
Inspector Sullivan, Kembleford Police. | 0:05:52 | 0:05:54 | |
Is Sir Jeffrey at home? | 0:05:54 | 0:05:56 | |
He's changing for lunch. | 0:05:56 | 0:05:58 | |
Can I help you? I'm Harriet Greensleeves. | 0:05:58 | 0:06:01 | |
Afternoon. | 0:06:01 | 0:06:02 | |
We're trying to retrace the steps of Mr Norman Finlay, | 0:06:02 | 0:06:05 | |
whose body was found on Monday at Gallows Cross. | 0:06:05 | 0:06:07 | |
How horrible. | 0:06:07 | 0:06:09 | |
That's the third suicide there in four years. | 0:06:09 | 0:06:11 | |
-We're treating it as a murder investigation. -What DC Albert means | 0:06:11 | 0:06:15 | |
is that we're following up more than one line of inquiry. | 0:06:15 | 0:06:18 | |
You didn't happen to see Mr Finlay on the day in question? | 0:06:19 | 0:06:22 | |
Gallows Cross is a mile from here. | 0:06:22 | 0:06:24 | |
Grisly place. | 0:06:24 | 0:06:26 | |
It's where they used to hang the highwaymen. | 0:06:26 | 0:06:28 | |
Even the dogs won't go near it. | 0:06:28 | 0:06:30 | |
Opaline blue. | 0:06:35 | 0:06:37 | |
-Mmm. -My grandmother had one. | 0:06:37 | 0:06:39 | |
He's called Houdini, | 0:06:39 | 0:06:40 | |
after his skill for escaping the cage | 0:06:40 | 0:06:43 | |
-and taunting us from the top of curtain poles. -Hmm. | 0:06:43 | 0:06:46 | |
-Was your husband here on Monday? -Yes. | 0:06:46 | 0:06:49 | |
Yes, we dined at eight and then we played bezique, | 0:06:49 | 0:06:52 | |
so I can say for certain he didn't see your Mr... | 0:06:52 | 0:06:55 | |
Finlay. | 0:06:55 | 0:06:56 | |
Thank you for your time, Lady Greensleeves. | 0:06:56 | 0:06:58 | |
Do you mind me asking how you got that black eye? | 0:06:58 | 0:07:01 | |
Not at all. | 0:07:01 | 0:07:03 | |
Wretched juniper. | 0:07:03 | 0:07:05 | |
-I was pruning when a branch snapped back and hit me in the face. -Nasty. | 0:07:05 | 0:07:09 | |
And so thorny, you're lucky it didn't scratch you to ribbons. | 0:07:09 | 0:07:13 | |
May I ask what the blazes you think you're doing? | 0:07:13 | 0:07:15 | |
-Sir, I was merely enquiring how... -I know what you were enquiring. | 0:07:15 | 0:07:19 | |
And I will thank you not to interrogate my wife | 0:07:19 | 0:07:22 | |
like some common criminal. Do you know who I am? | 0:07:22 | 0:07:24 | |
Sir Jeffrey, I do apologise for DC Albert. | 0:07:24 | 0:07:27 | |
-He's new to the job. -Apologise? | 0:07:27 | 0:07:29 | |
Be informed, | 0:07:29 | 0:07:31 | |
I'm acquainted with the Chief Constable | 0:07:31 | 0:07:33 | |
and will be letting him know my feelings in person. | 0:07:33 | 0:07:36 | |
Good day. | 0:07:38 | 0:07:39 | |
I've heard you're a man to watch. | 0:07:46 | 0:07:49 | |
I think you'll find I can be trusted, sir. | 0:07:49 | 0:07:51 | |
Inspector Sullivan. | 0:07:51 | 0:07:52 | |
Someone's been a naughty boy. | 0:07:53 | 0:07:55 | |
Sir Jeffrey Greensleeves has lodged a complaint. | 0:07:55 | 0:07:59 | |
-It was a misunderstanding, sir. -Mmm. You bet your boots. | 0:08:00 | 0:08:03 | |
What goes on between a man and his wife is no business of the police. | 0:08:03 | 0:08:07 | |
Especially when the man is a very big cheese in this county. | 0:08:07 | 0:08:11 | |
DC Albert was a touch over zealous, sir. | 0:08:11 | 0:08:15 | |
This is highly embarrassing. | 0:08:15 | 0:08:17 | |
I think it better all round | 0:08:17 | 0:08:20 | |
if you're temporarily suspended from duty. | 0:08:20 | 0:08:23 | |
-Suspended? Sir, I... -It's a few days. Slap on the wrist to save face. | 0:08:23 | 0:08:29 | |
I'm sure Trueman here can step up in your absence. | 0:08:29 | 0:08:32 | |
Sir, I... | 0:08:32 | 0:08:33 | |
..sir. Pardon the interruption, sir. | 0:08:33 | 0:08:36 | |
At ease, Constable. | 0:08:36 | 0:08:38 | |
-I'm finished here. -TELEPHONE RINGS IN BACKGROUND | 0:08:38 | 0:08:41 | |
I hope we can expect you tonight. | 0:08:42 | 0:08:45 | |
There's some people I'd like you to meet. | 0:08:45 | 0:08:47 | |
The feathers are a match, | 0:08:50 | 0:08:52 | |
which means we can place Norman Finlay at Greensleeves House the day he died. | 0:08:52 | 0:08:56 | |
I'm off the case... | 0:08:56 | 0:08:59 | |
DC Albert. | 0:08:59 | 0:09:00 | |
Tell it to Inspector Trueman. | 0:09:00 | 0:09:02 | |
Er, we're working on Locard's principle. | 0:09:09 | 0:09:12 | |
The violent action of a crime will leave traces of evidence... | 0:09:12 | 0:09:16 | |
That isn't evidence. | 0:09:16 | 0:09:17 | |
It's a feather. And there was no crime. | 0:09:19 | 0:09:23 | |
The postmortem found suicide. | 0:09:23 | 0:09:26 | |
-But, sir... -The case is closed, Constable. | 0:09:26 | 0:09:29 | |
So if you'd like to redirect your zeal to the statement filing. | 0:09:29 | 0:09:35 | |
CLASSICAL MUSIC | 0:09:41 | 0:09:43 | |
TELEPHONE RINGS | 0:09:51 | 0:09:53 | |
Kembleford, 731. | 0:10:03 | 0:10:05 | |
'Sir, it's about the Finlay case.' | 0:10:05 | 0:10:07 | |
Inspector Trueman was hasty in closing it. | 0:10:07 | 0:10:09 | |
I think Greensleeves had you removed because we were on to something. | 0:10:09 | 0:10:13 | |
'I re-examined Finlay's clothes for further trace evidence' | 0:10:13 | 0:10:16 | |
and found something far more interesting. | 0:10:16 | 0:10:19 | |
'Then I suggest you put it back where you found it,' | 0:10:19 | 0:10:22 | |
before Inspector Trueman catches you flouting his orders. | 0:10:22 | 0:10:25 | |
'It's important.' | 0:10:25 | 0:10:27 | |
-Remember Finlay's missing expose... -FOOTSTEPS AND KNOCKING | 0:10:27 | 0:10:31 | |
'Good night, sir. | 0:10:31 | 0:10:33 | |
'Enjoy your party.' | 0:10:33 | 0:10:34 | |
Can you meet me in the evidence room? | 0:10:37 | 0:10:40 | |
Please, sir. I think you'll want to see this. | 0:10:40 | 0:10:43 | |
Albert was right. | 0:10:49 | 0:10:51 | |
Greensleeves had Busby remove me from the case | 0:10:51 | 0:10:54 | |
because I was on to something. | 0:10:54 | 0:10:56 | |
Trueman wilfully ignored evidence under his nose. | 0:10:56 | 0:10:59 | |
Jock Hamilton's postmortem was at best incompetent | 0:10:59 | 0:11:02 | |
-and at worst, fabrication. -Conspiracy. | 0:11:02 | 0:11:04 | |
That was the night of the police benevolent fundraiser. | 0:11:05 | 0:11:09 | |
The Greensleeves are here. | 0:11:12 | 0:11:13 | |
Please excuse us, I need Father Brown for moral support. | 0:11:13 | 0:11:17 | |
Harriet. | 0:11:21 | 0:11:22 | |
-Oh. Oh, goodness, what happened to your eye? -Silly... | 0:11:24 | 0:11:27 | |
Oh... And Jeffrey. Just the man, um, | 0:11:27 | 0:11:30 | |
could I have a word | 0:11:30 | 0:11:31 | |
about my chauffeur's court appearance next week? | 0:11:31 | 0:11:34 | |
Time has barely flown by since the last one. | 0:11:34 | 0:11:37 | |
If I can borrow our chairlady to meet our new inspector. | 0:11:37 | 0:11:41 | |
Clive Trueman, on secondment from Rhodesia. | 0:11:41 | 0:11:43 | |
Er... | 0:11:47 | 0:11:48 | |
Inspector Sullivan was being quite over zealous | 0:11:48 | 0:11:51 | |
in pressing for a custodial sentence. | 0:11:51 | 0:11:54 | |
I have Sid's word | 0:11:54 | 0:11:56 | |
he was only looking after the items for a friend. | 0:11:56 | 0:11:59 | |
Isn't that right, Father? | 0:11:59 | 0:12:01 | |
Mr Carter has assured Lady Felicia that that was the case. | 0:12:04 | 0:12:09 | |
There you are, you see? | 0:12:09 | 0:12:11 | |
The word of a priest. | 0:12:11 | 0:12:13 | |
And you know how difficult it is to get the staff. | 0:12:13 | 0:12:16 | |
I may even be forced to drive myself. | 0:12:16 | 0:12:19 | |
STRAINED LAUGHTER | 0:12:19 | 0:12:21 | |
DISTANT CLASSICAL MUSIC | 0:12:30 | 0:12:32 | |
ALBERT BREATHES HEAVILY | 0:12:35 | 0:12:37 | |
Help! I need help in here! | 0:12:37 | 0:12:41 | |
ALBERT CROAKS | 0:12:41 | 0:12:42 | |
Hel-met... | 0:12:42 | 0:12:44 | |
Two. | 0:12:44 | 0:12:46 | |
B34709. | 0:12:47 | 0:12:49 | |
Don't! You'll bleed to death. | 0:12:51 | 0:12:54 | |
B-3-4-7-0-9. | 0:12:54 | 0:12:59 | |
I hid. | 0:12:59 | 0:13:00 | |
I hid... | 0:13:00 | 0:13:02 | |
Trust no-one. | 0:13:03 | 0:13:06 | |
FOOTSTEPS | 0:13:07 | 0:13:11 | |
SULLIVAN BREATHES HEAVILY | 0:13:11 | 0:13:13 | |
KNOCK ON DOOR | 0:13:17 | 0:13:19 | |
Mrs McCarthy? | 0:13:25 | 0:13:27 | |
The police just telephoned. | 0:13:27 | 0:13:28 | |
A fugitive was seen skulking around the back of the church not a while back and... | 0:13:28 | 0:13:34 | |
and the place is full of nuns. | 0:13:34 | 0:13:37 | |
Thank you, Mrs M. | 0:13:37 | 0:13:39 | |
He's in there with you, isn't he, Father? | 0:13:40 | 0:13:43 | |
I'll explain later. For the moment, | 0:13:46 | 0:13:48 | |
could you to hold them off for as long as you can? | 0:13:48 | 0:13:53 | |
And... | 0:13:53 | 0:13:54 | |
may I borrow your scarf? | 0:13:54 | 0:13:57 | |
Father Brown is hearing confessions. | 0:14:03 | 0:14:06 | |
You can't go stampeding into the church | 0:14:06 | 0:14:08 | |
in the middle of a holy sacrament. | 0:14:08 | 0:14:10 | |
I trust my men and I can behave ourselves with suitable decorum. | 0:14:10 | 0:14:15 | |
Please stand aside, madam, | 0:14:19 | 0:14:21 | |
or I'll be forced to conclude you're hiding something. | 0:14:21 | 0:14:24 | |
Search it, boys, with a tooth comb. | 0:14:30 | 0:14:32 | |
Inspector Trueman, I presume? | 0:14:36 | 0:14:40 | |
I'd like to see in here. | 0:14:40 | 0:14:41 | |
In here | 0:14:41 | 0:14:43 | |
is a penitent under the seal of the confession. | 0:14:43 | 0:14:47 | |
I beg your pardon, madam. | 0:14:49 | 0:14:51 | |
Nothing here, sir. | 0:14:53 | 0:14:55 | |
Well, as you haven't found what you wanted, | 0:14:56 | 0:14:59 | |
perhaps I can get on with MY work. | 0:14:59 | 0:15:02 | |
Your reputation precedes you, Father. | 0:15:02 | 0:15:04 | |
All good, I presume. | 0:15:04 | 0:15:06 | |
None of it. According to Inspector Sullivan, | 0:15:06 | 0:15:09 | |
you're a loose canon with delusions of grandeur. | 0:15:09 | 0:15:13 | |
Meddlesome, | 0:15:14 | 0:15:15 | |
recklessly foolhardy, morally dubious, | 0:15:15 | 0:15:18 | |
yet possessed of a certain tiresome intelligence, | 0:15:18 | 0:15:22 | |
which I won't insult. | 0:15:22 | 0:15:24 | |
So if you were contemplating interference, be warned. | 0:15:24 | 0:15:28 | |
I will be watching you. | 0:15:30 | 0:15:32 | |
Thank you. | 0:15:44 | 0:15:45 | |
Looks like he hasn't had a square meal in days. | 0:15:45 | 0:15:48 | |
We came as soon as we could. | 0:15:50 | 0:15:52 | |
Well, here's a moment I thought I'd never see. | 0:15:59 | 0:16:03 | |
I'm innocent. | 0:16:03 | 0:16:05 | |
That's what they all say. | 0:16:05 | 0:16:06 | |
Thank you, Sid. | 0:16:06 | 0:16:07 | |
Thank you. | 0:16:10 | 0:16:11 | |
The inspector | 0:16:13 | 0:16:14 | |
-was about to finish his story. -Oh... | 0:16:14 | 0:16:17 | |
SULLIVAN SIGHS | 0:16:20 | 0:16:22 | |
You blamed Detective Constable Albert for your suspension. | 0:16:22 | 0:16:26 | |
Did you come back to have it out with him? | 0:16:26 | 0:16:29 | |
No. | 0:16:29 | 0:16:30 | |
What about the medallion? | 0:16:32 | 0:16:35 | |
Medallion? | 0:16:35 | 0:16:36 | |
In Albert's hand. | 0:16:38 | 0:16:39 | |
He must have torn it from the neck of the killer. | 0:16:39 | 0:16:42 | |
We found no medallion. | 0:16:42 | 0:16:44 | |
You allege DC Albert was alive when you found him. | 0:16:44 | 0:16:47 | |
Did he give any clues as to his killer before he died? | 0:16:48 | 0:16:52 | |
No. | 0:16:54 | 0:16:56 | |
-FATHER BROWN: -'What did the medallion look like?' | 0:16:56 | 0:16:58 | |
A bird of some sort. | 0:16:59 | 0:17:01 | |
And letters PM... | 0:17:01 | 0:17:03 | |
-something V. -Per Me Caeci Vident. | 0:17:03 | 0:17:05 | |
"Through me the blind become sighted." | 0:17:07 | 0:17:10 | |
The Owl of Minerva. | 0:17:10 | 0:17:11 | |
-That's not good news. -No. | 0:17:11 | 0:17:13 | |
It's the seal of The Illuminati. | 0:17:15 | 0:17:18 | |
Illumi-what? | 0:17:19 | 0:17:20 | |
The Enlightened, it's a sort of offshoot of the Freemasons. | 0:17:20 | 0:17:24 | |
A web of secret societies, they comprise a social elite. | 0:17:24 | 0:17:28 | |
-Here In Kembleford? -Well, they say they're everywhere, | 0:17:28 | 0:17:32 | |
lurking in the shadows, pulling the strings and levers of power. | 0:17:32 | 0:17:36 | |
Rumour has it Monty's Great Uncle Roly was something of the sort. | 0:17:36 | 0:17:40 | |
Not that he ever admitted it. | 0:17:40 | 0:17:42 | |
They guard their identities closely. | 0:17:42 | 0:17:44 | |
Which is why they're so dangerous. | 0:17:45 | 0:17:47 | |
Norman Finlay's expose. | 0:17:47 | 0:17:49 | |
If he planned to unmask such a group... | 0:17:52 | 0:17:54 | |
Then I believe they would be prepared to kill | 0:17:54 | 0:17:57 | |
to protect their secrets. | 0:17:57 | 0:17:59 | |
And are powerful enough to cover their tracks. | 0:17:59 | 0:18:02 | |
BACKGROUND COUGHING | 0:18:07 | 0:18:10 | |
..strangely agitated by the results of a routine postmortem. | 0:18:18 | 0:18:23 | |
In my professional opinion, he was showing signs of mental stress. | 0:18:23 | 0:18:27 | |
Inspector Sullivan blamed DC Albert for his suspension.... | 0:18:27 | 0:18:31 | |
Sullivan was kneeling over him, | 0:18:31 | 0:18:33 | |
reeking of whisky, | 0:18:33 | 0:18:35 | |
with his hands around the knife. | 0:18:35 | 0:18:37 | |
It's true there was no love lost between... | 0:18:39 | 0:18:42 | |
Inspector Sullivan and DC Albert. | 0:18:42 | 0:18:45 | |
Because of the particularly odious nature of this crime, | 0:18:48 | 0:18:53 | |
the prisoner is remanded in custody for committal to the Court of Assize | 0:18:53 | 0:18:58 | |
to stand trial... | 0:18:58 | 0:18:59 | |
..for murder. | 0:19:01 | 0:19:02 | |
-Name? -Rhys Jones. -Rhys Jones. | 0:19:05 | 0:19:07 | |
Name? | 0:19:10 | 0:19:11 | |
Sullivan. | 0:19:11 | 0:19:13 | |
-MAN: -Officer Tindle. | 0:19:13 | 0:19:14 | |
ENGINE STARTS UP | 0:19:18 | 0:19:20 | |
'Was it wise to return to Kembleford? | 0:19:54 | 0:19:56 | |
'How else will I prove my innocence?' | 0:19:56 | 0:19:58 | |
How will you? | 0:19:58 | 0:19:59 | |
Albert's last words. | 0:20:01 | 0:20:04 | |
Helmet two, B34709. | 0:20:04 | 0:20:08 | |
The murderer was German. | 0:20:08 | 0:20:10 | |
Helmut. Hel-mut. | 0:20:10 | 0:20:13 | |
The numbers meant something. An evidence bag. | 0:20:13 | 0:20:17 | |
I think Albert hid something in one of them before he was killed. | 0:20:17 | 0:20:20 | |
So your master plan was to break out of jail only to break back in again. | 0:20:20 | 0:20:24 | |
Father, should you tell him or shall I? | 0:20:24 | 0:20:26 | |
I suggest a good night's sleep. | 0:20:28 | 0:20:30 | |
We will think of something in the morning. | 0:20:30 | 0:20:32 | |
"We" will do nothing of the sort. | 0:20:32 | 0:20:34 | |
I'll be on my way in the morning, as soon as it's safe to leave. | 0:20:36 | 0:20:39 | |
You won't last five minutes. | 0:20:39 | 0:20:40 | |
While I appreciate your sanctuary, Father, I do not intend to | 0:20:40 | 0:20:43 | |
throw in my lot with you and your | 0:20:43 | 0:20:46 | |
dubious associates. | 0:20:46 | 0:20:49 | |
Him and his dubious associates is all you've got from where I'm standing. | 0:20:49 | 0:20:52 | |
Which is why I'll take my chances alone. | 0:20:52 | 0:20:55 | |
Come in, come in. Her Ladyship has news. | 0:21:08 | 0:21:11 | |
The Governor of Southern Rhodesia is an old chum, so I rang him | 0:21:11 | 0:21:14 | |
for a lowdown on Inspector Trueman. | 0:21:14 | 0:21:17 | |
Never heard of him. | 0:21:17 | 0:21:18 | |
Nor is there any record of him in the South Africa Police. | 0:21:18 | 0:21:21 | |
A cuckoo in the nest. | 0:21:21 | 0:21:22 | |
Now... | 0:21:24 | 0:21:25 | |
Yes, I think that will do at a pinch. | 0:21:26 | 0:21:30 | |
I'll just move the buttons. | 0:21:30 | 0:21:31 | |
Our police escort has just left. | 0:21:33 | 0:21:36 | |
They have spotted a fugitive in Hambleston | 0:21:36 | 0:21:38 | |
and they have chased down there to collar him. | 0:21:38 | 0:21:41 | |
Bravo, Sid. | 0:21:41 | 0:21:42 | |
You?! | 0:21:43 | 0:21:44 | |
Yeah, that's right. | 0:21:44 | 0:21:46 | |
I took your hat and coat and put it on a riverbank. | 0:21:46 | 0:21:49 | |
I mean, it won't fool Trueman but he will be forced to dredge it. | 0:21:49 | 0:21:51 | |
Which will give us breathing space to find out what | 0:21:51 | 0:21:54 | |
Detective Constable Albert hid in your evidence room. | 0:21:54 | 0:21:57 | |
And I've done a recce. One outside window. | 0:21:57 | 0:22:00 | |
Deadbolt lock but no bars. | 0:22:00 | 0:22:02 | |
You might want to do a review of your security. | 0:22:02 | 0:22:04 | |
It's designed to stop criminals breaking out, not in. | 0:22:04 | 0:22:07 | |
Ten-minute job. | 0:22:08 | 0:22:10 | |
Unless, of course, you still think you're "better off alone"? | 0:22:10 | 0:22:14 | |
-I'm going with him. -I think that's it's too risky. | 0:22:19 | 0:22:21 | |
You think I'd let a known felon with a court case pending | 0:22:21 | 0:22:24 | |
loose in my own evidence room. | 0:22:24 | 0:22:25 | |
Besides the fact you don't know what you're looking for. | 0:22:26 | 0:22:30 | |
Do you mind? | 0:22:48 | 0:22:50 | |
Trade secrets. | 0:22:50 | 0:22:51 | |
Jock. | 0:23:24 | 0:23:25 | |
Padre! | 0:23:25 | 0:23:26 | |
Join me? | 0:23:27 | 0:23:28 | |
A wee bit early. | 0:23:31 | 0:23:33 | |
Even for you. | 0:23:33 | 0:23:35 | |
So, to what do I owe the honour? | 0:23:35 | 0:23:37 | |
Inspector Sullivan. You testified that he was of unsound mind. | 0:23:37 | 0:23:42 | |
-What's it to you? -I should have noticed. | 0:23:42 | 0:23:45 | |
Then perhaps I could have prevented this terrible tragedy. | 0:23:45 | 0:23:47 | |
Don't beat yourself up. | 0:23:47 | 0:23:50 | |
Wouldn't be the first Copper that tipped over on the job. | 0:23:50 | 0:23:53 | |
PHONE RINGS | 0:23:53 | 0:23:54 | |
Aye? | 0:23:57 | 0:23:58 | |
Aye, right, I'll be there. | 0:24:00 | 0:24:02 | |
I have to sign a body in. | 0:24:03 | 0:24:04 | |
Five minutes. | 0:24:07 | 0:24:09 | |
Help yourself if you change your mind. | 0:24:09 | 0:24:11 | |
A, B... | 0:24:41 | 0:24:42 | |
808... | 0:24:45 | 0:24:46 | |
029... | 0:24:47 | 0:24:49 | |
709. | 0:24:50 | 0:24:51 | |
Frankie the Fence. I made the arrest. | 0:24:52 | 0:24:54 | |
Well, well. What do we make of these? | 0:24:58 | 0:25:02 | |
Frankie the Fence has size ten feet? | 0:25:02 | 0:25:04 | |
Frankie the Fence is a woman. | 0:25:04 | 0:25:06 | |
Come on. We have not got time for this. | 0:25:08 | 0:25:10 | |
Put that back. | 0:25:14 | 0:25:15 | |
This evidence will get me six months in the poke. The way I see it, you owe me. | 0:25:18 | 0:25:21 | |
The debt doesn't extend to the theft of your evidence. | 0:25:21 | 0:25:24 | |
Says the man holding stolen evidence in his hands. | 0:25:24 | 0:25:27 | |
The distinction being, I'm innocent and you were caught fair and square. | 0:25:27 | 0:25:30 | |
-Put it back! -Or what, you'll raise the alarm? | 0:25:30 | 0:25:33 | |
'Open the door, please, Sergeant. I thought I heard voices.' | 0:25:33 | 0:25:36 | |
No-one signed the key out. I'll take a look around, sir. | 0:25:38 | 0:25:41 | |
All clear, sir. | 0:25:54 | 0:25:55 | |
'Frank Albert's memorial cards.' | 0:25:59 | 0:26:01 | |
His mother sent them for the Requiem Mass. | 0:26:01 | 0:26:04 | |
Francois Albert. | 0:26:05 | 0:26:08 | |
Francois "Al-bere." | 0:26:08 | 0:26:10 | |
He was French? | 0:26:10 | 0:26:11 | |
His father is. | 0:26:11 | 0:26:13 | |
They moved to England at the start of the war | 0:26:13 | 0:26:16 | |
because they thought it would be safer for the child. | 0:26:16 | 0:26:19 | |
DOOR OPENS | 0:26:19 | 0:26:20 | |
Any success? | 0:26:22 | 0:26:23 | |
That depends on your viewpoint. | 0:26:23 | 0:26:25 | |
These are what Albert hid before he was killed. | 0:26:26 | 0:26:29 | |
A pair of shoes? | 0:26:29 | 0:26:30 | |
Norman Finlay's shoes. With something wedged inside. | 0:26:30 | 0:26:34 | |
A left luggage ticket for a briefcase. | 0:26:37 | 0:26:40 | |
A journalist always keeps copies. | 0:26:40 | 0:26:42 | |
The missing expose? | 0:26:42 | 0:26:44 | |
We'll soon find out. | 0:26:44 | 0:26:45 | |
We will do nothing of the sort. | 0:26:45 | 0:26:47 | |
The contents of that briefcase have already caused two deaths. | 0:26:49 | 0:26:53 | |
Whatever's in that case may prove my innocence. | 0:26:53 | 0:26:55 | |
I just need time to think. | 0:26:58 | 0:26:59 | |
Have you forgotten which one of us is the police officer? | 0:26:59 | 0:27:02 | |
I'll find Albert's killer, with or without your help. | 0:27:02 | 0:27:05 | |
Sit down, Sid! | 0:27:05 | 0:27:07 | |
Hello? Yes. | 0:27:26 | 0:27:27 | |
Inspector Trueman, please. | 0:27:29 | 0:27:31 | |
7WHISTLE BLOWS | 0:27:40 | 0:27:42 | |
CAR ENGINE STARTS | 0:28:03 | 0:28:04 | |
Can I have a word, officer? | 0:28:07 | 0:28:08 | |
Of course, sir, come with me to the station, please. How can I help? | 0:28:08 | 0:28:11 | |
Good of you to come alone. | 0:28:48 | 0:28:50 | |
It's all a bit cloak and dagger. What's wrong with the pub? | 0:28:56 | 0:28:59 | |
You have dangerous friends | 0:29:00 | 0:29:02 | |
and I hoped for old times' sake we could be honest with each other. | 0:29:02 | 0:29:06 | |
Go on. | 0:29:08 | 0:29:09 | |
Norman Finlay left it in the left luggage office. | 0:29:16 | 0:29:20 | |
And I want to trade. | 0:29:22 | 0:29:23 | |
TWIGS CRACK | 0:29:26 | 0:29:27 | |
Did you come alone? | 0:29:32 | 0:29:33 | |
I was about to ask you the same question. | 0:29:35 | 0:29:37 | |
Please don't scream. I won't harm you. | 0:29:40 | 0:29:42 | |
Inspector Sullivan. | 0:29:42 | 0:29:44 | |
I'm not... I'm innocent. | 0:29:44 | 0:29:46 | |
You can't stay here. | 0:29:47 | 0:29:49 | |
Follow me, I'll take you somewhere safe. | 0:29:49 | 0:29:51 | |
It's probably a deer, the speed it ran off at. | 0:30:00 | 0:30:03 | |
Good. Neither of us would want this conversation to be overheard. | 0:30:03 | 0:30:08 | |
What do you know about sodium pentothal? | 0:30:14 | 0:30:16 | |
It's an anaesthetic. | 0:30:22 | 0:30:24 | |
A curious area of interest for a pathologist. | 0:30:26 | 0:30:29 | |
You read my files. | 0:30:30 | 0:30:31 | |
Yes. | 0:30:33 | 0:30:34 | |
It was on your desk. | 0:30:35 | 0:30:36 | |
The Russian Secret Police used to call it | 0:30:39 | 0:30:41 | |
"the remedy that loosens tongues." | 0:30:41 | 0:30:43 | |
Truth serum. | 0:30:45 | 0:30:46 | |
Norman Finlay had something you wanted. | 0:30:48 | 0:30:51 | |
But he wouldn't give it to you. | 0:30:51 | 0:30:53 | |
I calculated the doses exactly. | 0:30:59 | 0:31:02 | |
Enough to make him talk, | 0:31:03 | 0:31:05 | |
not enough to kill. | 0:31:05 | 0:31:06 | |
That's what happens when you let a drunk loose on the living. | 0:31:07 | 0:31:11 | |
I didn't hurt the boy. | 0:31:13 | 0:31:14 | |
I know. | 0:31:16 | 0:31:17 | |
I know. | 0:31:20 | 0:31:21 | |
His last words were in his mother tongue. | 0:31:24 | 0:31:26 | |
He was French. | 0:31:26 | 0:31:28 | |
Elle m'a tue. | 0:31:28 | 0:31:31 | |
"Elle m'a tue." | 0:31:33 | 0:31:34 | |
She killed me. | 0:31:35 | 0:31:36 | |
Frank Albert's killer was a woman. | 0:31:40 | 0:31:44 | |
Where are we going? | 0:31:47 | 0:31:48 | |
An old poachers' cottage. You'll be safe there. | 0:31:48 | 0:31:50 | |
Safe from whom? | 0:31:50 | 0:31:51 | |
You know who killed Albert and Norman Finlay? | 0:31:53 | 0:31:55 | |
It's better you don't ask. | 0:31:55 | 0:31:57 | |
I've been framed for a murder I didn't commit. | 0:31:57 | 0:31:59 | |
You got embroiled with the wrong people. | 0:31:59 | 0:32:02 | |
For your own sake, the less you know, the better. | 0:32:02 | 0:32:05 | |
Wait a minute, we're heading back to Gallows Cross. | 0:32:08 | 0:32:11 | |
These woods are like warrens. They're deceptive. | 0:32:12 | 0:32:15 | |
We're heading directly northwest, we've circled back on ourselves. | 0:32:15 | 0:32:19 | |
You were warned off. | 0:32:21 | 0:32:23 | |
You were quite exasperating in your persistence. | 0:32:23 | 0:32:26 | |
Where is this? | 0:32:28 | 0:32:29 | |
The end of the road, Inspector. | 0:32:31 | 0:32:33 | |
Albert had the makings of a good detective. | 0:32:36 | 0:32:39 | |
It's important, remember Finlay's missing expose. | 0:32:41 | 0:32:44 | |
Night, Constable. Don't burn the candle at both ends. | 0:32:46 | 0:32:50 | |
Good night, sir. Enjoy your party. | 0:32:50 | 0:32:52 | |
We have a problem. | 0:32:55 | 0:32:56 | |
'Can you meet me in the evidence room? | 0:32:59 | 0:33:00 | |
'Please, sir, I think you'll want to see this.' | 0:33:00 | 0:33:03 | |
FOOTSTEPS APPROACH | 0:33:04 | 0:33:06 | |
Sir? | 0:33:06 | 0:33:07 | |
DOOR CREAKS | 0:33:17 | 0:33:18 | |
You're cleverer than you look, Father. | 0:33:28 | 0:33:30 | |
Look what I found. | 0:33:30 | 0:33:33 | |
I take it he wasn't part of the plan? | 0:33:33 | 0:33:35 | |
You gave me your word. | 0:33:35 | 0:33:36 | |
He doesn't answer to you. | 0:33:36 | 0:33:38 | |
If it's any consolation, I admired the boy. | 0:33:39 | 0:33:43 | |
He had tenacity and he went down fighting. | 0:33:43 | 0:33:46 | |
Just like Norman Finlay. | 0:33:47 | 0:33:50 | |
You lured him to your house. | 0:33:50 | 0:33:52 | |
He had something that didn't belong to him. | 0:33:52 | 0:33:54 | |
And now I have it. | 0:33:54 | 0:33:56 | |
Sit. | 0:33:58 | 0:34:00 | |
How did you get here? | 0:34:09 | 0:34:10 | |
You double crossing... | 0:34:10 | 0:34:12 | |
I was protecting you. | 0:34:12 | 0:34:14 | |
Take it and let us go. | 0:34:17 | 0:34:20 | |
Then you'll have no more lives on your conscience. | 0:34:20 | 0:34:23 | |
Your lives are insignificant. There are matters of more import at stake. | 0:34:23 | 0:34:27 | |
Oh, yes. | 0:34:27 | 0:34:29 | |
Your new world order. | 0:34:29 | 0:34:31 | |
-Father. -It's more omnipotent than your church will ever be. | 0:34:31 | 0:34:35 | |
I'm going to get rope. | 0:34:37 | 0:34:38 | |
I'm not going to do anything. | 0:34:40 | 0:34:43 | |
You are going to shoot the priest and then, tortured with remorse, | 0:34:43 | 0:34:49 | |
you will take your own life. | 0:34:49 | 0:34:51 | |
If they move, kill them. | 0:34:53 | 0:34:54 | |
On my count... | 0:35:00 | 0:35:01 | |
..let's make a run for the bikes. | 0:35:03 | 0:35:06 | |
Are you insane? He'll shoot us. | 0:35:06 | 0:35:09 | |
I'm staking my life on the fact that he won't. | 0:35:09 | 0:35:12 | |
You're staking both our lives. | 0:35:12 | 0:35:14 | |
Have you got a better idea? | 0:35:14 | 0:35:15 | |
Three... | 0:35:22 | 0:35:24 | |
Two... | 0:35:26 | 0:35:27 | |
One. | 0:35:28 | 0:35:29 | |
Stop! Stop, I'll shoot! | 0:35:29 | 0:35:32 | |
I'm counting the ways this can go wrong, Father! | 0:35:32 | 0:35:35 | |
I said I'll shoot! | 0:35:35 | 0:35:37 | |
Shoot them! | 0:35:37 | 0:35:38 | |
Idiot... I said shoot them! | 0:35:42 | 0:35:44 | |
GUNSHOT | 0:35:45 | 0:35:47 | |
GUNSHOT | 0:35:47 | 0:35:48 | |
You never fail to disappoint, Jock. They're headed for the road. | 0:35:50 | 0:35:54 | |
We'll get the car and cut them off. | 0:35:54 | 0:35:55 | |
What are you waiting for? | 0:35:55 | 0:35:57 | |
Gone too far. | 0:35:57 | 0:35:59 | |
Enough. | 0:36:01 | 0:36:02 | |
Very well. | 0:36:05 | 0:36:06 | |
If you say so. | 0:36:06 | 0:36:07 | |
GUNSHOT | 0:36:09 | 0:36:10 | |
-How did you know he wouldn't shoot? -Because Jock Hamilton's not a killer. | 0:36:10 | 0:36:13 | |
You just said he killed Norman Finlay. | 0:36:13 | 0:36:15 | |
Correction, he's not a murderer. | 0:36:15 | 0:36:18 | |
Harriet Greensleeves, on the other hand... | 0:36:18 | 0:36:21 | |
You worked all this out and kept it to yourself? | 0:36:21 | 0:36:23 | |
It wasn't just your safety I had to consider. | 0:36:23 | 0:36:26 | |
We need to get off the road, Father. | 0:36:26 | 0:36:28 | |
-Not much further now. -Further? To what? | 0:36:28 | 0:36:29 | |
Just keep calm and let me do the talking. | 0:36:41 | 0:36:45 | |
Did the Chief Constable send you? | 0:36:45 | 0:36:46 | |
Yes Ma'am. | 0:36:46 | 0:36:47 | |
There were some complications. | 0:36:50 | 0:36:52 | |
Don't be a fool. | 0:36:55 | 0:36:57 | |
He hasn't got the.. | 0:36:57 | 0:36:58 | |
The next word you say will be your last. | 0:36:58 | 0:37:00 | |
If you're such an expert in human behaviour, Father, | 0:37:02 | 0:37:05 | |
then you know I will do this. | 0:37:05 | 0:37:07 | |
No, you won't. | 0:37:10 | 0:37:11 | |
One, just one reason why not? | 0:37:11 | 0:37:14 | |
Because you're innocent. | 0:37:14 | 0:37:16 | |
If you pull that trigger, you will be as guilty as she is. | 0:37:18 | 0:37:21 | |
The Chief Constable says you're trustworthy. | 0:37:39 | 0:37:42 | |
I am, Ma'am. | 0:37:42 | 0:37:43 | |
So, you know what needs to be done. | 0:37:45 | 0:37:46 | |
Ma'am. | 0:37:47 | 0:37:49 | |
Cover me if she tries anything. | 0:37:57 | 0:37:59 | |
Harriet Greensleeves, I'm arresting you for the murder of DC Frank Albert. | 0:37:59 | 0:38:02 | |
You are not obliged to say anything unless you wish to do | 0:38:02 | 0:38:05 | |
so but what you say may be given in evidence. | 0:38:05 | 0:38:08 | |
You have no evidence. | 0:38:08 | 0:38:09 | |
Yes, we have. | 0:38:13 | 0:38:14 | |
Um... | 0:38:18 | 0:38:19 | |
Is someone going to tell me what's going on? | 0:38:30 | 0:38:33 | |
TAPE SPOOLS | 0:38:35 | 0:38:37 | |
'I'm not going to do anything. You are going to shoot the priest...' | 0:38:41 | 0:38:45 | |
We've had our eye on Chief Constable Busby | 0:38:48 | 0:38:50 | |
and his cronies for some time but we didn't have a shred of proof. | 0:38:50 | 0:38:54 | |
"We" being? | 0:38:54 | 0:38:56 | |
A division of Special Branch, | 0:38:56 | 0:38:58 | |
specialising in the activities of groups such as these. | 0:38:58 | 0:39:02 | |
You let them frame me for murder. | 0:39:02 | 0:39:04 | |
My orders were to infiltrate. | 0:39:04 | 0:39:06 | |
Norman Finlay's murder threatened to throw the whole mission | 0:39:06 | 0:39:09 | |
and I couldn't risk blowing my cover. | 0:39:09 | 0:39:12 | |
On the subject of which... | 0:39:12 | 0:39:14 | |
..you still haven't told me how you managed it? | 0:39:15 | 0:39:17 | |
I beg your pardon, ma'am. | 0:39:19 | 0:39:21 | |
Nothing here, sir. | 0:39:23 | 0:39:24 | |
So, I was intrigued as to why you found your quarry | 0:39:25 | 0:39:30 | |
and then let him go. | 0:39:30 | 0:39:32 | |
And your alias. "True man." | 0:39:33 | 0:39:35 | |
Why label yourself so... | 0:39:36 | 0:39:38 | |
..if it wasn't the truth? | 0:39:39 | 0:39:41 | |
I see I'll have to choose more carefully in future. | 0:39:42 | 0:39:45 | |
And you didn't see fit to share this with me? | 0:39:46 | 0:39:48 | |
I thought you might do something reckless. | 0:39:48 | 0:39:50 | |
You did do something reckless. | 0:39:50 | 0:39:52 | |
And I couldn't risk you seeing the contents of the briefcase. | 0:39:52 | 0:39:55 | |
Which was? | 0:39:55 | 0:39:56 | |
Diaries, passed to Norman Finlay by a defector from the group who | 0:39:56 | 0:40:01 | |
became disenchanted with their methods. | 0:40:01 | 0:40:04 | |
Naming names. Records of conspiracy, bribery and corruption. | 0:40:04 | 0:40:09 | |
You switched the briefcases. | 0:40:09 | 0:40:10 | |
My only hope was to get a confession. | 0:40:10 | 0:40:13 | |
Father Brown thought Hamilton might oblige. | 0:40:13 | 0:40:16 | |
Poor Jock. | 0:40:18 | 0:40:19 | |
Requiescat in pace. | 0:40:20 | 0:40:22 | |
The plan was to intercept him | 0:40:22 | 0:40:25 | |
with the evidence on his way back to Kembleford. | 0:40:25 | 0:40:28 | |
And the real case? | 0:40:28 | 0:40:29 | |
Is in the proper hands. | 0:40:29 | 0:40:30 | |
You saw nothing so need fear no repercussion. | 0:40:30 | 0:40:33 | |
The same can't be said for you. | 0:40:36 | 0:40:38 | |
Don't worry about me. | 0:40:39 | 0:40:40 | |
I don't even exist. | 0:40:42 | 0:40:44 | |
KNOCK ON DOOR | 0:40:44 | 0:40:46 | |
We're in a meeting, Sergeant. | 0:40:46 | 0:40:47 | |
But, Sergeant... | 0:40:49 | 0:40:50 | |
If you could see your way to three teas. | 0:40:52 | 0:40:55 | |
Yes, sir. It's good to have you back, sir. | 0:40:55 | 0:40:59 | |
It's good to be back, Sergeant. | 0:41:00 | 0:41:02 | |
DC Frank Albert was intelligent... | 0:41:08 | 0:41:13 | |
..tenacious, | 0:41:14 | 0:41:17 | |
dogged in the pursuit of truth and justice. | 0:41:17 | 0:41:19 | |
That he was cut down before his prime will forever be | 0:41:23 | 0:41:28 | |
a loss to the forces of law and order. | 0:41:28 | 0:41:30 | |
He was an officer... | 0:41:33 | 0:41:34 | |
..man... | 0:41:36 | 0:41:37 | |
..and son to be proud of. | 0:41:40 | 0:41:41 | |
I thought you'd like to know. | 0:41:56 | 0:41:59 | |
Sir Jeffrey Greensleeves has been charged with accessory to murder | 0:41:59 | 0:42:02 | |
and Chief Constable Busby with perverting the cause of justice. | 0:42:02 | 0:42:06 | |
And Inspector Trueman? | 0:42:08 | 0:42:10 | |
-Gone. -And that's an end to this horrible business, I hope. | 0:42:10 | 0:42:14 | |
There is something I would like to say, Father. | 0:42:16 | 0:42:18 | |
Grateful as I am for your assistance, | 0:42:20 | 0:42:24 | |
nothing that's happened will change my opinion of you | 0:42:24 | 0:42:28 | |
as a somewhat dangerous and subversive influence. | 0:42:28 | 0:42:31 | |
By rights, I could have you all arrested. | 0:42:34 | 0:42:37 | |
Go on, then. | 0:42:37 | 0:42:39 | |
If you imagine that this will in any way colour our future | 0:42:39 | 0:42:42 | |
dealings, or that your meddling in police matters is any more | 0:42:42 | 0:42:46 | |
welcome, you're sorely mistaken. | 0:42:46 | 0:42:49 | |
I see. | 0:42:51 | 0:42:52 | |
Well, that's gratitude for you. | 0:42:55 | 0:42:57 | |
Thanks for nothing, Inspector. Guess I'll see you in court. | 0:42:57 | 0:43:00 | |
I've been informed that due to an... | 0:43:07 | 0:43:10 | |
administrative error, the evidence in question has been mislaid. | 0:43:10 | 0:43:16 | |
Isn't that right, Sergeant? | 0:43:17 | 0:43:20 | |
Sergeant... | 0:43:20 | 0:43:22 | |
Oh, right. Yes, sir. | 0:43:22 | 0:43:24 | |
Which means we will be forced to drop all charges on this occasion. | 0:43:24 | 0:43:28 | |
But rest assured, Mr Carter, we will not be nearly so careless in future. | 0:43:29 | 0:43:34 | |
I want a full investigation as to how this was allowed to happen, Sergeant. | 0:43:36 | 0:43:41 | |
Heads will roll, mark my words. | 0:43:41 | 0:43:43 | |
Yes, sir. | 0:43:43 | 0:43:44 |