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Oh, this is fun. | 0:00:30 | 0:00:32 | |
I must say, Lady Felicia, I never thought that the circus | 0:00:32 | 0:00:35 | |
would be quite your thing. | 0:00:35 | 0:00:36 | |
Oh, it has its attractions. | 0:00:36 | 0:00:38 | |
Oh! Nicholas! Laura. | 0:00:41 | 0:00:45 | |
I believe we have our second meeting tomorrow. | 0:00:48 | 0:00:50 | |
11 o'clock. Don't be late. Father Brown has a baptism at 12. | 0:00:50 | 0:00:55 | |
Any jitters yet? | 0:00:55 | 0:00:57 | |
Only at the thought of tripping over on the way down the aisle. | 0:00:57 | 0:01:00 | |
She had a dream. | 0:01:00 | 0:01:02 | |
A premonition. | 0:01:02 | 0:01:03 | |
Laura! | 0:01:03 | 0:01:05 | |
-Laura! -Mr Smythe! | 0:01:06 | 0:01:09 | |
How do you two...? | 0:01:09 | 0:01:10 | |
Mr Smythe used to come to the cafe when the circus was here last year. | 0:01:10 | 0:01:13 | |
You and your friend... Oh, what was his name? | 0:01:13 | 0:01:16 | |
Mr Welkin. | 0:01:16 | 0:01:18 | |
These aren't for me, are they? | 0:01:21 | 0:01:23 | |
-Laura, I've done it. I've made my fortune. -You've what? | 0:01:23 | 0:01:28 | |
And now I've come back to... | 0:01:28 | 0:01:29 | |
..in the hope that you'll fulfil our agreement. | 0:01:30 | 0:01:34 | |
-What agreement? -For your hand... | 0:01:34 | 0:01:36 | |
..in marriage. | 0:01:37 | 0:01:38 | |
Look, I circled it. | 0:02:09 | 0:02:11 | |
"Hope's Promise." | 0:02:11 | 0:02:12 | |
I couldn't believe it when I saw it. Laura Hope. | 0:02:12 | 0:02:16 | |
Hope's Promise. | 0:02:16 | 0:02:17 | |
It was a sign. Don't you think, Father? | 0:02:17 | 0:02:19 | |
I put everything I had on her and, bam, she won! | 0:02:19 | 0:02:23 | |
Another sign! £100 in winnings. | 0:02:23 | 0:02:26 | |
Hardly what I'd call a fortune. | 0:02:26 | 0:02:27 | |
I heard that, hairdo. | 0:02:27 | 0:02:28 | |
Laura, what's going on? | 0:02:28 | 0:02:29 | |
-Who's this? -I am her fian... -What you doing out here? | 0:02:29 | 0:02:33 | |
-None of your business. -It's completely unprofessional. | 0:02:33 | 0:02:36 | |
The audience isn't supposed to see us before a show. | 0:02:36 | 0:02:39 | |
Backstage, now. Now! | 0:02:39 | 0:02:41 | |
Meet me here after, please. | 0:02:41 | 0:02:43 | |
Something you want to tell me? | 0:02:46 | 0:02:48 | |
-I... -Maybe...you should sit down. | 0:02:50 | 0:02:52 | |
And tell us why Mr Smythe thinks you've agreed to marry him. | 0:02:54 | 0:02:58 | |
Because I... I did. | 0:03:00 | 0:03:03 | |
-You what? -And not just him. | 0:03:03 | 0:03:06 | |
Mr Welkin, too. | 0:03:06 | 0:03:07 | |
What on earth possessed you? | 0:03:07 | 0:03:10 | |
Smythe and Welkin were regulars. | 0:03:10 | 0:03:12 | |
They were funny, always making me laugh. | 0:03:13 | 0:03:15 | |
And I'll admit I used to flirt a bit. | 0:03:16 | 0:03:19 | |
-Dead man's hand. -Are you sure you're not cheating? | 0:03:21 | 0:03:24 | |
An honourable man like me? | 0:03:24 | 0:03:25 | |
Anything else for my two favourite customers? | 0:03:27 | 0:03:29 | |
Actually, I've got something for you... | 0:03:29 | 0:03:32 | |
-..a leaving present. -You sweetheart! | 0:03:33 | 0:03:36 | |
Do you have a suitor, my dear? | 0:03:36 | 0:03:38 | |
Are you offering, Mr Welkin? | 0:03:38 | 0:03:39 | |
-If you'll do me the honour... -Me too. I'd make you a fine husband. | 0:03:39 | 0:03:43 | |
-You've already got a girlfriend. -Don't listen to him. | 0:03:43 | 0:03:45 | |
You're the only one for me. | 0:03:45 | 0:03:47 | |
It's not fair to ask me to choose between you. I love you both. | 0:03:47 | 0:03:51 | |
So, how are you to decide? You can't marry us both. | 0:03:51 | 0:03:53 | |
Hmm, that's a tough one. | 0:03:55 | 0:03:56 | |
I tell you what, | 0:03:58 | 0:03:59 | |
whichever one of you first makes his fortune, | 0:03:59 | 0:04:02 | |
that's the one I'll marry. | 0:04:02 | 0:04:03 | |
Agreed? | 0:04:04 | 0:04:06 | |
Agreed. | 0:04:06 | 0:04:08 | |
Agreed. | 0:04:08 | 0:04:10 | |
Well, that settles that, then! | 0:04:10 | 0:04:11 | |
That is the most ludicrous thing I have ever heard. | 0:04:18 | 0:04:20 | |
-Couldn't have been more than a month after that, I met you. -You didn't think to tell me? | 0:04:20 | 0:04:24 | |
I didn't think they'd take it seriously. | 0:04:24 | 0:04:26 | |
Men can be delusional...especially when they're in love. | 0:04:26 | 0:04:30 | |
I think our best course of action is to talk to Misters Smythe and Welkin | 0:04:30 | 0:04:34 | |
after the show | 0:04:34 | 0:04:35 | |
and clear up the matter. Agreed? | 0:04:35 | 0:04:38 | |
-Agreed. -Yes. | 0:04:38 | 0:04:40 | |
You and a girl like that? | 0:04:48 | 0:04:50 | |
-Meaning what? -Meaning she's...and you're... | 0:04:52 | 0:04:55 | |
What, she's tall and I'm short, is that what you're trying to say? | 0:04:55 | 0:04:58 | |
Meaning she's pretty and you're ugly. | 0:04:58 | 0:05:01 | |
Feel better now? | 0:05:01 | 0:05:02 | |
Well, she's agreed. | 0:05:02 | 0:05:04 | |
Oh, is that so? | 0:05:04 | 0:05:06 | |
-What about Enid? -Things have gotten stale between us. | 0:05:06 | 0:05:08 | |
What, so you're just going to throw her aside? | 0:05:08 | 0:05:11 | |
She's not the one. | 0:05:11 | 0:05:12 | |
If she was, I'd know by now. | 0:05:12 | 0:05:15 | |
I'll let her down gently. | 0:05:15 | 0:05:18 | |
See this girl? Happy to join the circus, is she? | 0:05:18 | 0:05:21 | |
Wouldn't ask her to do that. After today's performance, I'm leaving. | 0:05:22 | 0:05:26 | |
-Excuse me?! -I'm sorry, Marvin! -What about the double act? | 0:05:26 | 0:05:29 | |
-The heart wants what the heart... -Don't give me that! | 0:05:29 | 0:05:33 | |
You've wanted out for years. | 0:05:33 | 0:05:35 | |
Maybe I have. | 0:05:35 | 0:05:37 | |
Maybe I've had enough of... | 0:05:37 | 0:05:38 | |
-prat-falls and custard pies in the face! -This is a noble profession. | 0:05:38 | 0:05:43 | |
Noble? I'm stuffing balloons down my trousers! | 0:05:43 | 0:05:47 | |
-Making people laugh is the highest call... -Calling there is. | 0:05:47 | 0:05:50 | |
Yes, I know. Well, perhaps I've found a higher calling - | 0:05:50 | 0:05:54 | |
the beating of my heart. | 0:05:54 | 0:05:55 | |
You make me sick! | 0:05:55 | 0:05:57 | |
Marvin... | 0:06:02 | 0:06:03 | |
What was that about? | 0:06:05 | 0:06:06 | |
-Disagreement over a custard pie. -What do you want for dinner tonight? | 0:06:07 | 0:06:11 | |
Erm... Anything. Up to you. | 0:06:11 | 0:06:13 | |
You all right? | 0:06:15 | 0:06:17 | |
Yeah. See you later. | 0:06:17 | 0:06:19 | |
Look, I've won. | 0:06:27 | 0:06:30 | |
I've made my fortune. | 0:06:30 | 0:06:31 | |
There's nothing you can do about it. | 0:06:31 | 0:06:34 | |
Nothing? | 0:06:34 | 0:06:35 | |
I thought you were an honourable man. | 0:06:37 | 0:06:40 | |
I'm going to slit your throat. | 0:06:40 | 0:06:42 | |
Oh! | 0:06:58 | 0:07:00 | |
CHEERING | 0:07:16 | 0:07:17 | |
HE CRIES | 0:07:39 | 0:07:41 | |
CHEERING | 0:07:44 | 0:07:46 | |
And now, ladies and gentleman, boys and girls... | 0:07:49 | 0:07:55 | |
prepare yourselves for the master of the dark arts, | 0:07:55 | 0:07:59 | |
the purveyor of forbidden magic, | 0:07:59 | 0:08:01 | |
knower of secrets, | 0:08:01 | 0:08:04 | |
the Grand Wizard Welkin! | 0:08:04 | 0:08:08 | |
APPLAUSE | 0:08:08 | 0:08:11 | |
There is nothing more precious to the human psyche | 0:08:18 | 0:08:22 | |
than the belief in free will. | 0:08:22 | 0:08:25 | |
And yet, this belief can be shattered, | 0:08:28 | 0:08:32 | |
crushed, exposed as nothing more than an illusion. | 0:08:32 | 0:08:36 | |
To demonstrate this, I shall need a volunteer. | 0:08:37 | 0:08:41 | |
You... | 0:08:46 | 0:08:48 | |
Come to me. | 0:08:48 | 0:08:50 | |
Some encouragement, ladies and gentleman, boys and girls! | 0:08:52 | 0:08:56 | |
CHEERING AND APPLAUSE | 0:08:56 | 0:08:59 | |
What is your name? | 0:09:10 | 0:09:12 | |
Laura. | 0:09:12 | 0:09:14 | |
Are you afraid of pain, Laura? | 0:09:14 | 0:09:16 | |
Of course you are. You're human. | 0:09:18 | 0:09:19 | |
But today... | 0:09:21 | 0:09:24 | |
you will feel no pain, | 0:09:24 | 0:09:26 | |
none at all. | 0:09:26 | 0:09:27 | |
Do you understand? | 0:09:28 | 0:09:30 | |
Yes. | 0:09:31 | 0:09:32 | |
WIND CHIMES TINKLE | 0:09:42 | 0:09:46 | |
Look deep into the light. | 0:09:46 | 0:09:48 | |
Lose yourself in its shimmering...beauty. | 0:09:51 | 0:09:56 | |
Relax. | 0:10:01 | 0:10:02 | |
AUDIENCE GASPS | 0:10:11 | 0:10:13 | |
Raise your arm. | 0:10:20 | 0:10:22 | |
Place it into the fire. | 0:10:25 | 0:10:27 | |
GASPS FROM CROWD | 0:10:27 | 0:10:29 | |
Into the flame! | 0:10:31 | 0:10:33 | |
How do you feel? | 0:10:37 | 0:10:39 | |
I feel...fine. | 0:10:40 | 0:10:43 | |
You will be mine. | 0:10:52 | 0:10:53 | |
And you weren't scared? | 0:11:12 | 0:11:13 | |
No. | 0:11:13 | 0:11:15 | |
Explain that, Father. | 0:11:15 | 0:11:16 | |
Never underestimate the power of suggestion. | 0:11:16 | 0:11:19 | |
You're shaking. | 0:11:20 | 0:11:22 | |
What did he whisper in your ear? | 0:11:22 | 0:11:24 | |
He said... | 0:11:24 | 0:11:25 | |
"You will be mine." | 0:11:27 | 0:11:28 | |
This has gone far enough! When I get my hands... | 0:11:28 | 0:11:31 | |
Try to stay calm. | 0:11:31 | 0:11:32 | |
As soon as Mr Smythe gets here, we'll get him to fetch Welkin. | 0:11:34 | 0:11:38 | |
It's time we put a stop to this nonsense. | 0:11:38 | 0:11:40 | |
-Going somewhere? -Er... | 0:11:59 | 0:12:03 | |
Ow! | 0:12:03 | 0:12:04 | |
Marvin told me everything. | 0:12:04 | 0:12:07 | |
METALLIC SOUND OF KNIFE | 0:12:15 | 0:12:16 | |
Hello? | 0:12:16 | 0:12:18 | |
Someone there? | 0:12:18 | 0:12:19 | |
Help! | 0:12:26 | 0:12:28 | |
Help! | 0:12:28 | 0:12:29 | |
Mr Smythe?! | 0:12:35 | 0:12:37 | |
He tried to kill me. | 0:12:45 | 0:12:47 | |
-Tall, like some sort of spectre. -Evil eyes. | 0:12:59 | 0:13:02 | |
Spectre with evil eyes? | 0:13:04 | 0:13:06 | |
That about sums him up. | 0:13:06 | 0:13:08 | |
Mr Welkin do that too? | 0:13:08 | 0:13:09 | |
Er, no. | 0:13:09 | 0:13:12 | |
That was someone else. | 0:13:12 | 0:13:13 | |
Who? | 0:13:13 | 0:13:15 | |
My ex-girlfriend. | 0:13:15 | 0:13:16 | |
Looks like he's disappeared, sir. | 0:13:16 | 0:13:18 | |
Witnesses reported seeing him near the knife thrower's caravan | 0:13:18 | 0:13:21 | |
shortly before the attack. | 0:13:21 | 0:13:23 | |
Dust it for fingerprints. | 0:13:23 | 0:13:24 | |
If he comes near you again, report it immediately. | 0:13:24 | 0:13:27 | |
That's it? | 0:13:27 | 0:13:29 | |
What about some protection? | 0:13:29 | 0:13:30 | |
We don't have the resources for that... | 0:13:32 | 0:13:34 | |
Inspector, I do think Mr Welkin is dangerous. | 0:13:34 | 0:13:38 | |
If he is prowling around Kembleford... | 0:13:38 | 0:13:41 | |
I'll conduct a brief search. | 0:13:41 | 0:13:43 | |
If I were you, I'd avoid being alone. Good day. | 0:13:44 | 0:13:48 | |
Do you have a safe place to stay? | 0:13:48 | 0:13:52 | |
I've got a B&B booked for tonight - | 0:13:52 | 0:13:54 | |
a room for two. | 0:13:54 | 0:13:56 | |
Look here, you little... | 0:13:56 | 0:13:57 | |
Who are you calling "little"?! | 0:13:57 | 0:13:59 | |
-Mr Smythe... -Reggie, please. | 0:13:59 | 0:14:02 | |
Let me do this properly. | 0:14:03 | 0:14:05 | |
Oh, for Heaven's sake! | 0:14:05 | 0:14:06 | |
Laura, from the moment I first saw you, | 0:14:06 | 0:14:10 | |
I knew you were the one... | 0:14:10 | 0:14:11 | |
No, stop it! | 0:14:11 | 0:14:13 | |
Mr Smythe... | 0:14:15 | 0:14:16 | |
Reggie. | 0:14:20 | 0:14:22 | |
When I offered my hand in marriage... | 0:14:22 | 0:14:25 | |
I meant it as nothing more than a joke. | 0:14:25 | 0:14:27 | |
THUNDER RUMBLES | 0:14:38 | 0:14:41 | |
You don't have to stay with me, Father. I'll be fine. | 0:14:45 | 0:14:49 | |
Nonsense. Broken hearts need company. | 0:14:49 | 0:14:52 | |
I really don't think it's safe for us | 0:14:52 | 0:14:55 | |
to be in the same room as a potential murder victim. | 0:14:55 | 0:14:58 | |
Agreed. You should go. | 0:14:58 | 0:15:00 | |
I'm not leaving you alone with a madman on the loose. | 0:15:01 | 0:15:05 | |
I suppose we could have a nice cup of tea | 0:15:05 | 0:15:07 | |
-while we wait for the maniac to arrive? -Grand. | 0:15:07 | 0:15:10 | |
I've made a mess of everything. | 0:15:10 | 0:15:12 | |
A great, big, stupid mess. | 0:15:12 | 0:15:15 | |
Everyone makes mistakes. | 0:15:15 | 0:15:17 | |
I don't need your platitudes, Father. | 0:15:17 | 0:15:19 | |
Please leave me alone, both of you. | 0:15:19 | 0:15:22 | |
I don't think that will be a good idea. | 0:15:22 | 0:15:24 | |
Until Mr Welkin is found, it would be safer if... | 0:15:24 | 0:15:27 | |
I'm not a child! Stop treating me like one. | 0:15:27 | 0:15:31 | |
Please, leave. | 0:15:31 | 0:15:32 | |
We'll be downstairs. | 0:15:34 | 0:15:36 | |
Call if you need us. | 0:15:36 | 0:15:38 | |
A spectre with evil eyes. What next? | 0:15:50 | 0:15:53 | |
Goblins? Witches? | 0:15:53 | 0:15:55 | |
There's a storm coming. | 0:15:55 | 0:15:56 | |
Oh, perfect! | 0:15:56 | 0:15:57 | |
What's that? Stop the car! | 0:15:57 | 0:15:59 | |
One snigger out of you... | 0:16:05 | 0:16:07 | |
Not a peep, sir. | 0:16:07 | 0:16:09 | |
Wait a minute. What's that? | 0:16:15 | 0:16:17 | |
Careful. | 0:16:33 | 0:16:35 | |
Almost cut myself. | 0:16:35 | 0:16:36 | |
What are you doing? | 0:16:38 | 0:16:39 | |
Showing my appreciation. | 0:16:39 | 0:16:41 | |
For what? | 0:16:41 | 0:16:42 | |
For staying overnight to protect me. | 0:16:42 | 0:16:45 | |
Couldn't leave my damsel in distress all alone with her parents away, could I? | 0:16:45 | 0:16:48 | |
Your damsel? | 0:16:48 | 0:16:50 | |
My damsel. | 0:16:50 | 0:16:51 | |
I'm sorry about all this. | 0:16:53 | 0:16:54 | |
It's not your fault men can't help falling at your feet. | 0:16:54 | 0:16:57 | |
THUNDER CRASHES | 0:16:58 | 0:17:02 | |
SHE GASPS | 0:17:04 | 0:17:05 | |
What is it? | 0:17:05 | 0:17:06 | |
I just saw him outside. | 0:17:06 | 0:17:08 | |
Stay here. Lock the door behind me. | 0:17:08 | 0:17:11 | |
-Well, don't go out there. -I'll be all right. | 0:17:11 | 0:17:14 | |
He went this way. | 0:17:30 | 0:17:32 | |
We've been out here for over half an hour. | 0:17:39 | 0:17:42 | |
I think we should... | 0:17:42 | 0:17:43 | |
-What was that? -What? | 0:17:43 | 0:17:46 | |
-I thought I heard something. -You're hearing things. | 0:17:46 | 0:17:49 | |
Any sign of Welkin? | 0:17:49 | 0:17:50 | |
No. No-one's been in or out. | 0:17:50 | 0:17:52 | |
We thought we saw someone on the field coming this way. | 0:17:52 | 0:17:55 | |
I'm going back to check on Laura. | 0:17:55 | 0:17:57 | |
Where's Smythe? | 0:17:57 | 0:17:58 | |
Well, he's in his room. | 0:17:58 | 0:18:00 | |
He said he wanted to be on his... | 0:18:00 | 0:18:02 | |
Help! | 0:18:02 | 0:18:03 | |
Holy Mother of God. | 0:18:13 | 0:18:16 | |
Call an ambulance. | 0:18:16 | 0:18:17 | |
-WEAKLY: -Welkin. | 0:18:19 | 0:18:21 | |
..Ut a peccatis liberatum te salvet atque propitius allevet. | 0:18:28 | 0:18:36 | |
I never should have left him alone. | 0:18:40 | 0:18:42 | |
You sure he couldn't have got past you? | 0:18:42 | 0:18:45 | |
We were outside the whole time. | 0:18:45 | 0:18:47 | |
Rear exit's open. Lock's unbolted, same as here. | 0:18:47 | 0:18:50 | |
He must've made Mr Smythe unlock the doors with his mind control. | 0:18:50 | 0:18:55 | |
Still here, Mrs McCarthy? | 0:18:55 | 0:18:57 | |
You too, Father. This is a crime scene. | 0:18:57 | 0:18:59 | |
The windows were secure. | 0:19:01 | 0:19:03 | |
What about the air vent? | 0:19:03 | 0:19:04 | |
Too small for Welkin to have got through that. | 0:19:04 | 0:19:07 | |
Inspector? | 0:19:07 | 0:19:08 | |
Was he burning this when he was attacked? | 0:19:14 | 0:19:17 | |
I'll take that, thank you. | 0:19:17 | 0:19:18 | |
Why? | 0:19:18 | 0:19:20 | |
I believe you've been looking for me. | 0:19:22 | 0:19:24 | |
Arthur Welkin, at your service. | 0:19:24 | 0:19:26 | |
A sing-a-long? | 0:19:29 | 0:19:30 | |
Yes, it was a grand old time. Lovely people, the Kemblefordians. | 0:19:30 | 0:19:33 | |
You're not from here, are you? I can tell. City boy? | 0:19:33 | 0:19:36 | |
What was the name of this pub? | 0:19:36 | 0:19:38 | |
Why are you all the way out here? That's what I want to know. | 0:19:38 | 0:19:42 | |
I'm asking the questions. | 0:19:42 | 0:19:43 | |
Let me guess... | 0:19:43 | 0:19:44 | |
..running away from something? | 0:19:45 | 0:19:48 | |
Ex-girlfriend? No. | 0:19:48 | 0:19:50 | |
Domineering father. | 0:19:52 | 0:19:53 | |
Yes... | 0:19:55 | 0:19:57 | |
That's it. | 0:19:57 | 0:19:58 | |
What was the name? | 0:20:02 | 0:20:03 | |
The Cloak and Dagger. | 0:20:04 | 0:20:06 | |
That's apt, wouldn't you say? | 0:20:06 | 0:20:08 | |
You threatened Mr Smythe's life this morning | 0:20:17 | 0:20:19 | |
and later threw a knife at him after the performance. | 0:20:19 | 0:20:22 | |
-Nonsense. -Then why did he say your name before he died? | 0:20:22 | 0:20:26 | |
Oh, did he? How sweet! | 0:20:26 | 0:20:27 | |
PHONE RINGS | 0:20:27 | 0:20:29 | |
By law, a man's last words are considered to be the truth. | 0:20:29 | 0:20:33 | |
-It's known as... -A dying declaration. | 0:20:33 | 0:20:36 | |
Exactly. | 0:20:36 | 0:20:37 | |
Perhaps it was a declaration of love. | 0:20:39 | 0:20:42 | |
We shall never know. | 0:20:43 | 0:20:45 | |
That was Jez Watts. | 0:20:53 | 0:20:55 | |
Him and the lads were in The Cloak tonight. | 0:20:55 | 0:20:57 | |
-Yes, and? -Welkin's telling the truth. | 0:20:57 | 0:20:59 | |
He was there at the time of the murder, | 0:20:59 | 0:21:01 | |
singing along in front of about 30-odd regulars. | 0:21:01 | 0:21:04 | |
I believe that means you'll have to release me, | 0:21:04 | 0:21:06 | |
unless you believe I have the power to be in two places at once? | 0:21:06 | 0:21:11 | |
'50s MUSIC PLAYS | 0:21:14 | 0:21:17 | |
Good morning, my dear. | 0:21:33 | 0:21:35 | |
How are you after last night's excitement? | 0:21:36 | 0:21:38 | |
What do you want? | 0:21:38 | 0:21:40 | |
To claim my prize. | 0:21:40 | 0:21:42 | |
-That was just a joke. -It was your word. | 0:21:42 | 0:21:45 | |
But the agreement was you had to make your fortune - | 0:21:47 | 0:21:49 | |
that was your word, too. | 0:21:49 | 0:21:51 | |
The fortune I have to offer is worth more than money can buy. | 0:21:51 | 0:21:54 | |
You will marry me and with great willingness of spirit. | 0:21:56 | 0:22:00 | |
You were romantically involved with Mr Smythe, is that right? | 0:22:04 | 0:22:09 | |
Must've been very upsetting when he jilted you. | 0:22:09 | 0:22:11 | |
I didn't kill him! | 0:22:11 | 0:22:13 | |
But you did punch him on the nose? | 0:22:13 | 0:22:15 | |
He deserved it after what he did. | 0:22:16 | 0:22:19 | |
-And you are? -Marvin Morris. | 0:22:19 | 0:22:21 | |
I've got a motive too. | 0:22:21 | 0:22:23 | |
-Want to hear it? -Please. | 0:22:23 | 0:22:26 | |
Reggie was a backstabbing, small-minded, petty... | 0:22:26 | 0:22:28 | |
Stop it! | 0:22:28 | 0:22:30 | |
He walked out on Enid, walked out on our double-act. | 0:22:30 | 0:22:33 | |
Where were you both at the time of the murder? | 0:22:35 | 0:22:39 | |
Having a stroll in the fields. | 0:22:39 | 0:22:40 | |
Together? | 0:22:40 | 0:22:42 | |
In the dark? | 0:22:42 | 0:22:43 | |
With a storm on its way? | 0:22:44 | 0:22:47 | |
I was upset. I needed some air. | 0:22:47 | 0:22:49 | |
Witnesses? | 0:22:50 | 0:22:52 | |
We didn't see anyone. | 0:22:52 | 0:22:54 | |
How convenient. | 0:22:54 | 0:22:56 | |
Well, until this case is over, no vanishing acts, please. | 0:22:56 | 0:23:00 | |
Maybe I should run down to the cafe, see where she's got to. | 0:23:06 | 0:23:09 | |
If she's much later, Father, you'll have to cancel. | 0:23:09 | 0:23:12 | |
How was she this morning? | 0:23:14 | 0:23:16 | |
Tired. Barely said a word before she left for work. | 0:23:16 | 0:23:18 | |
Let's go down to the cafe together. | 0:23:19 | 0:23:21 | |
DOORBELL RINGS | 0:23:21 | 0:23:23 | |
-Ah! -Oh! | 0:23:23 | 0:23:24 | |
Good morning. | 0:23:35 | 0:23:37 | |
I don't believe we've been properly introduced. I am... | 0:23:37 | 0:23:40 | |
I know who you are. | 0:23:40 | 0:23:42 | |
Laura, what's going on? | 0:23:42 | 0:23:43 | |
We've some wonderful news. Tell them, my dear. | 0:23:43 | 0:23:46 | |
We're getting married. | 0:23:47 | 0:23:49 | |
-You're what? -You heard her. | 0:23:49 | 0:23:51 | |
Tomorrow morning we'll leave with the circus, | 0:23:51 | 0:23:53 | |
and shortly thereafter, join in blissful union. | 0:23:53 | 0:23:56 | |
Have you gone mad? | 0:23:56 | 0:23:57 | |
I'm sorry, Nicholas. | 0:23:57 | 0:23:59 | |
I understand you're her former suitor. | 0:23:59 | 0:24:01 | |
I do hope you'll be a gentleman and bow out with grace and decorum. | 0:24:01 | 0:24:05 | |
Outside, now. | 0:24:05 | 0:24:07 | |
Clearly not. | 0:24:07 | 0:24:08 | |
No, Nicholas. | 0:24:08 | 0:24:09 | |
I want to talk to Laura alone. | 0:24:11 | 0:24:13 | |
Anything you say to Laura you can say to me. | 0:24:14 | 0:24:17 | |
Do you really want to marry this man? | 0:24:17 | 0:24:18 | |
Rather an impertinent question. | 0:24:18 | 0:24:20 | |
I know it seems sudden, but I've never felt so in love before. | 0:24:23 | 0:24:26 | |
What?! | 0:24:26 | 0:24:27 | |
Yesterday, you were terrified of Mr Welkin | 0:24:27 | 0:24:30 | |
and now you say you're in love with him? | 0:24:30 | 0:24:33 | |
I can hardly believe it myself, but Arthur's shown me a side of him | 0:24:33 | 0:24:37 | |
I hadn't seen before - | 0:24:37 | 0:24:38 | |
warm, caring, funny. | 0:24:38 | 0:24:41 | |
Yes, I have a wonderful sense of humour. | 0:24:41 | 0:24:44 | |
I want to marry him. | 0:24:44 | 0:24:46 | |
And there you have it. | 0:24:46 | 0:24:48 | |
Let's speak in my study. | 0:24:48 | 0:24:49 | |
Let me perform the ceremony. | 0:24:59 | 0:25:01 | |
I can fit you in tomorrow afternoon. | 0:25:01 | 0:25:03 | |
Father?! | 0:25:03 | 0:25:05 | |
Any other priest would make you wait six months. | 0:25:05 | 0:25:08 | |
-You're willing to break protocol? -I've been known to bend the rules. | 0:25:08 | 0:25:11 | |
-We'd have to delay our departure. -Only for a few hours. | 0:25:11 | 0:25:14 | |
Very well. Tomorrow it is. | 0:25:15 | 0:25:19 | |
What have you done to her? | 0:25:19 | 0:25:20 | |
Merely stirred her passions. | 0:25:20 | 0:25:22 | |
I'll kill you. | 0:25:22 | 0:25:23 | |
That would solve nothing. | 0:25:23 | 0:25:25 | |
Laura, what is this? I don't understand. | 0:25:28 | 0:25:31 | |
Goodbye, Nicholas. | 0:25:31 | 0:25:33 | |
You understand that, don't you? | 0:25:33 | 0:25:35 | |
Goodbye! | 0:25:39 | 0:25:41 | |
You're not seriously going to marry them? | 0:25:46 | 0:25:48 | |
-Of course not. -He's hypnotised her. | 0:25:48 | 0:25:50 | |
He must have. She wasn't herself. | 0:25:50 | 0:25:51 | |
Even the most suggestible person | 0:25:51 | 0:25:53 | |
can't be hypnotised to marry against their will. | 0:25:53 | 0:25:56 | |
-There must be something else going on. -What? | 0:25:56 | 0:25:59 | |
There's only one thing for it - | 0:26:00 | 0:26:02 | |
I need to talk to Laura on her own. | 0:26:02 | 0:26:04 | |
Home, sweet home. | 0:26:14 | 0:26:15 | |
It's lovely. | 0:26:16 | 0:26:17 | |
Don't worry, my dear, I shall be the perfect gentleman... | 0:26:21 | 0:26:24 | |
..until after we're married, of course. | 0:26:26 | 0:26:28 | |
Welkin! | 0:26:28 | 0:26:30 | |
Excuse me. | 0:26:30 | 0:26:31 | |
Welkin! | 0:26:33 | 0:26:34 | |
DOG BARKS | 0:26:34 | 0:26:36 | |
You did it, didn't you? | 0:26:40 | 0:26:42 | |
Did what? | 0:26:42 | 0:26:43 | |
Killed Reggie. | 0:26:43 | 0:26:45 | |
If I had, I'd have thought you'd be thanking me. | 0:26:45 | 0:26:47 | |
He might've been an idiot, but he didn't deserve to die. | 0:26:47 | 0:26:50 | |
You did it and I'm going to prove it. | 0:26:51 | 0:26:54 | |
My dear, if it's not an imposition, | 0:26:59 | 0:27:03 | |
I'd like you to do something for me. | 0:27:03 | 0:27:04 | |
Let's say Enid Flay climbed through the air vent. | 0:27:07 | 0:27:10 | |
How did she get up there? | 0:27:10 | 0:27:11 | |
Either Marvin Morris helped her, or she used a ladder, | 0:27:11 | 0:27:14 | |
then she stabbed him, unlocked the door and escaped. | 0:27:14 | 0:27:16 | |
-KNOCK ON DOOR -Come in. | 0:27:16 | 0:27:19 | |
Sorry to disturb you, but I've just come from the circus. | 0:27:19 | 0:27:22 | |
I saw something - something terrible. | 0:27:22 | 0:27:25 | |
PIANO MUSIC PLAYS | 0:27:28 | 0:27:32 | |
Enid Flay, I have a warrant to search your... | 0:27:47 | 0:27:52 | |
..caravan. | 0:27:54 | 0:27:56 | |
What a surprise. | 0:27:56 | 0:27:58 | |
What can I say? | 0:27:58 | 0:27:59 | |
I love the circus. | 0:27:59 | 0:28:01 | |
Search it for what? | 0:28:01 | 0:28:03 | |
We'll see. | 0:28:03 | 0:28:05 | |
Shall we? | 0:28:05 | 0:28:07 | |
Oi! | 0:28:09 | 0:28:10 | |
Clear, sir. | 0:28:15 | 0:28:17 | |
I haven't done anything! | 0:28:17 | 0:28:19 | |
Oh, yes? Had some company, have we? | 0:28:19 | 0:28:21 | |
This is harassment. | 0:28:21 | 0:28:23 | |
What have we got here? | 0:28:23 | 0:28:24 | |
Someone put that there! | 0:28:27 | 0:28:29 | |
That's what they all say. | 0:28:29 | 0:28:30 | |
I'm taking you both in for questioning. Sergeant. | 0:28:30 | 0:28:33 | |
Come on, you. | 0:28:33 | 0:28:34 | |
How did you know to search the caravan? | 0:28:37 | 0:28:40 | |
Enid invited Laura for tea. She saw the knife in the cupboard. | 0:28:40 | 0:28:43 | |
-That's a lie! -And also none of your concern, Father. | 0:28:43 | 0:28:46 | |
But if Enid killed Smythe, why did he say Welkin's name before he died? | 0:28:46 | 0:28:50 | |
Probably because he didn't want to incriminate his girlfriend. | 0:28:50 | 0:28:53 | |
You're clutching at straws. | 0:28:53 | 0:28:54 | |
And you, once again, are stepping way outside your bounds. | 0:28:54 | 0:28:58 | |
-What about the burnt fabric...? -Goodbye, Father. | 0:28:58 | 0:29:00 | |
There's something you need to know - | 0:29:00 | 0:29:03 | |
Laura Hope is under Welkin's influence. | 0:29:03 | 0:29:05 | |
She's been coerced into marrying him. | 0:29:05 | 0:29:08 | |
Yes. Well, Welkin has an alibi. | 0:29:08 | 0:29:10 | |
He was at a pub sing-a-long at the exact time. | 0:29:10 | 0:29:14 | |
A sing-a-long?! | 0:29:14 | 0:29:15 | |
Apparently he does a raucous Knees-Up Mother Brown. | 0:29:16 | 0:29:19 | |
So, unless you have an explanation | 0:29:19 | 0:29:21 | |
as to how he can be in two places at once, | 0:29:21 | 0:29:23 | |
I suggest you go back to St Mary's and allow me to close this case. | 0:29:23 | 0:29:26 | |
Understood? | 0:29:26 | 0:29:28 | |
It belonged to my mother. | 0:30:02 | 0:30:04 | |
I thought it was bad luck for the groom to see the bride in her wedding dress. | 0:30:05 | 0:30:08 | |
Well, I don't believe in that superstitious nonsense. | 0:30:08 | 0:30:11 | |
I believe only in love. | 0:30:12 | 0:30:14 | |
Love is the real magic. | 0:30:15 | 0:30:17 | |
You are so beautiful. | 0:30:32 | 0:30:33 | |
I'll leave you to undress, my dear. | 0:30:36 | 0:30:38 | |
What are you doing here? | 0:30:46 | 0:30:48 | |
Tell me what's happening. | 0:30:48 | 0:30:49 | |
Exactly what it looks like. | 0:30:49 | 0:30:51 | |
That you're being forced into marriage? | 0:30:51 | 0:30:54 | |
No. | 0:30:54 | 0:30:55 | |
Tell me why you're doing this. | 0:30:55 | 0:30:57 | |
I'm paying penance. | 0:30:58 | 0:31:00 | |
Penance? | 0:31:00 | 0:31:01 | |
What for?! | 0:31:02 | 0:31:04 | |
Arthur! | 0:31:06 | 0:31:08 | |
Laura, no, please. | 0:31:08 | 0:31:09 | |
He just barged in. | 0:31:11 | 0:31:13 | |
Father Brown, I'm beginning to get the impression | 0:31:13 | 0:31:15 | |
-you're having second thoughts about marrying us. -Not at all. | 0:31:15 | 0:31:18 | |
Are you sure? We can always marry elsewhere. | 0:31:20 | 0:31:23 | |
I gave my word. | 0:31:23 | 0:31:25 | |
Tomorrow it is. | 0:31:25 | 0:31:27 | |
Very well. If you'll excuse us, we have a wedding to prepare for. | 0:31:27 | 0:31:30 | |
We've examined the knife - no fingerprints. | 0:31:48 | 0:31:51 | |
But the blood type matches Mr Smythe's. | 0:31:52 | 0:31:55 | |
This is your last chance to tell the truth. | 0:31:55 | 0:31:58 | |
We... | 0:31:58 | 0:31:59 | |
We spent the night together. | 0:32:01 | 0:32:04 | |
The night Mr Smythe was killed? | 0:32:04 | 0:32:06 | |
But we didn't kill him. | 0:32:06 | 0:32:07 | |
You've lied once already. Why should I believe you now? | 0:32:07 | 0:32:10 | |
Do you really think, if I did it, | 0:32:10 | 0:32:12 | |
I'd be stupid enough to leave a blood-stained knife in my caravan? | 0:32:12 | 0:32:15 | |
Murderers have made many stupid mistakes, you won't be the last. | 0:32:15 | 0:32:18 | |
I'm not a murderer. | 0:32:18 | 0:32:20 | |
You had means, motive and opportunity. | 0:32:20 | 0:32:23 | |
I'm charging you with the murder of Reggie Smythe. | 0:32:23 | 0:32:25 | |
Could you hold these? Thank you. | 0:32:32 | 0:32:34 | |
-You're a dab hand with the lock pick. -Beginner's luck. | 0:32:45 | 0:32:48 | |
I don't understand why we're here. | 0:32:52 | 0:32:55 | |
Laura said something that made me wonder. | 0:32:55 | 0:32:57 | |
Wonder what? | 0:32:57 | 0:32:58 | |
What are you looking for? | 0:32:59 | 0:33:01 | |
I'll know it when I see it. | 0:33:03 | 0:33:04 | |
Laura's room? | 0:33:13 | 0:33:15 | |
Yes. | 0:33:15 | 0:33:16 | |
What was here? | 0:33:22 | 0:33:23 | |
I think it was a lamp. | 0:33:23 | 0:33:24 | |
Ah-ha! | 0:33:27 | 0:33:29 | |
So it broke. So what? | 0:33:29 | 0:33:31 | |
You said Laura had trouble sleeping, the night of the murder. | 0:33:31 | 0:33:34 | |
Well, it's hardly surprising. | 0:33:34 | 0:33:36 | |
How was she when you got back to the house AFTER you'd left the B&B? | 0:33:36 | 0:33:40 | |
Scared witless. Jumping at shadows. | 0:33:40 | 0:33:44 | |
I think I know what Mr Smythe was burning. | 0:33:44 | 0:33:47 | |
Try to stay calm. Father Brown always has a plan. | 0:34:10 | 0:34:13 | |
You do, don't you? | 0:34:13 | 0:34:15 | |
Oh, here they are now. | 0:34:16 | 0:34:17 | |
Well-wishers - how nice. | 0:34:17 | 0:34:19 | |
Let her go. However you're doing it, let her go. | 0:34:19 | 0:34:22 | |
Trust me. | 0:34:23 | 0:34:25 | |
Let's go in, shall we? | 0:34:27 | 0:34:28 | |
Why did the lamp break in your bedroom? | 0:34:49 | 0:34:51 | |
What? | 0:34:53 | 0:34:54 | |
The lamp in your bedroom window, why did it break? | 0:34:54 | 0:34:57 | |
The wind. | 0:34:57 | 0:34:58 | |
I saw tread marks on the window sill. | 0:35:00 | 0:35:02 | |
He's wasting our time. | 0:35:02 | 0:35:04 | |
I know why you're doing penance. | 0:35:04 | 0:35:05 | |
You killed Mr Smythe, didn't you? | 0:35:07 | 0:35:10 | |
What? | 0:35:10 | 0:35:11 | |
-Don't say a word. He knows nothing. -I know enough. | 0:35:11 | 0:35:15 | |
Mr Smythe didn't stay in his room that night, | 0:35:15 | 0:35:18 | |
that's why he was so insistent that me and Mrs McCarthy left him alone... | 0:35:18 | 0:35:23 | |
so he could come to you. | 0:35:23 | 0:35:25 | |
He broke the lamp... | 0:35:26 | 0:35:28 | |
..climbing through your window. | 0:35:29 | 0:35:31 | |
I think I know what happened next, | 0:35:39 | 0:35:41 | |
but why don't you tell me? | 0:35:41 | 0:35:43 | |
It was an accident. | 0:35:46 | 0:35:48 | |
I didn't mean to kill him. | 0:35:48 | 0:35:49 | |
SOUND OF BREAKING GLASS | 0:35:53 | 0:35:56 | |
I thought it was Welkin. | 0:36:06 | 0:36:08 | |
SHE GASPS | 0:36:10 | 0:36:11 | |
HE GROANS | 0:36:11 | 0:36:12 | |
He told me not to call an ambulance, said it wasn't serious. | 0:36:18 | 0:36:21 | |
He wanted to go back to the B&B and pretend that Welkin did it, | 0:36:21 | 0:36:25 | |
get him arrested for attempted murder. | 0:36:25 | 0:36:27 | |
So you dressed his wound with this. | 0:36:27 | 0:36:30 | |
I found it in your sewing basket. | 0:36:31 | 0:36:33 | |
You have to go to hospital! | 0:36:36 | 0:36:37 | |
I'm fine. It barely hurts. | 0:36:37 | 0:36:39 | |
What are you doing here?! | 0:36:41 | 0:36:42 | |
I wanted to see you. | 0:36:44 | 0:36:45 | |
I understand you don't love me, but at least let me do this for you. | 0:36:47 | 0:36:51 | |
He gave me the knife and went back to the B&B. | 0:36:51 | 0:36:54 | |
Hmm. | 0:36:54 | 0:36:55 | |
Where he removed the dressing, | 0:36:55 | 0:36:57 | |
no doubt realising his wound was far more serious than he thought, | 0:36:57 | 0:37:02 | |
burned the evidence, then cried bloody murder. | 0:37:02 | 0:37:05 | |
Help! | 0:37:22 | 0:37:23 | |
Oh! | 0:37:26 | 0:37:28 | |
Help! | 0:37:29 | 0:37:30 | |
That doesn't explain why you agreed to marry him. | 0:37:32 | 0:37:35 | |
Yes, it does. | 0:37:35 | 0:37:36 | |
You saw it all, didn't you? | 0:37:37 | 0:37:39 | |
How else would you have got the knife? | 0:37:40 | 0:37:42 | |
Then you went directly to the pub to give yourself an alibi. | 0:37:58 | 0:38:03 | |
Why didn't you go to the police? | 0:38:10 | 0:38:12 | |
After I'd already covered up what I did? | 0:38:12 | 0:38:14 | |
How's that going to look? | 0:38:14 | 0:38:16 | |
Besides, I thought it was a just punishment | 0:38:16 | 0:38:18 | |
after what I did to Mr Smythe - hell on Earth with Mr Welkin. | 0:38:18 | 0:38:22 | |
You're not a murderer. | 0:38:24 | 0:38:25 | |
You don't deserve hell on Earth, or anywhere else. | 0:38:26 | 0:38:30 | |
This doesn't change anything. She killed Smythe, | 0:38:30 | 0:38:32 | |
and if she doesn't want to go to prison, she'll marry me. | 0:38:32 | 0:38:35 | |
And with great willingness of spirit. | 0:38:35 | 0:38:37 | |
Is that what you think love is? | 0:38:43 | 0:38:46 | |
Control? | 0:38:46 | 0:38:47 | |
Possession? | 0:38:47 | 0:38:48 | |
How does a priest know anything about love? | 0:38:48 | 0:38:51 | |
Mr Smythe knew what love was. | 0:38:52 | 0:38:55 | |
You know nothing about me. | 0:38:55 | 0:38:56 | |
I know you're a charlatan with a bag of cheap tricks. | 0:38:56 | 0:38:59 | |
What I feel for Laura is not a trick. | 0:39:01 | 0:39:04 | |
It's real. | 0:39:04 | 0:39:06 | |
If that is so, then why are you so blind to her suffering? | 0:39:06 | 0:39:10 | |
You are not the person who should be doing penance... | 0:39:12 | 0:39:14 | |
..you are. | 0:39:15 | 0:39:17 | |
Laura? | 0:39:21 | 0:39:23 | |
Goodbye, Mr Welkin. | 0:39:35 | 0:39:37 | |
It's over. | 0:39:43 | 0:39:46 | |
No, it's not. | 0:39:46 | 0:39:47 | |
I have to confess to Inspector Sullivan. | 0:39:47 | 0:39:50 | |
No. | 0:39:50 | 0:39:52 | |
I won't let someone else pay for my crime. | 0:39:52 | 0:39:54 | |
Father... | 0:39:58 | 0:39:59 | |
She's right. | 0:40:03 | 0:40:04 | |
Inspector? | 0:40:31 | 0:40:32 | |
I have something to tell you. | 0:40:33 | 0:40:35 | |
Inspector? | 0:40:35 | 0:40:37 | |
It's a confession... | 0:40:40 | 0:40:41 | |
from Welkin. | 0:40:41 | 0:40:43 | |
He says that Smythe snuck out of the B&B and confronted him, | 0:40:43 | 0:40:47 | |
so Welkin stabbed him. | 0:40:47 | 0:40:49 | |
-That's not... -Where is he now? | 0:40:49 | 0:40:52 | |
I have no idea. | 0:40:52 | 0:40:53 | |
And this note...is for you. | 0:40:54 | 0:40:57 | |
"Laura, my love, this confession I make in your honour. | 0:41:07 | 0:41:12 | |
"It is my sacrifice for you..." | 0:41:12 | 0:41:14 | |
"I shall disappear and never be found, | 0:41:16 | 0:41:20 | |
"for who can find a phantom? | 0:41:20 | 0:41:22 | |
"Without love, that's all I am. | 0:41:23 | 0:41:26 | |
"I am nothing. | 0:41:26 | 0:41:28 | |
"I am hollow. | 0:41:28 | 0:41:30 | |
"I am dust." | 0:41:31 | 0:41:32 | |
CHURCH BELLS RING OUT | 0:41:38 | 0:41:41 | |
My heart's thundering. | 0:41:48 | 0:41:50 | |
That's a good sign. | 0:41:50 | 0:41:51 | |
She'll be here any minute. | 0:41:51 | 0:41:53 | |
Now, you should be inside. | 0:41:53 | 0:41:55 | |
Well, Father, when are you going to tell us what happened? | 0:41:58 | 0:42:01 | |
I don't know what you're talking about. | 0:42:01 | 0:42:03 | |
Why did Laura agree to marry Welkin? | 0:42:03 | 0:42:04 | |
Like Mrs McCarthy said, he had strange powers. | 0:42:04 | 0:42:08 | |
It was the hypnotism, I knew it! | 0:42:08 | 0:42:10 | |
Oh! You look beautiful. | 0:42:12 | 0:42:15 | |
-I'm a bundle of nerves. -That's a good sign. | 0:42:15 | 0:42:19 | |
I'll go and tell the ushers she's here. | 0:42:19 | 0:42:21 | |
Deep breaths. Good luck. | 0:42:21 | 0:42:23 | |
Ready? | 0:42:28 | 0:42:30 | |
Ready. | 0:42:31 | 0:42:33 | |
CHURCH ORGAN PLAYS | 0:42:33 | 0:42:37 |