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It is here. Exactly as you specified. | 0:00:02 | 0:00:07 | |
-DISTORTED VOICE: -My sources told me you were an exceptional architect. | 0:00:09 | 0:00:13 | |
I can see they are correct. | 0:00:13 | 0:00:15 | |
You honour me. | 0:00:15 | 0:00:17 | |
And what of the builders? | 0:00:19 | 0:00:21 | |
They have been dealt with. | 0:00:21 | 0:00:23 | |
Why do you wear that foreign garb? | 0:00:27 | 0:00:30 | |
Because I am many things. | 0:00:30 | 0:00:32 | |
Physician. Traveller. | 0:00:32 | 0:00:35 | |
Alchemist? That's what they say. | 0:00:35 | 0:00:38 | |
What is in the box? | 0:00:41 | 0:00:42 | |
My greatest achievement. | 0:00:42 | 0:00:45 | |
Something that will one day save this fragile kingdom from itself. | 0:00:45 | 0:00:50 | |
Your secrets are safe here. I hope... | 0:00:50 | 0:00:53 | |
AH! | 0:00:53 | 0:00:55 | |
The King thanks you for your service. | 0:00:55 | 0:00:57 | |
BLADE SLASHES | 0:00:57 | 0:00:59 | |
HE GASPS | 0:01:01 | 0:01:03 | |
HE CHOKES | 0:01:06 | 0:01:08 | |
DOOR CREAKS SHUT | 0:01:08 | 0:01:09 | |
FOOTSTEPS | 0:01:39 | 0:01:41 | |
I know you're there. Show yourself. | 0:01:41 | 0:01:45 | |
Well, who is it? | 0:01:50 | 0:01:52 | |
Well...I..I don't know. I mean, | 0:01:52 | 0:01:55 | |
they've been following me for several days. | 0:01:55 | 0:01:58 | |
Have you ruffled anyone's feathers lately? | 0:02:00 | 0:02:03 | |
Well, I did have had some rather radical ideas about the | 0:02:03 | 0:02:05 | |
impact of the Romans on the local textile industry. | 0:02:05 | 0:02:08 | |
It-it caused a terrible stir. | 0:02:08 | 0:02:10 | |
That's a no, then. | 0:02:10 | 0:02:12 | |
Now, there you go. | 0:02:12 | 0:02:14 | |
Most kind. | 0:02:14 | 0:02:15 | |
There is one possibility. | 0:02:19 | 0:02:20 | |
Professor? | 0:02:22 | 0:02:24 | |
Oh, it may be nothing, | 0:02:24 | 0:02:26 | |
but I think it all started after I came into possession of this. | 0:02:26 | 0:02:31 | |
What is it? | 0:02:31 | 0:02:33 | |
It's the secret diary of the university's architect. | 0:02:33 | 0:02:36 | |
Which would make it over 300 years old. | 0:02:36 | 0:02:39 | |
Why would someone be bothering you over a silly old book? | 0:02:39 | 0:02:41 | |
This is no mere historical document. | 0:02:41 | 0:02:44 | |
The diary claims that someone in the King's inner circle discovered | 0:02:44 | 0:02:46 | |
the secret of alchemy - the method of turning base metals into gold. | 0:02:46 | 0:02:51 | |
Oh, by magic! | 0:02:51 | 0:02:53 | |
Or science. | 0:02:53 | 0:02:54 | |
Nowadays, we'd probably call him a chemist, not an alchemist. | 0:02:55 | 0:02:59 | |
It also claims the secret is hidden at the university. | 0:02:59 | 0:03:02 | |
Super! Does it say where? | 0:03:02 | 0:03:03 | |
Not explicitly. | 0:03:05 | 0:03:07 | |
You look very tired, Professor. | 0:03:10 | 0:03:12 | |
Feeling like a marked man is wearing me down. | 0:03:14 | 0:03:17 | |
I don't sleep, I'm not eating properly. | 0:03:17 | 0:03:19 | |
How can we help? | 0:03:21 | 0:03:23 | |
DOOR OPENS | 0:03:42 | 0:03:44 | |
Hargreaves. | 0:03:45 | 0:03:47 | |
Principal, Professor Ambrose asks if he can borrow the Magister's Key. | 0:03:47 | 0:03:51 | |
Really? Why? | 0:03:51 | 0:03:53 | |
He thought it may be the one referred to in the diary. | 0:03:53 | 0:03:56 | |
An intriguing hypothesis. | 0:03:56 | 0:03:58 | |
Very well. | 0:03:59 | 0:04:01 | |
Good luck. | 0:04:16 | 0:04:18 | |
Thank you, sir. | 0:04:18 | 0:04:19 | |
They'll have this place destroyed! | 0:04:23 | 0:04:25 | |
Exactly. | 0:04:25 | 0:04:26 | |
They should be in the philosophy department, | 0:04:26 | 0:04:28 | |
yet here they are in pre-16th century theology. | 0:04:28 | 0:04:30 | |
Excuse me, I wondered if I might have a word with Professor Ambrose? | 0:04:33 | 0:04:36 | |
Come right in. | 0:04:36 | 0:04:38 | |
Professor, I tried to get hold of the Principal. | 0:04:38 | 0:04:41 | |
Oh, why? | 0:04:41 | 0:04:43 | |
You asked me to speak to him. | 0:04:45 | 0:04:48 | |
Oh, yes. Of course. | 0:04:48 | 0:04:50 | |
He's in a meeting all morning, but I'll keep trying. | 0:04:50 | 0:04:53 | |
Is this to do with the diary? | 0:04:53 | 0:04:55 | |
You know about that? | 0:04:57 | 0:04:59 | |
We-we can trust these people. Tell them what's been happening. | 0:04:59 | 0:05:03 | |
The diary claims that the location of the Alchemist's secret was | 0:05:03 | 0:05:06 | |
hidden in a riddle given to the King's closest advisors. | 0:05:06 | 0:05:10 | |
Could they not just have drawn a map? | 0:05:10 | 0:05:12 | |
Oh, no, no, no! | 0:05:12 | 0:05:13 | |
This was a time when men of intellect were required to | 0:05:13 | 0:05:16 | |
-prove their worth. -Well, what's the riddle? | 0:05:16 | 0:05:18 | |
"The Key to the Lock to the Door." | 0:05:18 | 0:05:21 | |
The Principal holds an old key as part of his ceremonial items. | 0:05:21 | 0:05:24 | |
It dates back to the 17th century, | 0:05:24 | 0:05:26 | |
when the university was built. | 0:05:26 | 0:05:27 | |
Good idea. We-we should get hold of it. | 0:05:27 | 0:05:30 | |
I'll try, Professor. A pleasure to meet you all. | 0:05:30 | 0:05:34 | |
Yes. | 0:05:34 | 0:05:35 | |
Ladies, have you seen the sights of this magnificent university? | 0:05:37 | 0:05:41 | |
The great hall, the library, the gardens? | 0:05:41 | 0:05:44 | |
Oh, how wearisome. Can't we just go and help "Cheekbones" instead? | 0:05:44 | 0:05:47 | |
No, no. Father Brown is quite right. | 0:05:47 | 0:05:50 | |
We should see all the sights while we're here. | 0:05:50 | 0:05:53 | |
Hilary... | 0:05:56 | 0:05:58 | |
How long have you been having problems with your memory? | 0:05:59 | 0:06:03 | |
He's losing his mind, isn't he? | 0:06:05 | 0:06:07 | |
Father Brown or Ambrose? Either way, the answer is yes. | 0:06:07 | 0:06:11 | |
Oh, that poor man. | 0:06:11 | 0:06:13 | |
Somebody's forced this. | 0:06:17 | 0:06:19 | |
THIEF! | 0:06:21 | 0:06:22 | |
There was a fuss the other day, I was scheduled to give a lecture | 0:06:25 | 0:06:29 | |
and I... | 0:06:29 | 0:06:30 | |
I completely forgot. | 0:06:30 | 0:06:32 | |
It's a cruel trick of nature, | 0:06:33 | 0:06:35 | |
this brain which made my career, deserting me in my twilight years. | 0:06:35 | 0:06:41 | |
I think this business with the diary has been playing havoc with | 0:06:43 | 0:06:46 | |
my nerves. | 0:06:46 | 0:06:48 | |
Who found it? | 0:06:51 | 0:06:52 | |
Timothy Hargreaves. | 0:06:54 | 0:06:56 | |
The boy who was here earlier. | 0:06:56 | 0:06:58 | |
He wanted me to confirm that it was... That it was authentic. | 0:06:58 | 0:07:01 | |
Does anyone else know about it? | 0:07:02 | 0:07:05 | |
Just the Principal. | 0:07:05 | 0:07:07 | |
We're keeping quiet until the official announcement. | 0:07:07 | 0:07:11 | |
The person who has been following you... | 0:07:12 | 0:07:15 | |
Yes...? | 0:07:15 | 0:07:17 | |
Do you think you might be imagining it? | 0:07:19 | 0:07:22 | |
I know what I saw! | 0:07:22 | 0:07:23 | |
Once again - we didn't do anything. | 0:07:27 | 0:07:30 | |
I can repeat it in French if it will get the message across. | 0:07:30 | 0:07:32 | |
Oh, just doing a spot of spring cleaning, were you? | 0:07:32 | 0:07:35 | |
-Not really my department. -What's going on here? | 0:07:35 | 0:07:37 | |
I discovered these intruders trying to break into the | 0:07:37 | 0:07:39 | |
trophy cabinet. | 0:07:39 | 0:07:41 | |
We are not intruders, we are friends of Professor Ambrose. | 0:07:41 | 0:07:46 | |
This porter of yours has got the wrong end of the stick. | 0:07:46 | 0:07:49 | |
I caught them red-handed. | 0:07:49 | 0:07:50 | |
Please, let us not descend into squabbling. | 0:07:50 | 0:07:53 | |
Penelope Windermere, The Countess of Montague's niece. How do you do? | 0:07:53 | 0:07:57 | |
Malcolm Pendle, Principal. | 0:07:57 | 0:07:59 | |
We were just admiring this marvellous hall and we | 0:07:59 | 0:08:02 | |
noticed someone had broken the lock. | 0:08:02 | 0:08:05 | |
There's nothing of any real value here. | 0:08:05 | 0:08:07 | |
We just dug out whatever cups and medals we could find, | 0:08:07 | 0:08:10 | |
to celebrate 100 years of the university athletic team. | 0:08:10 | 0:08:13 | |
Anything been taken? | 0:08:13 | 0:08:15 | |
One of the old medals has gone. | 0:08:15 | 0:08:16 | |
I am fed up with these student pranks. | 0:08:19 | 0:08:21 | |
I believe this is a police matter. | 0:08:21 | 0:08:23 | |
We're not calling the police for the sake of a piece of old tin! | 0:08:23 | 0:08:27 | |
Obviously these ladies had nothing whatever to do with what happened here. | 0:08:28 | 0:08:32 | |
And as friends of Professor Ambrose, we must extend them every courtesy. | 0:08:32 | 0:08:36 | |
If you insist. | 0:08:36 | 0:08:38 | |
I do. | 0:08:38 | 0:08:40 | |
Now, if you'll excuse me, ladies, I have business to attend to. | 0:08:40 | 0:08:44 | |
The professors may think there's a golden aura around you but I | 0:08:49 | 0:08:52 | |
see you for what you are. | 0:08:52 | 0:08:54 | |
We could have made a great team. | 0:08:54 | 0:08:56 | |
Just think, with my looks and your hostility, | 0:08:56 | 0:08:58 | |
just think how successful our children would be. | 0:08:58 | 0:09:01 | |
That's the problem with pretty boys - | 0:09:04 | 0:09:06 | |
their charms only last till they get what they want. | 0:09:06 | 0:09:09 | |
What on earth goes on inside that head of yours? | 0:09:09 | 0:09:13 | |
"The Key to the Lock to the Door." | 0:09:19 | 0:09:21 | |
Key. Lock. Door. | 0:09:24 | 0:09:25 | |
Door, lock, key? | 0:09:27 | 0:09:30 | |
Professor, do you have any milk? | 0:09:30 | 0:09:32 | |
DOOR OPENS AND CLOSES | 0:09:32 | 0:09:35 | |
THUD | 0:09:35 | 0:09:37 | |
Hello, Timothy? Is Professor Ambrose with you? | 0:10:03 | 0:10:07 | |
Hello? | 0:10:08 | 0:10:10 | |
Have you got the diary? | 0:10:30 | 0:10:32 | |
It-it-it's gone. | 0:10:33 | 0:10:36 | |
Professor, are you all right? | 0:10:36 | 0:10:38 | |
I'm very well, thank you very much. And yourself? | 0:10:38 | 0:10:41 | |
Is this chap bothering you? | 0:10:41 | 0:10:42 | |
I stopped him going in the water. Again. | 0:10:42 | 0:10:44 | |
Where has Father Brown got to? | 0:10:44 | 0:10:47 | |
Who? | 0:10:47 | 0:10:48 | |
Professor Ambrose thinks he may have lost something. An old diary. | 0:10:48 | 0:10:53 | |
Oh, yes? | 0:10:53 | 0:10:54 | |
It's valuable. | 0:10:54 | 0:10:56 | |
Well, WE haven't seen it. | 0:10:56 | 0:10:58 | |
Professor, let's get you back to your rooms. | 0:10:58 | 0:11:00 | |
-Thank you. -That's it. | 0:11:00 | 0:11:03 | |
Look after him. | 0:11:03 | 0:11:05 | |
Requiescat in pace. | 0:11:11 | 0:11:12 | |
Amen. | 0:11:14 | 0:11:15 | |
Hello. | 0:11:19 | 0:11:21 | |
What's happened? Is..is that Timothy? | 0:11:21 | 0:11:26 | |
Is... Is he...? | 0:11:26 | 0:11:28 | |
Yes. | 0:11:28 | 0:11:29 | |
I wonder if you'll be on the scene as quickly when I drop dead, Padre? | 0:11:35 | 0:11:39 | |
Have some respect. | 0:11:40 | 0:11:42 | |
Please, Father, into the corridor. | 0:11:42 | 0:11:45 | |
What ARE you doing here? | 0:11:49 | 0:11:51 | |
I was looking for a friend of mine. | 0:11:53 | 0:11:55 | |
And you are? | 0:11:57 | 0:11:58 | |
-I'm just passing. I'll be off. -I don't think so. | 0:11:58 | 0:12:01 | |
Name? | 0:12:01 | 0:12:03 | |
Victoria Nicholson. | 0:12:03 | 0:12:04 | |
Thank goodness you're here. My secretary told me what's happened. | 0:12:04 | 0:12:08 | |
Oh, my... | 0:12:08 | 0:12:10 | |
It's quite a little party we're gathering. | 0:12:10 | 0:12:13 | |
I'm Malcolm Pendle, Principal of the university. | 0:12:13 | 0:12:16 | |
Please, tell me anything that I can do to help. | 0:12:16 | 0:12:19 | |
Do you have a spare room we can use? | 0:12:19 | 0:12:20 | |
Can't have everyone standing around out here. | 0:12:20 | 0:12:23 | |
Biology labs are just around the corner. | 0:12:23 | 0:12:25 | |
-I have a seminar to get to. -You'll have to miss it. | 0:12:25 | 0:12:27 | |
No. I had to fight hard to get here. | 0:12:27 | 0:12:30 | |
I'm not going to start missing classes. | 0:12:30 | 0:12:32 | |
I'll inform your tutors, | 0:12:32 | 0:12:33 | |
make sure they fill you in on whatever you miss. | 0:12:33 | 0:12:37 | |
So, you found the body, Padre? | 0:12:37 | 0:12:39 | |
Yes, I did. He couldn't have been there long. | 0:12:40 | 0:12:44 | |
He came to see Professor Ambrose about an hour ago. | 0:12:45 | 0:12:48 | |
That must have been soon after he left my office. | 0:12:48 | 0:12:51 | |
He wanted to borrow the Magister's Key. | 0:12:51 | 0:12:55 | |
The what? | 0:12:55 | 0:12:56 | |
It's a ceremonial item, | 0:12:56 | 0:12:58 | |
something that gets handed down when somebody new assumes my post. | 0:12:58 | 0:13:02 | |
But he told us that he couldn't find you. | 0:13:02 | 0:13:05 | |
Are you sure he had this key? | 0:13:05 | 0:13:08 | |
Oh, absolutely. | 0:13:08 | 0:13:09 | |
Well, he hasn't got it now. His pockets are empty. | 0:13:09 | 0:13:12 | |
This way. | 0:13:13 | 0:13:15 | |
Will this do? | 0:13:19 | 0:13:20 | |
Yes. We need to take statements. | 0:13:23 | 0:13:26 | |
SNAKE HISSES | 0:13:26 | 0:13:27 | |
What is that doing here?! | 0:13:27 | 0:13:28 | |
Professor Griffin believes in a hands-on approach | 0:13:28 | 0:13:30 | |
to teaching biology. | 0:13:30 | 0:13:32 | |
Looks like you've made a friend. | 0:13:34 | 0:13:37 | |
Just stay in here and keep out of my way, Padre. | 0:13:37 | 0:13:40 | |
Do you need me? | 0:13:40 | 0:13:41 | |
If not, I should telephone and offer my sympathies to the boy's parents. | 0:13:41 | 0:13:45 | |
Fine. | 0:13:45 | 0:13:47 | |
The sergeant will be through to take your statements. | 0:13:50 | 0:13:52 | |
I didn't see anything. | 0:13:52 | 0:13:54 | |
Were you close to Timothy? | 0:14:04 | 0:14:05 | |
Not really. We had some history classes together. | 0:14:07 | 0:14:10 | |
Did he ever mention an old diary? | 0:14:14 | 0:14:16 | |
No. | 0:14:18 | 0:14:20 | |
I'm afraid this area is out of bounds, sir. | 0:14:24 | 0:14:26 | |
I heard what happened. | 0:14:26 | 0:14:28 | |
I've been porter at this university for over three decades. | 0:14:28 | 0:14:31 | |
I know what goes on here better than anybody. | 0:14:31 | 0:14:33 | |
Is that so? | 0:14:33 | 0:14:35 | |
Then, can you think of anyone who might have done this? | 0:14:35 | 0:14:38 | |
He's moved them again. While I was out. | 0:14:40 | 0:14:43 | |
Oh, look. | 0:14:43 | 0:14:45 | |
What have you got there? | 0:14:45 | 0:14:47 | |
There you are, thank goodness. | 0:14:47 | 0:14:49 | |
And what's HE doing here? | 0:14:49 | 0:14:51 | |
The boy we met earlier, Timothy Hargreaves... | 0:14:53 | 0:14:58 | |
-He's been murdered. -Oh! | 0:14:59 | 0:15:02 | |
Professor... is that yours? | 0:15:07 | 0:15:12 | |
Ah, no, no. | 0:15:12 | 0:15:14 | |
I believe this belongs to the... to the Principal. | 0:15:14 | 0:15:16 | |
The last time anyone saw that key, Hargreaves had it. | 0:15:16 | 0:15:19 | |
So how did it get here? | 0:15:19 | 0:15:21 | |
He found it. I saw just him. | 0:15:21 | 0:15:23 | |
Maybe that's what he wants you to think. | 0:15:23 | 0:15:25 | |
I gather he's been prone to sudden mood shifts recently. | 0:15:25 | 0:15:29 | |
Only this morning, he was seen wandering around the college, | 0:15:29 | 0:15:31 | |
lost and confused. | 0:15:31 | 0:15:33 | |
Oh, yes, and who told you that? | 0:15:33 | 0:15:34 | |
I think we can guess. | 0:15:34 | 0:15:36 | |
It all paints a pretty vivid picture. | 0:15:36 | 0:15:38 | |
Professor Ambrose means no harm to anyone. | 0:15:39 | 0:15:44 | |
I just go where the evidence leads me. | 0:15:44 | 0:15:46 | |
Timothy Hargreaves had a cut on his cheek. | 0:15:52 | 0:15:55 | |
Have you considered how he got it? | 0:15:55 | 0:15:58 | |
In the struggle. | 0:15:58 | 0:15:59 | |
In a struggle, Timothy would have easily overpowered him. | 0:16:02 | 0:16:07 | |
Oh, what's happening? | 0:16:10 | 0:16:12 | |
Hilary Ambrose, I am arresting you for the murder of | 0:16:13 | 0:16:17 | |
Timothy Hargreaves. | 0:16:17 | 0:16:18 | |
You are not obliged to say anything unless you wish to do so, | 0:16:18 | 0:16:21 | |
but whatever you say may be written down and given in evidence. | 0:16:21 | 0:16:25 | |
We need to find out who framed him. | 0:16:27 | 0:16:29 | |
Are you sure that's what happened? | 0:16:29 | 0:16:31 | |
I mean, the Professor hasn't been himself lately. | 0:16:31 | 0:16:34 | |
Professor Ambrose is my friend. | 0:16:35 | 0:16:37 | |
Oh, there was that girl having some kind of disagreement with Timothy. | 0:16:37 | 0:16:41 | |
Disagreement? She slapped him into tomorrow. | 0:16:41 | 0:16:44 | |
Dark hair? | 0:16:45 | 0:16:46 | |
About five foot five? | 0:16:46 | 0:16:48 | |
You've met her? | 0:16:48 | 0:16:49 | |
Whoever planted the key in Ambrose's room knew the significance of | 0:16:49 | 0:16:53 | |
the riddle. | 0:16:53 | 0:16:55 | |
We need to find out how many people know about the diary. | 0:16:55 | 0:16:58 | |
Well, that porter swine for one. | 0:16:58 | 0:17:00 | |
He asked if we'd seen it. | 0:17:00 | 0:17:02 | |
Where is it now? Do the police have it? | 0:17:02 | 0:17:04 | |
HE CLEARS THROAT | 0:17:09 | 0:17:10 | |
I may have accidentally borrowed it. | 0:17:10 | 0:17:12 | |
Professor Ambrose left it when he disappeared. | 0:17:12 | 0:17:15 | |
That's awfully sly of you, Father. I do approve. | 0:17:15 | 0:17:19 | |
Mrs McCarthy, will you talk to the porter? | 0:17:19 | 0:17:22 | |
Find out what he knows about it. | 0:17:22 | 0:17:25 | |
I'll give him a piece of my mind. | 0:17:25 | 0:17:27 | |
How could he tell the Inspector that Ambrose was losing the plot? | 0:17:27 | 0:17:31 | |
The main thing is to find out what he knows. | 0:17:31 | 0:17:34 | |
-We'll meet back here. -Right. | 0:17:36 | 0:17:38 | |
KNOCK ON DOOR | 0:17:44 | 0:17:46 | |
May I have a word? | 0:17:47 | 0:17:49 | |
Father Brown, do. | 0:17:49 | 0:17:50 | |
The police told me about Professor Ambrose. | 0:17:53 | 0:17:56 | |
Please let me know if there's anything that I can do to help. | 0:17:56 | 0:18:00 | |
I don't think he's responsible for what happened. | 0:18:00 | 0:18:02 | |
Well, I know it must be hard to accept, | 0:18:02 | 0:18:04 | |
but the police seemed quite convinced. | 0:18:04 | 0:18:07 | |
Timothy lied to Ambrose, pretending he didn't have the key. | 0:18:07 | 0:18:12 | |
Hargreaves was a talented undergraduate but not without ego. | 0:18:13 | 0:18:19 | |
Perhaps he was hoping to solve the riddle for himself. | 0:18:20 | 0:18:24 | |
Has anyone ever tried to see where the key fits? | 0:18:26 | 0:18:29 | |
My wife took an interest a few years ago. | 0:18:29 | 0:18:32 | |
Tried the key in every lock in the university, but without success. | 0:18:32 | 0:18:36 | |
Would it be possible to speak with her? | 0:18:36 | 0:18:39 | |
She passed away. 18 months ago. | 0:18:39 | 0:18:42 | |
I'm very sorry. | 0:18:44 | 0:18:46 | |
Struck down by her own failing body before her time. | 0:18:46 | 0:18:50 | |
Such a... Such a pointless waste. | 0:18:50 | 0:18:53 | |
When things like that happen, God... | 0:18:55 | 0:18:58 | |
With respect, I think it's too late for God to help her now. | 0:18:58 | 0:19:01 | |
That's rather magnificent. | 0:19:03 | 0:19:05 | |
It's the original plan for the university. | 0:19:07 | 0:19:09 | |
Now, if you'll excuse me, I have a lot to sort out. | 0:19:09 | 0:19:12 | |
Yes, of course. | 0:19:16 | 0:19:17 | |
Thank you. | 0:19:19 | 0:19:21 | |
Now, the boy had the key, | 0:19:22 | 0:19:24 | |
then he died and somehow it ended up in your room. | 0:19:24 | 0:19:28 | |
Just explain that to me. | 0:19:28 | 0:19:30 | |
I don't know. | 0:19:30 | 0:19:32 | |
The porter said he saw you wandering around in a daze this morning. | 0:19:32 | 0:19:38 | |
What can you tell me about that? | 0:19:39 | 0:19:42 | |
Oh... I can't remember! | 0:19:42 | 0:19:45 | |
I'll be honest - if you don't give me something to work with, | 0:19:47 | 0:19:51 | |
then I can't help you. | 0:19:51 | 0:19:52 | |
Did I hurt that poor boy? | 0:19:54 | 0:19:56 | |
As things stand... I have to say it looks that way. | 0:19:58 | 0:20:03 | |
Oh... How shall I live with myself? | 0:20:04 | 0:20:07 | |
Perhaps confessing would help ease the burden? | 0:20:09 | 0:20:12 | |
SINISTER MUSIC | 0:20:14 | 0:20:16 | |
DRAUGHT OF AIR | 0:20:16 | 0:20:18 | |
He's here! | 0:20:18 | 0:20:19 | |
Who? | 0:20:21 | 0:20:22 | |
The shadow was... | 0:20:22 | 0:20:24 | |
Well, perhaps he could wait outside while we finish up? | 0:20:24 | 0:20:27 | |
Hurry, before he comes back. | 0:20:38 | 0:20:40 | |
I was right! | 0:20:40 | 0:20:42 | |
Oh, but of course. | 0:20:42 | 0:20:43 | |
We couldn't even find that porter, but you managed to solve the | 0:20:43 | 0:20:46 | |
murder and crack a 300-year-old mystery while we were gone? | 0:20:46 | 0:20:50 | |
No, no, but I think I understand the riddle. | 0:20:50 | 0:20:53 | |
"The Key to the Lock to the Door", refers to three separate puzzles. | 0:20:55 | 0:20:59 | |
The key, the lock and the door. | 0:20:59 | 0:21:01 | |
But if the killer was trying to solve it, then why leave the | 0:21:02 | 0:21:05 | |
Magister's Key in Ambrose's room? | 0:21:05 | 0:21:07 | |
Wouldn't they need it? | 0:21:07 | 0:21:09 | |
Not if they knew what they were looking for. | 0:21:09 | 0:21:11 | |
Here. | 0:21:14 | 0:21:16 | |
The key! | 0:21:19 | 0:21:20 | |
The architect who drew this also helped to design the riddle. | 0:21:23 | 0:21:26 | |
The symbols over the buildings are referred to in the key with | 0:21:29 | 0:21:32 | |
one exception... | 0:21:32 | 0:21:34 | |
The library. | 0:21:36 | 0:21:38 | |
I don't know how... | 0:21:42 | 0:21:43 | |
..trying to solve an ancient riddle is going to help Ambrose. | 0:21:46 | 0:21:50 | |
If the real killer is attempting to do the same, | 0:21:55 | 0:21:57 | |
then that will lead us to him. | 0:21:57 | 0:22:00 | |
Or her. | 0:22:01 | 0:22:02 | |
Is that the girl you saw talking to Timothy? | 0:22:05 | 0:22:07 | |
I'll see you in a moment. | 0:22:09 | 0:22:10 | |
Miss Nicholson... | 0:22:16 | 0:22:17 | |
..may I have a word? | 0:22:19 | 0:22:21 | |
I have a lecture to get to. | 0:22:21 | 0:22:22 | |
My friends say they saw you with Timothy, just before he died. | 0:22:28 | 0:22:33 | |
Apparently you were rather upset with him. | 0:22:33 | 0:22:36 | |
Yes, I was angry with him. | 0:22:39 | 0:22:41 | |
We had a brief, misguided fling that ended badly. | 0:22:43 | 0:22:47 | |
This place, Thorndike... | 0:22:49 | 0:22:51 | |
How do you know about it? | 0:22:52 | 0:22:54 | |
I don't know what you mean. | 0:22:54 | 0:22:56 | |
It's mentioned in this diary that you said you knew nothing about. | 0:23:03 | 0:23:07 | |
When did Timothy let you read it? | 0:23:10 | 0:23:12 | |
Look, he wasn't the one who found it. I did. | 0:23:12 | 0:23:15 | |
Ah... | 0:23:15 | 0:23:17 | |
Where? | 0:23:18 | 0:23:20 | |
I was going through the university land deeds for my history project. | 0:23:20 | 0:23:23 | |
I showed Timothy, and he stole it from me. | 0:23:23 | 0:23:26 | |
I know there was no love lost between you and Timothy, | 0:23:27 | 0:23:31 | |
but I believe that Professor Ambrose is being framed for his death. | 0:23:31 | 0:23:36 | |
And in order to help him, I need to understand what is in that diary. | 0:23:36 | 0:23:42 | |
And that is my ONLY interest in it. | 0:23:42 | 0:23:44 | |
So... | 0:23:47 | 0:23:48 | |
..Thorndike... | 0:23:50 | 0:23:51 | |
Here. | 0:23:58 | 0:23:59 | |
"In Thorndike the Alchemist's magic has been proven. | 0:24:02 | 0:24:05 | |
"The King's enemies will bend their knee before him." | 0:24:05 | 0:24:09 | |
This is a reproduction of a map from 1603. | 0:24:11 | 0:24:14 | |
The village of Thorndike is here, | 0:24:14 | 0:24:16 | |
a few miles from where the university is now. | 0:24:16 | 0:24:19 | |
But this one, nearly 100 years later... | 0:24:20 | 0:24:23 | |
It's gone. | 0:24:27 | 0:24:28 | |
Where did it go? | 0:24:30 | 0:24:32 | |
I don't know. | 0:24:32 | 0:24:34 | |
What have you found? | 0:24:45 | 0:24:47 | |
Absolutely nothing. | 0:24:48 | 0:24:49 | |
Oh. | 0:24:52 | 0:24:53 | |
The architect wanted his riddle to be solved... | 0:24:53 | 0:24:55 | |
..but a book in a public place is liable to go missing. | 0:24:57 | 0:25:01 | |
Perhaps he factored that into his design. | 0:25:02 | 0:25:05 | |
And what's that supposed to mean? | 0:25:05 | 0:25:07 | |
Maybe we're looking for something more permanent. | 0:25:07 | 0:25:11 | |
Yes, and maybe we're just looking in the wrong place. | 0:25:11 | 0:25:14 | |
Those marks look recent. | 0:25:19 | 0:25:21 | |
SCRAPING | 0:25:29 | 0:25:30 | |
Why the long face? | 0:25:46 | 0:25:47 | |
This may sound strange... | 0:25:47 | 0:25:50 | |
Coming from you? | 0:25:50 | 0:25:52 | |
Mrs McCarthy, don't make any sudden moves and move slowly towards me. | 0:25:52 | 0:25:56 | |
Why? | 0:25:59 | 0:26:00 | |
He's magnificent! | 0:26:03 | 0:26:06 | |
Is that thing poisonous? | 0:26:06 | 0:26:08 | |
I'm not sure. | 0:26:08 | 0:26:09 | |
How will we get past? | 0:26:10 | 0:26:12 | |
Perhaps we should feed it something. | 0:26:12 | 0:26:14 | |
That's a good idea. | 0:26:15 | 0:26:16 | |
If we had a mouse... | 0:26:17 | 0:26:19 | |
Oh, yes, of course, I'll go to the mouse dispenser, shall I? | 0:26:19 | 0:26:23 | |
Or, um, we could distract it and then get behind it and pick it up | 0:26:23 | 0:26:29 | |
by the neck. | 0:26:29 | 0:26:31 | |
It's all neck! | 0:26:31 | 0:26:33 | |
The bit behind the head. I don't know what it's called. | 0:26:33 | 0:26:36 | |
And how exactly are we going to do that? | 0:26:36 | 0:26:38 | |
Where do you want him? | 0:26:40 | 0:26:41 | |
Buiochas le Dia. | 0:26:43 | 0:26:44 | |
He reminds me of this splendid specimen we found while on | 0:26:46 | 0:26:49 | |
safari in Kenya. | 0:26:49 | 0:26:51 | |
I used to call him Hugh. | 0:26:51 | 0:26:52 | |
Do we have to return him? | 0:26:52 | 0:26:53 | |
There's that porter. | 0:26:53 | 0:26:55 | |
I'll catch you up. | 0:26:57 | 0:26:58 | |
Are you looking for this? | 0:27:14 | 0:27:17 | |
How did you get that? | 0:27:17 | 0:27:18 | |
How did you find out about the existence of the diary? | 0:27:19 | 0:27:22 | |
Ambrose has been asking questions around the university. | 0:27:23 | 0:27:27 | |
I realised then that he was trying to solve | 0:27:27 | 0:27:29 | |
the Alchemist's riddle again. | 0:27:29 | 0:27:32 | |
Again? | 0:27:32 | 0:27:34 | |
When Ambrose came to this university, 30-odd years ago, | 0:27:34 | 0:27:38 | |
he found the riddle in some old correspondence with the royal court. | 0:27:38 | 0:27:43 | |
He never told me. | 0:27:43 | 0:27:45 | |
He'd probably forgotten. | 0:27:45 | 0:27:47 | |
I don't know what he did with those letters, but when Timothy | 0:27:47 | 0:27:49 | |
gave him that diary, well, he started that search all over again. | 0:27:49 | 0:27:54 | |
I tried to take it from him, but he wouldn't let it out of his sight. | 0:27:54 | 0:27:58 | |
He thought you were a phantom! | 0:27:58 | 0:28:00 | |
When Ambrose first tried to solve the riddle, well, | 0:28:00 | 0:28:04 | |
he became obsessed. | 0:28:04 | 0:28:06 | |
Then what happened? | 0:28:07 | 0:28:08 | |
One day, he just stopped searching. | 0:28:09 | 0:28:13 | |
But he had a look in his eyes that I haven't seen since the trenches. | 0:28:13 | 0:28:17 | |
Absolute, helpless fear. | 0:28:18 | 0:28:20 | |
And I don't want him to rediscover why. | 0:28:21 | 0:28:23 | |
You told the police he'd been behaving erratically. | 0:28:24 | 0:28:28 | |
It's the truth. | 0:28:28 | 0:28:30 | |
But what you said could have him hanged. | 0:28:30 | 0:28:33 | |
I like Ambrose, | 0:28:34 | 0:28:36 | |
but if he's responsible, then Timothy's family deserve justice. | 0:28:36 | 0:28:40 | |
Now, give me the diary... | 0:28:43 | 0:28:44 | |
..and I will destroy it. | 0:28:46 | 0:28:48 | |
I can't. Because the information in this could save my friend. | 0:28:49 | 0:28:54 | |
Make it quick. | 0:28:59 | 0:29:00 | |
A few Hail Marys, then I want you out of here. | 0:29:00 | 0:29:03 | |
DOOR CREAKS | 0:29:07 | 0:29:09 | |
LOCK RATTLES | 0:29:09 | 0:29:11 | |
Hello, my friend. How are you? | 0:29:11 | 0:29:15 | |
Please tell me the truth. | 0:29:17 | 0:29:19 | |
Did I kill him? | 0:29:20 | 0:29:21 | |
No. | 0:29:21 | 0:29:23 | |
Would you swear that on the Bible? | 0:29:23 | 0:29:25 | |
Oh. | 0:29:26 | 0:29:27 | |
He's followed me here. | 0:29:28 | 0:29:29 | |
Whom? | 0:29:34 | 0:29:35 | |
The Alchemist, with his beaked mask | 0:29:35 | 0:29:38 | |
and his-his...magic. | 0:29:38 | 0:29:43 | |
We found a carving in the library of Janus's head. | 0:29:44 | 0:29:49 | |
One side facing towards the future, one side facing towards the past. | 0:29:49 | 0:29:53 | |
Yes, Janus, the God of transitions. | 0:29:53 | 0:29:55 | |
He acts as a barrier between this place and the next. | 0:29:55 | 0:30:00 | |
Isn't he also the God of Doors? | 0:30:01 | 0:30:03 | |
One of his faces was on the medal, it was all bathed in moonlight. | 0:30:05 | 0:30:09 | |
That was the King's copy. | 0:30:11 | 0:30:13 | |
I threw it in the lake. A long time ago. | 0:30:13 | 0:30:16 | |
Why? | 0:30:17 | 0:30:18 | |
Oh, no. Oh, please. | 0:30:19 | 0:30:22 | |
Help! Help! | 0:30:24 | 0:30:26 | |
LOCK RATTLES | 0:30:26 | 0:30:27 | |
HE SOBS | 0:30:27 | 0:30:29 | |
Out, Padre. You're upsetting him. | 0:30:29 | 0:30:32 | |
He shouldn't be left alone. | 0:30:32 | 0:30:33 | |
Out! | 0:30:33 | 0:30:35 | |
I had to tell him all I knew. He's my friend. | 0:30:52 | 0:30:56 | |
No! No! | 0:31:13 | 0:31:15 | |
What did Professor Ambrose know about the carving in the library? | 0:31:15 | 0:31:21 | |
He said he saw one of the faces on a medal. | 0:31:21 | 0:31:25 | |
Well, there was a medal stolen from the display case in the Great Hall. | 0:31:25 | 0:31:29 | |
Professor Ambrose said he'd thrown it into the lake a long time ago. | 0:31:29 | 0:31:33 | |
Yet the display case wasn't broken into until this morning. | 0:31:33 | 0:31:37 | |
Well, can't sit around here all day drinking tea. | 0:31:41 | 0:31:45 | |
Hooray for that! What are we going to do? | 0:31:45 | 0:31:47 | |
I'm going to shake the tree and see what falls out. | 0:31:47 | 0:31:51 | |
You wanted to see me, Principal. | 0:31:58 | 0:32:00 | |
Actually, that was me. | 0:32:02 | 0:32:03 | |
I'm glad you could join us, thank you. | 0:32:03 | 0:32:06 | |
Make yourself at home. | 0:32:06 | 0:32:09 | |
KNOCK ON DOOR | 0:32:11 | 0:32:12 | |
Not now, girl. This isn't a good moment. | 0:32:12 | 0:32:15 | |
And I asked Victoria if she could join us as well. | 0:32:15 | 0:32:19 | |
Do come in. | 0:32:19 | 0:32:20 | |
What's going on? | 0:32:22 | 0:32:23 | |
As far as I know, you are the only members of the university who | 0:32:26 | 0:32:29 | |
know about the existence of the diary. | 0:32:29 | 0:32:32 | |
What of it? | 0:32:33 | 0:32:35 | |
Ever since it showed up, a kind of madness has descended. | 0:32:35 | 0:32:39 | |
I propose that we work together to solve the puzzle. | 0:32:41 | 0:32:45 | |
And then whoever killed Timothy will have no reason to harm anyone else. | 0:32:47 | 0:32:53 | |
Are you saying one of us murdered him? | 0:32:53 | 0:32:56 | |
I think we should all just forget we ever heard this cursed riddle. | 0:32:57 | 0:33:01 | |
I don't think that's very likely. | 0:33:01 | 0:33:02 | |
Sorry if I'm being naive, | 0:33:02 | 0:33:05 | |
but how do you fit into this? | 0:33:05 | 0:33:08 | |
I have some crucial information the rest of you don't. | 0:33:08 | 0:33:11 | |
Something Ambrose told me. | 0:33:11 | 0:33:13 | |
But to use it I need the medal that was stolen from the Great Hall. | 0:33:13 | 0:33:17 | |
Ambrose told me that he got rid of the King's medal. | 0:33:21 | 0:33:25 | |
But I think there was another medal that showed Janus's other head. | 0:33:27 | 0:33:32 | |
I think that belonged to the Alchemist. | 0:33:34 | 0:33:37 | |
Thank you. | 0:33:51 | 0:33:52 | |
What do the medals do? | 0:33:53 | 0:33:55 | |
On the medal Ambrose threw into the lake, Janus was looking at the moon. | 0:33:55 | 0:34:01 | |
In this one, he's looking at the sun. | 0:34:02 | 0:34:06 | |
What's he doing? | 0:34:15 | 0:34:17 | |
It marks the journey from night to day. | 0:34:17 | 0:34:20 | |
Now what? | 0:34:29 | 0:34:30 | |
It's at the wrong angle to tell the time now. | 0:34:36 | 0:34:39 | |
But now it's telling us something else. | 0:34:39 | 0:34:41 | |
Where's it pointing? | 0:34:41 | 0:34:42 | |
The Great Hall. | 0:34:45 | 0:34:47 | |
Over there. | 0:34:50 | 0:34:52 | |
Here! There's... There's a catch. | 0:34:55 | 0:34:58 | |
Don't! | 0:34:58 | 0:34:59 | |
Nothing good will come of this. | 0:34:59 | 0:35:00 | |
It's too late, Crawford. | 0:35:00 | 0:35:02 | |
Look. | 0:35:02 | 0:35:03 | |
CREAKING | 0:35:03 | 0:35:05 | |
Look. | 0:35:24 | 0:35:25 | |
Here, use my matches. | 0:35:30 | 0:35:32 | |
Wait. | 0:35:34 | 0:35:35 | |
This way. | 0:35:41 | 0:35:42 | |
Looks like something's been burnt. Most probably paper. | 0:35:46 | 0:35:50 | |
Something's wrong. | 0:35:57 | 0:35:59 | |
That lantern's too modern. | 0:35:59 | 0:36:01 | |
Open the box. | 0:36:01 | 0:36:02 | |
Stop. | 0:36:04 | 0:36:05 | |
Listen to the priest. | 0:36:06 | 0:36:08 | |
Give it here. | 0:36:10 | 0:36:11 | |
Haven't you done enough damage? | 0:36:18 | 0:36:20 | |
What do you mean? | 0:36:20 | 0:36:21 | |
I think you found the carving in the library this morning. | 0:36:21 | 0:36:26 | |
You knew that I was on the right trail. | 0:36:28 | 0:36:30 | |
But when you remembered where you'd seen Janus's face before | 0:36:32 | 0:36:36 | |
it was too late. | 0:36:36 | 0:36:37 | |
The medal had gone. | 0:36:39 | 0:36:40 | |
Ambrose was always very open about his investigation | 0:36:42 | 0:36:46 | |
so he would have told you anything he'd found, | 0:36:46 | 0:36:50 | |
and you reasoned Timothy must have taken it. | 0:36:50 | 0:36:54 | |
But I had the medal. | 0:36:55 | 0:36:56 | |
Yes. | 0:36:56 | 0:36:58 | |
You killed Timothy Hargreaves because you mistakenly thought | 0:36:59 | 0:37:03 | |
he was the only other person who knew about the medal. | 0:37:03 | 0:37:06 | |
Is this true? | 0:37:08 | 0:37:09 | |
I didn't want to hurt him. | 0:37:12 | 0:37:13 | |
'I waited in his room till he came back.' | 0:37:15 | 0:37:18 | |
What are you doing? | 0:37:21 | 0:37:22 | |
Shut the door. | 0:37:22 | 0:37:23 | |
'I lost my temper.' | 0:37:23 | 0:37:25 | |
-Where is it? -What? | 0:37:25 | 0:37:28 | |
The medal. | 0:37:29 | 0:37:30 | |
I don't know what you're talking about. | 0:37:31 | 0:37:33 | |
I won't ask again. The medal! | 0:37:34 | 0:37:37 | |
You hit me. | 0:37:38 | 0:37:39 | |
Don't test my patience! | 0:37:39 | 0:37:40 | |
I'll make sure people know about this. Father will tell everyone. | 0:37:41 | 0:37:45 | |
Give it to me! | 0:37:45 | 0:37:46 | |
You're finished. I'll have your job. Take everything you.... | 0:37:46 | 0:37:49 | |
I swear I didn't mean to do it. | 0:37:56 | 0:37:58 | |
But the next thing you did was quite deliberate. | 0:37:58 | 0:38:01 | |
You planted the key in Professor Ambrose's room. | 0:38:04 | 0:38:08 | |
I panicked. | 0:38:08 | 0:38:10 | |
I knew that anyone investigating would discover Ambrose's interest | 0:38:10 | 0:38:13 | |
in the riddle, so it would be easy to lay the blame at his feet. | 0:38:13 | 0:38:15 | |
But I thought because of his condition, no-one would try | 0:38:15 | 0:38:18 | |
to prosecute him. | 0:38:18 | 0:38:19 | |
You took advantage of an ill man. | 0:38:19 | 0:38:21 | |
I've done wrong. I know that. | 0:38:21 | 0:38:24 | |
But I mean to make up for it. | 0:38:24 | 0:38:25 | |
That's convenient, now you've been found out. | 0:38:25 | 0:38:29 | |
What's done is done. | 0:38:29 | 0:38:31 | |
Think of all the good I could do with what we've found here. | 0:38:31 | 0:38:36 | |
Um...Principal, there is no gold. | 0:38:36 | 0:38:40 | |
What? | 0:38:42 | 0:38:43 | |
Professor Ambrose has already been here. | 0:38:44 | 0:38:46 | |
This is his lantern. | 0:38:49 | 0:38:51 | |
He discovered the secret 30 years ago. | 0:38:52 | 0:38:55 | |
He burnt these papers. | 0:39:00 | 0:39:02 | |
Because he didn't want anyone to know what they contained. | 0:39:03 | 0:39:06 | |
The idiot! | 0:39:06 | 0:39:08 | |
Why didn't he take the box? | 0:39:08 | 0:39:10 | |
Because he feared that what it contained was too dangerous | 0:39:11 | 0:39:14 | |
to be removed. | 0:39:14 | 0:39:15 | |
No. He's wrong. | 0:39:15 | 0:39:19 | |
I beg you, Principal, I beg you, do not go any further. | 0:39:22 | 0:39:26 | |
Professor Ambrose talked about a man in a beaked mask. | 0:39:29 | 0:39:32 | |
Like a plague doctor? | 0:39:34 | 0:39:35 | |
Yes, exactly. | 0:39:36 | 0:39:39 | |
I think the Alchemist worked out how to use a plague as a weapon. | 0:39:41 | 0:39:47 | |
And that was his secret. | 0:39:48 | 0:39:50 | |
That's where the village of Thorndike went! | 0:39:50 | 0:39:54 | |
It disappears from maps cos there was no-one left alive. | 0:39:54 | 0:39:57 | |
It's where he tested it. | 0:39:57 | 0:39:59 | |
Lies. | 0:39:59 | 0:40:00 | |
No! | 0:40:00 | 0:40:01 | |
Keep away. | 0:40:01 | 0:40:03 | |
What if the box contains the last remaining samples of | 0:40:05 | 0:40:11 | |
the Alchemist's experiment? | 0:40:11 | 0:40:13 | |
It would kill the four of us at the very least. | 0:40:14 | 0:40:19 | |
I have to know the truth. | 0:40:21 | 0:40:23 | |
But you're better than that. | 0:40:23 | 0:40:24 | |
It's too late to save me. | 0:40:24 | 0:40:26 | |
God will forgive you. | 0:40:26 | 0:40:28 | |
But I won't. | 0:40:28 | 0:40:29 | |
Is this what your wife would have wanted? | 0:40:32 | 0:40:34 | |
That our loved ones suffer the same pain that you did. | 0:40:36 | 0:40:39 | |
I thought I could have done so much good with it. | 0:40:50 | 0:40:52 | |
This secret must remain buried. Are we all agreed? | 0:41:27 | 0:41:31 | |
-Yes. -I promise. | 0:41:31 | 0:41:33 | |
What do we do with him? | 0:41:34 | 0:41:37 | |
We cannot explain anything to the police without telling them | 0:41:39 | 0:41:43 | |
what we found. | 0:41:43 | 0:41:45 | |
I know what I have to do, but I'm a coward. | 0:41:45 | 0:41:50 | |
How will you live with yourself? | 0:41:51 | 0:41:53 | |
I'm afraid of what they'll do to me. | 0:41:55 | 0:41:57 | |
Can you return to your former life after what's happened? | 0:41:59 | 0:42:03 | |
You have already taken the first step. | 0:42:06 | 0:42:09 | |
The hardest part is behind you. | 0:42:11 | 0:42:13 | |
LOCK RATTLES | 0:42:19 | 0:42:20 | |
Professor, we're letting you go. We need this cell. | 0:42:22 | 0:42:28 | |
Which of these books are essential for you to take with you? | 0:43:10 | 0:43:14 | |
I'd start with those and then... | 0:43:14 | 0:43:15 | |
there's my Divinity section. | 0:43:15 | 0:43:18 | |
And the diary, of course. | 0:43:18 | 0:43:19 | |
Hilary, it's gone. | 0:43:23 | 0:43:25 | |
Oh, that's such a shame. | 0:43:26 | 0:43:28 | |
So, what will you do in your retirement? | 0:43:31 | 0:43:35 | |
I'll try and keep out of trouble. | 0:43:36 | 0:43:38 | |
And my brother has a project he wants my opinion on. | 0:43:38 | 0:43:41 | |
Oh, what is it? | 0:43:41 | 0:43:42 | |
Something of a mystery at his local church. | 0:43:42 | 0:43:44 | |
I'm not sure you should get involved with that. | 0:43:44 | 0:43:47 | |
Don't be ridiculous, I can't wait! | 0:43:47 | 0:43:49 | |
There's a missing priest, a stolen crucifix from the Middle Ages, | 0:43:49 | 0:43:52 | |
and a trail leading from the altar. | 0:43:52 | 0:43:55 | |
I think I shall enjoy retirement. | 0:43:55 | 0:43:58 |