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-WARDER: -Signed up, Carter. | 0:00:02 | 0:00:05 | |
SID EXHALES | 0:00:08 | 0:00:10 | |
I heard you were looking for me. | 0:02:11 | 0:02:15 | |
I want to buy a gun. | 0:02:15 | 0:02:17 | |
Sid! | 0:03:06 | 0:03:08 | |
That is wonderful news. | 0:03:16 | 0:03:18 | |
Yeah. Who'd have thought it? Me, a model prisoner? | 0:03:18 | 0:03:21 | |
Erm... | 0:03:23 | 0:03:24 | |
I think you know each other. | 0:03:24 | 0:03:26 | |
Sid! When did you get out? | 0:03:26 | 0:03:29 | |
Didn't I teach you anything? | 0:03:29 | 0:03:31 | |
What? | 0:03:31 | 0:03:33 | |
You're not going to get much power out of a single carb, are you? | 0:03:33 | 0:03:36 | |
Which is why I'm replacing it with this. | 0:03:36 | 0:03:39 | |
Nice! Do you want a hand? | 0:03:39 | 0:03:41 | |
Why not? | 0:03:41 | 0:03:43 | |
Sidney! Sidney Carter. It IS you. | 0:03:43 | 0:03:49 | |
How...? Well, I mean, when...? | 0:03:50 | 0:03:54 | |
First time I've seen you speechless, Mrs M. | 0:03:56 | 0:03:58 | |
Time off...for good behaviour. | 0:03:58 | 0:04:02 | |
So it's over. The whole horrible nightmare. | 0:04:02 | 0:04:07 | |
It's really over. | 0:04:07 | 0:04:09 | |
Yeah. | 0:04:09 | 0:04:11 | |
Well, first things first, let's get you fed. | 0:04:11 | 0:04:14 | |
Now, I've just been trying out a new recipe - coq au vin. | 0:04:14 | 0:04:17 | |
Coq au what? | 0:04:17 | 0:04:19 | |
Coq au vin, it's French. It's got garlic in it. | 0:04:19 | 0:04:23 | |
-This coq-what's-it's really good. -ALL: Coq au vin! | 0:04:24 | 0:04:27 | |
What do you think of it, Father? | 0:04:28 | 0:04:30 | |
Striking Mediterranean flavours. | 0:04:30 | 0:04:33 | |
Thank you. | 0:04:33 | 0:04:34 | |
Well, we can't be eating boring old shepherd's pie every day, can we? | 0:04:34 | 0:04:38 | |
And I always think there is nothing like the taste of the Continent. | 0:04:38 | 0:04:42 | |
Nothing like it...at all. | 0:04:42 | 0:04:44 | |
Miles better than what I've been eating for the last year. | 0:04:45 | 0:04:49 | |
I can only imagine. | 0:04:49 | 0:04:50 | |
I expected you to be a bag of bones, | 0:04:50 | 0:04:52 | |
but look at you with the big beard and everything. | 0:04:52 | 0:04:55 | |
There's not a lot to do inside other than stare at walls | 0:04:55 | 0:04:59 | |
and do push-ups. | 0:04:59 | 0:05:00 | |
All the more reason you should've allowed us to visit you. | 0:05:00 | 0:05:04 | |
I'm sure Sid had his reasons. | 0:05:04 | 0:05:06 | |
Sometimes you are too forgiving. | 0:05:06 | 0:05:09 | |
It broke the Father's heart you refusing to let see him see you. | 0:05:09 | 0:05:13 | |
Well, the main thing is you're back and things can get back to normal. | 0:05:13 | 0:05:19 | |
Or what passes for normal in Kembleford. | 0:05:19 | 0:05:21 | |
I've drawn up a list of jobs for you to do around the presbytery. | 0:05:24 | 0:05:27 | |
Oh, yes, and you can help me and Bunty in the garden. | 0:05:27 | 0:05:30 | |
Yeah, sounds good... | 0:05:32 | 0:05:33 | |
I've got to go. Sorry. | 0:05:37 | 0:05:40 | |
Thanks for the food, Mrs M. | 0:05:40 | 0:05:42 | |
It was good to see you again, Bunt. | 0:05:42 | 0:05:44 | |
Father. | 0:05:44 | 0:05:46 | |
He doesn't seem at all right to me. | 0:05:49 | 0:05:52 | |
Perhaps he just needs time. | 0:05:53 | 0:05:55 | |
Unless prison has changed him for the worst. | 0:05:55 | 0:05:59 | |
He kept looking at the clock. | 0:06:00 | 0:06:02 | |
You're going to follow him? | 0:06:07 | 0:06:09 | |
I'm just going for a nice bike ride. | 0:06:10 | 0:06:12 | |
In his direction? | 0:06:12 | 0:06:14 | |
Possibly. | 0:06:14 | 0:06:15 | |
What are you doing with a gun? | 0:06:36 | 0:06:37 | |
Sid? | 0:06:37 | 0:06:39 | |
Just go, please. | 0:06:39 | 0:06:42 | |
Not until you tell me what's going on. Whose house is this? | 0:06:42 | 0:06:44 | |
Edward Reese. Head of the Judicial Appointments Commission. | 0:06:44 | 0:06:48 | |
He's in there throwing a lovely little shindig | 0:06:48 | 0:06:51 | |
for his latest appointee. | 0:06:51 | 0:06:52 | |
Giles Foster. | 0:06:54 | 0:06:55 | |
Your defence barrister. | 0:06:58 | 0:07:00 | |
My so-called defence barrister the piece of sh... | 0:07:00 | 0:07:03 | |
CHEERING | 0:07:03 | 0:07:04 | |
I'll take that, shall I? | 0:07:04 | 0:07:06 | |
Unless you want me to call the police? | 0:07:06 | 0:07:08 | |
-I thought you were on my side. -I am. | 0:07:08 | 0:07:11 | |
This way, gentlemen, please. | 0:07:26 | 0:07:29 | |
Thank you. | 0:07:31 | 0:07:33 | |
Thank you, everyone. And now I sentence you all to fine champagne. | 0:07:33 | 0:07:38 | |
HE CHUCKLES | 0:07:38 | 0:07:39 | |
I wanted to thank you for all of this. | 0:07:45 | 0:07:47 | |
It's above and beyond, to say the least. | 0:07:47 | 0:07:50 | |
On the contrary, it's fully deserved. | 0:07:50 | 0:07:52 | |
You're the finest young lawyer I have ever met. | 0:07:52 | 0:07:55 | |
The son you never had? | 0:07:55 | 0:07:57 | |
Oh, don't be so sensitive. | 0:07:57 | 0:07:58 | |
A little sensitivity wouldn't go amiss in this family, would it, dear? | 0:07:58 | 0:08:02 | |
What are you talking about, dear? I have a heart of gold. | 0:08:02 | 0:08:05 | |
I just choose not to mollycoddle, that's all. | 0:08:05 | 0:08:08 | |
Don't let him get to you. | 0:08:08 | 0:08:10 | |
He's not getting to me, Mother. | 0:08:10 | 0:08:11 | |
Lawyers are all the same. Always playing dirty. | 0:08:11 | 0:08:14 | |
Indeed. | 0:08:14 | 0:08:15 | |
Consider yourself fortunate you dropped out of law school. | 0:08:15 | 0:08:20 | |
I think I'll get myself a drink. | 0:08:25 | 0:08:28 | |
What are you doing here? | 0:08:35 | 0:08:38 | |
So you remember me. | 0:08:38 | 0:08:41 | |
I'm touched, Your Honour(!) | 0:08:41 | 0:08:42 | |
FATHER BROWN COUGHS | 0:08:43 | 0:08:44 | |
Father Brown. I'm here to mediate. | 0:08:44 | 0:08:48 | |
And perhaps we should go somewhere less public. | 0:08:51 | 0:08:54 | |
There's nothing to mediate. | 0:08:54 | 0:08:56 | |
What about the matter of a certain witness statement? | 0:08:56 | 0:08:58 | |
What are you talking about? | 0:08:58 | 0:09:00 | |
I got hold of my case files while I was inside. | 0:09:00 | 0:09:03 | |
And? | 0:09:03 | 0:09:04 | |
Patient next to Judith Miles...you remember. | 0:09:04 | 0:09:07 | |
The woman I allegedly beat up? | 0:09:07 | 0:09:09 | |
Said he saw a man visit her in the ward. | 0:09:09 | 0:09:12 | |
Panama hat, scar on his face. | 0:09:12 | 0:09:14 | |
After he left, she accused me of the assault. | 0:09:14 | 0:09:17 | |
You didn't think that was relevant? | 0:09:18 | 0:09:20 | |
If something like that had been bought to my attention, | 0:09:21 | 0:09:24 | |
I would have presented it in court. | 0:09:24 | 0:09:26 | |
If it does exist, then give it to me and I'll take it to the... | 0:09:26 | 0:09:29 | |
You really think I'm going to trust you with it? A corrupt lawyer? | 0:09:29 | 0:09:32 | |
I've heard enough of this. | 0:09:32 | 0:09:34 | |
You do NOT walk away from me. | 0:09:34 | 0:09:36 | |
What's going on? | 0:09:36 | 0:09:38 | |
Gate-crashers. | 0:09:38 | 0:09:40 | |
Off my property, or I'll call the police. | 0:09:42 | 0:09:45 | |
Sidney, we're leaving. | 0:09:46 | 0:09:48 | |
Give me the gun. | 0:10:05 | 0:10:06 | |
And what do you intend to do with it? | 0:10:06 | 0:10:08 | |
Just want to get him alone, make him talk. | 0:10:08 | 0:10:11 | |
And if he doesn't, then what? Shoot him? | 0:10:11 | 0:10:14 | |
That man stole a year of my life. | 0:10:14 | 0:10:17 | |
Then you should take that witness statement to the proper authorities. | 0:10:17 | 0:10:21 | |
Proper authorities(?) What have they ever done for me? | 0:10:23 | 0:10:27 | |
When you were arrested I did everything I could to solve | 0:10:27 | 0:10:31 | |
this case. | 0:10:31 | 0:10:32 | |
I never stopped thinking about it. | 0:10:32 | 0:10:35 | |
And that woman never changed her story. | 0:10:35 | 0:10:39 | |
I'm going to handle this myself. | 0:10:40 | 0:10:43 | |
Sid! | 0:10:44 | 0:10:45 | |
Sid! | 0:11:01 | 0:11:03 | |
A WOMAN SCREAMS | 0:11:03 | 0:11:05 | |
Oh, my goodness! | 0:11:09 | 0:11:11 | |
Right, let's get that champagne glass dusted for fingerprints. | 0:11:23 | 0:11:27 | |
What are you doing here, Padre? | 0:11:27 | 0:11:29 | |
Just happened to be passing. | 0:11:33 | 0:11:35 | |
Of course you were(!) | 0:11:35 | 0:11:37 | |
Giles Foster, sir. Defence barrister, newly appointed judge. | 0:11:37 | 0:11:40 | |
No doubt I'll have a list of suspects as long as my arm. | 0:11:40 | 0:11:43 | |
I'll save you time there, Inspector. I saw who did it. | 0:11:43 | 0:11:45 | |
It was his friend. | 0:11:45 | 0:11:48 | |
Who's he talking about? | 0:11:48 | 0:11:50 | |
Sid didn't do this. | 0:11:52 | 0:11:54 | |
Are you calling my son a liar? | 0:11:54 | 0:11:56 | |
He was threatening Giles moments before this happened. | 0:11:56 | 0:11:59 | |
Is this true? | 0:11:59 | 0:12:00 | |
Well, he was angry, yes, but... | 0:12:00 | 0:12:03 | |
What exactly did you see? | 0:12:03 | 0:12:04 | |
He walked right up to him and stuck the glass in his throat. | 0:12:04 | 0:12:08 | |
He didn't give the poor fellow a chance. | 0:12:08 | 0:12:10 | |
Get him! | 0:12:12 | 0:12:14 | |
-Sid Carter, I am arresting you for the murder of Giles Foster. -I didn't do it! | 0:12:19 | 0:12:22 | |
-You are not obliged... -Where's the witness statement? | 0:12:22 | 0:12:24 | |
It's under my bed, in the money box. I did not do it, Father. | 0:12:24 | 0:12:27 | |
...given in evidence. | 0:12:27 | 0:12:29 | |
Oh, Father you're back. Now... | 0:12:34 | 0:12:37 | |
What on earth are you doing with that? | 0:12:40 | 0:12:42 | |
Sid's been arrested for murder. | 0:12:43 | 0:12:45 | |
Oh, sweet Jesus. Penelope was right. | 0:12:45 | 0:12:49 | |
Prison must have changed him. | 0:12:49 | 0:12:51 | |
He didn't do it. | 0:12:51 | 0:12:52 | |
His caravan was ransacked and a witness statement | 0:12:52 | 0:12:56 | |
has been stolen that his defence barrister hid. | 0:12:56 | 0:12:59 | |
Is that the murder weapon? | 0:12:59 | 0:13:02 | |
No. | 0:13:02 | 0:13:03 | |
-Well, then...? -It's Sid's. | 0:13:03 | 0:13:05 | |
I know you care about him. And I do, too, | 0:13:05 | 0:13:08 | |
but you really have to at least consider the possibility. | 0:13:08 | 0:13:11 | |
I will not let him down again. | 0:13:11 | 0:13:14 | |
How can I...? | 0:13:32 | 0:13:34 | |
What are you doing here? | 0:13:38 | 0:13:40 | |
I just want to talk. | 0:13:40 | 0:13:42 | |
I already told you everything. | 0:13:42 | 0:13:44 | |
But you didn't tell me about the man with the scar. | 0:13:45 | 0:13:48 | |
And you know who I mean. | 0:13:49 | 0:13:51 | |
I've got no idea. | 0:13:52 | 0:13:54 | |
The man who visited you in hospital after you'd been attacked. | 0:13:54 | 0:13:58 | |
Wills and probate. Yes, we can handle that for you, Father. | 0:14:00 | 0:14:04 | |
I'll have to check Mr Chandler's schedule... | 0:14:04 | 0:14:07 | |
I've put that life behind me. Please don't drag it up. | 0:14:09 | 0:14:14 | |
I'm sorry, but I have no choice. | 0:14:15 | 0:14:19 | |
I need to know the truth. | 0:14:19 | 0:14:20 | |
I told you. | 0:14:22 | 0:14:23 | |
Sid Carter accosted me in an alley. | 0:14:24 | 0:14:27 | |
He said he found you, bruised and bleeding, | 0:14:29 | 0:14:33 | |
and called for help. You owe him. | 0:14:33 | 0:14:35 | |
What about what I'm owed? | 0:14:38 | 0:14:40 | |
What do you mean? | 0:14:40 | 0:14:41 | |
The years I was doing that for a living. | 0:14:41 | 0:14:43 | |
You think that was by choice? | 0:14:43 | 0:14:45 | |
My childhood dream? | 0:14:47 | 0:14:49 | |
Childhood. | 0:14:51 | 0:14:52 | |
That wasn't the first a customer to get rough, believe me. | 0:14:54 | 0:14:57 | |
I can't imagine what you've been through. | 0:14:58 | 0:15:00 | |
That's right. | 0:15:00 | 0:15:02 | |
The pain you've suffered. | 0:15:03 | 0:15:04 | |
And I'd probably would think I was owed, too. | 0:15:06 | 0:15:10 | |
And if somebody offered me a way out, I'd probably take it. | 0:15:11 | 0:15:17 | |
Especially if I had a child. | 0:15:19 | 0:15:21 | |
She is beautiful. | 0:15:23 | 0:15:25 | |
(She's everything to me.) | 0:15:30 | 0:15:31 | |
That's why I can't help you. | 0:15:34 | 0:15:36 | |
I'm sorry, Father. | 0:15:38 | 0:15:40 | |
My life's better now. | 0:15:41 | 0:15:42 | |
Like I never thought it could be. | 0:15:42 | 0:15:45 | |
Because someone helped you. | 0:15:46 | 0:15:47 | |
Please! | 0:15:47 | 0:15:48 | |
Don't take all this away from me. | 0:15:50 | 0:15:52 | |
I'm not trying to take anything. | 0:15:52 | 0:15:54 | |
But Sid is being held for a murder he didn't commit | 0:15:56 | 0:15:59 | |
and I believe that it is connected to what happened to you. | 0:15:59 | 0:16:03 | |
Only, this time... | 0:16:03 | 0:16:04 | |
..he could hang. | 0:16:06 | 0:16:07 | |
I'm sorry, Father. | 0:16:13 | 0:16:15 | |
It's me. You told me to telephone if anyone started asking questions. | 0:16:45 | 0:16:51 | |
What are you doing? | 0:17:16 | 0:17:17 | |
I wondered if I might have a word with your son. | 0:17:19 | 0:17:22 | |
Why? | 0:17:22 | 0:17:23 | |
I'd like to know exactly what he saw. | 0:17:23 | 0:17:26 | |
I think he made that perfectly clear. | 0:17:26 | 0:17:28 | |
I've known Sid Carter since he was a child. | 0:17:28 | 0:17:30 | |
And you can't bear the thought that he's done something so despicable. | 0:17:30 | 0:17:34 | |
I believe he's innocent. | 0:17:34 | 0:17:36 | |
Which implies you think my son's a liar. Perhaps even the killer. | 0:17:36 | 0:17:40 | |
I'm not making accusations. | 0:17:40 | 0:17:43 | |
But you're coming awfully close. | 0:17:43 | 0:17:45 | |
Did you notice a stranger at your luncheon? | 0:17:49 | 0:17:52 | |
Stranger? | 0:17:52 | 0:17:54 | |
A man with a scar. | 0:17:54 | 0:17:56 | |
Perhaps a Panama hat. | 0:17:56 | 0:17:57 | |
My God, yes. | 0:17:59 | 0:18:01 | |
I don't know why I didn't think of it before. | 0:18:02 | 0:18:05 | |
He had an evil glint in his eye and a hook for a hand(!) | 0:18:05 | 0:18:08 | |
I don't think this is funny. | 0:18:08 | 0:18:10 | |
Father, I know what it's like to feel let down by your nearest | 0:18:10 | 0:18:14 | |
and dearest. | 0:18:14 | 0:18:16 | |
My son's hardly a model citizen, but he's not a killer. | 0:18:17 | 0:18:22 | |
You're biased and it's clouding your judgment. | 0:18:24 | 0:18:27 | |
And the same equally could be said of you. | 0:18:27 | 0:18:32 | |
Which is why I'd be unfit to evaluate the evidence in this case. | 0:18:32 | 0:18:36 | |
I have to leave that to others. | 0:18:36 | 0:18:38 | |
As do you. | 0:18:39 | 0:18:41 | |
Can you clear away the breakfast things? | 0:18:54 | 0:18:57 | |
Well, how am I supposed to do that? | 0:18:57 | 0:19:01 | |
You put the jam in the cupboard and you put the dirty dishes in | 0:19:01 | 0:19:05 | |
the sink. | 0:19:05 | 0:19:06 | |
Well, that's not going to prejudice the jury, is it(?) | 0:19:14 | 0:19:18 | |
Well, let's hope it won't come to that. | 0:19:18 | 0:19:22 | |
Well? | 0:19:23 | 0:19:24 | |
The hospital administrator said that the witness who saw the man | 0:19:26 | 0:19:30 | |
with the scar has passed away. | 0:19:30 | 0:19:33 | |
Murdered? | 0:19:33 | 0:19:35 | |
No. Terminal illness. | 0:19:35 | 0:19:37 | |
Well, surely someone else must've seen him. | 0:19:37 | 0:19:41 | |
Apparently not. | 0:19:41 | 0:19:43 | |
So, what now? | 0:19:43 | 0:19:45 | |
I'm going to visit Sid. | 0:19:45 | 0:19:47 | |
And on the way I'm going to give his caravan a proper search. | 0:19:47 | 0:19:53 | |
Well, I'll give you a lift. | 0:19:53 | 0:19:55 | |
And I'll come, too. An extra pair of eyes. | 0:19:55 | 0:19:58 | |
Thank you...both. | 0:19:59 | 0:20:03 | |
And please drive at a civilised speed. | 0:20:05 | 0:20:08 | |
Always, Mrs M. | 0:20:08 | 0:20:11 | |
What are we looking for? | 0:20:30 | 0:20:33 | |
I wish I knew. | 0:20:33 | 0:20:34 | |
Well, what that boy needs is the hand of a good woman. | 0:20:39 | 0:20:44 | |
Couldn't agree more. | 0:20:44 | 0:20:46 | |
You two go back to the presbytery. | 0:21:19 | 0:21:21 | |
I'll go to the police station. | 0:21:21 | 0:21:22 | |
Are you sure? | 0:21:22 | 0:21:25 | |
Tell Sidney that we're all thinking of him. | 0:21:26 | 0:21:29 | |
CAR MOVES OFF IN DISTANCE | 0:21:46 | 0:21:49 | |
CAR REVS | 0:21:51 | 0:21:53 | |
SKIDDING SOUND | 0:21:56 | 0:21:58 | |
SUSTAINED CAR HORN BEEP | 0:21:58 | 0:22:00 | |
Just like they said, sir. Brake lines have been cut. | 0:22:03 | 0:22:06 | |
Which mean someone was trying to kill us. | 0:22:06 | 0:22:08 | |
I think I was the intended victim. | 0:22:08 | 0:22:11 | |
We were the collateral damage. | 0:22:11 | 0:22:12 | |
Why would anybody want to kill you, Padre? | 0:22:12 | 0:22:15 | |
No, don't answer that. Part of me sympathises. | 0:22:15 | 0:22:18 | |
Have you no respect? | 0:22:18 | 0:22:19 | |
Yes, all right. | 0:22:19 | 0:22:20 | |
I suppose you think it was the man with the scar and the Panama hat? | 0:22:20 | 0:22:24 | |
Possibly. | 0:22:24 | 0:22:25 | |
I found this in Sid's caravan. | 0:22:25 | 0:22:29 | |
Not really his style. | 0:22:29 | 0:22:31 | |
Is that all you've got? A button? | 0:22:33 | 0:22:36 | |
I spoke to Judith Miles. | 0:22:38 | 0:22:40 | |
Who? | 0:22:40 | 0:22:41 | |
The young woman Sid was convicted of assaulting, sir. | 0:22:41 | 0:22:44 | |
I asked her about the man with the scar. | 0:22:44 | 0:22:47 | |
And she knew what I was talking about. | 0:22:47 | 0:22:50 | |
So why isn't she down here making a statement? | 0:22:50 | 0:22:52 | |
Because she's scared. She has a lot to lose. | 0:22:52 | 0:22:57 | |
You're wasting your time, Padre. | 0:22:57 | 0:22:59 | |
I want to see Sid now. | 0:23:01 | 0:23:04 | |
Father. | 0:23:12 | 0:23:13 | |
Five minutes, Father. | 0:23:20 | 0:23:22 | |
Thank you, Sgt Goodfellow. | 0:23:24 | 0:23:25 | |
You took your time. | 0:23:27 | 0:23:29 | |
Bunty and Mrs McCarthy send their love. | 0:23:29 | 0:23:31 | |
Did you get the witness statement? | 0:23:31 | 0:23:33 | |
It was stolen. | 0:23:34 | 0:23:36 | |
By who? | 0:23:36 | 0:23:37 | |
I take it that this doesn't belong to you? | 0:23:39 | 0:23:43 | |
What do you think I am? A dandy? | 0:23:43 | 0:23:46 | |
Prison didn't change me that much. | 0:23:46 | 0:23:47 | |
Then I think we can assume it belongs to the man | 0:23:49 | 0:23:51 | |
in the Panama hat. | 0:23:51 | 0:23:53 | |
So he did it all along? Mm? | 0:23:59 | 0:24:01 | |
He beat up Judith Miles and he killed Giles Foster. | 0:24:01 | 0:24:03 | |
No. no. They were crimes of impulse. | 0:24:03 | 0:24:07 | |
He's controlled and calculated. | 0:24:07 | 0:24:10 | |
-So he's working for someone else? -Yes, I presume so. | 0:24:11 | 0:24:14 | |
Then it has to be Edward Reese, or his son. | 0:24:16 | 0:24:20 | |
But we don't have enough evidence. | 0:24:23 | 0:24:25 | |
Well, what have you got so far? | 0:24:25 | 0:24:27 | |
Father... | 0:24:31 | 0:24:33 | |
Tell me you've got something. | 0:24:33 | 0:24:36 | |
Not enough. | 0:24:36 | 0:24:38 | |
They're going to charge me! | 0:24:38 | 0:24:40 | |
Yes, I know. | 0:24:40 | 0:24:42 | |
I need to hire someone. | 0:24:44 | 0:24:46 | |
What do you mean? | 0:24:47 | 0:24:48 | |
To beat it out of them. | 0:24:48 | 0:24:50 | |
I hope you're not serious. | 0:24:50 | 0:24:51 | |
Do you know what, Father? Sometimes violence is the only answer. | 0:24:51 | 0:24:55 | |
If there's one thing I have ever taught you, | 0:24:55 | 0:24:58 | |
I hope, is that violence is never the answer. | 0:24:58 | 0:25:03 | |
Huh! | 0:25:03 | 0:25:05 | |
Yes, but I don't live in your ivory tower, do I? | 0:25:05 | 0:25:08 | |
This is where I live now and unless you get me out of here, | 0:25:09 | 0:25:13 | |
this is where I'm going to live for the rest of my life. | 0:25:13 | 0:25:16 | |
Until they hang me, of course. | 0:25:16 | 0:25:18 | |
And if I DO get you out... | 0:25:18 | 0:25:19 | |
..what are you going to do? | 0:25:21 | 0:25:22 | |
Beat it out of Edward Reese yourself? | 0:25:24 | 0:25:27 | |
You're supposed to be helping me! | 0:25:27 | 0:25:28 | |
I AM helping you. | 0:25:28 | 0:25:29 | |
By leaving me in here to rot?! | 0:25:29 | 0:25:31 | |
You can go now, Father. | 0:25:33 | 0:25:34 | |
Ah. Tea's up. | 0:25:54 | 0:25:56 | |
Father? | 0:25:58 | 0:25:59 | |
Father? Are you all right? | 0:26:06 | 0:26:09 | |
Am I beaten, Mrs McCarthy? | 0:26:11 | 0:26:13 | |
Whatever do you mean? | 0:26:13 | 0:26:15 | |
Is this the mystery I'll never solve? | 0:26:16 | 0:26:18 | |
Is Sid the one I'll never save? | 0:26:18 | 0:26:20 | |
Stop that talk. You'll find something. | 0:26:20 | 0:26:24 | |
You always do. | 0:26:24 | 0:26:26 | |
There's nothing we can't solve over tea and strawberry scones, Father. | 0:26:30 | 0:26:33 | |
Award-winning strawberry scones. | 0:26:33 | 0:26:35 | |
Of course. | 0:26:35 | 0:26:36 | |
Now, I have been thinking about the case and I know what we need to do. | 0:26:36 | 0:26:42 | |
Yes, Mrs McCarthy? | 0:26:43 | 0:26:45 | |
We need to track down the man with the Panama hat. | 0:26:45 | 0:26:47 | |
Agreed. | 0:26:47 | 0:26:49 | |
So I am going to visit some hat shops. | 0:26:49 | 0:26:51 | |
Hat shops? | 0:26:51 | 0:26:53 | |
Well, he had to buy it from somewhere, didn't he? | 0:26:53 | 0:26:55 | |
Lateral thinking, I like it. | 0:26:55 | 0:26:57 | |
I suspect that we won't need to track him down. | 0:26:57 | 0:27:00 | |
What do you...? What do you mean? | 0:27:00 | 0:27:02 | |
I'm going to ask you both to go home. | 0:27:02 | 0:27:04 | |
If...if I'm a target, then... | 0:27:07 | 0:27:11 | |
Don't you worry about us. | 0:27:11 | 0:27:12 | |
We're staying right here. Now would you please eat up? | 0:27:12 | 0:27:16 | |
I'm afraid I will not take no for an answer. | 0:27:16 | 0:27:20 | |
GUNSHOT | 0:27:20 | 0:27:21 | |
Oh! Holy Mother! | 0:27:21 | 0:27:23 | |
Get down! | 0:27:23 | 0:27:24 | |
We need a gun. | 0:27:27 | 0:27:29 | |
We have one. There's one in the Father's desk. | 0:27:29 | 0:27:32 | |
Bunty, no! | 0:27:32 | 0:27:34 | |
GUNSHOT OUTSIDE | 0:27:42 | 0:27:43 | |
Police! | 0:27:52 | 0:27:53 | |
OH! | 0:28:10 | 0:28:11 | |
Stay down, Father! | 0:28:13 | 0:28:15 | |
It's me he's after. Not you. | 0:28:15 | 0:28:18 | |
I found your button. | 0:28:25 | 0:28:26 | |
What? | 0:28:26 | 0:28:28 | |
You're improperly dressed, soldier. | 0:28:28 | 0:28:30 | |
Perhaps you should sew it on before you kill me. | 0:28:32 | 0:28:35 | |
Drop it! | 0:28:37 | 0:28:39 | |
POLICE WHISTLES | 0:28:39 | 0:28:40 | |
You're under arrest for attempted murder. | 0:28:43 | 0:28:45 | |
You're not obliged to say anything unless you wish to do so, | 0:28:45 | 0:28:48 | |
and what you say will be taken down and may be given in evidence. | 0:28:48 | 0:28:51 | |
I'll leave that in your capable hands. | 0:29:02 | 0:29:04 | |
Are you all right? | 0:29:14 | 0:29:15 | |
Don't you ever do that to me again. | 0:29:17 | 0:29:19 | |
He won't say a word. | 0:29:29 | 0:29:30 | |
May I speak to him? | 0:29:30 | 0:29:33 | |
It's like talking to a loaf of bread, Padre. | 0:29:33 | 0:29:35 | |
If you ask me, he's not all there. | 0:29:35 | 0:29:37 | |
PHONE RINGS | 0:29:37 | 0:29:38 | |
Kembleford Police. | 0:29:38 | 0:29:40 | |
But we found this in his car, | 0:29:40 | 0:29:42 | |
which suggests... | 0:29:42 | 0:29:45 | |
That he's a paid assassin. | 0:29:45 | 0:29:47 | |
-SGT GOODFELLOW: -OK. | 0:29:47 | 0:29:48 | |
What have you got yourself mixed up in? | 0:29:48 | 0:29:50 | |
And more to the point, what have you got ME mixed up in? | 0:29:50 | 0:29:54 | |
Have you got any evidence linking him to Edward Reese? | 0:29:55 | 0:29:58 | |
The car was spotless. No identification, nothing. | 0:29:58 | 0:30:02 | |
It's like he doesn't even exist. | 0:30:02 | 0:30:04 | |
All right, thank you. | 0:30:04 | 0:30:06 | |
They can't get a conclusive result on the champagne glass. | 0:30:06 | 0:30:09 | |
The blood's obscuring the fingerprints. | 0:30:09 | 0:30:11 | |
I'd say without that we don't have enough evidence to charge | 0:30:11 | 0:30:14 | |
Sid Carter. | 0:30:14 | 0:30:16 | |
Are you telling me my job? | 0:30:16 | 0:30:18 | |
No, sir, Sorry, sir. | 0:30:18 | 0:30:19 | |
May I take custody of him? | 0:30:19 | 0:30:22 | |
You really believe he's innocent? | 0:30:22 | 0:30:24 | |
I do. | 0:30:24 | 0:30:26 | |
Even if you're right, you've seen what he's become. | 0:30:26 | 0:30:29 | |
You think you can trust him now, Padre? | 0:30:29 | 0:30:31 | |
I have faith in him. | 0:30:31 | 0:30:32 | |
Keys. | 0:30:36 | 0:30:37 | |
The killer used your champagne glass to kill Giles Foster, | 0:30:48 | 0:30:53 | |
in order to incriminate you. | 0:30:53 | 0:30:55 | |
But there were no other fingerprints on the glass. | 0:30:55 | 0:30:58 | |
I think that the ashes I saw in the bucket outside the house | 0:30:59 | 0:31:02 | |
were the remnants of the killer's blood-stained gloves. | 0:31:02 | 0:31:07 | |
But why not just kill Sid? Why kill his barrister? | 0:31:07 | 0:31:11 | |
The only explanation that makes sense is that they wanted to | 0:31:11 | 0:31:14 | |
silence Giles Foster, and implicate you. | 0:31:14 | 0:31:17 | |
Two birds with one stone. | 0:31:17 | 0:31:19 | |
Exactly. | 0:31:19 | 0:31:21 | |
This isn't getting us anywhere. We just need to confront Edward Reese. | 0:31:21 | 0:31:25 | |
We can't just stroll into his house with wild accusations. | 0:31:25 | 0:31:29 | |
Well, who else has the money to hire an assassin? | 0:31:29 | 0:31:32 | |
That is conjecture, not evidence. | 0:31:32 | 0:31:34 | |
So you're a lawyer now? | 0:31:34 | 0:31:35 | |
Don't you speak to the Father like that. | 0:31:35 | 0:31:38 | |
Sorry. | 0:31:38 | 0:31:39 | |
It's just been a year. | 0:31:41 | 0:31:42 | |
I've had this hanging around my neck for a year. | 0:31:42 | 0:31:45 | |
I want justice. | 0:31:45 | 0:31:48 | |
Justice...or revenge? | 0:31:49 | 0:31:52 | |
Mrs McCarthy...may I? | 0:31:57 | 0:32:01 | |
Is this acetate? | 0:32:02 | 0:32:04 | |
It most certainly is. | 0:32:04 | 0:32:06 | |
Is it a favourite? | 0:32:07 | 0:32:09 | |
No. Well, not particularly. Why? | 0:32:09 | 0:32:12 | |
May I have it? | 0:32:14 | 0:32:15 | |
I'm not sure it would suit you, Father. | 0:32:17 | 0:32:21 | |
What do you think you're doing? | 0:32:27 | 0:32:30 | |
Well, it's hardly haute couture. | 0:32:30 | 0:32:32 | |
Just because I didn't pay £20 for it in Swan & Edgar doesn't mean | 0:32:32 | 0:32:36 | |
it wasn't a very nice scarf. | 0:32:36 | 0:32:38 | |
Brittle, black beads. | 0:32:41 | 0:32:43 | |
Just like the material I found in the bucket | 0:32:45 | 0:32:47 | |
outside the Reeses' house. | 0:32:47 | 0:32:49 | |
Meaning what? | 0:32:49 | 0:32:50 | |
Lydia Reese. | 0:32:52 | 0:32:53 | |
At the reception she was wearing a scarf. After the murder, she wasn't. | 0:32:53 | 0:32:59 | |
Sid! | 0:33:04 | 0:33:05 | |
Sid, what are you doing? | 0:33:09 | 0:33:12 | |
What I should have done from the start. | 0:33:14 | 0:33:17 | |
Sid! | 0:33:27 | 0:33:28 | |
Those brakes! | 0:33:28 | 0:33:31 | |
The brakes! | 0:33:31 | 0:33:32 | |
I had them fixed. | 0:33:32 | 0:33:34 | |
Thank God for that. He must be going to the house. | 0:33:34 | 0:33:37 | |
We have to call the police. | 0:33:37 | 0:33:39 | |
Not yet. I'll talk to him. | 0:33:39 | 0:33:41 | |
For once Penelope is right. I hate to say it, but she is. | 0:33:41 | 0:33:45 | |
And I don't want you in any more danger. | 0:33:46 | 0:33:49 | |
Don't worry about me. | 0:33:49 | 0:33:51 | |
Father... | 0:33:51 | 0:33:52 | |
the simple truth is, we have lost him. | 0:33:52 | 0:33:55 | |
I'll get him back. | 0:33:57 | 0:33:59 | |
Surprise. | 0:34:22 | 0:34:24 | |
Edward! | 0:34:25 | 0:34:28 | |
I think it's about time we had a little chat. | 0:34:31 | 0:34:34 | |
What do you want? | 0:34:35 | 0:34:38 | |
The truth. | 0:34:39 | 0:34:41 | |
You won't get that by waving a gun at us. | 0:34:41 | 0:34:45 | |
I disagree. | 0:34:45 | 0:34:46 | |
You killed Giles Foster. | 0:34:48 | 0:34:50 | |
Are you mad? | 0:34:50 | 0:34:51 | |
And you knew about it. | 0:34:52 | 0:34:54 | |
What do you hope to gain? | 0:34:54 | 0:34:56 | |
Nothing we say will be admissible in court if it's coerced from us | 0:34:56 | 0:35:00 | |
at gunpoint. | 0:35:00 | 0:35:01 | |
I told you what I want. The truth. | 0:35:01 | 0:35:04 | |
You haven't got the guts to pull the trigger. | 0:35:04 | 0:35:07 | |
You're a joke. | 0:35:07 | 0:35:08 | |
TRIGGER COCKS | 0:35:08 | 0:35:10 | |
Randolph, no. | 0:35:10 | 0:35:12 | |
KNOCK AT DOOR | 0:35:12 | 0:35:14 | |
Start talking. | 0:35:16 | 0:35:17 | |
-Yes, I killed him. -Why? | 0:35:17 | 0:35:20 | |
To protect my son. | 0:35:20 | 0:35:21 | |
You beat up Judith Miles. | 0:35:24 | 0:35:26 | |
You mean that whore? | 0:35:26 | 0:35:27 | |
Don't antagonise him, for God's sake. | 0:35:27 | 0:35:30 | |
And you knew about it. | 0:35:30 | 0:35:31 | |
So you bribed my barrister to bury the witness statement. | 0:35:31 | 0:35:35 | |
What was he going to do? Expose you? | 0:35:36 | 0:35:39 | |
It was a risk I couldn't take. | 0:35:39 | 0:35:41 | |
What do you suggest we do? | 0:35:47 | 0:35:49 | |
Leave it with me. | 0:35:49 | 0:35:50 | |
But if he has the witness statement... | 0:35:50 | 0:35:53 | |
As I said, I'll take care of that. | 0:35:53 | 0:35:55 | |
I should never have listened to you. | 0:35:55 | 0:35:58 | |
You're where you are now because of me. Don't forget that. | 0:35:58 | 0:36:01 | |
Exactly. This is all because of you. | 0:36:01 | 0:36:04 | |
Meaning what? | 0:36:04 | 0:36:05 | |
I've given you a bright future. | 0:36:07 | 0:36:10 | |
I can take it away just as easily. | 0:36:12 | 0:36:14 | |
Everything's going to be all right. | 0:36:22 | 0:36:25 | |
I'm sorry, Mrs Reese. I have to tell the truth. | 0:36:28 | 0:36:33 | |
-You're sure? -I am. | 0:36:33 | 0:36:37 | |
I understand. | 0:36:39 | 0:36:40 | |
HE GROANS | 0:36:43 | 0:36:46 | |
You've got what you wanted. The truth. | 0:36:49 | 0:36:51 | |
Now go. | 0:36:51 | 0:36:53 | |
What about the man with the scar? | 0:36:55 | 0:36:56 | |
He works for me, yes, amongst other prominent members of society. | 0:36:56 | 0:37:00 | |
He is what I believe you call a fixer. | 0:37:00 | 0:37:04 | |
Fixed you up well, didn't he? | 0:37:04 | 0:37:05 | |
So we're all in on it together. | 0:37:05 | 0:37:07 | |
What are you going to do? Shoot us all? | 0:37:07 | 0:37:11 | |
Whatever you decide, you're doomed to failure. | 0:37:12 | 0:37:14 | |
The only certainty is that you'll be going back to prison where | 0:37:14 | 0:37:17 | |
you belong. | 0:37:17 | 0:37:19 | |
Yeah, well, maybe before I go, I should put you where you belong. | 0:37:19 | 0:37:22 | |
Sid... | 0:37:22 | 0:37:24 | |
Put down the gun. | 0:37:29 | 0:37:30 | |
You are not a killer. | 0:37:32 | 0:37:34 | |
They took a year of my life. | 0:37:37 | 0:37:39 | |
You have the rest of your life left. | 0:37:40 | 0:37:42 | |
Sid, you are the closest thing I have ever had... | 0:37:43 | 0:37:46 | |
..to a son. | 0:37:51 | 0:37:52 | |
Please. | 0:37:55 | 0:37:56 | |
Lydia, Lydia, no. | 0:38:05 | 0:38:07 | |
I told you, nothing we have said will be admissible. | 0:38:07 | 0:38:10 | |
-I'm not going to take that chance. -Do it, Mother. | 0:38:10 | 0:38:14 | |
-LYDIA: -We'll say they broke in. | 0:38:14 | 0:38:16 | |
We struggled for the gun. It went off. | 0:38:16 | 0:38:17 | |
-EDWARD: -You're not thinking rationally. | 0:38:17 | 0:38:19 | |
I have just confessed to murder and Randolph to assault. What choice do we have? | 0:38:19 | 0:38:23 | |
Go ahead, pull the trigger. | 0:38:23 | 0:38:25 | |
GO ON, DO IT! | 0:38:27 | 0:38:28 | |
GUN BARREL CLICKS | 0:38:28 | 0:38:30 | |
GUN BARREL CLICKS AGAIN | 0:38:30 | 0:38:33 | |
They broke in. I managed to... | 0:38:37 | 0:38:40 | |
Don't waste your breath, Madam. We heard everything. | 0:38:40 | 0:38:42 | |
No... | 0:38:42 | 0:38:44 | |
Mother... | 0:38:44 | 0:38:45 | |
Let me hold him. Please, let me hold him. One last time. Please.... | 0:38:45 | 0:38:50 | |
Lydia Reese, you're under arrest for the murder of Giles Foster. | 0:38:50 | 0:38:54 | |
You are not obliged to say anything unless you wish to do so, | 0:38:54 | 0:38:57 | |
but what you say will be written down and may be given in evidence. | 0:38:57 | 0:39:00 | |
Sid... | 0:39:50 | 0:39:51 | |
Oh! Just in time for tea and sandwiches. | 0:39:51 | 0:39:54 | |
I'll get you a cup. | 0:39:54 | 0:39:56 | |
-And scones. -I'm not staying. | 0:39:56 | 0:39:58 | |
Going away? | 0:39:58 | 0:40:00 | |
For a while. | 0:40:00 | 0:40:02 | |
But you've just been away for a whole year. | 0:40:02 | 0:40:05 | |
I want to travel. See the world. | 0:40:06 | 0:40:09 | |
See the world? How are you going to afford that? | 0:40:09 | 0:40:12 | |
Well, I'll get by. Odd jobs, handyman work. | 0:40:12 | 0:40:15 | |
Might even visit Lady F. | 0:40:15 | 0:40:17 | |
Drive her round Rhodesia. | 0:40:17 | 0:40:18 | |
Drive her round the bend, more like. | 0:40:18 | 0:40:20 | |
For how long? | 0:40:20 | 0:40:22 | |
I don't know. | 0:40:23 | 0:40:25 | |
This might sound silly, but I want to have some adventures. | 0:40:26 | 0:40:31 | |
Don't you have enough adventures here? | 0:40:33 | 0:40:37 | |
Listen, I don't want a long goodbye so... | 0:40:37 | 0:40:41 | |
Cos I know I'll just change my mind, so... | 0:40:41 | 0:40:44 | |
I'm leaving now. | 0:40:44 | 0:40:46 | |
What, right now? | 0:40:46 | 0:40:47 | |
Not before I have packed you a lunch. | 0:40:47 | 0:40:50 | |
I'll come back. | 0:40:58 | 0:41:00 | |
Well, send us lots of postcards. | 0:41:00 | 0:41:03 | |
And if you ever need a partner-in-crime, | 0:41:03 | 0:41:05 | |
you know where to find me. | 0:41:05 | 0:41:07 | |
Now, there's some sandwiches and my scones. | 0:41:09 | 0:41:15 | |
Oh, Sidney, you come back to us, now. | 0:41:15 | 0:41:19 | |
Do you hear me? You come back. | 0:41:19 | 0:41:22 | |
Are you sure you're not going to stay for some tea? | 0:41:24 | 0:41:27 | |
-SID SNIFFS -I've got a train to catch. | 0:41:27 | 0:41:30 | |
We could take you to the station. | 0:41:31 | 0:41:33 | |
Please, Father, do not make this harder. | 0:41:33 | 0:41:36 | |
All right. | 0:41:36 | 0:41:37 | |
Before I go...I've got a confession to make. | 0:41:37 | 0:41:42 | |
The watch that you bought me for my 21st birthday... | 0:41:43 | 0:41:48 | |
I sold it to buy the gun. | 0:41:48 | 0:41:50 | |
I'm sorry. | 0:41:51 | 0:41:53 | |
You weren't in your right mind and you are forgiven. | 0:41:53 | 0:41:57 | |
You saved my life, Father. | 0:42:07 | 0:42:09 |