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INDISTINCT SHOUTING | 0:00:06 | 0:00:10 | |
-MAN: -A few words for the press, Mr Flambeau. Mr Flambeau! | 0:00:20 | 0:00:23 | |
A few words for the press! | 0:00:23 | 0:00:25 | |
Hercule Flambeau - our star prisoner. | 0:00:27 | 0:00:31 | |
Unshackle me, I'll give you an autograph. | 0:00:31 | 0:00:33 | |
Ooh! | 0:00:35 | 0:00:37 | |
HE GRUNTS | 0:00:37 | 0:00:38 | |
Any more of your smart mouth and the next one's across the jaw. | 0:00:38 | 0:00:41 | |
You're a man of God? | 0:01:19 | 0:01:20 | |
My whole life. | 0:01:21 | 0:01:23 | |
You'll need him where you're going. | 0:01:24 | 0:01:26 | |
WOLF WHISTLE | 0:01:52 | 0:01:54 | |
RHYTHMIC CLAPPING | 0:01:59 | 0:02:05 | |
CLAPPING CONTINUES | 0:02:20 | 0:02:25 | |
That's enough! | 0:02:27 | 0:02:29 | |
Into to your cells. | 0:02:30 | 0:02:32 | |
Here...reading material. | 0:02:33 | 0:02:36 | |
I'm here to see Hercule Flambeau. | 0:03:34 | 0:03:37 | |
Father Brown? | 0:03:37 | 0:03:38 | |
Yes. | 0:03:39 | 0:03:42 | |
-I'm here to see... -I know what you're here for. | 0:03:42 | 0:03:45 | |
Governor wants to see you first. | 0:03:45 | 0:03:48 | |
Arms, please. | 0:03:48 | 0:03:50 | |
Turn. | 0:03:58 | 0:03:59 | |
Oops. | 0:04:12 | 0:04:14 | |
It's for personal use. | 0:04:15 | 0:04:17 | |
Follow me. | 0:04:20 | 0:04:22 | |
KNOCK ON DOOR | 0:04:40 | 0:04:42 | |
Come in. | 0:04:42 | 0:04:44 | |
He had this on him. | 0:04:51 | 0:04:53 | |
A priest with a lock pick? | 0:04:55 | 0:04:56 | |
Always getting locked out of the presbytery. | 0:04:58 | 0:05:00 | |
I'll look after that, shall I? | 0:05:01 | 0:05:05 | |
Flambeau has requested you as his chaplain. Why? | 0:05:05 | 0:05:08 | |
We have history. | 0:05:09 | 0:05:11 | |
You're his spiritual advisor? | 0:05:11 | 0:05:14 | |
I try to be. | 0:05:14 | 0:05:16 | |
Must be an uphill task. | 0:05:16 | 0:05:19 | |
By all accounts, he's a sociopath. | 0:05:19 | 0:05:21 | |
And now a murderer. | 0:05:21 | 0:05:24 | |
No-one is beyond redemption. | 0:05:24 | 0:05:27 | |
You should try working in the prison service for a few years, | 0:05:27 | 0:05:30 | |
see if that's how you feel. | 0:05:30 | 0:05:31 | |
Amen to that, sir. | 0:05:31 | 0:05:33 | |
Much as we'd like to be a place of rehabilitation, | 0:05:33 | 0:05:36 | |
the truth is far uglier. | 0:05:36 | 0:05:38 | |
Men are not sent here to be rehabilitated. | 0:05:38 | 0:05:41 | |
They're sent here to be punished. | 0:05:41 | 0:05:43 | |
Flambeau hasn't been tried yet. | 0:05:43 | 0:05:45 | |
He may be innocent. | 0:05:45 | 0:05:47 | |
-Have you read this? -Yes. | 0:05:50 | 0:05:52 | |
-Doesn't seem very innocent to me. -No. | 0:05:52 | 0:05:55 | |
You're not to go anywhere without an escort. Do you understand? | 0:05:58 | 0:06:01 | |
Yes. | 0:06:01 | 0:06:02 | |
Thank you, Mitchell. | 0:06:04 | 0:06:06 | |
-Chapel's this way. -Chapel? | 0:06:22 | 0:06:25 | |
It's where he spends most of his time. | 0:06:25 | 0:06:27 | |
If he gives you any trouble, just call and I'll come running. | 0:06:27 | 0:06:31 | |
DOOR LOCKS FROM OUTSIDE | 0:06:40 | 0:06:43 | |
You answered my call. | 0:06:43 | 0:06:44 | |
How could I refuse? | 0:06:46 | 0:06:48 | |
Given my past transgressions against you, | 0:06:48 | 0:06:50 | |
you have every right to refuse. | 0:06:50 | 0:06:52 | |
And turn my back on an old acquaintance? | 0:06:59 | 0:07:01 | |
Acquaintance? Is that all I am to you? | 0:07:01 | 0:07:03 | |
What would you prefer? Friend? | 0:07:03 | 0:07:06 | |
-Ally. -Depends on what you want. | 0:07:06 | 0:07:08 | |
Your counsel, nothing more. | 0:07:08 | 0:07:10 | |
When have you ever asked for my counsel? | 0:07:11 | 0:07:14 | |
When have I ever been charged with murder? | 0:07:14 | 0:07:16 | |
Did you do it? | 0:07:19 | 0:07:21 | |
You've read the papers. What do you think? | 0:07:22 | 0:07:26 | |
You were seen arguing with Flynn Hardwick on | 0:07:26 | 0:07:29 | |
the night of his disappearance. | 0:07:29 | 0:07:31 | |
He was trying to swindle me. | 0:07:31 | 0:07:33 | |
Cross words were spoken, but it's purely circumstantial. | 0:07:33 | 0:07:36 | |
And his wife saw you dumping his body in the river. | 0:07:36 | 0:07:39 | |
She's either mistaken or lying. | 0:07:39 | 0:07:42 | |
Besides, no body's been discovered. | 0:07:42 | 0:07:43 | |
For all we know, my business associate's lying drunk | 0:07:43 | 0:07:46 | |
in a ditch somewhere. | 0:07:46 | 0:07:47 | |
And his blood was on your shirt. | 0:07:48 | 0:07:50 | |
Planted. | 0:07:51 | 0:07:53 | |
Forgive me for saying, | 0:07:56 | 0:07:57 | |
but if you are innocent, why this sudden devotion to prayer? | 0:07:57 | 0:08:01 | |
I found it in an antiques shop in London two months ago. | 0:08:09 | 0:08:12 | |
Worthless, and yet something about it spoke to me. | 0:08:12 | 0:08:15 | |
St Michael the Archangel. | 0:08:17 | 0:08:19 | |
The leader of angels - summoning men from their lives on Earth | 0:08:19 | 0:08:22 | |
to their heavenly judgment. | 0:08:22 | 0:08:24 | |
Are you saying you want redemption? | 0:08:25 | 0:08:27 | |
I'm saying, if I'm found guilty I will surely hang. | 0:08:27 | 0:08:31 | |
If that comes to pass, I want you to hear my confession, | 0:08:31 | 0:08:36 | |
the whole truth and nothing but the truth, so help me God. | 0:08:36 | 0:08:39 | |
Will you do it, Father? | 0:08:39 | 0:08:41 | |
Of course. | 0:08:42 | 0:08:44 | |
Thank you. | 0:08:45 | 0:08:47 | |
In nomine Patris et Filii et Spiritus Sancti. | 0:08:48 | 0:08:52 | |
Flambeau. | 0:09:15 | 0:09:16 | |
Lenny. | 0:09:16 | 0:09:18 | |
So you remember me. I'm touched. | 0:09:18 | 0:09:20 | |
Well, I never forget a pretty face. | 0:09:21 | 0:09:24 | |
You ought to watch yourself talking like that around here, | 0:09:24 | 0:09:26 | |
some blokes might get the wrong idea. | 0:09:26 | 0:09:29 | |
But then again, maybe that's what you like. | 0:09:30 | 0:09:33 | |
As much as I'm enjoying this flirtation, | 0:09:33 | 0:09:35 | |
I have business to discuss. | 0:09:35 | 0:09:36 | |
I'm in here cos of you. | 0:09:38 | 0:09:39 | |
You sounded the alarm. | 0:09:39 | 0:09:41 | |
You sounded the alarm! | 0:09:41 | 0:09:43 | |
You ran off with the loot and left me to get caught. | 0:09:43 | 0:09:45 | |
Paranoid fantasies. That always was your problem. | 0:09:45 | 0:09:47 | |
Oi! Keep your hands off him. | 0:09:47 | 0:09:50 | |
This ain't over. | 0:09:53 | 0:09:54 | |
Go on. | 0:09:55 | 0:09:57 | |
Thank you for your intervention. | 0:10:03 | 0:10:05 | |
Well, it's not their job to snuff you out. It's ours. | 0:10:05 | 0:10:09 | |
-You look like a man who can get things. -For a price. | 0:10:25 | 0:10:28 | |
So, you're what? | 0:10:31 | 0:10:33 | |
Giving spiritual guidance... to the killer of my husband? | 0:10:33 | 0:10:38 | |
I understand you may not think he deserves it... | 0:10:38 | 0:10:41 | |
He deserves Hell. | 0:10:41 | 0:10:42 | |
Perhaps he does. | 0:10:42 | 0:10:44 | |
I am not just there for him. | 0:10:47 | 0:10:49 | |
I'm here for you. | 0:10:51 | 0:10:54 | |
And we've brought you some Bakewell tarts. | 0:10:54 | 0:10:57 | |
Mrs McCarthy, parish secretary. And... | 0:10:58 | 0:11:03 | |
Bunty Windermere. I'm the parish grief counsellor. | 0:11:03 | 0:11:06 | |
How are you coping? | 0:11:06 | 0:11:08 | |
It's not been easy, obviously. | 0:11:09 | 0:11:12 | |
We were married for 18 years. | 0:11:12 | 0:11:14 | |
It must have been terrible witnessing what you did. | 0:11:19 | 0:11:23 | |
It was. | 0:11:23 | 0:11:25 | |
If you don't mind my asking, | 0:11:25 | 0:11:27 | |
what were Flambeau and your husband arguing about? | 0:11:27 | 0:11:31 | |
Money. What else? | 0:11:31 | 0:11:34 | |
But I didn't hear all of it. | 0:11:35 | 0:11:37 | |
I was up in the bedroom, getting ready for bed. | 0:11:37 | 0:11:39 | |
So, you didn't see the murder? | 0:11:39 | 0:11:42 | |
Well, no, but... | 0:11:42 | 0:11:45 | |
Why are you asking all these questions? | 0:11:46 | 0:11:49 | |
Well, I've heard Flambeau's side of the story | 0:11:51 | 0:11:55 | |
and I'd like to hear yours. | 0:11:55 | 0:11:57 | |
I was about to come in here and tell them to shut their mouths... | 0:12:01 | 0:12:04 | |
..then it all went quiet. | 0:12:05 | 0:12:07 | |
I looked out of the window. | 0:12:07 | 0:12:09 | |
Saw that monster dragging my husband into the woods. | 0:12:09 | 0:12:13 | |
That must have been awful. | 0:12:13 | 0:12:15 | |
I followed him, to the river, | 0:12:15 | 0:12:17 | |
saw him throw his body in like a ragdoll. | 0:12:17 | 0:12:20 | |
Oh, that's just from the last night I spent with Flynn. | 0:12:25 | 0:12:28 | |
I've not been able to bring myself to clear them away. | 0:12:28 | 0:12:32 | |
Now, if you don't mind, I think I'd rather be alone. | 0:12:32 | 0:12:35 | |
-Of course. -So sorry for your loss. -God bless. | 0:12:38 | 0:12:41 | |
-MRS MCCARTHY: -I'm telling you, that woman was lying through her teeth. | 0:12:46 | 0:12:50 | |
And right to our faces. | 0:12:50 | 0:12:52 | |
She's having an affair. | 0:12:53 | 0:12:55 | |
That could be it. Deceiving her husband before he was killed. | 0:12:55 | 0:12:58 | |
So, maybe she did it. | 0:12:58 | 0:13:00 | |
Or her lover did. | 0:13:00 | 0:13:01 | |
Her lover. Wait a minute! | 0:13:01 | 0:13:04 | |
Wait a minute, supposing her husband isn't dead at all, he's still alive | 0:13:05 | 0:13:09 | |
and they're both in on it together to stitch up Flambeau. | 0:13:09 | 0:13:12 | |
But why would they do that? | 0:13:12 | 0:13:13 | |
Well he probably double-crossed them, | 0:13:13 | 0:13:15 | |
just like he double-crosses everyone. | 0:13:15 | 0:13:17 | |
So, the wine and the candles... | 0:13:17 | 0:13:19 | |
Yes, a husband and wife having a romantic night together, | 0:13:19 | 0:13:23 | |
and no doubt celebrating Flambeau's arrest. | 0:13:23 | 0:13:26 | |
Romantic nights after 18 years of marriage? I don't think so. | 0:13:26 | 0:13:29 | |
Ah, yes, but then you are a cynic. | 0:13:29 | 0:13:31 | |
I'm a realist. | 0:13:31 | 0:13:33 | |
Well, either way, | 0:13:33 | 0:13:34 | |
we need to find out if there's someone else in that house with her. | 0:13:34 | 0:13:38 | |
A stakeout, like they do at the pictures. | 0:13:38 | 0:13:40 | |
Exactly! Father? | 0:13:40 | 0:13:43 | |
I am going to Flambeau's pre-trial hearing, | 0:13:46 | 0:13:49 | |
and I leave the surveillance in your capable hands. | 0:13:49 | 0:13:52 | |
CHATTERING | 0:13:57 | 0:14:01 | |
-JUDGE: -Order. Order. | 0:14:01 | 0:14:03 | |
Hercule Flambeau, | 0:14:07 | 0:14:09 | |
you are charged on indictment that on August 17th, 1953, | 0:14:09 | 0:14:15 | |
you did wilfully murder Flynn Hardwick in | 0:14:15 | 0:14:18 | |
the county of Gloucestershire. | 0:14:18 | 0:14:20 | |
How do you plead? | 0:14:22 | 0:14:24 | |
Guilty. | 0:14:27 | 0:14:29 | |
CHATTERING | 0:14:29 | 0:14:30 | |
GAVEL BANGS | 0:14:30 | 0:14:31 | |
Order! Order! | 0:14:31 | 0:14:33 | |
Thank you. | 0:14:40 | 0:14:42 | |
Why the change of heart? | 0:14:43 | 0:14:46 | |
I've finally accepted my need for salvation. | 0:14:46 | 0:14:48 | |
I'd like to believe you... | 0:14:50 | 0:14:52 | |
But? | 0:14:52 | 0:14:54 | |
I've seen you wear too many disguises. | 0:14:54 | 0:14:57 | |
I just confessed to murder. There's no disguising that. | 0:14:57 | 0:15:00 | |
And yet you seem remarkably... | 0:15:00 | 0:15:02 | |
..unperturbed for a man facing the death sentence. | 0:15:03 | 0:15:05 | |
Is it really that difficult for you to believe that I might be at peace, Father? | 0:15:05 | 0:15:08 | |
That unburdening myself has finally released me? | 0:15:08 | 0:15:11 | |
DOOR UNLOCKS | 0:15:11 | 0:15:12 | |
I thought that was what you've always wanted? | 0:15:12 | 0:15:15 | |
Court's in session. | 0:15:15 | 0:15:17 | |
Hercule Flambeau, | 0:15:25 | 0:15:27 | |
in accordance with the law | 0:15:27 | 0:15:29 | |
and the requirements of just punishment and retribution, | 0:15:29 | 0:15:33 | |
I sentence you to be taken from this place | 0:15:33 | 0:15:37 | |
and hanged by the neck until you are dead. | 0:15:37 | 0:15:40 | |
CHATTERING | 0:15:40 | 0:15:41 | |
Order! Order! | 0:15:41 | 0:15:43 | |
In the interest of mitigating any further glorification of your | 0:15:44 | 0:15:48 | |
vile criminal history by the gutter press, | 0:15:48 | 0:15:52 | |
I order that execution be carried out at | 0:15:52 | 0:15:55 | |
the earliest possible convenience. | 0:15:55 | 0:15:58 | |
Take him down. | 0:15:58 | 0:15:59 | |
Why are you doing this? | 0:16:03 | 0:16:05 | |
I already told you, I'm answering the call of heavenly judgment. | 0:16:05 | 0:16:09 | |
She's washing the dishes. | 0:16:16 | 0:16:18 | |
I can see that from here. | 0:16:18 | 0:16:20 | |
It's the wine glasses. | 0:16:20 | 0:16:21 | |
She's getting rid of the evidence! | 0:16:21 | 0:16:23 | |
Can you see if anyone else is in the room with her? | 0:16:25 | 0:16:27 | |
No. | 0:16:27 | 0:16:29 | |
Wait. Look. Someone's opening the window! | 0:16:29 | 0:16:32 | |
There! | 0:16:34 | 0:16:35 | |
Can you see his face? | 0:16:35 | 0:16:37 | |
No, her big, fat head is in the way. | 0:16:37 | 0:16:41 | |
Oh! We need a closer look. | 0:16:41 | 0:16:43 | |
All you had to do was clear away those glasses. | 0:16:50 | 0:16:53 | |
-MAN: -I was going to. | 0:16:53 | 0:16:54 | |
Yeah, it's always "I was going to," with you, isn't it? | 0:16:54 | 0:16:56 | |
As if some wine and a few candles | 0:16:56 | 0:16:58 | |
would make up for what you did, anyway. | 0:16:58 | 0:17:00 | |
How long are you going to keep punishing me for that? | 0:17:00 | 0:17:02 | |
I told you, it didn't mean anything. | 0:17:02 | 0:17:04 | |
Well, that's what all men say. | 0:17:04 | 0:17:06 | |
Besides, I'm making it up to you, aren't I? | 0:17:06 | 0:17:08 | |
Look at the risk I'm taking... | 0:17:08 | 0:17:10 | |
Ow! Ow! My sciatica! | 0:17:10 | 0:17:13 | |
What was that? | 0:17:13 | 0:17:15 | |
-Oi! -Run! | 0:17:15 | 0:17:17 | |
Get in! Get in! | 0:17:30 | 0:17:31 | |
Oi! You! Come back here! | 0:17:34 | 0:17:36 | |
-Father? -In here. | 0:17:43 | 0:17:46 | |
-I was right! -Flambeau didn't kill Flynn Hardwick. | 0:17:46 | 0:17:49 | |
-He's still alive. -Exactly! | 0:17:49 | 0:17:51 | |
We just saw him at the house. | 0:17:51 | 0:17:52 | |
Looks like they've stitched up Flambeau together, | 0:17:52 | 0:17:54 | |
-just like Mrs M said. -Not quite. | 0:17:54 | 0:17:56 | |
What does that mean? | 0:17:56 | 0:17:58 | |
Flambeau isn't the victim in all this. | 0:17:58 | 0:18:01 | |
He's the architect. | 0:18:01 | 0:18:03 | |
Clean sheets. | 0:18:14 | 0:18:16 | |
DOOR UNLOCKS | 0:18:32 | 0:18:35 | |
I know why you're here. | 0:18:48 | 0:18:50 | |
Enlighten me. | 0:18:50 | 0:18:52 | |
The Medallion of the Archangel. | 0:18:55 | 0:18:57 | |
Unlike your replica, the original was made of gold. | 0:19:01 | 0:19:05 | |
Last known owner, Nathaniel Grey, | 0:19:05 | 0:19:09 | |
collector of religious antiquities. | 0:19:09 | 0:19:13 | |
A man after my own heart. | 0:19:13 | 0:19:15 | |
And according to the plaque outside the gates... | 0:19:16 | 0:19:20 | |
-..the architect of this prison. -Go on. | 0:19:22 | 0:19:25 | |
On his death, his collection was donated to | 0:19:28 | 0:19:31 | |
the Roman Capitoline museums - | 0:19:31 | 0:19:34 | |
apart from one artefact that was not accounted for. | 0:19:34 | 0:19:38 | |
And I think you know where it is. | 0:19:39 | 0:19:41 | |
My guess would be the condemned cell. | 0:19:41 | 0:19:43 | |
Which is why you faked Flynn Hardwick's death. | 0:19:46 | 0:19:49 | |
Bravo, Father. I'd knew you'd catch up eventually. | 0:19:50 | 0:19:53 | |
How did you know where it was? | 0:19:56 | 0:19:58 | |
I acquired Nathaniel Grey's private papers at auction. | 0:19:58 | 0:20:01 | |
He was a pious imbecile. | 0:20:01 | 0:20:03 | |
He actually believed the medallion had the power to combat Satan | 0:20:03 | 0:20:07 | |
and escort the faithful to Heaven. | 0:20:07 | 0:20:09 | |
And no better place to work its wonder... | 0:20:09 | 0:20:12 | |
-..than the condemned cell. -Precisely. | 0:20:14 | 0:20:16 | |
How do you intend to get it out? | 0:20:21 | 0:20:24 | |
As always, Father, | 0:20:24 | 0:20:25 | |
with a combination of ingenuity and panache. | 0:20:25 | 0:20:28 | |
You are facing the gallows... | 0:20:31 | 0:20:33 | |
..for a piece of gold? | 0:20:37 | 0:20:38 | |
I assure you, Father... | 0:20:40 | 0:20:42 | |
I have no intention of standing on the gallows. | 0:20:42 | 0:20:45 | |
DOOR UNLOCKS | 0:20:45 | 0:20:48 | |
Out! | 0:20:48 | 0:20:50 | |
From now on you'll be on death watch. | 0:21:04 | 0:21:06 | |
Two officers will be with you at all times, | 0:21:06 | 0:21:09 | |
to stop you from doing yourself in before the main event. | 0:21:09 | 0:21:12 | |
Thank you, that's very kind. | 0:21:13 | 0:21:15 | |
But first, I'd like to take confession, | 0:21:15 | 0:21:18 | |
with your permission, of course. | 0:21:18 | 0:21:21 | |
Five minutes. | 0:21:21 | 0:21:22 | |
The medallion's in the wall. | 0:21:37 | 0:21:39 | |
And I have five minutes to find it. | 0:21:39 | 0:21:40 | |
This was never about confession! | 0:21:40 | 0:21:42 | |
You just wanted to get rid of the death watch officers. | 0:21:43 | 0:21:46 | |
And what better way than the sanctity of confession. | 0:21:46 | 0:21:49 | |
You've used me from the start. | 0:21:49 | 0:21:50 | |
Don't be disgruntled, Father. You're enjoying this as much as I am. | 0:21:50 | 0:21:54 | |
Now the question is - which brick? | 0:21:54 | 0:21:56 | |
You don't know, do you? | 0:21:58 | 0:22:00 | |
Nathaniel Grey didn't specify, | 0:22:00 | 0:22:02 | |
but I don't believe he would have hidden the medallion | 0:22:02 | 0:22:04 | |
without leaving some sort of clue as to... | 0:22:04 | 0:22:06 | |
"Mark, 16:16." | 0:22:11 | 0:22:13 | |
"He that believeth and is baptised, shall be saved; | 0:22:13 | 0:22:17 | |
"but he that believeth not shall be condemned." | 0:22:17 | 0:22:22 | |
Shall we? | 0:22:22 | 0:22:23 | |
One, two, three, four, five, six, seven, eight, nine, ten, | 0:22:28 | 0:22:33 | |
11, 12, 13, 14, 15, 16. | 0:22:33 | 0:22:36 | |
Et voila! | 0:22:42 | 0:22:44 | |
Alive? | 0:22:46 | 0:22:47 | |
We saw him with our own eyes. | 0:22:47 | 0:22:50 | |
How good is your eyesight? | 0:22:50 | 0:22:51 | |
Mine's 20/20, and I saw him too. | 0:22:51 | 0:22:54 | |
But Flambeau confessed. | 0:22:54 | 0:22:55 | |
He's lying! He's trying to steal some kind of medallion. | 0:22:55 | 0:22:58 | |
Solid gold. | 0:22:58 | 0:23:00 | |
And how do you know this? | 0:23:00 | 0:23:02 | |
Father Brown! | 0:23:02 | 0:23:03 | |
The padre. Of course he's involved in all of this. | 0:23:03 | 0:23:06 | |
-I'm not listening to another word. -Inspector... | 0:23:06 | 0:23:09 | |
I think you have about two minutes. | 0:23:13 | 0:23:16 | |
More than enough time. | 0:23:16 | 0:23:18 | |
What? | 0:23:18 | 0:23:19 | |
To remove a 160 year old brick? | 0:23:19 | 0:23:22 | |
Amongst Nathaniel Grey's papers, I found plans for a device. | 0:23:22 | 0:23:27 | |
What sort of device? | 0:23:27 | 0:23:28 | |
This sort of device. | 0:23:28 | 0:23:30 | |
MECHANICAL WHIRRING | 0:23:30 | 0:23:33 | |
DOOR UNLOCKS | 0:23:33 | 0:23:35 | |
-Yes? -What was that noise? | 0:23:38 | 0:23:42 | |
-Noise? -One minute. | 0:23:42 | 0:23:44 | |
It's beautiful. | 0:24:05 | 0:24:07 | |
How are you going to get it out of here? | 0:24:14 | 0:24:16 | |
That's the easy part. | 0:24:16 | 0:24:18 | |
I'm going to stroll outside the front door. | 0:24:18 | 0:24:21 | |
So, Flynn Hardwick will turn himself in? | 0:24:22 | 0:24:25 | |
Tomorrow morning, alive and well. | 0:24:25 | 0:24:27 | |
Time's up. | 0:24:35 | 0:24:37 | |
Thank you, Father. Your assistance has been invaluable. | 0:24:37 | 0:24:40 | |
God bless. | 0:24:42 | 0:24:43 | |
I'm going to watch him for a minute. | 0:24:52 | 0:24:54 | |
I'm not supposed to be telling you this, | 0:25:02 | 0:25:04 | |
but I thought you should know... | 0:25:04 | 0:25:06 | |
..they've rescheduled your execution for tomorrow at 10am. | 0:25:08 | 0:25:14 | |
So, in about...17 hours, | 0:25:14 | 0:25:17 | |
you'll be twisting and writhing at the end of a rope, | 0:25:17 | 0:25:22 | |
fouling yourself most likely. | 0:25:22 | 0:25:24 | |
Anyway, like I said, I thought you had a right to know. | 0:25:27 | 0:25:32 | |
HE KNOCKS ON DOOR | 0:25:39 | 0:25:41 | |
"I'm so sorry, Your Honour, the booze took hold of me again. | 0:25:41 | 0:25:46 | |
"I didn't know where I was, or even who I was. | 0:25:46 | 0:25:49 | |
"My friend, Hercule Flambeau, | 0:25:50 | 0:25:52 | |
"has been accused of a heinous crime that never even happened." | 0:25:52 | 0:25:55 | |
All right, all right. You're not auditioning for Hamlet, you know. | 0:25:55 | 0:25:58 | |
I need to make it seem natural. | 0:25:58 | 0:26:00 | |
Then don't over-rehearse it. | 0:26:00 | 0:26:02 | |
Once I get paid, this'll be a fresh start for us. | 0:26:03 | 0:26:07 | |
We can go anywhere, be happy together for the rest of our lives, can't we? | 0:26:07 | 0:26:12 | |
I love you, Peg. I even shed blood for you. | 0:26:13 | 0:26:16 | |
You didn't do it for me, you did it for him. | 0:26:16 | 0:26:18 | |
I did it for us. | 0:26:18 | 0:26:20 | |
You're an old romantic, really, aren't you? | 0:26:22 | 0:26:24 | |
Always have been. | 0:26:24 | 0:26:26 | |
That's how I made you fall in love with me. | 0:26:26 | 0:26:29 | |
Go on, you've got to come back from the dead, remember. | 0:26:29 | 0:26:32 | |
Oh, love? | 0:26:35 | 0:26:37 | |
CLANGING | 0:26:39 | 0:26:42 | |
DOOR UNLOCKS | 0:26:50 | 0:26:53 | |
You've got a visitor. Get a move on. | 0:26:53 | 0:26:57 | |
What are you doing here? | 0:27:19 | 0:27:21 | |
The grieving wife has a right to see her husband's killer before his execution. | 0:27:21 | 0:27:25 | |
At least that's what I told the guards. Shed a few tears. | 0:27:25 | 0:27:28 | |
It was quite the performance, even if I do say so myself... | 0:27:28 | 0:27:31 | |
Where's Flynn? | 0:27:31 | 0:27:33 | |
He's tied up...literally. | 0:27:33 | 0:27:36 | |
And if you want me to let him go, | 0:27:37 | 0:27:39 | |
you give me what you're wearing round your neck. | 0:27:39 | 0:27:42 | |
That's it, isn't it? | 0:27:42 | 0:27:43 | |
You killed him. | 0:27:45 | 0:27:47 | |
Of course I didn't kill him. | 0:27:47 | 0:27:49 | |
Yes, all right, I did. | 0:27:52 | 0:27:54 | |
Every marriage goes through its difficulties. | 0:27:55 | 0:27:58 | |
If you give me that medallion, | 0:28:01 | 0:28:03 | |
I'll give the police a tip-off, | 0:28:03 | 0:28:06 | |
tell them where the body is. | 0:28:06 | 0:28:07 | |
They'll see he only died recently, and know you couldn't have done it. | 0:28:07 | 0:28:10 | |
At which point, you become a suspect. | 0:28:10 | 0:28:13 | |
Once I have the gold, I can go anywhere I want. | 0:28:13 | 0:28:15 | |
Even if I agreed, there isn't time. | 0:28:15 | 0:28:17 | |
I'm to be hanged this morning. | 0:28:17 | 0:28:19 | |
Then there's no time to lose. | 0:28:19 | 0:28:21 | |
And let you walk away and watch me die? | 0:28:21 | 0:28:23 | |
What choice have you got but to trust me? | 0:28:25 | 0:28:28 | |
I have one choice and one choice only - | 0:28:28 | 0:28:30 | |
to extricate myself from this facility and hunt you down. | 0:28:30 | 0:28:34 | |
You'll never get out of here. | 0:28:34 | 0:28:36 | |
You have no idea what I'm capable of. | 0:28:38 | 0:28:40 | |
You're already a dead man. | 0:28:42 | 0:28:44 | |
I need to see my priest! | 0:28:53 | 0:28:54 | |
You wait in the car. | 0:28:56 | 0:28:58 | |
I am not waiting in the car! | 0:28:58 | 0:29:00 | |
What if we have to run again? | 0:29:00 | 0:29:03 | |
I managed perfectly well the last time. | 0:29:03 | 0:29:05 | |
SCRAPING | 0:29:12 | 0:29:15 | |
Shh! | 0:29:15 | 0:29:16 | |
What's that sound? | 0:29:16 | 0:29:17 | |
It's coming from behind the house. | 0:29:18 | 0:29:20 | |
CAMERA CLICKS | 0:29:37 | 0:29:39 | |
Run! Run! | 0:29:42 | 0:29:44 | |
Come on! | 0:29:49 | 0:29:51 | |
GUN COCKS | 0:29:52 | 0:29:54 | |
Not this time, ladies. | 0:29:54 | 0:29:57 | |
-Murdered? -A most unfortunate turn of events. | 0:29:57 | 0:30:01 | |
If the police find the body... | 0:30:01 | 0:30:03 | |
There isn't time. I'm to be executed in half an hour. | 0:30:03 | 0:30:05 | |
Half an hour?! | 0:30:05 | 0:30:06 | |
Fortunately, I wouldn't have embarked on this endeavour | 0:30:06 | 0:30:09 | |
-if I didn't have a backup plan, but I'll need your help. -To escape? | 0:30:09 | 0:30:12 | |
I need something to unlock a pair of handcuffs. | 0:30:12 | 0:30:14 | |
-A key would be ideal... -Or a lock pick? | 0:30:14 | 0:30:17 | |
If you have one handy. | 0:30:17 | 0:30:19 | |
Telephone call for you, Father Brown. Officer's station. | 0:30:19 | 0:30:24 | |
Wait for me outside. | 0:30:24 | 0:30:26 | |
Tick-tock. | 0:30:31 | 0:30:34 | |
Tick-tock. | 0:30:34 | 0:30:39 | |
Tick-tock. | 0:30:39 | 0:30:42 | |
Hello? | 0:30:45 | 0:30:47 | |
-Father Brown? -Yes. | 0:30:47 | 0:30:48 | |
'This is Peggy Hardwick.' | 0:30:48 | 0:30:50 | |
I'm pointing a shotgun at your two friends | 0:30:51 | 0:30:54 | |
Bunty Windermere and Bridget McCarthy. | 0:30:54 | 0:30:57 | |
Do you understand? | 0:30:57 | 0:31:00 | |
Yes. | 0:31:00 | 0:31:01 | |
'If you want to ever see them alive again,' | 0:31:01 | 0:31:03 | |
I suggest you do as I say. | 0:31:03 | 0:31:04 | |
Get me that medallion. | 0:31:05 | 0:31:07 | |
I suggest stealing it from Flambeau's body once he's been hanged. | 0:31:09 | 0:31:12 | |
I want to speak to them. | 0:31:12 | 0:31:14 | |
Bring it to my house. | 0:31:14 | 0:31:17 | |
We'll be waiting. | 0:31:17 | 0:31:18 | |
If I can't speak to them, I will do nothing. | 0:31:18 | 0:31:22 | |
Father? | 0:31:26 | 0:31:27 | |
'Bunty?' | 0:31:27 | 0:31:29 | |
She's mad. She killed her husband and buried him in the garden. | 0:31:29 | 0:31:31 | |
-Don't listen to anything she... -No! -SCREAMING | 0:31:31 | 0:31:34 | |
If you don't do what I say, | 0:31:37 | 0:31:39 | |
they'll both be getting a lot more than a little bump on the head. | 0:31:39 | 0:31:43 | |
DIAL TONE | 0:31:47 | 0:31:50 | |
KNOCK ON DOOR | 0:32:00 | 0:32:03 | |
He insisted on seeing you, sir. | 0:32:03 | 0:32:05 | |
Make sure the hatches are down. | 0:32:05 | 0:32:07 | |
I don't want the same ruckus on Flambeau's exit | 0:32:07 | 0:32:09 | |
-that we had on his arrival. -Yes, sir. | 0:32:09 | 0:32:12 | |
Yes, Father, what can I do for you? | 0:32:12 | 0:32:13 | |
I am rather pressed for time. | 0:32:13 | 0:32:15 | |
-Flambeau is innocent. -Excuse me? | 0:32:15 | 0:32:18 | |
He didn't kill Flynn Hardwick. His wife did. | 0:32:18 | 0:32:22 | |
And you know this how? | 0:32:22 | 0:32:23 | |
Well, if you send the police to his house, | 0:32:23 | 0:32:26 | |
you'll find his body buried in the garden. | 0:32:26 | 0:32:28 | |
Look, even if what you say were true, | 0:32:30 | 0:32:32 | |
there is nothing that I can do. | 0:32:32 | 0:32:35 | |
You could postpone his execution. | 0:32:35 | 0:32:37 | |
Out of my jurisdiction. | 0:32:37 | 0:32:39 | |
Well, then, telephone a judge. | 0:32:39 | 0:32:42 | |
On the words of a priest? | 0:32:42 | 0:32:44 | |
You are about to execute an innocent man. | 0:32:47 | 0:32:51 | |
The sentence has been passed. | 0:32:52 | 0:32:54 | |
You may perform the last rites, | 0:32:58 | 0:33:01 | |
but if I hear one more word of this nonsense, | 0:33:01 | 0:33:03 | |
I shall have one of my officers throw you out. | 0:33:03 | 0:33:06 | |
I understand. | 0:33:06 | 0:33:08 | |
It's time. | 0:33:28 | 0:33:29 | |
In nomine Patris et Filii et Spiritus Sancti. | 0:33:34 | 0:33:38 | |
You're a homosexual, aren't you? | 0:34:03 | 0:34:05 | |
What? | 0:34:07 | 0:34:09 | |
What did you say to me? | 0:34:12 | 0:34:15 | |
As a condemned man, I believe I have the right to speak the truth. | 0:34:15 | 0:34:18 | |
I saw the way you looked at me when I was undressing. | 0:34:18 | 0:34:22 | |
And I saw the way you looked at me just now. | 0:34:22 | 0:34:24 | |
It's nothing to be ashamed of. | 0:34:28 | 0:34:30 | |
Does your wife know? | 0:34:31 | 0:34:33 | |
Come any closer and I'll perforate his jugular. | 0:34:38 | 0:34:41 | |
Give him the keys. | 0:34:41 | 0:34:43 | |
-Now! -Go! | 0:34:43 | 0:34:44 | |
Let's go. | 0:34:47 | 0:34:48 | |
DOOR LOCKS | 0:34:50 | 0:34:52 | |
Stop! | 0:34:52 | 0:34:53 | |
BANGING ON DOOR | 0:34:53 | 0:34:56 | |
Quickly, quickly! | 0:34:56 | 0:34:58 | |
Turn right! Down the stairs! | 0:35:00 | 0:35:02 | |
-PRISON GUARD: -Oi! -Up. | 0:35:06 | 0:35:09 | |
-PRISON GUARD: -Lockdown! | 0:35:09 | 0:35:10 | |
WHISTLE BLOWS | 0:35:10 | 0:35:11 | |
CHATTERING | 0:35:11 | 0:35:13 | |
-PRISON GUARD: -Back to your cells! | 0:35:13 | 0:35:15 | |
Go, go! | 0:35:15 | 0:35:17 | |
All the way to the end. Find the key. | 0:35:17 | 0:35:19 | |
Open that door. | 0:35:19 | 0:35:22 | |
SIREN BLARES | 0:35:22 | 0:35:24 | |
I wouldn't come any closer! | 0:35:24 | 0:35:25 | |
Stand back! | 0:35:25 | 0:35:27 | |
Come any closer and I'll kill him! | 0:35:27 | 0:35:30 | |
Take out your keys. | 0:35:30 | 0:35:32 | |
Take out your keys! | 0:35:36 | 0:35:38 | |
Do as he says. | 0:35:38 | 0:35:40 | |
Quickly. | 0:35:41 | 0:35:43 | |
Now throw them over the edge | 0:35:43 | 0:35:45 | |
HE GROANS | 0:35:46 | 0:35:48 | |
Now. | 0:35:48 | 0:35:49 | |
Go! | 0:35:57 | 0:35:58 | |
That was convincing. | 0:36:08 | 0:36:10 | |
Don't worry. I would only have killed you as a last resort. | 0:36:10 | 0:36:12 | |
So, how do you intend to get out? | 0:36:12 | 0:36:15 | |
Voila! | 0:36:15 | 0:36:17 | |
What is this place? | 0:36:30 | 0:36:32 | |
In less enlightened times, | 0:36:32 | 0:36:33 | |
prisoners were chained around this cesspool for days. | 0:36:33 | 0:36:36 | |
Needless to say, they weren't permitted a lavatory break. | 0:36:36 | 0:36:39 | |
This is where I leave you, Father. | 0:36:39 | 0:36:41 | |
Um, no. | 0:36:41 | 0:36:44 | |
I'm coming with you. | 0:36:44 | 0:36:46 | |
No, no. You'll only slow me down. We haven't time. | 0:36:46 | 0:36:49 | |
You have no choice. | 0:36:49 | 0:36:51 | |
What? You think you can just walk away from me? | 0:36:55 | 0:36:58 | |
-You can kill me, if you want to... -Oi! | 0:37:00 | 0:37:03 | |
That's what I'm going to do. | 0:37:03 | 0:37:05 | |
..or you can join me in escaping. | 0:37:05 | 0:37:07 | |
-I'll show you the way. -Yeah, you will. | 0:37:07 | 0:37:10 | |
-You too. -No, no. We don't need him. | 0:37:11 | 0:37:14 | |
I say we do. You can never have too many hostages. | 0:37:14 | 0:37:17 | |
Whoo! | 0:37:36 | 0:37:38 | |
Whoo! | 0:37:38 | 0:37:40 | |
Keep your voice down, you imbecile. | 0:37:40 | 0:37:42 | |
You forget I still got this? | 0:37:43 | 0:37:45 | |
And this? | 0:37:47 | 0:37:49 | |
HE CHUCKLES | 0:37:49 | 0:37:51 | |
It appears to have lost its sheen. | 0:37:51 | 0:37:53 | |
You think you're clever, priest? | 0:37:57 | 0:37:59 | |
Hm? | 0:37:59 | 0:38:01 | |
HE CHUCKLES | 0:38:01 | 0:38:03 | |
Well played, Father. | 0:38:03 | 0:38:05 | |
You switched them in the tunnel. | 0:38:06 | 0:38:08 | |
Glad to be of assistance. | 0:38:09 | 0:38:11 | |
The medallion? | 0:38:12 | 0:38:13 | |
I'm afraid I can't. | 0:38:14 | 0:38:17 | |
I beg to differ. | 0:38:17 | 0:38:18 | |
Peggy Hardwick is holding two of my dearest friends hostage. | 0:38:21 | 0:38:25 | |
If I don't give her the medallion, | 0:38:25 | 0:38:27 | |
she's threatening to kill them and... | 0:38:27 | 0:38:29 | |
..I believe her. | 0:38:31 | 0:38:32 | |
Where is she? | 0:38:35 | 0:38:37 | |
He's here. The door's open! | 0:38:46 | 0:38:49 | |
Don't worry, this'll all be over soon enough. | 0:38:54 | 0:38:58 | |
Are you all right? | 0:39:06 | 0:39:07 | |
What happened to you? | 0:39:07 | 0:39:08 | |
-Long story. -Enough chit-chat. | 0:39:10 | 0:39:13 | |
Give it to me. | 0:39:13 | 0:39:14 | |
SHE CHUCKLES | 0:39:20 | 0:39:22 | |
Good. | 0:39:22 | 0:39:23 | |
Right, into the back garden. | 0:39:23 | 0:39:26 | |
Oh, no, you don't! | 0:39:29 | 0:39:30 | |
The medallion. Now. | 0:39:34 | 0:39:36 | |
No. | 0:39:43 | 0:39:44 | |
Please, don't. | 0:39:44 | 0:39:46 | |
Flambeau, you are not a murderer. | 0:39:48 | 0:39:50 | |
But she is. | 0:39:50 | 0:39:52 | |
Doesn't she deserve the death penalty? | 0:39:52 | 0:39:54 | |
No-one has the right to take a life, least of all you. | 0:39:55 | 0:40:01 | |
As much as I'd love to debate the ethics of capital punishment | 0:40:01 | 0:40:03 | |
with you, Father, it appears I have to run. | 0:40:03 | 0:40:06 | |
POLICE SIREN BLARES | 0:40:06 | 0:40:07 | |
Do you know how to handle this? | 0:40:07 | 0:40:08 | |
-What do you think? -My kind of woman. | 0:40:08 | 0:40:11 | |
Au revoir, Father. | 0:40:14 | 0:40:16 | |
God be with you. | 0:40:18 | 0:40:19 | |
What's going on? | 0:40:23 | 0:40:24 | |
She tried to kill us! | 0:40:24 | 0:40:25 | |
And she killed her husband! | 0:40:25 | 0:40:27 | |
You'll find his grave out in the garden. | 0:40:27 | 0:40:29 | |
None of which would have happened | 0:40:29 | 0:40:30 | |
if you'd listened to us in the first place! | 0:40:30 | 0:40:32 | |
I'll take that, thank you. | 0:40:32 | 0:40:34 | |
We had a report Flambeau was in the area. | 0:40:34 | 0:40:37 | |
-He's gone. -Where? | 0:40:39 | 0:40:42 | |
That way. | 0:40:42 | 0:40:43 | |
Goodfellow. | 0:40:43 | 0:40:45 | |
Right, lads, take her down the station. | 0:40:45 | 0:40:47 | |
No. No, I'm not going with you. Get off me! | 0:40:47 | 0:40:51 | |
I said, get off me! | 0:40:51 | 0:40:53 | |
What is that awful smell? | 0:40:53 | 0:40:55 | |
It's me. | 0:40:57 | 0:40:59 | |
DOGS BARK | 0:41:04 | 0:41:05 | |
Stand still! | 0:41:08 | 0:41:09 | |
Don't shoot him! | 0:41:11 | 0:41:13 | |
Stop! | 0:41:18 | 0:41:19 | |
"Father, please accept the enclosed as a token of thanks | 0:42:13 | 0:42:16 | |
"for your assistance in our latest adventure. | 0:42:16 | 0:42:19 | |
"It's damaged goods to me now, | 0:42:19 | 0:42:21 | |
"but I trust you'll put it to charitable use." | 0:42:21 | 0:42:24 | |
HE COUGHS | 0:42:26 | 0:42:29 | |
HE BREATHES DEEPLY | 0:42:30 | 0:42:33 | |
HE LAUGHS | 0:42:49 | 0:42:51 | |
LAUGHTER | 0:42:51 | 0:42:53 | |
Merci dieu. | 0:42:56 | 0:42:58 | |
ENGINE STARTS | 0:43:15 | 0:43:16 | |
-MAN: -Oi, you! Come back here! | 0:43:16 | 0:43:18 |