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OWL HOOTS | 0:00:06 | 0:00:07 | |
Charlotte? | 0:00:26 | 0:00:27 | |
WHITE NOISE | 0:00:32 | 0:00:33 | |
Charlotte! | 0:00:44 | 0:00:47 | |
Argh! | 0:00:47 | 0:00:48 | |
WHITE NOISE INTENSIFIES | 0:00:50 | 0:00:52 | |
BELL CHIMES | 0:01:28 | 0:01:29 | |
-Ow! -Home. Now. | 0:01:32 | 0:01:34 | |
Perhaps they've gone away. | 0:01:42 | 0:01:43 | |
No. Ever since Joan passed away, | 0:01:43 | 0:01:46 | |
William goes nowhere except church and work. | 0:01:46 | 0:01:49 | |
-Something must be wrong. -He's probably ill. | 0:01:49 | 0:01:51 | |
Well, maybe. | 0:01:53 | 0:01:55 | |
Anyway, I'll call round and I could bring him some of that soup | 0:01:55 | 0:01:57 | |
that's left over. | 0:01:57 | 0:01:59 | |
VEHICLE APPROACHES | 0:01:59 | 0:02:00 | |
What do you think? | 0:02:02 | 0:02:03 | |
Yes, it suits you - | 0:02:03 | 0:02:05 | |
unreliable, noisy, and good at getting people into trouble! | 0:02:05 | 0:02:09 | |
Actually, it's not mine. It's a present. | 0:02:09 | 0:02:12 | |
For Father Brown. | 0:02:12 | 0:02:14 | |
What would Father Brown want with a deathtrap like that? | 0:02:14 | 0:02:17 | |
Well, you said that your knees were hurting you. | 0:02:17 | 0:02:20 | |
I thought you should trade your rusty old bicycle in. | 0:02:20 | 0:02:23 | |
Bucephalus is NOT rusty! | 0:02:23 | 0:02:26 | |
Well, wouldn't you like to keep up with the fast-paced, modern times? | 0:02:26 | 0:02:30 | |
We can discuss this later. We have soup to deliver. | 0:02:30 | 0:02:34 | |
Sorry. I'm not expecting visitors. | 0:02:49 | 0:02:52 | |
William, I don't think you're very well. | 0:02:52 | 0:02:55 | |
But I have just the thing, | 0:02:56 | 0:02:58 | |
so I'll come in and heat it up for you, shall I? | 0:02:58 | 0:03:00 | |
It's really not necessary. I overslept, that's all. | 0:03:00 | 0:03:05 | |
Well, I'm not going anywhere | 0:03:05 | 0:03:07 | |
until I know that you're being properly looked after. | 0:03:07 | 0:03:11 | |
And where is that daughter of yours? | 0:03:11 | 0:03:13 | |
I'm not sure. | 0:03:14 | 0:03:16 | |
Well, when did you last see her? | 0:03:16 | 0:03:18 | |
Last night. | 0:03:22 | 0:03:23 | |
In the woods. | 0:03:25 | 0:03:27 | |
There was a light... over the wheat field... | 0:03:30 | 0:03:34 | |
A light? | 0:03:35 | 0:03:36 | |
(I think someone's trying to take her away.) | 0:03:36 | 0:03:39 | |
Aliens?! | 0:03:47 | 0:03:48 | |
He did not say "aliens". | 0:03:48 | 0:03:50 | |
That's a relief, cos I'd send Goodfellow to patrol | 0:03:50 | 0:03:52 | |
the outer cosmos, but his rocket boots are at the cobblers. | 0:03:52 | 0:03:55 | |
At least pretend to take this seriously! | 0:03:55 | 0:03:58 | |
Mr Bayley's a solicitor. He is a respected member of the community. | 0:03:58 | 0:04:02 | |
What would you have me do? Call Buck Rogers? | 0:04:02 | 0:04:06 | |
The girl's only been missing since last night, | 0:04:06 | 0:04:08 | |
and during that time I don't think we've had a report | 0:04:08 | 0:04:10 | |
of a flying saucer! | 0:04:10 | 0:04:12 | |
Help me! | 0:04:13 | 0:04:14 | |
Miss Bayley? What's happened? | 0:04:14 | 0:04:17 | |
It's trying to get out! | 0:04:18 | 0:04:19 | |
What is? | 0:04:19 | 0:04:22 | |
We need to call for an ambulance. | 0:04:22 | 0:04:24 | |
Now, will you take this seriously?! | 0:04:24 | 0:04:25 | |
Let's do a Galli Mainini test, please, nurse. | 0:04:38 | 0:04:41 | |
Yes, doctor. | 0:04:41 | 0:04:42 | |
We've sedated her. When she woke, she was very disorientated. | 0:04:47 | 0:04:51 | |
Did she say what happened? | 0:04:53 | 0:04:55 | |
Something about being held captive. She wasn't making much sense. | 0:04:55 | 0:04:58 | |
It appears she's had a fall, | 0:04:58 | 0:05:00 | |
but there's no sign of head injury or internal bleeding. | 0:05:00 | 0:05:03 | |
Don't fret. I'll keep a very close eye on her. | 0:05:03 | 0:05:07 | |
Get her through this, and I'll gladly waive my fee. | 0:05:07 | 0:05:10 | |
That won't be necessary. | 0:05:10 | 0:05:11 | |
"Fee"? | 0:05:14 | 0:05:15 | |
Oh, Mr Bayley's helping me resolve a legal misunderstanding | 0:05:15 | 0:05:19 | |
with a previous employer - all very tiresome. | 0:05:19 | 0:05:22 | |
If you'll excuse me. | 0:05:22 | 0:05:23 | |
I'm afraid you'll have to wait outside. | 0:05:27 | 0:05:29 | |
Surely you can make an exception for her father. | 0:05:29 | 0:05:32 | |
Sorry. Hospital rules. | 0:05:32 | 0:05:35 | |
I'm not letting Charlotte out of my sight. | 0:05:35 | 0:05:38 | |
I heard what happened. I wanted... | 0:05:38 | 0:05:39 | |
-How dare you?! -I just... | 0:05:39 | 0:05:41 | |
Get out! | 0:05:41 | 0:05:42 | |
Excuse me! | 0:05:47 | 0:05:49 | |
Please, wait. | 0:05:49 | 0:05:51 | |
Are you a friend of the family? | 0:05:53 | 0:05:55 | |
I'm their gardener. | 0:05:55 | 0:05:57 | |
Well, used to be. | 0:05:57 | 0:05:59 | |
Have you any idea how Charlotte got those injuries? | 0:05:59 | 0:06:02 | |
You think I did this? | 0:06:02 | 0:06:03 | |
No! No. | 0:06:03 | 0:06:05 | |
Just make sure Charlotte's looked after, yeah? | 0:06:05 | 0:06:08 | |
Yes. | 0:06:08 | 0:06:10 | |
Don't suppose he could shed any light on all this? | 0:06:12 | 0:06:14 | |
-No. -Pity. | 0:06:14 | 0:06:17 | |
A fall would explain the external symptoms, | 0:06:17 | 0:06:19 | |
but the abdominal cramps, disorientation, tachycardia... | 0:06:19 | 0:06:24 | |
It's like she's ingested some kind of toxin. | 0:06:24 | 0:06:27 | |
Can you treat her here? | 0:06:27 | 0:06:28 | |
In theory. | 0:06:28 | 0:06:30 | |
We're not the best-equipped hospital | 0:06:30 | 0:06:32 | |
but I was an army surgeon. I've made do with less. | 0:06:32 | 0:06:35 | |
The problem is not knowing what she's taken. | 0:06:35 | 0:06:37 | |
And you think she's pregnant? | 0:06:37 | 0:06:40 | |
The Galli Mainini test. | 0:06:40 | 0:06:42 | |
Abdominal issues, woman her age, makes sense to check. | 0:06:43 | 0:06:47 | |
The results will be with us in a few hours. | 0:06:47 | 0:06:48 | |
Until then, we watch and wait. | 0:06:48 | 0:06:51 | |
And pray. | 0:06:51 | 0:06:53 | |
Indeed. Poor girl. She doesn't deserve this. | 0:06:53 | 0:06:58 | |
Do you know Charlotte, erm, through Mr Bayley? | 0:06:58 | 0:07:02 | |
No, no. Actually, I treated her mother, Joan. | 0:07:02 | 0:07:05 | |
Charlotte used to come every day. She would comfort her, read to her. | 0:07:06 | 0:07:10 | |
She's got a good heart. I just hope it's a strong one. | 0:07:10 | 0:07:13 | |
I'll do everything I can to discover what happened. | 0:07:13 | 0:07:16 | |
If you do, let me know straight away. | 0:07:16 | 0:07:18 | |
Time is of the essence. | 0:07:18 | 0:07:20 | |
Yes. Fear not - my winged chariot awaits. | 0:07:20 | 0:07:25 | |
Now you just start her up. | 0:07:35 | 0:07:36 | |
I can't believe you're even considering it! | 0:07:37 | 0:07:40 | |
Here's your book. And now, thanks to you, | 0:07:40 | 0:07:43 | |
the librarian thinks I'm a homicidal horticulturalist! | 0:07:43 | 0:07:47 | |
Well, at least they'll never dare charge you overdue fees. | 0:07:47 | 0:07:50 | |
Did you find out anything about the gardener? | 0:07:50 | 0:07:53 | |
Yes. His name's Sean Crimp. | 0:07:53 | 0:07:54 | |
The neighbours heard them arguing a few days ago, | 0:07:54 | 0:07:57 | |
and Mr Crimp was told to leave the property and never to return. | 0:07:57 | 0:08:00 | |
Do you know what the argument was about? | 0:08:00 | 0:08:03 | |
The young rogue was probably trying to lead Charlotte astray, | 0:08:03 | 0:08:06 | |
and William found out. | 0:08:06 | 0:08:08 | |
Well, maybe this was his revenge. | 0:08:08 | 0:08:11 | |
Why take it out on Charlotte? | 0:08:12 | 0:08:14 | |
I think we need to hear Mr Crimp's side of the story. | 0:08:17 | 0:08:21 | |
I'm sorry, I promised William I'd go straight back to the hospital. | 0:08:21 | 0:08:24 | |
Well, I'll go with you, Father. | 0:08:24 | 0:08:26 | |
You did say "young rogue", didn't you? | 0:08:26 | 0:08:28 | |
CHATTER | 0:08:30 | 0:08:32 | |
He is head-over-heels in love with Charlotte. | 0:08:33 | 0:08:36 | |
Is he? | 0:08:36 | 0:08:37 | |
Well, he didn't even offer to buy me a drink. | 0:08:37 | 0:08:40 | |
His eyes lit up when I mentioned her. | 0:08:41 | 0:08:44 | |
After that, I could barely get a word out of him. | 0:08:44 | 0:08:47 | |
Maybe he kidnapped Charlotte, and then she escaped. | 0:08:47 | 0:08:51 | |
Why poison her? | 0:08:51 | 0:08:53 | |
And why didn't William Bayley call the police? | 0:08:55 | 0:08:58 | |
So, what now? | 0:08:58 | 0:08:59 | |
I think we need to examine his garden. | 0:09:00 | 0:09:03 | |
Anything? | 0:09:16 | 0:09:18 | |
Erm, nothing that fits Charlotte's symptoms. | 0:09:18 | 0:09:21 | |
Well, what's to say it's a plant? | 0:09:21 | 0:09:24 | |
You can find all manner of things in people's bathroom cabinets. | 0:09:24 | 0:09:27 | |
Father? | 0:09:32 | 0:09:34 | |
What is it? | 0:09:34 | 0:09:35 | |
I need to go to the hospital. | 0:09:39 | 0:09:40 | |
Ergot is a fungus, | 0:09:46 | 0:09:47 | |
and its effects might explain the uterine contractions. | 0:09:47 | 0:09:50 | |
You think she was trying to abort an unwanted pregnancy? | 0:09:50 | 0:09:53 | |
Well, it's possible. The fungus grows on wheat, | 0:09:53 | 0:09:57 | |
and the last time she was seen, | 0:09:57 | 0:09:59 | |
she was heading towards the field by her house. | 0:09:59 | 0:10:01 | |
Ergot's used for treating migraines. | 0:10:03 | 0:10:06 | |
Charlotte's mother suffered from them. | 0:10:06 | 0:10:08 | |
Perhaps she found some around the house and took it by mistake. | 0:10:08 | 0:10:13 | |
Either way, let's keep this to ourselves until we've spoken to her. | 0:10:13 | 0:10:17 | |
Doctor... | 0:10:19 | 0:10:20 | |
..will she survive? | 0:10:23 | 0:10:25 | |
Yes. | 0:10:25 | 0:10:26 | |
We'll flush out her system, give her some calcium chloride. | 0:10:26 | 0:10:30 | |
Her heart rate's already stabilising. | 0:10:30 | 0:10:33 | |
I've been trying to persuade William to go home and get some rest. | 0:10:33 | 0:10:36 | |
-I'd prefer to stay. -I'll telephone you the moment she wakes. | 0:10:36 | 0:10:40 | |
She couldn't be in better hands. | 0:10:40 | 0:10:41 | |
Dr Ashley's a war hero - saved more men than penicillin! | 0:10:41 | 0:10:45 | |
Nurse, what have I said? | 0:10:45 | 0:10:47 | |
Prone to exaggeration. | 0:10:48 | 0:10:50 | |
I'll prepare Charlotte's treatment. | 0:10:50 | 0:10:53 | |
He's won medals for it and everything. | 0:10:53 | 0:10:56 | |
Speaking of the doctor, here. | 0:10:56 | 0:10:58 | |
I asked him to prescribe you this. It'll help you sleep. | 0:10:58 | 0:11:03 | |
As you're so keen to get rid of me... | 0:11:03 | 0:11:05 | |
The moment she wakes. | 0:11:07 | 0:11:08 | |
She's all I have left. | 0:11:18 | 0:11:19 | |
Alisha. | 0:11:25 | 0:11:26 | |
What're you doing here? | 0:11:26 | 0:11:27 | |
Can I have sixpence? They're showing Monsters From Mars | 0:11:27 | 0:11:30 | |
at the village hall. | 0:11:30 | 0:11:32 | |
We can't afford to throw money away on silly films. Now go home! | 0:11:32 | 0:11:34 | |
Just a minute, young man. | 0:11:34 | 0:11:36 | |
I think I might just have a sixpence in here... | 0:11:36 | 0:11:41 | |
Thank you! | 0:11:41 | 0:11:43 | |
You didn't need to do that. | 0:11:43 | 0:11:45 | |
Oh, it was entirely my pleasure. | 0:11:45 | 0:11:47 | |
Is that your brother? | 0:11:47 | 0:11:49 | |
Yes. It's just the two of us since mother passed away. | 0:11:49 | 0:11:52 | |
Not easy on my wages. | 0:11:52 | 0:11:53 | |
We're always here to help if you need it. | 0:11:54 | 0:11:57 | |
Well, in that case, would you mind going along | 0:11:57 | 0:11:59 | |
and keeping an eye on Nikhil? In case he gets scared. | 0:11:59 | 0:12:03 | |
I'd go, but I'm on the late shift. | 0:12:03 | 0:12:05 | |
-I was thinking more... -We'd be glad to! | 0:12:05 | 0:12:07 | |
DRAMATIC MUSIC | 0:12:09 | 0:12:11 | |
HEAVY BREATHING | 0:12:14 | 0:12:17 | |
HE SCREAMS | 0:12:30 | 0:12:31 | |
HE PANTS | 0:12:47 | 0:12:49 | |
OWL HOOTS | 0:12:55 | 0:12:56 | |
EERIE ROARING | 0:12:58 | 0:13:01 | |
Who's there? | 0:13:01 | 0:13:02 | |
WHISPERING | 0:13:06 | 0:13:08 | |
Who is it? | 0:13:08 | 0:13:09 | |
Answer me! | 0:13:10 | 0:13:11 | |
Go away... | 0:13:19 | 0:13:20 | |
Leave me alone! | 0:13:21 | 0:13:23 | |
SCREECHING | 0:13:23 | 0:13:25 | |
Police... | 0:13:30 | 0:13:32 | |
It's aliens! | 0:13:34 | 0:13:36 | |
KNOCK AT DOOR | 0:13:36 | 0:13:38 | |
Perhaps he overslept again. | 0:13:40 | 0:13:41 | |
He was exhausted yesterday. | 0:13:43 | 0:13:45 | |
Holy Mother... | 0:13:55 | 0:13:56 | |
Door was locked from the inside, windows bolted. | 0:14:00 | 0:14:03 | |
No other way into the room. | 0:14:03 | 0:14:05 | |
Looks like natural causes. | 0:14:05 | 0:14:07 | |
Heart attack, probably. | 0:14:07 | 0:14:08 | |
Report from the station, sir. | 0:14:08 | 0:14:10 | |
A telephone operator reported a 999 call from here last night. | 0:14:10 | 0:14:14 | |
"The gentleman said something about aliens coming for him, | 0:14:14 | 0:14:16 | |
"then the line went dead." | 0:14:16 | 0:14:19 | |
-"Aliens?" -That's what she said, sir. | 0:14:19 | 0:14:21 | |
Did you notice the dilated pupils? | 0:14:24 | 0:14:27 | |
He's right, sir. | 0:14:30 | 0:14:32 | |
Looks like the man's died of fright! | 0:14:32 | 0:14:33 | |
What're you still doing here, Padre? | 0:14:33 | 0:14:36 | |
Er, we thought you might want us to give a statement. | 0:14:36 | 0:14:40 | |
I don't. | 0:14:40 | 0:14:41 | |
Inspector, may I be the one to inform Mr Bayley's daughter? | 0:14:41 | 0:14:46 | |
I am a friend of the family. | 0:14:46 | 0:14:49 | |
Be my guest, so long as you take this nosy parker with you! | 0:14:49 | 0:14:53 | |
Yes. With pleasure. | 0:14:53 | 0:14:55 | |
Beware the Devil's Trumpet. | 0:15:00 | 0:15:02 | |
What does that mean? Get out! | 0:15:02 | 0:15:05 | |
As soon as you're feeling better, | 0:15:09 | 0:15:10 | |
we can discuss the funeral arrangements. | 0:15:10 | 0:15:13 | |
Thank you. | 0:15:14 | 0:15:16 | |
I can't even think straight right now. | 0:15:18 | 0:15:20 | |
That's hardly surprising. And there is no rush. | 0:15:20 | 0:15:24 | |
Charlotte, what happened to you? | 0:15:25 | 0:15:28 | |
How did you get your injuries? | 0:15:30 | 0:15:32 | |
I... | 0:15:34 | 0:15:36 | |
I can't remember. | 0:15:38 | 0:15:40 | |
Miss Bayley needs rest. | 0:15:41 | 0:15:42 | |
Yes. I'll come back and see you later. | 0:15:45 | 0:15:47 | |
Father, a word? In private. | 0:15:49 | 0:15:52 | |
Yes. Of course. | 0:15:53 | 0:15:55 | |
I shouldn't be telling you this. | 0:15:58 | 0:16:01 | |
The pregnancy test was positive. | 0:16:02 | 0:16:04 | |
If she took ergot in an attempt to abort the pregnancy, | 0:16:06 | 0:16:10 | |
it's a criminal offence and I should report her. | 0:16:10 | 0:16:12 | |
However... | 0:16:14 | 0:16:15 | |
..there's no sign of a miscarriage, | 0:16:17 | 0:16:19 | |
and I'm not willing to cause further distress to a scared, young woman | 0:16:19 | 0:16:22 | |
who's already lost her father. | 0:16:22 | 0:16:25 | |
Are you? | 0:16:25 | 0:16:27 | |
No. | 0:16:27 | 0:16:28 | |
Perhaps a vow of silence is in order. | 0:16:30 | 0:16:34 | |
If we don't ask, she won't tell. | 0:16:35 | 0:16:38 | |
We're done here. | 0:16:48 | 0:16:50 | |
"Beware the Devil's Trumpet"! | 0:16:56 | 0:16:58 | |
Have you lost your marbles, Sergeant? | 0:16:59 | 0:17:01 | |
That plant, sir. Devil's Trumpet is a nickname for thorn apple. | 0:17:01 | 0:17:06 | |
Poisonous. Sends you mad, apparently. | 0:17:06 | 0:17:09 | |
You've got hidden depth, Sergeant. | 0:17:10 | 0:17:13 | |
Mad enough to believe you're being attacked by aliens. | 0:17:13 | 0:17:16 | |
Maybe not "natural causes", then, sir? | 0:17:18 | 0:17:20 | |
Will you be OK if I go on my break? | 0:17:29 | 0:17:32 | |
I'll pop by as soon as I'm back. | 0:17:32 | 0:17:34 | |
I forgot to ask - is there anyone you would like me to contact? | 0:17:46 | 0:17:49 | |
Mr Crimp, for example. | 0:17:52 | 0:17:53 | |
He came to see you the other day. He seemed very concerned. | 0:17:55 | 0:17:58 | |
You must think I'm very wicked. | 0:18:00 | 0:18:02 | |
For falling in love? | 0:18:02 | 0:18:04 | |
Sean's probably still angry at me. | 0:18:04 | 0:18:06 | |
We were supposed to elope. | 0:18:08 | 0:18:10 | |
I changed my mind. | 0:18:12 | 0:18:13 | |
The baby? | 0:18:15 | 0:18:17 | |
Oh, don't blame Dr Ashley. | 0:18:17 | 0:18:20 | |
I made my own deduction. | 0:18:20 | 0:18:23 | |
Sean doesn't even know I'm pregnant. | 0:18:23 | 0:18:25 | |
The argument between your father and Mr Crimp - was that about you? | 0:18:25 | 0:18:30 | |
Father caught us kissing. | 0:18:30 | 0:18:33 | |
He fired Sean on the spot. | 0:18:35 | 0:18:37 | |
The police think your father died of a heart attack | 0:18:37 | 0:18:40 | |
but I think he was poisoned. | 0:18:40 | 0:18:42 | |
Poisoned? | 0:18:44 | 0:18:45 | |
Yes. His pupils were very dilated. | 0:18:45 | 0:18:48 | |
There is a plant in your garden - a thorn apple - | 0:18:48 | 0:18:53 | |
which contains atropine, and... | 0:18:53 | 0:18:56 | |
Well, the symptoms fit. | 0:18:59 | 0:19:02 | |
-Could Sean have...? -No! | 0:19:08 | 0:19:10 | |
No. It must have been someone else. | 0:19:12 | 0:19:14 | |
Not in the mood for company, Father. | 0:19:31 | 0:19:34 | |
Not even Charlotte's? | 0:19:34 | 0:19:35 | |
She's awake? | 0:19:36 | 0:19:38 | |
And asking after you, but she's afraid you might be angry with her. | 0:19:38 | 0:19:41 | |
Me, angry with HER? | 0:19:43 | 0:19:44 | |
I thought she didn't want anything more to do with me. | 0:19:46 | 0:19:49 | |
Let's get you some coffee and we'll go and see her. | 0:19:49 | 0:19:52 | |
Sean Crimp, I'm arresting you | 0:19:55 | 0:19:57 | |
on suspicion of the murder of William Bayley. | 0:19:57 | 0:19:59 | |
You're not obliged to say anything, | 0:19:59 | 0:20:01 | |
but whatever you say may be taken down and given in evidence. | 0:20:01 | 0:20:03 | |
Murder?! I haven't done anything! | 0:20:03 | 0:20:07 | |
Right, son, up you get. | 0:20:07 | 0:20:08 | |
-Tell Charlotte it's not true! -Come on, this way. | 0:20:08 | 0:20:11 | |
The thorn apple. Grow it yourself, did you? | 0:20:15 | 0:20:18 | |
-No. -Neighbours heard you and Mr Bayley arguing. What about? | 0:20:18 | 0:20:23 | |
-No comment. -He fires you. You want revenge. | 0:20:23 | 0:20:27 | |
-You poison him. -No! | 0:20:27 | 0:20:28 | |
So you didn't go anywhere near the Bayleys' house? | 0:20:28 | 0:20:31 | |
Cos we've got witnesses who saw you leave the village hall | 0:20:31 | 0:20:34 | |
not long before Mr Bayley's death. | 0:20:34 | 0:20:36 | |
We also found a footprint in the flowerbed outside his study - | 0:20:36 | 0:20:40 | |
matches your shoe size! | 0:20:40 | 0:20:42 | |
My footprints are probably all over the garden! | 0:20:42 | 0:20:44 | |
But he fired you days ago. | 0:20:44 | 0:20:47 | |
This one... was fresh. | 0:20:47 | 0:20:49 | |
HE SIGHS | 0:20:52 | 0:20:53 | |
All right. I went there. | 0:20:56 | 0:20:58 | |
Why? | 0:20:58 | 0:21:00 | |
HE SIGHS | 0:21:00 | 0:21:01 | |
To convince him to let me and Charlotte marry. | 0:21:01 | 0:21:04 | |
And I'm guessing he said no. | 0:21:04 | 0:21:07 | |
I never got the chance. | 0:21:07 | 0:21:09 | |
Mr Bayley wouldn't open the door. | 0:21:10 | 0:21:12 | |
KNOCK AT DOOR | 0:21:12 | 0:21:15 | |
Who's there?! | 0:21:15 | 0:21:16 | |
'He started yelling, like I was this wild beast.' | 0:21:16 | 0:21:21 | |
Who is it?! | 0:21:22 | 0:21:24 | |
Answer me! | 0:21:24 | 0:21:25 | |
I gave up and I went home. | 0:21:28 | 0:21:30 | |
Admit it - you poisoned him! | 0:21:30 | 0:21:33 | |
KNOCK AT DOOR | 0:21:33 | 0:21:34 | |
Not now! | 0:21:34 | 0:21:35 | |
With respect, sir, you really need to see this. | 0:21:35 | 0:21:38 | |
HE SIGHS | 0:21:43 | 0:21:45 | |
Just up here, sir. | 0:21:45 | 0:21:46 | |
-Don't you ever give up? -Erm... | 0:21:48 | 0:21:50 | |
Hoping to have a chat with you about Sean Crimp. | 0:21:51 | 0:21:54 | |
I was afraid you'd say that. | 0:21:54 | 0:21:56 | |
Charlotte Bayley wants to know if you're going to charge him. | 0:21:56 | 0:21:58 | |
So it's true, those two are an item? | 0:21:58 | 0:22:00 | |
Yes, well, if it was, erm, | 0:22:00 | 0:22:02 | |
Sean would hardly choose a murder weapon from the garden. | 0:22:02 | 0:22:06 | |
That would make him the most likely suspect. | 0:22:06 | 0:22:09 | |
You're suggesting someone PLANTED the evidence? | 0:22:09 | 0:22:12 | |
Good one, Inspector. | 0:22:12 | 0:22:13 | |
You give the average criminal too much credit, Padre. | 0:22:13 | 0:22:16 | |
In my experience, they're mostly half-wits. | 0:22:16 | 0:22:19 | |
Right, here we are, sir. | 0:22:19 | 0:22:22 | |
What am I looking at? | 0:22:24 | 0:22:26 | |
Right there, sir. | 0:22:26 | 0:22:27 | |
Flaming Nora. | 0:22:28 | 0:22:30 | |
It's very kind of you. | 0:22:38 | 0:22:40 | |
I've been tinkering with my dumplings, | 0:22:40 | 0:22:42 | |
and I would very much value your opinion... | 0:22:42 | 0:22:45 | |
-I see you've eaten already... Hello again. -Hello. | 0:22:45 | 0:22:49 | |
Well, this will keep. | 0:22:49 | 0:22:50 | |
Cooking helps take my mind off things. | 0:22:50 | 0:22:53 | |
It's so horrible what happened to Charlotte. | 0:22:53 | 0:22:55 | |
I didn't know you knew her. | 0:22:55 | 0:22:57 | |
We're old friends. | 0:22:57 | 0:22:58 | |
My mother worked as a cleaner for Mr Bayley. | 0:22:58 | 0:23:01 | |
Sometimes I'd tag along. | 0:23:01 | 0:23:03 | |
But then mother got sick, | 0:23:03 | 0:23:04 | |
and Mr Bayley dismissed her without a second thought. | 0:23:04 | 0:23:08 | |
Oh, thank you. | 0:23:11 | 0:23:14 | |
Did you hear about the symbol in the field? | 0:23:17 | 0:23:20 | |
-What symbol? -Burnt into the ground, | 0:23:20 | 0:23:23 | |
but no-one seems to know what it means. | 0:23:23 | 0:23:25 | |
I bet it was the aliens! What does it look like? | 0:23:25 | 0:23:28 | |
Nikhil, aliens don't exist anywhere but in your foolish imagination. | 0:23:28 | 0:23:32 | |
-But... -If you've finished, go do your homework. | 0:23:32 | 0:23:34 | |
HE SIGHS | 0:23:34 | 0:23:36 | |
Sorry. He's a good boy, but... | 0:23:37 | 0:23:40 | |
Nikhil believes there's alien technology out there, | 0:23:40 | 0:23:43 | |
which could help bring our mother back. | 0:23:43 | 0:23:47 | |
Oh. And your father? | 0:23:47 | 0:23:49 | |
He returned to India a few years ago. | 0:23:52 | 0:23:54 | |
If it ever gets too much for you, | 0:23:57 | 0:23:59 | |
you know there's always a warm welcome for you both at St Mary's. | 0:23:59 | 0:24:03 | |
We're not Catholic, I'm afraid. | 0:24:03 | 0:24:05 | |
That doesn't mean you can't join me for a cup of tea | 0:24:05 | 0:24:08 | |
or a slice of cake, now, does it? | 0:24:08 | 0:24:10 | |
They'll see. | 0:24:26 | 0:24:27 | |
-Good morning. -Morning. | 0:24:29 | 0:24:31 | |
More sightings of the symbol, sir. | 0:24:44 | 0:24:46 | |
Mrs Bagshot says someone's even painted it on her outhouse. | 0:24:46 | 0:24:49 | |
Then find out who's doing it and lock them up! | 0:24:49 | 0:24:52 | |
-I'm off. -Yeah. | 0:24:52 | 0:24:54 | |
The thing is, sir, people are getting nervous. | 0:24:56 | 0:24:58 | |
You know, they're saying it's from outer space. | 0:24:58 | 0:25:02 | |
I thought, seeing as it's a celestial matter, | 0:25:02 | 0:25:03 | |
we should speak to Father Brown, and maybe... | 0:25:03 | 0:25:06 | |
Catch the vandal! | 0:25:06 | 0:25:08 | |
And don't mention aliens again, unless you personally see | 0:25:08 | 0:25:11 | |
little green men walking along Kembleford High Street! | 0:25:11 | 0:25:14 | |
Yes, sir. | 0:25:15 | 0:25:17 | |
FIREWORKS | 0:25:21 | 0:25:24 | |
Alisha! Come look! | 0:25:38 | 0:25:39 | |
Yes, all right. If you could just please speak one at a time! | 0:25:48 | 0:25:53 | |
Please! | 0:25:53 | 0:25:55 | |
Your attention, please! | 0:25:56 | 0:25:58 | |
I can assure you there is nothing to worry about. | 0:26:00 | 0:26:04 | |
But, to allay your concerns, I will dispatch all the men | 0:26:06 | 0:26:10 | |
at my disposal to investigate the flying...thingamajig. | 0:26:10 | 0:26:16 | |
In the meantime, for your own safety, please return home. | 0:26:16 | 0:26:22 | |
-Immediately! -Come along, ladies and gentlemen. | 0:26:24 | 0:26:27 | |
Stay here. And keep calm. | 0:26:33 | 0:26:36 | |
And if I'm not back by midnight, call the army! | 0:26:38 | 0:26:42 | |
Well... | 0:26:46 | 0:26:49 | |
whatever it is, it's gone. | 0:26:49 | 0:26:52 | |
Oh... I'm really sorry I woke you, Father. | 0:26:54 | 0:26:57 | |
I only wanted to make sure that you were all right. | 0:26:57 | 0:27:00 | |
That's very kind of you. DOOR OPENS | 0:27:00 | 0:27:02 | |
Only me! Saw your light on. | 0:27:02 | 0:27:05 | |
Oh, I hope I'm not interrupting anything. | 0:27:06 | 0:27:08 | |
I beg your pardon?! | 0:27:10 | 0:27:12 | |
I just wanted to make sure you were OK, Father. | 0:27:12 | 0:27:15 | |
Cos you don't think it really was a...? | 0:27:15 | 0:27:17 | |
Do you? | 0:27:19 | 0:27:22 | |
Of course not! | 0:27:22 | 0:27:23 | |
The whole thing was probably just a silly hoax. | 0:27:23 | 0:27:26 | |
Yes, or maybe it was some sort of rare weather phenomenon. | 0:27:26 | 0:27:30 | |
KNOCK AT DOOR | 0:27:30 | 0:27:31 | |
Inspector. Cocoa? | 0:27:37 | 0:27:40 | |
No, thank you. Here on business. | 0:27:40 | 0:27:43 | |
We've found no sign of the spaceship, or whatever it was, | 0:27:43 | 0:27:47 | |
and I wondered if... | 0:27:47 | 0:27:48 | |
-Well... -So now you want Father Brown's help? | 0:27:50 | 0:27:54 | |
I'll happily listen to any hypotheses that you have to offer. | 0:27:55 | 0:27:59 | |
After all, visitations from the heavens are your department. | 0:27:59 | 0:28:03 | |
Oh, I'm certain it wasn't "from the heavens". | 0:28:03 | 0:28:06 | |
What was it, then? | 0:28:06 | 0:28:07 | |
Cos I've had every copper for miles out looking for it. | 0:28:07 | 0:28:10 | |
A distraction. | 0:28:11 | 0:28:13 | |
Typical. | 0:28:16 | 0:28:18 | |
Sergeant! Wake up! | 0:28:18 | 0:28:19 | |
Goodfellow! | 0:28:21 | 0:28:22 | |
Goodfellow? | 0:28:24 | 0:28:25 | |
You! I should write you up! Asleep on the job! | 0:28:32 | 0:28:35 | |
-Keys! -What? | 0:28:35 | 0:28:37 | |
Where's my keys? | 0:28:37 | 0:28:39 | |
SHE CLEARS THROAT | 0:29:02 | 0:29:03 | |
I went to see it. I recognised it straight away. | 0:29:06 | 0:29:08 | |
It's a warning. | 0:29:11 | 0:29:12 | |
-Who from? -The Intergalactic Alliance. | 0:29:14 | 0:29:17 | |
Different planets working together to protect the galaxy. | 0:29:17 | 0:29:21 | |
It means there's going to be an invasion! | 0:29:21 | 0:29:23 | |
What, the Intergalactic Alliance are about to invade? | 0:29:23 | 0:29:26 | |
No, the Droxidians are. | 0:29:26 | 0:29:28 | |
I am completely lost. | 0:29:28 | 0:29:30 | |
The Droxidians are crossing the galaxy | 0:29:30 | 0:29:32 | |
destroying everything in their path. In this story, | 0:29:32 | 0:29:36 | |
the humans find the symbol and arm themselves, ready to defend Earth. | 0:29:36 | 0:29:41 | |
We need to do the same! | 0:29:41 | 0:29:42 | |
That's why I wanted everyone to see it. | 0:29:42 | 0:29:44 | |
Why didn't you tell the police? | 0:29:44 | 0:29:46 | |
I tried. Inspector Mallory called me a "guttersnipe". | 0:29:46 | 0:29:50 | |
I hesitate to ask this, but do we win, | 0:29:52 | 0:29:54 | |
in the story? | 0:29:54 | 0:29:56 | |
I don't know. | 0:29:56 | 0:29:57 | |
What do you mean, you don't know?! | 0:29:57 | 0:29:58 | |
My sister confiscated the latest edition before I could finish it. | 0:29:58 | 0:30:02 | |
I think we know what we saw in the sky last night. | 0:30:04 | 0:30:06 | |
Nikhil? You up there? | 0:30:09 | 0:30:10 | |
Something wrong? | 0:30:14 | 0:30:15 | |
I'm presuming Charlotte asked you for your help. | 0:30:17 | 0:30:21 | |
-Excuse me? -To get Sean out of jail. | 0:30:23 | 0:30:25 | |
You needed everybody to be looking in the opposite direction, | 0:30:26 | 0:30:30 | |
and you certainly got OUR attention. | 0:30:30 | 0:30:33 | |
You knew that rumours of alien activity | 0:30:33 | 0:30:36 | |
were spreading around Kembleford. | 0:30:36 | 0:30:38 | |
So, using the instructions from Nikhil's comic book, | 0:30:38 | 0:30:41 | |
you created your very own spaceship. | 0:30:41 | 0:30:44 | |
A few fireworks to make sure everyone noticed, and you had | 0:30:44 | 0:30:47 | |
the panic and disorder you needed to sneak Sean out of the cell. | 0:30:47 | 0:30:51 | |
All that stood in your way was poor Sergeant Goodfellow. | 0:30:52 | 0:30:55 | |
You are mistaken, Father. | 0:30:55 | 0:30:57 | |
Perhaps we should call Inspector Mallory. | 0:30:57 | 0:31:00 | |
Breaking a suspect out of custody, causing mass panic! | 0:31:00 | 0:31:03 | |
Wait! All I did was make the lantern. | 0:31:03 | 0:31:06 | |
It was Charlotte who broke Sean out. | 0:31:06 | 0:31:08 | |
Can I help you, Miss? | 0:31:10 | 0:31:11 | |
Oh, let me help you with that. | 0:31:13 | 0:31:15 | |
Did you...? Did you...? | 0:31:20 | 0:31:24 | |
But Charlotte wouldn't have been able to leave the ward | 0:31:24 | 0:31:27 | |
without your help. | 0:31:27 | 0:31:28 | |
And I have no doubt you supplied the sedative stolen from the hospital... | 0:31:30 | 0:31:35 | |
Sorry! | 0:31:35 | 0:31:36 | |
..and as a nurse, you must have known how dangerous that was. | 0:31:36 | 0:31:40 | |
'She begged me to help her.' | 0:31:40 | 0:31:42 | |
She was terrified Sean would hang for killing her father. | 0:31:42 | 0:31:45 | |
Did Charlotte say where Sean had gone? | 0:31:45 | 0:31:48 | |
No. | 0:31:48 | 0:31:49 | |
Just that he was going to lie low until things calmed down, | 0:31:49 | 0:31:52 | |
then she'd join him. | 0:31:52 | 0:31:54 | |
We need to talk to Charlotte. | 0:31:54 | 0:31:56 | |
Sean needs to give himself up before things get any worse. | 0:31:56 | 0:31:59 | |
Well, if we're in a rush, I know an excellent means of transportation. | 0:31:59 | 0:32:04 | |
You take the scooter. | 0:32:04 | 0:32:05 | |
My bike's just outside. | 0:32:05 | 0:32:07 | |
And what about me? | 0:32:08 | 0:32:10 | |
No! No, no, no! Absolutely not! | 0:32:13 | 0:32:17 | |
See? I told you it'd be over in a flash. | 0:32:22 | 0:32:27 | |
That has been the longest journey of my life. | 0:32:27 | 0:32:29 | |
Is Charlotte with you? | 0:32:30 | 0:32:31 | |
Isn't she here? | 0:32:31 | 0:32:33 | |
Apparently she's discharged herself! | 0:32:33 | 0:32:35 | |
She really should be under observation. | 0:32:35 | 0:32:37 | |
Well, don't worry. We'll find her | 0:32:37 | 0:32:40 | |
What on earth do you think you're doing? | 0:32:45 | 0:32:48 | |
Ask around. See if anyone knows where she's gone. | 0:32:48 | 0:32:53 | |
He'll kill himself. | 0:33:01 | 0:33:02 | |
It's time to embrace the future. | 0:33:11 | 0:33:12 | |
Oh! | 0:33:17 | 0:33:18 | |
Oh, I can't look! | 0:33:22 | 0:33:23 | |
Ah! | 0:33:28 | 0:33:30 | |
I thought you I'd find you here. | 0:33:41 | 0:33:44 | |
Please, let us go before the police find us. | 0:33:44 | 0:33:47 | |
Oh, the police will catch up with you eventually. Stay. | 0:33:47 | 0:33:50 | |
And let me prove you did not kill Mr Bayley. | 0:33:53 | 0:33:56 | |
-How? -By telling the truth. | 0:33:56 | 0:33:58 | |
The night your father died - | 0:34:00 | 0:34:02 | |
was that the night you were planning to go away together? | 0:34:02 | 0:34:05 | |
Yes. I slipped some of my mother's sleeping medicine into | 0:34:05 | 0:34:08 | |
father's night-cap, waited until he'd gone to bed, and then left. | 0:34:08 | 0:34:14 | |
Sean! | 0:34:14 | 0:34:15 | |
Charlotte! | 0:34:19 | 0:34:20 | |
He must've followed me. | 0:34:20 | 0:34:22 | |
We've got to go. | 0:34:22 | 0:34:24 | |
I can't leave him. | 0:34:24 | 0:34:25 | |
Please, let's just go. | 0:34:25 | 0:34:28 | |
Go back to your place - I'll come as soon as I can get away. | 0:34:28 | 0:34:30 | |
-Forget about him! -He's my father! | 0:34:30 | 0:34:32 | |
Your injuries. | 0:34:38 | 0:34:39 | |
Was that your father? | 0:34:42 | 0:34:44 | |
It was the medicine. | 0:34:46 | 0:34:47 | |
He didn't know what he was doing! | 0:34:49 | 0:34:51 | |
Don't defend him. | 0:34:51 | 0:34:52 | |
I took Father home. | 0:34:54 | 0:34:56 | |
He was ranting and raving, and... | 0:34:56 | 0:34:58 | |
..when I said I loved Sean... | 0:34:59 | 0:35:01 | |
..he started hitting me. | 0:35:03 | 0:35:04 | |
He wouldn't stop, so I told him about my baby. | 0:35:07 | 0:35:10 | |
Then what did he do? | 0:35:10 | 0:35:12 | |
He went really quiet, and then said he'd make me something to eat. | 0:35:13 | 0:35:19 | |
When he walked into my room with a sandwich, | 0:35:19 | 0:35:21 | |
I thought everything was going to be all right... | 0:35:21 | 0:35:25 | |
but when he left, he locked the door behind him. | 0:35:25 | 0:35:30 | |
I knocked and shouted for him to let me out, but he wouldn't come. | 0:35:31 | 0:35:35 | |
Eventually, I just gave up and fell asleep. | 0:35:36 | 0:35:41 | |
So, when Mrs McCarthy and I came the following morning... | 0:35:41 | 0:35:46 | |
..you were still upstairs? | 0:35:49 | 0:35:51 | |
I had this pain in my stomach. I was scared I was losing the baby. | 0:35:51 | 0:35:57 | |
I knew I had to get help. | 0:35:58 | 0:36:00 | |
I couldn't open the door, so I climbed out of the window. | 0:36:02 | 0:36:07 | |
That's when I fell. | 0:36:07 | 0:36:08 | |
I think he fed you ergot. | 0:36:08 | 0:36:10 | |
He poisoned her? | 0:36:11 | 0:36:13 | |
Well, I don't think he wanted to poison CHARLOTTE. | 0:36:13 | 0:36:16 | |
It was the baby. | 0:36:19 | 0:36:20 | |
Who else had access to the thorn-apple? | 0:36:23 | 0:36:26 | |
I mean, anyone could've got in, but not many would recognise it, | 0:36:26 | 0:36:31 | |
let alone know what atropine could do to someone. | 0:36:31 | 0:36:34 | |
There were always clients coming and going, | 0:36:34 | 0:36:38 | |
though I don't recall any plant experts. | 0:36:38 | 0:36:41 | |
Maybe it was another sort of expert. | 0:36:42 | 0:36:45 | |
Where did your father keep his files? | 0:36:45 | 0:36:47 | |
-Have you found her? -Yes. And she filled in some blanks. | 0:36:57 | 0:37:01 | |
Why did you burn the symbol into the field? | 0:37:02 | 0:37:05 | |
I told you. To protect Charlotte. | 0:37:05 | 0:37:07 | |
But you could only have done that on your break, | 0:37:07 | 0:37:10 | |
and Sean Crimp hadn't been arrested yet. | 0:37:10 | 0:37:13 | |
I... | 0:37:13 | 0:37:15 | |
You must be mistaken. | 0:37:15 | 0:37:17 | |
I think you wanted the police to chase aliens, | 0:37:17 | 0:37:21 | |
and not the real culprit. | 0:37:21 | 0:37:22 | |
I'm so sorry! | 0:37:25 | 0:37:26 | |
What for? | 0:37:27 | 0:37:28 | |
Please don't tell anyone. If I'm arrested, who'll look after Nikhil? | 0:37:28 | 0:37:31 | |
Arrested? What are you talking about? | 0:37:31 | 0:37:33 | |
Mr Bayley's prescription. I must've got the proportions wrong. | 0:37:33 | 0:37:37 | |
Father Brown said it was atropine that killed him. | 0:37:37 | 0:37:40 | |
I remember that was one of the ingredients. | 0:37:40 | 0:37:42 | |
No, no. Don't be ridiculous. Why would I have prescribed atropine? | 0:37:42 | 0:37:45 | |
It's used for eye examinations. | 0:37:45 | 0:37:47 | |
You must have misread my handwriting. | 0:37:47 | 0:37:49 | |
Oh, I doubt it. | 0:37:49 | 0:37:51 | |
How else do you explain it? | 0:37:51 | 0:37:52 | |
I think Alicia gave Mr Bayley exactly what the doctor ordered. | 0:37:52 | 0:37:57 | |
Are you suggesting I deliberately poisoned my patient? Why? | 0:37:57 | 0:38:01 | |
Because he'd found out your secret. | 0:38:02 | 0:38:05 | |
Your demobilisation certificate, dated last month. | 0:38:08 | 0:38:12 | |
-Where did you...? -Dr Ashley left the army years ago! | 0:38:13 | 0:38:16 | |
Yes. | 0:38:16 | 0:38:18 | |
But without permission. | 0:38:18 | 0:38:19 | |
Did you ever wonder why such a talented doctor ended up | 0:38:22 | 0:38:25 | |
in a cottage hospital in the middle of nowhere? | 0:38:25 | 0:38:29 | |
Because... | 0:38:29 | 0:38:30 | |
Were you really prepared to let her think that she'd killed a man? | 0:38:33 | 0:38:38 | |
The truth is... | 0:38:41 | 0:38:42 | |
..I deserted. | 0:38:45 | 0:38:46 | |
You told me you'd won medals! | 0:38:49 | 0:38:52 | |
I did. | 0:38:52 | 0:38:53 | |
Every man has his breaking point. | 0:38:55 | 0:38:57 | |
Mine was June 13th, 1944. | 0:38:59 | 0:39:01 | |
I won't bore you with the details. | 0:39:01 | 0:39:03 | |
So...what? You've been hiding here ever since? | 0:39:05 | 0:39:09 | |
Thanks to Mr Churchill... | 0:39:09 | 0:39:10 | |
..all deserters finally have an amnesty, | 0:39:12 | 0:39:15 | |
and so you employed Mr Bayley to prepare the papers. | 0:39:15 | 0:39:19 | |
You killed Mr Bayley to stop him telling people you're a deserter?! | 0:39:19 | 0:39:22 | |
I... | 0:39:22 | 0:39:24 | |
I killed him to stop him hurting Charlotte. | 0:39:24 | 0:39:28 | |
I don't understand. | 0:39:28 | 0:39:29 | |
He was a vile bully. | 0:39:29 | 0:39:31 | |
Bayley didn't know if the ergot had worked, so he tried to blackmail me | 0:39:31 | 0:39:35 | |
into performing an abortion, | 0:39:35 | 0:39:36 | |
threatening to tell the Board of Governors, my patients, everyone, | 0:39:36 | 0:39:40 | |
about my past if I refused. | 0:39:40 | 0:39:41 | |
So when Alisha asked you to prepare something to help him sleep, | 0:39:42 | 0:39:48 | |
you took your chance to silence him. | 0:39:48 | 0:39:51 | |
He had already put Charlotte through agony, and whether I agreed | 0:39:51 | 0:39:54 | |
to the abortion or not, he was determined to kill her unborn child! | 0:39:54 | 0:39:58 | |
Can't you see he deserved it? | 0:39:58 | 0:40:00 | |
Judgment is God's alone. | 0:40:00 | 0:40:02 | |
God?! | 0:40:02 | 0:40:04 | |
Where was He while I was sawing off men's limbs in Normandy? | 0:40:04 | 0:40:08 | |
-I suppose you'll tell the police. -Well... | 0:40:10 | 0:40:14 | |
I rather hoped YOU would. | 0:40:14 | 0:40:16 | |
And hang? No, thank you. | 0:40:16 | 0:40:17 | |
Well, given the extenuating circumstances, | 0:40:17 | 0:40:20 | |
it would be a custodial sentence. | 0:40:20 | 0:40:23 | |
Still, I'd prefer to leave. | 0:40:23 | 0:40:26 | |
I've made a new life before. I can do it again. | 0:40:27 | 0:40:29 | |
And Sean Crimp... | 0:40:31 | 0:40:32 | |
..who may be punished for your crimes. | 0:40:34 | 0:40:36 | |
I'm sure you can convince a jury of his innocence. | 0:40:36 | 0:40:40 | |
I'd rather you would. | 0:40:40 | 0:40:42 | |
I'm a coward, Father. Thought you knew already. | 0:40:42 | 0:40:45 | |
I don't think that. | 0:40:46 | 0:40:47 | |
Stay. | 0:40:50 | 0:40:51 | |
Do the right thing. | 0:40:54 | 0:40:56 | |
I'm sorry I'm not the man you thought I was. | 0:41:01 | 0:41:03 | |
Are you prepared to go back to hiding in the shadows, | 0:41:14 | 0:41:19 | |
living in fear and guilt? | 0:41:19 | 0:41:21 | |
The deserter's lot, Father. | 0:41:21 | 0:41:22 | |
What was Dr Ashley doing on your scooter? | 0:41:29 | 0:41:31 | |
Going on the run. | 0:41:34 | 0:41:36 | |
Oh. Well, I could always buy you another one. | 0:41:36 | 0:41:38 | |
Well? | 0:41:51 | 0:41:52 | |
Inspector Mallory has decided not to press charges | 0:41:52 | 0:41:55 | |
about your unlawful escape from custody. | 0:41:55 | 0:41:58 | |
Or assaulting a police officer. | 0:41:58 | 0:42:01 | |
How did you manage that? | 0:42:01 | 0:42:03 | |
Well, Alisha bore witness to Dr Ashley's confession, | 0:42:03 | 0:42:07 | |
so Inspector Mallory, knowing the real culprit was still at large, | 0:42:07 | 0:42:12 | |
is happy to brush everything under the carpet. | 0:42:12 | 0:42:15 | |
Do you think they'll find the doctor? | 0:42:15 | 0:42:17 | |
Dr Ashley managed to stay under the radar for the best part | 0:42:17 | 0:42:20 | |
of a decade, so I wouldn't be too optimistic. | 0:42:20 | 0:42:23 | |
So he'll just get away with it, then? | 0:42:23 | 0:42:25 | |
Well, I wouldn't say that. | 0:42:25 | 0:42:27 | |
Constantly looking over his shoulder, | 0:42:29 | 0:42:31 | |
fearful of every knock on the door. | 0:42:31 | 0:42:33 | |
Running away was his crime AND his punishment. | 0:42:37 | 0:42:41 | |
Thank you, Father. | 0:42:42 | 0:42:45 | |
For everything. | 0:42:45 | 0:42:46 | |
I was wondering if we could ask you just one last favour. | 0:42:47 | 0:42:54 | |
It would be a pleasure. | 0:42:58 | 0:43:00 | |
But wedding plans will have to wait. | 0:43:00 | 0:43:01 | |
What you need is a good long rest, | 0:43:01 | 0:43:04 | |
and I'll come by this evening with some dinner. | 0:43:04 | 0:43:07 | |
I think I might... I might do a curry, | 0:43:07 | 0:43:11 | |
if I can get Alisha to lend me some of her ingredients. | 0:43:11 | 0:43:15 | |
Would you all excuse me, please? | 0:43:15 | 0:43:17 | |
Why can't she stick to strawberry scones? | 0:43:19 | 0:43:22 | |
The poor girl's been poisoned once already. | 0:43:22 | 0:43:25 | |
I like curry. | 0:43:25 | 0:43:26 |