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HE PLAYS JAZZ MUSIC | 0:00:02 | 0:00:05 | |
MAN WOLF WHISTLES | 0:00:05 | 0:00:06 | |
PIANO JAZZ MUSIC CONTINUES | 0:00:06 | 0:00:09 | |
WHISTLING | 0:00:24 | 0:00:27 | |
-Inspector! -HE CHUCKLES | 0:00:31 | 0:00:34 | |
A pleasure, as always. | 0:00:34 | 0:00:36 | |
Fifi! | 0:00:38 | 0:00:40 | |
A large single malt. On the house. | 0:00:41 | 0:00:43 | |
Yes, Mr Cranage. | 0:00:43 | 0:00:45 | |
To thank you for your help with the licence. | 0:00:45 | 0:00:47 | |
I really didn't do anything. | 0:00:47 | 0:00:48 | |
Nonetheless, I always like to stay on the right side of the law. | 0:00:48 | 0:00:51 | |
Where did you get him? | 0:00:51 | 0:00:53 | |
The gutter. | 0:00:55 | 0:00:56 | |
We're home to all sorts of waifs and strays. | 0:00:56 | 0:00:58 | |
Enjoy. | 0:01:03 | 0:01:04 | |
WHISTLING AND APPLAUSE | 0:01:04 | 0:01:07 | |
# Oh, will you never let me be? | 0:01:12 | 0:01:16 | |
# Oh, will you never set me free? | 0:01:18 | 0:01:23 | |
# The ties that bound us | 0:01:23 | 0:01:25 | |
# Are still around us | 0:01:25 | 0:01:29 | |
# There's no escape that I can see | 0:01:29 | 0:01:36 | |
She's amazing, isn't she? | 0:01:38 | 0:01:40 | |
# Oh, will you never let me be? | 0:01:40 | 0:01:43 | |
# Oh, will you never set me free? # | 0:01:44 | 0:01:48 | |
-IN POLISH ACCENT: -Stop! You should not be doing that. | 0:02:11 | 0:02:14 | |
Have you thought any more about my offer? | 0:02:22 | 0:02:25 | |
If anybody finds out, I will go to jail. | 0:02:27 | 0:02:29 | |
You, too. | 0:02:29 | 0:02:31 | |
Nobody will find out. | 0:02:31 | 0:02:32 | |
But to take a life...! | 0:02:33 | 0:02:35 | |
I need you to do this for me. | 0:02:47 | 0:02:49 | |
I don't have anyone else to turn to. | 0:02:51 | 0:02:54 | |
-Please... -Yes. | 0:02:56 | 0:02:58 | |
You'll have the money by tomorrow. | 0:03:04 | 0:03:07 | |
And may God forgive us...both. | 0:03:07 | 0:03:09 | |
-Now, another slice? -No, no. | 0:03:47 | 0:03:49 | |
It's a pleasure to finally meet you, Father. | 0:03:51 | 0:03:53 | |
My godmother writes about you so fondly. | 0:03:53 | 0:03:56 | |
Don't you believe a word of it. | 0:03:56 | 0:03:58 | |
Now, we mustn't forget to telephone your parents, | 0:03:58 | 0:04:00 | |
-let them know you've arrived safely. -You can't. They're... | 0:04:00 | 0:04:03 | |
They're on a walking holiday. | 0:04:03 | 0:04:05 | |
The Brecon Beacons, I believe. | 0:04:05 | 0:04:07 | |
I couldn't even tell you where they're staying. | 0:04:07 | 0:04:09 | |
So what made you decide to come and visit your godmother? | 0:04:09 | 0:04:13 | |
And why shouldn't she decide to visit her godmother? | 0:04:13 | 0:04:16 | |
Well, when the cat's away... | 0:04:16 | 0:04:18 | |
You believe I should be at home throwing wild parties? | 0:04:18 | 0:04:22 | |
-Well, I'm not encouraging it, but... -I'd rather be here. | 0:04:22 | 0:04:26 | |
I haven't spent any time with my godmother in years. | 0:04:26 | 0:04:29 | |
Will you excuse me one moment? | 0:04:29 | 0:04:32 | |
-All right, then, spit it out. -Well... | 0:04:38 | 0:04:41 | |
..turning up out of the blue like this... | 0:04:42 | 0:04:45 | |
Well, her letter probably went astray in the post. | 0:04:45 | 0:04:48 | |
You don't think there's anything wrong? | 0:04:48 | 0:04:49 | |
A row with her parents, perhaps? | 0:04:49 | 0:04:51 | |
If there was anything wrong, she'd tell me. | 0:04:51 | 0:04:54 | |
We've always been very close. | 0:04:54 | 0:04:55 | |
Cooo-ee! | 0:04:55 | 0:04:57 | |
-Hello! -And what are you doing here? | 0:04:58 | 0:05:00 | |
Charming! | 0:05:00 | 0:05:02 | |
I thought I'd bring these along for your charity auction next week. | 0:05:02 | 0:05:05 | |
When I heard about those poor little mites suffering from polio, | 0:05:05 | 0:05:08 | |
I thought, what a fantastic opportunity for me | 0:05:08 | 0:05:11 | |
to clear out my wardrobe. | 0:05:11 | 0:05:12 | |
Well, thank you very much for your donation, Penelope. | 0:05:12 | 0:05:15 | |
Now, there's something I have to say. | 0:05:15 | 0:05:17 | |
My goddaughter Joselyn is staying here for a few days | 0:05:17 | 0:05:20 | |
and I do not want her subjected to your bad influence. | 0:05:20 | 0:05:23 | |
Bad influence?! | 0:05:23 | 0:05:24 | |
Mrs M, I would never attempt | 0:05:24 | 0:05:28 | |
to drag an innocent down the path of temptation. | 0:05:28 | 0:05:30 | |
Talk of the devil. You must be Joselyn. | 0:05:31 | 0:05:34 | |
Hello, I'm Bunty. | 0:05:34 | 0:05:36 | |
What a darling little thing you are. | 0:05:36 | 0:05:39 | |
Thank you. I love your hat. | 0:05:39 | 0:05:41 | |
Oh, well, you're welcome to borrow it any time you like. | 0:05:41 | 0:05:45 | |
You should wear it to one of my soirees. | 0:05:45 | 0:05:48 | |
Music, cocktails, an array of unsuitable bachelors... | 0:05:48 | 0:05:52 | |
Oh, that's very kind, but I... | 0:05:52 | 0:05:55 | |
Penelope, you have been warned. | 0:05:55 | 0:05:57 | |
Now, I'm going to help you unpack. | 0:05:57 | 0:05:59 | |
-Lovely to meet you. -Mm. | 0:05:59 | 0:06:01 | |
Hm...well. | 0:06:03 | 0:06:05 | |
That girl is not nearly as innocent as she's pretending to be. | 0:06:06 | 0:06:10 | |
I suspect you might be right. | 0:06:12 | 0:06:14 | |
Is that it? | 0:06:20 | 0:06:21 | |
A slow night. | 0:06:21 | 0:06:23 | |
See you tomorrow, V. | 0:06:26 | 0:06:29 | |
Well? | 0:06:37 | 0:06:38 | |
I take it you're feeling better? | 0:06:41 | 0:06:42 | |
Yes. Thank you. | 0:06:42 | 0:06:45 | |
So, if I lend you this money, | 0:06:46 | 0:06:48 | |
there'll be no more missed appointments? | 0:06:48 | 0:06:50 | |
No. | 0:06:50 | 0:06:51 | |
Excellent. | 0:06:53 | 0:06:54 | |
You can add it to what you already owe me. | 0:06:56 | 0:06:58 | |
You're going to be a very busy girl. | 0:07:04 | 0:07:06 | |
Say thank you to your Uncle Maurice. | 0:07:09 | 0:07:11 | |
Thank you. | 0:07:13 | 0:07:14 | |
You can go, Janek. I'll lock up. | 0:07:26 | 0:07:28 | |
Good morning! | 0:08:14 | 0:08:16 | |
Rise and shine! | 0:08:16 | 0:08:18 | |
Nothing we can do. | 0:08:34 | 0:08:36 | |
What do you mean, "nothing we can do"? | 0:08:36 | 0:08:39 | |
-She's an adult. -Well, what about the letter? | 0:08:39 | 0:08:42 | |
In which she states, "You shouldn't expect to see me again." | 0:08:42 | 0:08:46 | |
-Sounds like she's running away. -Exactly! So... | 0:08:46 | 0:08:49 | |
Which she's perfectly entitled to do. | 0:08:49 | 0:08:51 | |
And what about this? | 0:08:53 | 0:08:56 | |
I found it on the floor of her bedroom. | 0:08:56 | 0:08:59 | |
Well, that changes everything. | 0:08:59 | 0:09:01 | |
I'll put all my men on red alert. | 0:09:02 | 0:09:04 | |
We're clearly looking for a parrot with a penchant for kidnap! | 0:09:04 | 0:09:08 | |
Perhaps you could help, Padre? | 0:09:11 | 0:09:12 | |
You like wild goose chases, so this'll be right up your street. | 0:09:12 | 0:09:16 | |
Come along, Sergeant. | 0:09:16 | 0:09:18 | |
Don't you worry, Mrs McCarthy. I'll keep an eye out for her. | 0:09:21 | 0:09:24 | |
-Did you speak to her parents? -They're on holiday. | 0:09:32 | 0:09:36 | |
At least that part was true. | 0:09:36 | 0:09:38 | |
According to the housekeeper, | 0:09:38 | 0:09:39 | |
Joselyn stayed behind to attend secretarial classes. | 0:09:39 | 0:09:42 | |
Did the housekeeper say where the classes were held? | 0:09:42 | 0:09:45 | |
She didn't know. | 0:09:45 | 0:09:47 | |
Only that Joselyn has been going for three or four evenings a week | 0:09:47 | 0:09:51 | |
for the past few months. | 0:09:51 | 0:09:52 | |
And that sometimes she stays over with a friend, | 0:09:52 | 0:09:55 | |
but the housekeeper couldn't give me a name. | 0:09:55 | 0:09:58 | |
There is one place that springs to mind. | 0:09:58 | 0:10:01 | |
Not that I'd call the girls "secretaries" exactly. | 0:10:02 | 0:10:05 | |
I met a girl at a party who used to work here. | 0:10:09 | 0:10:12 | |
They make them wear red feathers in their hair. | 0:10:12 | 0:10:14 | |
And very little else, I shouldn't wonder! | 0:10:14 | 0:10:16 | |
My Joselyn wouldn't be seen dead in a place like this. | 0:10:16 | 0:10:19 | |
Let's not tempt fate. | 0:10:19 | 0:10:21 | |
Well, it has to be worth checking out? | 0:10:21 | 0:10:23 | |
And how are you going to do that? | 0:10:23 | 0:10:25 | |
You are not suggesting... | 0:10:28 | 0:10:30 | |
that Father Brown signs up for membership?! | 0:10:30 | 0:10:32 | |
I doubt the Bishop would approve. | 0:10:32 | 0:10:35 | |
Oh, you could just pretend to be a concerned relative | 0:10:35 | 0:10:37 | |
and then ask if Joselyn works here. | 0:10:37 | 0:10:39 | |
Well, that assumes she's using her own name. | 0:10:39 | 0:10:42 | |
As far as I understand, the... | 0:10:42 | 0:10:44 | |
ladies who work in these establishments use noms de plume. | 0:10:44 | 0:10:47 | |
How do you know that? | 0:10:47 | 0:10:48 | |
The things I've heard in confession... | 0:10:48 | 0:10:51 | |
would make a sailor blush. | 0:10:51 | 0:10:53 | |
Oh, my God...! | 0:10:53 | 0:10:55 | |
Don't worry. I've got a plan. | 0:10:55 | 0:10:57 | |
DOORBELL RINGS | 0:10:59 | 0:11:01 | |
I take it you, er... have experience? | 0:11:03 | 0:11:06 | |
More than you could possibly imagine. | 0:11:06 | 0:11:08 | |
What sort of act do you do? | 0:11:08 | 0:11:10 | |
What sort of act would you like? | 0:11:10 | 0:11:12 | |
Well, we've got a couple of singers and a few straight burlesque acts. | 0:11:12 | 0:11:16 | |
I could use something a bit different. | 0:11:16 | 0:11:18 | |
I can do...different. | 0:11:18 | 0:11:20 | |
I'd need to see it, before I book you in. | 0:11:21 | 0:11:24 | |
Naturally. | 0:11:26 | 0:11:27 | |
I just need to gather a few...props. | 0:11:27 | 0:11:30 | |
# C'est si bon | 0:11:37 | 0:11:40 | |
# Lovers say that in France | 0:11:40 | 0:11:43 | |
# When they thrill to romance | 0:11:43 | 0:11:46 | |
# It means that it's so good | 0:11:46 | 0:11:49 | |
# C'est si bon | 0:11:50 | 0:11:53 | |
# So I say it to you | 0:11:53 | 0:11:56 | |
# Like the French people do | 0:11:56 | 0:11:59 | |
# Because it's oh so good. # | 0:12:00 | 0:12:03 | |
-Why have you stopped? -Want to see more, darling? | 0:12:05 | 0:12:08 | |
Well, I get my own dressing room, | 0:12:08 | 0:12:11 | |
two nights off a week and... | 0:12:11 | 0:12:15 | |
Ah! Twice what the other girls earn. | 0:12:15 | 0:12:18 | |
Wait a minute! | 0:12:18 | 0:12:20 | |
Scarlet, get out here! | 0:12:21 | 0:12:23 | |
Show our new employee to her dressing room three. | 0:12:23 | 0:12:26 | |
Welcome to The Crimson Feather. | 0:12:26 | 0:12:29 | |
Hello...Scarlet. | 0:12:34 | 0:12:36 | |
Well, I never! | 0:12:41 | 0:12:43 | |
Do you know her? | 0:12:43 | 0:12:45 | |
She used to work for Mrs Curzon, until she was fired for stealing. | 0:12:45 | 0:12:49 | |
They're obviously not too choosy about who they employ here. | 0:12:51 | 0:12:54 | |
Thanks for that, Father. Good news or bad news? | 0:12:57 | 0:13:01 | |
This is no time for playing games! Is she in there or is she not? | 0:13:01 | 0:13:05 | |
-She is. -Oh, thank God for that. | 0:13:05 | 0:13:07 | |
-But she doesn't want to leave. -Why not? | 0:13:07 | 0:13:10 | |
Because she's earning over ten times what she'd earn as a secretary. | 0:13:10 | 0:13:14 | |
She's sick of people telling her what to do. | 0:13:14 | 0:13:16 | |
And to be fair, she looks fabulous in sequins. | 0:13:16 | 0:13:19 | |
Well, I will go in and drag her out by the ears, if I have to! | 0:13:19 | 0:13:23 | |
Mrs McCarthy... perhaps I should deal with this. | 0:13:23 | 0:13:26 | |
-But you can't go in there, Father! What with all the.... -Don't worry. | 0:13:27 | 0:13:30 | |
I will avert my eyes. | 0:13:30 | 0:13:31 | |
A family member asked me to speak to her. | 0:13:40 | 0:13:42 | |
I'm sorry, Father. I'm not in the habit of letting random men | 0:13:44 | 0:13:47 | |
into my girls' dressing rooms. Not even a priest. | 0:13:47 | 0:13:50 | |
Now, we're about to open, so if that's all... | 0:13:50 | 0:13:53 | |
Very well. Thank you for your time, Mr Cranage. | 0:13:53 | 0:13:56 | |
I'll wait outside the front door, until she finally finishes. | 0:13:58 | 0:14:02 | |
Ah... | 0:14:02 | 0:14:03 | |
I'm sure I can make an exception for a man of the cloth. | 0:14:03 | 0:14:07 | |
Come with me. | 0:14:08 | 0:14:09 | |
Scarlet's one of our newer girls. Getting on very well. | 0:14:11 | 0:14:14 | |
But then, I always like to make sure all my employees are happy here. | 0:14:14 | 0:14:17 | |
Don't I, girls? | 0:14:17 | 0:14:18 | |
Janet. | 0:14:24 | 0:14:26 | |
This is her, Father. | 0:14:26 | 0:14:28 | |
Scarlet? | 0:14:28 | 0:14:30 | |
What have you done? | 0:14:33 | 0:14:34 | |
It was not me! I did not do this! | 0:14:36 | 0:14:38 | |
Janek? | 0:14:38 | 0:14:40 | |
I think, perhaps, you should call the police and a doctor. | 0:14:41 | 0:14:45 | |
Joselyn? | 0:14:56 | 0:14:58 | |
Joselyn...can you hear me? | 0:14:58 | 0:15:00 | |
Verity! | 0:15:07 | 0:15:08 | |
Is she dead? | 0:15:08 | 0:15:10 | |
Why is she wearing your costume? | 0:15:12 | 0:15:14 | |
I... I asked her to go on for me. | 0:15:14 | 0:15:17 | |
My head was in such a spin after... | 0:15:17 | 0:15:18 | |
I need you all to clear this room immediately. | 0:15:21 | 0:15:24 | |
I just happened to be passing. | 0:15:28 | 0:15:31 | |
Any news on Janek? | 0:15:35 | 0:15:37 | |
The police are still hunting him. | 0:15:40 | 0:15:42 | |
It just doesn't make any sense. | 0:15:43 | 0:15:45 | |
I mean, I know he looks tough, but he was so...protective. | 0:15:45 | 0:15:49 | |
I agree. | 0:15:49 | 0:15:51 | |
He was a regular at mass. | 0:15:51 | 0:15:53 | |
I always thought him...a good man. | 0:15:53 | 0:15:56 | |
"Good"? Working in a place like that? | 0:15:56 | 0:15:59 | |
-What if Verity was already dead when he found her? -Then why would he run? | 0:15:59 | 0:16:02 | |
Because he knew some people would jump to conclusions. | 0:16:02 | 0:16:05 | |
Let's say, for the sake of argument, that it was someone else. | 0:16:05 | 0:16:09 | |
Joselyn, you said that Verity was wearing your costume. | 0:16:09 | 0:16:12 | |
Yes. It threw me, Bunty turning up like that. | 0:16:12 | 0:16:16 | |
I couldn't face going on. | 0:16:16 | 0:16:18 | |
Is it possible the killer was after you? | 0:16:19 | 0:16:22 | |
Hm, I can't think why. | 0:16:22 | 0:16:24 | |
And Verity... | 0:16:24 | 0:16:26 | |
would anyone have a reason to kill her? | 0:16:26 | 0:16:28 | |
Well... | 0:16:30 | 0:16:32 | |
..a while ago, Maurice asked if I'd like to earn... | 0:16:34 | 0:16:39 | |
some extra money. | 0:16:39 | 0:16:41 | |
There was something unpleasant about how he came out with it, | 0:16:41 | 0:16:43 | |
so I said no. | 0:16:43 | 0:16:45 | |
Maybe he's up to no good and Verity got involved? | 0:16:45 | 0:16:48 | |
Who wouldn't want to kill her? She was vile to everyone. | 0:16:48 | 0:16:51 | |
-Fifi! -Well, it's true. | 0:16:51 | 0:16:54 | |
I mean, when I first started, | 0:16:54 | 0:16:56 | |
she was as nice as anything, but recently... | 0:16:56 | 0:16:58 | |
I saw her arguing with Oscar yesterday. | 0:17:00 | 0:17:03 | |
Don't drag Oscar into it. He wouldn't hurt a fly. | 0:17:03 | 0:17:06 | |
What were you thinking?! | 0:17:06 | 0:17:08 | |
Erm...Bunty, Fifi...? | 0:17:10 | 0:17:12 | |
Degrading yourself in a place like that | 0:17:24 | 0:17:27 | |
and taking all your clothes off in front of all those leering men! | 0:17:27 | 0:17:30 | |
-Have you no shame? -I'm sorry I lied to you. | 0:17:30 | 0:17:33 | |
And so you should be, | 0:17:33 | 0:17:35 | |
turning up at my door and then vanishing into the night. | 0:17:35 | 0:17:37 | |
What were you playing at? | 0:17:37 | 0:17:39 | |
I wanted to see you one last time. | 0:17:39 | 0:17:41 | |
Say goodbye, I suppose. | 0:17:41 | 0:17:44 | |
You've always been so kind to me. | 0:17:44 | 0:17:46 | |
Goodbye? | 0:17:46 | 0:17:47 | |
I...was planning to catch the early train to London. | 0:17:49 | 0:17:51 | |
I thought I'd never see you again. | 0:17:51 | 0:17:53 | |
To London? | 0:17:55 | 0:17:56 | |
Do your parents know about this? | 0:17:56 | 0:17:58 | |
They're the reason I'm leaving. You don't know what they're like. | 0:17:58 | 0:18:02 | |
I have known them for years. They are good, kind people. | 0:18:02 | 0:18:06 | |
They try to control everything I do. They want me to be someone I'm not! | 0:18:06 | 0:18:11 | |
Oh, so you told them you were attending secretarial classes | 0:18:11 | 0:18:15 | |
when, in fact, you were getting yourself a job | 0:18:15 | 0:18:18 | |
showing your bits to...lecherous drunkards? | 0:18:18 | 0:18:22 | |
Burlesque isn't only about stripping. It's... | 0:18:22 | 0:18:25 | |
It's artistic. | 0:18:26 | 0:18:28 | |
Oh, well, now I've heard everything! | 0:18:28 | 0:18:31 | |
I only got the job at the club | 0:18:31 | 0:18:32 | |
because I needed the money to start a new life. | 0:18:32 | 0:18:35 | |
So...why are you still here? | 0:18:35 | 0:18:37 | |
Cold feet. | 0:18:40 | 0:18:42 | |
I made it to the platform, but I couldn't board the train. | 0:18:42 | 0:18:45 | |
I was too embarrassed to come back here, so I went to the club. | 0:18:45 | 0:18:48 | |
I never dreamed you'd find me there. | 0:18:49 | 0:18:51 | |
I am thankful that you were not foolish enough | 0:18:51 | 0:18:54 | |
to see this ridiculous plan through! | 0:18:54 | 0:18:56 | |
And I am very thankful... | 0:18:58 | 0:19:00 | |
that it wasn't your body lying on that floor! | 0:19:00 | 0:19:04 | |
BELL RINGS | 0:19:13 | 0:19:15 | |
Father? | 0:19:21 | 0:19:22 | |
Janek. | 0:19:24 | 0:19:26 | |
Haven't seen you at mass for a while. | 0:19:27 | 0:19:29 | |
I was ashamed. | 0:19:31 | 0:19:32 | |
You see where I work, you know why. | 0:19:34 | 0:19:36 | |
-The police are looking for you. -I know. | 0:19:40 | 0:19:42 | |
I wanted to make money to take back to my family in Poland. | 0:19:44 | 0:19:48 | |
Instead...I will hang. | 0:19:50 | 0:19:52 | |
Only if you're guilty. | 0:19:53 | 0:19:56 | |
I deserve it. | 0:19:56 | 0:19:57 | |
What do you mean? | 0:19:59 | 0:20:01 | |
Padre, are you in there? I wanted to ask if... | 0:20:01 | 0:20:03 | |
Well, well, well... | 0:20:06 | 0:20:07 | |
I'll give you the benefit of the doubt, Padre, | 0:20:11 | 0:20:14 | |
and assume you weren't harbouring a wanted murderer. | 0:20:14 | 0:20:16 | |
When we found him, he was trying to stem the flow of blood. | 0:20:16 | 0:20:20 | |
Doesn't mean he didn't stab her. | 0:20:20 | 0:20:22 | |
-Have you found the murder weapon? -It'll turn up. | 0:20:23 | 0:20:26 | |
Either way, any jury would take one look at that thug | 0:20:26 | 0:20:29 | |
and sentence him to hang. | 0:20:29 | 0:20:31 | |
I'll let you know if you're needed as witnesses. | 0:20:31 | 0:20:34 | |
Well, he certainly looked guilty to me. | 0:20:34 | 0:20:37 | |
Perhaps. | 0:20:37 | 0:20:38 | |
But not of murder. | 0:20:40 | 0:20:41 | |
We should go to the club. Look for... | 0:20:41 | 0:20:43 | |
Don't even think about it! | 0:20:43 | 0:20:45 | |
Perhaps...your godmother is right. | 0:20:47 | 0:20:50 | |
If the killer is still at large, then... | 0:20:50 | 0:20:52 | |
..you are still in danger. | 0:20:53 | 0:20:55 | |
How about I go with her? | 0:20:55 | 0:20:57 | |
As far as Maurice is concerned, I'm still plain old Pepper Seymour. | 0:20:59 | 0:21:02 | |
I think it suits me. | 0:21:03 | 0:21:05 | |
And I can keep an eye on the investigation. | 0:21:05 | 0:21:08 | |
Well, if Joselyn's going, I'm going. | 0:21:08 | 0:21:10 | |
Very well. Then I will go to the station | 0:21:11 | 0:21:14 | |
and talk to Janek and get his side of things. | 0:21:14 | 0:21:17 | |
You're not going to allow this? | 0:21:17 | 0:21:20 | |
With respect, Auntie Bridget, it's not his decision. | 0:21:20 | 0:21:22 | |
-I'll look after her, don't worry. -Forgive me if I'm not reassured! | 0:21:22 | 0:21:26 | |
All right, I will have to go with you. | 0:21:26 | 0:21:29 | |
Oh, need help coming up with an act? | 0:21:29 | 0:21:31 | |
Bunty's right. Maurice isn't going to let you | 0:21:31 | 0:21:33 | |
wander round his club for no good reason. | 0:21:33 | 0:21:35 | |
Do you know anyone who needs a cleaner? | 0:21:39 | 0:21:42 | |
As you can see, my references include the Montague family. | 0:21:47 | 0:21:51 | |
Which begs the question, why do you want to work here. | 0:21:51 | 0:21:54 | |
-I need to talk to you. -Can't you see I'm busy? | 0:21:54 | 0:21:58 | |
-How could you open after what's happened? -Life goes on. | 0:21:58 | 0:22:01 | |
You need to get yourself straight. We've got customers. | 0:22:01 | 0:22:03 | |
We already had to find a replacement dancer. | 0:22:03 | 0:22:05 | |
I don't want to have to find a pianist, as well. | 0:22:05 | 0:22:08 | |
And, you, you're in luck. | 0:22:11 | 0:22:14 | |
The usual cleaner's just handed in her notice. | 0:22:14 | 0:22:16 | |
It's like somebody up there is looking after you. | 0:22:16 | 0:22:18 | |
Oh, well, I suppose you could say that. | 0:22:18 | 0:22:21 | |
I assume you've heard of the phrase "caught red-handed"? | 0:22:24 | 0:22:28 | |
Goodfellow, open cell two. | 0:22:28 | 0:22:30 | |
What if he found her and was trying to help her? | 0:22:30 | 0:22:33 | |
Then how do you explain the money? | 0:22:33 | 0:22:35 | |
When he was arrested, Father, | 0:22:35 | 0:22:37 | |
they found an envelope full of cash on him. | 0:22:37 | 0:22:39 | |
And Verity's fingerprints were all over it. | 0:22:39 | 0:22:41 | |
So you think it was robbery? | 0:22:41 | 0:22:43 | |
Exactly. | 0:22:43 | 0:22:45 | |
Tell him to confess. It'll make all our lives easier. | 0:22:46 | 0:22:50 | |
Feel free to accidentally drop the key down a drain. | 0:23:00 | 0:23:05 | |
Nothing yet. | 0:23:11 | 0:23:13 | |
I heard Oscar had to hurry back from the States | 0:23:18 | 0:23:21 | |
because he was in trouble with the police. | 0:23:21 | 0:23:24 | |
I'm going to look upstairs. | 0:23:24 | 0:23:25 | |
-Here you are... -Oh! | 0:23:37 | 0:23:38 | |
Just look at this. | 0:23:38 | 0:23:40 | |
I can't believe it. | 0:23:42 | 0:23:43 | |
A man doing his own laundry? | 0:23:44 | 0:23:47 | |
-Come on, I've got a special job for you. -No... | 0:23:47 | 0:23:49 | |
Quickly! | 0:23:50 | 0:23:52 | |
Cough if you hear anyone coming. And try and look busy. | 0:23:54 | 0:23:57 | |
And what exactly will you be doing? | 0:23:57 | 0:23:59 | |
Same as you. Checking for dirt. | 0:23:59 | 0:24:02 | |
Oh, there must be a key here somewhere. | 0:24:07 | 0:24:09 | |
Got it! | 0:24:17 | 0:24:18 | |
VOICES APPROACH | 0:24:27 | 0:24:30 | |
Quick, in here! | 0:24:40 | 0:24:42 | |
Wait! | 0:24:42 | 0:24:44 | |
-THEY GIGGLE -Ooops! | 0:24:46 | 0:24:49 | |
CHEERING AND APPLAUSE | 0:24:52 | 0:24:55 | |
WOLF WHISTLES | 0:24:55 | 0:24:58 | |
-MAN: -Get 'em off! | 0:24:58 | 0:24:59 | |
PIANO MUSIC STARTS | 0:24:59 | 0:25:02 | |
-Go on! -Would you stop that?! | 0:25:02 | 0:25:04 | |
PIANO MUSIC STOPS | 0:25:04 | 0:25:06 | |
Oh, you should be ashamed of yourselves, | 0:25:06 | 0:25:08 | |
sat there drinking and salivating. | 0:25:08 | 0:25:11 | |
I have stockings that are older than some of these girls! | 0:25:11 | 0:25:15 | |
Oh, you think this is funny, do you? | 0:25:17 | 0:25:18 | |
Well, I have a good mind to take a broom handle | 0:25:18 | 0:25:22 | |
to every last one of you! | 0:25:22 | 0:25:23 | |
Music, please, maestro. | 0:25:23 | 0:25:25 | |
CHEERING AND WHISTLING | 0:25:25 | 0:25:27 | |
PIANO MUSIC STARTS | 0:25:27 | 0:25:30 | |
Verity was in trouble. | 0:25:36 | 0:25:39 | |
I agreed to help. | 0:25:39 | 0:25:41 | |
Ah...trouble. | 0:25:42 | 0:25:44 | |
She was desperate. | 0:25:45 | 0:25:47 | |
There is a woman on my street and... | 0:25:47 | 0:25:49 | |
if you have the money... | 0:25:49 | 0:25:51 | |
An abortion. | 0:25:52 | 0:25:54 | |
Was the baby yours? | 0:25:57 | 0:25:58 | |
No! No, we never... | 0:25:58 | 0:26:00 | |
Then why did she come to you for help? | 0:26:02 | 0:26:05 | |
Because... | 0:26:06 | 0:26:07 | |
..she knew I would give her anything she wanted. | 0:26:09 | 0:26:12 | |
Even my soul. | 0:26:13 | 0:26:15 | |
Did she go through with it? | 0:26:18 | 0:26:20 | |
No. | 0:26:20 | 0:26:21 | |
I went to try one last time to talk her out of it. | 0:26:22 | 0:26:25 | |
That is when I found her. I tried to stop the bleeding, but... | 0:26:26 | 0:26:29 | |
Janek, you have to tell the Inspector that you are innocent. | 0:26:31 | 0:26:35 | |
But I am not. | 0:26:36 | 0:26:37 | |
God knew what we were planning. | 0:26:38 | 0:26:40 | |
He punished her and I shall be next. | 0:26:41 | 0:26:44 | |
And what happened today is never to be spoken of again. | 0:26:48 | 0:26:53 | |
"I know what you've been up to and I want a cut." | 0:26:54 | 0:26:57 | |
I beg your pardon? | 0:26:57 | 0:26:59 | |
A letter from Maurice's desk. Anonymous. | 0:26:59 | 0:27:02 | |
Tells him to leave money in a storage cupboard under the stage. | 0:27:02 | 0:27:05 | |
So Verity was blackmailing Maurice? | 0:27:05 | 0:27:08 | |
It would explain where the money came from. | 0:27:08 | 0:27:11 | |
Perhaps Maurice killed her to silence her? | 0:27:11 | 0:27:13 | |
-We should tell the Inspector. -Not yet. | 0:27:13 | 0:27:15 | |
We can't prove this comes from Verity. | 0:27:16 | 0:27:18 | |
And we don't even know what she was accusing Maurice of doing. | 0:27:19 | 0:27:22 | |
If Verity was pregnant, | 0:27:22 | 0:27:24 | |
surely we should be speaking to the father? | 0:27:24 | 0:27:27 | |
-Well, that piano player. -Oscar? | 0:27:29 | 0:27:31 | |
When I was at the club, I saw him... | 0:27:31 | 0:27:34 | |
-Oscar would never have... -Would you please let me finish? | 0:27:34 | 0:27:37 | |
Finish accusing an innocent man? You don't know anything about him! | 0:27:37 | 0:27:40 | |
Sensitive subject? | 0:27:43 | 0:27:45 | |
How long have you been seeing him? | 0:27:57 | 0:27:59 | |
Is Oscar the "friend" with whom you have occasionally | 0:28:04 | 0:28:08 | |
been staying over with? | 0:28:08 | 0:28:12 | |
It's been a few months. | 0:28:13 | 0:28:14 | |
Since I started at the club. | 0:28:16 | 0:28:17 | |
That night... | 0:28:20 | 0:28:21 | |
when I disappeared from Auntie Bridget's house, | 0:28:21 | 0:28:24 | |
Oscar and I were supposed to be meeting at Kembleford train station. | 0:28:24 | 0:28:28 | |
We were planning to go to London together. | 0:28:28 | 0:28:31 | |
Only... | 0:28:31 | 0:28:32 | |
Only, he never showed up. | 0:28:32 | 0:28:34 | |
Do you know why? | 0:28:36 | 0:28:38 | |
Erm...I thought something must've happened to him. | 0:28:38 | 0:28:41 | |
So you went back to the club to find out what? | 0:28:41 | 0:28:44 | |
When I got there, he wouldn't even speak to me. | 0:28:44 | 0:28:47 | |
I thought he loved me! | 0:28:49 | 0:28:51 | |
SHE SOBS Does anyone else know? | 0:28:51 | 0:28:54 | |
Erm...only Fifi, but she wouldn't tell anyone. | 0:28:54 | 0:28:58 | |
You won't say anything to Auntie Bridget, will you? | 0:28:58 | 0:29:01 | |
BICYCLE BELL JINGLES | 0:29:04 | 0:29:07 | |
You're wasting your time. I don't do religion. | 0:29:15 | 0:29:19 | |
I'm not here to convert you. I'm here to talk about Joselyn. | 0:29:19 | 0:29:22 | |
-What about her? -You were planning to go to London with her. | 0:29:22 | 0:29:25 | |
-And? -What happened? | 0:29:26 | 0:29:28 | |
-Ask her. -Was it about Verity? | 0:29:30 | 0:29:32 | |
Did you find out she was pregnant and get cold feet? | 0:29:32 | 0:29:35 | |
Verity was pregnant? | 0:29:35 | 0:29:37 | |
Oh, I get it! | 0:29:38 | 0:29:40 | |
You... You think I'm the father. | 0:29:40 | 0:29:43 | |
Well, I wasn't. | 0:29:44 | 0:29:45 | |
And it was Joselyn that got cold feet, not me. | 0:29:45 | 0:29:48 | |
Why? | 0:29:48 | 0:29:49 | |
Oscar! | 0:29:49 | 0:29:51 | |
I'm not paying you to smoke. | 0:29:52 | 0:29:54 | |
Thank you for coming so quickly. | 0:30:08 | 0:30:10 | |
How can I help? | 0:30:10 | 0:30:12 | |
I wish to send a letter home. | 0:30:13 | 0:30:15 | |
To say goodbye. | 0:30:15 | 0:30:17 | |
-Goodbye? -I have been charged...with murder. | 0:30:17 | 0:30:21 | |
The Inspector thinks I...will hang and... | 0:30:22 | 0:30:25 | |
..I want to ask for forgiveness from my family... | 0:30:26 | 0:30:31 | |
..but I cannot write. | 0:30:32 | 0:30:34 | |
I understand. | 0:30:34 | 0:30:35 | |
But I'm afraid my Polish is...straszne. | 0:30:35 | 0:30:39 | |
English is fine. | 0:30:39 | 0:30:41 | |
Our local priest, he will translate. | 0:30:41 | 0:30:44 | |
I will help, of course. But... | 0:30:44 | 0:30:46 | |
..may I ask something in return? | 0:30:47 | 0:30:50 | |
Anything. | 0:30:50 | 0:30:51 | |
Maurice was being blackmailed. | 0:30:56 | 0:30:58 | |
And I need to know by who and why. | 0:31:00 | 0:31:02 | |
I don't know who, but... | 0:31:04 | 0:31:06 | |
..Maurice had an arrangement with some men. | 0:31:07 | 0:31:10 | |
Erm, customers. Wealthy. | 0:31:10 | 0:31:12 | |
Mr Cranage let them spend time with one or two of the dancers. | 0:31:14 | 0:31:19 | |
Prostitution? | 0:31:19 | 0:31:20 | |
Was Verity one of them? | 0:31:22 | 0:31:24 | |
Yes. But she would not blackmail Mr Cranage. | 0:31:24 | 0:31:27 | |
He had too much power over her. | 0:31:27 | 0:31:29 | |
Now, please, the letter. | 0:31:30 | 0:31:34 | |
You will write home. | 0:31:34 | 0:31:35 | |
You will not say goodbye. | 0:31:36 | 0:31:39 | |
I will not let you hang. | 0:31:39 | 0:31:41 | |
-It is in God's hands now. -Yes. | 0:31:41 | 0:31:43 | |
Why do you think he sent me? | 0:31:44 | 0:31:46 | |
'I've already caught the culprit.' | 0:31:47 | 0:31:49 | |
So you say. | 0:31:49 | 0:31:51 | |
But I saw that musician scrubbing blood from his shirt. | 0:31:51 | 0:31:54 | |
What if he made Verity pregnant, | 0:31:56 | 0:31:58 | |
she was demanding money, making a fuss, and so he killed her? | 0:31:58 | 0:32:02 | |
The doorman was found on the scene. | 0:32:02 | 0:32:04 | |
As were you...found on the scene. | 0:32:04 | 0:32:07 | |
But we wouldn't want that getting out, now would we? | 0:32:07 | 0:32:10 | |
I am only asking you if you will investigate this... pianist. | 0:32:11 | 0:32:17 | |
-KNOCKING -What now?! | 0:32:17 | 0:32:18 | |
Ah... | 0:32:22 | 0:32:23 | |
Mrs McCarthy. | 0:32:23 | 0:32:25 | |
I didn't expect to see you here. | 0:32:25 | 0:32:27 | |
-I was just... -You know exactly what she's doing here, Padre. | 0:32:28 | 0:32:32 | |
Doing your dirty work, as always! | 0:32:32 | 0:32:34 | |
Fine. | 0:32:34 | 0:32:35 | |
I'll bring him in for questioning. But that's all I'm promising. | 0:32:36 | 0:32:39 | |
Well, he was clearly involved. | 0:32:43 | 0:32:45 | |
How else do you explain the blood on his shirt? | 0:32:45 | 0:32:47 | |
Maurice made him mop the floor after Verity's body was removed. | 0:32:47 | 0:32:52 | |
This is because we were seeing each other, isn't it? | 0:32:53 | 0:32:56 | |
Oh, you're worse than my parents. | 0:32:56 | 0:32:59 | |
At least they wouldn't send an innocent man to the scaffold | 0:32:59 | 0:33:01 | |
just to keep him away from me! | 0:33:01 | 0:33:03 | |
I am not going to pretend | 0:33:03 | 0:33:05 | |
that I approve of you eloping with a down-and-out musician. | 0:33:05 | 0:33:08 | |
Oh, so it's his job you don't like? | 0:33:08 | 0:33:10 | |
And here's me thinking it's the colour of his skin! | 0:33:10 | 0:33:13 | |
How could you think that?! | 0:33:14 | 0:33:16 | |
If anything happens to him... | 0:33:16 | 0:33:18 | |
I will never forgive you. | 0:33:18 | 0:33:20 | |
-Where're you going? -To warn him! | 0:33:22 | 0:33:24 | |
Well, I was only trying to protect her. | 0:33:27 | 0:33:29 | |
I've made a terrible mistake, haven't I? | 0:33:32 | 0:33:35 | |
You're not intending to leave me without a piano player | 0:33:38 | 0:33:41 | |
at such short notice? | 0:33:41 | 0:33:42 | |
Surely we can come to some arrangement? | 0:33:42 | 0:33:44 | |
This is a murder investigation. | 0:33:44 | 0:33:47 | |
My customers are already apprehensive about returning. | 0:33:47 | 0:33:50 | |
We are not an establishment that flourishes in the spotlight. | 0:33:50 | 0:33:53 | |
We prefer the anonymity of the shadows, | 0:33:53 | 0:33:55 | |
as I'm sure you can understand. | 0:33:55 | 0:33:57 | |
-You're making a mistake! -I don't recall asking your opinion. | 0:33:58 | 0:34:02 | |
Did you know Mr Cranage is offering... | 0:34:04 | 0:34:07 | |
extra services to his clients? | 0:34:07 | 0:34:10 | |
Rubbish! We are a respectable establishment. | 0:34:10 | 0:34:13 | |
Enough! You, stay out of it! | 0:34:13 | 0:34:15 | |
Take me to Mr Bergeres immediately. | 0:34:15 | 0:34:17 | |
-Sergeant, with me. -Righty-oh, sir. | 0:34:18 | 0:34:20 | |
I know somewhere you can hide. | 0:34:25 | 0:34:27 | |
Inspector. | 0:34:51 | 0:34:53 | |
We've found our murder weapon. | 0:34:55 | 0:34:57 | |
Round up the other officers and meet me downstairs. | 0:34:57 | 0:35:00 | |
-We've got a manhunt on our hands. -Righty-oh, sir. | 0:35:00 | 0:35:03 | |
Quick! | 0:35:03 | 0:35:04 | |
-You know I had nothing to do with Verity's death, right? -Of course. | 0:35:07 | 0:35:10 | |
Urgh! | 0:35:10 | 0:35:11 | |
That's not my writing. | 0:35:49 | 0:35:51 | |
Listen up. I want check-points on all roads out of town | 0:35:52 | 0:35:56 | |
and door-to-door searches. | 0:35:56 | 0:35:58 | |
If you find him, approach with caution. | 0:35:58 | 0:36:01 | |
-He tried to kill me! -Who? | 0:36:01 | 0:36:03 | |
Oscar! I hit him. I wasn't thinking. | 0:36:03 | 0:36:05 | |
-I'm not going to get in trouble, am I? -Of course not. | 0:36:05 | 0:36:08 | |
-Where is he now? -In the store-room under the stage. I'll show you. | 0:36:08 | 0:36:11 | |
Come with me. | 0:36:11 | 0:36:13 | |
You mustn't blame yourself. | 0:36:33 | 0:36:35 | |
None of us knew he was capable of such... | 0:36:35 | 0:36:38 | |
..evil. | 0:36:39 | 0:36:40 | |
He isn't. I know he isn't. | 0:36:40 | 0:36:42 | |
But... | 0:36:43 | 0:36:45 | |
It's strange. | 0:36:45 | 0:36:46 | |
Whoever wrote to Oscar cancelling Joselyn's rendezvous with him | 0:36:47 | 0:36:52 | |
had the same handwriting as whoever was blackmailing Maurice. | 0:36:52 | 0:36:55 | |
And I believe that that person killed Verity. | 0:36:55 | 0:36:58 | |
How awful! | 0:36:58 | 0:36:59 | |
Who? | 0:36:59 | 0:37:01 | |
Me?! | 0:37:03 | 0:37:04 | |
You were convinced of Janek's innocence from the start. | 0:37:06 | 0:37:10 | |
And so keen to return to the club to prove it. | 0:37:12 | 0:37:15 | |
A perfect opportunity to retrieve the shard you had hidden | 0:37:17 | 0:37:21 | |
and use it to frame Oscar. | 0:37:21 | 0:37:24 | |
You can't possibly think that I'd... | 0:37:25 | 0:37:28 | |
Take off your gloves. | 0:37:30 | 0:37:31 | |
What? | 0:37:31 | 0:37:32 | |
When you first saw Verity's body, you let out a cry of alarm. | 0:37:32 | 0:37:36 | |
But only after Joselyn had grabbed your hand. | 0:37:36 | 0:37:39 | |
Ever since then, you've kept your gloves on, | 0:37:39 | 0:37:43 | |
even in this hot weather. | 0:37:43 | 0:37:45 | |
So? I don't see how that's... | 0:37:45 | 0:37:48 | |
Show me your hands. | 0:37:48 | 0:37:50 | |
No. | 0:37:50 | 0:37:51 | |
It was you! | 0:37:59 | 0:38:01 | |
-No! -You killed her! | 0:38:02 | 0:38:05 | |
No, I cut this on a broken glass. | 0:38:05 | 0:38:08 | |
She was pregnant! | 0:38:08 | 0:38:09 | |
-It's true. -No, don't listen to him. It was Oscar! | 0:38:10 | 0:38:14 | |
Now he's been arrested, we can go back to how things were. | 0:38:14 | 0:38:17 | |
"How things were"? | 0:38:17 | 0:38:19 | |
Before he tried to take you from me! See, all this is his fault! | 0:38:20 | 0:38:24 | |
I didn't mean to... | 0:38:25 | 0:38:26 | |
I knew Oscar would find out that you didn't write him that note | 0:38:28 | 0:38:30 | |
saying you weren't going to elope together. | 0:38:30 | 0:38:33 | |
So I went to your dressing room, to tell you how I felt. | 0:38:34 | 0:38:37 | |
To tell you that you deserve more than him. | 0:38:37 | 0:38:40 | |
That he can't love you. Not like I can. | 0:38:41 | 0:38:44 | |
But it wasn't you. | 0:38:47 | 0:38:49 | |
It was her. | 0:38:52 | 0:38:53 | |
She saw my pain... | 0:38:55 | 0:38:56 | |
..and all she could do was mock! | 0:38:58 | 0:39:00 | |
That must have been very distressing. | 0:39:04 | 0:39:06 | |
I knew Verity would've told you what I'd said just to humiliate me. | 0:39:07 | 0:39:11 | |
I had to speak to you first. | 0:39:11 | 0:39:13 | |
So I came here to Oscar's room to find you, but you weren't here. | 0:39:13 | 0:39:17 | |
And that's when I saw the broken mirror. | 0:39:18 | 0:39:20 | |
I could hear her voice going round and round in my head, | 0:39:22 | 0:39:25 | |
laughing at me. | 0:39:25 | 0:39:26 | |
Laughing at us! I had to make it stop. | 0:39:26 | 0:39:29 | |
VERITY GASPS | 0:39:29 | 0:39:31 | |
And after you killed her... | 0:39:34 | 0:39:36 | |
..you realised that you could frame Oscar | 0:39:37 | 0:39:40 | |
and have Joselyn for yourself. | 0:39:40 | 0:39:42 | |
So you planted the evidence | 0:39:42 | 0:39:45 | |
and dropped a few hints. | 0:39:45 | 0:39:47 | |
We can go now, start a life together. | 0:39:47 | 0:39:50 | |
This is why I blackmailed Maurice. | 0:39:50 | 0:39:52 | |
-I got the money for us! -Us? | 0:39:52 | 0:39:55 | |
There's never been an "us". | 0:39:55 | 0:39:57 | |
We were only ever friends, and now... | 0:39:57 | 0:39:59 | |
No. You don't mean that! You don't mean that. It's not... | 0:39:59 | 0:40:02 | |
Don't touch me! | 0:40:02 | 0:40:03 | |
No! No! | 0:40:07 | 0:40:08 | |
No! | 0:40:08 | 0:40:09 | |
No! | 0:40:11 | 0:40:12 | |
Sir! | 0:40:15 | 0:40:17 | |
-No! -Stay there! Don't move! | 0:40:17 | 0:40:20 | |
No! Get off me! | 0:40:20 | 0:40:21 | |
Fifi, please... | 0:40:21 | 0:40:23 | |
Please. | 0:40:23 | 0:40:24 | |
Why should I? | 0:40:24 | 0:40:26 | |
Because you're unwell. | 0:40:28 | 0:40:29 | |
You think I'm ill because I'm in love with a woman? | 0:40:31 | 0:40:33 | |
That's not what I meant. | 0:40:33 | 0:40:35 | |
Fifi, this is all so sudden. I thought we were just friends. | 0:40:37 | 0:40:40 | |
But maybe, if I had time... | 0:40:41 | 0:40:43 | |
..to make sense of everything... | 0:40:45 | 0:40:47 | |
You mean...? | 0:40:49 | 0:40:51 | |
Come here. | 0:40:51 | 0:40:52 | |
We could be so happy. | 0:40:55 | 0:40:56 | |
It was her! | 0:40:56 | 0:40:58 | |
-And you will write to me from London? -Every week. | 0:41:20 | 0:41:24 | |
You do realise your parents will never talk to me again? | 0:41:24 | 0:41:28 | |
I'm sorry. For everything. | 0:41:28 | 0:41:30 | |
And I'm sorry for leaping to conclusions. | 0:41:30 | 0:41:33 | |
I only ever had your best interests at heart. | 0:41:33 | 0:41:38 | |
But I can see now that this is much more than just some giddy fling. | 0:41:38 | 0:41:42 | |
I'll look after her, I promise. | 0:41:42 | 0:41:45 | |
Well, we're all much safer now that mad woman is locked up! | 0:41:46 | 0:41:49 | |
-What will happen to her? -Heaven only knows. | 0:41:49 | 0:41:52 | |
Inspector Mallory has requested an assessment | 0:41:52 | 0:41:56 | |
of her mental state of mind. | 0:41:56 | 0:41:58 | |
The police found a bundle of love letters in her lodgings... | 0:41:58 | 0:42:01 | |
to you. | 0:42:01 | 0:42:03 | |
She was obsessed. | 0:42:04 | 0:42:06 | |
And being so cruelly mocked when she finally revealed her feelings | 0:42:06 | 0:42:10 | |
tipped her over the edge. | 0:42:10 | 0:42:11 | |
Thank you. | 0:42:11 | 0:42:13 | |
For everything. | 0:42:13 | 0:42:14 | |
You're welcome. | 0:42:14 | 0:42:16 | |
I only hope that you find an occupation in London | 0:42:18 | 0:42:21 | |
that makes the most of your intellect. | 0:42:21 | 0:42:24 | |
Don't worry, I know exactly what I'm going to do. | 0:42:24 | 0:42:27 | |
Yes? | 0:42:27 | 0:42:28 | |
I'm going to be an actress! | 0:42:29 | 0:42:31 | |
Best be off. Don't want to miss the train. | 0:42:33 | 0:42:37 | |
Goodbye! | 0:42:37 | 0:42:38 | |
Goodbye. | 0:42:38 | 0:42:39 | |
Goodbye, Father. | 0:42:44 | 0:42:46 | |
Where did I go wrong? | 0:42:50 | 0:42:53 | |
Whatever do you mean? | 0:42:56 | 0:42:58 | |
My job was to safeguard her moral wellbeing. | 0:42:58 | 0:43:02 | |
And I always thought she was on the right track. | 0:43:02 | 0:43:05 | |
But it turns out she's been taking her clothes off | 0:43:05 | 0:43:08 | |
in front of complete strangers | 0:43:08 | 0:43:10 | |
and now she's running off to London with a...a musician. | 0:43:10 | 0:43:13 | |
I think you've done a marvellous job. | 0:43:13 | 0:43:16 | |
Joselyn is loving, confident, bright and courageous. | 0:43:16 | 0:43:22 | |
She put herself in danger to prove another person's innocence. | 0:43:23 | 0:43:27 | |
Yes. | 0:43:27 | 0:43:29 | |
Yes, I suppose that's right. | 0:43:29 | 0:43:31 | |
And perhaps, as you have appeared on the stage of a burlesque club, | 0:43:31 | 0:43:39 | |
you shouldn't be the first to throw stones? | 0:43:39 | 0:43:42 | |
Mention that one more time... | 0:43:42 | 0:43:45 | |
and I'll tell the bishop that you have been enjoying the company | 0:43:45 | 0:43:49 | |
of strippers and harlots. | 0:43:49 | 0:43:51 | |
Yes, well, then, perhaps, in the case of The Crimson Feather Club... | 0:43:52 | 0:43:56 | |
there should be a vow of silence. | 0:43:56 | 0:43:59 |