Browse content similar to The Smallest of Things. Check below for episodes and series from the same categories and more!
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MUSIC BOX PLAYS | 0:00:02 | 0:00:04 | |
I do hope I get to see her workshop. | 0:01:52 | 0:01:55 | |
Anyone would think you're about to have an audience with the Pope. | 0:01:55 | 0:01:58 | |
Champagne? | 0:01:58 | 0:01:59 | |
Well, I'll admit to being a little... | 0:01:59 | 0:02:01 | |
-Giddy? -Enthused. -Hm! | 0:02:01 | 0:02:03 | |
What are you doing here? | 0:02:04 | 0:02:06 | |
Nobody's died, have they? | 0:02:06 | 0:02:07 | |
This is an official constabulary event, Father. | 0:02:07 | 0:02:10 | |
I doubt you'll get in without a... | 0:02:10 | 0:02:12 | |
-Signed by Agnes Lesser. -Ah! | 0:02:12 | 0:02:14 | |
Who? | 0:02:14 | 0:02:15 | |
The woman you're here to honour. | 0:02:15 | 0:02:17 | |
To be honest, I'm just here for the food and booze. | 0:02:17 | 0:02:19 | |
And why does that not surprise me? | 0:02:19 | 0:02:21 | |
Chief Inspector. | 0:02:23 | 0:02:24 | |
Still a disgrace to the service. | 0:02:24 | 0:02:26 | |
At least you can't do much harm, out here in the sticks. | 0:02:27 | 0:02:31 | |
Oh, I'll be forever grateful for the transfer, sir. | 0:02:31 | 0:02:35 | |
You do know it's a formal event? | 0:02:35 | 0:02:36 | |
I've seen vagabonds look more sharp. | 0:02:37 | 0:02:40 | |
-Sergeant. -Sir. | 0:02:41 | 0:02:42 | |
My old boss from Durham. | 0:02:44 | 0:02:46 | |
-He's a complete... -CORK POPS | 0:02:46 | 0:02:47 | |
Pardon my French. | 0:02:49 | 0:02:50 | |
I still don't understand what all this fuss is about. | 0:02:52 | 0:02:55 | |
What do you mean? | 0:02:55 | 0:02:56 | |
That woman getting a commendation from the constabulary. And for what? | 0:02:56 | 0:03:01 | |
For building doll's houses? | 0:03:01 | 0:03:02 | |
How is that supposed to help the police catch criminals? | 0:03:03 | 0:03:06 | |
Holy Mother of God! | 0:03:36 | 0:03:37 | |
They're amazing! | 0:03:37 | 0:03:39 | |
Doll's houses are supposed to be, well, lovely little pictures | 0:03:40 | 0:03:44 | |
of domestic bliss. | 0:03:44 | 0:03:46 | |
Not these bloodbaths. | 0:03:46 | 0:03:48 | |
What kind of a sick mind could come up with something like this, hmm? | 0:03:48 | 0:03:52 | |
My daughter's. | 0:03:52 | 0:03:53 | |
Oh, well, of course, they are, er, well put together. | 0:03:55 | 0:03:58 | |
Don't worry, most civilians react the same way - | 0:03:58 | 0:04:01 | |
my wife included. | 0:04:01 | 0:04:02 | |
But, I can personally attest that, as a teaching tool in the art of | 0:04:02 | 0:04:05 | |
crime detection, they're remarkable. | 0:04:05 | 0:04:07 | |
Still, darling, don't you worry? | 0:04:07 | 0:04:09 | |
Why? | 0:04:09 | 0:04:11 | |
Hardly a normal hobby, is it? | 0:04:11 | 0:04:12 | |
I think they're beautiful. | 0:04:14 | 0:04:15 | |
And so sad. | 0:04:17 | 0:04:18 | |
Each tableaux, a story of human suffering... | 0:04:20 | 0:04:22 | |
..in such detail! | 0:04:23 | 0:04:24 | |
Ah! The guest of honour. | 0:04:25 | 0:04:26 | |
Thank you very much. | 0:04:30 | 0:04:32 | |
I'm not going to make any long-winded speeches | 0:04:32 | 0:04:35 | |
and I don't expect any of you to, either. | 0:04:35 | 0:04:38 | |
I mean it. | 0:04:38 | 0:04:39 | |
But, I do appreciate my father awarding me... | 0:04:40 | 0:04:42 | |
Not me, my dear. The constabulary. | 0:04:42 | 0:04:44 | |
I assure everyone, there's not a whiff of nepotism about this. | 0:04:44 | 0:04:48 | |
..the constabulary awarding me with a... | 0:04:48 | 0:04:51 | |
Sorry, what was it called again? | 0:04:51 | 0:04:53 | |
A Chief Constable Certification of Commendation. | 0:04:53 | 0:04:56 | |
Oh, you have one of those! | 0:04:56 | 0:04:58 | |
A true honour and one that I share wholeheartedly with my carpenter, | 0:05:03 | 0:05:08 | |
Daniel Abeson, without whose expert craftsmanship none of | 0:05:08 | 0:05:12 | |
my dioramas would be possible. | 0:05:12 | 0:05:13 | |
Thank you. | 0:05:17 | 0:05:18 | |
Now don't stand on ceremony. Please enjoy yourselves | 0:05:20 | 0:05:23 | |
-and thank you again. -Hear, hear! | 0:05:23 | 0:05:24 | |
Father Brown, thank you for coming. | 0:05:27 | 0:05:29 | |
Oh... | 0:05:30 | 0:05:31 | |
No, on the contrary, I was honoured and, erm... | 0:05:31 | 0:05:34 | |
..slightly bewildered at your invitation. | 0:05:35 | 0:05:38 | |
May I speak to you for a moment? | 0:05:38 | 0:05:39 | |
Of course. | 0:05:39 | 0:05:40 | |
We should probably get one thing out of the way first. | 0:05:45 | 0:05:48 | |
-What's that? -I'm an atheist. | 0:05:48 | 0:05:50 | |
Well, I won't hold that against you. | 0:05:51 | 0:05:54 | |
Thank you. | 0:05:54 | 0:05:55 | |
Erm, so you haven't invited me here for religious instruction. | 0:05:58 | 0:06:02 | |
I suppose you know you have something of a reputation. | 0:06:02 | 0:06:06 | |
For good works, I hope. | 0:06:06 | 0:06:07 | |
Well, I'd say catching murderers is good works. | 0:06:09 | 0:06:11 | |
Well, I prefer to think of it as saving souls. | 0:06:12 | 0:06:15 | |
And the thrill of the chase? | 0:06:17 | 0:06:19 | |
The intellectual challenge? | 0:06:21 | 0:06:22 | |
The exhilaration of connecting the clues? | 0:06:22 | 0:06:24 | |
Agnes, | 0:06:27 | 0:06:30 | |
have you invited me here to help you solve a murder? | 0:06:30 | 0:06:33 | |
I want to show you something. | 0:06:36 | 0:06:37 | |
Oh, I'm so sorry darling. | 0:06:46 | 0:06:49 | |
Margaret, can you do your job properly, please? | 0:06:49 | 0:06:51 | |
Bring up some extra crates of Champagne from the pantry. | 0:06:51 | 0:06:54 | |
Yes, ma'am. | 0:06:54 | 0:06:55 | |
Quite the little madam! | 0:06:56 | 0:06:58 | |
What? | 0:06:59 | 0:07:00 | |
I heard that she used to pose for a certain type of magazine. | 0:07:00 | 0:07:04 | |
You know what they say about idle tongues, don't you? | 0:07:06 | 0:07:08 | |
That they ought to be cut off. | 0:07:09 | 0:07:11 | |
I don't believe they say anything of the sort. | 0:07:11 | 0:07:13 | |
It's what I say. | 0:07:13 | 0:07:15 | |
It's like looking behind the magician's curtain. | 0:07:26 | 0:07:29 | |
If the magician's a grisly-minded ghoul. | 0:07:29 | 0:07:31 | |
Is that how you see yourself? | 0:07:33 | 0:07:34 | |
No, but... | 0:07:34 | 0:07:35 | |
But what? | 0:07:35 | 0:07:37 | |
Well, death's always had its shadow over this family. | 0:07:37 | 0:07:39 | |
My little sister, Violet. | 0:07:42 | 0:07:44 | |
She drowned a year after this photograph was taken. | 0:07:44 | 0:07:46 | |
And then my mother, ten years ago. fell down the stairs. | 0:07:48 | 0:07:50 | |
It wasn't long after that I started working on the dioramas. | 0:07:51 | 0:07:54 | |
A kind of therapy, I suppose. | 0:07:55 | 0:07:57 | |
Speaking for the dead. | 0:07:58 | 0:07:59 | |
Giving the victims a voice. | 0:08:01 | 0:08:02 | |
MUSIC BOX STARTS PLAYING | 0:08:06 | 0:08:08 | |
Belonged to my mother. | 0:08:10 | 0:08:11 | |
She used to let me and Violet play with it. | 0:08:12 | 0:08:15 | |
It sounds like it needs a spot of oil. | 0:08:15 | 0:08:18 | |
I've gotten used to its little creaks and cranks. | 0:08:18 | 0:08:20 | |
It's almost like they've become part of its personality. | 0:08:20 | 0:08:23 | |
Is that what you wanted to show me? | 0:08:23 | 0:08:25 | |
No. | 0:08:26 | 0:08:27 | |
"The Woman On The Stairs". | 0:08:40 | 0:08:41 | |
My mother. | 0:08:43 | 0:08:44 | |
So, this is where you've all been hiding. | 0:08:47 | 0:08:49 | |
My God. | 0:08:52 | 0:08:53 | |
What have you done? | 0:08:54 | 0:08:55 | |
I want to know what really happened. | 0:08:55 | 0:08:57 | |
You know what happened. | 0:08:57 | 0:08:58 | |
It was an accident. | 0:08:58 | 0:08:59 | |
Well, we'll soon find out what a roomful of professionals | 0:08:59 | 0:09:02 | |
have to say, won't we? | 0:09:02 | 0:09:03 | |
This is a disgrace to your mother's memory. | 0:09:03 | 0:09:04 | |
I'm not disgracing her. I'm honouring her. | 0:09:04 | 0:09:07 | |
Did you know about this? | 0:09:07 | 0:09:08 | |
She had no help from me. | 0:09:08 | 0:09:10 | |
This is all her own work. | 0:09:10 | 0:09:11 | |
Agnes, I assure you, I thoroughly investigated your mother's | 0:09:11 | 0:09:15 | |
tragic death at the time of the incident. | 0:09:15 | 0:09:16 | |
Maybe you made a mistake, sir. | 0:09:16 | 0:09:18 | |
What did you say? | 0:09:19 | 0:09:20 | |
Maybe you've had a bit too much to drink, sir. | 0:09:20 | 0:09:22 | |
I said maybe you made a mistake. | 0:09:22 | 0:09:25 | |
Gentlemen, please. | 0:09:26 | 0:09:29 | |
Let's listen to what Agnes has to say. | 0:09:29 | 0:09:31 | |
Victim, Florence Lesser, 48. | 0:09:32 | 0:09:36 | |
Witness, Wilbur Lesser, husband. | 0:09:36 | 0:09:38 | |
Mr Lesser reported that at 1.20AM, | 0:09:39 | 0:09:42 | |
his wife rose from bed to fetch a glass of water | 0:09:42 | 0:09:45 | |
and tripped down the stairs, | 0:09:45 | 0:09:47 | |
cutting her head on the banister, | 0:09:47 | 0:09:49 | |
simultaneously cracking her skull and breaking her neck. | 0:09:49 | 0:09:51 | |
This is sick. | 0:09:52 | 0:09:54 | |
So, please, your observations? | 0:09:54 | 0:09:56 | |
Er... | 0:10:00 | 0:10:01 | |
What are these lines? | 0:10:07 | 0:10:09 | |
Height lines. Me and my sister. | 0:10:09 | 0:10:12 | |
Our mother used to draw them in every year, until... | 0:10:12 | 0:10:14 | |
..she didn't. | 0:10:16 | 0:10:17 | |
Well, don't just stand there like lemmings. | 0:10:25 | 0:10:28 | |
Look at the diorama. | 0:10:28 | 0:10:29 | |
Study it. Tell me what you see. | 0:10:29 | 0:10:31 | |
Well, if you don't think she fell, then what? | 0:10:35 | 0:10:40 | |
She was pushed. | 0:10:40 | 0:10:41 | |
Exactly. | 0:10:41 | 0:10:42 | |
Look at the blood spatter. | 0:10:42 | 0:10:44 | |
It suggests force, speed. A fall wouldn't do that. | 0:10:44 | 0:10:47 | |
And who pushed her? Me? | 0:10:47 | 0:10:48 | |
You had reason. | 0:10:48 | 0:10:49 | |
Nothing happened between me and Wilbur until after your mother... | 0:10:51 | 0:10:53 | |
Oh, please! | 0:10:53 | 0:10:54 | |
I'd like to ask our guests to kindly return to the buffet. | 0:10:54 | 0:10:57 | |
Not until they've had a chance to fully study... | 0:10:57 | 0:10:59 | |
Enough! | 0:10:59 | 0:11:00 | |
You're deluded and obsessed. | 0:11:00 | 0:11:02 | |
Stop this! | 0:11:02 | 0:11:04 | |
Please! | 0:11:04 | 0:11:05 | |
-What's the matter? -Nothing. | 0:11:12 | 0:11:14 | |
Only you seem... | 0:11:16 | 0:11:17 | |
I'm quite fine, Father. | 0:11:17 | 0:11:19 | |
Thank you. | 0:11:21 | 0:11:22 | |
Oh, Agnes. | 0:11:47 | 0:11:48 | |
What do you think? | 0:11:48 | 0:11:49 | |
Am I deluded? | 0:11:49 | 0:11:51 | |
So blinded by grief that I can't face the truth? | 0:11:51 | 0:11:54 | |
My mother's death was nothing more than a stupid accident. | 0:11:55 | 0:11:58 | |
An almost trivial thing. | 0:11:59 | 0:12:01 | |
No drama or intrigue. | 0:12:02 | 0:12:03 | |
Worst of all, no-one to blame. | 0:12:04 | 0:12:07 | |
I think you should talk to Chief Inspector Webb. | 0:12:07 | 0:12:11 | |
But I've tried countless times. | 0:12:11 | 0:12:13 | |
Try again. | 0:12:13 | 0:12:14 | |
I think he's seen something in your diorama. | 0:12:15 | 0:12:18 | |
WOMAN SCREAMS | 0:12:18 | 0:12:19 | |
I want to be kept abreast of all of your findings. | 0:12:35 | 0:12:37 | |
I'll need statements from all the guests. | 0:12:37 | 0:12:39 | |
You can't take charge of this investigation. | 0:12:39 | 0:12:41 | |
You're a witness. | 0:12:41 | 0:12:43 | |
And a suspect. | 0:12:43 | 0:12:44 | |
With all due respect, sir, she's right. | 0:12:44 | 0:12:46 | |
We'll have to call someone in from Scotland Yard. | 0:12:46 | 0:12:48 | |
Given your antagonism towards the victim just before he was killed, | 0:12:48 | 0:12:51 | |
I'm not surprised you'd rather delay the investigation. | 0:12:51 | 0:12:54 | |
I hated the bloke, but I didn't want him dead. | 0:12:54 | 0:12:56 | |
That's a carpenter's awl. | 0:12:57 | 0:12:59 | |
I left it here this morning, when I was making alterations | 0:13:01 | 0:13:03 | |
to the dioramas. | 0:13:03 | 0:13:05 | |
Anyone could've picked it up. | 0:13:05 | 0:13:06 | |
What's that in his hand? | 0:13:06 | 0:13:08 | |
I can barely make it out. | 0:13:15 | 0:13:16 | |
"Starbright Washing Powder". | 0:13:20 | 0:13:23 | |
I use that detergent. | 0:13:23 | 0:13:25 | |
Don't worry, I don't think that makes you a suspect. | 0:13:25 | 0:13:27 | |
It's from the newspaper. | 0:13:27 | 0:13:29 | |
The fragment from the miniature newspaper from the diorama. | 0:13:29 | 0:13:32 | |
He must've taken it. | 0:13:33 | 0:13:34 | |
I'll go and check, sir. | 0:13:35 | 0:13:36 | |
What was in this paper? | 0:13:39 | 0:13:41 | |
It was a mock-up of the Kembleford Gazette, | 0:13:41 | 0:13:43 | |
the one my mother was reading the night she died. | 0:13:43 | 0:13:45 | |
I had the printing press reproduce the exact copy | 0:13:45 | 0:13:48 | |
on the front and back pages. | 0:13:48 | 0:13:49 | |
Detail is everything. | 0:13:49 | 0:13:51 | |
Always. | 0:13:51 | 0:13:52 | |
No. | 0:13:52 | 0:13:53 | |
It's gone. | 0:13:54 | 0:13:55 | |
HE CLEARS HIS THROAT | 0:13:56 | 0:13:57 | |
I think that we can deduce that the chief inspector | 0:13:59 | 0:14:02 | |
was gripping the paper when he died. | 0:14:02 | 0:14:04 | |
Which strongly suggests his murder is somehow connected | 0:14:04 | 0:14:08 | |
to your wife's death, and therefore nothing to do with me. | 0:14:08 | 0:14:10 | |
That's a blood stain. | 0:14:13 | 0:14:14 | |
Whose coat is this? | 0:14:16 | 0:14:18 | |
This is a set-up! | 0:14:21 | 0:14:22 | |
I'm so sorry, sir. | 0:14:24 | 0:14:25 | |
I take it you don't think for an instant that Inspector Mallory is... | 0:14:29 | 0:14:32 | |
Of course not. | 0:14:32 | 0:14:33 | |
Then the next thing we need to do... | 0:14:33 | 0:14:35 | |
..is find the original newspaper that the miniature was based upon. | 0:14:35 | 0:14:38 | |
-Do you still have it? -Yes, sir. | 0:14:39 | 0:14:40 | |
Well, you're going to need my help. | 0:14:44 | 0:14:46 | |
We don't mind doing a bit of snooping around. | 0:14:46 | 0:14:48 | |
Oh, erm, don't worry. | 0:14:48 | 0:14:50 | |
You two both go home, have a nice cup of tea. | 0:14:50 | 0:14:53 | |
So, what do you see? | 0:15:00 | 0:15:01 | |
Nothing odd. | 0:15:04 | 0:15:05 | |
Then, why steal the miniature? | 0:15:05 | 0:15:07 | |
Because, presumably, there's something in it | 0:15:07 | 0:15:10 | |
that's not in its life-size counterpart. | 0:15:10 | 0:15:12 | |
Well, I made that miniature. | 0:15:12 | 0:15:14 | |
If there was a clue, I would've seen it. | 0:15:14 | 0:15:15 | |
I don't doubt your acuity, but we all have our blind spots. | 0:15:17 | 0:15:21 | |
What do you two think you're doing? | 0:15:24 | 0:15:25 | |
Detective games? | 0:15:27 | 0:15:28 | |
Amateur sleuths? | 0:15:30 | 0:15:31 | |
A waste of time. | 0:15:33 | 0:15:34 | |
And why's that? | 0:15:37 | 0:15:39 | |
Because there's nothing to find. | 0:15:39 | 0:15:40 | |
It was an accident, | 0:15:42 | 0:15:43 | |
just like everyone says. | 0:15:43 | 0:15:45 | |
Yes, well, that may be true of Florence, | 0:15:45 | 0:15:47 | |
but not of the chief inspector. | 0:15:47 | 0:15:49 | |
Which means it might be connected to my mother's murder. | 0:15:50 | 0:15:52 | |
It wasn't murder. | 0:15:52 | 0:15:54 | |
I should know. | 0:15:54 | 0:15:56 | |
I was there. | 0:15:56 | 0:15:57 | |
I see. | 0:16:00 | 0:16:01 | |
-And did you see Agnes's mother's fall? -Heard it. | 0:16:04 | 0:16:07 | |
Found her at the foot of the stairs, | 0:16:09 | 0:16:11 | |
ran and got Wilbur, he got an ambulance, | 0:16:11 | 0:16:14 | |
but she was already... | 0:16:14 | 0:16:15 | |
And yet, strangely, you didn't wake me up, did you? | 0:16:15 | 0:16:17 | |
Why was that? | 0:16:18 | 0:16:19 | |
I told you at the time, I wanted... | 0:16:19 | 0:16:22 | |
I didn't want to upset you. | 0:16:22 | 0:16:23 | |
An excuse that sounds as weak now as it did then. | 0:16:23 | 0:16:26 | |
There's nothing weak about wanting to protect you. | 0:16:26 | 0:16:28 | |
I was outside smoking a cigarette. | 0:16:42 | 0:16:44 | |
I heard a scream, I came running, like everyone else. | 0:16:44 | 0:16:48 | |
And yet, no-one saw you. | 0:16:48 | 0:16:50 | |
There was no-one else there. | 0:16:52 | 0:16:53 | |
That's unfortunate, isn't it? | 0:16:53 | 0:16:54 | |
It's also beside the point. | 0:16:54 | 0:16:56 | |
You have no right to be investigating this murder. | 0:16:56 | 0:16:59 | |
It's like your daughter said, | 0:16:59 | 0:17:02 | |
you're just as much a suspect as... | 0:17:02 | 0:17:03 | |
There's blood on your coat. | 0:17:03 | 0:17:04 | |
Planted there. | 0:17:05 | 0:17:07 | |
And you have no alibi. | 0:17:08 | 0:17:10 | |
As far as I'm concerned, that's more than enough to charge you. | 0:17:15 | 0:17:18 | |
What do you mean, protect me? | 0:17:24 | 0:17:25 | |
Protect me from what? | 0:17:26 | 0:17:27 | |
Why didn't you ask me to help build your mother's diorama? | 0:17:27 | 0:17:30 | |
Because you thought I might have done it? | 0:17:31 | 0:17:33 | |
And I had reason, didn't I? | 0:17:36 | 0:17:37 | |
That's why you ended things. | 0:17:39 | 0:17:40 | |
It had nothing to do with you respecting her final wishes. | 0:17:41 | 0:17:44 | |
It was because you thought I might have killed her. | 0:17:45 | 0:17:48 | |
You had the strongest motive. | 0:17:50 | 0:17:51 | |
Meaning what? | 0:17:51 | 0:17:52 | |
You know what I mean. | 0:17:53 | 0:17:54 | |
I want to hear you say it. | 0:17:54 | 0:17:56 | |
Love. | 0:17:59 | 0:18:00 | |
That hasn't changed. | 0:18:02 | 0:18:04 | |
Father, your surveillance skills leave a lot to be desired. | 0:18:15 | 0:18:20 | |
It's the hat. | 0:18:24 | 0:18:25 | |
Sometimes I forget to take it off. | 0:18:25 | 0:18:28 | |
I suppose you have some questions. | 0:18:29 | 0:18:31 | |
One or two, yes. | 0:18:31 | 0:18:33 | |
My mother forbade it. | 0:18:34 | 0:18:36 | |
An immigrant carpenter? | 0:18:36 | 0:18:38 | |
Jesus was a carpenter. | 0:18:38 | 0:18:40 | |
Let's just say she wasn't progressively minded. | 0:18:40 | 0:18:42 | |
I was still going to marry him, though. | 0:18:44 | 0:18:46 | |
I didn't care. | 0:18:46 | 0:18:47 | |
I loved him. | 0:18:48 | 0:18:50 | |
And then, your mother was killed. | 0:18:50 | 0:18:52 | |
After that, how could I go through with it? | 0:18:52 | 0:18:54 | |
Did she know Daniel was in your room that night? | 0:18:56 | 0:18:58 | |
We were careful. | 0:18:59 | 0:19:00 | |
She could have discovered him while you were asleep. | 0:19:02 | 0:19:04 | |
He got up to use the water closet | 0:19:05 | 0:19:08 | |
and there was an altercation. | 0:19:08 | 0:19:10 | |
A plausible theory. | 0:19:11 | 0:19:13 | |
One that I've had myself. | 0:19:13 | 0:19:14 | |
And yet, you continue to work with him. | 0:19:15 | 0:19:17 | |
Keep your enemies close. | 0:19:17 | 0:19:18 | |
I don't believe that's the truth. | 0:19:19 | 0:19:21 | |
You still love him. | 0:19:22 | 0:19:23 | |
It's a purely professional relationship now. | 0:19:25 | 0:19:27 | |
That's not what I saw. | 0:19:29 | 0:19:31 | |
Father, I didn't invite you to investigate my personal life. | 0:19:31 | 0:19:34 | |
Agnes, that's exactly what you did. | 0:19:34 | 0:19:36 | |
Murder does not exist in a vacuum, | 0:19:36 | 0:19:38 | |
and the stories in your dioramas testify to that. | 0:19:38 | 0:19:41 | |
CAR DOOR CLOSING | 0:19:41 | 0:19:42 | |
Well? | 0:19:47 | 0:19:48 | |
I've charged him. | 0:19:48 | 0:19:50 | |
Let me talk to your father. | 0:19:51 | 0:19:52 | |
Fresh pair of eyes, new perspective. That's what you want, isn't it? | 0:19:54 | 0:19:57 | |
What can I do for you, Father? | 0:20:06 | 0:20:08 | |
I just wanted to congratulate you on the apprehension of the killer. | 0:20:08 | 0:20:12 | |
Thank you. | 0:20:12 | 0:20:14 | |
I imagine that the evidence against Inspector Mallory must be | 0:20:14 | 0:20:17 | |
quite overwhelming, for you to have charged him so quickly. | 0:20:17 | 0:20:20 | |
I've heard about you. | 0:20:22 | 0:20:24 | |
The sleuthing priest. | 0:20:24 | 0:20:25 | |
Quite endearing, really. | 0:20:26 | 0:20:27 | |
Well, murder's not endearing. | 0:20:27 | 0:20:29 | |
You don't have to tell me that. | 0:20:30 | 0:20:31 | |
My job isn't exactly a walk through a rose-garden. | 0:20:31 | 0:20:34 | |
I see human wickedness, | 0:20:37 | 0:20:41 | |
and whatever my disagreements with Inspector Mallory... | 0:20:41 | 0:20:43 | |
..I have not seen that wickedness within him. | 0:20:46 | 0:20:49 | |
A pure soul? | 0:20:50 | 0:20:52 | |
Not entirely. | 0:20:53 | 0:20:54 | |
But not murderous. | 0:20:56 | 0:20:57 | |
Father, I don't know how many officers have told you to | 0:20:58 | 0:21:01 | |
keep your nose out in your time... | 0:21:01 | 0:21:03 | |
Words to that effect have been spoken before. | 0:21:03 | 0:21:05 | |
..but I mean it, when I say it. | 0:21:05 | 0:21:06 | |
I won't tolerate obstruction of justice and any such behaviour | 0:21:07 | 0:21:10 | |
will be met with the full force of the law. | 0:21:10 | 0:21:12 | |
Thank you, sir. | 0:21:14 | 0:21:15 | |
And, er, once again... | 0:21:16 | 0:21:18 | |
..congratulations. | 0:21:21 | 0:21:23 | |
CLOCK CHIMES | 0:21:23 | 0:21:24 | |
Are you sure you want me to pursue this? | 0:21:31 | 0:21:34 | |
Perhaps it's better left to someone else. | 0:21:36 | 0:21:38 | |
I want to follow the truth, | 0:21:40 | 0:21:42 | |
no matter where it leads. | 0:21:42 | 0:21:43 | |
Agnes... | 0:21:47 | 0:21:48 | |
What is it? | 0:21:54 | 0:21:55 | |
Someone has filled in your little sister's height lines. | 0:21:59 | 0:22:02 | |
Violet. | 0:22:20 | 0:22:22 | |
She's even wearing the summer dress she had on the day she drowned. | 0:22:27 | 0:22:29 | |
Who would do something like this? | 0:22:31 | 0:22:33 | |
And why? | 0:22:35 | 0:22:36 | |
What are you looking at me for? | 0:22:39 | 0:22:41 | |
The craftsmanship of the doll. | 0:22:42 | 0:22:43 | |
Why would I do this? | 0:22:43 | 0:22:45 | |
I think it's obvious what's going on. | 0:22:46 | 0:22:48 | |
I don't understand why none of you are saying it. | 0:22:48 | 0:22:51 | |
It's Violet's ghost. | 0:22:54 | 0:22:55 | |
Don't look at me like I'm stupid. I mean, look at it! | 0:22:56 | 0:23:00 | |
Drawing in her own height lines, like she thinks she's still alive. | 0:23:00 | 0:23:03 | |
A lost soul. | 0:23:05 | 0:23:06 | |
If we rule out the supernatural connection - | 0:23:07 | 0:23:12 | |
just for a moment - then that inevitably draws us to | 0:23:12 | 0:23:15 | |
the conclusion that somebody set the scene as some sort of message. | 0:23:15 | 0:23:19 | |
Saying what? | 0:23:20 | 0:23:21 | |
A connection is being made between Florence's fall down the stairs | 0:23:22 | 0:23:28 | |
and Violet's death. | 0:23:28 | 0:23:30 | |
That's ridiculous. The only killer in this case is Inspector Mallory | 0:23:30 | 0:23:33 | |
and I've no doubt he'll hang for what he's done. | 0:23:33 | 0:23:35 | |
In the meantime, | 0:23:38 | 0:23:39 | |
I believe the time for house guests is well and truly over. | 0:23:39 | 0:23:42 | |
May I join you? | 0:23:52 | 0:23:53 | |
I thought my husband ordered you out. | 0:23:55 | 0:23:57 | |
DOOR CLOSING | 0:23:57 | 0:23:59 | |
He did. | 0:24:00 | 0:24:01 | |
Which means, I need to get straight to the point. | 0:24:07 | 0:24:09 | |
You know that Inspector Mallory's innocent, don't you? | 0:24:12 | 0:24:16 | |
What makes you say that? | 0:24:16 | 0:24:17 | |
I'm not accusing you of killing Detective Chief Inspector Webb. | 0:24:19 | 0:24:23 | |
Then, what? | 0:24:23 | 0:24:24 | |
I'm accusing you of concealing Inspector Mallory's innocence. | 0:24:24 | 0:24:28 | |
I suspect it's something personal. | 0:24:30 | 0:24:32 | |
Do all priests read minds, Father? | 0:24:36 | 0:24:38 | |
No. | 0:24:39 | 0:24:40 | |
I was so pretty, | 0:24:43 | 0:24:44 | |
so young. | 0:24:44 | 0:24:45 | |
Do you know, the camera adored me? | 0:24:47 | 0:24:49 | |
Everyone did. | 0:24:49 | 0:24:51 | |
Now... | 0:24:51 | 0:24:52 | |
Now, what? | 0:24:54 | 0:24:55 | |
I feel like I'm becoming invisible. | 0:24:57 | 0:24:59 | |
Tell me what happened. | 0:25:02 | 0:25:03 | |
I was in the bathroom, fixing my hair, | 0:25:08 | 0:25:10 | |
and I could see Inspector Mallory through the window, smoking. | 0:25:10 | 0:25:14 | |
He noticed me. | 0:25:18 | 0:25:19 | |
I acted like I hadn't seen him. | 0:25:22 | 0:25:24 | |
And then, I... | 0:25:26 | 0:25:27 | |
I don't know why I did it, exactly. | 0:25:33 | 0:25:34 | |
What was I thinking? | 0:25:37 | 0:25:38 | |
What does that say about me? | 0:25:41 | 0:25:42 | |
WOMAN SCREAMS | 0:25:44 | 0:25:45 | |
It says you want what everyone wants. | 0:25:49 | 0:25:51 | |
To be loved. | 0:25:53 | 0:25:54 | |
To be wanted. | 0:25:56 | 0:25:57 | |
To be seen. | 0:25:57 | 0:25:58 | |
Thank you, Father. | 0:26:01 | 0:26:02 | |
However... | 0:26:05 | 0:26:06 | |
..that leaves you with a difficult, ethical obligation. | 0:26:08 | 0:26:12 | |
What are you talking about? | 0:26:12 | 0:26:14 | |
You are Inspector Mallory's only alibi. | 0:26:14 | 0:26:16 | |
The only person who can exonerate him. | 0:26:16 | 0:26:19 | |
You want me to tell my husband that I practically did | 0:26:20 | 0:26:23 | |
a striptease in front of one of his colleagues? | 0:26:23 | 0:26:25 | |
I'm not saying the conversation won't be awkward, | 0:26:27 | 0:26:30 | |
but if you don't have it, | 0:26:30 | 0:26:34 | |
he will hang. | 0:26:34 | 0:26:35 | |
You whore. | 0:26:41 | 0:26:42 | |
There's no need for that. | 0:26:45 | 0:26:46 | |
-I thought I'd told you to leave. -And what about you? | 0:26:47 | 0:26:50 | |
Leching after everything in sight. | 0:26:51 | 0:26:53 | |
Getting too old for you, am I? | 0:26:53 | 0:26:57 | |
It's like Father Brown said. | 0:26:57 | 0:26:59 | |
I'm invisible to you. | 0:26:59 | 0:27:00 | |
Well, no, I didn't quite... | 0:27:03 | 0:27:06 | |
You told her what? | 0:27:06 | 0:27:08 | |
All I did was advise her to tell the truth. | 0:27:10 | 0:27:13 | |
Sometimes, it has a way of setting you free. | 0:27:14 | 0:27:18 | |
Free. | 0:27:20 | 0:27:21 | |
Exactly. | 0:27:22 | 0:27:24 | |
I'm leaving you. | 0:27:25 | 0:27:26 | |
Good to have you back, sir. | 0:27:40 | 0:27:41 | |
Just because you're off the hook for murder doesn't mean I won't | 0:27:41 | 0:27:44 | |
see you charged as a Peeping Tom. | 0:27:44 | 0:27:45 | |
PHONE RINGS | 0:27:45 | 0:27:46 | |
In my defence, | 0:27:46 | 0:27:48 | |
she made it very difficult not to look. | 0:27:48 | 0:27:50 | |
Erm, Scotland Yard, sir. | 0:27:52 | 0:27:55 | |
An officer's on his way to take over the case. | 0:27:55 | 0:27:57 | |
What are you doing here? | 0:28:02 | 0:28:04 | |
Erm, I convinced Mrs Lesser to come forward. | 0:28:04 | 0:28:07 | |
Oh. | 0:28:09 | 0:28:10 | |
Then, I suppose I owe you... | 0:28:10 | 0:28:12 | |
A debt...of gratitude? | 0:28:12 | 0:28:15 | |
Yes. | 0:28:15 | 0:28:16 | |
It's uncanny how accurate Agnes Lesser's diorama is. | 0:28:20 | 0:28:25 | |
As if she's got a photographic memory. | 0:28:28 | 0:28:29 | |
But there's nothing here that suggests Florence Lesser | 0:28:29 | 0:28:32 | |
was murdered. | 0:28:32 | 0:28:33 | |
Erm... | 0:28:36 | 0:28:37 | |
What? | 0:28:38 | 0:28:39 | |
The miniature newspaper. | 0:28:39 | 0:28:41 | |
Whatever's in there is the key. | 0:28:41 | 0:28:43 | |
And I think I know where it is. | 0:28:46 | 0:28:47 | |
My umbrella! | 0:28:52 | 0:28:54 | |
What do you hope to find? | 0:28:58 | 0:28:59 | |
The miniature newspaper, sir. | 0:29:00 | 0:29:02 | |
Where is it? | 0:29:04 | 0:29:05 | |
How should I know? | 0:29:05 | 0:29:06 | |
Arms, please. | 0:29:08 | 0:29:09 | |
I've obliged you far enough. | 0:29:09 | 0:29:11 | |
Until you can obtain a search warrant, I'm ordering you | 0:29:11 | 0:29:13 | |
off the premises. | 0:29:13 | 0:29:14 | |
You killed her, didn't you? | 0:29:14 | 0:29:16 | |
I won't dignify that with an answer. | 0:29:16 | 0:29:18 | |
What do we do now then, sir? | 0:29:23 | 0:29:24 | |
We put our feet up. | 0:29:25 | 0:29:27 | |
Scotland Yard can take it from here. | 0:29:27 | 0:29:28 | |
It wasn't in his desk. | 0:29:42 | 0:29:43 | |
As I suspected. | 0:29:43 | 0:29:45 | |
But don't worry, | 0:29:45 | 0:29:46 | |
I've organised a search party. | 0:29:46 | 0:29:48 | |
We got your SOS. | 0:29:52 | 0:29:53 | |
Now that we're deemed worthy to be here. | 0:29:56 | 0:29:59 | |
Mrs McCarthy, Bunty, | 0:29:59 | 0:30:01 | |
thank you for coming to our aid. | 0:30:01 | 0:30:03 | |
Wouldn't miss it for the world. | 0:30:03 | 0:30:04 | |
I don't understand why you still think it's in the house. | 0:30:04 | 0:30:07 | |
Surely, he would've burnt it by now? | 0:30:07 | 0:30:08 | |
It was the way he looked at it. | 0:30:08 | 0:30:10 | |
It meant something to him. | 0:30:10 | 0:30:12 | |
He couldn't have destroyed it, even if he wanted to. | 0:30:12 | 0:30:14 | |
And how are we supposed to find something so tiny in a house so big? | 0:30:14 | 0:30:18 | |
We'll split up. | 0:30:20 | 0:30:21 | |
Where is your father? | 0:30:21 | 0:30:22 | |
He's in the garden, having another drink. | 0:30:22 | 0:30:24 | |
And where is his wife? | 0:30:24 | 0:30:26 | |
She's packed her things and gone. | 0:30:26 | 0:30:28 | |
Good for her. | 0:30:28 | 0:30:29 | |
I want to show you something. | 0:30:33 | 0:30:34 | |
In the photograph, | 0:30:40 | 0:30:41 | |
your mother's hand is parallel with her face, | 0:30:41 | 0:30:44 | |
and is touching the bloodstain, | 0:30:44 | 0:30:46 | |
but in the diorama, her hand is pointing towards the table. | 0:30:46 | 0:30:51 | |
But I got everything else right. | 0:30:51 | 0:30:52 | |
True. | 0:30:56 | 0:30:57 | |
Maybe somebody moved her arm before or after the photograph was taken? | 0:30:58 | 0:31:03 | |
Either way, all I can tell you is this - that's how I remember it. | 0:31:03 | 0:31:06 | |
Father, it's Mrs McCarthy! | 0:32:24 | 0:32:26 | |
She's trapped, hiding from Wilbur. | 0:32:26 | 0:32:28 | |
In plain sight. | 0:32:31 | 0:32:32 | |
What does it mean? | 0:32:34 | 0:32:36 | |
SHE SOBS | 0:32:57 | 0:32:58 | |
My God, you're like a bad penny. | 0:33:17 | 0:33:18 | |
You killed Chief Inspector Webb, | 0:33:20 | 0:33:22 | |
and then planted blood on Inspector Mallory's coat, didn't you? | 0:33:22 | 0:33:26 | |
Not to protect yourself, but to protect the real culprit | 0:33:26 | 0:33:28 | |
Mea culpa, mea culpa, mea culpa. | 0:33:32 | 0:33:36 | |
"My fault". | 0:33:36 | 0:33:37 | |
It's Agnes's writing, isn't it? | 0:33:37 | 0:33:39 | |
But she has no memory of writing in the miniature. | 0:33:41 | 0:33:46 | |
And I suspect she has no memory of several other things, too. | 0:33:46 | 0:33:50 | |
You don't know what you're talking about. | 0:33:50 | 0:33:52 | |
You can't keep running away from this. | 0:33:52 | 0:33:54 | |
Mr Lesser! | 0:33:54 | 0:33:55 | |
MUSIC BOX PLAYING | 0:33:59 | 0:34:00 | |
I managed to escape. | 0:34:02 | 0:34:03 | |
I can see that. | 0:34:03 | 0:34:04 | |
It's all right. We found it. | 0:34:04 | 0:34:06 | |
Thank God for that. | 0:34:06 | 0:34:07 | |
CHILD-LIKE SINGING | 0:34:07 | 0:34:09 | |
What's that sound? | 0:34:10 | 0:34:11 | |
Is it someone singing? | 0:34:14 | 0:34:16 | |
Agnes? | 0:34:19 | 0:34:20 | |
-IN A CHILD'S VOICE: -Do you want to play with me? | 0:34:23 | 0:34:25 | |
We could go swimming. | 0:34:28 | 0:34:29 | |
I like swimming. | 0:34:31 | 0:34:33 | |
Agnes, what is going on? | 0:34:33 | 0:34:35 | |
I'm not Agnes, silly. | 0:34:38 | 0:34:40 | |
I'm Violet. | 0:34:51 | 0:34:52 | |
Be careful of Agnes. | 0:34:55 | 0:34:57 | |
Why's that? | 0:34:57 | 0:34:58 | |
She killed me. | 0:35:02 | 0:35:04 | |
Agnes! | 0:35:04 | 0:35:05 | |
-NORMAL VOICE: -What just happened? | 0:35:07 | 0:35:09 | |
You were acting like... | 0:35:09 | 0:35:10 | |
Like what? | 0:35:10 | 0:35:11 | |
Like you were a little girl. | 0:35:11 | 0:35:14 | |
You said your name was Violet. | 0:35:14 | 0:35:16 | |
What? | 0:35:16 | 0:35:17 | |
This may seem indelicate, but I think you should see a psychiatrist. | 0:35:18 | 0:35:22 | |
You killed an innocent man. | 0:35:56 | 0:35:58 | |
You have to face up to that, if nothing else. | 0:35:58 | 0:36:00 | |
You have no evidence. | 0:36:00 | 0:36:02 | |
I know why you couldn't destroy the newspaper. | 0:36:02 | 0:36:04 | |
Because what she wrote was part of herself, a part that knew | 0:36:06 | 0:36:09 | |
what she'd done, that wanted to confess and say sorry. | 0:36:09 | 0:36:13 | |
How could I destroy that? | 0:36:16 | 0:36:17 | |
What's the matter with her? | 0:36:19 | 0:36:20 | |
It's a fugue state she goes into. | 0:36:22 | 0:36:25 | |
It's some form of multiple-personality disorder. | 0:36:25 | 0:36:28 | |
The first time it happened was when she was ten years old. | 0:36:28 | 0:36:31 | |
Violet's death. | 0:36:32 | 0:36:33 | |
Florence and I discovered them in the river. | 0:36:35 | 0:36:37 | |
Agnes... | 0:36:39 | 0:36:40 | |
..holding Violet's head underwater. | 0:36:42 | 0:36:45 | |
Oh. | 0:36:45 | 0:36:46 | |
We pulled Agnes away. | 0:36:47 | 0:36:49 | |
She seemed almost catatonic. | 0:36:49 | 0:36:51 | |
And then, moments later, she came round, | 0:36:52 | 0:36:56 | |
started screaming when she saw what had happened. | 0:36:56 | 0:37:00 | |
No memory that she'd done it herself. | 0:37:02 | 0:37:03 | |
Why didn't you get her help? | 0:37:06 | 0:37:08 | |
What kind of help, hmm? | 0:37:09 | 0:37:10 | |
Locked up in an institution? Lobotomised? | 0:37:11 | 0:37:14 | |
Besides, we hoped it was a one-off, | 0:37:15 | 0:37:17 | |
some, sort of, strange, psychological anomaly, until... | 0:37:17 | 0:37:23 | |
..ten years ago. | 0:37:25 | 0:37:26 | |
Your wife's death. | 0:37:29 | 0:37:30 | |
Florence got out of bed, just as I said, | 0:37:37 | 0:37:40 | |
but when she got to the stairwell, Agnes was there. | 0:37:40 | 0:37:43 | |
Only... | 0:37:45 | 0:37:46 | |
.. it wasn't Agnes. | 0:37:47 | 0:37:48 | |
Agnes? | 0:37:50 | 0:37:52 | |
Agnes? | 0:37:53 | 0:37:54 | |
Wilbur! | 0:37:57 | 0:37:58 | |
We hoped to get her to the safety of her room. | 0:38:00 | 0:38:03 | |
Mummy, why didn't you save me? | 0:38:05 | 0:38:08 | |
Why did you let her drown me? | 0:38:10 | 0:38:12 | |
What? | 0:38:13 | 0:38:14 | |
Why didn't you save me?! | 0:38:14 | 0:38:16 | |
MUM SCREAMS | 0:38:16 | 0:38:17 | |
We put her to bed. | 0:38:26 | 0:38:27 | |
She woke up when the ambulance arrived, distraught. | 0:38:27 | 0:38:30 | |
No memory of what she'd done. | 0:38:32 | 0:38:34 | |
I convinced Daniel it was an accident, | 0:38:37 | 0:38:41 | |
for Agnes's sake. | 0:38:41 | 0:38:42 | |
It's all been for Agnes's sake. | 0:38:45 | 0:38:47 | |
And what about the people she killed? | 0:38:48 | 0:38:50 | |
And the innocent man you killed to protect her? | 0:38:52 | 0:38:56 | |
It's time to face the truth. | 0:38:56 | 0:38:58 | |
She is a danger to herself and other people. | 0:38:58 | 0:39:01 | |
Father! | 0:39:02 | 0:39:03 | |
Father! | 0:39:04 | 0:39:06 | |
It's Agnes. | 0:39:07 | 0:39:08 | |
I don't think she's herself. | 0:39:08 | 0:39:10 | |
Agnes? | 0:39:14 | 0:39:15 | |
What's going on? | 0:39:17 | 0:39:18 | |
She's been leaving herself clues from the very start | 0:39:20 | 0:39:22 | |
and this is the biggest one. | 0:39:22 | 0:39:24 | |
If she's realised. | 0:39:26 | 0:39:27 | |
Agnes? | 0:39:31 | 0:39:32 | |
Agnes! | 0:39:33 | 0:39:34 | |
Agnes. | 0:39:49 | 0:39:50 | |
I remember it. | 0:39:50 | 0:39:51 | |
I remember it all. | 0:39:53 | 0:39:54 | |
My mother. | 0:39:56 | 0:39:57 | |
My sister. | 0:39:59 | 0:40:00 | |
What am I? | 0:40:03 | 0:40:04 | |
You're someone who needs help. | 0:40:07 | 0:40:08 | |
Agnes, please... | 0:40:10 | 0:40:11 | |
This is not the way out, | 0:40:15 | 0:40:16 | |
no matter how dark things may seem | 0:40:16 | 0:40:19 | |
at the moment. | 0:40:19 | 0:40:21 | |
There's something... | 0:40:21 | 0:40:22 | |
..evil inside me. | 0:40:23 | 0:40:25 | |
You're not evil. | 0:40:25 | 0:40:26 | |
You're unwell. | 0:40:28 | 0:40:29 | |
And beneath the illness, there is good. | 0:40:31 | 0:40:33 | |
-Good?! -Why else would you make a confession? | 0:40:35 | 0:40:39 | |
You positioned your mother's arm in the diorama to point at | 0:40:41 | 0:40:44 | |
the newspaper, because you knew that the chief inspector would notice | 0:40:44 | 0:40:48 | |
the discrepancy, find the newspaper... | 0:40:48 | 0:40:51 | |
..and see this. | 0:40:54 | 0:40:55 | |
Because of what you've done... | 0:41:00 | 0:41:02 | |
..you desperately seek redemption. | 0:41:04 | 0:41:07 | |
There's no redemption for me, Father. | 0:41:07 | 0:41:09 | |
There's only what I've done. The acts I've committed. | 0:41:10 | 0:41:14 | |
I told you I wanted to follow the truth, | 0:41:14 | 0:41:17 | |
no matter where it leads. And this is where it's led. | 0:41:17 | 0:41:20 | |
I have to accept that. | 0:41:20 | 0:41:22 | |
And for the protection of others, | 0:41:22 | 0:41:23 | |
I have to do the only thing that's right. | 0:41:23 | 0:41:25 | |
Agnes! | 0:41:25 | 0:41:27 | |
Just let me go, Father! | 0:41:27 | 0:41:29 | |
If you let go, | 0:41:29 | 0:41:32 | |
you will pull me over. | 0:41:32 | 0:41:34 | |
You're being selfish! | 0:41:34 | 0:41:35 | |
-No, I'm not. -She's here! | 0:41:36 | 0:41:38 | |
MUSIC BOX PLAYS | 0:41:59 | 0:42:01 | |
Good news about your father. | 0:42:09 | 0:42:11 | |
He was given a custodial sentence. | 0:42:11 | 0:42:13 | |
The judge took into account his advancing years | 0:42:13 | 0:42:16 | |
and his decades of public service. | 0:42:16 | 0:42:18 | |
He escaped the noose. | 0:42:21 | 0:42:22 | |
Thank God. | 0:42:25 | 0:42:26 | |
I thought you were an atheist? | 0:42:28 | 0:42:29 | |
It was a figure of speech. | 0:42:31 | 0:42:32 | |
Hmm. | 0:42:33 | 0:42:35 | |
Ha! | 0:42:36 | 0:42:38 | |
I hear the music box is sounding better. | 0:42:38 | 0:42:40 | |
I gave it some oil. | 0:42:41 | 0:42:42 | |
I thought it was about time. | 0:42:42 | 0:42:43 | |
An apple tart from Mrs McCarthy, by way of celebration. | 0:42:45 | 0:42:49 | |
-And the diorama is coming on famously. -Yes. | 0:42:51 | 0:42:56 | |
I'm not sure who I'm going to have killed yet, though. | 0:42:59 | 0:43:01 | |
I thought that you... | 0:43:04 | 0:43:05 | |
Oh, relax, it was a joke. | 0:43:05 | 0:43:08 | |
This is just for, erm... I suppose you might call it "fun". | 0:43:11 | 0:43:14 | |
-Hmm. -Which reminds me. | 0:43:16 | 0:43:17 | |
Oh! | 0:43:21 | 0:43:22 | |
I thought I'd leave it up to you. | 0:43:26 | 0:43:27 | |
Where do you want him? | 0:43:27 | 0:43:29 | |
Erm, well... | 0:43:31 | 0:43:33 | |
I think he should be taking a stroll. | 0:43:35 | 0:43:38 | |
Perfect. | 0:43:39 | 0:43:41 | |
Right. | 0:43:49 | 0:43:50 | |
Well, I'll go and get some plates... | 0:43:50 | 0:43:52 | |
SHE HUMS ALONG WITH MUSIC BOX | 0:43:52 | 0:43:54 | |
..for the apple tart. | 0:43:54 | 0:43:55 | |
SHE CONTINUES HUMMING | 0:43:55 | 0:43:56 | |
SHE SINGS MUSIC BOX TUNE | 0:44:04 | 0:44:07 |