Browse content similar to The Eagle and the Daw. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Justice for Katherine, justice for women! | 0:00:04 | 0:00:06 | |
Here to help save an innocent woman from the scaffold? | 0:00:06 | 0:00:09 | |
I believe that only God should have the power to take a life, | 0:00:09 | 0:00:12 | |
but I can assure you that Katherine Corven | 0:00:12 | 0:00:14 | |
is far from innocent. | 0:00:14 | 0:00:16 | |
Don't tell me you're gullible enough | 0:00:16 | 0:00:17 | |
to believe the police's version of events? | 0:00:17 | 0:00:19 | |
I was there when she was arrested. I have no doubt about her guilt. | 0:00:19 | 0:00:22 | |
But it seems, finally, | 0:00:23 | 0:00:26 | |
she has decided to seek the forgiveness of God. | 0:00:26 | 0:00:28 | |
I should've known. | 0:00:29 | 0:00:31 | |
Another pawn in the male conspiracy to kill a strong-minded woman. | 0:00:31 | 0:00:34 | |
Shame on you! Shame on you! | 0:00:34 | 0:00:36 | |
Excuse me. | 0:00:39 | 0:00:40 | |
Justice for Katherine! | 0:00:42 | 0:00:43 | |
All I know is she wants to make a confession. | 0:00:43 | 0:00:47 | |
Is the prison chaplain not available? | 0:00:47 | 0:00:49 | |
She asked for you by name. | 0:00:49 | 0:00:51 | |
Said she wouldn't speak to anybody else. | 0:00:51 | 0:00:54 | |
Do you believe she is truly repentant? | 0:00:54 | 0:00:57 | |
HE CHUCKLES | 0:00:57 | 0:00:59 | |
George will be outside, so shout if you need him. | 0:00:59 | 0:01:03 | |
Thank you. | 0:01:03 | 0:01:04 | |
A word of advice, Father. | 0:01:04 | 0:01:06 | |
Don't turn your back on her. | 0:01:06 | 0:01:09 | |
Not for a second. | 0:01:09 | 0:01:10 | |
-Katherine. -Father. | 0:01:31 | 0:01:33 | |
So lovely to see you again. | 0:01:33 | 0:01:35 | |
I wasn't sure if you'd come. | 0:01:35 | 0:01:37 | |
I understand you're ready to confess your sins to God. | 0:01:39 | 0:01:42 | |
Oh, absolutely. I can't wait. | 0:01:42 | 0:01:44 | |
Forgive me, Father, for I have sinned. | 0:01:49 | 0:01:54 | |
It's been years since my last confession. | 0:01:56 | 0:01:58 | |
What I tell you won't go any further, will it? | 0:01:58 | 0:02:01 | |
Whatever you say is between you, me, and Almighty God. | 0:02:01 | 0:02:04 | |
Wonderful. That's what I thought. | 0:02:04 | 0:02:07 | |
The Seal of the Confessional cannot be broken. | 0:02:10 | 0:02:13 | |
So, if you truly wish to confess, leave nothing out. | 0:02:13 | 0:02:17 | |
The affair, your husband's murder... | 0:02:18 | 0:02:20 | |
While there's nobody | 0:02:20 | 0:02:21 | |
I'd sooner share my darkest secrets with, Father, | 0:02:21 | 0:02:24 | |
I've told you before, | 0:02:24 | 0:02:26 | |
my poor Bertie died of a completely natural heart attack. | 0:02:26 | 0:02:29 | |
Then why have you summoned me? | 0:02:31 | 0:02:32 | |
I wanted to get something off my chest. | 0:02:34 | 0:02:37 | |
You see... | 0:02:37 | 0:02:38 | |
..I've just arranged the death of my lover. | 0:02:40 | 0:02:42 | |
You remember Raymond, don't you? | 0:02:42 | 0:02:44 | |
Tell me, was that terribly naughty? | 0:02:45 | 0:02:48 | |
Knick-knacks for the tombola this weekend. | 0:03:32 | 0:03:35 | |
-What's wrong? -Nothing. | 0:03:35 | 0:03:37 | |
Why are you holding a letter behind your back then? | 0:03:37 | 0:03:40 | |
I'm not. | 0:03:40 | 0:03:42 | |
Let me see it. | 0:03:42 | 0:03:44 | |
This is no concern of yours. | 0:03:44 | 0:03:46 | |
How dare you?! Just give that back this instant! | 0:03:47 | 0:03:51 | |
"Prepare yourself, Father. For soon your flock will learn the truth. R." | 0:03:51 | 0:03:55 | |
-Who sent this? -I can't begin to imagine. | 0:03:56 | 0:04:00 | |
What did Father Brown say? | 0:04:00 | 0:04:02 | |
I haven't showed it to him yet. | 0:04:02 | 0:04:04 | |
-Why not?! -Well, he's just not himself today. | 0:04:04 | 0:04:07 | |
Do you remember that Katherine Corven woman? | 0:04:09 | 0:04:11 | |
The Black Widow? Who could forget? | 0:04:11 | 0:04:15 | |
Even the broadsheets went gaga for her trial. | 0:04:15 | 0:04:17 | |
-Father Brown cracked the case, didn't he? -Yes, he did. | 0:04:17 | 0:04:21 | |
And today he went to visit her in prison. | 0:04:21 | 0:04:24 | |
It probably dredged up some bad memories for him. | 0:04:24 | 0:04:28 | |
Anyway, this letter is just some foolish prank. | 0:04:28 | 0:04:31 | |
Be that as it may, if someone is sending this vile nonsense to him, | 0:04:31 | 0:04:34 | |
-he should know about it. -Maybe so. | 0:04:34 | 0:04:37 | |
DOOR OPENS | 0:04:37 | 0:04:39 | |
Father! | 0:04:39 | 0:04:40 | |
Ah, Bunty, how are you? | 0:04:45 | 0:04:48 | |
Just peachy, thanks, Father. | 0:04:48 | 0:04:50 | |
Um, Mrs M has something she'd like to discuss with you. | 0:04:50 | 0:04:53 | |
There's someone I need to visit. | 0:04:54 | 0:04:56 | |
Can it wait till I get back? | 0:04:56 | 0:04:58 | |
Father, whatever is the matter? You look quite pale. | 0:04:58 | 0:05:01 | |
He has a right to know. | 0:05:08 | 0:05:09 | |
GUNSHOT | 0:05:36 | 0:05:39 | |
-Raymond? -I thought I told you to... | 0:05:55 | 0:05:57 | |
-Don't shoot! -Forgive me, Father. | 0:05:59 | 0:06:01 | |
I thought you were one of those blasted journalists. | 0:06:01 | 0:06:03 | |
I'm rather glad I'm not. | 0:06:03 | 0:06:05 | |
I heard the shot. | 0:06:06 | 0:06:07 | |
What happened? | 0:06:09 | 0:06:10 | |
That? | 0:06:11 | 0:06:12 | |
I was scaring off a bird of prey. An eagle, I think. | 0:06:13 | 0:06:16 | |
It was circling over my chickens. | 0:06:16 | 0:06:19 | |
I'm sorry if I alarmed you. | 0:06:19 | 0:06:20 | |
-It's good to see you. -Likewise. | 0:06:22 | 0:06:24 | |
I'm sorry we didn't get a chance to talk after the trial. | 0:06:24 | 0:06:27 | |
I thought it best to make myself scarce before the mob descended. | 0:06:27 | 0:06:31 | |
Very wise. | 0:06:31 | 0:06:32 | |
So...to what do I owe the pleasure? | 0:06:33 | 0:06:35 | |
I just wondered how you were. | 0:06:38 | 0:06:41 | |
In that case, how about I put the kettle on? | 0:06:41 | 0:06:43 | |
There you are. | 0:06:57 | 0:06:59 | |
So, you've decided to move on. | 0:07:01 | 0:07:04 | |
As far away from Kembleford as possible. | 0:07:04 | 0:07:08 | |
I'm sick of the press hounding me, the voyeurs snooping around, | 0:07:08 | 0:07:11 | |
hoping to catch a glimpse of Katherine Corven's lover. | 0:07:11 | 0:07:14 | |
That must be difficult. | 0:07:14 | 0:07:16 | |
I still get spat at in the street by people who think | 0:07:16 | 0:07:19 | |
I was involved in her husband's murder. | 0:07:19 | 0:07:21 | |
And then there are the letters. | 0:07:21 | 0:07:23 | |
Letters? | 0:07:23 | 0:07:26 | |
From Katherine, trying to convince me of her innocence. | 0:07:26 | 0:07:29 | |
Begging me to visit her. | 0:07:29 | 0:07:30 | |
And have you? | 0:07:31 | 0:07:32 | |
Once, recently, to tell her I was going away. | 0:07:32 | 0:07:36 | |
She got angry, so I left. | 0:07:37 | 0:07:39 | |
Why did you really come here? | 0:07:43 | 0:07:45 | |
I was concerned about you. | 0:07:45 | 0:07:47 | |
I assume you lock your door, with all these people snooping around? | 0:07:47 | 0:07:51 | |
Don't worry about me, Father. I'll soon be long gone. | 0:07:53 | 0:07:55 | |
Actually, I'm glad you're here. I'd like to ask a favour. | 0:07:57 | 0:08:01 | |
Wait there. | 0:08:01 | 0:08:02 | |
Take it. | 0:08:18 | 0:08:20 | |
I'll be honest with you, Father, I don't trust myself with it. | 0:08:23 | 0:08:27 | |
I will put it somewhere safe. | 0:08:27 | 0:08:30 | |
Thank you. | 0:08:30 | 0:08:31 | |
One other thing... | 0:08:33 | 0:08:35 | |
My spare key to the cottage. | 0:08:35 | 0:08:37 | |
With all the press lurking around, | 0:08:37 | 0:08:38 | |
I'd sooner not leave it under a flowerpot. | 0:08:38 | 0:08:41 | |
Will you do me something in return? | 0:08:41 | 0:08:44 | |
Name it. | 0:08:46 | 0:08:47 | |
Please will you take care of yourself? | 0:08:47 | 0:08:49 | |
I intend to. | 0:08:52 | 0:08:53 | |
Sorry to bother you, Inspector. | 0:08:58 | 0:09:00 | |
What have I told you, Sergeant? Knock! | 0:09:00 | 0:09:02 | |
Sorry, sir. | 0:09:02 | 0:09:04 | |
Well, it's a bit late now! | 0:09:04 | 0:09:06 | |
Well? | 0:09:06 | 0:09:07 | |
Gunshot reported near Frimley Copse. | 0:09:07 | 0:09:09 | |
Probably a farmer firing at a troublesome pest. | 0:09:09 | 0:09:12 | |
Thing is, sir, | 0:09:13 | 0:09:15 | |
the witness reported the gunshot came from Raymond Worrall's cottage. | 0:09:15 | 0:09:18 | |
And? | 0:09:18 | 0:09:20 | |
Seeing as Worrall was involved in that Katherine Corven case, | 0:09:20 | 0:09:24 | |
-I thought maybe... -They were right, you know. | 0:09:24 | 0:09:27 | |
A policeman's lot is not a happy one. | 0:09:29 | 0:09:32 | |
Inspector. | 0:09:40 | 0:09:41 | |
Padre. Looks like you need a celestial chariot | 0:09:41 | 0:09:44 | |
to descend from Heaven and give you a tow. | 0:09:44 | 0:09:47 | |
-Sergeant. -Father. -Where're you off to, anyway? | 0:09:47 | 0:09:51 | |
Thought you normally cycled TOWARDS gunshots. | 0:09:51 | 0:09:53 | |
Gunshots? | 0:09:53 | 0:09:56 | |
Oh, that was nothing. | 0:09:56 | 0:09:57 | |
What's that? | 0:10:00 | 0:10:01 | |
It's something I've been given to look after. | 0:10:01 | 0:10:04 | |
For a member of my flock. | 0:10:04 | 0:10:06 | |
Don't suppose it was Raymond Worrall? | 0:10:06 | 0:10:08 | |
We believe the gunshot came from his property. | 0:10:08 | 0:10:11 | |
He was scaring an eagle. | 0:10:11 | 0:10:14 | |
An eagle? | 0:10:14 | 0:10:15 | |
That's what he said. | 0:10:15 | 0:10:16 | |
Now, if you'll excuse me, I'm wanted in Kembleford. | 0:10:18 | 0:10:21 | |
Shall we head back to the station now, sir? | 0:10:26 | 0:10:29 | |
Not yet. | 0:10:31 | 0:10:32 | |
ENGINE STARTS | 0:10:34 | 0:10:35 | |
Try round the back. | 0:10:48 | 0:10:50 | |
Righty-o, sir. | 0:10:50 | 0:10:51 | |
Wait! | 0:10:59 | 0:11:00 | |
Sir? | 0:11:00 | 0:11:02 | |
Funny-looking eagle. | 0:11:06 | 0:11:07 | |
KNOCKING ON DOOR | 0:11:09 | 0:11:13 | |
-DOOR OPENS -Where is he? | 0:11:13 | 0:11:15 | |
Inspector, this is most improper! | 0:11:15 | 0:11:18 | |
Know what's even more improper? Having a hole in your skull! | 0:11:18 | 0:11:21 | |
Inspector? | 0:11:21 | 0:11:22 | |
Why exactly did you go to see Mr Worrall earlier? | 0:11:22 | 0:11:25 | |
I can't tell you. | 0:11:25 | 0:11:26 | |
You can't remember something that happened an hour ago? | 0:11:26 | 0:11:30 | |
No, I can't tell you. | 0:11:30 | 0:11:32 | |
You certainly can. I'm an officer of the law! | 0:11:33 | 0:11:37 | |
I believe Father Brown's referring | 0:11:37 | 0:11:38 | |
to the Seal of the Confessional, sir. | 0:11:38 | 0:11:40 | |
I don't care if he's referring to the walrus at Chester Zoo! | 0:11:40 | 0:11:43 | |
A man is dead! | 0:11:43 | 0:11:45 | |
Who? | 0:11:45 | 0:11:46 | |
Raymond Worrall, your eagle-bothering chum. | 0:11:46 | 0:11:50 | |
He was shot in the head from close range. | 0:11:50 | 0:11:51 | |
So you'll have to do better than "I can't tell you". | 0:11:51 | 0:11:54 | |
There was no weapon found with Mr Worrall's body. | 0:11:57 | 0:12:01 | |
The doors and windows were all locked, | 0:12:01 | 0:12:04 | |
so whoever did it must've taken the gun and the key with them. | 0:12:04 | 0:12:09 | |
Where's that box? | 0:12:09 | 0:12:10 | |
What have we got here? | 0:12:32 | 0:12:34 | |
It's recently been fired. | 0:12:41 | 0:12:42 | |
As I told you, he... | 0:12:42 | 0:12:44 | |
The eagle, yes. | 0:12:44 | 0:12:45 | |
One shot fired. | 0:12:48 | 0:12:50 | |
I'll be honest, Padre, | 0:12:50 | 0:12:51 | |
if it were anyone else, you'd already be in cuffs. | 0:12:51 | 0:12:54 | |
"Prepare yourself, Father, for soon your flock will learn the truth. R." | 0:13:08 | 0:13:13 | |
I'm guessing the R stands for Raymond? | 0:13:13 | 0:13:15 | |
I've never seen that letter before in my life. | 0:13:15 | 0:13:17 | |
That is true. It came first thing this morning. | 0:13:17 | 0:13:20 | |
I opened it, I read it and then I threw it away. | 0:13:20 | 0:13:24 | |
Is that right? | 0:13:24 | 0:13:26 | |
It sounds to me like you wanted Mr Worrall to keep his mouth | 0:13:26 | 0:13:28 | |
shut about something. | 0:13:28 | 0:13:29 | |
Is that why you went to his cottage? | 0:13:29 | 0:13:32 | |
As I said, I... | 0:13:32 | 0:13:33 | |
I've had enough of this. | 0:13:33 | 0:13:34 | |
Father Brown, you're under arrest on suspicion of murder. | 0:13:34 | 0:13:38 | |
-Inspector! -Sir, are you sure about this? | 0:13:38 | 0:13:41 | |
You're not obliged to say anything, | 0:13:41 | 0:13:43 | |
but apparently you already know that. | 0:13:43 | 0:13:46 | |
Your lunch, Mrs Corven. | 0:13:50 | 0:13:51 | |
Not in the mood for chicken today. | 0:13:54 | 0:13:56 | |
Tell the cook to make me an omelette. | 0:13:56 | 0:13:58 | |
-But... -Problem? | 0:13:58 | 0:13:59 | |
No, Mrs Corven. | 0:14:01 | 0:14:02 | |
Good. I don't have many days left. | 0:14:04 | 0:14:06 | |
I'd hate to waste them destroying you. | 0:14:06 | 0:14:08 | |
I have bigger fish to fry. | 0:14:08 | 0:14:09 | |
I'll go and ask Cook straight away. | 0:14:10 | 0:14:12 | |
I assure you, Raymond Worrall's death was none of my doing. | 0:14:29 | 0:14:33 | |
You assure me? Well, that's all right, then! | 0:14:33 | 0:14:37 | |
No need to bother collecting evidence, interviewing witnesses. | 0:14:37 | 0:14:41 | |
If you let me go, I can find out what happened. | 0:14:41 | 0:14:44 | |
And how are you planning to do that? | 0:14:46 | 0:14:48 | |
I have certain information. | 0:14:48 | 0:14:50 | |
What information? | 0:14:50 | 0:14:52 | |
I'm afraid... | 0:14:55 | 0:14:56 | |
You can't tell me? What a surprise! | 0:14:57 | 0:15:00 | |
Sorry, Padre, but if you want out of here, | 0:15:00 | 0:15:02 | |
you're going to have to be a little more forthcoming. | 0:15:02 | 0:15:05 | |
How about I leave you alone to think about that? | 0:15:05 | 0:15:07 | |
Is the inspector in? | 0:15:14 | 0:15:15 | |
Of all the ridiculous things you've done, Inspector, | 0:15:15 | 0:15:18 | |
-this really takes the biscuit! -Here we go! | 0:15:18 | 0:15:20 | |
How could you be so stupid as to believe that Father Brown | 0:15:20 | 0:15:24 | |
could murder anyone? | 0:15:24 | 0:15:26 | |
He can't even kill the slugs in his own garden! | 0:15:26 | 0:15:28 | |
Ladies, while I appreciate you coming here to tell me how to | 0:15:28 | 0:15:30 | |
do my job, I have concrete evidence of Father Brown's involvement. | 0:15:30 | 0:15:35 | |
He had the murder weapon in his possession, for goodness' sake! | 0:15:35 | 0:15:39 | |
It wasn't him. | 0:15:39 | 0:15:40 | |
And you can't just fling him into a cell like a common criminal. | 0:15:40 | 0:15:45 | |
I think you'll find I can. | 0:15:45 | 0:15:47 | |
Can't we come to some arrangement? | 0:15:47 | 0:15:50 | |
I don't know what you're implying. | 0:15:50 | 0:15:52 | |
How about you let Father Brown go and I don't call my uncle at | 0:15:53 | 0:16:01 | |
the Home Office and get you a new job directing traffic in Coventry? | 0:16:01 | 0:16:05 | |
Threats or no threats, Father Brown is staying put! | 0:16:05 | 0:16:10 | |
I never want any of that! I'm just a respectable fella, | 0:16:12 | 0:16:15 | |
trying to keep going with his little operation. | 0:16:15 | 0:16:17 | |
What's he done now? | 0:16:17 | 0:16:18 | |
Stole a bicycle from outside Mr Botham's cottage. | 0:16:18 | 0:16:21 | |
I thought it had been left out for scrap. | 0:16:21 | 0:16:24 | |
Put him in cell two. | 0:16:24 | 0:16:26 | |
An innocent misunderstanding... | 0:16:26 | 0:16:27 | |
There you go, ladies. | 0:16:27 | 0:16:28 | |
The Padre will have someone to keep him company. | 0:16:28 | 0:16:31 | |
Oh! | 0:16:31 | 0:16:32 | |
He's coming now. Father, I wanted to say that... | 0:16:39 | 0:16:43 | |
No need. | 0:16:45 | 0:16:46 | |
I'm sure it'll get ironed out. | 0:16:47 | 0:16:49 | |
I'll admit it, I'm surprised. | 0:16:55 | 0:16:58 | |
Not much shocks me, but this is a right old turn-up for the books. | 0:16:58 | 0:17:04 | |
We've retrieved a bullet from the body. | 0:17:06 | 0:17:08 | |
It matches the calibre of revolver that you had in your possession - | 0:17:08 | 0:17:12 | |
a revolver that was recently fired. | 0:17:12 | 0:17:14 | |
We've searched the house, but there's no other weapon. | 0:17:14 | 0:17:17 | |
Furthermore, Mr Worrall was discovered in a locked house, | 0:17:17 | 0:17:21 | |
but there's no other key was found on the body or during the search. | 0:17:21 | 0:17:25 | |
Then maybe the murderer took it with them? | 0:17:25 | 0:17:28 | |
My thoughts exactly. | 0:17:28 | 0:17:30 | |
And then there's this. | 0:17:36 | 0:17:38 | |
A letter from the victim, | 0:17:40 | 0:17:42 | |
threatening to expose some grubby little secret. | 0:17:42 | 0:17:46 | |
So what did you do, Padre? | 0:17:46 | 0:17:48 | |
Get too friendly with one of your parishioners? | 0:17:49 | 0:17:52 | |
Embezzle money from the church? | 0:17:52 | 0:17:54 | |
My conscience is clear. | 0:17:57 | 0:17:59 | |
That won't help you in court. | 0:17:59 | 0:18:02 | |
You see, we have method, motive and opportunity here - the Holy Trinity. | 0:18:02 | 0:18:09 | |
So, for the last time, | 0:18:10 | 0:18:13 | |
can you please explain what you were doing in Raymond Worrall's cottage? | 0:18:13 | 0:18:18 | |
I'll give you the night to think about it. | 0:18:22 | 0:18:25 | |
In the morning, either you tell me everything you know, | 0:18:25 | 0:18:30 | |
or I charge you with murder. | 0:18:30 | 0:18:32 | |
DOOR OPENS | 0:18:36 | 0:18:37 | |
Any news? | 0:18:40 | 0:18:41 | |
Nothing. This is all my fault. | 0:18:41 | 0:18:45 | |
If I had told him about the letter... | 0:18:45 | 0:18:47 | |
-You did what you thought was best. -SHE SIGHS | 0:18:47 | 0:18:50 | |
Why do you think he went down to that cottage? | 0:18:50 | 0:18:53 | |
He didn't say. | 0:18:53 | 0:18:54 | |
But he's been out of sorts ever since | 0:18:54 | 0:18:56 | |
he came back from seeing that terrible Corven woman. | 0:18:56 | 0:19:00 | |
Raymond Worrall was her lover. | 0:19:00 | 0:19:03 | |
So, more than likely, she has something to do with it. | 0:19:03 | 0:19:07 | |
Well, I hate to put a dampener on things, | 0:19:07 | 0:19:08 | |
but isn't Katherine Corven very much behind bars? | 0:19:08 | 0:19:12 | |
It's not like they'd let her nip out to shoot someone. | 0:19:12 | 0:19:15 | |
But what if she got someone else to do it for her? | 0:19:15 | 0:19:18 | |
Maybe a cellmate due for release or... | 0:19:18 | 0:19:21 | |
If only we could get in and talk to her. | 0:19:21 | 0:19:24 | |
Why can't we? | 0:19:24 | 0:19:26 | |
One can't simply saunter into a prison. | 0:19:26 | 0:19:29 | |
I don't see why not. | 0:19:29 | 0:19:31 | |
After all, my godfather is chairman of the Board of Governors. | 0:19:31 | 0:19:34 | |
Is there any institution in this country that is not run by | 0:19:34 | 0:19:38 | |
one of your relatives? | 0:19:38 | 0:19:40 | |
Not that I can think of. | 0:19:40 | 0:19:41 | |
Impossible! Mrs Corven is awaiting execution. | 0:19:42 | 0:19:48 | |
She's being held under the strictest conditions. | 0:19:48 | 0:19:51 | |
My godfather assured us... | 0:19:52 | 0:19:53 | |
Your godfather should know the rules. | 0:19:53 | 0:19:57 | |
Very well. | 0:19:58 | 0:20:00 | |
I will file a report which states that your prison breaches | 0:20:00 | 0:20:03 | |
the 1948 Criminal Justice Act, section 23C. | 0:20:03 | 0:20:07 | |
Excuse me? | 0:20:07 | 0:20:08 | |
It states that every prisoner has the right to meet in private | 0:20:09 | 0:20:13 | |
with a spiritual advisor or representatives thereof. | 0:20:13 | 0:20:17 | |
You are spiritual advisors? | 0:20:17 | 0:20:21 | |
Representatives thereof. | 0:20:21 | 0:20:22 | |
We were sent by Father Brown. He is...currently indisposed. | 0:20:22 | 0:20:27 | |
This is an unexpected treat. Friends of Father Brown, I hear? | 0:20:35 | 0:20:39 | |
How is he? | 0:20:39 | 0:20:40 | |
He's in a prison cell, as I'm sure you know. | 0:20:40 | 0:20:43 | |
Excellent! | 0:20:43 | 0:20:44 | |
What did you say to him yesterday? | 0:20:44 | 0:20:46 | |
That's private, I'm afraid. | 0:20:46 | 0:20:48 | |
Oh, we'll find out one way or another. | 0:20:48 | 0:20:50 | |
No, you won't. | 0:20:50 | 0:20:52 | |
Only two of us know what was said, | 0:20:52 | 0:20:53 | |
and Father Brown isn't allowed to tell. | 0:20:53 | 0:20:55 | |
His god won't let him. | 0:20:55 | 0:20:57 | |
Such a tragedy - destroyed by his own faith. | 0:20:57 | 0:20:59 | |
If you don't put an end to this, young lady... | 0:20:59 | 0:21:02 | |
You'll do what? | 0:21:02 | 0:21:03 | |
I'm being executed in a few days, thanks to our mutual friend. | 0:21:03 | 0:21:07 | |
What exactly have I left to lose? | 0:21:07 | 0:21:09 | |
We'll prove that Father Brown had nothing to do with Raymond's death. | 0:21:09 | 0:21:12 | |
I doubt it. | 0:21:12 | 0:21:14 | |
But I'd hate for your journey to be a complete waste, | 0:21:14 | 0:21:16 | |
so would you pass on a message from me? | 0:21:16 | 0:21:18 | |
Tell Father Brown that I'll see him in hell. | 0:21:18 | 0:21:21 | |
Katherine must have recruited someone to murder Raymond and | 0:21:32 | 0:21:35 | |
frame Father Brown. | 0:21:35 | 0:21:37 | |
All we have to do is find out who. | 0:21:37 | 0:21:39 | |
-I wonder what they got in return. -Ahem! | 0:21:39 | 0:21:41 | |
Follow my lead. | 0:21:43 | 0:21:44 | |
You survived, I see? | 0:21:46 | 0:21:49 | |
Yes. And we know what Katherine's been up to. | 0:21:49 | 0:21:52 | |
I'll show them out. | 0:21:55 | 0:21:56 | |
What do you mean? | 0:21:59 | 0:22:00 | |
You know exactly what I mean. | 0:22:00 | 0:22:02 | |
She told us everything. | 0:22:02 | 0:22:04 | |
She made a deal. | 0:22:04 | 0:22:06 | |
Please. Don't tell the governor. | 0:22:08 | 0:22:11 | |
If you want to keep your job, | 0:22:14 | 0:22:16 | |
you are going to tell us your side of the story. | 0:22:16 | 0:22:19 | |
And don't leave anything out. | 0:22:19 | 0:22:21 | |
Katherine found out about the affair. | 0:22:23 | 0:22:27 | |
Relationships between the officers is strictly forbidden. | 0:22:27 | 0:22:30 | |
And of course George is married. | 0:22:32 | 0:22:33 | |
So she blackmailed you? | 0:22:33 | 0:22:35 | |
She told me she'd keep her mouth shut in return for certain | 0:22:35 | 0:22:39 | |
favours - special meals, privileges... | 0:22:39 | 0:22:44 | |
-and the letters. -Go on. | 0:22:44 | 0:22:46 | |
All correspondence is supposed to go via the governor's office, | 0:22:49 | 0:22:54 | |
but I'd sneak them out. | 0:22:54 | 0:22:57 | |
At first, they were just letters to her lover, | 0:22:57 | 0:22:59 | |
Raymond or whatever he's called. | 0:22:59 | 0:23:01 | |
I think Katherine was trying to get back into his affections. | 0:23:02 | 0:23:06 | |
Then they tailed off, and other notes were going back and forth. | 0:23:07 | 0:23:12 | |
Other notes? To whom? | 0:23:12 | 0:23:14 | |
-DISTANT: -We demand justice! Set Katherine free! | 0:23:14 | 0:23:17 | |
We demand justice! Set Katherine free... | 0:23:17 | 0:23:20 | |
Her? | 0:23:20 | 0:23:22 | |
What were these notes about? | 0:23:22 | 0:23:24 | |
I don't know. | 0:23:24 | 0:23:26 | |
Honestly. I never opened them. That was part of the deal. | 0:23:26 | 0:23:29 | |
Please. It was just a few letters. | 0:23:29 | 0:23:33 | |
No. I think it was much more than that. | 0:23:34 | 0:23:37 | |
-DISTANT: -Set Katherine free! We demand justice... | 0:23:37 | 0:23:40 | |
Something to keep you going, Father. Don't tell the inspector, though. | 0:23:41 | 0:23:46 | |
He thinks you'd be more cooperative on an empty stomach. | 0:23:46 | 0:23:49 | |
It is much appreciated. | 0:23:49 | 0:23:51 | |
Look, Father, I know you wouldn't kill anybody and | 0:23:53 | 0:23:56 | |
so does the inspector, he's just being too pig-headed to admit it. | 0:23:56 | 0:24:00 | |
Is there anything I can do to help? | 0:24:00 | 0:24:03 | |
That's very kind of you, Sergeant. | 0:24:03 | 0:24:05 | |
But I wouldn't want to get you into trouble. | 0:24:05 | 0:24:09 | |
And when has a bit of trouble ever stopped you from helping others? | 0:24:09 | 0:24:12 | |
Well, if you really want to help, | 0:24:12 | 0:24:15 | |
perhaps you could tell me who it was who alerted the police to | 0:24:15 | 0:24:18 | |
the gunshot at Raymond Worrall's cottage. | 0:24:18 | 0:24:21 | |
It was a young lady, but she wouldn't give her name. Sorry. | 0:24:22 | 0:24:26 | |
Said she was calling from the public telephone on Ridley Street, | 0:24:26 | 0:24:29 | |
if that's any help? | 0:24:29 | 0:24:30 | |
Yes. It is, thank you. | 0:24:30 | 0:24:32 | |
-Anything else? -No. | 0:24:32 | 0:24:34 | |
Yes. Erm...could you fetch me a piece of chalk, please? | 0:24:34 | 0:24:40 | |
Justice for Katherine Corven! Justice for women! | 0:24:41 | 0:24:46 | |
Justice for Katherine Corven! | 0:24:46 | 0:24:48 | |
You! | 0:24:48 | 0:24:49 | |
Guilty conscience? | 0:24:51 | 0:24:53 | |
Why should I have? | 0:24:53 | 0:24:54 | |
One man is dead. | 0:24:54 | 0:24:56 | |
And another man is in a police cell for a crime he didn't commit. | 0:24:56 | 0:24:59 | |
And a woman is due to be hanged for defending herself against | 0:24:59 | 0:25:02 | |
a husband's tyranny. | 0:25:02 | 0:25:03 | |
-Oh, we know Katherine Corven has been feeding you her lies. -Lies? | 0:25:03 | 0:25:07 | |
She killed her husband and now she's killed Raymond. | 0:25:07 | 0:25:09 | |
Or at least got someone else to do it for her. | 0:25:09 | 0:25:12 | |
You don't know what you're talking about. | 0:25:12 | 0:25:14 | |
Katherine had nothing to do with Raymond's death! She loved him. | 0:25:14 | 0:25:17 | |
She was trying to protect him. | 0:25:17 | 0:25:19 | |
Protect him? From whom? | 0:25:19 | 0:25:20 | |
She wouldn't tell me. She said it would put me in danger. | 0:25:20 | 0:25:23 | |
But someone intended to hurt Raymond, | 0:25:23 | 0:25:25 | |
and she asked me to watch the cottage that morning. | 0:25:25 | 0:25:29 | |
If anything happened, I was to call the police immediately. | 0:25:29 | 0:25:31 | |
So what did happen? | 0:25:31 | 0:25:32 | |
I heard a gunshot, so I ran to the nearest telephone box. | 0:25:32 | 0:25:36 | |
Did you see anyone else near the cottage? Anyone at all. | 0:25:36 | 0:25:39 | |
No. Well except that rag-and-bone man. | 0:25:39 | 0:25:42 | |
The one who lives in the old barn on Fletcher's Lane. | 0:25:42 | 0:25:45 | |
He was pushing his barrow towards Kembleford. | 0:25:45 | 0:25:49 | |
But what could he have against Mr Worrall? | 0:25:49 | 0:25:51 | |
You're wasting your time. Father Brown did it. | 0:25:51 | 0:25:54 | |
Katherine warned me about him. | 0:25:54 | 0:25:56 | |
Said he's a corrupt, evil, selfish... | 0:25:56 | 0:25:59 | |
Father Brown is the best man I have ever met. | 0:25:59 | 0:26:01 | |
And if you say one more word against him, I will take your silly | 0:26:01 | 0:26:04 | |
-little sign and insert it into a place where no-one can read it. -Huh! | 0:26:04 | 0:26:07 | |
DISTANT VOICE | 0:26:13 | 0:26:16 | |
Are you there, Father? | 0:26:42 | 0:26:43 | |
Yes. | 0:26:45 | 0:26:46 | |
Do you believe in luck? | 0:26:46 | 0:26:48 | |
I believe in God. | 0:26:50 | 0:26:52 | |
Maybe that's what you want to call it. | 0:26:52 | 0:26:55 | |
I believe in Lady Luck. | 0:26:55 | 0:26:58 | |
To look at me, most people wouldn't think I'm a fortunate fellow, | 0:27:00 | 0:27:04 | |
but I am. | 0:27:04 | 0:27:05 | |
I am free, see. | 0:27:05 | 0:27:08 | |
Even in here. | 0:27:08 | 0:27:10 | |
Take this morning. | 0:27:10 | 0:27:12 | |
I'd just finished my last bottle when fate provided. | 0:27:12 | 0:27:17 | |
DOOR OPENS | 0:27:17 | 0:27:18 | |
Right. Time to go. | 0:27:18 | 0:27:21 | |
-See? -HE LAUGHS | 0:27:21 | 0:27:23 | |
Lucky man, me! | 0:27:23 | 0:27:25 | |
# Now my song is over | 0:27:26 | 0:27:29 | |
# I've got no more to say | 0:27:29 | 0:27:31 | |
# Just give me an egg and brandy | 0:27:31 | 0:27:33 | |
# And I'll be on my way. # | 0:27:33 | 0:27:36 | |
Ugh! What is that smell? | 0:27:36 | 0:27:39 | |
I don't want to know. | 0:27:39 | 0:27:41 | |
Do we even have any idea what we are looking for? | 0:27:47 | 0:27:51 | |
Something to link him to Raymond, I suppose. | 0:27:51 | 0:27:54 | |
In all this rubbish? | 0:27:54 | 0:27:56 | |
It's like looking for a needle in a haystack. | 0:27:56 | 0:27:59 | |
Maybe you're right. | 0:27:59 | 0:28:00 | |
No, wait. Look at this. | 0:28:04 | 0:28:07 | |
So you want me to arrest him for owning a photograph? | 0:28:16 | 0:28:20 | |
Katherine Corven recruited someone | 0:28:20 | 0:28:22 | |
to kill Raymond and frame Father Brown. | 0:28:22 | 0:28:24 | |
Harry Slow was seen in the area at the time, and that photograph | 0:28:24 | 0:28:28 | |
proves the connection between them. | 0:28:28 | 0:28:30 | |
And what connection is that? | 0:28:30 | 0:28:32 | |
We don't know! That's why we've come to you. | 0:28:32 | 0:28:36 | |
Sorry, but one photograph does not a murder conviction make. | 0:28:36 | 0:28:39 | |
Did you find a gun? A key? | 0:28:39 | 0:28:42 | |
Any actual evidence? | 0:28:42 | 0:28:44 | |
No, but... | 0:28:45 | 0:28:47 | |
Where do you think you are going?! | 0:28:47 | 0:28:48 | |
Dentist appointment. Toothache. | 0:28:48 | 0:28:50 | |
And thanks to you two, now I have earache as well! | 0:28:50 | 0:28:52 | |
Can't you at least bring Harry in for questioning? | 0:28:52 | 0:28:55 | |
We've only just let him go! | 0:28:55 | 0:28:57 | |
All right! I'll bring him in. | 0:29:01 | 0:29:03 | |
But unless he has an identical revolver, another key and the | 0:29:03 | 0:29:07 | |
motive to use them, I fully intend to charge the Padre with murder. | 0:29:07 | 0:29:10 | |
Father Brown is no murderer! | 0:29:10 | 0:29:13 | |
How many criminals has he helped to put behind bars? | 0:29:13 | 0:29:16 | |
Yes, I've been thinking about that one. | 0:29:16 | 0:29:18 | |
It's hard to know what came first, the chicken or the egg. | 0:29:18 | 0:29:21 | |
Was the Padre corrupted by his exposure to so many murderers, | 0:29:21 | 0:29:25 | |
or is his skill at catching killers just | 0:29:25 | 0:29:28 | |
a symptom of his own homicidal instinct? | 0:29:28 | 0:29:30 | |
For goodness' sake! | 0:29:30 | 0:29:32 | |
Come on, this is useless. | 0:29:32 | 0:29:34 | |
Goodbye, Inspector. | 0:29:34 | 0:29:35 | |
Oh, and if finely-honed detective | 0:29:37 | 0:29:39 | |
skills are a sign that somebody might be | 0:29:39 | 0:29:42 | |
a violent maniac, I'm sure none of us has anything to fear from you. | 0:29:42 | 0:29:46 | |
Right, sir. | 0:29:53 | 0:29:55 | |
Sit yourself down. | 0:29:57 | 0:29:58 | |
-What happened? Missed me? -Where did you get this? | 0:29:58 | 0:30:03 | |
Can't remember. | 0:30:05 | 0:30:07 | |
Look, we normally turn a blind eye to your "activities". | 0:30:09 | 0:30:13 | |
Mostly because whenever we bring you in, | 0:30:13 | 0:30:15 | |
Goodfellow has to hose down the cell afterwards. | 0:30:15 | 0:30:18 | |
But if you want to end up in prison, be my guest. | 0:30:19 | 0:30:22 | |
No need for that, Inspector. I think it's coming back to me. | 0:30:22 | 0:30:27 | |
It's a miracle(!) | 0:30:27 | 0:30:29 | |
I was walking into town | 0:30:30 | 0:30:33 | |
first thing yesterday, passing Frimley Copse, | 0:30:33 | 0:30:37 | |
when I saw a man digging a hole. | 0:30:37 | 0:30:39 | |
What did he look like? | 0:30:39 | 0:30:42 | |
Oh, you know...average. Average height, average build... | 0:30:42 | 0:30:47 | |
I get the picture. Why was he digging a hole? | 0:30:47 | 0:30:51 | |
He was burying something. | 0:30:51 | 0:30:53 | |
A wooden box. Beautiful carved thing, it was. | 0:30:53 | 0:30:56 | |
Anyway, he clearly didn't want it, | 0:30:57 | 0:30:59 | |
so I waited for him to go and then I dug it up. | 0:30:59 | 0:31:03 | |
Where is it now? | 0:31:03 | 0:31:04 | |
I sold it to the landlord of the Red Lion. | 0:31:04 | 0:31:08 | |
Paid off my tab and got a few bob left over to top myself up again. | 0:31:08 | 0:31:12 | |
Sergeant. | 0:31:12 | 0:31:13 | |
I'll go and see if the landlord's still got it, sir. | 0:31:13 | 0:31:16 | |
So the photograph was inside? | 0:31:16 | 0:31:20 | |
-That and a few letters. -Did you read them? | 0:31:20 | 0:31:24 | |
Never been my strong point, reading. | 0:31:24 | 0:31:26 | |
Why keep the picture? | 0:31:28 | 0:31:30 | |
Look at it. | 0:31:31 | 0:31:32 | |
I can dream, can't I? | 0:31:36 | 0:31:39 | |
DOOR OPENS | 0:31:42 | 0:31:46 | |
I don't have long. The inspector will wonder where I've got to. | 0:31:47 | 0:31:51 | |
A man was seen burying it in the woods yesterday morning. | 0:31:51 | 0:31:53 | |
Judging from the initials, I'm guessing it was Raymond Worrall. | 0:31:53 | 0:31:58 | |
Or the murderer. Maybe it's stolen from the house. | 0:31:58 | 0:32:02 | |
These letters are from Katherine. "Fear not, my love, | 0:32:02 | 0:32:05 | |
"death cannot part us. | 0:32:05 | 0:32:07 | |
"One day we shall be together again." | 0:32:07 | 0:32:09 | |
It sounds like they were still a couple. | 0:32:10 | 0:32:13 | |
Which is funny because Mrs McCarthy reckons this Corven woman is | 0:32:13 | 0:32:16 | |
the one that wanted him dead. | 0:32:16 | 0:32:18 | |
So what changed to make Katherine want to have Raymond murdered? | 0:32:18 | 0:32:22 | |
Maybe he'd told her that he was planning to move away and she | 0:32:22 | 0:32:26 | |
felt abandoned? | 0:32:26 | 0:32:28 | |
-Possibly. -Sergeant! | 0:32:28 | 0:32:30 | |
Sergeant! | 0:32:32 | 0:32:34 | |
What are you doing in here? | 0:32:37 | 0:32:39 | |
Just checking on the inmate, sir. | 0:32:39 | 0:32:41 | |
I heard a cry of pain. | 0:32:41 | 0:32:43 | |
I just wanted to make sure he wasn't doing himself a mischief. | 0:32:43 | 0:32:47 | |
I stubbed my toe. | 0:32:50 | 0:32:51 | |
This for our benefit? Don't waste your time, Padre. | 0:32:56 | 0:32:59 | |
We know you're guilty, don't we, Sergeant? | 0:32:59 | 0:33:03 | |
Seems that way, sir. | 0:33:03 | 0:33:05 | |
Is that it? | 0:33:06 | 0:33:08 | |
Yes, sir. | 0:33:08 | 0:33:09 | |
Get all this cleaned up. | 0:33:09 | 0:33:10 | |
And send that other troublemaker home, | 0:33:10 | 0:33:12 | |
and tell him to lay off the sauce. | 0:33:12 | 0:33:14 | |
Right away, sir. | 0:33:14 | 0:33:16 | |
I might be able to prove my innocence, | 0:33:16 | 0:33:18 | |
but only if I can get out of here. | 0:33:18 | 0:33:22 | |
The inspector will never allow it. | 0:33:22 | 0:33:23 | |
But...perhaps there's another way. | 0:33:25 | 0:33:28 | |
Did you get rid of that drunkard like I asked? | 0:33:33 | 0:33:36 | |
I did. Yes, sir. | 0:33:36 | 0:33:38 | |
Good. | 0:33:38 | 0:33:39 | |
Sweet dreams, Padre. | 0:33:50 | 0:33:53 | |
SNORING | 0:33:53 | 0:33:54 | |
SNORING | 0:34:00 | 0:34:02 | |
You can do what you like, but I am going to gather the | 0:34:03 | 0:34:07 | |
congregation and we will maintain a vigil in front of that police | 0:34:07 | 0:34:11 | |
station until Father Brown has been released! | 0:34:11 | 0:34:14 | |
They're not going to let him go because a bunch of octogenarians | 0:34:14 | 0:34:17 | |
are sat outside with a flask of tea and cucumber sandwiches! | 0:34:17 | 0:34:21 | |
Did you actually say octogenarians?! | 0:34:21 | 0:34:24 | |
SHE MOUTHS | 0:34:24 | 0:34:25 | |
FOOTSTEPS | 0:34:25 | 0:34:27 | |
Nice to see you are both getting along so well during my absence. | 0:34:28 | 0:34:31 | |
Father! | 0:34:31 | 0:34:33 | |
So, Inspector Mallory finally saw sense? | 0:34:33 | 0:34:36 | |
No offence, Father, but if cleanliness is next to | 0:34:36 | 0:34:39 | |
godliness, then don't expect any help from above. | 0:34:39 | 0:34:42 | |
What happened to your cassock? | 0:34:42 | 0:34:43 | |
Long story. No time to explain. | 0:34:43 | 0:34:47 | |
But we need to get over to Raymond Worrall's cottage. | 0:34:47 | 0:34:49 | |
But the place is all locked up. | 0:34:49 | 0:34:52 | |
How do you intend to get in? | 0:34:52 | 0:34:53 | |
Present from Sergeant Goodfellow. | 0:34:53 | 0:34:56 | |
We need to be quick, | 0:34:56 | 0:34:57 | |
before Inspector Mallory notices I'm missing. | 0:34:57 | 0:35:00 | |
You broke out?! I'm impressed! | 0:35:00 | 0:35:03 | |
Was that wise? | 0:35:03 | 0:35:06 | |
Not entirely. No. | 0:35:06 | 0:35:08 | |
So, somebody shot Raymond Worrall, left with the gun, | 0:35:20 | 0:35:24 | |
and then locked the door behind them. | 0:35:24 | 0:35:26 | |
That protestor? | 0:35:26 | 0:35:27 | |
Impossible. | 0:35:28 | 0:35:30 | |
Because she alerted the police after she heard the first shot, | 0:35:30 | 0:35:33 | |
from the public telephone box in Kembleford. | 0:35:33 | 0:35:35 | |
She couldn't have got back here in time to kill him. | 0:35:35 | 0:35:37 | |
It could have been that prison officer. | 0:35:37 | 0:35:40 | |
I mean, what if she and Katherine had | 0:35:40 | 0:35:42 | |
a deal that ran to more than just delivering a few letters? | 0:35:42 | 0:35:45 | |
She was on duty. | 0:35:45 | 0:35:48 | |
Or that rag-and-bone man? He clearly had a thing for Katherine. | 0:35:48 | 0:35:51 | |
Maybe he killed Raymond in a jealous rage? | 0:35:51 | 0:35:54 | |
I don't think Blind 'Arry was capable. | 0:35:54 | 0:35:56 | |
And why would he help me escape from the police station if | 0:35:56 | 0:35:59 | |
he was responsible? | 0:35:59 | 0:36:00 | |
Well, who, then? | 0:36:00 | 0:36:01 | |
You don't think Katherine Corven broke out of prison, | 0:36:01 | 0:36:06 | |
shot Raymond and then broke back in again? | 0:36:06 | 0:36:08 | |
Hardly. | 0:36:08 | 0:36:10 | |
I think the answer will come from on high. | 0:36:14 | 0:36:16 | |
Father, aren't you a bit long in the tooth for this kind of caper? | 0:36:18 | 0:36:22 | |
I'll be fine. | 0:36:22 | 0:36:23 | |
Don't be so stubborn and hold my handbag. | 0:36:23 | 0:36:26 | |
Shall I come up as well? | 0:36:28 | 0:36:30 | |
No need. | 0:36:30 | 0:36:31 | |
Oh, do be careful, Penelope. | 0:36:33 | 0:36:35 | |
You say that like I've never clambered across | 0:36:35 | 0:36:37 | |
a stranger's rooftop before. | 0:36:37 | 0:36:39 | |
I'm never sure if she says those things just to try and shock me. | 0:36:39 | 0:36:42 | |
What is it exactly that I am looking for? | 0:36:51 | 0:36:53 | |
CLATTER | 0:37:13 | 0:37:15 | |
I still don't understand. | 0:37:20 | 0:37:22 | |
Why did the murderer hide the gun up the chimney? | 0:37:22 | 0:37:25 | |
Why didn't he take it with him? | 0:37:25 | 0:37:27 | |
'He never left the house. | 0:37:28 | 0:37:30 | |
'The stone on the end of the cord acts as a counterweight.' | 0:37:32 | 0:37:37 | |
So, when Raymond let go of the gun, it disappeared up the chimney. | 0:37:37 | 0:37:45 | |
An old conjurer's trick, designed to put the police off the scent. | 0:37:45 | 0:37:48 | |
Raymond shot himself? | 0:37:48 | 0:37:50 | |
And framed me, because he believed | 0:37:50 | 0:37:53 | |
that I sent his lover to the scaffold. | 0:37:53 | 0:37:57 | |
And the soot on his gardening gloves from the fire meant that | 0:37:57 | 0:38:03 | |
no-one noticed any burn marks from the gun. | 0:38:03 | 0:38:06 | |
She must have convinced him to do it. Lovers reunited in death. | 0:38:06 | 0:38:10 | |
But question - how did you know that the gun was up the chimney? | 0:38:10 | 0:38:15 | |
An egg. | 0:38:15 | 0:38:16 | |
Jackdaws nest in chimneys. | 0:38:19 | 0:38:21 | |
'And when I found a jackdaw egg so close to the house, | 0:38:21 | 0:38:25 | |
'I knew that Raymond must have cleared his out.' | 0:38:25 | 0:38:27 | |
But why now, in this warm summer? | 0:38:27 | 0:38:31 | |
And this grate hasn't been used for months. | 0:38:33 | 0:38:35 | |
All right. Second question. | 0:38:35 | 0:38:37 | |
How on earth are you going to convince Mallory that that's | 0:38:37 | 0:38:40 | |
what happened? | 0:38:40 | 0:38:41 | |
I'm not. | 0:38:43 | 0:38:44 | |
Sergeant! | 0:38:50 | 0:38:52 | |
Sir? | 0:38:52 | 0:38:53 | |
These letters - just a load of soppy nonsense. | 0:38:53 | 0:38:56 | |
Is the Padre awake yet? | 0:38:56 | 0:38:58 | |
I don't think so, sir. | 0:38:58 | 0:39:00 | |
Then wake him up and get him into the interview room. | 0:39:00 | 0:39:03 | |
Let's see if he'll finally start talking. | 0:39:03 | 0:39:06 | |
It might take a while, sir. | 0:39:06 | 0:39:09 | |
He's quite a deep sleeper. | 0:39:09 | 0:39:11 | |
Throw a bucket of water over him if you have to! | 0:39:11 | 0:39:16 | |
Yes, sir. | 0:39:16 | 0:39:17 | |
# And now my song is over | 0:39:17 | 0:39:20 | |
# I've got no more to say | 0:39:20 | 0:39:23 | |
# Give us my eggs and brandy And I'll be on my way. # | 0:39:23 | 0:39:27 | |
Is it time for bed yet? | 0:39:29 | 0:39:30 | |
Would somebody please put this man in a cell where he belongs! | 0:39:30 | 0:39:33 | |
Now what's he done? | 0:39:33 | 0:39:35 | |
We found him trying to steal the communion wine. | 0:39:35 | 0:39:38 | |
-SERGEANT: -I'll sort him out, sir. | 0:39:38 | 0:39:40 | |
Good. And don't forget to wake up the Padre. | 0:39:40 | 0:39:44 | |
What an idiot. | 0:39:47 | 0:39:48 | |
Where have you been? I asked you to fetch the Padre. | 0:40:08 | 0:40:13 | |
I had to pop out, sir. | 0:40:13 | 0:40:15 | |
"Pop out"?! | 0:40:16 | 0:40:18 | |
Where did you find those? | 0:40:29 | 0:40:32 | |
I had a hunch, sir. | 0:40:32 | 0:40:34 | |
You see, I think Raymond Worrall killed himself. | 0:40:34 | 0:40:38 | |
I'm sure you understand I was just doing my job. | 0:40:41 | 0:40:44 | |
Absolutely. No apology necessary. | 0:40:44 | 0:40:48 | |
Well, I'll leave you to it. | 0:40:48 | 0:40:50 | |
I hope it goes without saying that none of this ever happened. | 0:40:51 | 0:40:54 | |
If the inspector knew I went behind his back... | 0:40:54 | 0:40:57 | |
My lips are sealed. | 0:40:57 | 0:40:58 | |
And I've spoken to Harold and he won't be spilling the beans. | 0:40:58 | 0:41:02 | |
How much did that cost you? | 0:41:02 | 0:41:03 | |
A rather fine bottle of Scotch. | 0:41:03 | 0:41:05 | |
Sergeant, you are a good man. | 0:41:05 | 0:41:08 | |
Some of my strawberry scones. | 0:41:08 | 0:41:11 | |
Extra cream. | 0:41:11 | 0:41:12 | |
You didn't need to do that. | 0:41:12 | 0:41:15 | |
Nonsense. You are a credit to the force. | 0:41:15 | 0:41:18 | |
I couldn't agree more. Thank you. | 0:41:18 | 0:41:20 | |
Right. Duty calls. | 0:41:23 | 0:41:26 | |
So, what now? | 0:41:27 | 0:41:30 | |
Hot meal, hot bath. | 0:41:32 | 0:41:34 | |
What's this? | 0:41:37 | 0:41:39 | |
Get used to it. There'll be no more special treatment. | 0:41:39 | 0:41:43 | |
That's a big mistake. | 0:41:44 | 0:41:46 | |
I assume you and your gentleman friend are still playing | 0:41:46 | 0:41:49 | |
hide the truncheon? | 0:41:49 | 0:41:50 | |
You know I wouldn't hesitate to tell. | 0:41:50 | 0:41:52 | |
Tell whoever you like. | 0:41:52 | 0:41:54 | |
I've handed in my resignation and he's left his wife. | 0:41:54 | 0:41:57 | |
You may not have long left in this world, | 0:41:59 | 0:42:02 | |
but I don't intend to be your slave for another second. | 0:42:02 | 0:42:06 | |
You don't want to be one of my enemies. | 0:42:06 | 0:42:08 | |
Things don't turn out so well for them. | 0:42:08 | 0:42:10 | |
Oh, yeah. I nearly forgot. | 0:42:10 | 0:42:13 | |
A little bird told me that Father Brown has been released. | 0:42:14 | 0:42:19 | |
Turns out Raymond committed suicide. | 0:42:19 | 0:42:22 | |
Such a shame(!) | 0:42:22 | 0:42:24 | |
SHE LAUGHS | 0:42:24 | 0:42:26 | |
-Argh! -BANGING ON DOOR | 0:42:30 | 0:42:32 | |
This is very kind of you. | 0:42:36 | 0:42:37 | |
Well, after everything you've been through? Now, shush, and eat. | 0:42:37 | 0:42:41 | |
We know it was Katherine Corven, by the way. | 0:42:41 | 0:42:44 | |
And we also know that you can't speak about it. | 0:42:44 | 0:42:47 | |
Maybe you should go and see her | 0:42:49 | 0:42:50 | |
and show her she's not nearly clever enough to get one over on the | 0:42:50 | 0:42:53 | |
great Father Brown. | 0:42:53 | 0:42:54 | |
Have you ever heard the story of the eagle and the daw? | 0:42:56 | 0:42:59 | |
I can't say I have. | 0:43:01 | 0:43:03 | |
A jackdaw sees an eagle swoop down on a spring lamb, | 0:43:04 | 0:43:07 | |
carrying it away to eat. | 0:43:07 | 0:43:09 | |
The jackdaw believes himself to be as powerful, | 0:43:11 | 0:43:13 | |
so he flies over, lands on the back of another lamb, | 0:43:13 | 0:43:18 | |
grips it with his claws and flaps away with all his might. | 0:43:18 | 0:43:21 | |
But he can't lift the lamb, and the shepherd sees him, catches him, | 0:43:23 | 0:43:29 | |
clips his wings | 0:43:29 | 0:43:31 | |
and gives him to his children as a pet in a cage. | 0:43:31 | 0:43:38 | |
Vanity is very dangerous. | 0:43:41 | 0:43:44 | |
But she tried to... | 0:43:45 | 0:43:47 | |
I have no desire to gloat. | 0:43:47 | 0:43:49 | |
I shall pray for the soul of Katherine Corven, | 0:43:52 | 0:43:55 | |
and that she may finally seek forgiveness. | 0:43:55 | 0:43:58 |