Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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So... | 0:00:20 | 0:00:21 | |
-So... -Still alive, then? | 0:00:26 | 0:00:29 | |
Unless we died in the night and went to heaven. | 0:00:29 | 0:00:32 | |
ALARM BEEPS | 0:00:40 | 0:00:41 | |
No. | 0:00:47 | 0:00:50 | |
We're still alive. | 0:00:50 | 0:00:52 | |
HE GROANS | 0:00:56 | 0:00:57 | |
HE SIGHS | 0:00:59 | 0:01:01 | |
Does this feel like a mistake to ya? | 0:01:04 | 0:01:06 | |
I mean, does it feel like that kind of a day? | 0:01:08 | 0:01:10 | |
SHE SIGHS | 0:01:12 | 0:01:14 | |
It's a good thing you're doing, hang on to that. | 0:01:15 | 0:01:19 | |
There are three battles that shape our lives - | 0:01:25 | 0:01:28 | |
nature versus nurture... | 0:01:28 | 0:01:30 | |
..free will versus destiny... | 0:01:31 | 0:01:33 | |
..and City versus United. | 0:01:35 | 0:01:37 | |
MUSIC: "I Wanna Be Adored" by The Stone Roses | 0:01:40 | 0:01:43 | |
# I don't have to sell my soul | 0:01:56 | 0:02:02 | |
# He's already in me | 0:02:02 | 0:02:04 | |
# I don't need to sell my soul | 0:02:04 | 0:02:10 | |
# He's already in me | 0:02:10 | 0:02:13 | |
# I wanna be adored | 0:02:15 | 0:02:20 | |
# I wanna be adored... # | 0:02:24 | 0:02:28 | |
LINE RINGS | 0:02:35 | 0:02:38 | |
PHONE RINGS | 0:02:38 | 0:02:41 | |
'It's Robbo here. Leave a beep after the message.' | 0:02:41 | 0:02:45 | |
-BEEP -'Yeah, Robbo, this is your wake-up call. | 0:02:45 | 0:02:48 | |
'We're meeting Dad at 10.30. | 0:02:48 | 0:02:50 | |
'I'm not expecting hugs and kisses. Just no fighting, for once. | 0:02:50 | 0:02:54 | |
-'For me.' -MACHINE CLICKS OFF | 0:02:54 | 0:02:55 | |
# I wanna be adored | 0:02:58 | 0:03:06 | |
# I wanna be adored. # | 0:03:06 | 0:03:13 | |
Hey, get a move on. What time's kick off? You're going to be late! | 0:03:25 | 0:03:28 | |
-Me socks aren't dry. -Socks. | 0:03:28 | 0:03:30 | |
RADIO PLAYS SOFTLY | 0:03:30 | 0:03:32 | |
-Here. These'll have to do. -Nice one. -Here you are. | 0:03:34 | 0:03:38 | |
Right. Good luck with your job interview. | 0:03:40 | 0:03:44 | |
Not that you need it. | 0:03:46 | 0:03:47 | |
Give us a kiss. | 0:03:47 | 0:03:50 | |
-Bye, sweetheart. -See you later. | 0:03:50 | 0:03:52 | |
-Wash up for me, will ya? -Yeah. | 0:03:52 | 0:03:54 | |
-Come on, England! -Come on, you can help with the washing up. See ya! | 0:03:55 | 0:03:58 | |
-Er... -HE CLEARS HIS THROAT | 0:04:02 | 0:04:04 | |
HE SIGHS | 0:04:04 | 0:04:06 | |
PHONE RINGS | 0:04:15 | 0:04:18 | |
-RADIO: -'This afternoon, the biggest match of Euro '96 so far.' -Morning. | 0:04:19 | 0:04:22 | |
-'It's England versus Scotland at Wembley.' -You all right, Maurice? -Yeah, I'm all right. -Yeah? | 0:04:22 | 0:04:27 | |
Mr Cotton? | 0:04:29 | 0:04:31 | |
-Mr Cotton! It's for you. -I know. I know. | 0:04:31 | 0:04:35 | |
Daniel, he's in the middle of something at the moment. Yeah. Yeah. | 0:04:38 | 0:04:42 | |
-Eh up! -Come on. Cheers, love! | 0:04:52 | 0:04:55 | |
HE SIGHS | 0:05:03 | 0:05:05 | |
DOOR OPENS | 0:05:05 | 0:05:06 | |
Oh, finally! Where've you been? | 0:05:06 | 0:05:08 | |
Oh, forgive me, I'm passionate about my business. | 0:05:08 | 0:05:12 | |
-You should try it yourself sometimes. -Oh, I have passions, too. | 0:05:12 | 0:05:15 | |
They just don't happen to include a compressed dextrose tablet | 0:05:15 | 0:05:18 | |
-in the shape of an animal. -Charming. | 0:05:18 | 0:05:22 | |
What do you think paid for my house? Your house? | 0:05:22 | 0:05:26 | |
What do you think paid for everything you've got? | 0:05:26 | 0:05:29 | |
OK. OK, I'm sorry. You're here now, that's the main thing. | 0:05:29 | 0:05:32 | |
-Is he here? -No. No, not yet. | 0:05:35 | 0:05:39 | |
Where is he, then? Drugged up in a gutter somewhere, as usual, I think. | 0:05:39 | 0:05:43 | |
I want this to work, OK? So, just go easy on him. | 0:05:43 | 0:05:47 | |
I always went easy on him. | 0:05:47 | 0:05:50 | |
-Well, that was to protect the rest of us. -He needed protecting, too. | 0:05:50 | 0:05:54 | |
He was old enough to know better. | 0:05:54 | 0:05:56 | |
I know it's the modern way to never actually hold your hand up and say, "My fault", | 0:05:56 | 0:06:02 | |
-but I'm not a big fan of the modern way. -Oh, you don't say(!) | 0:06:02 | 0:06:06 | |
Hey! | 0:06:10 | 0:06:13 | |
-Hello. -You all right? | 0:06:13 | 0:06:15 | |
-Hey. -Hi, mate. -How are you? -Yeah, good. | 0:06:18 | 0:06:22 | |
Right, let me get you a coffee or something. | 0:06:22 | 0:06:24 | |
You look almost respectable. | 0:06:26 | 0:06:28 | |
-What you doing for a living these days? -I've got a club...in town. | 0:06:29 | 0:06:34 | |
-Are there any staff in here? -A club?! | 0:06:34 | 0:06:37 | |
HE LAUGHS At your age? | 0:06:37 | 0:06:41 | |
What kind of job is that for a grown man? | 0:06:41 | 0:06:43 | |
Says the man who makes sweets for a living. | 0:06:43 | 0:06:45 | |
I'm very good at making sweets for a living. | 0:06:45 | 0:06:48 | |
-Is he good at running a nightclub for a living? -Yes. -I am here. | 0:06:48 | 0:06:52 | |
Good. So, we're not getting together because you need money, then? | 0:06:54 | 0:07:01 | |
Oh, lovely. Lovely! | 0:07:01 | 0:07:03 | |
No. No we're getting together for me. OK? For me. | 0:07:03 | 0:07:07 | |
-Morning, Joanne. -Morning. | 0:07:21 | 0:07:23 | |
So, is this how it went with the Prodigal Son? Remind me. | 0:07:36 | 0:07:40 | |
It's been a while since I read it. | 0:07:40 | 0:07:42 | |
-No, sorry, Daniel. This was never going to work. -Dad, please, for me. | 0:07:42 | 0:07:46 | |
-Sit down. -This wasn't my idea. -I guessed that. | 0:07:46 | 0:07:49 | |
Shut up you! Dad, please. | 0:07:49 | 0:07:51 | |
-No, a waste of time. -I've got cancer, by the way. | 0:07:54 | 0:07:57 | |
What are you talking about? | 0:07:58 | 0:08:01 | |
-What? -I've got cancer. | 0:08:01 | 0:08:04 | |
-That's why Daniel wanted you to see me. -Is that true? | 0:08:05 | 0:08:09 | |
No, it isn't. | 0:08:09 | 0:08:11 | |
But I just wondered what it would take to get you to turn round. | 0:08:11 | 0:08:14 | |
You are a sick bugger, you know? You always were. ROBBO LAUGHS | 0:08:14 | 0:08:18 | |
Hmm. | 0:08:18 | 0:08:20 | |
DANIEL SIGHS | 0:08:22 | 0:08:23 | |
COUGHING | 0:08:43 | 0:08:44 | |
-MUFFLED: -Are you all right? | 0:09:12 | 0:09:14 | |
Robbo? | 0:09:14 | 0:09:16 | |
Dad! Dad? | 0:09:17 | 0:09:19 | |
Dad? Dad! | 0:09:20 | 0:09:23 | |
Dad? | 0:09:24 | 0:09:25 | |
Come on. | 0:09:27 | 0:09:28 | |
ALARM | 0:09:29 | 0:09:31 | |
Dad! | 0:09:31 | 0:09:33 | |
THEY GROAN | 0:09:34 | 0:09:36 | |
SAMUEL MUMBLES | 0:09:38 | 0:09:40 | |
SAMUEL COUGHS | 0:09:43 | 0:09:46 | |
How come you stayed on your feet? | 0:09:46 | 0:09:48 | |
I don't know. | 0:09:48 | 0:09:50 | |
Did you hear something? | 0:09:53 | 0:09:55 | |
Yeah...a fucking big bang. Did you? | 0:09:55 | 0:09:58 | |
No, I'm serious. Listen. | 0:09:58 | 0:10:01 | |
-WAILING -There. | 0:10:01 | 0:10:03 | |
CREAKING | 0:10:03 | 0:10:04 | |
Bloody hell! | 0:10:06 | 0:10:08 | |
Right, you two, go on outside. Go on. | 0:10:08 | 0:10:11 | |
We need to get out of here before this place comes down. | 0:10:11 | 0:10:14 | |
I'm all right. No touching. | 0:10:14 | 0:10:18 | |
-WOMAN MOANS -It's OK, love. My name's Daniel. | 0:10:19 | 0:10:22 | |
What's yours? | 0:10:22 | 0:10:23 | |
Joanne. | 0:10:23 | 0:10:25 | |
SIREN | 0:10:27 | 0:10:29 | |
-WOMAN: -Can everybody keep back now? | 0:10:35 | 0:10:37 | |
HUBBUB | 0:10:37 | 0:10:40 | |
I'm all right. | 0:10:40 | 0:10:41 | |
Hey, over here, mate. | 0:10:41 | 0:10:43 | |
Over here. There's more. There's more down there. | 0:10:45 | 0:10:48 | |
HUBBUB | 0:10:48 | 0:10:50 | |
Here. Here. | 0:10:52 | 0:10:55 | |
Careful. | 0:10:57 | 0:11:00 | |
-POLICE OFFICER: -This way. Come on. | 0:11:00 | 0:11:02 | |
SIRENS | 0:11:02 | 0:11:04 | |
ROTORS WHIR | 0:11:04 | 0:11:06 | |
POLICE RADIO CRACKLES SIRENS | 0:11:06 | 0:11:09 | |
BABY CRIES | 0:11:13 | 0:11:15 | |
Any word on the bastards that did this? | 0:11:19 | 0:11:21 | |
Police are saying IRA. | 0:11:21 | 0:11:24 | |
Yeah, well, I'm not surprised. | 0:11:24 | 0:11:26 | |
That's the peace process for you. | 0:11:26 | 0:11:28 | |
Hold still. | 0:11:28 | 0:11:30 | |
-Hey, I drove an ambulance in the war round Trafford Park. -Yeah? | 0:11:30 | 0:11:33 | |
A bit of flying glass isn't going to scare me, love. | 0:11:33 | 0:11:36 | |
It's better to be on the safe side. | 0:11:36 | 0:11:38 | |
That's the trouble with this country, innit, eh? | 0:11:38 | 0:11:40 | |
You start off banning conkers | 0:11:40 | 0:11:42 | |
and, the next minute, the IRA have taken you for a soft touch. | 0:11:42 | 0:11:45 | |
Excuse me. Excuse me, this lady got hurt. Can somebody have a look? | 0:11:45 | 0:11:49 | |
I'm in shock, right, so what I'm thinking is, | 0:11:49 | 0:11:53 | |
you've got legitimate access to various chemicals | 0:11:53 | 0:11:57 | |
and...I'm a legitimate bomb victim in need of comfort. | 0:11:57 | 0:12:01 | |
So...where's the harm? | 0:12:01 | 0:12:04 | |
Don't push your luck, mate. | 0:12:04 | 0:12:07 | |
SIREN | 0:12:07 | 0:12:09 | |
-Are you all right, Dad? -Never better. How's the cleaner? | 0:12:09 | 0:12:12 | |
Yeah, she's going to be all right. | 0:12:12 | 0:12:14 | |
He hasn't changed. | 0:12:14 | 0:12:15 | |
We nearly died in there. Doesn't that make you think? | 0:12:15 | 0:12:20 | |
Dead right. It makes me think we should hold on to what's important. | 0:12:20 | 0:12:25 | |
And he isn't important. | 0:12:25 | 0:12:27 | |
Hey, mate... that woman you brought out, | 0:12:27 | 0:12:29 | |
Any chance you could see her home? | 0:12:29 | 0:12:31 | |
Yeah, go on. Hey...make sure you're back for kick off. | 0:12:31 | 0:12:36 | |
-Cheers, mate. -JOANNE: It's just a scratch. I just need to get home. | 0:12:36 | 0:12:39 | |
-I'll give you a lift home, love. -Seriously? -Yeah, absolutely. | 0:12:39 | 0:12:42 | |
-Oh, you're a diamond. -Come on. | 0:12:42 | 0:12:44 | |
ROTORS WHIR DISTANTLY | 0:12:44 | 0:12:46 | |
MEN SHOUT | 0:12:48 | 0:12:50 | |
SIREN | 0:12:56 | 0:12:58 | |
Is that what I think it is, sir? | 0:13:01 | 0:13:04 | |
Cut me some slack, mate, I nearly just breathed me last in there. | 0:13:06 | 0:13:09 | |
So did I. | 0:13:11 | 0:13:14 | |
So...you know. | 0:13:14 | 0:13:17 | |
MUSIC: "Regret" by New Order | 0:13:20 | 0:13:23 | |
Do you need to call anyone? I've got one of these terrible things. | 0:13:40 | 0:13:43 | |
Oh...a megaphone would be more use. | 0:13:43 | 0:13:47 | |
I've got one son playing football and another at a job interview. | 0:13:47 | 0:13:50 | |
-SHE SIGHS -Job interview? | 0:13:50 | 0:13:53 | |
Are you old enough to have a son that age? | 0:13:53 | 0:13:55 | |
-Sorry, I didn't mean... -THEY LAUGH | 0:13:56 | 0:13:59 | |
You're going to have to direct me from here. | 0:14:00 | 0:14:03 | |
Oh, turn left here... and we're at the end. | 0:14:03 | 0:14:06 | |
It's not that bad, is it? | 0:14:15 | 0:14:17 | |
No. No. No, no. | 0:14:17 | 0:14:19 | |
-I think I used to live round here. -You think you did?! | 0:14:19 | 0:14:24 | |
Yeah, I did. | 0:14:25 | 0:14:26 | |
Definitely. | 0:14:26 | 0:14:28 | |
I know I did. | 0:14:28 | 0:14:30 | |
-TV: -'We've just received these pictures of central Manchester.' | 0:14:55 | 0:14:59 | |
-REPORTER: -'A massive explosion can clearly be seen.' | 0:14:59 | 0:15:02 | |
-TV: -'What I can tell you is that, from about a quarter past ten this morning, | 0:15:02 | 0:15:06 | |
-'police were cordoning off a...' -Adopted, by the way. | 0:15:06 | 0:15:09 | |
When I was about five. | 0:15:09 | 0:15:11 | |
I knew it was somewhere this way and, er... | 0:15:11 | 0:15:14 | |
Well, it started coming back to me, driving you back. | 0:15:14 | 0:15:17 | |
Oh, right. | 0:15:17 | 0:15:19 | |
Thank goodness for that, I thought you were going X-Files on me. | 0:15:19 | 0:15:22 | |
-THEY LAUGH -Thought you'd let a nutter bring you home. | 0:15:22 | 0:15:25 | |
Not for the first time, believe me. HE LAUGHS | 0:15:25 | 0:15:28 | |
-I can't watch that, sorry. Have a seat. -Thanks. | 0:15:30 | 0:15:34 | |
HE SIGHS Thank you, by the way, for... | 0:15:39 | 0:15:42 | |
-I never said thank you. -No, don't, please. You don't have to. | 0:15:42 | 0:15:46 | |
Who were them fellers you were with? | 0:15:46 | 0:15:48 | |
It was me family. Me dad and me brother. | 0:15:48 | 0:15:51 | |
Don't look like you. | 0:15:51 | 0:15:53 | |
Well, there's a reason for that. | 0:15:53 | 0:15:55 | |
Oh, yeah, right, sorry. Adopted, you said. | 0:15:55 | 0:15:57 | |
THEY LAUGH | 0:15:57 | 0:15:59 | |
What did you think about...when that ceiling came down on us? | 0:16:02 | 0:16:06 | |
My boys. Did they have their keys with them? | 0:16:06 | 0:16:10 | |
Could they break in, if they didn't? | 0:16:10 | 0:16:11 | |
Would I be late for me other job? What about you? | 0:16:11 | 0:16:14 | |
That I didn't want to come round and find John Major by the side of me bed. | 0:16:14 | 0:16:18 | |
THEY LAUGH Well, I wouldn't have minded that. | 0:16:18 | 0:16:21 | |
No matter how bad I looked, I know I'd have looked healthier than him. | 0:16:21 | 0:16:24 | |
HE CHUCKLES | 0:16:24 | 0:16:26 | |
I felt sort of surprised, too. You know? I thought... | 0:16:26 | 0:16:29 | |
"Oh, so this is how it ends." | 0:16:29 | 0:16:33 | |
You know? | 0:16:33 | 0:16:36 | |
Do you want a top up or will your wife be wondering where you got to? | 0:16:36 | 0:16:39 | |
I'm not married. | 0:16:42 | 0:16:43 | |
It's a long story and... | 0:16:46 | 0:16:48 | |
you really don't want to hear it. | 0:16:48 | 0:16:50 | |
Don't worry, I wasn't asking to hear it. | 0:16:50 | 0:16:53 | |
Here are. Oh. Cheers. | 0:16:53 | 0:16:56 | |
Where have you been?! You've been ages! | 0:17:20 | 0:17:23 | |
-She lived over Flixton way. -Oh. -Got stuck on the M62. | 0:17:23 | 0:17:26 | |
I thought you might have aftershock or something. | 0:17:26 | 0:17:28 | |
-No, that's like earthquakes, innit? -Are you sure you're all right? -Yeah. | 0:17:28 | 0:17:32 | |
-Aye, aye. -Ah, you made it, then. | 0:17:32 | 0:17:35 | |
Just in time for kick off. | 0:17:35 | 0:17:37 | |
-Look at this. TV: -'One pregnant woman | 0:17:37 | 0:17:38 | |
'was blown off her feet by the blast.' | 0:17:38 | 0:17:40 | |
You know what we should do, we should go to Old Trafford tomorrow for the Germany/Russia game. | 0:17:40 | 0:17:45 | |
Show the paddies we're not afraid. | 0:17:45 | 0:17:48 | |
No Irish Republican is going to want to bomb Old Trafford, Dad. It's a Catholic club. | 0:17:48 | 0:17:53 | |
-So, what's City? -Buddhist. All suffering leads to enlightenment. | 0:17:53 | 0:17:58 | |
THEY LAUGH | 0:17:58 | 0:18:00 | |
'Well, here we go into the second half, then. It's 0-0, England against Scotland. | 0:18:02 | 0:18:06 | |
'Seaman stands tall as McAlister, has a chance to level the scores. | 0:18:07 | 0:18:13 | |
-'Oh, what a save!' -Yes, he saved it! | 0:18:13 | 0:18:16 | |
SAMUEL LAUGHS | 0:18:16 | 0:18:18 | |
They're never very good in the heat, are they, the Jocks? | 0:18:18 | 0:18:22 | |
Having a brush with death like that, it brings things home to you - | 0:18:22 | 0:18:26 | |
not letting the moment pass and all that. | 0:18:26 | 0:18:28 | |
You really want to make that bomb an excuse | 0:18:28 | 0:18:30 | |
for a begging letter on your brother's behalf? | 0:18:30 | 0:18:34 | |
-It's not a begging letter. -He'll never change. Simple as that. | 0:18:34 | 0:18:38 | |
Would it be so hard for the three of us | 0:18:38 | 0:18:43 | |
just to be sitting here watching the game, having a beer and not raking over the past? | 0:18:43 | 0:18:48 | |
-I don't want him back in my life. -He's your family. He's in your life, whether you want him or not. | 0:18:48 | 0:18:52 | |
-You can't just pick and choose. -Why not? I picked you, didn't I? | 0:18:52 | 0:18:55 | |
-Bought me, more like. -"Bought me"?! | 0:18:55 | 0:18:59 | |
Well, that's lovely. Put that on my Fathers' Day card. | 0:18:59 | 0:19:04 | |
You're getting to sound like the other one. | 0:19:06 | 0:19:09 | |
The other one?! | 0:19:09 | 0:19:11 | |
That's my brother, your son. | 0:19:11 | 0:19:14 | |
-His name is Robbo! -His name is shit! | 0:19:14 | 0:19:19 | |
Yeah? And whose fault is that? You brought him up, you crippled him, like you crippled me | 0:19:19 | 0:19:23 | |
and the only difference between you and the other one is, at least he knows he's fucked. | 0:19:23 | 0:19:29 | |
'Let the celebrations begin! Gazza makes it 2-0 to England!' | 0:19:29 | 0:19:31 | |
Dad? Dad? Dad! Dad! | 0:19:31 | 0:19:34 | |
Dad?! Dad?! | 0:19:34 | 0:19:36 | |
Claire! Claire! Claire! | 0:19:36 | 0:19:40 | |
-Yeah? -It's Dad! | 0:19:40 | 0:19:43 | |
He just went over. | 0:19:43 | 0:19:44 | |
-Samuel? Samuel? -Come on, Dad! -I'll ring for an ambulance. | 0:19:44 | 0:19:48 | |
Dad! Come on, Dad! | 0:19:48 | 0:19:51 | |
Mum? | 0:19:55 | 0:19:57 | |
-Hi. -Oh, sweetheart. Thanks for coming. | 0:19:57 | 0:20:01 | |
-Hi. -Are you OK? -Yeah. | 0:20:01 | 0:20:04 | |
-How is he? -They're monitoring him. -What does that mean? | 0:20:04 | 0:20:08 | |
-Well, he's had a stroke. -Oh, God! | 0:20:08 | 0:20:10 | |
They think it's delayed shock after the bomb. | 0:20:10 | 0:20:13 | |
Could've been the stress I was piling on him. | 0:20:13 | 0:20:15 | |
-Along with 40 fags and a fry-up every morning. -He was on a health kick. Special K and Silk Cut. | 0:20:15 | 0:20:19 | |
Your dad could start a row in an empty house. He'll be fine. He always is. | 0:20:19 | 0:20:24 | |
I'll just, erm... | 0:20:27 | 0:20:29 | |
Excuse me. | 0:20:33 | 0:20:34 | |
DANCE MUSIC PUMPS CHATTER | 0:20:41 | 0:20:44 | |
-So, he's going to be all right? -Yeah, the medics seem to think so. | 0:20:50 | 0:20:53 | |
Just my luck. | 0:20:53 | 0:20:56 | |
I put him in there, arguing about you, so lay off, will ya? | 0:20:56 | 0:21:00 | |
I can't help it, I owe money. I owe it to some bad people. | 0:21:00 | 0:21:04 | |
Proper naughty. You know why? Cos of you and Dad. | 0:21:04 | 0:21:07 | |
What do you mean, because of me?! | 0:21:07 | 0:21:11 | |
You promised to help me out. | 0:21:11 | 0:21:13 | |
I've been helping you out all your life! | 0:21:13 | 0:21:15 | |
I know, but you said you were good for a few bob more. | 0:21:15 | 0:21:18 | |
You know, straighten me out once and for all. | 0:21:18 | 0:21:20 | |
-We've been here before, haven't we? -Play this. | 0:21:20 | 0:21:23 | |
I don't do requests, mate. I'm not a wedding DJ. | 0:21:23 | 0:21:26 | |
Play it! | 0:21:26 | 0:21:28 | |
All right. All right, I'll play it. | 0:21:29 | 0:21:31 | |
I didn't know it was your birthday. | 0:21:31 | 0:21:34 | |
Pussy! | 0:21:35 | 0:21:36 | |
GANGSTA RAP MUSIC PLAYS | 0:21:43 | 0:21:46 | |
Now can you see why I need the money? | 0:21:49 | 0:21:51 | |
It's them I borrowed the money off. | 0:21:52 | 0:21:55 | |
Oh, brilliant(!) | 0:21:58 | 0:21:59 | |
Where have you been? | 0:22:04 | 0:22:06 | |
-HE SIGHS -Arguing with Robbo. | 0:22:06 | 0:22:09 | |
Did you make him have a stroke, too? | 0:22:09 | 0:22:12 | |
Very funny. | 0:22:12 | 0:22:14 | |
SHE LAUGHS I have perspective. | 0:22:14 | 0:22:17 | |
BOTH SIGH | 0:22:19 | 0:22:21 | |
HE SIGHS HEAVILY | 0:22:36 | 0:22:38 | |
BUZZER | 0:22:38 | 0:22:40 | |
Hiya. Is Robbo in? | 0:22:40 | 0:22:42 | |
Cheers. | 0:22:44 | 0:22:46 | |
-WOMAN: -Are you telling me you didn't cheat on me? -MAN MUMBLES | 0:22:47 | 0:22:50 | |
-Go away! -What? -I don't care, you cheated on me. | 0:22:50 | 0:22:54 | |
If it's a threesome you're after, we're all shagged out. | 0:23:06 | 0:23:09 | |
Well, I'm glad one of us could sleep. | 0:23:09 | 0:23:12 | |
-ROBBO SIGHS -What time is it? -Just gone nine. | 0:23:12 | 0:23:16 | |
ROBBO GROANS | 0:23:16 | 0:23:18 | |
See you, Robbo. | 0:23:20 | 0:23:22 | |
Yeah, see ya... | 0:23:22 | 0:23:24 | |
-Caroline. -I'd have got there in the end! -Piss off! | 0:23:24 | 0:23:28 | |
Bit touchy. | 0:23:28 | 0:23:30 | |
So...how much do you owe them? | 0:23:31 | 0:23:35 | |
The Manc Capones? | 0:23:35 | 0:23:37 | |
30 grand...and rising. | 0:23:38 | 0:23:41 | |
Why would you borrow 30 grand off drug dealers? | 0:23:41 | 0:23:44 | |
I got in a bit of a mess. | 0:23:44 | 0:23:46 | |
Right. I owed the brewery. I owed on the lease. | 0:23:46 | 0:23:51 | |
I owed security on the door. I owed business rates. | 0:23:51 | 0:23:54 | |
And, to be fair, the drug dealers | 0:23:54 | 0:23:57 | |
-have proved a more reliable source of liquidity than you. -Oh, really? | 0:23:57 | 0:24:01 | |
-Hmm. -So, what happened to the ten grand I gave you last month? | 0:24:01 | 0:24:04 | |
Where did that go? | 0:24:04 | 0:24:06 | |
Buy me breakfast, I'll tell ya. | 0:24:06 | 0:24:08 | |
Ten grand on a five-match accumulator. | 0:24:08 | 0:24:12 | |
I put the full wad on our lads to win it. | 0:24:12 | 0:24:15 | |
This isn't real, is it? | 0:24:16 | 0:24:19 | |
It's real, all right. | 0:24:19 | 0:24:21 | |
Scotland done, yeah? | 0:24:21 | 0:24:24 | |
England just need to win their next four matches. | 0:24:24 | 0:24:27 | |
450 grand...and change. | 0:24:27 | 0:24:31 | |
I think that might be just enough to turn things around? | 0:24:32 | 0:24:35 | |
Sorry, you bet ten... | 0:24:37 | 0:24:39 | |
ten grand that England aren't going to mess up in a major tournament? | 0:24:39 | 0:24:44 | |
Why would anyone do that?! | 0:24:46 | 0:24:48 | |
It's that bomb. | 0:24:48 | 0:24:50 | |
See, one inch either side of that pillar and I'd be dead. | 0:24:51 | 0:24:54 | |
But I walked out of there, nothing heavier than plaster dust on me. | 0:24:55 | 0:24:58 | |
And, I tell you, I knew then | 0:24:58 | 0:25:00 | |
that bomb was the start of my lucky streak. | 0:25:00 | 0:25:03 | |
The bomb? The bomb made you to do it. | 0:25:04 | 0:25:07 | |
Yeah. Yeah. | 0:25:07 | 0:25:10 | |
Why, didn't the bomb tell you anything? | 0:25:10 | 0:25:13 | |
26 bets. Ten doubles, ten trebles, | 0:25:13 | 0:25:17 | |
five fourfold and a straight fivefold accumulator. | 0:25:17 | 0:25:21 | |
I'd better take this for safe keeping, you see, | 0:25:25 | 0:25:28 | |
because you can't be trusted. | 0:25:28 | 0:25:30 | |
DOORBELL | 0:25:52 | 0:25:53 | |
Yeah? | 0:26:05 | 0:26:07 | |
Hiya. Is your mum in? | 0:26:07 | 0:26:09 | |
-Yeah! -Who is it? -Some bloke! | 0:26:09 | 0:26:11 | |
Sorry about that. | 0:26:18 | 0:26:19 | |
Oh, I've been called worse. | 0:26:19 | 0:26:21 | |
Just...passing were you? | 0:26:23 | 0:26:26 | |
No, not really. I, erm... | 0:26:26 | 0:26:29 | |
I wanted to see how you were. | 0:26:30 | 0:26:32 | |
-Do you want to come in? -Yeah. Yeah. | 0:26:36 | 0:26:39 | |
Don't mind him, he's very protective. | 0:26:47 | 0:26:49 | |
Ah. | 0:26:49 | 0:26:50 | |
How are you feeling today? | 0:26:51 | 0:26:53 | |
All right, you know. | 0:26:53 | 0:26:56 | |
Thanks for asking. | 0:26:56 | 0:26:57 | |
I'm off to the shops. | 0:27:00 | 0:27:01 | |
Don't be long. | 0:27:01 | 0:27:03 | |
Listen, I, erm... I just wanted to explain, | 0:27:05 | 0:27:09 | |
I don't know if you thought I was being a bit weird or what yesterday. | 0:27:09 | 0:27:13 | |
We were all being weird yesterday. We nearly got blown to smithereens. | 0:27:13 | 0:27:17 | |
It just freaked me out. You know, the bomb, finding you... | 0:27:17 | 0:27:21 | |
and then coming back here after all that time. | 0:27:21 | 0:27:24 | |
You got a long way away from here. | 0:27:24 | 0:27:26 | |
Yeah, sometimes I think maybe a bit too far. | 0:27:26 | 0:27:28 | |
SHE LAUGHS There's no such thing as too far away from here. | 0:27:28 | 0:27:33 | |
Good place to come from... shit place to stay. | 0:27:33 | 0:27:38 | |
Sounds like a country and western song. | 0:27:38 | 0:27:40 | |
My whole life sounds like a country and western song. | 0:27:40 | 0:27:43 | |
And how are you? | 0:27:43 | 0:27:46 | |
Yeah. | 0:27:46 | 0:27:48 | |
I don't know. I mean... | 0:27:48 | 0:27:51 | |
I, sort of, feel like I've been picked for something. | 0:27:51 | 0:27:54 | |
But, er...I don't know what it is yet. | 0:27:54 | 0:27:57 | |
Do you know what I mean? | 0:27:58 | 0:28:00 | |
Not really. | 0:28:00 | 0:28:02 | |
HE LAUGHS | 0:28:02 | 0:28:04 | |
OK. | 0:28:04 | 0:28:07 | |
-All right? -This is Daniel. It was him that helped me out yesterday. | 0:28:07 | 0:28:11 | |
Thanks, mate. Nice one. | 0:28:11 | 0:28:13 | |
Yeah. | 0:28:13 | 0:28:15 | |
Anyway, er...I'll see you around. | 0:28:15 | 0:28:19 | |
What is it you do? | 0:28:19 | 0:28:22 | |
-What? -For work? What do you do? | 0:28:22 | 0:28:25 | |
Oh, er... it's too boring to tell you. | 0:28:25 | 0:28:30 | |
More boring than cleaning? | 0:28:30 | 0:28:32 | |
It IS cleaning. | 0:28:32 | 0:28:35 | |
Yeah, industrial. | 0:28:35 | 0:28:37 | |
You know, factories on... Close down or after they've been built. | 0:28:37 | 0:28:42 | |
That sort of thing. Yeah. | 0:28:42 | 0:28:44 | |
You must be very good at it, car like that. | 0:28:44 | 0:28:47 | |
-Haven't you heard of easy credit? -SHE LAUGHS | 0:28:47 | 0:28:49 | |
I don't trust easy credit. | 0:28:49 | 0:28:52 | |
That's why I've got two jobs and a sofa from a skip. | 0:28:52 | 0:28:55 | |
And not much time for anything else. | 0:28:55 | 0:28:58 | |
What made you think I was after anything else? | 0:28:58 | 0:29:00 | |
You keep looking at me as if you want to say something and then stop yourself. | 0:29:00 | 0:29:04 | |
In my experience, that can mean one of two things, | 0:29:04 | 0:29:07 | |
you're going to ask me out or you're going to chuck me. | 0:29:07 | 0:29:10 | |
No, it's neither. | 0:29:10 | 0:29:13 | |
I'm a mouth breather. | 0:29:13 | 0:29:15 | |
It's the curse of the windswept Manc. | 0:29:15 | 0:29:18 | |
Right. | 0:29:18 | 0:29:20 | |
Hey, look what the cat dragged in. | 0:29:53 | 0:29:55 | |
Charlie came up from London as soon as he heard. | 0:29:55 | 0:29:58 | |
-That was nice of him. Nice to see you, Son. -Hiya, Dad. | 0:29:58 | 0:30:01 | |
Nice to see you're in one piece. This is Matilda. | 0:30:01 | 0:30:04 | |
-Hello, love. -Hi. -Pleased to meet you. -And you. | 0:30:04 | 0:30:07 | |
-How are you feeling, Dad? -Never better. | 0:30:07 | 0:30:10 | |
-It's great to see you sitting up. -Yeah. -I thought, erm... | 0:30:10 | 0:30:14 | |
-Well, you know, for a minute, I thought... -Yeah, well... | 0:30:14 | 0:30:17 | |
the IRA tried to kill me in the morning and you tried to kill me in the afternoon. | 0:30:17 | 0:30:21 | |
-Sam! -Yeah, but don't worry, I'd feel like shit if I was in your shoes, but we move on. | 0:30:21 | 0:30:26 | |
Get Charlie to tell you what he just told me. This is genius. You'll love it. | 0:30:26 | 0:30:29 | |
-I'm sure you don't want to hear it again. -Of course I do, love. | 0:30:29 | 0:30:32 | |
I can look at you while he's telling 'em. | 0:30:32 | 0:30:35 | |
Feel free to sue my father for sexual harassment at any stage. | 0:30:35 | 0:30:39 | |
I was just telling Grandad about PFI. | 0:30:39 | 0:30:42 | |
-I thought it was the IRA claimed responsibility? -Oh, for God's sake! | 0:30:42 | 0:30:44 | |
Just listen, will you? SAMUEL CHUCKLES | 0:30:44 | 0:30:47 | |
Here's the thing. They get this private finance whatsit? | 0:30:47 | 0:30:51 | |
-And that's how Manchester is going to get rebuilt at no cost to the taxpayer. -I doubt that. | 0:30:51 | 0:30:57 | |
Oh, there you are, you see. What did I tell you? | 0:30:57 | 0:30:59 | |
-He'd have a downer on it. I told you, didn't I? -Are we going to argue about this now or, erm...? -No, we're not. | 0:30:59 | 0:31:04 | |
-You're supposed to be resting. -Right. | 0:31:04 | 0:31:08 | |
-Claire, we listen to. -Oh, right. OK. | 0:31:08 | 0:31:11 | |
Hello! There he is! | 0:31:12 | 0:31:14 | |
Hello, you two! What a sight for sore eyes! | 0:31:14 | 0:31:17 | |
-Hello. -Hello, Grandad. How are you feeling? | 0:31:17 | 0:31:20 | |
-Feeling very bored, actually. -Oh. -Anyway... | 0:31:20 | 0:31:23 | |
How's life with Tony and Gordon? | 0:31:23 | 0:31:25 | |
You! Oh, hello, you must be Matilda. I'm Louise. | 0:31:25 | 0:31:29 | |
-That's Peter, my husband. -Hi. -Why did you bring the kids? | 0:31:29 | 0:31:32 | |
Is this a lefty's idea of Disneyland? | 0:31:32 | 0:31:35 | |
He used to make a lot of Airfix models as a child. I blame the glue. | 0:31:35 | 0:31:39 | |
Hey, don't start, you two, you'll scare the other patients. | 0:31:39 | 0:31:42 | |
-There we are. -Are you all right, love? | 0:31:44 | 0:31:47 | |
-Yeah, it's just, erm... -Come on. | 0:31:47 | 0:31:50 | |
-I'll see you at home, yeah? -Sure. Of course. | 0:31:53 | 0:31:56 | |
And what's your name. How old are you? | 0:31:56 | 0:31:59 | |
If our Louise had said that canvassing meant folding, | 0:32:01 | 0:32:03 | |
I'd have thought twice. | 0:32:03 | 0:32:05 | |
What you worrying about? | 0:32:14 | 0:32:16 | |
The Holland match. | 0:32:17 | 0:32:19 | |
It's only football. | 0:32:21 | 0:32:23 | |
That doesn't...really help. | 0:32:25 | 0:32:28 | |
You see them? It's just a matter of breaking 'em up into individual sweets. | 0:32:32 | 0:32:36 | |
-Stop. Here, try one. -No, thanks. -Go on! -You know you want to! -Fine. | 0:32:36 | 0:32:43 | |
With a figure like yours, a sweet's not going to do you any harm. | 0:32:43 | 0:32:47 | |
Guilty pleasures are always the best, Samuel. | 0:32:49 | 0:32:51 | |
-Oh. -Quite right. -SHE LAUGHS | 0:32:51 | 0:32:55 | |
You understand human weakness, you understand the sweet industry. | 0:32:55 | 0:32:58 | |
That's all there is to it. | 0:32:58 | 0:33:00 | |
You don't win Budget Sherbet-Based Brand of the Year | 0:33:00 | 0:33:03 | |
for ten years on the bounce without knowing a thing or two about human nature. | 0:33:03 | 0:33:07 | |
What are you doing out of hospital? They let you leave? | 0:33:07 | 0:33:11 | |
-No, I checked meself out. Have you ever tried to sleep in hospital? -Oh! | 0:33:11 | 0:33:15 | |
I'd have died of exhaustion in there. | 0:33:15 | 0:33:17 | |
You shouldn't be here. You should be at home resting. | 0:33:17 | 0:33:19 | |
Yeah, well, I'm just doing the tour and then I'll go home. | 0:33:19 | 0:33:22 | |
Matilda here is actually very interested in sweet manufacture. | 0:33:22 | 0:33:26 | |
Hmm. I did my post-grad thesis on British manufacturing industry so... | 0:33:26 | 0:33:30 | |
You see, beauty and brains. THEY LAUGH | 0:33:30 | 0:33:33 | |
-Grandad, you all right? -Yeah! Hmm. | 0:33:33 | 0:33:37 | |
-Actually, I think I'm cured. -Oh. | 0:33:37 | 0:33:39 | |
THEY LAUGH | 0:33:39 | 0:33:41 | |
DOORBELL | 0:33:43 | 0:33:44 | |
Hiya. Please, don't close the door. I'm on a scheme for the unemployed | 0:33:44 | 0:33:48 | |
-and I am just wondering if you'd be interested in buying any cleaning products today. -No, thanks. | 0:33:48 | 0:33:52 | |
Dishcloths. Chamois leathers. All handmade by mentals. | 0:33:52 | 0:33:56 | |
I don't buy from the door. Sorry. | 0:33:56 | 0:33:58 | |
Say hello to Daniel for me. | 0:33:58 | 0:34:00 | |
What? | 0:34:01 | 0:34:03 | |
-How do you know Daniel? -Everybody knows Daniel. | 0:34:03 | 0:34:06 | |
He's a mate of Robbo's from the club, in't he? | 0:34:06 | 0:34:08 | |
Erm...just hang on. | 0:34:08 | 0:34:11 | |
Take...this for your trouble. | 0:34:13 | 0:34:17 | |
Thanks. Very righteous of you. | 0:34:18 | 0:34:21 | |
-So what, he just said he knew me? -Yeah. -What did he look like? | 0:34:34 | 0:34:38 | |
Like a rat in an anorak. | 0:34:39 | 0:34:41 | |
-Ring any bells? -No, not really. | 0:34:41 | 0:34:44 | |
Ella's fast asleep. | 0:34:44 | 0:34:47 | |
Oh, well done, Peter. Here, get yourself a beer. | 0:34:47 | 0:34:50 | |
Oh, Samuel, do you want mayonnaise on your chicken sandwich? | 0:34:50 | 0:34:54 | |
No. No mayonnaise, no salt, no pleasure. DOORBELL | 0:34:54 | 0:34:59 | |
All I've got to look forward to is hummus and death. | 0:34:59 | 0:35:03 | |
-Hey, we've got a lot riding on this match. -Nice to see you. | 0:35:03 | 0:35:06 | |
-Look at this! All the family together. I love it! -Charlie! | 0:35:06 | 0:35:09 | |
A member of my tribe who really appreciates me. | 0:35:09 | 0:35:12 | |
Come and sit next to me, the pair of you. I want someone I can talk some sense with. | 0:35:12 | 0:35:16 | |
-Matilda, do you want a drink? -A glass of white wine, please. Thank you. | 0:35:16 | 0:35:20 | |
Can I get a beer, Mum? | 0:35:20 | 0:35:22 | |
-TV: -'The Dutch have won the toss, so De Boer and Bergkamp will kick off.' | 0:35:22 | 0:35:27 | |
-Thank you. -So, how did you meet my brother? | 0:35:27 | 0:35:29 | |
Oh, I was an intern in his department and it was raining one day and he lent me his umbrella. Didn't ya? | 0:35:29 | 0:35:34 | |
Oh, that sounds dangerously left wing of him. | 0:35:34 | 0:35:37 | |
Well, it was raining very heavily. | 0:35:37 | 0:35:39 | |
-Overpaid rubbish. Everyone of them. -SAMUEL: Yeah, I agree. | 0:35:39 | 0:35:43 | |
I tell you who's overpaid - you and your bloody public schoolboy mates. | 0:35:43 | 0:35:46 | |
-Running round waving money at each other. -England prepared for the tournament | 0:35:46 | 0:35:49 | |
by getting drunk on tequila. What sort of an example's that? | 0:35:49 | 0:35:52 | |
I don't look to Teddy Sheringham and Gazza to give me moral guidance, I look to them to play football. | 0:35:52 | 0:35:56 | |
-So, off the pitch anything goes? Murder? Armed robbery? -Get a grip, Charlie! | 0:35:56 | 0:36:00 | |
-"Britain won three gold medals today in the Paedophile Olympics." -Will you just shut up?! | 0:36:00 | 0:36:04 | |
The lot of ya! Can we just watch the match?! | 0:36:04 | 0:36:08 | |
HE SIGHS TV PLAYS | 0:36:11 | 0:36:14 | |
You all right? | 0:36:27 | 0:36:29 | |
It's just the usual crap. Dad playing me off against someone. | 0:36:29 | 0:36:34 | |
Always making me feel like I have to live up to something, but never telling me what it is. | 0:36:35 | 0:36:40 | |
Oh, you nearly lost him! | 0:36:40 | 0:36:42 | |
So, if you have to back down from the odd fight... | 0:36:42 | 0:36:46 | |
Have you ever wanted to be anybody else? Somebody else. | 0:36:46 | 0:36:49 | |
SHE LAUGHS Well, don't take this personally, | 0:36:49 | 0:36:53 | |
but...I wouldn't mind being Mrs Sean Penn for the day. | 0:36:53 | 0:36:57 | |
No strings either side. | 0:36:57 | 0:36:59 | |
No, you know, somebody new. Somebody...more exciting. | 0:37:02 | 0:37:06 | |
-SAMUEL: -Hey, come on, teams are out! | 0:37:06 | 0:37:08 | |
-Somebody better. -Come on, second half's kicking off! | 0:37:08 | 0:37:11 | |
Come on. | 0:37:15 | 0:37:17 | |
-TV: -'England will book a place in the quarterfinals.' | 0:37:21 | 0:37:24 | |
-Come on, lads. Come on, lads. Gazza! -'Gascoigne...' | 0:37:24 | 0:37:27 | |
Go on, my son! This is more like it! | 0:37:27 | 0:37:29 | |
-You wanted to imprison him ten minutes ago. -That was before he earned my trust. | 0:37:29 | 0:37:33 | |
-'And Shearer. Yes! Shearer!' -Yes! Yes! | 0:37:33 | 0:37:37 | |
-Brilliant! -Yes! | 0:37:37 | 0:37:38 | |
'And that surely will clinch the place on top of the group...' | 0:37:38 | 0:37:41 | |
Yes! Shearer, you beauty! | 0:37:41 | 0:37:42 | |
Oh, God! Yes! | 0:37:42 | 0:37:45 | |
Yehay! Oh, God! Yes! | 0:37:45 | 0:37:48 | |
CLAIRE LAUGHS | 0:37:48 | 0:37:50 | |
Did you see that? Oh! Three! | 0:37:50 | 0:37:53 | |
That's it. Definitely. Oh! Shearer! | 0:37:53 | 0:37:57 | |
'To beat Holland in such a convincing manner is a testament to the quality of this England squad. | 0:38:02 | 0:38:07 | |
'Who knows now just how far this team can go.' | 0:38:07 | 0:38:11 | |
All the fucking way, please, Motty! | 0:38:11 | 0:38:14 | |
'..And the next test is Spain. This afternoon at Wembley three o'clock.' | 0:38:14 | 0:38:17 | |
Don't tell me, you're half Spanish on your grandma's side. | 0:38:17 | 0:38:21 | |
Well, she has got a moustache, come to think of it. | 0:38:21 | 0:38:23 | |
Hey, your dad's not wasted any time getting back in the saddle, has he? | 0:38:23 | 0:38:27 | |
-How do you mean? -He's in the office? | 0:38:27 | 0:38:30 | |
What, he's in again?! It's Saturday morning, he should be resting up. | 0:38:30 | 0:38:33 | |
Ah, but he's got your Charlie looking after him. | 0:38:33 | 0:38:35 | |
Charlie's here, too? Oh, brilliant! | 0:38:35 | 0:38:37 | |
-WOMAN: -Morning, Daniel. -Morning. | 0:38:39 | 0:38:41 | |
-Hello. -I thought the doctor said you needed to rest. | 0:38:45 | 0:38:49 | |
Listening to our Charlie is the best medicine I could have. | 0:38:49 | 0:38:53 | |
He's got a head full of ideas. | 0:38:53 | 0:38:54 | |
Has he now? And I thought you were here visiting your grandad. | 0:38:54 | 0:38:58 | |
-Aren't we a bit small fry for you? -Well, if I can do something for the family while I'm here. | 0:38:58 | 0:39:03 | |
You're not in great shape, but the place is ripe for private equity. | 0:39:03 | 0:39:06 | |
Well, there's a sentence to love. | 0:39:06 | 0:39:08 | |
The investors raise capital on the back of the brand, | 0:39:08 | 0:39:11 | |
then the investment reboots the company while you, me and Grandad | 0:39:11 | 0:39:14 | |
stay on the board with a majority stake. | 0:39:14 | 0:39:16 | |
So, the investors aren't really investing their own money, are they? | 0:39:17 | 0:39:21 | |
Ah, you see, Charlie, that's what he lacks...vision. | 0:39:21 | 0:39:25 | |
The money they invest is raised on the expectation of increased market share. | 0:39:25 | 0:39:30 | |
Which is going to come from where? You just said we were in bad shape. | 0:39:30 | 0:39:33 | |
China, India, the old Eastern bloc. What comes with affluence? | 0:39:33 | 0:39:38 | |
A sweet tooth. 1.2 billion Chinamen, one billion Indians, | 0:39:38 | 0:39:42 | |
Croatians, Poles. | 0:39:42 | 0:39:44 | |
-That's a lot of penny chews. -You should listen to the lad! | 0:39:44 | 0:39:47 | |
And you should be at home in bed! | 0:39:47 | 0:39:50 | |
-Where are you going now? -Anywhere but here! | 0:39:51 | 0:39:54 | |
HE SIGHS | 0:39:57 | 0:39:59 | |
Is that blue in the sky? | 0:40:04 | 0:40:06 | |
No, it's a tinted windscreen. | 0:40:06 | 0:40:09 | |
SHE LAUGHS | 0:40:09 | 0:40:11 | |
Did you ever contact your real mum and dad? | 0:40:18 | 0:40:21 | |
No. | 0:40:21 | 0:40:23 | |
Never wanted to. | 0:40:23 | 0:40:25 | |
She gave me up when I was five. | 0:40:25 | 0:40:28 | |
Why would I want to? | 0:40:28 | 0:40:30 | |
Hmm. At least it's not raining. | 0:40:32 | 0:40:34 | |
"At least it's not raining". | 0:40:36 | 0:40:39 | |
I don't think that's quite the catch phrase | 0:40:39 | 0:40:41 | |
that Southport Tourist Board are looking for. | 0:40:41 | 0:40:43 | |
Don't worry, I don't like holidays anyway, they remind me of death. | 0:40:45 | 0:40:49 | |
Though, in fairness, that might just be Southport. | 0:40:49 | 0:40:52 | |
No. No. When I was a kid, we'd go away. | 0:40:52 | 0:40:56 | |
And on a Thursday, we'd see a show. | 0:40:56 | 0:40:59 | |
And I'd sit in the theatre and see all the red faces of the people on their holidays. | 0:40:59 | 0:41:03 | |
All scrubbed up, laughing, happy. | 0:41:03 | 0:41:07 | |
And all I could think was, "All these people are going to be dead one day." | 0:41:07 | 0:41:12 | |
-And I wanted to stand up and tell 'em. -And that's when you knew you wanted to be a Butlins Redcoat. | 0:41:12 | 0:41:16 | |
SHE LAUGHS | 0:41:16 | 0:41:18 | |
Anyway, it's not a holiday, it's a day trip. | 0:41:18 | 0:41:21 | |
I've got another idea. | 0:41:24 | 0:41:27 | |
-Better than this one? -Ah, it's much, much better. Come on. | 0:41:27 | 0:41:31 | |
I don't want your money. | 0:41:36 | 0:41:39 | |
I'm just trying to help you, what's wrong with that? | 0:41:39 | 0:41:42 | |
I don't need your help. | 0:41:42 | 0:41:44 | |
Joanne, you have two jobs, two growing lads, | 0:41:44 | 0:41:48 | |
-I just think you deserve better. -Listen, | 0:41:48 | 0:41:51 | |
when their dad buggered off... I felt glad. | 0:41:51 | 0:41:55 | |
I felt guilty about Lee. You do when your child's not right. | 0:41:57 | 0:42:02 | |
And...he went and it was easier. | 0:42:02 | 0:42:06 | |
I stopped feeling like I needed to apologise for bringing Lee into the world. | 0:42:06 | 0:42:12 | |
SHE SIGHS One less to worry about. | 0:42:12 | 0:42:15 | |
I had my team. Me and the boys. I've got my team. | 0:42:15 | 0:42:20 | |
I don't need saving! | 0:42:20 | 0:42:21 | |
-It was something you said about how lucky I'd been to get away. -I wasn't saying that to make you feel guilty. | 0:42:27 | 0:42:32 | |
I know you weren't. I'd never think that. | 0:42:32 | 0:42:35 | |
Why couldn't you just be like a normal bloke and ask me out for a drink or something? | 0:42:35 | 0:42:38 | |
Or say, "Life's too short", and make a pass at me. | 0:42:38 | 0:42:41 | |
DOOR OPENS | 0:42:41 | 0:42:43 | |
-You're here again? What fell on her this time? -Light rain. | 0:42:46 | 0:42:48 | |
Well, if you're coming to the pub, | 0:42:48 | 0:42:50 | |
you'll have to get the first round in. | 0:42:50 | 0:42:52 | |
Ryan, on other hand, has no trouble taking hand-outs. | 0:42:54 | 0:42:57 | |
-TV PLAYS -The traffic's murder, love. | 0:42:58 | 0:43:01 | |
I'm sorry, I'm not going to make it. | 0:43:01 | 0:43:04 | |
I've stopped in a pub to watch it. | 0:43:04 | 0:43:06 | |
-Don't worry. -Are you sure? | 0:43:06 | 0:43:09 | |
-I'll see you later. -Enger-land! | 0:43:09 | 0:43:12 | |
-Come on, England! -SHOUTING | 0:43:12 | 0:43:14 | |
See you, love. | 0:43:14 | 0:43:16 | |
-Oh, he's not coming. -What? -Why not? -Stuck in traffic! | 0:43:16 | 0:43:20 | |
I just hope it doesn't jinx it with him not being here. | 0:43:20 | 0:43:23 | |
-TV: -'Well, it's another nail-biter for England fans | 0:43:23 | 0:43:26 | |
'as they face that dreaded shoot-out once again. | 0:43:26 | 0:43:28 | |
-'Here's Stuart Pearce. He missed in 1990.' -It's Pearce. | 0:43:28 | 0:43:33 | |
-Why are they letting Pearce take one? -No, no, no, no, no! | 0:43:33 | 0:43:37 | |
No. How can he do this to me? | 0:43:37 | 0:43:39 | |
'The nation holds its breath. Stuart Pearce. | 0:43:39 | 0:43:41 | |
'Yes! He's got it!' | 0:43:41 | 0:43:44 | |
-CHEERING -'An absolute belter of a penalty! | 0:43:44 | 0:43:47 | |
-Yes! -'Ecstatic scenes around Wembley and, I'm sure, across the country. | 0:43:47 | 0:43:53 | |
'England are 3-1 up | 0:43:53 | 0:43:55 | |
'and surely, a semifinal place beckons for England.' | 0:43:55 | 0:43:59 | |
Cracking game! | 0:44:07 | 0:44:09 | |
We kicked their arse. | 0:44:15 | 0:44:17 | |
Ha-ha-ha! | 0:44:17 | 0:44:18 | |
Here, go on, you get the brews on. | 0:44:22 | 0:44:25 | |
It was good to see you. | 0:44:27 | 0:44:29 | |
You, too. | 0:44:29 | 0:44:31 | |
-I'm sorry... -I'm sorry... | 0:44:31 | 0:44:33 | |
THEY BOTH LAUGH NERVOUSLY | 0:44:33 | 0:44:35 | |
I'm sorry if I made you feel bad about offering to help me out. | 0:44:35 | 0:44:40 | |
-I just... -No, no. It was a stupid idea. It was patronising and, er... | 0:44:40 | 0:44:45 | |
No, you were right. | 0:44:45 | 0:44:47 | |
Right. Good night. | 0:44:49 | 0:44:50 | |
I'm sorry, I... | 0:45:01 | 0:45:03 | |
What's going on, Daniel? | 0:45:05 | 0:45:08 | |
Are we mates? Are we going to...? | 0:45:08 | 0:45:12 | |
-What are you doing? -I don't know. | 0:45:12 | 0:45:16 | |
I don't know what I'm doing. | 0:45:16 | 0:45:18 | |
Right... | 0:45:20 | 0:45:23 | |
Well, don't come back and see me until you do. OK? | 0:45:23 | 0:45:25 | |
'I don't know what it is about her.' | 0:45:31 | 0:45:34 | |
She just makes me feel like my real life. | 0:45:34 | 0:45:40 | |
You like the idea of the scummy estate where she lives. | 0:45:40 | 0:45:43 | |
You like her being a single mum. | 0:45:43 | 0:45:46 | |
You like low-life because you're not stuck there like me, | 0:45:46 | 0:45:50 | |
with blokes whose idea of a down payment is this. | 0:45:50 | 0:45:53 | |
-I take it you didn't tell them about your sure-fire bet? -I did not. | 0:45:53 | 0:45:58 | |
Spain match was a bit close for comfort. | 0:46:01 | 0:46:04 | |
Which is why I've got a back-up plan. | 0:46:04 | 0:46:10 | |
DANCE MUSIC PLAYS | 0:46:10 | 0:46:13 | |
You know what people are saying about the bomb? | 0:46:22 | 0:46:26 | |
Saying it could be the best thing that ever happened to Manchester. | 0:46:26 | 0:46:30 | |
Are they? And who are "they"? | 0:46:30 | 0:46:33 | |
Presumably they weren't lying in dust, | 0:46:33 | 0:46:35 | |
covered in glass, scared half to death. | 0:46:35 | 0:46:38 | |
When Alex Ferguson signed Eric Cantona | 0:46:38 | 0:46:41 | |
it was because Leeds had rung him to ask about selling Denis Irwin. | 0:46:41 | 0:46:46 | |
What? | 0:46:46 | 0:46:47 | |
From time to time, bad shit can, by complete accident, | 0:46:47 | 0:46:52 | |
cause good shit to happen. | 0:46:52 | 0:46:55 | |
Very profound. | 0:46:55 | 0:46:57 | |
I read philosophy on my second stretch at Strangeways. | 0:46:57 | 0:47:00 | |
Bob the Rizla, right, got his tobacconist's blown up in the bomb. | 0:47:00 | 0:47:04 | |
Got no insurance, went down the town hall, | 0:47:04 | 0:47:09 | |
he's going to get full compensation. | 0:47:09 | 0:47:11 | |
No questions asked. | 0:47:11 | 0:47:13 | |
Victim of terrorism. | 0:47:13 | 0:47:15 | |
He's going to have a handshake with Michael Heseltine, the works. | 0:47:15 | 0:47:19 | |
He's going to be minted. | 0:47:19 | 0:47:21 | |
He's relaunching as a tanning studio. | 0:47:21 | 0:47:23 | |
Well, his fingers are already yellow. | 0:47:23 | 0:47:27 | |
A second bomb hits the club early one morning. | 0:47:27 | 0:47:32 | |
IRA, up to its old tricks again. | 0:47:32 | 0:47:35 | |
-Why would the IRA bomb your club? -They won't. We will. | 0:47:35 | 0:47:40 | |
I'll bomb my own club, nobody gets hurt, IRA gets the blame, | 0:47:40 | 0:47:46 | |
I get the compensation. | 0:47:46 | 0:47:47 | |
What, so, you're thinking of putting on an IRA tribute act? | 0:47:47 | 0:47:53 | |
-Should that worry me? -All I'm asking from you is an alibi. | 0:47:53 | 0:47:57 | |
Why would I get involved in something as stupid as this? | 0:47:57 | 0:48:00 | |
You already are involved. Don't you see? | 0:48:00 | 0:48:03 | |
Cos if I don't pay the debt, they'll come looking for you. | 0:48:03 | 0:48:05 | |
Don't you think they know who you are? Where you live? | 0:48:05 | 0:48:08 | |
Come to think of it, | 0:48:08 | 0:48:10 | |
Claire said there was some Rusholme ruffian at ours selling dishcloths. | 0:48:10 | 0:48:13 | |
-What've you got me in to here, Robbo? -Could be worse. | 0:48:13 | 0:48:17 | |
-Could've bought a dishcloth off him. -It's not funny. | 0:48:17 | 0:48:20 | |
That's what I'm trying to say. | 0:48:20 | 0:48:22 | |
If England lose, a last resort - this place goes up. | 0:48:22 | 0:48:27 | |
England are going to win, and you are going to clear half a million. | 0:48:27 | 0:48:31 | |
-That's what's going to happen. -That's right. That... That is right. | 0:48:31 | 0:48:34 | |
And then we can pretend this conversation never happened. | 0:48:34 | 0:48:37 | |
I know what you think of me. | 0:48:41 | 0:48:43 | |
I know you think that I've become a pompous, money-grabbing bastard. | 0:48:43 | 0:48:47 | |
But I'm asking you to let me do this for you. It's what I'm good at. | 0:48:47 | 0:48:52 | |
I just don't understand why you'd say no. | 0:48:52 | 0:48:55 | |
I don't think that about you. | 0:48:55 | 0:48:57 | |
I just wish you'd come to me first. | 0:48:57 | 0:49:00 | |
Grandad's an old man and you dazzle him. | 0:49:00 | 0:49:03 | |
-But not you? -No. You just humiliate me. | 0:49:03 | 0:49:05 | |
Dad, if I'd wanted to humiliate you | 0:49:05 | 0:49:07 | |
I could have asked you what the cash sums you took out over the last year were about. | 0:49:07 | 0:49:12 | |
Ten grand last month, five grand six months ago, | 0:49:12 | 0:49:15 | |
five grand the April before that... | 0:49:15 | 0:49:17 | |
That's a lot of petty cash. | 0:49:17 | 0:49:19 | |
OK. Robbo, your uncle, he has this club and, erm... | 0:49:22 | 0:49:28 | |
He got into a bit of trouble and, well, he's family, | 0:49:30 | 0:49:34 | |
no matter what your grandad tells you. | 0:49:34 | 0:49:37 | |
So, if you believe in family that much, | 0:49:37 | 0:49:39 | |
why won't you let me help the family business out? | 0:49:39 | 0:49:41 | |
What, you can just magic this money up? | 0:49:41 | 0:49:44 | |
That's my job - magicking up money. It's what I'm good at. | 0:49:44 | 0:49:48 | |
I'm assuming things will change. | 0:49:50 | 0:49:52 | |
I'm assuming people don't join the board | 0:49:52 | 0:49:55 | |
just because they want a free lucky bag. | 0:49:55 | 0:49:57 | |
Things have to change, yes. | 0:49:57 | 0:49:59 | |
Right, by which you mean, bottom line, | 0:50:00 | 0:50:03 | |
people are going to lose their jobs. | 0:50:03 | 0:50:06 | |
Those people, out there. | 0:50:06 | 0:50:08 | |
Well, not as many people as if it closes down altogether. | 0:50:08 | 0:50:12 | |
And it will if it carries on like this. | 0:50:12 | 0:50:15 | |
-Come and talk to me after the match. -What? | 0:50:22 | 0:50:25 | |
-I assume you're coming over to watch it at ours? -Yeah... | 0:50:25 | 0:50:29 | |
Well, let's talk after the match. | 0:50:29 | 0:50:31 | |
-TV: -'Well, tonight's the night, | 0:50:31 | 0:50:33 | |
'the one football match you cannot miss - England versus Germany.' | 0:50:33 | 0:50:37 | |
-Everyone all right for drinks? -Yes. -Yes. | 0:50:37 | 0:50:38 | |
Everybody's fine. Come on, sit down. Same place as last time. | 0:50:38 | 0:50:41 | |
'..1996 Final...' | 0:50:41 | 0:50:43 | |
-Here you are. -So...how's life? | 0:50:43 | 0:50:48 | |
As you can see, I'm living the dream(!) | 0:50:48 | 0:50:50 | |
You say that like it's my fault. | 0:50:50 | 0:50:52 | |
Don't flatter yourself. Is the factory in trouble, yes or no? | 0:50:52 | 0:50:55 | |
-I won't let that place close, I promise you that. -That's a worry. | 0:50:55 | 0:50:58 | |
I remember your promises. | 0:50:58 | 0:51:00 | |
-'Oh, yes, it's Shearer!' -Come on! Yes! | 0:51:00 | 0:51:04 | |
'..from the box and he puts England ahead.' | 0:51:04 | 0:51:07 | |
THEY CHEER | 0:51:07 | 0:51:10 | |
'..and England are leading...' | 0:51:11 | 0:51:13 | |
1-0! Come on, England! | 0:51:13 | 0:51:15 | |
'That goal has been scored in under three minutes. | 0:51:15 | 0:51:17 | |
'A dream start for England. | 0:51:17 | 0:51:19 | |
Kill it, England. | 0:51:19 | 0:51:21 | |
'..to Helmer. Oh, danger here! | 0:51:21 | 0:51:23 | |
'And Kuntz scores. Germany are level.' | 0:51:23 | 0:51:25 | |
THEY GROAN | 0:51:25 | 0:51:26 | |
'The England players are looking at the linesman. | 0:51:26 | 0:51:28 | |
'I suspect they feel it should have been an offside.' | 0:51:28 | 0:51:31 | |
-Where was Pearce? Nowhere. Where was Seaman? Nowhere! -I know. | 0:51:31 | 0:51:36 | |
I don't like seeing the Germans giving it plenty. | 0:51:36 | 0:51:39 | |
Brings a chill to my heart. | 0:51:39 | 0:51:41 | |
'It's anybody's game...' | 0:51:42 | 0:51:44 | |
'And so, yet again, England go into the penalty shoot-out | 0:51:44 | 0:51:47 | |
'to determine their fate.' | 0:51:47 | 0:51:49 | |
'Alan Shearer has been the stand-out man | 0:51:49 | 0:51:51 | |
'for England in this tournament. | 0:51:51 | 0:51:53 | |
'He's already scored two penalties, can he make it three? | 0:51:53 | 0:51:57 | |
'You wouldn't want anybody else to be England's first man up.' | 0:51:57 | 0:51:59 | |
I can't watch this. | 0:51:59 | 0:52:02 | |
'We're just waiting for the referee's whistle now.' | 0:52:02 | 0:52:05 | |
WHISTLE BLOWS | 0:52:05 | 0:52:06 | |
'And he scores. Shearer, 1-0 to England.' | 0:52:07 | 0:52:10 | |
THEY CHEER | 0:52:10 | 0:52:12 | |
'David Seaman walks across to his goal. The man who was so impressive. | 0:52:12 | 0:52:16 | |
'Up steps Hassler. Oh, he makes it 1-1, penalty. | 0:52:16 | 0:52:19 | |
'Seaman dived the right way | 0:52:19 | 0:52:21 | |
'but the strike was in the bottom corner, out of his reach. | 0:52:21 | 0:52:24 | |
'Sheringham runs up. | 0:52:24 | 0:52:25 | |
'Great penalty by Teddy Sheringham. | 0:52:25 | 0:52:27 | |
'England are 5-4 up. How tense can it be? | 0:52:27 | 0:52:32 | |
'The pressure is on the Germans now as Kuntz steps up | 0:52:32 | 0:52:35 | |
'to take Germany's fifth penalty. | 0:52:35 | 0:52:37 | |
'He must score for Germany to stay in this championship | 0:52:37 | 0:52:39 | |
'and to prevent England from reaching the final.' | 0:52:39 | 0:52:43 | |
-Oh! -Ohhh! | 0:52:43 | 0:52:44 | |
Oh, shit! | 0:52:44 | 0:52:46 | |
THEY GROAN | 0:52:46 | 0:52:48 | |
'We move to sudden death. | 0:52:48 | 0:52:49 | |
'The tension here inside Wembley is almost unbearable. | 0:52:49 | 0:52:52 | |
'Who will step up to take England's sixth? | 0:52:53 | 0:52:56 | |
'Oh, here's Gareth Southgate. | 0:52:56 | 0:52:58 | |
'Something of a surprise perhaps, but cool under pressure normally. | 0:52:58 | 0:53:03 | |
'Oh, this is all...' | 0:53:03 | 0:53:04 | |
COMMENTARY FADES | 0:53:04 | 0:53:07 | |
INAUDIBLE | 0:53:11 | 0:53:16 | |
'..England are out 6-5 on penalties. The dream is over. | 0:53:40 | 0:53:45 | |
'And you have to feel for Gareth Southgate in particular | 0:53:45 | 0:53:50 | |
'because Germany have made it through to yet another final | 0:53:50 | 0:53:53 | |
'and, sadly, Euro '96 all ends here for England.' | 0:53:53 | 0:53:58 | |
Here. | 0:54:20 | 0:54:22 | |
Do what you can do to raise money from the firm. | 0:54:28 | 0:54:31 | |
Go with your plan. | 0:54:34 | 0:54:35 | |
What's changed? | 0:54:38 | 0:54:39 | |
Everything. | 0:54:42 | 0:54:43 | |
And, erm... | 0:54:45 | 0:54:48 | |
let me speak to Louise before you do anything. | 0:54:48 | 0:54:50 | |
Of course. | 0:54:52 | 0:54:53 | |
Thanks, Dad. | 0:54:57 | 0:54:58 | |
'Yeah?' | 0:55:08 | 0:55:10 | |
-Roy, it's Robbo. -'Right.' | 0:55:10 | 0:55:12 | |
That thing we talked about. | 0:55:12 | 0:55:14 | |
'Yeah?' | 0:55:14 | 0:55:16 | |
It's on. | 0:55:16 | 0:55:17 | |
Yeah, I'll leave the money where we said and, er...I'll stay away. | 0:55:17 | 0:55:22 | |
'Nine o'clock tomorrow morning. It'll happen.' | 0:55:22 | 0:55:25 | |
Yeah. Sure. | 0:55:25 | 0:55:27 | |
-ANSWERPHONE: -'It's Robbo here, leave a beep after the message.' | 0:55:30 | 0:55:33 | |
'Robbo? Call me when you pick this up. | 0:55:33 | 0:55:36 | |
'I've found another way to get the money.' | 0:55:36 | 0:55:38 | |
It's not nice but at least it's legal. | 0:55:38 | 0:55:41 | |
MOBILE RINGS | 0:55:50 | 0:55:52 | |
Robbo, would you please pick up? Why didn't you leave me a message? | 0:56:06 | 0:56:10 | |
'Just tell me you haven't done anything yet! | 0:56:10 | 0:56:12 | |
'And call me as soon as you get this.' | 0:56:12 | 0:56:15 | |
ROBBO! | 0:56:27 | 0:56:29 | |
Hiya, is Robbo in? | 0:56:29 | 0:56:32 | |
Robbo? | 0:56:32 | 0:56:33 | |
-Cheers, boys. -All right. | 0:56:52 | 0:56:53 | |
Oh, fuck! | 0:57:12 | 0:57:14 | |
PHONE RINGS | 0:57:16 | 0:57:20 | |
-ANSWERPHONE: -'It's Robbo here, leave a beep after the message.' -BEEP | 0:57:20 | 0:57:24 | |
I've found it. | 0:57:26 | 0:57:28 | |
I don't know what to do. | 0:57:28 | 0:57:30 | |
You know that Eric Cantona analogy? | 0:57:30 | 0:57:33 | |
It doesn't really hold up any more... | 0:57:33 | 0:57:35 | |
'..so you really need to call me and start telling me what to do. | 0:57:38 | 0:57:43 | |
'I'm at the club right now.' | 0:57:43 | 0:57:45 | |
Daniel? | 0:57:48 | 0:57:49 | |
(Stupid twat! | 0:57:51 | 0:57:52 | |
(You stupid twat! No!) | 0:57:52 | 0:57:55 | |
ANSWERPHONE: 'Hi, this is Daniel...' | 0:57:55 | 0:57:57 | |
EXPLOSION | 0:58:20 | 0:58:22 | |
RUMBLING | 0:58:22 | 0:58:25 | |
# Because if it's not love | 0:58:25 | 0:58:28 | |
# Then it's the bomb, the bomb The bomb, the bomb | 0:58:28 | 0:58:31 | |
# The bomb, the bomb The bomb that will bring us together | 0:58:31 | 0:58:36 | |
# Nature is a language Can't you read? | 0:58:46 | 0:58:51 | |
# Nature is a language Can't you read? # | 0:58:51 | 0:58:56 |