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This programme contains some strong language and some scenes of a sexual nature. | 0:00:02 | 0:00:09 | |
-Any word on the bastards that did this? -Police are saying IRA. | 0:00:12 | 0:00:16 | |
I'll give you a lift home. I think I used to live round here. | 0:00:16 | 0:00:19 | |
-Will your wife be wondering where you got to? -I'm not married. | 0:00:19 | 0:00:22 | |
Got stuck on the M62. | 0:00:22 | 0:00:23 | |
You've bet ten grand that England | 0:00:23 | 0:00:25 | |
aren't going to mess up in a major tournament? | 0:00:25 | 0:00:28 | |
Have you ever wanted to be anybody else? | 0:00:28 | 0:00:30 | |
Somebody more exciting? | 0:00:30 | 0:00:32 | |
-Look, I'm sorry. -What are you doing?! -I don't know what I'm doing. | 0:00:32 | 0:00:36 | |
If England lose...I've got a back-up plan. | 0:00:36 | 0:00:39 | |
A second bomb. | 0:00:39 | 0:00:40 | |
IRA gets the blame, I get the compensation. | 0:00:40 | 0:00:43 | |
The place is ripe for private equity. | 0:00:43 | 0:00:46 | |
Robbo, I've found another way to get the money. | 0:00:46 | 0:00:48 | |
That thing we talked about, it's on. | 0:00:48 | 0:00:51 | |
HE GASPS | 0:00:53 | 0:00:55 | |
SIRENS | 0:00:59 | 0:01:01 | |
HUBBUB | 0:01:08 | 0:01:11 | |
SIREN | 0:01:11 | 0:01:14 | |
OK, come through. | 0:01:14 | 0:01:16 | |
CHATTER | 0:01:16 | 0:01:18 | |
-What's the news, mate? -The Boo Club. Probably an improvement. | 0:01:20 | 0:01:23 | |
Anybody hurt? What's the ambulance for? | 0:01:23 | 0:01:25 | |
-You ask a lot of questions. -I own it. I just need to know there was no bugger in there! | 0:01:25 | 0:01:29 | |
-Are you from Liverpool or something? Comedian? -I own it! | 0:01:29 | 0:01:32 | |
-Come through, mate. -Cheers. -Sorry, pal. Here you go. -All right. | 0:01:34 | 0:01:37 | |
I understand you were caught up in the Arndale explosion, too. | 0:01:37 | 0:01:40 | |
I'm never far from disaster, me. I'm like a dog round a barbecue. | 0:01:40 | 0:01:44 | |
You can't think of a reason why anybody would target your club? | 0:01:44 | 0:01:48 | |
No. No, Not really. Look, have they found anybody in there? Anybody hurt? | 0:01:48 | 0:01:53 | |
The back fire exit was broken open, front door was locked. | 0:01:53 | 0:01:56 | |
Was there any other way in or out? | 0:01:56 | 0:01:59 | |
No. So, what? Kids, then? Somebody trying to rob the place? | 0:01:59 | 0:02:03 | |
Did you have any ongoing disputes with other clubs, doormen, dealers? | 0:02:03 | 0:02:07 | |
Well, I always try and keep the place, | 0:02:07 | 0:02:09 | |
you know, drugs free and that. | 0:02:09 | 0:02:11 | |
But why? What have you heard? Should I be looking over my shoulder? | 0:02:13 | 0:02:17 | |
We had a call tipping us off. Said it was the IRA. | 0:02:17 | 0:02:20 | |
IRA?! | 0:02:21 | 0:02:23 | |
What would the IRA want to blow me up for? | 0:02:25 | 0:02:28 | |
MUSIC: "Live Forever" by Oasis | 0:02:28 | 0:02:30 | |
HORN BEEPS | 0:02:56 | 0:02:58 | |
-I've finally worked out what I want. -Yeah? | 0:03:03 | 0:03:06 | |
Yeah. | 0:03:06 | 0:03:08 | |
-Do you have to go? -Three days this time, tops. | 0:03:50 | 0:03:54 | |
It's a big payer this one. | 0:03:54 | 0:03:56 | |
Right, I'll be back for your due day | 0:04:00 | 0:04:02 | |
with a wad thick enough to choke a donkey. | 0:04:02 | 0:04:05 | |
You'd better be. I still don't know how you do it, | 0:04:05 | 0:04:07 | |
living out of a suitcase all the time? | 0:04:07 | 0:04:10 | |
-I've been doing it so long it's second nature. And it's a holdall not a suitcase. -Ohh. | 0:04:10 | 0:04:14 | |
The thing is, I know... | 0:04:14 | 0:04:17 | |
I'm always going to be coming back here to you, | 0:04:17 | 0:04:21 | |
which makes it a whole lot easier. | 0:04:21 | 0:04:23 | |
-You make sure you keep that mobile on. -Course I will. | 0:04:23 | 0:04:26 | |
And anything happens, you call me. | 0:04:26 | 0:04:28 | |
Don't matter where I am. I'll even do a U-turn on the M5 if I have to. | 0:04:28 | 0:04:31 | |
I know. | 0:04:31 | 0:04:33 | |
Mmm! | 0:04:33 | 0:04:34 | |
-See ya. -See ya. | 0:04:34 | 0:04:36 | |
-Bye, love. -Bye. | 0:04:41 | 0:04:43 | |
There's a plan in action and I know what I am doing. | 0:05:01 | 0:05:03 | |
Well, if it's such a great plan, why are you doing it behind Dad's back? | 0:05:03 | 0:05:07 | |
I'm not. We talked about it, he agreed. | 0:05:07 | 0:05:09 | |
-I don't believe ya. -Ask him! | 0:05:09 | 0:05:10 | |
You have no right! There are more important things at stake here. | 0:05:10 | 0:05:15 | |
Tradition, livelihoods, sense of community. | 0:05:15 | 0:05:19 | |
I am trying to save this place. | 0:05:19 | 0:05:21 | |
Why do you think people buy sweets? | 0:05:22 | 0:05:24 | |
Because it makes them happy. | 0:05:24 | 0:05:26 | |
That's it. Your entire life was funded by this idea. | 0:05:26 | 0:05:30 | |
And these sticky sweets that you wouldn't even give to your own kids, | 0:05:30 | 0:05:33 | |
this cathedral of teeth rot, | 0:05:33 | 0:05:35 | |
made you rich enough to afford the luxury of guilt. | 0:05:35 | 0:05:38 | |
Oh, when did you become so patronising? | 0:05:38 | 0:05:40 | |
About the same time you became so pious. | 0:05:40 | 0:05:42 | |
I know how to save this place, do you? | 0:05:42 | 0:05:45 | |
What's your plan? What is it, eh? | 0:05:45 | 0:05:47 | |
To trust Dad to find a way of turning it around. Hm? To trust Dad! | 0:05:47 | 0:05:53 | |
Two women, two families, another baby on the way and they don't know about each other. | 0:05:53 | 0:05:59 | |
Yep, I would say that was pretty out of hand. | 0:05:59 | 0:06:02 | |
Well, at least I didn't bomb my own club | 0:06:02 | 0:06:04 | |
and nearly kill my brother into the bloody bargain. | 0:06:04 | 0:06:07 | |
All right, number one - | 0:06:07 | 0:06:09 | |
you'd already done a runner when the place went up, | 0:06:09 | 0:06:12 | |
else you wouldn't be standing here right now spouting shite. | 0:06:12 | 0:06:15 | |
Number two - do you really want me to open this up? | 0:06:15 | 0:06:19 | |
Do you really want me to explain to you why what you're doing | 0:06:19 | 0:06:22 | |
is so much worse than an insurance scam? | 0:06:22 | 0:06:25 | |
I'm going to put it right, OK, just not yet. | 0:06:25 | 0:06:27 | |
A few years back, right, when I started going to the Calypso Cafe | 0:06:29 | 0:06:32 | |
for me breakfast...I got trapped by a lie just like yours. | 0:06:32 | 0:06:37 | |
-The Calypso Cafe?! -Yeah. | 0:06:37 | 0:06:41 | |
Me and Ali the owner got gabbing one day, right? | 0:06:41 | 0:06:43 | |
And I'm just trying to be friendly, like, | 0:06:43 | 0:06:45 | |
and he starts going on about cricket and I go along with it. | 0:06:45 | 0:06:50 | |
So from then on, I have to pretend that I'm interested in cricket | 0:06:51 | 0:06:54 | |
or not go in there for me breakfast any more. | 0:06:54 | 0:06:57 | |
I'd be lying awake at night thinking about Shane Warne's bowling figures. | 0:06:57 | 0:07:01 | |
I don't think this is quite the same as my situation. | 0:07:01 | 0:07:04 | |
I was pretending to be something I wasn't | 0:07:04 | 0:07:08 | |
for the sake of a fry-up. I mean, I was going mad with it. | 0:07:08 | 0:07:11 | |
I don't know how you do it. | 0:07:11 | 0:07:13 | |
Charlie's got me flying round Europe promoting the brand. | 0:07:13 | 0:07:16 | |
I'm away a lot. I come back a day early, nobody checks. I see Joanne. | 0:07:16 | 0:07:21 | |
As far as she's concerned, I'm always working away a lot... | 0:07:21 | 0:07:25 | |
Haven't you been listening? | 0:07:25 | 0:07:27 | |
I don't mean I don't know how you do it. | 0:07:27 | 0:07:29 | |
I mean I don't know how you do it. | 0:07:29 | 0:07:31 | |
Square it with yourself... | 0:07:31 | 0:07:34 | |
in here. | 0:07:34 | 0:07:36 | |
Ever since that Saturday, the Arndale bomb, | 0:07:36 | 0:07:39 | |
it just feels like one life isn't enough. | 0:07:39 | 0:07:43 | |
Everybody thinks that. What do you think drugs are for? | 0:07:43 | 0:07:46 | |
-Robbo? -Yeah. | 0:07:46 | 0:07:48 | |
Stapleton. How are you doing? | 0:07:48 | 0:07:51 | |
We spoke on the phone. | 0:07:53 | 0:07:54 | |
-I'm your new head of security. -Oh, yeah, right. Right. | 0:07:55 | 0:07:59 | |
Remind me, what happened to the old head of security? | 0:07:59 | 0:08:02 | |
You didn't hear? | 0:08:02 | 0:08:04 | |
He got bad with his nerves. | 0:08:04 | 0:08:06 | |
So... STAPLETON LAUGHS | 0:08:08 | 0:08:12 | |
..the compensation paid up for all this, did they? | 0:08:12 | 0:08:16 | |
Yeah, that's right. Nobody wants to be letting down victims of terrorism, do they? | 0:08:16 | 0:08:20 | |
Victims of terrorism? | 0:08:20 | 0:08:22 | |
Yeah, that's right(!) | 0:08:22 | 0:08:24 | |
So...shall we talk about how I work? | 0:08:25 | 0:08:30 | |
-Yeah, sure. -PHONE RINGS | 0:08:30 | 0:08:32 | |
Oh. | 0:08:32 | 0:08:34 | |
You carry on. | 0:08:34 | 0:08:37 | |
Yeah? | 0:08:37 | 0:08:38 | |
No, I'm in the car. | 0:08:38 | 0:08:40 | |
I'm near the factory. OK, I'll see you shortly. | 0:08:40 | 0:08:43 | |
MUSIC: "Rollin' Danny" by The Fall | 0:08:43 | 0:08:45 | |
Oh. You're early. | 0:09:00 | 0:09:02 | |
Yeah, I forgot some figures. | 0:09:02 | 0:09:04 | |
Don't know why I need 'em, I don't even understand 'em. | 0:09:04 | 0:09:07 | |
Well, look, I can't hang about. | 0:09:07 | 0:09:09 | |
I've got another leaflet drop | 0:09:09 | 0:09:11 | |
and then I'm going to work the phones till the polls close. | 0:09:11 | 0:09:14 | |
-See you later. -Right, I'll see you at the town hall. | 0:09:14 | 0:09:17 | |
I thought you'd be driving pensioners to polling booths this morning. | 0:10:02 | 0:10:06 | |
-What? -Your Louise. I was knocking on doors last night, | 0:10:06 | 0:10:09 | |
-I think she might do OK. -Are they up there already? | 0:10:09 | 0:10:12 | |
Full board meeting. All looks very serious. | 0:10:12 | 0:10:15 | |
What have you done wrong this time? | 0:10:15 | 0:10:18 | |
The Manchester master plan | 0:10:18 | 0:10:20 | |
is committed to rebuilding the city centre within the next ten years. | 0:10:20 | 0:10:23 | |
-Hello. -Sorry I'm late... | 0:10:23 | 0:10:26 | |
gents. | 0:10:26 | 0:10:28 | |
The Government are relying on the private sector to make this happen | 0:10:28 | 0:10:32 | |
and I think we are ideally positioned | 0:10:32 | 0:10:34 | |
to facilitate a private finance initiative. | 0:10:34 | 0:10:38 | |
The council...have agreed | 0:10:38 | 0:10:40 | |
to process all major planning applications within eight weeks. | 0:10:40 | 0:10:44 | |
-Yes? -Sorry, has this got anything to do with sweets? | 0:10:44 | 0:10:46 | |
-This is the investment arm of the business. -We have an investment arm now?! | 0:10:46 | 0:10:50 | |
-Daniel, for God's sake! -Cos when I'm flying to the back of beyond every week, | 0:10:50 | 0:10:54 | |
I'm flogging penny chews and sherbet dib dabs. | 0:10:54 | 0:10:56 | |
-Did I miss something here? -I'll tell you what this has got to do with sweets, | 0:10:56 | 0:11:00 | |
Charlie's refinanced the business, didn't he? Turned us around. | 0:11:00 | 0:11:04 | |
Without Charlie there would be no sweets made here any more | 0:11:04 | 0:11:08 | |
and you wouldn't be flying anywhere. | 0:11:08 | 0:11:11 | |
You might want to think about that. | 0:11:12 | 0:11:14 | |
The confectionery side of the business is very healthy. | 0:11:14 | 0:11:18 | |
We free up some of our capital funds | 0:11:18 | 0:11:20 | |
to cash flow the reconstruction projects. | 0:11:20 | 0:11:22 | |
The investment gives us long-term security. | 0:11:22 | 0:11:25 | |
We generate money, jobs, value, ensure our future. | 0:11:25 | 0:11:29 | |
-We can read into the future now, too(?) -Oh, come on! | 0:11:29 | 0:11:33 | |
At some stage, we'll renegotiate the terms | 0:11:33 | 0:11:35 | |
and generate an income stream there, too. | 0:11:35 | 0:11:37 | |
All right, all right, I give in. | 0:11:37 | 0:11:40 | |
Where do I sign? | 0:11:40 | 0:11:42 | |
PHONE RINGS | 0:11:42 | 0:11:44 | |
-Sorry, I'm going to have to take this. -Really? -Yes, really. | 0:11:45 | 0:11:50 | |
Sorry, guys. He's erm...he's jet-lagged. | 0:11:54 | 0:11:58 | |
LOUD SIGH | 0:11:58 | 0:12:01 | |
ENGINE STARTS | 0:12:01 | 0:12:03 | |
He's gone! | 0:12:11 | 0:12:13 | |
-Hey! -Where the hell have you been?! | 0:12:15 | 0:12:18 | |
-I was halfway to bloody Cornwall! How is she? -She'll be doing better when she sees your ugly mug. | 0:12:18 | 0:12:22 | |
-Can I go now? -Yeah, go on, clear off. I'll call you when 'owt happens. | 0:12:22 | 0:12:25 | |
-Thanks for waiting for me. -I waited for her, not for you. | 0:12:25 | 0:12:28 | |
-Are you coming in? -She's giving birth and she's me mum. | 0:12:28 | 0:12:31 | |
Yeah. | 0:12:31 | 0:12:33 | |
SHE MOANS SOFTLY | 0:12:37 | 0:12:39 | |
-Hey. -Ah! | 0:12:41 | 0:12:42 | |
-HE LAUGHS -Mm! | 0:12:42 | 0:12:45 | |
-Right, I've brought...sandwiches... -SHE SIGHS | 0:12:45 | 0:12:49 | |
..juice, TENS machine, | 0:12:49 | 0:12:52 | |
a CD of whale song. | 0:12:52 | 0:12:55 | |
-Oh and...morphine. -I need -you -now. | 0:12:55 | 0:12:59 | |
-I know. -I'm going to need more of you now. | 0:12:59 | 0:13:02 | |
From now on. | 0:13:02 | 0:13:04 | |
It's the job, you know, it...takes me all over. | 0:13:04 | 0:13:07 | |
-I never know where I'm going to be. -I want you | 0:13:07 | 0:13:09 | |
to try and find a new job! | 0:13:09 | 0:13:11 | |
-One where you're not away all the time or... -Or what? | 0:13:11 | 0:13:14 | |
I don't want you to be with me because you feel trapped. | 0:13:14 | 0:13:17 | |
I'm not interested in that. | 0:13:17 | 0:13:19 | |
I know how that works and it's a dead end. | 0:13:19 | 0:13:23 | |
-How does this work? -By distracting me from the contractions. | 0:13:23 | 0:13:26 | |
But you know what? We keep arguing like this, I won't feel a thing. | 0:13:26 | 0:13:31 | |
You're so frustrating! You're like a walking epidural! | 0:13:31 | 0:13:35 | |
Hey. All you need to know, right, | 0:13:35 | 0:13:37 | |
all you need to know is that I love you. | 0:13:37 | 0:13:39 | |
-SHE GROANS -That's what Ryan's dad said when he were born. | 0:13:39 | 0:13:43 | |
-"I love you." -HE LAUGHS | 0:13:43 | 0:13:45 | |
It's what men say when they see a woman give birth. | 0:13:45 | 0:13:48 | |
Well, you've got me, right. | 0:13:48 | 0:13:49 | |
-All of me. -SHE SOBS | 0:13:49 | 0:13:52 | |
SHE GROANS AND SOBS | 0:13:52 | 0:13:53 | |
-Is everyone all right? -Great! -JOANNE GASPS | 0:13:53 | 0:13:56 | |
JOANNE SOBS | 0:13:56 | 0:13:58 | |
ALARM | 0:13:58 | 0:13:59 | |
DANCE MUSIC PLAYS | 0:14:04 | 0:14:06 | |
'193 majority forecast for Labour. | 0:14:14 | 0:14:18 | |
'We've have got enough results in to be pretty certain | 0:14:18 | 0:14:21 | |
'that it's going to be a landslide for Mr Blair. | 0:14:21 | 0:14:23 | |
'Up and down the country, the votes are now in. | 0:14:23 | 0:14:26 | |
'It will be a matter of hours until we have the final results, | 0:14:26 | 0:14:29 | |
'but we can make some very confident predictions.' | 0:14:29 | 0:14:32 | |
-WOMAN: -Good luck, Louise. -Thank you. We should know in a couple of hours. | 0:14:42 | 0:14:45 | |
You won't believe this, you're neck and neck with the Tories. | 0:14:45 | 0:14:48 | |
No chance! Stop winding me up. We need a 1,000% swing. | 0:14:48 | 0:14:51 | |
No, I'm telling ya. Look! Look at the look on his face. | 0:14:51 | 0:14:54 | |
He looks like someone's told him his kids are going to state school. | 0:14:54 | 0:14:57 | |
Now, now, we don't play the class-envy card any more. | 0:14:57 | 0:15:00 | |
Besides, Louise went private for secondary. Stockport Grammar. | 0:15:00 | 0:15:03 | |
Oh, did ya? So that's where you were? I always thought you were truanting. | 0:15:03 | 0:15:07 | |
-Shut up. -Oh, Jesus! -What? -The Tories have just lost Torbay. | 0:15:07 | 0:15:12 | |
-No! -'..Succeeded their wildest dreams | 0:15:12 | 0:15:16 | |
'in terms of the kind of majority that Labour's going to get. 183 we're talking about...' | 0:15:16 | 0:15:20 | |
This is going to be a landslide! Even David Dimbleby says so. | 0:15:20 | 0:15:23 | |
What are you going to do if you actually win? | 0:15:23 | 0:15:26 | |
-Demand a recount! -I tell you what, you better get ready to get that season ticket, | 0:15:26 | 0:15:31 | |
you're going to Westminster. Hey, Peter. | 0:15:31 | 0:15:33 | |
-Peter, you're going to have to be a house husband. -What? | 0:15:33 | 0:15:35 | |
Where the bloody hell is your dad?! | 0:15:35 | 0:15:38 | |
-I've left him 20 messages! -He'll be on his way. Peter. | 0:15:38 | 0:15:41 | |
Do you feel like pushing, Joanne? SHE MOANS | 0:15:41 | 0:15:44 | |
Right, when there's the next contraction...push. | 0:15:44 | 0:15:47 | |
Push, Joanne! There's a good girl! | 0:15:47 | 0:15:50 | |
-You're doing great, love. You're doing brilliantly. -Argh! | 0:15:50 | 0:15:52 | |
Just come up with something more original than that! | 0:15:52 | 0:15:56 | |
-Low blood sugar, exhaustion. -None of the above. | 0:15:56 | 0:16:00 | |
-Now fuck you two! -Hey! Hey! -SHE MOANS | 0:16:00 | 0:16:03 | |
-Enough of the flannel! -All right! | 0:16:03 | 0:16:07 | |
Good girl, Joanne. Nearly there now. | 0:16:07 | 0:16:10 | |
Like shelling peas. | 0:16:10 | 0:16:12 | |
PHONE RINGS | 0:16:15 | 0:16:17 | |
Oh...fucking phone! | 0:16:17 | 0:16:21 | |
Ow! I'm sorry! | 0:16:21 | 0:16:24 | |
-It's a bit late for that! -Argh! | 0:16:24 | 0:16:27 | |
SHE SOBS | 0:16:27 | 0:16:29 | |
Your daughter's about to make history! | 0:16:29 | 0:16:32 | |
Where are you love? Come on, call me back! | 0:16:32 | 0:16:35 | |
BOTH GROAN | 0:16:35 | 0:16:37 | |
Good girl. That's it. | 0:16:37 | 0:16:39 | |
CHEERING | 0:16:39 | 0:16:41 | |
Francombe, Alice Jane, Liberal Democrat Party, 4,170. | 0:16:56 | 0:17:02 | |
CHEERING AND APPLAUSE | 0:17:02 | 0:17:04 | |
Pearson, Louise Mary, Labour Party, | 0:17:05 | 0:17:10 | |
18,762. | 0:17:10 | 0:17:13 | |
CHEERING AND APPLAUSE | 0:17:13 | 0:17:15 | |
Wilkinson, Keith David, Conservative Party, | 0:17:16 | 0:17:20 | |
12,000... | 0:17:20 | 0:17:22 | |
WILD CHEERING | 0:17:22 | 0:17:24 | |
I hereby declare Louise Mary Pearson... | 0:17:24 | 0:17:28 | |
CHEERING DROWNS OUT ANNOUNCEMENT | 0:17:28 | 0:17:31 | |
Go on, Louise! Yes! | 0:17:39 | 0:17:41 | |
LAUGHTER | 0:17:41 | 0:17:43 | |
CHEERING | 0:17:43 | 0:17:45 | |
-LOUISE LAUGHS -Thank you. | 0:17:45 | 0:17:48 | |
'Tonight is a historic evening | 0:17:48 | 0:17:51 | |
'for the constituents of north-east Cheshire and this country. | 0:17:51 | 0:17:55 | |
'I am deeply, deeply grateful to everyone who worked so tirelessly | 0:17:55 | 0:18:00 | |
'to help me with my campaign, particularly my mother...' | 0:18:00 | 0:18:05 | |
-CHEERING AND APPLAUSE -'Thank you, Mum. | 0:18:05 | 0:18:07 | |
'..my husband Peter and the rest of my family. | 0:18:07 | 0:18:10 | |
'I am extremely proud to be your member of parliament.' | 0:18:10 | 0:18:15 | |
And I assure you, this is the beginning of a new era in British politics | 0:18:15 | 0:18:20 | |
and a new era for this country. | 0:18:20 | 0:18:23 | |
Thank you for helping me be part of that. Thank you. | 0:18:23 | 0:18:26 | |
CHEERING AND APPLAUSE | 0:18:26 | 0:18:28 | |
We did it! | 0:18:31 | 0:18:33 | |
CHEERING AND APPLAUSE | 0:18:33 | 0:18:35 | |
How are you feeling, love? | 0:18:44 | 0:18:46 | |
Oh. | 0:18:46 | 0:18:47 | |
For a woman in paper pants, not bad at all. | 0:18:47 | 0:18:51 | |
HE CHUCKLES | 0:18:51 | 0:18:53 | |
I've had an idea about her name. | 0:18:53 | 0:18:56 | |
Well, you've got a Lee and a Ryan, | 0:18:56 | 0:18:58 | |
-so...we'll have to call her Eric...after Cantona. -JOANNE LAUGHS | 0:18:58 | 0:19:03 | |
Scarlet. | 0:19:05 | 0:19:07 | |
Yeah? | 0:19:07 | 0:19:10 | |
Do you get it? | 0:19:10 | 0:19:12 | |
That way she'll always be a red. | 0:19:12 | 0:19:14 | |
Scarlet. | 0:19:16 | 0:19:17 | |
I like Scarlet. | 0:19:19 | 0:19:20 | |
I'd love for your kids to meet her one day. | 0:19:26 | 0:19:28 | |
-They will, one day. -Yeah? | 0:19:28 | 0:19:31 | |
That's the problem with having kids | 0:19:31 | 0:19:33 | |
that grow up and move halfway round the world. | 0:19:33 | 0:19:35 | |
Whereabouts are they, then? | 0:19:35 | 0:19:37 | |
-Canada. -Really? | 0:19:39 | 0:19:41 | |
I've still got relatives in Canada. Whereabouts? | 0:19:41 | 0:19:45 | |
Er...just outside Toronto. | 0:19:45 | 0:19:47 | |
Really? I know Toronto. | 0:19:47 | 0:19:50 | |
Really? | 0:19:50 | 0:19:52 | |
So whereabouts? BABY CRIES | 0:19:52 | 0:19:54 | |
-Oh. -Oh! | 0:19:55 | 0:19:57 | |
-Are you ready to try feeding her again? -Yeah. -Yeah? | 0:19:57 | 0:20:01 | |
Yeah. | 0:20:01 | 0:20:03 | |
It'll come back to you the moment she latches on. | 0:20:07 | 0:20:10 | |
-So...? -Do you want a cup of tea? -Yes, please! -Yeah. | 0:20:13 | 0:20:16 | |
-Everything all right on the door, yeah? -Aye, sweet. | 0:20:20 | 0:20:24 | |
No drugs, no guns, no bollocks. | 0:20:24 | 0:20:27 | |
No terrorists either, as far as I could tell. | 0:20:27 | 0:20:31 | |
Great. | 0:20:32 | 0:20:34 | |
You're not laughing. | 0:20:34 | 0:20:36 | |
Well, it's just not that funny, is it? | 0:20:36 | 0:20:38 | |
Sorry. I was forgetting you were a victim of terrorism. | 0:20:38 | 0:20:42 | |
So you think this is good news for the peace process? All this? | 0:20:44 | 0:20:48 | |
What? You're talking to a bloke who doesn't get further than the sports pages, mate. | 0:20:49 | 0:20:54 | |
Really? With you being a victim of terrorism and all that, | 0:20:54 | 0:20:59 | |
I thought you might take a special interest in a negotiated settlement. | 0:20:59 | 0:21:03 | |
See you tomorrow. | 0:21:04 | 0:21:06 | |
Yeah, do you know what? Sorry, mate. | 0:21:06 | 0:21:09 | |
-ROBBO LAUGHS -There's something about you that doesn't do it for me, | 0:21:09 | 0:21:12 | |
so...I'll pay you to the end of the month. | 0:21:12 | 0:21:15 | |
Really? | 0:21:17 | 0:21:19 | |
-That's unfortunate. -Yeah, well, que sera sera. | 0:21:19 | 0:21:24 | |
As you used to sing in the Stretford End. | 0:21:24 | 0:21:27 | |
-ROBBO LAUGHS -You see...it's that that winds me up. | 0:21:28 | 0:21:32 | |
Like there's a joke you're in on and I'm not. | 0:21:32 | 0:21:35 | |
What if I was to explain to you why I am the right man for the job, | 0:21:40 | 0:21:45 | |
despite my sense of humour? | 0:21:45 | 0:21:47 | |
MUSIC: "Even The Stars" by I Am Kloot | 0:21:51 | 0:21:54 | |
# Did you crack the sky wide open | 0:22:10 | 0:22:14 | |
# To find what was inside? | 0:22:18 | 0:22:22 | |
PHONE RINGS # Is it not what you were hoping? # | 0:22:26 | 0:22:29 | |
-'Hello, you've reached Claire Cotton. Please leave a message.' -BEEP | 0:22:29 | 0:22:33 | |
Hiya. It's me. | 0:22:33 | 0:22:35 | |
I'm coming home. | 0:22:36 | 0:22:38 | |
I've got something to tell you. | 0:22:40 | 0:22:43 | |
Something important. | 0:22:45 | 0:22:46 | |
# ..Did you cross the bridgeless gulf of chatter | 0:22:46 | 0:22:49 | |
# Did you say | 0:22:52 | 0:22:54 | |
# Just one thing that mattered? | 0:22:54 | 0:22:57 | |
-# Did you skate... # -Oh, shit! | 0:23:00 | 0:23:03 | |
# ..on the cold water of reason? # | 0:23:03 | 0:23:06 | |
CHATTER | 0:23:06 | 0:23:08 | |
-HE SIGHS -Hey! | 0:23:14 | 0:23:16 | |
It's unbelievable! Your daughter's an MP! Our little girl! | 0:23:16 | 0:23:20 | |
-Can you believe it? -I know. I only just heard. It's stunning! | 0:23:20 | 0:23:23 | |
-You look exhausted. Have you been driving all night? -Yeah, pretty much. | 0:23:23 | 0:23:27 | |
What was that message you wanted to tell me? | 0:23:27 | 0:23:30 | |
Oh, just that I'm sorry I missed everything and that... | 0:23:30 | 0:23:34 | |
I'd be home soon, you know. | 0:23:34 | 0:23:37 | |
CHEERING | 0:23:38 | 0:23:40 | |
-Glad to see you're still a loyalist then, Dad. -A drink's a drink. | 0:23:42 | 0:23:45 | |
-DANIEL LAUGHS -Hey! -Hi! -Not bad, eh? Not bloody bad! | 0:23:45 | 0:23:51 | |
Unbelievable! Couldn't have done it without you. | 0:23:51 | 0:23:54 | |
-What did I do? I'm never here. -You moaned at the telly so much every time Thatcher was on, | 0:23:54 | 0:23:58 | |
-I thought getting active was the only way to shut you up. -HE LAUGHS | 0:23:58 | 0:24:01 | |
I am very, very proud of you. | 0:24:01 | 0:24:04 | |
Where have you been? You smell of something. | 0:24:04 | 0:24:06 | |
-I've been in the car all night so whatever it is it can't be good. -No, it's like disinfectant. | 0:24:06 | 0:24:11 | |
-Really? -Yeah. -SHE SNIFFS | 0:24:11 | 0:24:14 | |
I know what it is, it's baby wipes. Yeah. | 0:24:14 | 0:24:17 | |
-Baby wipes?! -Yeah, that's it. -Where are you getting that from? | 0:24:17 | 0:24:20 | |
-Smile! -SHE LAUGHS | 0:24:20 | 0:24:22 | |
Father and daughter finally coming over to the dark side. | 0:24:22 | 0:24:25 | |
What are you going on about? What's he going on about? | 0:24:25 | 0:24:28 | |
He reckons the Labour Party is the party of business. | 0:24:28 | 0:24:30 | |
Hey, he's not wrong. | 0:24:30 | 0:24:32 | |
We're all Tories now. | 0:24:32 | 0:24:34 | |
I wanted that to be the strapline on her posters but she demurred. | 0:24:34 | 0:24:37 | |
Demurred? My God! That's a good word for a man who's been drinking all night. | 0:24:37 | 0:24:41 | |
I'm the most articulate drunk in the room. It's one of my gifts. | 0:24:41 | 0:24:44 | |
-Drunk in a what? -Here you are. -Hey. -This is great news for the business. | 0:24:44 | 0:24:49 | |
-Why didn't you return any of my calls? -My battery was dead. | 0:24:49 | 0:24:51 | |
Sorry, I'm confused, I thought they were the enemy of enterprise. | 0:24:51 | 0:24:54 | |
-..I left a message. -I'm here now, aren't I? | 0:24:54 | 0:24:57 | |
-I've got that paperwork in the car for you to sign. -Come on. Time and place, son. | 0:24:57 | 0:25:00 | |
Come on, you lot, press want a photo. | 0:25:00 | 0:25:03 | |
Guy's just setting up over in the corner. | 0:25:03 | 0:25:06 | |
-No, you don't want my old face on it. -No, no, no! He's insistent. | 0:25:06 | 0:25:09 | |
-Get Peter and the kids rounded up, too. -That's what they want, they want the four of you. | 0:25:09 | 0:25:13 | |
No, Dad, they want all the generations. | 0:25:13 | 0:25:16 | |
-Why are you being so modest? -Yes! -HUBBUB | 0:25:16 | 0:25:20 | |
-I look like shit! -You really don't. | 0:25:21 | 0:25:24 | |
-Come on. -I don't want my fucking photo taken! | 0:25:24 | 0:25:28 | |
All right?! | 0:25:32 | 0:25:34 | |
I just don't. | 0:25:34 | 0:25:36 | |
Maybe a smaller family group would be good after all. | 0:25:36 | 0:25:40 | |
-Come on, guys. LOUISE: -Will you be in it, Grandad? | 0:25:40 | 0:25:44 | |
Of course I'll be in it. | 0:25:44 | 0:25:45 | |
-PHOTOGRAPHER: -You might want to lose the rosette. | 0:25:48 | 0:25:51 | |
I'm sorry. | 0:25:53 | 0:25:54 | |
RUMBLING | 0:26:26 | 0:26:29 | |
PHONE RINGS | 0:26:42 | 0:26:44 | |
HE GROANS | 0:26:44 | 0:26:46 | |
Daniel...we've got a problem. | 0:26:49 | 0:26:54 | |
You need to get down here now. | 0:26:54 | 0:26:57 | |
'OK, I'm on my way.' | 0:26:57 | 0:26:59 | |
-LOUISE: -So what do we do now? | 0:27:01 | 0:27:04 | |
I am so proud of you. | 0:27:04 | 0:27:07 | |
It's from that film. You know, Robert Redford, The Candidate, when he gets elected. | 0:27:07 | 0:27:11 | |
Mum, I'm 27, I've got two small kids. | 0:27:11 | 0:27:14 | |
The only reason I said I'd stand is because I was told I couldn't win. | 0:27:14 | 0:27:17 | |
So what? | 0:27:17 | 0:27:19 | |
-Peter can look after the kids. -Exactly. | 0:27:19 | 0:27:23 | |
You're tough...like me. | 0:27:23 | 0:27:26 | |
Politics are neither here nor there, | 0:27:26 | 0:27:29 | |
we're two sides of the same coin you and me. LOUISE LAUGHS | 0:27:29 | 0:27:33 | |
You did something special and we celebrate. | 0:27:33 | 0:27:36 | |
And make sure that the good stuff is what we remember. | 0:27:36 | 0:27:40 | |
Who was that? | 0:27:47 | 0:27:49 | |
-Your dad. -Going where?! | 0:27:49 | 0:27:52 | |
God knows. | 0:27:54 | 0:27:56 | |
-Work? -At this time? He's not usually this keen. | 0:27:56 | 0:28:00 | |
You must have inspired him. | 0:28:01 | 0:28:03 | |
Yeah, what was that tantrum about the photograph? | 0:28:03 | 0:28:06 | |
No, come on, this is your day, | 0:28:06 | 0:28:08 | |
you don't want to be talking about us. | 0:28:08 | 0:28:10 | |
The first bomb, the call was made to Granada. | 0:28:15 | 0:28:18 | |
They passed it to the police, the police to Special Branch. | 0:28:18 | 0:28:22 | |
The second bomb, your bomb, | 0:28:22 | 0:28:24 | |
direct call to the police in Manchester. | 0:28:24 | 0:28:26 | |
-Our bomber used the right code word. -Half the bouncers in Manchester know the right code word. | 0:28:26 | 0:28:31 | |
I don't know that any of this is exactly proof. | 0:28:31 | 0:28:34 | |
I know who planted the first bomb. | 0:28:34 | 0:28:36 | |
And I know they didn't plant the second. | 0:28:37 | 0:28:40 | |
-Maybe it was a splinter group. -Who never claimed responsibility? | 0:28:40 | 0:28:43 | |
If you're a splinter group the only reason you plant a bomb | 0:28:43 | 0:28:46 | |
is so that you can say afterwards, "That was us. | 0:28:46 | 0:28:48 | |
"We've arrived. We're Bertie Big Bollocks." | 0:28:48 | 0:28:52 | |
There aren't many people can make a bomb, you know. | 0:28:52 | 0:28:55 | |
Even fewer in Manchester. | 0:28:55 | 0:28:57 | |
I know those people. | 0:28:57 | 0:29:00 | |
If they made something for you, it won't be hard for me to find out. | 0:29:00 | 0:29:04 | |
-I'm saying that your bomb...was -your -bomb. | 0:29:05 | 0:29:10 | |
What is it you want? | 0:29:10 | 0:29:12 | |
Half the club. Half the takings. | 0:29:14 | 0:29:16 | |
-ROBBO LAUGHS -Yeah, that's going to happen. | 0:29:16 | 0:29:19 | |
With all due respect, I was talking to Noel not Liam. | 0:29:19 | 0:29:22 | |
Come on, use your napper, | 0:29:26 | 0:29:28 | |
nobody loses by believing it's terrorism. Nobody. | 0:29:28 | 0:29:32 | |
What we have here is a private finance initiative. | 0:29:33 | 0:29:37 | |
A what? | 0:29:37 | 0:29:39 | |
We don't want any dealing in the club. You run the door, | 0:29:39 | 0:29:43 | |
what money you make, what deals you cut, that's for your benefit. | 0:29:43 | 0:29:47 | |
Our benefit...is that the drug deals don't happen in the club. | 0:29:47 | 0:29:52 | |
So opportunity knocks. | 0:29:54 | 0:29:56 | |
You don't want me messing up your life. | 0:30:02 | 0:30:04 | |
If you knew what my life was like, | 0:30:04 | 0:30:06 | |
you would realise that that isn't really much of a threat. | 0:30:06 | 0:30:10 | |
DANIEL SIGHS | 0:30:20 | 0:30:22 | |
DOOR CLOSES | 0:30:22 | 0:30:23 | |
Well, a thank you might be nice. | 0:30:23 | 0:30:26 | |
I'm surprised you didn't try and shag him, | 0:30:27 | 0:30:29 | |
it's what you normally do when you're in a corner. | 0:30:29 | 0:30:31 | |
-It's sorted! What's the matter with you? -You've given him the door! | 0:30:31 | 0:30:35 | |
I've given him the drug market, not the takings! | 0:30:35 | 0:30:38 | |
The drugs market is the takings, you dumb tosser! | 0:30:38 | 0:30:40 | |
-What about the no-drugs policy? -Oh, it's just a catch phrase! | 0:30:40 | 0:30:44 | |
You know, "Tough on crime, tough on the causes of crime." | 0:30:44 | 0:30:47 | |
-It doesn't actually -mean -anything! | 0:30:47 | 0:30:49 | |
It's my club, all right? Mine! | 0:30:49 | 0:30:52 | |
-OK. -I've been a sidekick all me life, not here. -I said, OK! | 0:30:52 | 0:30:57 | |
Congratulations...by the way. | 0:31:03 | 0:31:07 | |
If that's the right word. | 0:31:09 | 0:31:11 | |
So where were you? She's been ready to go for an hour. | 0:31:23 | 0:31:26 | |
-I was stuck in traffic. -She needs you looking after her and my baby sister. | 0:31:26 | 0:31:30 | |
Ryan, you have made that perfectly clear. | 0:31:30 | 0:31:33 | |
Or not. We can manage, you know. | 0:31:33 | 0:31:35 | |
If you want to do a disappearing act, we managed before. | 0:31:35 | 0:31:37 | |
We've got form on raising ourselves without a dickhead dad. | 0:31:37 | 0:31:40 | |
I am going to be around a lot more from now on. | 0:31:40 | 0:31:44 | |
I promise. | 0:31:45 | 0:31:47 | |
Are you even listening to me? | 0:31:47 | 0:31:49 | |
RYAN SIGHS | 0:31:49 | 0:31:51 | |
-Who was that baby with Grandad? -What baby? -That baby just then? | 0:32:00 | 0:32:06 | |
-Grandad isn't here, silly sausage. Grandad's at work. -Darling? | 0:32:06 | 0:32:09 | |
-Darling, the press. -Oh. Right, picture time. Ready? | 0:32:09 | 0:32:13 | |
-Say cheese. One, two, three. -ALL: Cheese! | 0:32:13 | 0:32:16 | |
Don't say a word. | 0:32:20 | 0:32:23 | |
Just let me sign it. | 0:32:23 | 0:32:24 | |
DANIEL CLEARS HIS THROAT | 0:32:24 | 0:32:26 | |
I still don't know what this has to do with sweets. | 0:32:28 | 0:32:31 | |
We're going to be in a consortium | 0:32:31 | 0:32:32 | |
with a construction company and a service provider. | 0:32:32 | 0:32:36 | |
Oh, right. Good. Your thing not mine. | 0:32:36 | 0:32:39 | |
We'll take on subcontractors to deliver, | 0:32:39 | 0:32:42 | |
but we can have shares in the subcontractors too. | 0:32:42 | 0:32:44 | |
-That's the beauty of it. -Beauty? | 0:32:44 | 0:32:47 | |
Oh, it's certainly a beauty. | 0:32:47 | 0:32:49 | |
Right, is that it? Cos I've got a lot to do today. | 0:32:49 | 0:32:53 | |
No, that's it. Thank you for your contribution. | 0:32:53 | 0:32:56 | |
Great! | 0:32:56 | 0:32:58 | |
Does this mean that I won't have to sit through any more meetings | 0:32:58 | 0:33:01 | |
being patronised by my own son? | 0:33:01 | 0:33:03 | |
No bugger's patronising you, he's making your fortune here. | 0:33:03 | 0:33:06 | |
-Our fortune. -Grandad gets it. | 0:33:06 | 0:33:09 | |
Is it Louise getting elected? Is that what's bothering you? | 0:33:11 | 0:33:15 | |
That you need to get noticed. I'm noticing you, Charlie, all right? | 0:33:15 | 0:33:21 | |
-I can hardly miss ya. -Daniel, the lad's got ambition for all of us. | 0:33:21 | 0:33:25 | |
There...it's signed. | 0:33:27 | 0:33:31 | |
SAMUEL: Oi. Oi! | 0:33:42 | 0:33:43 | |
Touchy Jim. | 0:33:45 | 0:33:46 | |
You want me to tell Charlie how brilliant he is? | 0:33:48 | 0:33:51 | |
I think you're doing more than enough of that for both of us, don't you? | 0:33:51 | 0:33:55 | |
This isn't about Charlie, this is about you. | 0:33:55 | 0:33:59 | |
I know you, whether you like it or not. | 0:33:59 | 0:34:03 | |
And I know that the way you are these days... | 0:34:03 | 0:34:05 | |
..there's something inside your head and it's driving you mad. | 0:34:06 | 0:34:10 | |
Now, I don't want to know what it is, | 0:34:10 | 0:34:13 | |
but I do know that you've either got to kill it or to cure it. | 0:34:13 | 0:34:18 | |
Now. Right now. | 0:34:18 | 0:34:22 | |
I'm sorry about last night, | 0:34:53 | 0:34:55 | |
I was just knackered. | 0:34:55 | 0:34:57 | |
I was overwhelmed, really. | 0:34:57 | 0:34:59 | |
So tonight... | 0:35:02 | 0:35:03 | |
..let's just celebrate. | 0:35:05 | 0:35:07 | |
Let's celebrate our lovely daughter. | 0:35:08 | 0:35:11 | |
What is this? | 0:35:14 | 0:35:15 | |
Well, it's not cheap "Spew-manti" if that's what you're worried about. | 0:35:15 | 0:35:18 | |
No, what is this - you? | 0:35:18 | 0:35:20 | |
Is it like when you got depressed when the dog got put down or | 0:35:20 | 0:35:24 | |
is it like when the kids left home and you lay on the sofa for a month? | 0:35:24 | 0:35:28 | |
Or is it like when you wouldn't talk about your mum dying? | 0:35:28 | 0:35:32 | |
When you used to lock yourself in the bathroom | 0:35:32 | 0:35:34 | |
and we could hear you crying, but all had to pretend that we couldn't. | 0:35:34 | 0:35:37 | |
W-What...? What are you bringing all this up for? | 0:35:37 | 0:35:40 | |
I've told you. I was knackered. | 0:35:40 | 0:35:42 | |
I need to know how bad it is. | 0:35:42 | 0:35:45 | |
How bad what is? | 0:35:45 | 0:35:46 | |
What's happening. | 0:35:47 | 0:35:50 | |
To you. | 0:35:50 | 0:35:51 | |
What are you doing? | 0:35:52 | 0:35:53 | |
What's going on? | 0:35:53 | 0:35:54 | |
There's no great... | 0:36:01 | 0:36:02 | |
The truth is... | 0:36:14 | 0:36:15 | |
The truth is... | 0:36:19 | 0:36:20 | |
..there's no revelation. | 0:36:27 | 0:36:28 | |
It's lots of things. | 0:36:30 | 0:36:32 | |
Not good enough. | 0:36:32 | 0:36:34 | |
Nowhere near good enough. | 0:36:34 | 0:36:36 | |
Your phone message, "I've got something important to tell you." | 0:36:36 | 0:36:38 | |
-What did that mean? -It started with the bomb. | 0:36:38 | 0:36:41 | |
What did? | 0:36:41 | 0:36:42 | |
Dad got all... | 0:36:42 | 0:36:45 | |
I don't know, open-minded, | 0:36:45 | 0:36:47 | |
Charlie seems to be taking over, | 0:36:47 | 0:36:50 | |
Robbo's got the club up and running | 0:36:50 | 0:36:52 | |
and, I don't know, even Louise - she wasn't even there | 0:36:52 | 0:36:54 | |
and now she's a bloody MP! | 0:36:54 | 0:36:56 | |
And I suppose I'm feeling a bit jealous. | 0:36:56 | 0:36:58 | |
I'm thinking "What about me? Where's my moment?" | 0:37:00 | 0:37:02 | |
What ABOUT you? | 0:37:02 | 0:37:04 | |
I know it's not a good thing, Claire. | 0:37:04 | 0:37:05 | |
I'm as surprised as anyone. | 0:37:05 | 0:37:07 | |
I just feel like such a nobody. | 0:37:09 | 0:37:11 | |
Is that right? Oh, and what about ME? What am I? | 0:37:11 | 0:37:15 | |
Wife of a nobody? | 0:37:15 | 0:37:17 | |
No, it's different for you. I mean, you've got Citizens Advice. | 0:37:17 | 0:37:21 | |
You got Louise's election stuff. You've got the garden. | 0:37:21 | 0:37:24 | |
I've got the garden? | 0:37:24 | 0:37:26 | |
Did you really just say that? | 0:37:26 | 0:37:28 | |
I've got the garden?! What about Bikini Workout? | 0:37:28 | 0:37:33 | |
And you forgot book club! | 0:37:33 | 0:37:35 | |
Six menopausal women crying over Captain Corelli! | 0:37:35 | 0:37:38 | |
I've got the fucking garden! | 0:37:38 | 0:37:40 | |
I didn't mean it like that. | 0:37:40 | 0:37:41 | |
What is it that you expect to be happening? | 0:37:41 | 0:37:43 | |
What is it you think you're missing out on? | 0:37:43 | 0:37:45 | |
Cos it's the same for everybody. | 0:37:45 | 0:37:47 | |
It's called getting old and feeling useless. | 0:37:47 | 0:37:51 | |
SHE SIGHS HEAVILY | 0:37:51 | 0:37:53 | |
Make yourself useful and get over it. | 0:37:53 | 0:37:55 | |
We have a life | 0:38:02 | 0:38:04 | |
that nobody sees. | 0:38:04 | 0:38:06 | |
And we have a life that everybody sees. | 0:38:06 | 0:38:08 | |
And sometimes... | 0:38:08 | 0:38:10 | |
..I can't tell which is which. | 0:38:11 | 0:38:13 | |
The only thing that I can be certain of... | 0:38:15 | 0:38:18 | |
..the only thing that I can trust... | 0:38:19 | 0:38:21 | |
..is that I love you. | 0:38:24 | 0:38:25 | |
That's what I wanted to tell you when I rang last night. | 0:38:28 | 0:38:31 | |
That I love you. | 0:38:32 | 0:38:33 | |
It isn't deep, you know. | 0:38:37 | 0:38:39 | |
What isn't? | 0:38:40 | 0:38:41 | |
What you're doing. How you're behaving. | 0:38:41 | 0:38:45 | |
It isn't deep. | 0:38:45 | 0:38:46 | |
It's just a bit shit. | 0:38:47 | 0:38:49 | |
Well, where did that come from? | 0:39:19 | 0:39:22 | |
'Somewhere dark and dangerous.' | 0:39:24 | 0:39:25 | |
And that's what you said to her? | 0:39:25 | 0:39:28 | |
No. I can't think what I said. | 0:39:28 | 0:39:29 | |
I didn't say anything. | 0:39:29 | 0:39:31 | |
Why not? Stick to what you're good at. | 0:39:31 | 0:39:34 | |
I thought you were the strong one. I was the fuck-up. | 0:39:34 | 0:39:37 | |
I'm loving two families. I'm supporting two families. | 0:39:37 | 0:39:40 | |
Isn't that strong enough for you? | 0:39:40 | 0:39:42 | |
I was that close to telling them both. | 0:39:42 | 0:39:45 | |
I never dreamt Louise would actually get elected. | 0:39:45 | 0:39:47 | |
I don't want her dragged into this. | 0:39:47 | 0:39:49 | |
She'll manage. The baby, though. | 0:39:49 | 0:39:52 | |
Don't make her life any harder than it already is. | 0:39:52 | 0:39:55 | |
You know what it's like to grow up | 0:39:55 | 0:39:56 | |
with a big question mark on your back. | 0:39:56 | 0:39:59 | |
I never felt like that. | 0:39:59 | 0:40:01 | |
Didn't you? | 0:40:01 | 0:40:03 | |
I did. | 0:40:03 | 0:40:04 | |
And I wasn't even the adopted one. | 0:40:04 | 0:40:06 | |
I'll tell them. All right? | 0:40:08 | 0:40:11 | |
I just need to find the right moment. | 0:40:11 | 0:40:13 | |
MUSIC: "Insomnia" by Faithless | 0:40:13 | 0:40:15 | |
# I can't get no... # | 0:40:15 | 0:40:16 | |
All right. Shouldn't you be changing nappies? | 0:40:21 | 0:40:24 | |
Hey, Daniel? | 0:40:24 | 0:40:25 | |
Mate, do you know who that guy is? | 0:40:31 | 0:40:33 | |
Sorry, mate. Don't know who you mean. | 0:40:33 | 0:40:36 | |
That old bloke who was just going out as I was coming in. | 0:40:36 | 0:40:38 | |
Is his name Daniel? | 0:40:38 | 0:40:40 | |
I don't keep a register. | 0:40:40 | 0:40:41 | |
He's my mum's fella. He's just blanked me. | 0:40:43 | 0:40:46 | |
Sorry, mate, I don't know what to say to that. I don't know him. | 0:40:46 | 0:40:49 | |
You don't know where I can score, do you? | 0:40:54 | 0:40:56 | |
Try Old Trafford. | 0:40:57 | 0:40:59 | |
But you'll need to get on the end of a good cross from Giggsy. | 0:40:59 | 0:41:03 | |
MUSIC BOX TINKLES | 0:41:09 | 0:41:10 | |
(She's beautiful.) | 0:41:11 | 0:41:12 | |
BABY GURGLES | 0:41:12 | 0:41:14 | |
(Night-night, gorgeous.) | 0:41:19 | 0:41:21 | |
KEY TURNS IN LOCK | 0:41:29 | 0:41:30 | |
Don't slam the door, love. We just got her down. | 0:41:32 | 0:41:34 | |
-OK. -OK. | 0:41:34 | 0:41:35 | |
MUSIC: "The Only One I Know" by The Charlatans | 0:41:45 | 0:41:48 | |
HE LAUGHS | 0:41:54 | 0:41:56 | |
# The only one I know | 0:42:12 | 0:42:16 | |
# Has come to take me away | 0:42:16 | 0:42:20 | |
# The only one I know | 0:42:20 | 0:42:25 | |
# Is mine when she stitches me | 0:42:25 | 0:42:28 | |
# The only one I see | 0:42:33 | 0:42:37 | |
# Has found an aching in me | 0:42:37 | 0:42:41 | |
# The only one I see | 0:42:41 | 0:42:46 | |
# Has turned her tongue into me | 0:42:46 | 0:42:49 | |
# Everyone | 0:42:54 | 0:42:57 | |
# Has been burned before... # | 0:42:57 | 0:42:59 | |
-Did you remember the Calpol? -Yeah. I got the sugar-free one. | 0:42:59 | 0:43:02 | |
I think she might be teething. | 0:43:02 | 0:43:03 | |
I thought you said it was her three-month vaccinations. | 0:43:03 | 0:43:06 | |
-Her cheeks are red. -Did she have a temperature? -No. | 0:43:06 | 0:43:09 | |
Did you use that daft thermometer that you strap to her head. | 0:43:09 | 0:43:11 | |
No. Normal one. Under her arm. Hurry up! | 0:43:11 | 0:43:14 | |
I think I found a child minder for when I go back to work. | 0:43:16 | 0:43:19 | |
-Yeah? -Yeah. | 0:43:19 | 0:43:20 | |
Going to swap two days a week with Lucy from the playgroup. | 0:43:20 | 0:43:23 | |
-Oh, great. -You or the boys are going to have to cover Monday mornings. | 0:43:23 | 0:43:26 | |
Do you think we could stop multi-tasking for a minute? | 0:43:26 | 0:43:30 | |
Oh, now I know you're concentrating. | 0:43:30 | 0:43:32 | |
It's the best you're going to get. | 0:43:32 | 0:43:34 | |
HE SIGHS | 0:43:34 | 0:43:36 | |
SHE MOANS | 0:43:36 | 0:43:37 | |
HE SIGHS AND LAUGHS | 0:43:37 | 0:43:39 | |
That was nice. | 0:43:40 | 0:43:41 | |
Yeah. | 0:43:43 | 0:43:44 | |
I could sleep forever. | 0:43:46 | 0:43:48 | |
Me too. | 0:43:49 | 0:43:50 | |
I've got 20 quid says he's forgotten. | 0:44:02 | 0:44:04 | |
Hang on, Louise. He's not forgotten. I'll take that bet. | 0:44:04 | 0:44:07 | |
Why would he remember? | 0:44:07 | 0:44:09 | |
Listen. I'll e-mail you the rest of the figures. | 0:44:09 | 0:44:11 | |
He can't remember what day it is half the time. | 0:44:11 | 0:44:14 | |
Louise, I'll e-mail you the rest of the figures. | 0:44:14 | 0:44:16 | |
There's not really anything there you can use...I don't think. No. | 0:44:16 | 0:44:19 | |
Well, I don't think anybody listens | 0:44:19 | 0:44:21 | |
after the first stats anyway, do they? | 0:44:21 | 0:44:23 | |
"Daddy wants Blue Velvet". Sorry, Dad, do you want a cup of tea? | 0:44:26 | 0:44:30 | |
Told you. | 0:44:30 | 0:44:31 | |
Samuel can't eat. Nil by mouth. | 0:44:31 | 0:44:33 | |
-It's his check-up today. -Oh, yeah. Of course. When are you going? | 0:44:33 | 0:44:37 | |
20 quid you owe me. | 0:44:37 | 0:44:39 | |
You're taking him. You promised. | 0:44:39 | 0:44:40 | |
We talked about this. | 0:44:40 | 0:44:42 | |
I'll call you a taxi, Dad. | 0:44:42 | 0:44:44 | |
No. The last time he went on by himself, he panicked | 0:44:44 | 0:44:48 | |
and did a runner before they could even get a monitor on him. | 0:44:48 | 0:44:51 | |
It's those questionnaires. They're hard work. | 0:44:51 | 0:44:54 | |
Are you gay? Are you black? Are you disabled? | 0:44:54 | 0:44:57 | |
It's a hospital not a council house waiting list. | 0:44:57 | 0:45:00 | |
What if I do it next time? | 0:45:00 | 0:45:01 | |
No chance. I'm needed at the office. | 0:45:01 | 0:45:04 | |
Louise is making her maiden speech on Monday. | 0:45:04 | 0:45:06 | |
You've got a grown-up daughter. She's called Louise. | 0:45:08 | 0:45:11 | |
She got elected to a big building called the House of Commons. | 0:45:11 | 0:45:14 | |
Good luck! | 0:45:14 | 0:45:15 | |
Aye. | 0:45:15 | 0:45:17 | |
Aye! | 0:45:17 | 0:45:18 | |
What time's your appointment? | 0:45:18 | 0:45:20 | |
10.30. But don't worry, don't worry. | 0:45:21 | 0:45:24 | |
If you're really lucky, I might die before then. | 0:45:24 | 0:45:27 | |
How far away are you? I can't be late again. | 0:45:38 | 0:45:41 | |
Ryan can't do it. He's got a job interview. | 0:45:42 | 0:45:45 | |
I have to leave at 12. | 0:45:45 | 0:45:46 | |
He can give you till 12. | 0:45:46 | 0:45:48 | |
But you'd better get here by then. | 0:45:48 | 0:45:50 | |
-Thanks, love. -It's all right. -Thank you. -It's OK. | 0:45:52 | 0:45:55 | |
All right, babe. OK. | 0:45:55 | 0:45:56 | |
Come on. | 0:45:57 | 0:45:58 | |
See that skyline? | 0:46:01 | 0:46:04 | |
Our Charlie's got money in that. We all have. | 0:46:04 | 0:46:07 | |
He's funding the sky now, is he? How does that work then? | 0:46:07 | 0:46:10 | |
Leaseback from God? | 0:46:10 | 0:46:12 | |
Listen, your son's making millions. | 0:46:12 | 0:46:15 | |
He's even inventing new ways of making money. | 0:46:16 | 0:46:19 | |
You've got a daughter who's an MP... | 0:46:19 | 0:46:21 | |
for New Labour, admittedly, but still, it's an achievement of sorts. | 0:46:21 | 0:46:24 | |
Your dad's in business with you. And a wife who loves you. | 0:46:24 | 0:46:26 | |
And yet you still walk round all day with a face like a smacked arse. | 0:46:26 | 0:46:30 | |
Yeah, well, I've got a lot on my plate right now. | 0:46:30 | 0:46:32 | |
My dad died in a pub cellar... | 0:46:34 | 0:46:37 | |
trying to move barrels that the drayman had | 0:46:37 | 0:46:39 | |
-left in the wrong place. -Grandad was an alcoholic with a pub, | 0:46:39 | 0:46:41 | |
I don't think the barrels had too much to do with it. | 0:46:41 | 0:46:44 | |
Yeah, I know, but I lost him aged 54. He went just like that. | 0:46:44 | 0:46:48 | |
54. | 0:46:48 | 0:46:49 | |
He annoyed the living daylights out of me | 0:46:51 | 0:46:53 | |
but I miss the aggravation every day. | 0:46:53 | 0:46:55 | |
And your point is? | 0:46:57 | 0:46:58 | |
The point is... | 0:47:00 | 0:47:02 | |
when I'm not around to annoy you any more, | 0:47:02 | 0:47:06 | |
then you'll miss me. | 0:47:06 | 0:47:07 | |
It's good. | 0:47:10 | 0:47:11 | |
But don't expect a call from Thought Of The Day any time soon, eh? | 0:47:12 | 0:47:16 | |
That's me. | 0:47:18 | 0:47:19 | |
If you could just take a seat, we'll call you through when it's time. | 0:47:19 | 0:47:23 | |
-And if you could you fill in this form while you're waiting. -Oh. | 0:47:23 | 0:47:27 | |
Well, I can promise you I've not changed race or sexual preference | 0:47:27 | 0:47:29 | |
since last time. | 0:47:29 | 0:47:31 | |
I'm a tiny bit more crippled but not parking space crippled. | 0:47:31 | 0:47:34 | |
It's just a requirement. | 0:47:34 | 0:47:36 | |
See. I can handle this by myself. | 0:47:41 | 0:47:44 | |
I don't think this is the hard bit. | 0:47:44 | 0:47:46 | |
You don't want to be hanging around here all day, do you? | 0:47:46 | 0:47:49 | |
Not unless you have to. Like you say, you're a busy man. | 0:47:49 | 0:47:52 | |
All day? Nobody said anything about all day. | 0:47:52 | 0:47:55 | |
Have you seen the tests they have to do? | 0:47:55 | 0:47:58 | |
I'm telling you, pick me up in three hours or so. | 0:47:58 | 0:48:03 | |
I won't tell if you won't. | 0:48:03 | 0:48:04 | |
And you promise you're not going to do a runner the moment I walk through that door? | 0:48:06 | 0:48:10 | |
OK, if you're sure. | 0:48:10 | 0:48:12 | |
Ryan? | 0:48:22 | 0:48:24 | |
Keep it down. I've just got her off. | 0:48:24 | 0:48:26 | |
Is that what you're wearing to your interview? | 0:48:30 | 0:48:32 | |
What's the job? Scarecrow? | 0:48:32 | 0:48:33 | |
-The interview's tomorrow. Mum got it wrong. -What? | 0:48:33 | 0:48:36 | |
Oh, bloody hell. I thought there was some sort of emergency. | 0:48:36 | 0:48:39 | |
There is. You'd better sit down. | 0:48:39 | 0:48:42 | |
We've got some serious stuff to talk about. | 0:48:42 | 0:48:44 | |
I haven't got time for this. | 0:48:44 | 0:48:46 | |
I really need to be somewhere else. | 0:48:46 | 0:48:48 | |
Are you going to pretend you don't know me again? | 0:48:48 | 0:48:50 | |
It's a bit harder to do in my own house, isn't it? | 0:48:50 | 0:48:53 | |
In your own house. If it is your own house, like. | 0:48:53 | 0:48:56 | |
OK. | 0:49:04 | 0:49:06 | |
PHONE RINGS | 0:49:06 | 0:49:08 | |
OK. Daniel. You got me. | 0:49:15 | 0:49:18 | |
I lied. | 0:49:18 | 0:49:20 | |
I want you here. | 0:49:20 | 0:49:22 | |
Please. | 0:49:22 | 0:49:23 | |
Swear on your baby's life that it wasn't you. | 0:49:24 | 0:49:27 | |
Don't be stupid. | 0:49:27 | 0:49:29 | |
I think he's acting like a guilty man. | 0:49:29 | 0:49:31 | |
What do you think, Lee? | 0:49:31 | 0:49:33 | |
Yeah. Guilty. | 0:49:33 | 0:49:35 | |
It was you in the club, wasn't it? | 0:49:35 | 0:49:36 | |
Yes. | 0:49:38 | 0:49:39 | |
So what were you doing there? And why blank me? | 0:49:41 | 0:49:43 | |
You don't need to know. | 0:49:44 | 0:49:46 | |
I think I do. I think Mum does. | 0:49:46 | 0:49:47 | |
I'm good for your mum. | 0:49:49 | 0:49:51 | |
I'm a good dad to Scarlet. | 0:49:51 | 0:49:53 | |
I might even be good for you if you'd let me. | 0:49:53 | 0:49:57 | |
Nothing else matters. | 0:49:57 | 0:49:58 | |
Why did you blank me? | 0:49:58 | 0:49:59 | |
You can either tell me or you can tell Mum. | 0:49:59 | 0:50:02 | |
What makes you think she'll believe you? | 0:50:02 | 0:50:04 | |
I'll get Lee to tell her. | 0:50:04 | 0:50:06 | |
She always says he's the only honest man she knows. | 0:50:06 | 0:50:08 | |
That's why he don't have a girlfriend. | 0:50:08 | 0:50:10 | |
I have got a girlfriend. | 0:50:10 | 0:50:11 | |
Oh, yeah? Lorraine Kelly returned your call, did she? | 0:50:11 | 0:50:14 | |
The reason I blanked you... | 0:50:14 | 0:50:17 | |
is because I don't want you in that part of my life. | 0:50:17 | 0:50:21 | |
Because I love you. | 0:50:21 | 0:50:23 | |
Because I'm protecting you. | 0:50:23 | 0:50:24 | |
From what? | 0:50:24 | 0:50:25 | |
From the dealers and the low-lifes that I have to deal with. | 0:50:27 | 0:50:30 | |
Who are you? Batman? | 0:50:30 | 0:50:32 | |
Low-lifes. | 0:50:32 | 0:50:33 | |
It's drugs. | 0:50:33 | 0:50:34 | |
-I don't like drugs. -What drugs? | 0:50:34 | 0:50:36 | |
I've got a drugs problem. | 0:50:38 | 0:50:41 | |
I've had it a long time. | 0:50:41 | 0:50:43 | |
And the club is where I go to... | 0:50:43 | 0:50:45 | |
..score. | 0:50:47 | 0:50:48 | |
What? Drugs? What sort of drugs? What are you talking about? | 0:50:49 | 0:50:53 | |
You're no druggy. | 0:50:53 | 0:50:55 | |
It's coke. I do a bit of coke. | 0:50:55 | 0:50:58 | |
I smoke a bit of weed. It just helps. | 0:50:59 | 0:51:02 | |
It helps take the edge off. Nothing terrible. | 0:51:02 | 0:51:06 | |
Obviously I'm not some strung-out junkie. But it helps. | 0:51:06 | 0:51:10 | |
And that's why I blanked you. | 0:51:12 | 0:51:15 | |
Because I didn't want anyone in that place to know that you know me. | 0:51:15 | 0:51:21 | |
-Does Mum know? -No. She doesn't. | 0:51:24 | 0:51:27 | |
-Are you going to tell her? -That's your job. | 0:51:27 | 0:51:29 | |
Yes, I know. | 0:51:31 | 0:51:33 | |
And I'll stop. | 0:51:34 | 0:51:35 | |
I knew there was something sideways with you. | 0:51:37 | 0:51:40 | |
I always knew there was something you were hiding. | 0:51:40 | 0:51:42 | |
Now you know. | 0:51:42 | 0:51:43 | |
But right now, I really need to get back to work. | 0:51:47 | 0:51:49 | |
So I'll see you. | 0:51:53 | 0:51:55 | |
Do you believe him? | 0:52:28 | 0:52:30 | |
I don't know. | 0:52:30 | 0:52:32 | |
Thing is, if he's lying about the drugs, how much worse is the truth? | 0:52:32 | 0:52:35 | |
He could be a paedo. | 0:52:35 | 0:52:37 | |
He's not a paedo, you knob-head. | 0:52:39 | 0:52:41 | |
HORN BLARES | 0:52:43 | 0:52:45 | |
Give me a break! | 0:52:45 | 0:52:46 | |
PHONE RINGS | 0:52:52 | 0:52:54 | |
Hello? | 0:53:13 | 0:53:14 | |
Is that you, Daniel? | 0:53:14 | 0:53:16 | |
Can you come back to the hospital? | 0:53:16 | 0:53:19 | |
Is that you, Daniel? | 0:53:19 | 0:53:21 | |
'The hospital?' | 0:53:21 | 0:53:22 | |
Mr Cotton. | 0:53:22 | 0:53:23 | |
Hello? | 0:53:24 | 0:53:26 | |
'Is there anybody there?' | 0:53:28 | 0:53:29 | |
Who is this? | 0:53:29 | 0:53:30 | |
-No phones, please. -Oh. -Come with me. | 0:53:32 | 0:53:36 | |
Hello. Samuel Cotton, my father, was in here. | 0:54:07 | 0:54:10 | |
Mr Cotton. | 0:54:14 | 0:54:15 | |
Excellent, thank you. | 0:54:17 | 0:54:19 | |
Oh, you've come back, have you? Well, you needn't have bothered. | 0:54:20 | 0:54:24 | |
I feel fine. Fit as a butcher's dog. | 0:54:24 | 0:54:27 | |
You know, I don't think cottage cheese is worth | 0:54:27 | 0:54:29 | |
all the trouble actually. | 0:54:29 | 0:54:31 | |
-Are you all right? -Yeah. Yeah. | 0:54:32 | 0:54:34 | |
PHONE RINGS | 0:54:36 | 0:54:37 | |
Oh, sorry. I thought I'd switched it off. | 0:54:38 | 0:54:43 | |
Hello? | 0:54:46 | 0:54:47 | |
Who was it? | 0:54:49 | 0:54:50 | |
You, according to this bloody thing. You must be sitting on it. | 0:54:50 | 0:54:53 | |
We're ready, Mr Cotton. | 0:54:53 | 0:54:55 | |
Right. | 0:55:00 | 0:55:01 | |
We're just going to turn you up a notch, Samuel. | 0:55:06 | 0:55:09 | |
HE BREATHES HEAVILY | 0:55:09 | 0:55:11 | |
BEEPING | 0:55:11 | 0:55:12 | |
-MUTTERING: -Come on. | 0:55:12 | 0:55:13 | |
HE GROANS | 0:55:17 | 0:55:18 | |
-Daniel? -What's happened to him? | 0:55:21 | 0:55:22 | |
-What's happening? -He's asystolic! | 0:55:22 | 0:55:24 | |
-Can you hear me? -Daniel, what's happened? What's happening? | 0:55:24 | 0:55:27 | |
-What's wrong? -Get the crash kit over here, now. | 0:55:27 | 0:55:29 | |
How do you turn it off? | 0:55:29 | 0:55:31 | |
Hey. Hey, how do you turn this bloody thing off? | 0:55:32 | 0:55:35 | |
Oh, no. No, stop, stop. Whoa. | 0:55:35 | 0:55:39 | |
He's just there. | 0:55:50 | 0:55:52 | |
How is he? | 0:55:52 | 0:55:53 | |
Erm...he had heart attack. | 0:55:55 | 0:55:58 | |
But they think he's going to be OK. | 0:55:58 | 0:56:00 | |
Sorry I gave you a hard time, mate. | 0:56:02 | 0:56:04 | |
I'm Ryan, by the way. I reckon you must be his dad, yeah? | 0:56:08 | 0:56:11 | |
Yeah. That's right. Yeah. | 0:56:11 | 0:56:14 | |
We talked before, by accident. I had his phone. | 0:56:14 | 0:56:17 | |
Oh, right. | 0:56:17 | 0:56:18 | |
Erm...do you...? Er...are you...? Do you work for Daniel? | 0:56:19 | 0:56:23 | |
Do you work for me? | 0:56:23 | 0:56:24 | |
Work for him? No. Bloody hell. I wouldn't work for him. No. | 0:56:24 | 0:56:27 | |
He goes out with my mum. | 0:56:27 | 0:56:29 | |
They've just had a baby together, my little sister - Scarlet. | 0:56:29 | 0:56:32 | |
He has told you? You do know this? | 0:56:33 | 0:56:35 | |
Dad. How is he? What's happening? | 0:56:37 | 0:56:40 | |
He's stable... | 0:56:40 | 0:56:41 | |
medically speaking. | 0:56:41 | 0:56:42 | |
Who the fuck is this? | 0:56:42 | 0:56:43 | |
I'm his son - Charlie. Who the fuck are you? | 0:56:43 | 0:56:46 | |
All right. All right. There's been a bit of a mix-up, Charlie. | 0:56:46 | 0:56:49 | |
I mean, this kid's all over the place. He just wandered in... | 0:56:49 | 0:56:51 | |
No, no, no, no. He's in the right place. | 0:56:51 | 0:56:54 | |
It's Ryan, isn't it? | 0:56:54 | 0:56:56 | |
Can somebody tell me what's going on? | 0:56:58 | 0:57:01 | |
Cardiac ward, please? | 0:57:13 | 0:57:15 | |
Lift up to the third floor, follow the signs. | 0:57:15 | 0:57:18 | |
LIFT: 'Stand clear of the doors.' | 0:57:18 | 0:57:20 | |
-Excuse me. -Hiya. -I'm looking for Mr Daniel Cotton. | 0:57:26 | 0:57:30 | |
He was admitted through A&E. | 0:57:30 | 0:57:32 | |
I still don't understand. He can't have been living with you. | 0:57:32 | 0:57:36 | |
He was living at home. With his family. | 0:57:36 | 0:57:39 | |
His other family. He was away a lot. He said it was with work. | 0:57:39 | 0:57:42 | |
You don't believe this, do you? He's making it up. | 0:57:42 | 0:57:44 | |
He's not making it up. | 0:57:44 | 0:57:45 | |
-Oh, well, I knew you'd have something to do with it. -Me? | 0:57:45 | 0:57:48 | |
It was me that was telling him to come clean! | 0:57:48 | 0:57:50 | |
What's going on? Is he going to be all right? | 0:57:50 | 0:57:55 | |
Ryan? What's happening. How is he? | 0:57:55 | 0:57:58 | |
Oh, God! | 0:57:58 | 0:57:59 | |
Who ARE you? | 0:58:01 | 0:58:02 | |
His wife. Who are you? | 0:58:02 | 0:58:04 | |
Daniel. Wake up! | 0:58:11 | 0:58:13 | |
I thought the nurse said he wasn't to have any sudden shocks. | 0:58:13 | 0:58:15 | |
Yeah, well, it's a bit bloody late for that, ain't it? | 0:58:15 | 0:58:18 | |
It's time to stop pretending. | 0:58:18 | 0:58:20 | |
Wake up! | 0:58:20 | 0:58:21 | |
MUSIC: "Stop Me If You Think You've Heard This One Before" by The Smiths | 0:58:21 | 0:58:24 | |
# Stop me, oh-oh-ho, stop me | 0:58:24 | 0:58:26 | |
# Stop me if you think that you've heard this one before | 0:58:26 | 0:58:29 | |
# Stop me, oh-oh-ho, stop me | 0:58:29 | 0:58:32 | |
# Stop me if you think that you've heard this one before | 0:58:33 | 0:58:38 | |
# Nothing's changed | 0:58:38 | 0:58:39 | |
# I still love you | 0:58:39 | 0:58:41 | |
# Oh, I still love you | 0:58:41 | 0:58:43 | |
# Only slightly Only slightly less | 0:58:43 | 0:58:47 | |
# Than I used to | 0:58:47 | 0:58:49 | |
# My love. # | 0:58:49 | 0:58:50 |