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DOOR OPENS AND CLOSES, FOOTSTEPS | 0:00:23 | 0:00:27 | |
SEAGULLS CRY | 0:02:02 | 0:02:03 | |
-Libby, don't touch, there's a good girl. -It's a jellyfish. | 0:02:10 | 0:02:14 | |
Yeah, but don't touch it. No, not with your foot either. | 0:02:14 | 0:02:19 | |
It's just waiting for the water to come in, | 0:02:21 | 0:02:23 | |
so it can swim back to sea. Don't hurt it. | 0:02:23 | 0:02:25 | |
Cassie? | 0:02:27 | 0:02:28 | |
John Paul. | 0:02:33 | 0:02:35 | |
I heard you'd gone to the States? | 0:02:38 | 0:02:40 | |
Well, yeah, I did. I'm back. | 0:02:43 | 0:02:45 | |
For good? | 0:02:47 | 0:02:48 | |
We'll see. | 0:02:50 | 0:02:52 | |
How old's she now? Four, five? | 0:02:53 | 0:02:56 | |
Six, last week. | 0:02:58 | 0:03:00 | |
She's shy. | 0:03:02 | 0:03:03 | |
You're a stranger. | 0:03:08 | 0:03:09 | |
Come on, Libs, we'd best be going, eh? | 0:03:13 | 0:03:15 | |
-I'll walk with you. You in the car park? -No, I'd rather you didn't. | 0:03:15 | 0:03:20 | |
Rather you didn't at all. | 0:03:20 | 0:03:22 | |
RAISED VOICES AND LAUGHTER | 0:03:29 | 0:03:32 | |
Hello there... | 0:03:35 | 0:03:37 | |
They do a nice cheesecake in here, I think. Passion fruit. | 0:03:41 | 0:03:44 | |
They're really starting to piss me off. | 0:03:44 | 0:03:47 | |
Sav, they're ballooned. | 0:03:51 | 0:03:53 | |
-Over here love, when you're ready. -Yeah, I'll be with you in a minute. | 0:03:53 | 0:03:56 | |
-Medium rib-eye? -That's me. | 0:03:56 | 0:03:59 | |
And pasta. | 0:03:59 | 0:04:01 | |
Thank you. | 0:04:01 | 0:04:02 | |
-Do you have any Parmesan? -Yeah, I'll bring it over for you. | 0:04:03 | 0:04:07 | |
DRUNKEN LAUGHTER CONTINUES | 0:04:07 | 0:04:09 | |
-Do you want the meat and I'll have the pasta? -Why? | 0:04:12 | 0:04:15 | |
Shift starts soon, you can have all the beef you want. | 0:04:15 | 0:04:18 | |
Just say when. | 0:04:18 | 0:04:20 | |
-Thank you. -Enjoy. | 0:04:21 | 0:04:22 | |
Exactly. Enjoy. | 0:04:22 | 0:04:24 | |
-Five bottles. Five shots. -Yeah, I'll be with you now. | 0:04:31 | 0:04:34 | |
Now, listen...Amy... | 0:04:35 | 0:04:38 | |
You might have a cracking little arse on you, | 0:04:43 | 0:04:46 | |
but when I talk to someone, I expect them to look at me. | 0:04:46 | 0:04:50 | |
So don't you EVER blank me again. | 0:04:54 | 0:04:59 | |
Sav... | 0:05:28 | 0:05:31 | |
John Paul... | 0:05:31 | 0:05:33 | |
Oi! Eat. | 0:05:33 | 0:05:36 | |
-Do you want to swap seats? -I'm eating. | 0:05:36 | 0:05:38 | |
Make sure you chew it. | 0:05:38 | 0:05:41 | |
28 times. | 0:05:41 | 0:05:43 | |
Very good. | 0:05:44 | 0:05:45 | |
Be back in a minute, Tom. | 0:05:51 | 0:05:53 | |
All right, Amy. Are you following me(?) | 0:06:04 | 0:06:08 | |
-This is the ladies'. -Yeah, I know. I like it in here. | 0:06:08 | 0:06:12 | |
Doesn't stink of piss. | 0:06:12 | 0:06:13 | |
-I'll come back. -No, no... | 0:06:13 | 0:06:16 | |
no need for that. You do what you've got to do. Don't mind me, go on. | 0:06:16 | 0:06:20 | |
-No, I'll wait. -No, no, don't wait. Or I'll feel bad. | 0:06:22 | 0:06:26 | |
Go on. | 0:06:27 | 0:06:29 | |
Are you all right in there, Amy? | 0:06:38 | 0:06:40 | |
D'you need a hand? | 0:06:45 | 0:06:46 | |
With your belt, or your buttons, or...? | 0:06:49 | 0:06:53 | |
I'm good with my fingers. | 0:06:53 | 0:06:55 | |
Come on, open the door. | 0:06:59 | 0:07:02 | |
Back in a minute. | 0:07:12 | 0:07:13 | |
AMY SOBS | 0:07:13 | 0:07:14 | |
What do you want? | 0:07:21 | 0:07:23 | |
-Should you be in here? -Should YOU? | 0:07:23 | 0:07:26 | |
-Police. -You're joking, aren't you? | 0:07:27 | 0:07:30 | |
-A copper in a birds' shithouse? -We get everywhere. | 0:07:31 | 0:07:34 | |
Yeah. I noticed. | 0:07:34 | 0:07:37 | |
I think it's time you and your crew paid up and left, don't you? | 0:07:37 | 0:07:40 | |
Why's that? | 0:07:40 | 0:07:43 | |
Do you want me to check out your pockets? | 0:07:43 | 0:07:45 | |
Is that what you want me to do? | 0:07:45 | 0:07:47 | |
You know, the next copper I see on his own... | 0:07:51 | 0:07:55 | |
..I'm going to hammer him! | 0:07:56 | 0:07:58 | |
Have a nice day, sir. | 0:08:04 | 0:08:05 | |
Miss, it's OK. I'm a police officer. | 0:08:12 | 0:08:15 | |
-Remember Cassie, Gaz? -Yeah, of course I remember Cassie. | 0:08:20 | 0:08:23 | |
She's back. Saw her this morning. | 0:08:23 | 0:08:26 | |
-Planned? -No. I was on the beach, running. | 0:08:27 | 0:08:31 | |
How did it go? | 0:08:31 | 0:08:33 | |
She said hello. It was awkward, but...you know. | 0:08:33 | 0:08:35 | |
-Polite. -Yeah. | 0:08:35 | 0:08:38 | |
-It's a big deal though, innit? Seeing her again. -Yeah, it was a bit. | 0:08:40 | 0:08:44 | |
She had the baby with her. A little girl. | 0:08:44 | 0:08:48 | |
Libby. Liberty. | 0:08:48 | 0:08:50 | |
How did that feel? | 0:08:52 | 0:08:54 | |
Don't know. Different. Weird. | 0:08:54 | 0:08:57 | |
She couldn't get away quick enough, Cassie. | 0:08:57 | 0:09:00 | |
-Did you ever tell your dad? -No. Couldn't. | 0:09:01 | 0:09:05 | |
-Guys. -Andy. | 0:09:09 | 0:09:12 | |
Got a screen full of e-mails from CPS, all barking orders. | 0:09:12 | 0:09:16 | |
Or requesting support. | 0:09:16 | 0:09:18 | |
-Hey, have you seen the new WPC? -Amanda. | 0:09:18 | 0:09:22 | |
Ah, is that her name? Yeah, she's all there, man. | 0:09:22 | 0:09:24 | |
-Good weekend, Gaz? -So-so. | 0:09:25 | 0:09:28 | |
Next door had a barbecue. | 0:09:28 | 0:09:30 | |
Oh, rock'n'roll. | 0:09:30 | 0:09:31 | |
Was it pissing down? | 0:09:31 | 0:09:33 | |
-Kids enjoy it, Gaz? -Yeah, they loved it. | 0:09:33 | 0:09:35 | |
Food, music, trampoline, vomit - what's not to enjoy? | 0:09:35 | 0:09:39 | |
See you in there, lads. | 0:09:39 | 0:09:40 | |
I think I'm in lust. With Amanda. | 0:09:43 | 0:09:45 | |
Thank you. | 0:10:18 | 0:10:19 | |
All right? I'm Andy. | 0:10:19 | 0:10:21 | |
-Amanda. -Oh... | 0:10:21 | 0:10:23 | |
Amanda's my mother's name. Only...we all call her Mum. | 0:10:23 | 0:10:26 | |
Don't. | 0:10:26 | 0:10:28 | |
-What? -Flirt, please. No offence. | 0:10:28 | 0:10:31 | |
Oh, yeah. None taken. | 0:10:31 | 0:10:33 | |
-Afternoon, boys and girls. -Afternoon, sarge. | 0:10:34 | 0:10:36 | |
Can we settle down and sit down, please? | 0:10:36 | 0:10:39 | |
The sooner we get started, the sooner we can get started. | 0:10:39 | 0:10:43 | |
-(Lesbian, are you?) -..We've got a lot to get through. | 0:10:43 | 0:10:46 | |
-I assuming you've got the DO736 forms...? -(Me too.) | 0:10:46 | 0:10:48 | |
A lesbo trapped inside this alpha-male body. | 0:10:48 | 0:10:54 | |
-Can I watch? -Police Constable Stockwell? -Yes, Sergeant? | 0:10:54 | 0:10:57 | |
Look at me, and keep looking at me. | 0:10:57 | 0:11:00 | |
-Sergeant. -Stockwell, Sav. | 0:11:00 | 0:11:03 | |
Call sign Alpha 21, city centre and to the south. | 0:11:03 | 0:11:07 | |
Check your list of outstanding carefully. It's on the long side, so prioritise. | 0:11:07 | 0:11:11 | |
-She knew I was joking, didn't she? -No idea, mate. | 0:11:13 | 0:11:15 | |
You'll have to mention I'm a very "PC" PC. | 0:11:15 | 0:11:19 | |
'Alpha 21, over.' | 0:11:19 | 0:11:21 | |
Alpha 21. That you, Debs? | 0:11:21 | 0:11:23 | |
Tell her we're not out of the car park yet! | 0:11:23 | 0:11:25 | |
'Domestic disturbance, Sav. No.35, Mariners' Quay.' | 0:11:25 | 0:11:28 | |
35 Mariners' Quay. Roger that. | 0:11:28 | 0:11:31 | |
Right. Ready to do some good? | 0:11:31 | 0:11:33 | |
Can't wait. | 0:11:33 | 0:11:34 | |
-What was the name again, Bays? -Bays. yeah. | 0:12:06 | 0:12:08 | |
Chocolate biscuit? | 0:12:12 | 0:12:14 | |
Mr Bays...? Mrs Bays, could you open the door, please? | 0:12:17 | 0:12:21 | |
Police. | 0:12:21 | 0:12:22 | |
I hate domestics. | 0:12:29 | 0:12:31 | |
-WOMAN: -Who is it? | 0:12:31 | 0:12:32 | |
It's the police. Could you open the door, please? | 0:12:32 | 0:12:35 | |
If you look outside your front window | 0:12:36 | 0:12:38 | |
you'll see a police car. That's what we arrived in. | 0:12:38 | 0:12:41 | |
Mrs Bays...? | 0:12:55 | 0:12:56 | |
Mrs Bays, neighbours reported shouting, screaming. | 0:13:02 | 0:13:05 | |
You've left your shopping outside. | 0:13:06 | 0:13:08 | |
Are you alone? | 0:13:10 | 0:13:11 | |
Upstairs. | 0:13:15 | 0:13:16 | |
Who? | 0:13:18 | 0:13:20 | |
David. | 0:13:22 | 0:13:23 | |
David? | 0:13:41 | 0:13:42 | |
Can you tell me what happened? | 0:13:47 | 0:13:49 | |
Nothing. | 0:13:50 | 0:13:52 | |
I didn't do anything. Nothing. | 0:13:52 | 0:13:55 | |
What happened to your nose, mate? | 0:13:58 | 0:14:00 | |
It started bleeding, like it always does. | 0:14:00 | 0:14:04 | |
-For no reason? -Yeah. | 0:14:04 | 0:14:06 | |
You're sure nothing happened? | 0:14:09 | 0:14:10 | |
Sav? | 0:14:13 | 0:14:15 | |
Baby's dead. | 0:14:28 | 0:14:29 | |
A tiny baby. | 0:14:29 | 0:14:31 | |
Oh, Christ, you are jokin'? | 0:14:31 | 0:14:34 | |
Foul play? | 0:14:34 | 0:14:36 | |
No, I don't know. It's tiny. | 0:14:36 | 0:14:39 | |
You're sure it's dead? | 0:14:39 | 0:14:42 | |
Right. I'll call it in. Paramedic, CID? | 0:14:42 | 0:14:45 | |
-Better had. -Shit! | 0:14:45 | 0:14:47 | |
Lima One, Lima One. This is Alpha 21. Receiving, over? | 0:14:52 | 0:14:56 | |
Yes, requesting CID and ambulance to 35 Mariners' Key. | 0:14:57 | 0:15:02 | |
Can you update me with the ETA... | 0:15:06 | 0:15:08 | |
Sarge, from Alpha 21. Did you get my last transmission | 0:15:11 | 0:15:13 | |
regarding the situation at 35 Mariners' Key? Over. | 0:15:13 | 0:15:16 | |
Your brother, right? | 0:15:16 | 0:15:17 | |
-What's his name? -Stan. Stanley. | 0:15:18 | 0:15:21 | |
David, I need you to pass Stanley over to me, | 0:15:23 | 0:15:27 | |
and I need you to go downstairs to your mum. | 0:15:27 | 0:15:29 | |
-Can you do that, please? -She's saying it's my fault. | 0:15:29 | 0:15:32 | |
-I didn't do anything. -OK. | 0:15:32 | 0:15:34 | |
I need to start sorting things out. | 0:15:35 | 0:15:38 | |
I'll take Stanley, please? | 0:15:38 | 0:15:40 | |
I'll hold him really carefully, just like you're doing. OK? | 0:15:42 | 0:15:46 | |
I'll be really gentle with him. | 0:15:47 | 0:15:50 | |
That's it. Good man. Good man... | 0:15:50 | 0:15:53 | |
Good lad, that's it. | 0:15:55 | 0:15:57 | |
The blood on the blanket - is that yours? | 0:16:00 | 0:16:02 | |
-Yeah. -What are you doing? | 0:16:02 | 0:16:04 | |
I think it's best if we wait downstairs. | 0:16:06 | 0:16:09 | |
I know who you're calling. | 0:16:09 | 0:16:11 | |
I don't need a paramedic to tell me what's happened. | 0:16:11 | 0:16:14 | |
-I know what's happened. -It wasn't my fault. | 0:16:14 | 0:16:16 | |
-I told you to stop saying that. -Well, it wasn't! | 0:16:16 | 0:16:19 | |
So you keep telling me again and again and again! | 0:16:19 | 0:16:21 | |
Mrs Bays, I think it's best if we go downstairs, OK? | 0:16:21 | 0:16:25 | |
I know what you're doing. | 0:16:25 | 0:16:27 | |
You'll be all right, mate. You'll be looked after, OK? Go with Andy. | 0:16:34 | 0:16:37 | |
I'm sorry, Mrs Bays, but I have to ask you these questions. All right? | 0:16:42 | 0:16:46 | |
-What time did you go out...? -PC Rocksavage? | 0:16:46 | 0:16:48 | |
-Yeah. -Night CID. | 0:16:48 | 0:16:51 | |
-You found the body, I believe? -The baby, yeah. | 0:16:51 | 0:16:55 | |
-How did it look, the scene? -The lad was just holding him, gently. | 0:16:56 | 0:17:00 | |
-Did he say anything? -Only that nothing had happened. | 0:17:00 | 0:17:03 | |
I wouldn't call it nothing, would you? | 0:17:03 | 0:17:05 | |
Is he all there? The kid? | 0:17:07 | 0:17:09 | |
-How do you mean? -Is he normal? Or not? | 0:17:09 | 0:17:13 | |
He's normal. | 0:17:13 | 0:17:15 | |
-Anything unusual seen or said? -The whole thing was unusual. | 0:17:16 | 0:17:20 | |
Are you going to write this up? | 0:17:22 | 0:17:24 | |
Yeah. | 0:17:24 | 0:17:26 | |
Gut feeling? | 0:17:26 | 0:17:27 | |
Heartbreak. Tragedy. | 0:17:29 | 0:17:32 | |
Fingers crossed. | 0:17:32 | 0:17:34 | |
Nice one. | 0:17:34 | 0:17:36 | |
Sir. | 0:17:37 | 0:17:38 | |
'Hello?' | 0:18:20 | 0:18:21 | |
Hello, Joanne? It's John Paul. Rocksavage. | 0:18:21 | 0:18:26 | |
Joanne? | 0:18:27 | 0:18:29 | |
'What do you want?' | 0:18:29 | 0:18:30 | |
I bumped into Cassie. | 0:18:30 | 0:18:32 | |
Is she staying with you? | 0:18:32 | 0:18:34 | |
'That's none of your business. | 0:18:34 | 0:18:36 | |
'My daughter and my grand-daughter are none of your business.' | 0:18:36 | 0:18:40 | |
I was hoping you'd pass on my number. | 0:18:42 | 0:18:44 | |
Will you tell her I called? | 0:18:44 | 0:18:46 | |
-'What do you think? Dickhead.' -HANGS UP | 0:18:46 | 0:18:48 | |
Thanks Jo, always a pleasure. | 0:18:48 | 0:18:51 | |
Right, we're done. We're free to go. | 0:18:54 | 0:18:57 | |
There you are. | 0:19:00 | 0:19:01 | |
-What's this? -Sugar boost. | 0:19:01 | 0:19:04 | |
-What? Don't you want it? -You are unbelievable. | 0:19:05 | 0:19:09 | |
It's a chocolate biscuit. | 0:19:09 | 0:19:10 | |
In the scheme of things I don't think it matters, do you? | 0:19:10 | 0:19:13 | |
-Did you tell the FLO to keep us in the loop? -Yeah. | 0:19:13 | 0:19:16 | |
-What, you think the kid did something? -Hope not. | 0:19:18 | 0:19:21 | |
Are you all right? | 0:19:24 | 0:19:25 | |
Yeah. I will be. | 0:19:25 | 0:19:28 | |
Do you want to open that for me? | 0:19:30 | 0:19:32 | |
Say please. | 0:19:32 | 0:19:34 | |
-Do you want me to feed you? -No, I'm all right. -You sure? | 0:19:35 | 0:19:38 | |
Two teas, Jed. Just the teas. | 0:19:49 | 0:19:51 | |
How are you? | 0:19:53 | 0:19:55 | |
Actually, no, I tell a lie, two bacon sarnies as well. | 0:19:56 | 0:19:59 | |
No butter on them. | 0:19:59 | 0:20:00 | |
Only me, Dad. | 0:20:00 | 0:20:02 | |
How are you, bud? | 0:20:02 | 0:20:04 | |
'Worn out with doing cartwheels.' | 0:20:04 | 0:20:06 | |
Has Justine left? | 0:20:08 | 0:20:09 | |
-Justine's still here, I'm running late. -'Oh, hiya.' | 0:20:09 | 0:20:13 | |
'How is he? How's he been?' | 0:20:13 | 0:20:15 | |
'Yeah, quite bright. He's eaten, he's comfortable and he's reading.' | 0:20:15 | 0:20:20 | |
-I'll leave you to him. -'Roger that.' | 0:20:20 | 0:20:23 | |
You all right. lad? | 0:20:24 | 0:20:25 | |
'Yeah, all right. What are you reading?' | 0:20:25 | 0:20:28 | |
'Stevenson.' | 0:20:28 | 0:20:29 | |
Treasure Island again? | 0:20:29 | 0:20:31 | |
It's the sea air, makes me feel good. | 0:20:31 | 0:20:34 | |
You been busy? | 0:20:34 | 0:20:36 | |
'Always busy.' | 0:20:36 | 0:20:37 | |
Just making time for a cup of tea. | 0:20:37 | 0:20:40 | |
-Anything good happened? -'Routine.' | 0:20:40 | 0:20:43 | |
Hopefully it'll be a quiet night. | 0:20:43 | 0:20:45 | |
Anyway, Dad, just a flying visit. I'll leave you to your book, shall I? | 0:20:45 | 0:20:48 | |
'You take care out there.' | 0:20:48 | 0:20:51 | |
Always. | 0:20:51 | 0:20:53 | |
'See you later, Pop.' | 0:20:53 | 0:20:55 | |
THUMPING MUSIC | 0:20:59 | 0:21:04 | |
Are you OK? | 0:21:04 | 0:21:06 | |
CAR RADIO: 'Alpha 21 over. | 0:21:08 | 0:21:10 | |
'Disturbance at number 17, Hadley Road.' | 0:21:10 | 0:21:13 | |
I want you. | 0:21:16 | 0:21:18 | |
Get in bed with me. | 0:21:22 | 0:21:24 | |
Ssh. | 0:21:25 | 0:21:27 | |
Have arrived at number 17, Hadley Road. | 0:21:44 | 0:21:47 | |
-RADIO: -'Received that, Sav.' | 0:21:49 | 0:21:51 | |
HE KNOCKS ON DOOR | 0:21:58 | 0:21:59 | |
HE KNOCKS LOUDER | 0:22:05 | 0:22:07 | |
MUSIC SUDDENLY STOPS | 0:22:08 | 0:22:10 | |
Aw, they want to play. | 0:22:14 | 0:22:15 | |
HE KNOCKS ON DOOR | 0:22:17 | 0:22:18 | |
Front or back? | 0:22:18 | 0:22:20 | |
Er...I'm happy where I am. | 0:22:20 | 0:22:21 | |
Come on, folks, open up. | 0:22:25 | 0:22:27 | |
Come on, open up. Police. | 0:22:30 | 0:22:32 | |
Hello? | 0:22:46 | 0:22:47 | |
Open up! | 0:22:50 | 0:22:51 | |
LATCH OPENS | 0:22:55 | 0:22:57 | |
HE KNOCKS ON DOOR | 0:23:07 | 0:23:09 | |
Hello? | 0:23:09 | 0:23:11 | |
HE KNOCKS LOUDER | 0:23:13 | 0:23:15 | |
Police. Hello. | 0:23:15 | 0:23:16 | |
Hello? | 0:23:22 | 0:23:23 | |
MAN LAUGHS | 0:23:23 | 0:23:26 | |
You all right there, mate? | 0:23:26 | 0:23:28 | |
Are you? | 0:23:31 | 0:23:33 | |
Er... | 0:23:35 | 0:23:37 | |
Do you want to drop that bat? | 0:23:37 | 0:23:39 | |
-DOOR SHUTS -Don't think so. | 0:23:41 | 0:23:45 | |
Get up! Get up! | 0:23:48 | 0:23:50 | |
LAUGHING | 0:23:50 | 0:23:53 | |
SHOUTING | 0:23:53 | 0:23:56 | |
Bang! | 0:23:56 | 0:23:58 | |
THEY LAUGH | 0:23:58 | 0:24:01 | |
-What you doing? Get off him, leave him alone. -Get out! Out! | 0:24:01 | 0:24:03 | |
You animals! Get off him! | 0:24:03 | 0:24:05 | |
Go, go, go, go. Get out! | 0:24:05 | 0:24:09 | |
Get up, pig! Start crawling or get up! | 0:24:10 | 0:24:15 | |
GLASS SMASHES | 0:24:15 | 0:24:17 | |
Sav. | 0:24:17 | 0:24:19 | |
Sav... | 0:24:20 | 0:24:21 | |
Come on, little piggy, little piggy. | 0:24:24 | 0:24:26 | |
You keep knocking, but you can't get in. | 0:24:26 | 0:24:28 | |
Andy! Andy! | 0:24:28 | 0:24:31 | |
-Andy! -Move, you pigs. | 0:24:34 | 0:24:37 | |
Go on! Go! | 0:24:40 | 0:24:43 | |
Go! | 0:24:44 | 0:24:46 | |
Andy! | 0:24:49 | 0:24:52 | |
Lima 1. This is Alpha 21. Ambulance needed to Hadley Road. | 0:25:14 | 0:25:17 | |
Officer attacked and hurt, need it quickly! | 0:25:17 | 0:25:19 | |
How's he doing? | 0:26:16 | 0:26:18 | |
Not good. | 0:26:18 | 0:26:19 | |
He's gone for a scan. Head, body. | 0:26:20 | 0:26:24 | |
They kicked the shit out of him. | 0:26:26 | 0:26:28 | |
Have we got a name? Whose house was it? | 0:26:34 | 0:26:37 | |
House was rented. | 0:26:37 | 0:26:38 | |
Where were you when it happened? | 0:26:38 | 0:26:40 | |
I mean, what did you see? | 0:26:42 | 0:26:44 | |
Are you up to going through it? | 0:26:46 | 0:26:49 | |
Who made the call? The 999? | 0:26:50 | 0:26:52 | |
It was a woman, a neighbour. | 0:26:52 | 0:26:54 | |
Genuine? | 0:26:54 | 0:26:55 | |
Why? | 0:26:55 | 0:26:57 | |
Andy went in through the front door | 0:27:00 | 0:27:02 | |
and they were waiting for him. | 0:27:02 | 0:27:04 | |
They locked him in and locked me out. | 0:27:05 | 0:27:08 | |
A set-up? | 0:27:08 | 0:27:09 | |
The call was genuine. We've got a name, address and phone number. | 0:27:09 | 0:27:13 | |
I asked him what he wanted, front or back. | 0:27:13 | 0:27:17 | |
Heads or tails, that's it. | 0:27:17 | 0:27:19 | |
His stuff's all over the house, the floor. | 0:27:23 | 0:27:27 | |
-His baton, his radio. -We'll get it back. | 0:27:29 | 0:27:33 | |
-I'll get it back. -No, we'll get it back. | 0:27:33 | 0:27:36 | |
You get yourself home. | 0:27:36 | 0:27:39 | |
Are you up to that? | 0:27:39 | 0:27:41 | |
-Yeah. -You don't want a ride? | 0:27:41 | 0:27:44 | |
He ripped his number off. | 0:27:46 | 0:27:47 | |
We'll talk properly tomorrow... | 0:27:48 | 0:27:51 | |
and you WILL talk. | 0:27:51 | 0:27:53 | |
Your cot-death was exactly that, by the way - a cot-death. | 0:27:59 | 0:28:02 | |
Post-mortem confirmed it. | 0:28:04 | 0:28:05 | |
Good. I suppose. | 0:28:08 | 0:28:10 | |
MAN AND WOMAN CHATTER | 0:28:11 | 0:28:15 | |
Hiya. | 0:28:21 | 0:28:22 | |
I was one of the first coppers, I came to your house. | 0:28:23 | 0:28:28 | |
Yeah. | 0:28:28 | 0:28:29 | |
Mind if I...? | 0:28:29 | 0:28:31 | |
I haven't said how sorry I am... for you and David. | 0:28:37 | 0:28:42 | |
Where is he? | 0:28:43 | 0:28:45 | |
Bathroom. | 0:28:45 | 0:28:46 | |
David? | 0:28:58 | 0:29:00 | |
Are you in there, David? | 0:29:03 | 0:29:06 | |
-David? -Yeah. | 0:29:07 | 0:29:10 | |
Planning on coming out soon? | 0:29:12 | 0:29:14 | |
Your mum's outside. | 0:29:16 | 0:29:17 | |
She's getting worried about you. | 0:29:19 | 0:29:21 | |
She's not me mum. She's someone who me dad shags. | 0:29:23 | 0:29:28 | |
Do you see your mum? | 0:29:31 | 0:29:33 | |
No. | 0:29:33 | 0:29:35 | |
OK, so she's not your mum, | 0:29:37 | 0:29:40 | |
but she is worried about you, | 0:29:40 | 0:29:43 | |
and she cares about you. | 0:29:43 | 0:29:45 | |
You've both been through a lot, | 0:29:47 | 0:29:49 | |
you're both going through a lot. | 0:29:49 | 0:29:52 | |
I might be wrong... | 0:29:52 | 0:29:53 | |
..but I think you need each other. | 0:29:54 | 0:29:56 | |
She is worried about you. | 0:30:00 | 0:30:02 | |
I heard you the first time. | 0:30:02 | 0:30:04 | |
Shall we go and see her, eh? | 0:30:07 | 0:30:09 | |
I was good at making him laugh. | 0:30:12 | 0:30:13 | |
Stan? | 0:30:16 | 0:30:18 | |
Yeah. | 0:30:19 | 0:30:21 | |
I didn't do nothing. | 0:30:24 | 0:30:26 | |
I know. | 0:30:26 | 0:30:28 | |
She really needs you, David. | 0:30:32 | 0:30:34 | |
Hey, Dad. Awake, are you? | 0:31:02 | 0:31:05 | |
You're early. | 0:31:05 | 0:31:07 | |
Yeah. | 0:31:07 | 0:31:08 | |
Andy took a bit of a pounding, he's in a pretty bad way. | 0:31:10 | 0:31:14 | |
Hospital. | 0:31:14 | 0:31:15 | |
I'm fine. | 0:31:15 | 0:31:17 | |
-Are you sure? -Yeah. | 0:31:17 | 0:31:20 | |
The good guys came second, but I'm fine. | 0:31:20 | 0:31:22 | |
Want me to read a bit? | 0:31:28 | 0:31:30 | |
Ah, later. | 0:31:31 | 0:31:33 | |
-Tea? Toast? -Later, thanks. | 0:31:33 | 0:31:36 | |
You know, the trouble with you being a copper is | 0:31:37 | 0:31:40 | |
you get to see too much shite. | 0:31:40 | 0:31:42 | |
I know. | 0:31:42 | 0:31:44 | |
Life's good. People are good. | 0:31:46 | 0:31:49 | |
It was a bad day, that's all, Dad. | 0:31:51 | 0:31:54 | |
Well, more than a bad day. Bad day doesn't quite cover it. | 0:31:54 | 0:31:57 | |
THUNDER RUMBLES | 0:34:08 | 0:34:11 | |
HEAVY RAIN | 0:34:22 | 0:34:26 | |
FLOORBOARDS CREAK | 0:34:36 | 0:34:38 | |
NOISE OUTSIDE | 0:35:12 | 0:35:14 | |
FOOTSTEPS ON STAIRS | 0:35:27 | 0:35:31 | |
FOOTSTEPS GET LOUDER | 0:35:34 | 0:35:37 | |
FOOTSTEPS SLOW | 0:35:45 | 0:35:48 | |
What do you want? | 0:36:00 | 0:36:03 | |
I think you're nicked. Don't you? | 0:36:03 | 0:36:05 | |
No. | 0:36:06 | 0:36:08 | |
On the floor. | 0:36:15 | 0:36:16 | |
I'll tell you what's going to happen here. | 0:36:20 | 0:36:23 | |
Either you're going to grow a pair of balls and shoot me... | 0:36:23 | 0:36:26 | |
..which you won't... | 0:36:30 | 0:36:31 | |
..or I'm going to take that gun, | 0:36:32 | 0:36:34 | |
shove it up your arse and pull the trigger. | 0:36:34 | 0:36:37 | |
Cos I can't let you go. | 0:36:38 | 0:36:41 | |
I don't want to let you go. | 0:36:42 | 0:36:44 | |
What's it to be, kid? | 0:36:46 | 0:36:48 | |
Cos I am not in the fucking mood for this. | 0:36:49 | 0:36:51 | |
COCKS GUN | 0:36:51 | 0:36:52 | |
-You haven't got the balls! -On the floor, now. -No. | 0:36:52 | 0:36:56 | |
I'm not sure if I've fucked up, mate. | 0:38:17 | 0:38:19 | |
I'm not sorry. | 0:38:25 | 0:38:27 | |
I'm not sorry he's gone. | 0:38:29 | 0:38:31 | |
The opposite. | 0:38:33 | 0:38:35 | |
It's all sorted. | 0:38:37 | 0:38:39 | |
He won't be mouthin' off about kickin' a copper. | 0:38:43 | 0:38:46 | |
-Sorry? Sorry, I thought you said something. -No. | 0:38:46 | 0:38:50 | |
Just talking to Andy. | 0:38:50 | 0:38:52 | |
Can he hear me, do you think? | 0:38:53 | 0:38:55 | |
You know, I've no idea. | 0:38:55 | 0:38:57 | |
They say familiar voices and sounds can help. | 0:38:57 | 0:38:59 | |
There's certainly no harm in it, everyone does it. | 0:38:59 | 0:39:04 | |
No-one can tell me he didn't deserve it. | 0:39:10 | 0:39:13 | |
He deserved it. | 0:39:25 | 0:39:26 | |
He deserved it, didn't he? | 0:39:31 | 0:39:32 | |
-Constable Rocksavage? -Yeah. DC Frainey? | 0:41:01 | 0:41:04 | |
Liam. | 0:41:04 | 0:41:06 | |
Sav. | 0:41:06 | 0:41:07 | |
What time does your shift start? | 0:41:07 | 0:41:09 | |
Two. If they'll have me. | 0:41:09 | 0:41:10 | |
-Head wrecked? -Hope not. | 0:41:10 | 0:41:12 | |
Jump in. | 0:41:12 | 0:41:14 | |
Any idea why he might have been shot? | 0:41:19 | 0:41:22 | |
-Execution or...? -Not sure, not yet. | 0:41:22 | 0:41:25 | |
One round was fired and it did the job. | 0:41:27 | 0:41:30 | |
If it's a gang shooting, | 0:41:30 | 0:41:31 | |
they usually go mad, you know, make sure. | 0:41:31 | 0:41:34 | |
The poor SOCO shit himself. | 0:41:35 | 0:41:38 | |
Turns up to take a few prints | 0:41:38 | 0:41:40 | |
and ends up tripping over a body. | 0:41:40 | 0:41:42 | |
Should really have been a bobby on the door all night. | 0:41:43 | 0:41:46 | |
No-one available. | 0:41:46 | 0:41:48 | |
Have we got an ID on the body? | 0:41:50 | 0:41:52 | |
His name's Noel Finch. | 0:41:52 | 0:41:54 | |
Have you heard of him? | 0:41:54 | 0:41:56 | |
No, can't say I have. | 0:41:57 | 0:41:58 | |
Meat-head, apparently. | 0:41:58 | 0:42:00 | |
He runs the doors for a company called Palomino Security. | 0:42:02 | 0:42:06 | |
I've heard of them. | 0:42:07 | 0:42:08 | |
How's your mate? | 0:42:12 | 0:42:14 | |
Not good. | 0:42:15 | 0:42:17 | |
Critical care. Sedated. | 0:42:17 | 0:42:20 | |
Bastards. | 0:42:20 | 0:42:21 | |
Who's in charge of the investigation? | 0:42:27 | 0:42:29 | |
DCI Costello. | 0:42:29 | 0:42:32 | |
He's good, but he knows it. | 0:42:32 | 0:42:35 | |
It's good for me, though. | 0:42:35 | 0:42:37 | |
At least I'm working with someone who knows what they're doing. | 0:42:37 | 0:42:40 | |
The body's upstairs in the bedroom. | 0:42:46 | 0:42:48 | |
Stairs are to the right as we go in. | 0:42:48 | 0:42:51 | |
Keep to the covered areas, yeah? | 0:42:51 | 0:42:53 | |
You're sure you're all right to view the body? | 0:42:54 | 0:42:56 | |
-We could use a photograph, if you want? -No, I'm fine. | 0:42:56 | 0:42:59 | |
Seen him before? | 0:43:52 | 0:43:54 | |
Yeah. | 0:43:56 | 0:43:57 | |
Are you OK? | 0:43:59 | 0:44:00 | |
Yeah. | 0:44:01 | 0:44:03 | |
I've seen him twice. | 0:44:03 | 0:44:05 | |
Once in a restaurant yesterday afternoon and once here last night. | 0:44:05 | 0:44:09 | |
-What restaurant was that? -The All American Diner. | 0:44:10 | 0:44:13 | |
Yesterday lunchtime. | 0:44:13 | 0:44:14 | |
Him and his mates were blitzed and making a nuisance of themselves. | 0:44:16 | 0:44:19 | |
You spoke to them? | 0:44:19 | 0:44:20 | |
I asked them to leave, which they did. I'll write it up. | 0:44:20 | 0:44:24 | |
So, er, whereabout in the house are we going to find your prints? | 0:44:24 | 0:44:28 | |
Outside, front and back. | 0:44:29 | 0:44:31 | |
Inside, the kitchen, hallway and lounge. | 0:44:31 | 0:44:35 | |
You didn't come up here at all, no? | 0:44:37 | 0:44:39 | |
No. | 0:44:39 | 0:44:41 | |
Oh, actually. I was waiting for the ambulance, | 0:44:42 | 0:44:45 | |
I thought was going to be sick. | 0:44:45 | 0:44:47 | |
I wasn't, but I came up looking for the bathroom. | 0:44:47 | 0:44:50 | |
OK. Thanks. | 0:44:55 | 0:44:57 | |
Does the footprint belong to the killer? | 0:44:58 | 0:45:00 | |
Well, to someone who was here after the shot was fired. | 0:45:02 | 0:45:04 | |
Any idea who? | 0:45:04 | 0:45:06 | |
Yeah. | 0:45:08 | 0:45:09 | |
OK, that's it, you can go. | 0:45:12 | 0:45:15 | |
Have you got your bobby quota, for door-to-door? | 0:45:16 | 0:45:18 | |
If you're thinking of volunteering, that's not a good idea. | 0:45:20 | 0:45:23 | |
That might cause me a problem in court. | 0:45:23 | 0:45:26 | |
-Why's that? -I don't know, but a barrister might. | 0:45:26 | 0:45:29 | |
Thank you. | 0:45:29 | 0:45:31 | |
Get back here as soon as you can. | 0:45:35 | 0:45:37 | |
Your Sarge mentioned an epaulette... | 0:45:46 | 0:45:49 | |
..your mate's number. | 0:45:50 | 0:45:52 | |
Yeah. Why, have you found it? | 0:45:52 | 0:45:55 | |
Not that I'm aware... | 0:45:55 | 0:45:57 | |
..but if we do, I'll get it back to you. | 0:45:58 | 0:46:01 | |
Nice one. | 0:46:01 | 0:46:03 | |
Kyle Smart. | 0:46:32 | 0:46:34 | |
Smart by name, thick by nature. | 0:46:34 | 0:46:37 | |
Was released from prison just nine days ago | 0:46:37 | 0:46:39 | |
and already we've got a spike in thefts from vehicles. | 0:46:39 | 0:46:41 | |
Alpha 21, he likes working your area, keep an eye out. | 0:46:41 | 0:46:46 | |
If you see him, | 0:46:46 | 0:46:47 | |
even if he's walking the dog, stop him, warn him. | 0:46:47 | 0:46:51 | |
Next is a missing persons. David Fenner, 13 years of age, | 0:46:51 | 0:46:56 | |
walked out of his home early hours of this morning, | 0:46:56 | 0:46:58 | |
not been seen, not made any contact since. | 0:46:58 | 0:47:01 | |
-Mariners Quay David Fenner, brother of the cot death? -That's him. | 0:47:01 | 0:47:04 | |
So he's going to be distressed, to say the least. | 0:47:04 | 0:47:08 | |
INDISTINCT MESSAGES ON CAR RADIO | 0:47:10 | 0:47:14 | |
-What about his father? -David doesn't know where he is. | 0:47:40 | 0:47:43 | |
I don't know where he is. | 0:47:43 | 0:47:45 | |
-Can I look in his room? -If you want. | 0:47:47 | 0:47:50 | |
Well, was it useful? What were you hoping to find? | 0:48:12 | 0:48:16 | |
I've no idea. | 0:48:16 | 0:48:17 | |
I only asked. | 0:48:18 | 0:48:20 | |
No, you didn't only ask. You questioned. | 0:48:20 | 0:48:23 | |
And take the chip off your shoulder. | 0:48:23 | 0:48:25 | |
I haven't got a chip on my shoulder. | 0:48:25 | 0:48:27 | |
You've got your nose in the air. | 0:48:27 | 0:48:28 | |
Andy tried to talk to you and you shot him down. | 0:48:28 | 0:48:31 | |
I've no idea what I was looking for. I was just hoping to find something. | 0:48:34 | 0:48:38 | |
He's going on a train, going somewhere, anywhere but home. | 0:48:41 | 0:48:47 | |
CAR ALARM BLARES | 0:48:50 | 0:48:54 | |
BMW X5, registration Yankee Papa Zero Five, Hotel Zulu Zulu. Over. | 0:49:05 | 0:49:12 | |
Anything? | 0:49:14 | 0:49:15 | |
CD, Sat nav's still there. | 0:49:18 | 0:49:20 | |
Not a very successful robbery. | 0:49:21 | 0:49:24 | |
He saw us, we disturbed him. | 0:49:25 | 0:49:28 | |
Check under the car. | 0:49:30 | 0:49:31 | |
Take a look under the car. | 0:49:33 | 0:49:34 | |
See anything? | 0:49:39 | 0:49:40 | |
White male, aged 17 to 21. | 0:49:42 | 0:49:45 | |
Amanda, meet Kyle Smart. Kyle, this is Amanda. | 0:49:45 | 0:49:49 | |
All right. | 0:49:51 | 0:49:52 | |
You know what, Kyle. There's 101 better things I could be doing. | 0:49:55 | 0:49:58 | |
-There's a 101 better things YOU could be doing. -Then let me go. | 0:49:58 | 0:50:01 | |
But what we all have to do is waste our time | 0:50:01 | 0:50:04 | |
taking you backwards and forwards to the cell. | 0:50:04 | 0:50:06 | |
I don't know why you don't just stop. | 0:50:08 | 0:50:10 | |
It's not as if you're any good at it. | 0:50:10 | 0:50:12 | |
If I'm wasting your time, let me go. I'm just trying to make a living. | 0:50:12 | 0:50:15 | |
Then get a job. | 0:50:15 | 0:50:17 | |
It's people like me who are keeping you in a job. | 0:50:17 | 0:50:20 | |
Where's Andy? | 0:50:20 | 0:50:22 | |
Hospital. He took a beating. | 0:50:23 | 0:50:27 | |
-Bad? -Yeah. | 0:50:27 | 0:50:29 | |
I'm sorry to hear that. | 0:50:29 | 0:50:31 | |
Is the new girl fast-track, Sav? | 0:50:31 | 0:50:34 | |
She's clever, if that's what you mean. | 0:50:34 | 0:50:37 | |
-Ambitious. Determined. -Nice tits. | 0:50:38 | 0:50:42 | |
-Hey, we'll have none of that, thank you. -It was a compliment. | 0:50:42 | 0:50:45 | |
-Am I your first, Amanda? Arrest. -No. | 0:50:45 | 0:50:49 | |
If I swear on me Ma's life to change, will you go out with me? | 0:50:49 | 0:50:53 | |
-No. -Why not? Crime prevention. | 0:50:53 | 0:50:56 | |
One for you, when you're ready, John. | 0:51:06 | 0:51:09 | |
-Liam. -Sav. | 0:51:18 | 0:51:19 | |
Do you like what you see, then? | 0:51:35 | 0:51:37 | |
Have you got a problem? | 0:51:40 | 0:51:41 | |
Mr Rose, shut your mouth. | 0:51:41 | 0:51:44 | |
What, so I can't I speak? | 0:51:44 | 0:51:46 | |
Or is that against the law as well? | 0:51:50 | 0:51:52 | |
-As well as what? Kickin' the shit out of a copper? -Sav, don't. | 0:51:52 | 0:51:57 | |
What copper was that? | 0:51:58 | 0:52:00 | |
Did I enjoy it? | 0:52:02 | 0:52:04 | |
Watch yourself, shit-for-brains. | 0:52:04 | 0:52:05 | |
Whoa. | 0:52:05 | 0:52:07 | |
Slander and a threat. | 0:52:07 | 0:52:11 | |
-This might be my lucky night. -Mr Rose. | 0:52:11 | 0:52:14 | |
He started it. | 0:52:20 | 0:52:22 | |
'Alpha 21, report location. | 0:52:24 | 0:52:27 | |
'Need to see you, Sav. | 0:52:30 | 0:52:32 | |
'Sav?' | 0:52:34 | 0:52:36 | |
WOMAN WEEPS | 0:52:40 | 0:52:44 | |
"He lay as we had left him, on his back, | 0:54:08 | 0:54:10 | |
"with his eyes open and one arm stretched out. | 0:54:10 | 0:54:13 | |
"'Draw down the blind, Jim,' whispered my mother, | 0:54:13 | 0:54:17 | |
"they might come and watch outside. | 0:54:17 | 0:54:19 | |
"'And now,' said she, when I had done so, | 0:54:21 | 0:54:23 | |
"'We have to get the key off that | 0:54:23 | 0:54:26 | |
"'and who's to touch it, I should like to know!' | 0:54:26 | 0:54:28 | |
"And she gave a kind of sob as she said the words. | 0:54:28 | 0:54:32 | |
"I went down on my knees at once. | 0:54:32 | 0:54:34 | |
"On the floor, close to his hand, | 0:54:34 | 0:54:37 | |
"there was a little round of paper, | 0:54:37 | 0:54:38 | |
"blackened on the one side. | 0:54:38 | 0:54:41 | |
"I could not doubt that this was the Black Spot." | 0:54:41 | 0:54:45 | |
The curse. | 0:54:45 | 0:54:47 | |
Have you had enough? | 0:54:53 | 0:54:56 | |
Enough for tonight. | 0:54:56 | 0:54:58 | |
Are you OK? | 0:55:18 | 0:55:20 | |
HE SOBS | 0:55:25 | 0:55:27 | |
MUSIC: "Pump it up" by Elvis Costello | 0:57:50 | 0:57:54 | |
-I want my life back. -Do you? | 0:57:54 | 0:57:56 | |
# I've been on tenterhooks Ending in dirty looks... # | 0:57:59 | 0:58:02 | |
He's admitted to finding Finch, dead. | 0:58:02 | 0:58:04 | |
He found him dead when? | 0:58:04 | 0:58:06 | |
Minutes after he was shot. | 0:58:06 | 0:58:08 | |
# ..I don't want to chitter-chat | 0:58:08 | 0:58:09 | |
# Turn it down a little bit or turn it down flat | 0:58:09 | 0:58:13 | |
# Pump it up | 0:58:13 | 0:58:14 | |
# When you don't really need it | 0:58:14 | 0:58:16 | |
# Pump it up | 0:58:16 | 0:58:18 | |
# Until you can feel it | 0:58:18 | 0:58:20 | |
# Down in the pleasure centre Hell-bent or heaven-sent | 0:58:27 | 0:58:30 | |
# Listen to the propaganda Listen to the latest slander | 0:58:30 | 0:58:33 | |
# There's nothing underhand That she wouldn't understand | 0:58:33 | 0:58:36 | |
# Pump it up | 0:58:36 | 0:58:38 | |
# Until you can feel it | 0:58:38 | 0:58:40 | |
# Pump it up | 0:58:40 | 0:58:42 | |
# When you don't really need it. # | 0:58:42 | 0:58:45 | |
Subtitles by Red Bee Media Ltd | 0:59:03 | 0:59:05 |