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-Cassie? -John Paul. | 0:00:02 | 0:00:04 | |
I think it's time you and your crew paid up and left, don't you? | 0:00:04 | 0:00:06 | |
You know the next copper I see on his own, | 0:00:06 | 0:00:09 | |
I'm going to 'ammer him. | 0:00:09 | 0:00:11 | |
-ANDY! -Where were you when it happened? | 0:00:14 | 0:00:16 | |
Andy! Andy! | 0:00:16 | 0:00:18 | |
They kicked the shit out of him. | 0:00:18 | 0:00:20 | |
Your sarge mentioned your mate's number. | 0:00:20 | 0:00:23 | |
No-one can tell me he didn't deserve it. | 0:00:25 | 0:00:27 | |
Does the footprint belong to the killer? | 0:00:27 | 0:00:29 | |
-Well, to someone who was here after the shot was fired. -Any idea who? | 0:00:29 | 0:00:32 | |
Yeah. | 0:00:32 | 0:00:34 | |
You OK? | 0:00:39 | 0:00:41 | |
He started it. | 0:00:43 | 0:00:44 | |
# What you think is wrong Keep your safety on | 0:00:56 | 0:00:59 | |
# You think it's safety first Until you're in a hearse | 0:00:59 | 0:01:02 | |
# And you're safely gone and you drive reverse | 0:01:02 | 0:01:05 | |
# And now you've gone to next and it's gone complex | 0:01:05 | 0:01:08 | |
# Now you're safely gone and I'm moving on | 0:01:08 | 0:01:11 | |
# Now you're safely gone and I'm moving on. # | 0:01:14 | 0:01:17 | |
So who's doing the talking? | 0:01:20 | 0:01:21 | |
I am. I like meeting people. | 0:01:22 | 0:01:25 | |
Have you done it before? Have you had any training? | 0:01:27 | 0:01:30 | |
No. | 0:01:30 | 0:01:32 | |
So what are you going to say? | 0:01:32 | 0:01:34 | |
I don't know. I'm just going to talk. | 0:01:34 | 0:01:36 | |
Afternoon. | 0:01:58 | 0:01:59 | |
I'm, erm... | 0:02:01 | 0:02:02 | |
I'm not much good with heights. I won't be coming any closer. | 0:02:05 | 0:02:09 | |
Do you know what today is? | 0:02:11 | 0:02:13 | |
My birthday. | 0:02:15 | 0:02:16 | |
Guess how old? | 0:02:16 | 0:02:17 | |
How's about us calling someone, eh? | 0:02:23 | 0:02:26 | |
Or you can do it yourself, | 0:02:26 | 0:02:28 | |
borrow my phone. | 0:02:28 | 0:02:30 | |
Is there someone you'd like to talk to? | 0:02:35 | 0:02:37 | |
-Someone you want to shout at? -Stop! Stop there. | 0:02:39 | 0:02:42 | |
Don't come near me. | 0:02:43 | 0:02:45 | |
OK, I've stopped. I've stopped. | 0:02:45 | 0:02:47 | |
I'll do exactly what you want, | 0:02:52 | 0:02:54 | |
believe me. | 0:02:54 | 0:02:56 | |
I'm just trying to help, that's all. | 0:02:56 | 0:02:59 | |
We both are. | 0:02:59 | 0:03:00 | |
This is Amanda. | 0:03:09 | 0:03:11 | |
-No! -Don't. NO! | 0:03:12 | 0:03:14 | |
Bastard! | 0:03:26 | 0:03:29 | |
Sav? Sav! | 0:03:32 | 0:03:35 | |
Sarge? | 0:03:40 | 0:03:42 | |
Amanda's got a question for you. | 0:03:42 | 0:03:44 | |
Is there a procedure for suicides? | 0:03:46 | 0:03:49 | |
Or guidelines for what to say, what not to say. | 0:03:49 | 0:03:52 | |
-You think I messed up? -No. | 0:03:52 | 0:03:54 | |
-Sounds like. -I'm asking a question. | 0:03:54 | 0:03:56 | |
Really? | 0:03:56 | 0:03:57 | |
Can I go now? | 0:03:59 | 0:04:01 | |
I'm asking a question. Aren't I allowed to do that? | 0:04:01 | 0:04:04 | |
Amanda, we are the very last bastion of common sense. | 0:04:04 | 0:04:09 | |
Write a procedure - all people do is hit you with it. | 0:04:09 | 0:04:12 | |
Did he do anything wrong? | 0:04:15 | 0:04:17 | |
No, of course not. I never said he did. | 0:04:17 | 0:04:19 | |
It's just... so much is expected of us. | 0:04:19 | 0:04:22 | |
Correct. | 0:04:22 | 0:04:23 | |
She had sweets in her pocket. | 0:04:23 | 0:04:26 | |
I kept thinking who were they for? | 0:04:26 | 0:04:28 | |
You know, I wanted to save her, | 0:04:31 | 0:04:33 | |
and I thought we could save her. | 0:04:33 | 0:04:35 | |
There's nothing I can say except you did your best. | 0:04:36 | 0:04:40 | |
I'd like to give you a hug, | 0:04:42 | 0:04:44 | |
but there actually is a procedure that tells me not to. | 0:04:44 | 0:04:48 | |
Thank you. | 0:04:50 | 0:04:52 | |
I was just asking a question, I wasn't getting at you. | 0:05:07 | 0:05:11 | |
Fine. | 0:05:11 | 0:05:13 | |
You know, it just got to me, that's all. | 0:05:13 | 0:05:17 | |
It's fine. | 0:05:17 | 0:05:19 | |
PHONE RINGS | 0:05:19 | 0:05:20 | |
PC Rocksavage. | 0:05:24 | 0:05:26 | |
-'Is that PC Rocksavage, is it?' -Yeah. | 0:05:26 | 0:05:30 | |
'I'm about to spoil your day, PC Rocksavage. | 0:05:30 | 0:05:33 | |
'Did you think you'd get away with it? | 0:05:33 | 0:05:36 | |
'I'll be in touch, you murdering bastard.' | 0:05:36 | 0:05:40 | |
Can I help you, Sav? | 0:06:22 | 0:06:24 | |
Liam. Yeah, just seeing how's it going? Any news? | 0:06:26 | 0:06:30 | |
Nothing new. | 0:06:31 | 0:06:32 | |
We're not...at a dead end, we're just developing what we've got. | 0:06:32 | 0:06:37 | |
What about Callum Rose? | 0:06:37 | 0:06:39 | |
Police bail. | 0:06:39 | 0:06:40 | |
No charge? | 0:06:40 | 0:06:41 | |
Oh, there will be. | 0:06:41 | 0:06:43 | |
He was there at the restaurant and at the house, | 0:06:46 | 0:06:50 | |
kicking the shit out of Andy. | 0:06:50 | 0:06:52 | |
If that's what you saw, Sav, put it in writing. | 0:06:52 | 0:06:54 | |
You're the witness. | 0:06:54 | 0:06:55 | |
Costello may not like a revised statement, | 0:06:59 | 0:07:02 | |
but if that's who you saw... | 0:07:02 | 0:07:03 | |
He's admitted to finding Finch dead. | 0:07:05 | 0:07:08 | |
-You're joking? -Oh, no. | 0:07:10 | 0:07:12 | |
Well, he had blood on his shoes and the footwell of his car. | 0:07:12 | 0:07:15 | |
He had to admit to something. | 0:07:15 | 0:07:17 | |
He found him dead when? | 0:07:19 | 0:07:21 | |
Must have been minutes after he was shot. | 0:07:21 | 0:07:24 | |
He was waiting for him at the end of the road. | 0:07:24 | 0:07:27 | |
He dropped him off and...was waiting. | 0:07:27 | 0:07:29 | |
-In a car? -White Beemer. | 0:07:29 | 0:07:31 | |
Did he see anyone? He must have. | 0:07:36 | 0:07:39 | |
Unless he's lying. | 0:07:39 | 0:07:40 | |
He went, "No comment." | 0:07:40 | 0:07:43 | |
Unless he did it, shot Finch. | 0:07:47 | 0:07:50 | |
It's possible, | 0:07:51 | 0:07:53 | |
but, nah, we don't think so. | 0:07:53 | 0:07:55 | |
There's more to come. He knows more than he's saying. | 0:07:57 | 0:08:00 | |
He's just...working out what's best for him. | 0:08:00 | 0:08:05 | |
See you, Sav. | 0:08:09 | 0:08:11 | |
HE RETCHES | 0:08:45 | 0:08:47 | |
Everything all right, Sav? | 0:08:47 | 0:08:49 | |
You don't look too good, mate. | 0:08:51 | 0:08:53 | |
Just needed to get out for some fresh air. | 0:08:53 | 0:08:55 | |
Yeah, me too. | 0:08:55 | 0:08:57 | |
Down to seven a day now. | 0:08:57 | 0:08:59 | |
Very good. | 0:08:59 | 0:09:00 | |
When's Andy's funeral, Sav, do we know yet? | 0:09:02 | 0:09:04 | |
No. Depends when they release him. | 0:09:04 | 0:09:07 | |
-Spoken to his family? -I've left a message, | 0:09:07 | 0:09:10 | |
sent a card. | 0:09:10 | 0:09:12 | |
Coping OK yourself? | 0:09:13 | 0:09:15 | |
Yeah, just getting on with it. | 0:09:15 | 0:09:17 | |
Well, if you want to talk, I'm around, yeah? | 0:09:18 | 0:09:22 | |
Cheers, Gaz. | 0:09:22 | 0:09:24 | |
'Good work-out?' | 0:10:29 | 0:10:31 | |
Yeah. Enjoyed it. | 0:10:31 | 0:10:33 | |
I should be doing this. | 0:10:35 | 0:10:37 | |
You're tired. Tonight, you don't have to. | 0:10:37 | 0:10:40 | |
I'm worried about you. | 0:10:45 | 0:10:47 | |
There's nothing to be worried about. | 0:10:47 | 0:10:49 | |
Murder and a suicide, no? | 0:10:49 | 0:10:51 | |
I'm on a roll. I think that's you done. | 0:10:53 | 0:10:56 | |
I'd kiss ya. | 0:10:56 | 0:10:57 | |
You know, anybody who takes their own life, in my book, is a coward. | 0:11:02 | 0:11:08 | |
All they're doing is passing on the pain, | 0:11:08 | 0:11:11 | |
a little bit to you, a little bit to the family. | 0:11:11 | 0:11:15 | |
Family don't know yet. We haven't got a name. | 0:11:15 | 0:11:18 | |
What we reading? | 0:11:18 | 0:11:20 | |
Don't you dare go feeling guilty is what I'm saying. | 0:11:20 | 0:11:23 | |
I won't. I don't. | 0:11:23 | 0:11:25 | |
You should spend five minutes in a church, I mean it. For the quiet. | 0:11:28 | 0:11:33 | |
It's no good looking after your body and forgetting about your soul. | 0:11:34 | 0:11:37 | |
Me soul's fine. | 0:11:37 | 0:11:39 | |
You should look after your whole self. | 0:11:39 | 0:11:40 | |
-I do look after me whole self. -Bollocks! | 0:11:40 | 0:11:44 | |
Them included. Dad, I'm fine. | 0:11:44 | 0:11:46 | |
Maybe she's a secret agent, | 0:11:51 | 0:11:53 | |
your suicide. | 0:11:53 | 0:11:55 | |
Could be. | 0:11:55 | 0:11:57 | |
-You think? -Hmm. | 0:11:57 | 0:11:59 | |
A double agent maybe. The pressure got to her. | 0:11:59 | 0:12:02 | |
I take it we're reading Bond. | 0:12:03 | 0:12:06 | |
Casino Royale. | 0:12:06 | 0:12:08 | |
Exshellent. | 0:12:10 | 0:12:11 | |
-Gaz, you know I mentioned Cassie was back? -Yeah. | 0:12:59 | 0:13:02 | |
What do I do? | 0:13:02 | 0:13:03 | |
Depends what you want. | 0:13:03 | 0:13:05 | |
A conversation. | 0:13:06 | 0:13:08 | |
Leading to what? | 0:13:08 | 0:13:10 | |
-I don't know. -Then you should think about it. | 0:13:15 | 0:13:19 | |
It's a big deal. | 0:13:19 | 0:13:20 | |
It's not just you and Cassie, is it? It's the little girl. | 0:13:22 | 0:13:25 | |
And she don't know you from Adam. She's never laid eyes on you. | 0:13:25 | 0:13:28 | |
-I want to put things right. -Meaning what? | 0:13:28 | 0:13:30 | |
Thanks, mate, you've been a great help. | 0:13:30 | 0:13:33 | |
No, no. Do you want this little girl in your life, Sav? | 0:13:33 | 0:13:36 | |
Forever? Do you want that? I mean, can you do that? | 0:13:36 | 0:13:39 | |
Emotionally, financially, logistically? | 0:13:39 | 0:13:43 | |
Is that what you really want? | 0:13:43 | 0:13:44 | |
Or were you thinking more along the lines of a quick shag with her mum? | 0:13:44 | 0:13:48 | |
What do you want, Sav? What can you give? | 0:13:48 | 0:13:50 | |
That's all I'm saying. | 0:13:50 | 0:13:52 | |
You're welcome. | 0:13:54 | 0:13:56 | |
Question - are you OK with Amanda? | 0:14:07 | 0:14:10 | |
Yeah. I think so. Is she OK with me? | 0:14:10 | 0:14:13 | |
She's probationary. She doesn't have a say in the matter. | 0:14:13 | 0:14:17 | |
Are you OK with her being in the passenger seat? | 0:14:17 | 0:14:19 | |
Yeah. She's good. I like her. | 0:14:19 | 0:14:22 | |
-Sure? -Yeah. | 0:14:22 | 0:14:24 | |
Nice one. | 0:14:24 | 0:14:25 | |
Where is Amanda? Not seen her today. | 0:14:28 | 0:14:31 | |
She's good, thanks, if you mean Police Constable Morgan. | 0:14:31 | 0:14:35 | |
She's learning how to drive a police car. | 0:14:35 | 0:14:38 | |
Why, are you interested? I'll put a word in for you, if you like. | 0:14:38 | 0:14:41 | |
I can speak for myself, mate. Eloquently. | 0:14:41 | 0:14:45 | |
I'll tell her you'll take her for a nice protein shake, eh? | 0:14:45 | 0:14:48 | |
PHONE RINGS | 0:14:48 | 0:14:49 | |
-PC Rocksavage. -'Hello, PC Rocksavage. It's me again. | 0:14:51 | 0:14:55 | |
'I just wanted to say how sorry I was to hear about your partner, | 0:14:55 | 0:14:59 | |
'you know, your little buddy.' | 0:14:59 | 0:15:01 | |
And you are? | 0:15:01 | 0:15:03 | |
'He didn't deserve the kickin' that he took, no way.' | 0:15:05 | 0:15:08 | |
But, then again, my mate didn't deserve the bullet that he took. | 0:15:08 | 0:15:14 | |
Enjoy it, did you? | 0:15:14 | 0:15:15 | |
Who is it I'm talking to? | 0:15:17 | 0:15:19 | |
'I thought you might want to buy me a coffee.' | 0:15:19 | 0:15:22 | |
Why would I want to do that? | 0:15:22 | 0:15:23 | |
I don't know. I thought you might want to be my bitch. | 0:15:23 | 0:15:26 | |
Hm? | 0:15:29 | 0:15:30 | |
I notice you haven't hung up yet. | 0:15:33 | 0:15:35 | |
Still waiting for a punchline, or a name. | 0:15:35 | 0:15:38 | |
'You know my name.' | 0:15:38 | 0:15:40 | |
What was all that about? | 0:15:50 | 0:15:51 | |
Nothing. A wannabe informer wanted paying, but didn't want to give his name. | 0:15:53 | 0:15:56 | |
-Sav, picture of your jumper. -Cheers, Gaz. | 0:15:56 | 0:15:59 | |
Was it really your birthday yesterday? | 0:16:02 | 0:16:05 | |
No. | 0:16:05 | 0:16:07 | |
It was a ploy. | 0:16:07 | 0:16:08 | |
Do you resent me being here? | 0:16:11 | 0:16:13 | |
Sitting here, in place of Andy? | 0:16:14 | 0:16:16 | |
What kind of question's that? | 0:16:17 | 0:16:19 | |
It's not a trick one. | 0:16:19 | 0:16:21 | |
Well, you're not sitting there in place of Andy, are you? Andy's gone. | 0:16:22 | 0:16:26 | |
Have I acted like I resent you? | 0:16:27 | 0:16:29 | |
No. | 0:16:30 | 0:16:31 | |
Then why ask? | 0:16:31 | 0:16:33 | |
Just making conversation. | 0:16:34 | 0:16:36 | |
I'm the friendly type. | 0:16:36 | 0:16:38 | |
You can't go in there yet. | 0:16:45 | 0:16:48 | |
It's not allowed. | 0:16:48 | 0:16:49 | |
West Street Hostel. Can I help you? | 0:16:49 | 0:16:51 | |
Yeah, police, to see Kevin, please. | 0:16:51 | 0:16:54 | |
-He's just along the corridor. -Thank you. | 0:16:57 | 0:16:59 | |
-Over here, Sav. -They got you hoovering, have they? | 0:16:59 | 0:17:02 | |
I do anything and everything. It beats paperwork. | 0:17:02 | 0:17:05 | |
-Who's this? -Amanda Morgan. | 0:17:05 | 0:17:07 | |
Kevin Duncan, house manager, Sagittarius. | 0:17:07 | 0:17:10 | |
We were hoping you might be able to tell us who this is. | 0:17:10 | 0:17:13 | |
-What's she done? -Suicide. Jumped off a roof. | 0:17:13 | 0:17:15 | |
Usually want privacy. | 0:17:15 | 0:17:17 | |
INTERCOM RINGS | 0:17:17 | 0:17:18 | |
-Margie, who's that? -Who do you think? He's back. | 0:17:18 | 0:17:21 | |
-Problem? -A client. I'll deal with it. | 0:17:21 | 0:17:23 | |
Can't we get the police to deal with it? He's a bloody nuisance. | 0:17:23 | 0:17:26 | |
We do not open the doors until 6pm. | 0:17:26 | 0:17:28 | |
I'm cold, aren't I? Just open the door. | 0:17:28 | 0:17:31 | |
6pm. 6pm. No exceptions. That's the rule. | 0:17:31 | 0:17:34 | |
Staff arrive half five, we open the doors at six. | 0:17:34 | 0:17:37 | |
Just open the fucking door! All I want is my bed, that's all. | 0:17:37 | 0:17:40 | |
Last chance, Alistair. You're on your very last chance, hear me? | 0:17:40 | 0:17:43 | |
Three strikes and that's it. You're two down with one to go. | 0:17:43 | 0:17:47 | |
LAST CHANCE! 6PM. | 0:17:47 | 0:17:49 | |
SIX. | 0:17:49 | 0:17:51 | |
Thank you. | 0:17:51 | 0:17:52 | |
What's his juice, drink or drugs? | 0:17:55 | 0:17:57 | |
Drink definitely, drugs maybe. What can you do? | 0:17:57 | 0:18:01 | |
And no, I've not seen your lady. | 0:18:01 | 0:18:03 | |
Recognise her, Marg? | 0:18:03 | 0:18:06 | |
No. No, sorry. | 0:18:06 | 0:18:07 | |
GLASS SHATTERS | 0:18:07 | 0:18:09 | |
This is Alpha two-one, incident at the West Street Hostel... | 0:18:10 | 0:18:13 | |
BRAKES SCREECH | 0:18:25 | 0:18:26 | |
God, you've hit him! | 0:18:26 | 0:18:27 | |
Come here, you little junkie prick! What the fuck do you think...? | 0:18:29 | 0:18:32 | |
Argh! | 0:18:32 | 0:18:33 | |
Amanda, call an ambulance! Amanda, he's got a knife! | 0:18:35 | 0:18:38 | |
Lima one, Lima one, this is Alpha two-one. | 0:18:42 | 0:18:44 | |
Ambulance and support requested urgently to a stabbing on Leeds Road, | 0:18:44 | 0:18:48 | |
That's Leeds Road. What's his name? | 0:18:48 | 0:18:51 | |
-What's his name? -Thomas. -Thomas? | 0:18:51 | 0:18:53 | |
Thomas, I want you to keep still, OK? Don't fight me. | 0:18:53 | 0:18:55 | |
An ambulance is on its way, but you need to keep still. | 0:18:55 | 0:18:58 | |
Keep your hands behind your back and do not struggle! | 0:18:58 | 0:19:00 | |
Give me a cloth, a rag, something! Gimme your scarf! Quickly! | 0:19:00 | 0:19:04 | |
Thomas, I need to put the pressure on the wound, OK? | 0:19:04 | 0:19:07 | |
We need to stop the bleeding. Don't fight me! | 0:19:07 | 0:19:10 | |
That's it, don't fight! That's it. Good man. | 0:19:10 | 0:19:12 | |
No, no, no, don't fight me. That's it, stay calm. | 0:19:12 | 0:19:15 | |
Amanda. | 0:19:22 | 0:19:24 | |
Yeah? | 0:19:24 | 0:19:26 | |
If I've been off with you, it's not been intentional. | 0:19:26 | 0:19:29 | |
OK. I understand. | 0:19:31 | 0:19:32 | |
You did well. | 0:19:33 | 0:19:35 | |
So did you. | 0:19:35 | 0:19:37 | |
You saved his life. | 0:19:37 | 0:19:38 | |
Hope so. | 0:19:40 | 0:19:42 | |
Yeah. | 0:19:43 | 0:19:44 | |
Hi, John Paul. | 0:21:00 | 0:21:02 | |
He's asleep. | 0:21:02 | 0:21:04 | |
Oh, hiya. Is he OK? | 0:21:04 | 0:21:05 | |
Yeah, he's fine. | 0:21:05 | 0:21:07 | |
He had a bit of tantrum. Think it's wiped him out. | 0:21:07 | 0:21:11 | |
Justine, don't say tantrum. | 0:21:11 | 0:21:13 | |
Sorry. He just became a little bit frustrated, that's all. | 0:21:13 | 0:21:17 | |
But he's OK now, frustration aside? | 0:21:18 | 0:21:20 | |
Yeah, he's good. | 0:21:20 | 0:21:22 | |
He's actually been feeling very good. | 0:21:22 | 0:21:25 | |
He wants to do more and didn't want to take his painkillers. | 0:21:25 | 0:21:28 | |
-But he did? -Yes. And he's fine. | 0:21:28 | 0:21:30 | |
OK. Good. | 0:21:30 | 0:21:32 | |
If all goes to plan, I finish at 11. | 0:21:33 | 0:21:36 | |
-Does that work for you? -Yeah. | 0:21:36 | 0:21:38 | |
It's not too late? | 0:21:38 | 0:21:40 | |
No. | 0:21:40 | 0:21:42 | |
OK. | 0:21:42 | 0:21:43 | |
That's it. | 0:21:43 | 0:21:45 | |
Spock out. | 0:21:45 | 0:21:47 | |
Police. | 0:22:48 | 0:22:50 | |
If you take your wedding ring off, does it make it all right? | 0:24:02 | 0:24:04 | |
Like you're not cheating? | 0:24:04 | 0:24:06 | |
It helps. | 0:24:11 | 0:24:13 | |
With what? | 0:24:14 | 0:24:16 | |
You're on to a good thing here, John Paul. | 0:24:19 | 0:24:22 | |
I wouldn't rock the boat, if I were you. | 0:24:22 | 0:24:24 | |
I'm interested. | 0:24:24 | 0:24:26 | |
You take your rings off, but leave your watch on. | 0:24:32 | 0:24:36 | |
I like to time you. You're getting better. | 0:24:38 | 0:24:42 | |
I don't know you at all, do I? | 0:24:47 | 0:24:48 | |
You've seen my references. | 0:24:53 | 0:24:56 | |
I'm a good nurse... | 0:24:56 | 0:24:58 | |
..and I'm all woman. | 0:24:59 | 0:25:01 | |
Make the bed. | 0:25:02 | 0:25:04 | |
PHONE RINGS | 0:25:10 | 0:25:12 | |
Hello? | 0:25:17 | 0:25:18 | |
'You've had long enough.' | 0:25:20 | 0:25:21 | |
'I'm outside.' | 0:25:25 | 0:25:26 | |
Listen. Whoa, listen, listen. Just a quick chat. | 0:25:47 | 0:25:50 | |
Just a quick chat, and then you can get back to your guilty pleasures, | 0:25:50 | 0:25:54 | |
and, you know, everything's happy days, innit? | 0:25:54 | 0:25:57 | |
What do you want? What's going on? | 0:25:58 | 0:26:01 | |
Did you get my note? | 0:26:01 | 0:26:03 | |
I was going to do it all, you know, all creepy, | 0:26:05 | 0:26:07 | |
and cut out words from magazines, newspapers and shit, but... | 0:26:07 | 0:26:11 | |
Nah, I couldn't be arsed. | 0:26:13 | 0:26:15 | |
Am I being made here, is that it? | 0:26:15 | 0:26:17 | |
Why didn't you dial 999 when you shot him? | 0:26:22 | 0:26:25 | |
It give you a buzz, did it? | 0:26:32 | 0:26:34 | |
Is there a point to all this? | 0:26:36 | 0:26:38 | |
If there is I wish you'd make it. | 0:26:38 | 0:26:40 | |
What do you think's a fair price to put on your life? | 0:26:40 | 0:26:43 | |
Your career? | 0:26:45 | 0:26:47 | |
Taking into account that you're just... | 0:26:47 | 0:26:50 | |
You're just a murdering bastard copper, that's all. | 0:26:50 | 0:26:53 | |
I've got to go now. | 0:26:59 | 0:27:00 | |
I'd advise you to do the same. | 0:27:00 | 0:27:03 | |
What are you going to do? | 0:27:03 | 0:27:05 | |
Are you going to kill me, too? | 0:27:05 | 0:27:08 | |
100K. | 0:27:12 | 0:27:14 | |
That should be doable, shouldn't it? | 0:27:15 | 0:27:18 | |
I mean, you might take a second mortgage, | 0:27:18 | 0:27:21 | |
might have to flog your car, I don't know, | 0:27:21 | 0:27:23 | |
but III don't think that's being unreasonable, do you? | 0:27:23 | 0:27:27 | |
I genuinely don't know what you're on about. | 0:27:29 | 0:27:32 | |
Do you think about being locked up? | 0:27:34 | 0:27:36 | |
Do you think about being a copper, locked up? | 0:27:39 | 0:27:42 | |
100K. And if I'm feeling generous, you might get your life back. | 0:27:47 | 0:27:51 | |
And me - I get to go to France, Spain... | 0:27:51 | 0:27:54 | |
..Wales. | 0:27:57 | 0:27:59 | |
I like Wales. | 0:28:00 | 0:28:02 | |
HE CHUCKLES | 0:28:03 | 0:28:05 | |
This is it, this is the bit, and it's on page 007. | 0:29:17 | 0:29:21 | |
"Satisfied that his room had not been searched while he was at the casino, | 0:29:21 | 0:29:25 | |
"Bond undressed and took a cold shower. | 0:29:25 | 0:29:27 | |
"Then he lit his 70th cigarette of the day..." | 0:29:27 | 0:29:31 | |
70th! Seven, 'oh'. | 0:29:31 | 0:29:34 | |
Seven, zero cigarettes, full strength. | 0:29:34 | 0:29:37 | |
-Well, he's been playing cards all day. -70 cigs a day? | 0:29:37 | 0:29:41 | |
He'd never be able to manage the stairs. | 0:29:41 | 0:29:43 | |
No wonder he gets captured and tortured. | 0:29:44 | 0:29:47 | |
Now you're giving the end away. | 0:29:47 | 0:29:50 | |
When was it written, '51, '52? | 0:29:50 | 0:29:54 | |
Erm, 1952. | 0:29:54 | 0:29:55 | |
Dad, there's already sugar in it. | 0:29:55 | 0:29:57 | |
Cigarettes were good for you in those days. | 0:29:57 | 0:30:00 | |
Anyway, it doesn't lessen the character anything. | 0:30:00 | 0:30:05 | |
Times change. | 0:30:05 | 0:30:07 | |
The motives of heroes and villains don't. | 0:30:07 | 0:30:10 | |
Books tell you that. | 0:30:10 | 0:30:12 | |
Shakespeare tells you that. | 0:30:12 | 0:30:14 | |
What about the motives of a good man that does bad things? | 0:30:17 | 0:30:21 | |
Who are we taking about? | 0:30:22 | 0:30:25 | |
Bond. | 0:30:26 | 0:30:27 | |
Bad dreams last night? | 0:30:32 | 0:30:34 | |
Don't know. | 0:30:36 | 0:30:38 | |
You called out. | 0:30:38 | 0:30:40 | |
What did I say? | 0:30:40 | 0:30:42 | |
You just called out. | 0:30:42 | 0:30:44 | |
Cassie. | 0:31:17 | 0:31:19 | |
Hey. | 0:31:21 | 0:31:23 | |
You look nice. | 0:31:23 | 0:31:24 | |
I thought if I gave you a lift to work, we might have time for a coffee. | 0:31:25 | 0:31:29 | |
A croissant? | 0:31:29 | 0:31:30 | |
Why? What do you want? | 0:31:30 | 0:31:32 | |
No idea. | 0:31:35 | 0:31:37 | |
No idea where to start, what to say, | 0:31:37 | 0:31:40 | |
what I want. I just know I'd like to talk to you. | 0:31:40 | 0:31:43 | |
I'm not going in the car. | 0:31:48 | 0:31:50 | |
There's a cafe on the corner of Dale Street and Old Hall Street in town. | 0:31:51 | 0:31:55 | |
I'll meet you there in half an hour. | 0:31:55 | 0:31:57 | |
-I could give you a lift. -No, thanks. | 0:31:57 | 0:31:59 | |
Why not? | 0:32:02 | 0:32:03 | |
Because I want to be able to walk away. | 0:32:05 | 0:32:07 | |
I'm only doing this so that...get it over with. | 0:32:09 | 0:32:12 | |
What can I get you? | 0:32:38 | 0:32:39 | |
Nothing, thank you. | 0:32:39 | 0:32:42 | |
You sure? | 0:32:42 | 0:32:43 | |
Where is it you're working? | 0:32:49 | 0:32:51 | |
Not far. | 0:32:51 | 0:32:53 | |
-What you doing? -Realtor, estate agent. | 0:32:54 | 0:32:58 | |
Business properties. | 0:32:58 | 0:33:00 | |
The last time we sat opposite each other, | 0:33:05 | 0:33:08 | |
it wasn't exactly my finest hour. | 0:33:08 | 0:33:10 | |
No. | 0:33:10 | 0:33:12 | |
But it worked out for the best. | 0:33:15 | 0:33:17 | |
Think so? | 0:33:17 | 0:33:18 | |
In the end. | 0:33:20 | 0:33:22 | |
I got to see the real you. | 0:33:22 | 0:33:26 | |
I hope to God that wasn't the real me. | 0:33:26 | 0:33:29 | |
Can I remind you how it went word for word? | 0:33:31 | 0:33:35 | |
You don't have to. I know how it went. | 0:33:35 | 0:33:37 | |
Me, "I'm pregnant." | 0:33:37 | 0:33:40 | |
-Cassie, don't. -You, "Is it mine?" | 0:33:40 | 0:33:44 | |
-Please. -Me, "Do you want it to be yours?" | 0:33:44 | 0:33:48 | |
You... | 0:33:50 | 0:33:52 | |
"Not especially." | 0:33:52 | 0:33:53 | |
I know what I said. | 0:33:56 | 0:33:58 | |
I haven't forgotten what I said. | 0:33:58 | 0:34:00 | |
I was wrong. | 0:34:00 | 0:34:02 | |
I was a knob. | 0:34:02 | 0:34:04 | |
You were a disgrace, John Paul. | 0:34:05 | 0:34:07 | |
We'd known each other for seven weeks. | 0:34:09 | 0:34:11 | |
We spent every day together for seven weeks. | 0:34:11 | 0:34:14 | |
Why was that? | 0:34:15 | 0:34:17 | |
Biggest mistake I ever made was what I did to you. | 0:34:17 | 0:34:21 | |
Biggest regret is letting you get up and walk away. | 0:34:23 | 0:34:27 | |
I am so, so sorry. | 0:34:30 | 0:34:32 | |
Maybe you are a different person but...I didn't know you then | 0:34:42 | 0:34:46 | |
and I don't know you now. | 0:34:46 | 0:34:49 | |
Get to know me. | 0:34:52 | 0:34:53 | |
I have a life and I like it. I don't...NEED you in it. | 0:34:53 | 0:34:56 | |
What about Libby? Have you ever thought I might be good for her? | 0:34:56 | 0:35:00 | |
Don't say her name like you know her. | 0:35:00 | 0:35:02 | |
-I could help you. -She's happy how she is and so am I. | 0:35:02 | 0:35:06 | |
TUTTING | 0:35:23 | 0:35:25 | |
Do you know what? | 0:35:38 | 0:35:40 | |
I'm getting really good at sneaking round. | 0:35:40 | 0:35:43 | |
I know where you live. | 0:35:46 | 0:35:48 | |
I know where your bird lives. | 0:35:49 | 0:35:51 | |
I know where you work. | 0:35:53 | 0:35:55 | |
I know where you shag her. | 0:36:00 | 0:36:02 | |
HE LAUGHS | 0:36:02 | 0:36:03 | |
You know, I might start doing this for a living actually. | 0:36:07 | 0:36:11 | |
Yeah. | 0:36:11 | 0:36:12 | |
20,000. That's all I can do. | 0:36:17 | 0:36:20 | |
Ten I've got saved and I can borrow another ten. | 0:36:20 | 0:36:25 | |
That's all I can do. | 0:36:25 | 0:36:26 | |
Looks like it's Wales. | 0:36:28 | 0:36:29 | |
Yeah. | 0:36:32 | 0:36:34 | |
You still got the gun? | 0:36:34 | 0:36:35 | |
No. | 0:36:35 | 0:36:37 | |
Well, that's a shame. | 0:36:43 | 0:36:45 | |
-You're right. I want my life back. -Do you? | 0:36:46 | 0:36:49 | |
Well, I think... | 0:36:52 | 0:36:53 | |
..it's worth a whole lot more than 20 grand's worth. | 0:36:54 | 0:36:58 | |
35. That is the best I can do. | 0:37:02 | 0:37:06 | |
Ten I've got. | 0:37:06 | 0:37:08 | |
You can have that now, today. | 0:37:10 | 0:37:12 | |
What about the rest? | 0:37:15 | 0:37:17 | |
A couple of weeks. | 0:37:18 | 0:37:20 | |
A week. | 0:37:20 | 0:37:21 | |
OK. | 0:37:28 | 0:37:30 | |
Good. | 0:37:31 | 0:37:32 | |
I'll call you. | 0:37:34 | 0:37:35 | |
Sir. | 0:37:46 | 0:37:47 | |
Constable Rocksavage. | 0:37:49 | 0:37:51 | |
Erm, your mate's epaulette, | 0:37:51 | 0:37:53 | |
Constable Stockwell's epaulette, his number... | 0:37:53 | 0:37:56 | |
You said that Finch put it in his pocket? | 0:37:58 | 0:38:01 | |
-Yeah. -Like a trophy? | 0:38:01 | 0:38:03 | |
Yeah, that's right. | 0:38:03 | 0:38:05 | |
Well, it's odd cos there's no sign of it on the body or in the grounds of the house, | 0:38:05 | 0:38:11 | |
It's a pity. | 0:38:11 | 0:38:12 | |
He must have thrown his trophy away. | 0:38:12 | 0:38:14 | |
Must have. | 0:38:17 | 0:38:19 | |
Shame. I would have liked to have recovered it. | 0:38:20 | 0:38:24 | |
-So... -HE SNIGGERS | 0:38:31 | 0:38:33 | |
..how come you let the new girl chase down the villain, Sav? | 0:38:33 | 0:38:37 | |
She's keen. | 0:38:38 | 0:38:39 | |
You'll be getting yourself a reputation, mate. | 0:38:39 | 0:38:42 | |
-What's that supposed to mean? -Sav, it was a joke. | 0:38:42 | 0:38:45 | |
No, I'm asking Phil The Beef, here. What's that supposed to mean? Are you talking about Andy now? | 0:38:45 | 0:38:49 | |
Well, I wasn't, but now you come to mention it. | 0:38:49 | 0:38:53 | |
It was a joke, Sav. Take a step backwards. | 0:38:53 | 0:38:55 | |
He's trying to wind you up, that's all. | 0:38:55 | 0:38:57 | |
-Hit a nerve, did I? -You're an arsehole, do you know that? -Did I hit a nerve, Sav? | 0:38:57 | 0:39:01 | |
Enough of the name-calling, the pair of you! Where are we, the playground!? | 0:39:01 | 0:39:04 | |
-He started it! -Listen to yourself. -Enough! | 0:39:04 | 0:39:06 | |
Go on! | 0:39:10 | 0:39:12 | |
Go on, out! | 0:39:13 | 0:39:14 | |
You know what he's like. | 0:39:24 | 0:39:27 | |
He's a blunt instrument, and he WAS only joking. | 0:39:27 | 0:39:29 | |
Maybe you shouldn't be here. | 0:39:32 | 0:39:34 | |
I'm fine. | 0:39:34 | 0:39:36 | |
"PCs Rocksavage and Morgan clearly witnessed the suspect named above | 0:39:41 | 0:39:46 | |
"attack the victim named above with a sharp blade. | 0:39:46 | 0:39:49 | |
"The suspect attempted to run away, but was twatted by a car." | 0:39:49 | 0:39:53 | |
Phil, what's another word for twatted? | 0:39:53 | 0:39:57 | |
-In what context? -"..but was twatted by a car." | 0:39:57 | 0:40:01 | |
Was involved in a collision with a vehicle. Obviously. | 0:40:01 | 0:40:05 | |
All right? | 0:40:05 | 0:40:06 | |
Thanks. | 0:40:20 | 0:40:22 | |
What do you want? | 0:40:25 | 0:40:27 | |
I'm not talking to you, so get out of my cell. | 0:40:27 | 0:40:29 | |
I'm not here to take a statement, I'm not here to talk about last night. | 0:40:29 | 0:40:34 | |
Just wondering if you've ever come across this woman. | 0:40:34 | 0:40:38 | |
-I don't know her. -You haven't looked. | 0:40:38 | 0:40:41 | |
-I don't know her. -It might help if you looked. | 0:40:41 | 0:40:44 | |
She's dead, jumped off a tall building. | 0:40:48 | 0:40:51 | |
So? Couldn't care less. | 0:40:51 | 0:40:53 | |
We think she was homeless. | 0:40:55 | 0:40:57 | |
Sure you've not come across her? | 0:40:57 | 0:41:01 | |
-We'd like to inform her family. -Of what? Inform them of what? | 0:41:01 | 0:41:04 | |
Her death. | 0:41:04 | 0:41:06 | |
You're joking, aren't ya? They're glad she's gone. | 0:41:06 | 0:41:10 | |
They've forgotten all about her. | 0:41:10 | 0:41:12 | |
And when no-one remembers you, | 0:41:12 | 0:41:14 | |
it's like you were never here in the first place. | 0:41:14 | 0:41:17 | |
So get out of my cell, pig. | 0:41:17 | 0:41:21 | |
What happens if she isn't claimed? | 0:41:25 | 0:41:27 | |
She belongs to the coroner, kept in storage until she is claimed. | 0:41:27 | 0:41:31 | |
She might be there for years. | 0:41:32 | 0:41:34 | |
'Are you up to making a statement?' | 0:41:46 | 0:41:48 | |
The nurse told us you were talking normally. | 0:41:48 | 0:41:50 | |
-A statement? -Yeah. | 0:41:50 | 0:41:52 | |
Why? What's the point? | 0:41:52 | 0:41:55 | |
To hear your side of the story. | 0:41:55 | 0:41:57 | |
To help with the prosecution. | 0:41:57 | 0:41:59 | |
HE LAUGHS | 0:41:59 | 0:42:01 | |
-What's funny? -You are. | 0:42:01 | 0:42:04 | |
-You don't want to tell us what happened? -You were there. | 0:42:04 | 0:42:07 | |
You were nearer. | 0:42:07 | 0:42:08 | |
I can't remember. It's all a blur. | 0:42:08 | 0:42:12 | |
I think you can remember. | 0:42:12 | 0:42:14 | |
I couldn't care less what you think. How old are you? | 0:42:14 | 0:42:18 | |
PC Morgan chased down and caught the guy who attacked you. | 0:42:18 | 0:42:21 | |
Well, PC Morgan shouldn't have bothered her bony arse. No offence. | 0:42:21 | 0:42:25 | |
-Really? -What's the point in wasting more taxpayers' money? | 0:42:25 | 0:42:29 | |
I just want a name. | 0:42:29 | 0:42:31 | |
So you can tell whoever it is, | 0:42:31 | 0:42:34 | |
live by the sword, die by the sword. | 0:42:34 | 0:42:36 | |
Are you telling us that you believe in violence? | 0:42:36 | 0:42:40 | |
I'm not telling you anything. | 0:42:40 | 0:42:42 | |
Give him a good hiding, that's what I say. | 0:42:42 | 0:42:44 | |
I know it'd give me more satisfaction. | 0:42:44 | 0:42:46 | |
All I need is his name. | 0:42:46 | 0:42:48 | |
Dad. | 0:43:50 | 0:43:52 | |
Dad, you're going to give yourself a heart attack. | 0:43:52 | 0:43:56 | |
Go away. | 0:43:58 | 0:44:00 | |
OK, I'm going. | 0:44:00 | 0:44:01 | |
And don't you dare tidy up! | 0:44:01 | 0:44:05 | |
-It's your mess. -And I'll clear it! | 0:44:05 | 0:44:08 | |
John Paul. | 0:44:16 | 0:44:18 | |
John Paul? | 0:44:20 | 0:44:22 | |
I think I need to get out a bit more. | 0:44:34 | 0:44:36 | |
Tidy your room and I'll think about it. | 0:44:42 | 0:44:44 | |
He started it. | 0:45:27 | 0:45:28 | |
"Jesus said to him, 'Put your sword in its place, | 0:46:20 | 0:46:24 | |
" 'For all that take the sword, perish by the sword.' " | 0:46:24 | 0:46:28 | |
Night, Dad. | 0:48:19 | 0:48:21 | |
Love you. | 0:48:21 | 0:48:22 | |
PHONE RINGS | 0:49:55 | 0:49:57 | |
Hello. It must be you. | 0:50:01 | 0:50:03 | |
Shall we meet? | 0:50:05 | 0:50:06 | |
I don't know. | 0:50:06 | 0:50:08 | |
-I don't know, is it worth my while, or what? -Yeah. | 0:50:08 | 0:50:10 | |
-Where are you now? -Where am I? | 0:50:11 | 0:50:14 | |
I'm heading home. Why? | 0:50:15 | 0:50:17 | |
Let's meet there in an hour. | 0:50:17 | 0:50:20 | |
'No. No, no, no. Let's not. | 0:50:20 | 0:50:23 | |
'I don't think so. | 0:50:23 | 0:50:25 | |
'Listen, I tell you what. | 0:50:25 | 0:50:26 | |
'I'll meet you dinnertime tomorrow' | 0:50:26 | 0:50:28 | |
in John Lewis, menswear... | 0:50:28 | 0:50:30 | |
HE CHUCKLES | 0:50:30 | 0:50:32 | |
'..cos I need a pair of socks anyway.' | 0:50:32 | 0:50:33 | |
So... | 0:50:33 | 0:50:35 | |
..it's your call, man. Yes or no? | 0:50:37 | 0:50:39 | |
Yeah. | 0:50:39 | 0:50:41 | |
All right. | 0:50:42 | 0:50:43 | |
Oh, yeah, yeah, yeah. And when I say dinner, I mean lunch, not tea. | 0:50:43 | 0:50:46 | |
All right? | 0:50:46 | 0:50:49 | |
12 o'clock. | 0:50:49 | 0:50:51 | |
HE GRUNTS AND GROANS | 0:51:56 | 0:51:58 | |
Callum... | 0:52:21 | 0:52:23 | |
..I need to be sure you've told no-one else. | 0:52:24 | 0:52:27 | |
Do you know what that means? | 0:52:30 | 0:52:33 | |
Do you know what I have to do? | 0:52:33 | 0:52:36 | |
This can't be avoided. | 0:52:49 | 0:52:52 | |
Argh! | 0:52:56 | 0:52:58 | |
' "My dear boy," Le Chiffre spoke like a father, | 0:53:10 | 0:53:15 | |
' "the game of Red Indians is over, quite over. | 0:53:15 | 0:53:18 | |
' "You have stumbled by mischance into a game for grown-ups." | 0:53:18 | 0:53:22 | |
' "Bond closed his eyes and waited for the pain.' | 0:53:22 | 0:53:25 | |
"He knew that the beginning of torture is the worst." | 0:53:25 | 0:53:29 | |
"There is a parabola of agony, | 0:53:29 | 0:53:31 | |
"a crescendo leading up to a peak and then the nerves are blunted | 0:53:31 | 0:53:35 | |
"and react progressively less, until unconsciousness and death. | 0:53:35 | 0:53:39 | |
"All he could do was to pray for the peak, | 0:53:40 | 0:53:43 | |
"pray that his spirit would hold out so long, | 0:53:43 | 0:53:45 | |
"and then accept the long free wheel down to the final blackout." | 0:53:45 | 0:53:49 | |
HE SCREAMS | 0:54:28 | 0:54:30 | |
I haven't told anyone, I swear to God. | 0:55:03 | 0:55:05 | |
HE SOBS | 0:55:10 | 0:55:11 | |
I won't tell anyone. | 0:55:18 | 0:55:21 | |
I swear to God. | 0:55:21 | 0:55:23 | |
HE WHIMPERS | 0:55:23 | 0:55:24 | |
I won't tell anyone. | 0:55:25 | 0:55:28 | |
Please. No more, no more of this, please. | 0:55:30 | 0:55:35 | |
I swear to God. | 0:55:35 | 0:55:36 | |
OK. | 0:55:38 | 0:55:39 | |
No. No, no, no, no, no, no. Don't... | 0:55:44 | 0:55:48 | |
No, no, no, no. | 0:55:54 | 0:55:56 | |
PLAYS MUSIC LOUD | 0:56:04 | 0:56:06 | |
GUNSHOT | 0:56:46 | 0:56:48 | |
No, we are not linking the two murders, not yet. | 0:56:54 | 0:56:58 | |
# Do you realise... # | 0:57:04 | 0:57:06 | |
Trainers, yeah. He was wearing trainers with white edges to the soles. | 0:57:06 | 0:57:10 | |
And do you remember seeing anything in the street, anyone? | 0:57:10 | 0:57:13 | |
I practically bumped into some guy. | 0:57:13 | 0:57:15 | |
# ..that you have the most beautiful face | 0:57:15 | 0:57:20 | |
# Do you realise? # | 0:57:20 | 0:57:25 | |
'He was there. He's part of that crew. I know what I saw.' | 0:57:25 | 0:57:29 | |
I'm talking now! | 0:57:29 | 0:57:30 | |
# We're floating in space | 0:57:30 | 0:57:35 | |
# Do you realise... # | 0:57:35 | 0:57:37 | |
'I want to rewind. | 0:57:37 | 0:57:39 | |
'I want to start again. | 0:57:39 | 0:57:41 | |
'I want that day to start again.' | 0:57:41 | 0:57:43 | |
#.. that happiness makes you cry? | 0:57:43 | 0:57:49 | |
# Do you realise... | 0:57:49 | 0:57:53 | |
'Where are you going? | 0:57:53 | 0:57:55 | |
'Out for a walk.' | 0:57:55 | 0:57:56 | |
At this time of night, again? | 0:57:56 | 0:57:59 | |
# ..that everyone you know | 0:57:59 | 0:58:03 | |
# Some day, will die? # | 0:58:03 | 0:58:07 | |
Subtitles by Red Bee Media Ltd | 0:58:09 | 0:58:12 |