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Some bastard's got our Annie and wants £1 million. | 0:00:02 | 0:00:03 | |
-We've got to ring the police. -We're going to go to the police | 0:00:03 | 0:00:05 | |
after we've got her back. | 0:00:05 | 0:00:06 | |
-MARCUS: -Well, it's not mine. | 0:00:06 | 0:00:08 | |
Hands behind your back. | 0:00:08 | 0:00:09 | |
I'm not your mother. Nobody bullies you. | 0:00:09 | 0:00:11 | |
You're a police officer. | 0:00:11 | 0:00:13 | |
I did this stupid thing. | 0:00:13 | 0:00:14 | |
You never finished telling me your story. | 0:00:14 | 0:00:16 | |
It wasn't...really a police matter. | 0:00:16 | 0:00:17 | |
Why have I just had police knocking on door? | 0:00:17 | 0:00:20 | |
ASHLEY: Just get her ready to shift her. | 0:00:20 | 0:00:22 | |
-Where are we taking her? -I don't know yet. | 0:00:22 | 0:00:24 | |
Just ring me as soon as you're on the move. | 0:00:24 | 0:00:26 | |
Becky, my daughter... | 0:00:26 | 0:00:28 | |
died just after Ryan was born. | 0:00:28 | 0:00:30 | |
She was raped. | 0:00:30 | 0:00:32 | |
-CLARE: -Is that what you're going to do - mark his card for him? | 0:00:32 | 0:00:34 | |
My intention is to deal with it effectively. | 0:00:34 | 0:00:36 | |
This programme contains scenes which some viewers may find upsetting. | 0:00:36 | 0:00:38 | |
SHEEP BLEAT | 0:00:38 | 0:00:39 | |
You are kidding me?! | 0:00:49 | 0:00:50 | |
CATHERINE: 'I'm not.' | 0:00:52 | 0:00:53 | |
-You're lying. -'Nope.' | 0:00:53 | 0:00:55 | |
That's disgusting! | 0:00:55 | 0:00:57 | |
They don't call it animal husbandry for nothing. | 0:00:57 | 0:00:59 | |
Why d'you think they wear wellies - farmers? | 0:00:59 | 0:01:01 | |
Forget the mud. It's to slot the sheep's hind legs down | 0:01:01 | 0:01:03 | |
-'and keep 'em rigid...' -It is not! | 0:01:03 | 0:01:05 | |
..while you're giving 'em one up the bee-hind. | 0:01:05 | 0:01:06 | |
Shut...up! | 0:01:06 | 0:01:08 | |
Do you not know anything about the countryside? Do you honestly think | 0:01:08 | 0:01:11 | |
they'd waste time legislating against it if it didn't really happen? | 0:01:11 | 0:01:14 | |
I have to say, Mr Kershaw was | 0:01:14 | 0:01:16 | |
unusually upset about being told one of his sheep had been knocked down | 0:01:16 | 0:01:19 | |
-at side of road. -They always are! | 0:01:19 | 0:01:21 | |
I'm telling you, it's a very special relationship | 0:01:21 | 0:01:23 | |
these farmers have with their sheep. | 0:01:23 | 0:01:25 | |
Draw your own conclusions. | 0:01:25 | 0:01:27 | |
I suppose I'm attracted to Ollie and he's a bit of a beast. | 0:01:27 | 0:01:30 | |
'Well, there you go, you see. I rest my case.' | 0:01:30 | 0:01:33 | |
If you didn't want to see the funny side, | 0:01:33 | 0:01:34 | |
you shouldn't have joined the police force... | 0:01:34 | 0:01:36 | |
service...force. | 0:01:36 | 0:01:38 | |
MUFFLED WHIMPERING | 0:01:45 | 0:01:48 | |
Oooh! Gotta go. | 0:01:48 | 0:01:50 | |
Jenson Button's just streaked past in a white tranny. | 0:01:50 | 0:01:53 | |
'I think he's trying to smash the land speed record, bless him.' | 0:01:53 | 0:01:55 | |
And he's got a tail-light out. | 0:01:56 | 0:01:59 | |
I think I might give him a tug. | 0:01:59 | 0:02:00 | |
'OK, well, you be careful and don't be long.' | 0:02:00 | 0:02:03 | |
I wanna send everyone home in ten minutes. | 0:02:03 | 0:02:05 | |
I wanna go home in ten minutes. | 0:02:05 | 0:02:07 | |
# There's a tower block overhead | 0:02:10 | 0:02:13 | |
# All you got's your benefits | 0:02:13 | 0:02:15 | |
# And you're barely scraping by | 0:02:15 | 0:02:17 | |
# In this trouble town | 0:02:20 | 0:02:22 | |
# Troubles are found | 0:02:22 | 0:02:26 | |
# Stuck in speed-bump city | 0:02:31 | 0:02:32 | |
# where the only thing that's pretty | 0:02:32 | 0:02:35 | |
# Is the thought of getting out. # | 0:02:35 | 0:02:38 | |
Bravo November 9512, can you PNC a vehicle for me, please? | 0:02:39 | 0:02:42 | |
'We're just changing shifts, 9512. | 0:02:42 | 0:02:45 | |
-'Can you give us two minutes?' -OK, thanks. | 0:02:45 | 0:02:47 | |
SWITCHES SIREN ON | 0:02:47 | 0:02:49 | |
Shit! | 0:02:54 | 0:02:55 | |
MUFFLED WHIMPERING | 0:03:27 | 0:03:30 | |
Bravo November 9512? | 0:03:37 | 0:03:39 | |
'Nearly with you, 9512. Just give us a minute. He' gone to the toilet.' | 0:03:39 | 0:03:43 | |
Forget it. | 0:03:43 | 0:03:44 | |
Evening. | 0:04:02 | 0:04:03 | |
-Is this your van? -Yeah. | 0:04:03 | 0:04:05 | |
You were going at quite a lick there. | 0:04:05 | 0:04:06 | |
Yeah. Sorry. | 0:04:06 | 0:04:08 | |
I've...I've had bit of a long day, I just want to get home to girlfriend. | 0:04:08 | 0:04:12 | |
Sure. What you done to your face? | 0:04:12 | 0:04:14 | |
I had a fight... | 0:04:14 | 0:04:16 | |
-wi...with me brother. -Can I see your docs? | 0:04:16 | 0:04:18 | |
I've...not... | 0:04:19 | 0:04:21 | |
I haven't got anything on me. | 0:04:21 | 0:04:23 | |
-Do you know where they are? -They're in drawer at home. | 0:04:23 | 0:04:25 | |
OK. What's your name? | 0:04:25 | 0:04:26 | |
Lewis Whippey. | 0:04:28 | 0:04:29 | |
You've got a light out at the back, Lewis. Did you know? | 0:04:29 | 0:04:32 | |
-No. -Driver's side. Come and have a look. | 0:04:32 | 0:04:34 | |
No, I'll... I'll take your word for it | 0:04:34 | 0:04:37 | |
-and I'll get it seen to. -OK. | 0:04:37 | 0:04:39 | |
I just want you to come and look at how dangerous it is, | 0:04:39 | 0:04:41 | |
particularly on your off-side. D'you mind? | 0:04:41 | 0:04:43 | |
MUFFLED WHIMPERING | 0:04:53 | 0:04:55 | |
You see? | 0:05:03 | 0:05:05 | |
Yeah. | 0:05:05 | 0:05:06 | |
You all right? | 0:05:06 | 0:05:08 | |
Yeah, I think... I think I might be coming down with something like flu. | 0:05:08 | 0:05:12 | |
All right, well, drive safe, OK? | 0:05:12 | 0:05:13 | |
And get that seen to. Yeah? Soon. | 0:05:13 | 0:05:15 | |
Otherwise you're going to cause an accident | 0:05:15 | 0:05:17 | |
and you just don't need that sort of hassle, do you? | 0:05:17 | 0:05:19 | |
No. Yeah. Thanks. Sorry. | 0:05:19 | 0:05:21 | |
THUMPING FROM INSIDE VAN | 0:05:21 | 0:05:23 | |
What you got in there? An elephant? | 0:05:24 | 0:05:26 | |
No, it's just...my dog. | 0:05:26 | 0:05:29 | |
What sort is it? | 0:05:30 | 0:05:32 | |
Labrador. | 0:05:33 | 0:05:34 | |
-Nice. What's he called? -Tommy. | 0:05:34 | 0:05:36 | |
BANGING AND MUFFLED SHOUTS FROM INSIDE VAN | 0:05:36 | 0:05:39 | |
I'd like to see inside the van. | 0:05:40 | 0:05:42 | |
It's locked. | 0:05:42 | 0:05:43 | |
TRIES HANDLE | 0:05:43 | 0:05:46 | |
Where are the keys? | 0:05:46 | 0:05:47 | |
It's just a dog. | 0:05:47 | 0:05:49 | |
I'd like you to open the van, Lewis. Where are the keys? | 0:05:52 | 0:05:54 | |
Er, he'll go mad. He'll run across moors | 0:05:54 | 0:05:56 | |
and I'll never get him back! | 0:05:56 | 0:05:57 | |
Are they in the ignition? | 0:06:05 | 0:06:07 | |
OK, wait there. | 0:06:07 | 0:06:08 | |
Do you know that person? | 0:06:22 | 0:06:23 | |
No. | 0:06:23 | 0:06:25 | |
Right, open it for me, please. | 0:06:25 | 0:06:26 | |
SCREAMS | 0:06:34 | 0:06:35 | |
SHE GASPS | 0:06:41 | 0:06:43 | |
-KIRSTEN: -I think they've killed me. | 0:06:44 | 0:06:46 | |
THUD | 0:06:49 | 0:06:50 | |
-RADIO: -'Control to all units. | 0:06:52 | 0:06:53 | |
'Officer required to Scammonden Road, Ripponden.' | 0:06:53 | 0:06:55 | |
Bravo November 45, responding. | 0:06:55 | 0:06:58 | |
Go out for a drink, Sergeant Kirsten shows up... | 0:06:58 | 0:07:00 | |
We've got a code zero, Scammonden Road, it's Kirsten. | 0:07:00 | 0:07:04 | |
Bravo November 45. Have you called an ambulance? | 0:07:06 | 0:07:09 | |
Shafiq, you come wi' me, Twiggy, take the other car. | 0:07:09 | 0:07:11 | |
-RADIO: -'Ambulance is on its way, 45.' | 0:07:11 | 0:07:13 | |
What's happened? | 0:07:13 | 0:07:14 | |
SIREN BLARES | 0:07:27 | 0:07:28 | |
Where are the keys? | 0:07:28 | 0:07:29 | |
Right, well, go. | 0:07:30 | 0:07:32 | |
-You've...! -Go. | 0:07:32 | 0:07:33 | |
Get that van off this road fast. | 0:07:33 | 0:07:35 | |
Like your arse is on fire. | 0:07:35 | 0:07:37 | |
Y-You...! | 0:07:38 | 0:07:40 | |
Nutter! | 0:07:40 | 0:07:41 | |
THUD | 0:08:09 | 0:08:10 | |
THUD | 0:08:12 | 0:08:13 | |
She'd seen a white tranny with a light out, she was going to... | 0:08:34 | 0:08:37 | |
RADIO CALL | 0:08:37 | 0:08:38 | |
Bravo November 45. Had she just PNC'd a white transit van? | 0:08:38 | 0:08:41 | |
-RADIO: -'She'd put in a request but not given the registration.' | 0:08:41 | 0:08:43 | |
Why would she do that? | 0:08:43 | 0:08:45 | |
I want the helicopter up now, now, now, looking for a white transit van. | 0:08:45 | 0:08:49 | |
RADIO BEEPS CONTINUOUSLY | 0:09:26 | 0:09:28 | |
Pass me the... | 0:09:32 | 0:09:34 | |
What is there? | 0:09:59 | 0:10:01 | |
Sarg? | 0:10:01 | 0:10:02 | |
What's happening? | 0:10:03 | 0:10:04 | |
TEARFULLY: Kirsten? | 0:10:14 | 0:10:15 | |
BEEPING STOPS | 0:10:31 | 0:10:32 | |
We need to close the road. | 0:10:34 | 0:10:35 | |
Bravo November 45 to Control, she's, er, she's dead. | 0:10:35 | 0:10:39 | |
Looks like she's been knocked down. | 0:10:39 | 0:10:42 | |
We need the on-call DI, we need CSI, we need the CIU, we need H-MIT. | 0:10:43 | 0:10:47 | |
We need... We need the whole circus here. | 0:10:47 | 0:10:50 | |
Shafiq, take the Landy down as far as Wheatcroft Lane and park broadside. | 0:10:50 | 0:10:53 | |
Nobody comes through. Twiggy, same up at the top. | 0:10:53 | 0:10:55 | |
Control, did you get me that helicopter? | 0:10:55 | 0:10:58 | |
-RADIO: -'Helicopter's airborne and en route.' | 0:10:58 | 0:11:00 | |
Move it, come on, close the road. We're preserving evidence now. | 0:11:02 | 0:11:06 | |
HELICOPTER APPROACHES | 0:11:16 | 0:11:18 | |
I had to...give her a bit of a talking to yesterday morning. | 0:11:34 | 0:11:40 | |
I said, "I'm not your mother. You're a police officer, nobody bullies you." | 0:11:43 | 0:11:48 | |
She'd be out to prove something. | 0:11:48 | 0:11:49 | |
She said, "This is all I wanted all my life and I'm shit at it," | 0:11:51 | 0:11:55 | |
and I should've said, "No, you're not. You're fantastic, you're lovely," | 0:11:55 | 0:11:58 | |
but I didn't, I just let her dwell on it, so she'd be thinking I'd be thinking | 0:11:58 | 0:12:01 | |
that she was shit at it and I didn't. I don't think that. She wasn't. | 0:12:01 | 0:12:04 | |
Catherine, go home. You've done all you can. | 0:12:10 | 0:12:13 | |
Who's telling the next of kin, sir? | 0:12:14 | 0:12:16 | |
Is it you? | 0:12:17 | 0:12:18 | |
Yes, that's... | 0:12:18 | 0:12:20 | |
I need your trousers and your boots as well. | 0:12:20 | 0:12:23 | |
Do you want me to come with you? | 0:12:26 | 0:12:28 | |
Who is the next of kin? | 0:12:29 | 0:12:31 | |
HE SOBS | 0:12:31 | 0:12:32 | |
Is there somebody we can ring to come and be with you, Ollie? | 0:12:34 | 0:12:38 | |
Oh my God! | 0:12:41 | 0:12:43 | |
Carolyn and Ian! | 0:12:43 | 0:12:44 | |
Sorry, who? | 0:12:45 | 0:12:46 | |
Er, it's Kirsten's mum and dad. | 0:12:48 | 0:12:50 | |
Do you want to tell Carolyn and Ian or... | 0:12:52 | 0:12:54 | |
..is it something you'd like me to do? | 0:12:56 | 0:12:58 | |
-SOBS: -Can you do it? | 0:13:00 | 0:13:01 | |
Where do the parents live? | 0:13:15 | 0:13:17 | |
Er, five minutes away. | 0:13:17 | 0:13:19 | |
Where's your car? | 0:13:19 | 0:13:20 | |
At the nick. | 0:13:20 | 0:13:22 | |
Right, well, we'll visit the parents then I'm dropping you off at the nick | 0:13:22 | 0:13:25 | |
and then you're going home. | 0:13:25 | 0:13:27 | |
You've got to let other people do their jobs now. | 0:13:27 | 0:13:29 | |
I've got to write a duty statement. The SIO'll need it. | 0:13:31 | 0:13:34 | |
And then you're going home. | 0:13:34 | 0:13:36 | |
Oh, and... | 0:13:44 | 0:13:46 | |
..you arrested Marcus Gascoigne yesterday. | 0:13:47 | 0:13:50 | |
Yeah. | 0:13:50 | 0:13:51 | |
Do you think you might've made a mistake? | 0:13:51 | 0:13:53 | |
No, sir. There was a packet of what appeared to be cocaine | 0:13:54 | 0:13:57 | |
slipped under the front seat of his car. | 0:13:57 | 0:13:59 | |
He refused to be breathalysed and he stank like a brewery. | 0:13:59 | 0:14:01 | |
Yeah, what I meant was... he does a lot for us. | 0:14:01 | 0:14:04 | |
On the council. | 0:14:04 | 0:14:06 | |
How big was this packet? | 0:14:09 | 0:14:10 | |
Tiny. | 0:14:11 | 0:14:12 | |
Personal use. | 0:14:12 | 0:14:13 | |
I'm sure he's had his fingers burned, | 0:14:14 | 0:14:17 | |
so I'm just asking you to consider... | 0:14:17 | 0:14:19 | |
the implications... | 0:14:19 | 0:14:21 | |
..before you take it any further. | 0:14:22 | 0:14:24 | |
Well, it, it depends what comes back from the lab. | 0:14:25 | 0:14:27 | |
Has it gone to the lab? | 0:14:27 | 0:14:29 | |
No, it's gone into the store up at Halifax to have a field test. | 0:14:29 | 0:14:31 | |
Take it out. | 0:14:31 | 0:14:33 | |
I-I can't do that. | 0:14:36 | 0:14:37 | |
Well... | 0:14:37 | 0:14:39 | |
..do something. | 0:14:40 | 0:14:42 | |
You should try and get some sleep. | 0:14:54 | 0:14:56 | |
What could a man, men, people - they, she said "they". | 0:14:59 | 0:15:03 | |
"They've killed me." | 0:15:03 | 0:15:04 | |
What could they be doing in a van, with a van, that was so bad | 0:15:04 | 0:15:07 | |
that they had to kill a police officer? A kid. | 0:15:07 | 0:15:10 | |
What had she stumbled across? | 0:15:12 | 0:15:15 | |
-PRAVEEN: -It's going to be tough few days. | 0:15:15 | 0:15:18 | |
It's going to be a tough few weeks. | 0:15:18 | 0:15:20 | |
And I know from what Catherine's told me | 0:15:21 | 0:15:24 | |
that no officer could be more well loved, | 0:15:24 | 0:15:27 | |
more well respected, than Kirsten. | 0:15:27 | 0:15:30 | |
And what I want to say is... | 0:15:31 | 0:15:32 | |
..we are here for you. | 0:15:33 | 0:15:35 | |
Don't be too proud or too shy. | 0:15:37 | 0:15:39 | |
My door is always open, Inspector Taylor's door's always open. | 0:15:40 | 0:15:43 | |
Catherine's door's always open. | 0:15:44 | 0:15:46 | |
If you want to talk to the doctor, you know where he is. | 0:15:46 | 0:15:49 | |
If you want to talk to the chaplain, you know where he is. | 0:15:49 | 0:15:52 | |
It might not sink in today, it might not sink in till the funeral | 0:15:53 | 0:15:57 | |
-DISEMBODIED VOICE: -Becky? | 0:15:57 | 0:15:59 | |
-PRAVEEN'S VOICE BECOMES DISTORTED -It might be six months before it sinks in. | 0:15:59 | 0:16:03 | |
But if at any time you feel you're not coping... | 0:16:03 | 0:16:06 | |
VOICE SUBMERGED UNDER STATIC, SCREAMS AND BEEPS | 0:16:06 | 0:16:08 | |
-MUFFLED: -Please don't keep it to yourself. | 0:16:08 | 0:16:11 | |
PRAVEEN'S VOICE DISTORTS | 0:16:13 | 0:16:15 | |
CATHERINE BREATHES DEEPLY | 0:16:15 | 0:16:16 | |
I have no shadow of a doubt that our colleagues in H-MIT | 0:16:19 | 0:16:23 | |
will move heaven and earth to find out who was responsible. | 0:16:23 | 0:16:27 | |
Catherine. | 0:16:27 | 0:16:29 | |
Sir. | 0:16:29 | 0:16:30 | |
Er... | 0:16:43 | 0:16:44 | |
OK. You heard him. | 0:16:45 | 0:16:46 | |
We have to...get out there and do what we do best. | 0:16:46 | 0:16:50 | |
Be patient with people. | 0:16:52 | 0:16:55 | |
Everything that you deal with today is going to seem so trivial... | 0:16:55 | 0:16:59 | |
..but to everyone out there, if they've had to call the police, it's a big deal | 0:17:00 | 0:17:04 | |
so, whatever's going on in your head, | 0:17:04 | 0:17:07 | |
you treat people with the compassion and respect they deserve. | 0:17:07 | 0:17:10 | |
At the same time, | 0:17:12 | 0:17:14 | |
I want you with your stab-proof vests on, | 0:17:14 | 0:17:16 | |
I want you with your batons, | 0:17:16 | 0:17:18 | |
I want you with your CS gas | 0:17:18 | 0:17:19 | |
because sometimes it's easy to forget that we put our lives on the line | 0:17:19 | 0:17:22 | |
every time we go out there. | 0:17:22 | 0:17:24 | |
So you look after yourselves. | 0:17:24 | 0:17:26 | |
And keep in touch. | 0:17:27 | 0:17:29 | |
For God's sake, keep in touch with me and with each other. | 0:17:29 | 0:17:32 | |
Go on. | 0:17:34 | 0:17:35 | |
Sarg? | 0:17:40 | 0:17:41 | |
Do you want me to help out with that lad that's being sectioned this morning? | 0:17:41 | 0:17:44 | |
Oh, yeah. | 0:17:44 | 0:17:46 | |
-Thanks. -OK. | 0:17:46 | 0:17:47 | |
KNOCK ON DOOR | 0:18:19 | 0:18:21 | |
Owen Brierley will crush both vehicles. | 0:18:44 | 0:18:47 | |
One of you stays here with her, the other one takes the Mini, | 0:18:47 | 0:18:50 | |
gets back here, then takes the van with her in it, | 0:18:50 | 0:18:53 | |
dumps her somewhere, middle of nowhere, | 0:18:53 | 0:18:55 | |
then takes the van to Owen. Finito. | 0:18:55 | 0:18:57 | |
Dumps her in the middle of nowhere? Dead? | 0:18:57 | 0:18:59 | |
No, not dead! | 0:18:59 | 0:19:02 | |
You...chump! | 0:19:02 | 0:19:04 | |
You've done enough damage. | 0:19:04 | 0:19:06 | |
We're going to get hung, drawn and quartered, | 0:19:06 | 0:19:08 | |
we're going to be thrown to the lions, we're going to be crucified. | 0:19:08 | 0:19:11 | |
Upside down. In public! | 0:19:11 | 0:19:14 | |
You...wanker! | 0:19:14 | 0:19:15 | |
Two things. | 0:19:17 | 0:19:19 | |
Three things. | 0:19:19 | 0:19:21 | |
I have not come this far, | 0:19:21 | 0:19:23 | |
I have not spent the last three days doing all the shit I've been doing | 0:19:23 | 0:19:26 | |
to get so little out of it. That's one. | 0:19:26 | 0:19:28 | |
Two - she knows too much. | 0:19:28 | 0:19:31 | |
She heard him, shit-for-brains, talk about "ringing Ashley up at t'farm". | 0:19:31 | 0:19:35 | |
And then last night he told the little police officer his name, his own name, | 0:19:35 | 0:19:40 | |
and she, rich bitch, was two feet away from him in back of van, so... | 0:19:40 | 0:19:44 | |
How d'you know? | 0:19:44 | 0:19:46 | |
He told me. | 0:19:46 | 0:19:48 | |
HE SIGHS | 0:19:48 | 0:19:50 | |
What was the third thing? | 0:19:52 | 0:19:53 | |
Oh, yeah. | 0:19:54 | 0:19:55 | |
We don't call me a wanker. | 0:19:56 | 0:19:58 | |
She's staying here, you're ringing Nev. | 0:19:58 | 0:20:01 | |
Telling him we want a hundred grand this time, right? | 0:20:01 | 0:20:04 | |
And then...well, we'll see. | 0:20:04 | 0:20:06 | |
They're onto us! You idiot. | 0:20:06 | 0:20:09 | |
Why was she following you last night? | 0:20:10 | 0:20:13 | |
The copper. Why did that other one turn up at the house? | 0:20:13 | 0:20:15 | |
I don't think they are. She wasn't following him. | 0:20:15 | 0:20:17 | |
She stopped him cos he had a light out. | 0:20:17 | 0:20:19 | |
And that other one at the house? If they knew what we were up to, | 0:20:19 | 0:20:22 | |
there'd have been 15 of 'em. | 0:20:22 | 0:20:23 | |
They'd have kicked door down. | 0:20:23 | 0:20:25 | |
OK. | 0:20:26 | 0:20:28 | |
So who's staying here | 0:20:29 | 0:20:30 | |
-and who's taking the Mini? -He can stay here. | 0:20:30 | 0:20:32 | |
He's shitting bricks. He'll be useless out there. | 0:20:32 | 0:20:36 | |
I'll tell him. | 0:20:36 | 0:20:37 | |
-Have you finished? -I've finished. | 0:20:47 | 0:20:49 | |
Right, well, can you both go and brush your teeth, please? | 0:20:49 | 0:20:52 | |
All right! | 0:20:52 | 0:20:53 | |
What's the matter? | 0:20:59 | 0:21:00 | |
He made me take some of the money. Ashley. Yesterday. | 0:21:03 | 0:21:07 | |
He split it up. He gave me £2,000 in a bag. And what could I do? | 0:21:07 | 0:21:11 | |
I couldn't say "No thanks", he'd have been suspicious. | 0:21:11 | 0:21:13 | |
-I couldn't just... -So what did you do with it? | 0:21:13 | 0:21:15 | |
It's in the car. | 0:21:16 | 0:21:17 | |
In the car?! | 0:21:17 | 0:21:19 | |
Under the... In with the spare wheel. It's hidden. I... | 0:21:19 | 0:21:24 | |
I don't know what to do with it. | 0:21:24 | 0:21:26 | |
Destroy it. Burn it. | 0:21:26 | 0:21:27 | |
No! | 0:21:27 | 0:21:28 | |
It's money. | 0:21:28 | 0:21:30 | |
-Leave it somewhere. -No. | 0:21:30 | 0:21:32 | |
-Don't bring it in the house. -I'm not going to! | 0:21:32 | 0:21:34 | |
Put it in a bin. Are your fingerprints on it? | 0:21:34 | 0:21:37 | |
No. | 0:21:37 | 0:21:38 | |
-On the bag? -I'm ready! | 0:21:38 | 0:21:40 | |
That was quick. | 0:21:40 | 0:21:42 | |
What's in those sandwiches? | 0:21:43 | 0:21:45 | |
Tuna mayonnaise. | 0:21:45 | 0:21:46 | |
How many times do I have to say the same thing? | 0:21:46 | 0:21:48 | |
It's fine. | 0:21:48 | 0:21:49 | |
It's not fine, it's disgusting! | 0:21:49 | 0:21:50 | |
Don't go on at Dad. Have you brushed your teeth properly? | 0:21:50 | 0:21:52 | |
-Nobody listens. -We need to be in the car. | 0:21:52 | 0:21:55 | |
The road between Blackstone Edge and Mytholmroyd remains closed | 0:22:00 | 0:22:04 | |
as crime scene investigators continue to analyse the isolated rural area | 0:22:04 | 0:22:09 | |
where the incident took place just after five o'clock yesterday evening. | 0:22:09 | 0:22:13 | |
We know that we're looking for a white transit van. | 0:22:13 | 0:22:16 | |
Early indications from the scene | 0:22:16 | 0:22:18 | |
suggest that a second vehicle was involved in the incident. | 0:22:18 | 0:22:21 | |
From debris left in the road, | 0:22:21 | 0:22:23 | |
we're confident that we will be able to identify the make and model | 0:22:23 | 0:22:26 | |
and colour of that second vehicle. | 0:22:26 | 0:22:28 | |
-They now have the task of trying to... -Helen? | 0:22:28 | 0:22:30 | |
-.establish exactly what happened... -Awful. | 0:22:30 | 0:22:32 | |
Are you all right? | 0:22:32 | 0:22:33 | |
Where is she? | 0:22:35 | 0:22:36 | |
She's somewhere. | 0:22:38 | 0:22:40 | |
I've got my name on the roster today. At the mission. | 0:22:44 | 0:22:47 | |
I think I'd like to go. And help out. | 0:22:48 | 0:22:51 | |
Are you sure? | 0:22:51 | 0:22:52 | |
Perhaps you should. Keep yourself busy. | 0:22:52 | 0:22:56 | |
Someone should be here, in case. | 0:22:56 | 0:22:58 | |
She could just walk through the door. | 0:23:01 | 0:23:03 | |
Right, well, I'll ring in. | 0:23:03 | 0:23:07 | |
Have you heard the news, Kevin? | 0:23:25 | 0:23:27 | |
What...news? | 0:23:28 | 0:23:30 | |
On the telly, this police woman. | 0:23:30 | 0:23:31 | |
Oh, er, yeah. Yeah, terrible. | 0:23:31 | 0:23:34 | |
She was only 23 and it was just up here. | 0:23:34 | 0:23:38 | |
Just up above Ripponden on Scammonden Road. | 0:23:38 | 0:23:40 | |
Yeah. Yeah. | 0:23:40 | 0:23:43 | |
We wondered about having a whip-round for the family. | 0:23:43 | 0:23:45 | |
Do you think that's appropriate to ask people for money or not? | 0:23:45 | 0:23:48 | |
Nevison's not in this morning, otherwise I'd ask him. | 0:23:48 | 0:23:50 | |
Isn't he? Why? | 0:23:50 | 0:23:53 | |
I think, er, Helen. | 0:23:53 | 0:23:55 | |
Why? Is she...? | 0:23:55 | 0:23:56 | |
No, no, nothing new, just... | 0:23:56 | 0:23:59 | |
OK. | 0:24:00 | 0:24:02 | |
So what do you think? | 0:24:03 | 0:24:04 | |
Hm? | 0:24:04 | 0:24:05 | |
Oh, sure. | 0:24:06 | 0:24:07 | |
Hi, it's me. | 0:24:18 | 0:24:20 | |
I don't want... | 0:24:20 | 0:24:21 | |
I can't destroy it. | 0:24:22 | 0:24:24 | |
I want to give it back. To Nevison. | 0:24:24 | 0:24:26 | |
JENNY: Well, you can't. How? | 0:24:26 | 0:24:29 | |
I know I can't. I know that. | 0:24:29 | 0:24:31 | |
But...I can't destroy it. It's money. | 0:24:32 | 0:24:35 | |
What about...? | 0:24:37 | 0:24:39 | |
'What?' | 0:24:41 | 0:24:42 | |
If we split it up. Into smaller amounts. | 0:24:45 | 0:24:47 | |
'Just a few hundred each. | 0:24:48 | 0:24:50 | |
'And put some in your bank account, and some in mine.' | 0:24:50 | 0:24:53 | |
And...I don't know...just... | 0:24:53 | 0:24:57 | |
..use it. | 0:24:59 | 0:25:00 | |
To buy things with. | 0:25:02 | 0:25:04 | |
'Small things. | 0:25:05 | 0:25:07 | |
'Over a period of time.' | 0:25:07 | 0:25:09 | |
You mean keep it? | 0:25:09 | 0:25:10 | |
We'd just have to be careful | 0:25:13 | 0:25:15 | |
that it didn't look like we suddenly had a lot of money to throw around. | 0:25:15 | 0:25:17 | |
-WOMAN CRIES -No, don't hurt him! | 0:25:23 | 0:25:25 | |
-TWIGGY: -Come on, son. | 0:25:25 | 0:25:26 | |
-Don't hurt him! -Calm down, lad. | 0:25:28 | 0:25:30 | |
You're making it a thousand times harder for yourself than it need be. | 0:25:30 | 0:25:33 | |
Hey, you're witnesses! You've seen this! | 0:25:33 | 0:25:37 | |
You're seeing what they're doing to me! | 0:25:37 | 0:25:39 | |
-Hey, it's nutty Khalid. -Y'all right, nutty Khalid? | 0:25:39 | 0:25:41 | |
If I'm never ever seen again, you'll know! | 0:25:41 | 0:25:44 | |
You'll know that I've been abducted! | 0:25:44 | 0:25:46 | |
I am being abducted, that's what this is! | 0:25:46 | 0:25:49 | |
Stand up, Khalid. Get up. | 0:25:49 | 0:25:50 | |
-Yeah, really(?) -By the government! | 0:25:50 | 0:25:52 | |
Course you are(!) | 0:25:52 | 0:25:53 | |
Yeah, government's got nowt better to do(!) | 0:25:53 | 0:25:55 | |
No, because I know things! That's why they've been spying on me. | 0:25:55 | 0:25:58 | |
That's why they've been watching me all day, every day! | 0:25:58 | 0:26:01 | |
For months! And you think I don't know! | 0:26:01 | 0:26:04 | |
-Well, I bloody do! -Is that why you wrap yerself up | 0:26:04 | 0:26:06 | |
-in tinfoil, you nutty bugger, eh? -Does he? | 0:26:06 | 0:26:09 | |
Yeah, man, with a pan on his head... | 0:26:09 | 0:26:11 | |
to stop the radio waves penetratulating his brainium. | 0:26:11 | 0:26:14 | |
Oi! | 0:26:14 | 0:26:16 | |
# And another one And another one | 0:26:16 | 0:26:18 | |
# And another bites the dust | 0:26:18 | 0:26:20 | |
# And another one down And another one down | 0:26:20 | 0:26:22 | |
# And another one bites the dust | 0:26:22 | 0:26:25 | |
# And another one bites... # | 0:26:27 | 0:26:29 | |
-Get out of your vehicle. -Why? | 0:26:32 | 0:26:34 | |
Get out of your vehicle. | 0:26:34 | 0:26:35 | |
-What did you say? -Nothing. | 0:26:39 | 0:26:40 | |
No, I heard you. You said something. | 0:26:40 | 0:26:41 | |
-I'd like you to repeat it. -I-I didn't mean anything. | 0:26:41 | 0:26:43 | |
-I was just singing. -What were you singing? | 0:26:43 | 0:26:44 | |
-Nothing. -So you think it's funny? | 0:26:44 | 0:26:46 | |
Cos I got the distinct impression you thought it was funny. | 0:26:46 | 0:26:48 | |
I don't know what you mean. | 0:26:48 | 0:26:49 | |
-So you think I'm stupid? -No. | 0:26:49 | 0:26:50 | |
-Do I look stupid? -No. | 0:26:50 | 0:26:52 | |
-Right, turn round. -Why? | 0:26:52 | 0:26:53 | |
-Turn around. -I haven't done anything. | 0:26:53 | 0:26:54 | |
Yes, you have. You've used abusive words and behaviour | 0:26:54 | 0:26:57 | |
likely to cause a harassment, alarm or distress, | 0:26:57 | 0:26:59 | |
contrary to section 5 of the Public Order Act which is why you're under arrest. | 0:26:59 | 0:27:02 | |
-I was just singing! -You're not obliged to say anything | 0:27:02 | 0:27:03 | |
but it may harm your defence if you do not mention when questioned | 0:27:03 | 0:27:05 | |
-something you later rely on court. -No, no, no! | 0:27:05 | 0:27:08 | |
Anything you do say may be given in evidence. | 0:27:08 | 0:27:11 | |
Oh, no, no, you can't do that! | 0:27:11 | 0:27:12 | |
No CCTV cameras in here, sunbeam. It's your word against mine. | 0:27:12 | 0:27:16 | |
-I'm sorry. I've said I'm sorry. -Don't you ever... | 0:27:16 | 0:27:18 | |
ever make fun of someone's death, | 0:27:18 | 0:27:21 | |
you ignorant, rancid, infinitesimal speck of dirt. | 0:27:21 | 0:27:24 | |
I'm sorry. | 0:27:24 | 0:27:26 | |
HE SOBS | 0:27:28 | 0:27:30 | |
Get out. | 0:27:30 | 0:27:31 | |
Why? What you gonna do now? | 0:27:33 | 0:27:35 | |
I just de-arrested you. | 0:27:35 | 0:27:36 | |
I'll make a note of the fact that you apologised profusely. | 0:27:36 | 0:27:39 | |
In tears. | 0:27:39 | 0:27:41 | |
Mind how you go. | 0:27:46 | 0:27:48 | |
What she say? | 0:27:48 | 0:27:49 | |
Nothing. | 0:27:49 | 0:27:50 | |
Eh? What she do to ya? | 0:27:50 | 0:27:51 | |
Nothing! | 0:27:51 | 0:27:52 | |
Done and dusted. | 0:28:17 | 0:28:19 | |
Did you stay and watch him crush 'em? | 0:28:20 | 0:28:21 | |
-Yeah. -Both of 'em? | 0:28:21 | 0:28:23 | |
Yes. | 0:28:24 | 0:28:25 | |
Have you rung Nev? | 0:28:26 | 0:28:28 | |
I'm not saying I won't. I just.... | 0:28:30 | 0:28:32 | |
I want to think it through. | 0:28:34 | 0:28:36 | |
You do realise, either way, we can't just let her go... | 0:28:38 | 0:28:43 | |
don't you? | 0:28:43 | 0:28:44 | |
There's no point screaming. | 0:28:51 | 0:28:53 | |
There's never anyone here during t'week. | 0:28:53 | 0:28:55 | |
When can I go home? | 0:29:05 | 0:29:07 | |
Soon. | 0:29:07 | 0:29:08 | |
Maybe. | 0:29:09 | 0:29:11 | |
S... Soon. I don't know. | 0:29:11 | 0:29:15 | |
(Help me!) | 0:29:20 | 0:29:22 | |
I can't. | 0:29:22 | 0:29:23 | |
You're not like the other one. | 0:29:25 | 0:29:26 | |
No. No... | 0:29:27 | 0:29:28 | |
No, I'm not like that other one. | 0:29:30 | 0:29:32 | |
Prove it. | 0:29:33 | 0:29:34 | |
Help me. | 0:29:35 | 0:29:36 | |
I'll say you helped me. | 0:29:38 | 0:29:40 | |
I'll say you stopped him hurting me. | 0:29:41 | 0:29:44 | |
You shouldn't have made that noise. | 0:29:44 | 0:29:45 | |
Last night. | 0:29:46 | 0:29:47 | |
None of it would've happened if you didn't... | 0:29:49 | 0:29:51 | |
What happened? | 0:29:54 | 0:29:56 | |
The bang? | 0:29:56 | 0:29:58 | |
What? | 0:29:58 | 0:30:00 | |
-TEARFULLY: -Y-You shouldn't've... | 0:30:02 | 0:30:05 | |
What? | 0:30:06 | 0:30:07 | |
I'll have five minutes while we're quiet if that's OK. | 0:30:16 | 0:30:19 | |
Yeah, course you can, love. | 0:30:19 | 0:30:20 | |
How are you feeling? | 0:30:44 | 0:30:45 | |
Not so bad. | 0:30:45 | 0:30:46 | |
I'm sorry, I just felt a bit... | 0:30:49 | 0:30:53 | |
Hey. You don't need to apologise to me. | 0:30:53 | 0:30:56 | |
It's not the cancer... | 0:30:58 | 0:31:00 | |
It's more...just... | 0:31:01 | 0:31:04 | |
..not being able to cope... | 0:31:05 | 0:31:07 | |
in the moment...sometimes. | 0:31:07 | 0:31:10 | |
Have you heard any more about your treatment? | 0:31:14 | 0:31:16 | |
Pills. To start with. | 0:31:16 | 0:31:18 | |
A whole cocktail of them, three times a day. And then... | 0:31:18 | 0:31:22 | |
..one step at a time. | 0:31:24 | 0:31:25 | |
You'll be rattling. | 0:31:27 | 0:31:28 | |
You make me smile. | 0:31:30 | 0:31:32 | |
You helped me find a way forward when I didn't think there was one. | 0:31:34 | 0:31:38 | |
If there's the smallest, tiniest thing I can do... | 0:31:38 | 0:31:40 | |
There was something. | 0:31:40 | 0:31:41 | |
Your sister, Catherine... | 0:31:43 | 0:31:45 | |
is she...? | 0:31:45 | 0:31:47 | |
What? | 0:31:49 | 0:31:50 | |
A discreet sort of person. | 0:31:50 | 0:31:53 | |
Yeah, she's... I'd have said so. | 0:31:54 | 0:31:57 | |
There's something I'd like to be able to ask | 0:32:00 | 0:32:03 | |
a police officer about. | 0:32:03 | 0:32:06 | |
OK. | 0:32:07 | 0:32:09 | |
Do you think she might have a few minutes if I...? | 0:32:09 | 0:32:13 | |
Could I come to your house? | 0:32:14 | 0:32:16 | |
Sure. | 0:32:16 | 0:32:18 | |
This evening. | 0:32:18 | 0:32:19 | |
-Yeah. -She wouldn't mind? | 0:32:19 | 0:32:21 | |
Oh... Just to warn you though, she's a bit upset at the minute. | 0:32:23 | 0:32:28 | |
Cos of that girl who got killed last night up Scammonden Road. | 0:32:28 | 0:32:31 | |
Catherine's her sergeant, | 0:32:31 | 0:32:33 | |
and she's feeling it's all her fault, | 0:32:33 | 0:32:36 | |
-which it isn't... -She won't want to be bothered with me. | 0:32:36 | 0:32:38 | |
No. | 0:32:38 | 0:32:39 | |
Honestly, Helen, Catherine'd do anything for anybody. | 0:32:39 | 0:32:43 | |
I would not be a popular person in our house | 0:32:44 | 0:32:47 | |
if I'd told somebody she was too busy to listen to 'em. | 0:32:47 | 0:32:50 | |
SHE GASPS | 0:34:08 | 0:34:10 | |
HIGH-PITCHED BLEEP | 0:34:13 | 0:34:15 | |
SHE BREATHES DEEPLY | 0:34:22 | 0:34:24 | |
Stop it. Stop it. | 0:34:24 | 0:34:25 | |
HIGH-PITCHED BLEEP FADES | 0:34:34 | 0:34:36 | |
PHONE BUZZES | 0:34:43 | 0:34:45 | |
No, you can piss off. | 0:34:53 | 0:34:54 | |
PHONE STARTS UP | 0:35:07 | 0:35:09 | |
PHONE RINGS | 0:35:12 | 0:35:13 | |
HE SIGHS | 0:35:16 | 0:35:18 | |
-'Hello?' -Nev! | 0:35:21 | 0:35:23 | |
How are we today? | 0:35:24 | 0:35:25 | |
HE INHALES DEEPLY | 0:35:27 | 0:35:28 | |
I want my daughter. | 0:35:28 | 0:35:30 | |
I'm doing my best with these people, Nev, believe you me. | 0:35:30 | 0:35:33 | |
They're asking for another fifty grand. | 0:35:35 | 0:35:37 | |
I want proof... | 0:35:37 | 0:35:38 | |
..that she's alive. | 0:35:39 | 0:35:41 | |
You'd better not have been talking to the 5-0, Nev. | 0:35:44 | 0:35:46 | |
The what? | 0:35:46 | 0:35:48 | |
-The rozzers. -I haven't. | 0:35:48 | 0:35:51 | |
OK. Well... | 0:35:51 | 0:35:55 | |
as luck would have it, | 0:35:55 | 0:35:57 | |
we do have a little photo of Annie somebody's took. | 0:35:57 | 0:36:00 | |
I'm just sending it over just now. | 0:36:01 | 0:36:03 | |
I'll be in touch as regards details tomorrow. | 0:36:03 | 0:36:06 | |
And on the plus side, this could be the last drop. | 0:36:08 | 0:36:11 | |
W-What d'you mean? | 0:36:11 | 0:36:12 | |
I think they might have had enough of her. | 0:36:12 | 0:36:15 | |
I think they might be thinking it's time to let her go. | 0:36:15 | 0:36:17 | |
ENDS CALL | 0:36:20 | 0:36:21 | |
HE EXHALES SHARPLY | 0:36:30 | 0:36:32 | |
PHONE ALERT | 0:36:32 | 0:36:34 | |
PHONE RINGS | 0:36:42 | 0:36:43 | |
-Nevison. -'They want another fifty grand tomorrow, | 0:36:48 | 0:36:52 | |
'and then he says...' | 0:36:52 | 0:36:54 | |
..they might start thinking about letting go of her. | 0:36:55 | 0:36:58 | |
Um... | 0:36:58 | 0:37:00 | |
..will you... will you make the delivery again | 0:37:01 | 0:37:02 | |
-if...if that's the way they want it? -I... -HE STAMMERS | 0:37:02 | 0:37:05 | |
-Kevin? -HE SIGHS | 0:37:05 | 0:37:07 | |
-Why me? -Well, I don't know! I'm just asking. | 0:37:07 | 0:37:10 | |
I-I think he meant it - | 0:37:11 | 0:37:14 | |
about letting her go. | 0:37:14 | 0:37:15 | |
KNOCK ON DOOR | 0:37:26 | 0:37:27 | |
Catherine...Ollie's here. | 0:37:29 | 0:37:31 | |
Come in. How are you? | 0:37:33 | 0:37:35 | |
That's a stupid question. | 0:37:36 | 0:37:38 | |
Would you like some tea? | 0:37:39 | 0:37:41 | |
No. I'm, er... | 0:37:41 | 0:37:42 | |
No, thanks. | 0:37:43 | 0:37:44 | |
Want to sit down? | 0:37:44 | 0:37:46 | |
Can I get you something else? Coffee? | 0:37:51 | 0:37:54 | |
Water? | 0:37:54 | 0:37:55 | |
Orange juice? | 0:37:55 | 0:37:56 | |
I'll, er... | 0:38:01 | 0:38:02 | |
DOOR CLOSES | 0:38:06 | 0:38:07 | |
Every room's full of flowers. | 0:38:08 | 0:38:11 | |
Nowhere to put 'em, we've got so many. | 0:38:11 | 0:38:14 | |
Shafiq's filled the Land Rover twice over and taken 'em | 0:38:14 | 0:38:16 | |
to the residential home and... | 0:38:16 | 0:38:18 | |
-..they just keep coming. -She'd have given that thumbs up. | 0:38:19 | 0:38:22 | |
-Residential home. -Yeah. | 0:38:24 | 0:38:26 | |
I, er... | 0:38:27 | 0:38:28 | |
I didn't want to say this... only it's been bugging me. | 0:38:29 | 0:38:33 | |
She thought the world of you. | 0:38:36 | 0:38:38 | |
You know that, don't you? | 0:38:39 | 0:38:41 | |
Well, I thought a lot about her. | 0:38:42 | 0:38:44 | |
Then Wednesday night, night before yesterday, | 0:38:44 | 0:38:48 | |
she were crying her eyes out because of what you said to her. | 0:38:48 | 0:38:51 | |
"I'm not your mother." | 0:38:52 | 0:38:54 | |
-I wasn't her mother. -Yeah, well, well done. | 0:39:03 | 0:39:05 | |
You know, it's probably cos of what you said she got killed... | 0:39:05 | 0:39:08 | |
..trying to prove how tough she was to some evil bastard. | 0:39:09 | 0:39:13 | |
-I'm sorry if you think I made a mistake. -"If I think"? | 0:39:19 | 0:39:22 | |
It's difficult sometimes and... | 0:39:24 | 0:39:26 | |
..being soft with someone... | 0:39:29 | 0:39:30 | |
..when they've not quite handled something | 0:39:32 | 0:39:34 | |
isn't always what they need | 0:39:34 | 0:39:36 | |
to bring 'em up to scratch. | 0:39:36 | 0:39:38 | |
I couldn't have predicted what was gonna happen | 0:39:39 | 0:39:41 | |
any more than anybody else could've done, | 0:39:41 | 0:39:44 | |
and, you know, we don't know what did happen, so don't... | 0:39:44 | 0:39:47 | |
But if you think for one second that I haven't thought about that myself, | 0:39:48 | 0:39:52 | |
Ollie, you're wrong, because I have. | 0:39:52 | 0:39:54 | |
I was thinking about it at four o'clock and five o'clock | 0:39:54 | 0:39:57 | |
and six o'clock this morning. | 0:39:57 | 0:39:59 | |
Right. | 0:40:03 | 0:40:04 | |
Did you think about what I said? | 0:40:40 | 0:40:41 | |
-About Ryan? -No, not about Ryan. | 0:40:41 | 0:40:43 | |
About writing about all the drugs that go on round here, | 0:40:43 | 0:40:47 | |
-about how much damage it's doing. -Oh, yeah, well... | 0:40:47 | 0:40:49 | |
We had to help out this morning with this lad that'd been sectioned. | 0:40:49 | 0:40:52 | |
Social Services were there to persuade him | 0:40:52 | 0:40:54 | |
that he might like to go into a secure unit for three months, but guess what? | 0:40:54 | 0:40:57 | |
He weren't too keen, so we had to wade in. | 0:40:57 | 0:40:58 | |
He's been beating his mother up. He pulled a knife out on her yesterday. | 0:40:58 | 0:41:01 | |
He thinks the government are sending her messages | 0:41:01 | 0:41:02 | |
to her to poison him. It's nuts, yeah, except it isn't. | 0:41:02 | 0:41:05 | |
It's cannabis-induced psychosis. That's what skunk does. | 0:41:05 | 0:41:07 | |
Next time someone tells you cannabis is harmless... | 0:41:07 | 0:41:10 | |
I will. I will. | 0:41:10 | 0:41:12 | |
-I will...I will look into it. -And I arrested Marcus Gascoigne | 0:41:12 | 0:41:15 | |
Wednesday morning for possession. | 0:41:15 | 0:41:17 | |
-He's a councillor. -Class A drugs. | 0:41:17 | 0:41:19 | |
Write about it. | 0:41:19 | 0:41:20 | |
Did you want to talk about Ryan? | 0:41:25 | 0:41:27 | |
I wanted to talk about us. | 0:41:29 | 0:41:31 | |
-Well, there is no us, you divorced me. -I didn't divorce you. | 0:41:31 | 0:41:34 | |
We got divorced. | 0:41:34 | 0:41:36 | |
I'm sorry. | 0:41:41 | 0:41:42 | |
Realise this isn't a great day for you. | 0:41:43 | 0:41:45 | |
-What about us? -Eh? | 0:41:49 | 0:41:52 | |
Oh, I don't know. | 0:41:54 | 0:41:55 | |
Are you feeling bad? | 0:41:56 | 0:41:58 | |
-Yes. -About what you've done to Ros? | 0:41:59 | 0:42:02 | |
But you still want to see me. | 0:42:03 | 0:42:05 | |
I never stopped wanting to see you. | 0:42:07 | 0:42:10 | |
How... | 0:42:14 | 0:42:16 | |
How could you... | 0:42:18 | 0:42:20 | |
How could...I do...something? What? | 0:42:23 | 0:42:27 | |
-I know what your answer will be. -Oh, well, you're way ahead of me. | 0:42:28 | 0:42:32 | |
How could you let Ryan come between us? | 0:42:32 | 0:42:35 | |
Then you say, "How could I let Ryan come between us?" So... | 0:42:37 | 0:42:41 | |
There's no point going over it. | 0:42:42 | 0:42:44 | |
It's old. | 0:42:45 | 0:42:46 | |
What if... | 0:42:50 | 0:42:51 | |
..what if I said I would play football with him... | 0:42:53 | 0:42:56 | |
..and... | 0:42:58 | 0:42:59 | |
..make an effort with him. | 0:43:02 | 0:43:04 | |
Really? | 0:43:07 | 0:43:08 | |
You can't even say his name without looking like you've had your face slapped. | 0:43:11 | 0:43:15 | |
Maybe if I got to know him it might be different. | 0:43:15 | 0:43:17 | |
What about Ros? | 0:43:20 | 0:43:21 | |
Oh, I don't think she'd mind him visiting occasion... | 0:43:21 | 0:43:23 | |
No, no, I meant what about Ros as regards... | 0:43:23 | 0:43:27 | |
Oh, shit! | 0:43:35 | 0:43:36 | |
Sorry I'm late. I had a... | 0:43:46 | 0:43:48 | |
I went, er... I met Richard for a drink in the pub. | 0:43:48 | 0:43:51 | |
-It's OK. She hasn't turned up. -Richard, me grandad? | 0:43:51 | 0:43:54 | |
Yeah. Yeah. | 0:43:54 | 0:43:55 | |
Hasn't turned up? | 0:43:55 | 0:43:56 | |
-Did you ask him? -I said seven. | 0:43:56 | 0:43:58 | |
She said fine, she were gonna drive over, but, yeah, she's not turned up. | 0:43:58 | 0:44:01 | |
-Well, what was it to do with? -I've no idea. | 0:44:01 | 0:44:04 | |
And she's not rung to say? | 0:44:04 | 0:44:05 | |
-No. -Did you ask him? | 0:44:05 | 0:44:07 | |
Yes, I did, and he's... he's thinking about it. | 0:44:07 | 0:44:09 | |
-What is there to think about? -Well, he's a busy bloke. | 0:44:09 | 0:44:12 | |
Well, what was it about? | 0:44:12 | 0:44:13 | |
-I've no idea. -I thought he'd lost his job. | 0:44:13 | 0:44:15 | |
-Not yet. -But whatever it was, she were... | 0:44:15 | 0:44:17 | |
you know, upset about it. | 0:44:17 | 0:44:19 | |
I bet you haven't asked him! | 0:44:19 | 0:44:20 | |
Well, did she not say? I have asked him. | 0:44:20 | 0:44:22 | |
-I hate you! -I have asked him. | 0:44:22 | 0:44:25 | |
-You don't want me to play with him. -You know, that's just... | 0:44:25 | 0:44:28 | |
She said that... | 0:44:29 | 0:44:31 | |
She asked if you were discreet. I don't know. | 0:44:31 | 0:44:35 | |
Why didn't you ask? | 0:44:35 | 0:44:37 | |
Cos she'd have told me if she wanted me to know. | 0:44:37 | 0:44:39 | |
-Look, ring her. -What? | 0:44:39 | 0:44:41 | |
Ring her. | 0:44:41 | 0:44:42 | |
-I can't ring her at home. -Why not? You're friends. | 0:44:42 | 0:44:45 | |
It's... | 0:44:45 | 0:44:46 | |
She's Helen Gallagher. It's Nevison Gallagher's wife. | 0:44:46 | 0:44:49 | |
It's fine at the Mission, | 0:44:49 | 0:44:51 | |
-we all muck in but... -She's supposed to be here and she isn't. | 0:44:51 | 0:44:53 | |
She was distressed about something and wanted to speak to a police officer. | 0:44:53 | 0:44:55 | |
I wanna know that she's all right. Ring her. | 0:44:55 | 0:44:58 | |
RINGING TONE | 0:45:04 | 0:45:06 | |
-Hello, Clare. -Hi, Helen. | 0:45:08 | 0:45:10 | |
We were just wondering where you were. | 0:45:10 | 0:45:12 | |
Oh, sorry, sorry, I should've rung. | 0:45:12 | 0:45:16 | |
Er, I've decided, um...it's fine. | 0:45:16 | 0:45:21 | |
I'm sorry, I shouldn't have troubled you. | 0:45:21 | 0:45:23 | |
It's fine. You haven't. | 0:45:23 | 0:45:25 | |
-SOFTLY: Is she all right? -Are you all right? | 0:45:25 | 0:45:28 | |
'I'm fine. I'm fine. Really. I'm sorry.' | 0:45:28 | 0:45:31 | |
Can I speak to her? | 0:45:31 | 0:45:32 | |
Catherine says can she speak to you? | 0:45:32 | 0:45:35 | |
If... Well, if she wants to. | 0:45:35 | 0:45:38 | |
'She's just here.' | 0:45:39 | 0:45:41 | |
She says she's sorry, she just changed her mind, that's all. | 0:45:41 | 0:45:45 | |
-WHISPERS: -She's got cancer. | 0:45:45 | 0:45:46 | |
Helen, it's Catherine. I'm sorry to hear you've not been well. | 0:45:48 | 0:45:52 | |
-Oh, that's... -You wanted some advice. | 0:45:52 | 0:45:55 | |
Er, yes, I did, but I... | 0:45:55 | 0:45:58 | |
But...? | 0:45:58 | 0:46:00 | |
Is someone stopping you from speaking to me? | 0:46:01 | 0:46:03 | |
No. | 0:46:03 | 0:46:04 | |
No, nothing like that. | 0:46:04 | 0:46:06 | |
-Has something bad happened? -I just... It's... | 0:46:06 | 0:46:11 | |
It's fine, honestly. | 0:46:11 | 0:46:12 | |
Are you in danger right now? Are you in danger? | 0:46:13 | 0:46:16 | |
'No, no, no. Honestly. I'm with my husband. We're fine, it's fine. | 0:46:16 | 0:46:21 | |
'I think I...' | 0:46:21 | 0:46:22 | |
I overreacted. | 0:46:22 | 0:46:24 | |
I'm sorry if I've troubled you, I'm sorry if I've inconvenienced you. | 0:46:25 | 0:46:29 | |
Well, I'm here. You know where we are. | 0:46:32 | 0:46:35 | |
Me and Clare. You can call our house any time, day or night. | 0:46:35 | 0:46:38 | |
I'm very sorry about your colleague. | 0:46:38 | 0:46:40 | |
Oh... Thank you. | 0:46:42 | 0:46:44 | |
-Bye-bye, then. -'Bye-bye.' | 0:46:44 | 0:46:46 | |
-Is she all right, d'you think? -I don't know. | 0:46:49 | 0:46:51 | |
She said, "I'm with my husband," like... | 0:46:52 | 0:46:55 | |
That's why she couldn't speak to me. | 0:46:56 | 0:46:58 | |
You don't think... Nevison Gallagher, he... | 0:46:58 | 0:47:00 | |
Oh, it takes all sorts. | 0:47:00 | 0:47:02 | |
She always talks about him really affectionately. | 0:47:03 | 0:47:05 | |
-OK. -Especially since she's been ill. | 0:47:06 | 0:47:09 | |
-Oh! -You're just jealous | 0:47:09 | 0:47:11 | |
cos I might like him better than I like you. | 0:47:11 | 0:47:13 | |
Yeah, well, you might like to think that. | 0:47:13 | 0:47:15 | |
-I wish I lived there with them. -Ryan. | 0:47:15 | 0:47:17 | |
Don't speak to your granny like that, | 0:47:17 | 0:47:19 | |
she's had a very difficult day. | 0:47:19 | 0:47:21 | |
I don't care. | 0:47:21 | 0:47:22 | |
Are you all right? | 0:47:25 | 0:47:27 | |
Yeah, I'm fine. | 0:47:28 | 0:47:29 | |
I've got "punchbag" tattooed across my forehead, but other than that. | 0:47:30 | 0:47:34 | |
I think we're making a mistake. | 0:47:34 | 0:47:36 | |
No. | 0:47:38 | 0:47:39 | |
I should've just gone and not told you where I was going. | 0:47:39 | 0:47:41 | |
I'm glad you told me, | 0:47:43 | 0:47:44 | |
and I understand why you wanted to talk to her, | 0:47:44 | 0:47:46 | |
but I'm convinced this is the right way forward. | 0:47:46 | 0:47:51 | |
Helen... | 0:47:51 | 0:47:52 | |
..I think, after tomorrow, they are going to let her go. | 0:47:54 | 0:47:59 | |
And the police, you know, they can be very good, | 0:47:59 | 0:48:02 | |
but sometimes they just get it very badly wrong. | 0:48:02 | 0:48:07 | |
I've done everything they've said. | 0:48:07 | 0:48:09 | |
I'm not going to blow it now. | 0:48:09 | 0:48:10 | |
Why don't you want the police around? | 0:48:12 | 0:48:14 | |
-That's...that's...that's just... -This is our daughter. | 0:48:16 | 0:48:19 | |
HE SIGHS | 0:48:22 | 0:48:23 | |
On the plus side, of all... | 0:48:34 | 0:48:38 | |
Kirsten. | 0:48:39 | 0:48:40 | |
At least it's taken your mind off Tommy Lee Royce. | 0:48:43 | 0:48:45 | |
Right, he's rung. | 0:52:15 | 0:52:18 | |
He does want you and this time he wants it left in the toilets. | 0:52:18 | 0:52:22 | |
Birch Services. | 0:52:22 | 0:52:24 | |
M62, westbound services, the men's toilets. | 0:52:24 | 0:52:26 | |
The last cubicle on the right-hand side as you go in. | 0:52:26 | 0:52:30 | |
Stuff it behind the toilet. All right? | 0:52:30 | 0:52:33 | |
Then leave, quickly. | 0:52:33 | 0:52:34 | |
Don't turn around and look back. All right? | 0:52:34 | 0:52:36 | |
I'm grateful, Kevin. | 0:52:37 | 0:52:39 | |
-It's fine. -It can't be safe. Can it? | 0:52:40 | 0:52:43 | |
Leaving it in a toilet for any length of time. They must be there. | 0:52:43 | 0:52:46 | |
They must be there watching, otherwise any bugger could find it. | 0:52:46 | 0:52:49 | |
-I-I don't know. -Well, we'll play it by the book... | 0:52:49 | 0:52:51 | |
this time. | 0:52:51 | 0:52:53 | |
Keep your eyes peeled. Come straight back. | 0:52:53 | 0:52:55 | |
-Ring me the minute you drop it. -OK. | 0:52:55 | 0:52:59 | |
-Look who's here. -Fifty thousand. | 0:53:38 | 0:53:41 | |
-I should get going. -Not so soon. | 0:53:42 | 0:53:44 | |
You're meant to be on the M62. | 0:53:44 | 0:53:47 | |
-D'you want some tea? -No...thank you. | 0:53:48 | 0:53:51 | |
He, er, Nevison, said... | 0:53:55 | 0:53:57 | |
..he got the idea from you that you might let her go... | 0:53:58 | 0:54:01 | |
..now, after... | 0:54:03 | 0:54:04 | |
I'd just like to say... I think perhaps you should. | 0:54:06 | 0:54:09 | |
I don't think we need to do this any more, I mean, not from my... | 0:54:09 | 0:54:12 | |
Right, that's yours. | 0:54:14 | 0:54:16 | |
Five grand. | 0:54:16 | 0:54:17 | |
Take it. | 0:54:18 | 0:54:20 | |
So, er... | 0:54:26 | 0:54:27 | |
..so as regards... | 0:54:28 | 0:54:30 | |
-..Ann. -I'll be in touch. | 0:54:31 | 0:54:33 | |
Is she all right? | 0:54:35 | 0:54:37 | |
She's absolutely fine. | 0:54:39 | 0:54:40 | |
-Is she? -Yes. | 0:54:43 | 0:54:45 | |
OK. | 0:54:50 | 0:54:51 | |
We just... | 0:54:51 | 0:54:52 | |
-What? -Well, I told you. | 0:54:54 | 0:54:56 | |
Police, policewoman, knocking on the door, | 0:54:56 | 0:54:59 | |
at the house where we were keeping her. | 0:54:59 | 0:55:01 | |
Well, it was nothing, but... | 0:55:01 | 0:55:04 | |
if she knew we were holding her there, she'd have had the door down. | 0:55:04 | 0:55:07 | |
But we still don't know what she was doing there, so... | 0:55:08 | 0:55:12 | |
What did she look like, the policewoman? | 0:55:14 | 0:55:16 | |
I don't know. I didn't see her. | 0:55:16 | 0:55:18 | |
It was Tommy. | 0:55:18 | 0:55:19 | |
Why? | 0:55:19 | 0:55:21 | |
No reason. | 0:55:22 | 0:55:23 | |
Anyway, we've moved her - Ann - | 0:55:25 | 0:55:28 | |
but... | 0:55:28 | 0:55:30 | |
Yeah. I think it might be time | 0:55:31 | 0:55:33 | |
to bring the thing to a close... | 0:55:33 | 0:55:35 | |
..one way or another. | 0:55:36 | 0:55:38 | |
I'd better, er... | 0:55:40 | 0:55:41 | |
Take your time. You don't want him thinking things. | 0:55:42 | 0:55:45 | |
Stupid wanker. | 0:55:56 | 0:55:58 | |
Do you want to say that a bit louder? | 0:55:58 | 0:55:59 | |
It's all your fault! | 0:56:00 | 0:56:02 | |
You genius, who never gets his hands mucky. | 0:56:02 | 0:56:05 | |
-Do I know what you're talking about? -Don't you? | 0:56:05 | 0:56:08 | |
Policewoman on Scammonden Road. | 0:56:08 | 0:56:10 | |
-How...how is that...? -Has he not told you? | 0:56:10 | 0:56:13 | |
We had to move her - Ann - | 0:56:13 | 0:56:15 | |
only, little policewoman decides to pull us over, doesn't she? | 0:56:15 | 0:56:18 | |
Cos there's a light out on the van. So that mad bastard, he... | 0:56:18 | 0:56:20 | |
Your fault. | 0:56:22 | 0:56:23 | |
You know that day I came home and said, "Tommy Lee Royce is out of prison"? | 0:56:33 | 0:56:36 | |
-Do you remember? -Yeah. | 0:56:36 | 0:56:40 | |
And you said, "I know." And I said, "Why didn't you tell me?" | 0:56:40 | 0:56:42 | |
And you said, "I didn't want to upset you." | 0:56:42 | 0:56:44 | |
Yeah. | 0:56:44 | 0:56:45 | |
Yeah, well, how did you know? | 0:56:45 | 0:56:47 | |
He was here. | 0:56:48 | 0:56:49 | |
He came in here once or twice after he got released. | 0:56:51 | 0:56:54 | |
They often come in here, | 0:56:54 | 0:56:56 | |
ex-cons, till they've sorted themselves out. | 0:56:56 | 0:57:01 | |
Are you cross? Because if you are, you needn't be. | 0:57:01 | 0:57:05 | |
You know what you get like. | 0:57:05 | 0:57:07 | |
I didn't say anything because I care about you. | 0:57:08 | 0:57:10 | |
-'Are you speaking to me?' -Yeah. | 0:57:12 | 0:57:14 | |
'So...did you find anything out?' | 0:57:17 | 0:57:20 | |
There's no-one there. | 0:57:20 | 0:57:22 | |
I broke in, and, yeah, I found something - I don't know what exactly. | 0:57:22 | 0:57:25 | |
Knocked on a few doors either side, but nobody seems to know anything. | 0:57:25 | 0:57:29 | |
I think he's had someone in there, I think he's hurt someone in there. | 0:57:29 | 0:57:32 | |
'How? | 0:57:32 | 0:57:33 | |
'Why?' | 0:57:33 | 0:57:34 | |
Cos I found things in the cellar. | 0:57:35 | 0:57:37 | |
'Well...can't you investigate it properly if...?' | 0:57:38 | 0:57:43 | |
Yeah! How? | 0:57:43 | 0:57:44 | |
'No crime's been reported, and I've just broken into a house.' | 0:57:44 | 0:57:48 | |
The fact that I'm a police officer doesn't make it legal. | 0:57:48 | 0:57:50 | |
I might go knocking on his mother's door. | 0:57:54 | 0:57:56 | |
'She won't know owt, but... | 0:57:56 | 0:57:58 | |
'..might find out who owns this house.' | 0:57:59 | 0:58:01 | |
I still don't know what it is you think you're going to do to him. | 0:58:01 | 0:58:04 | |
Nothing, Clare. I'm not going to do anything to him. | 0:58:04 | 0:58:07 | |
I just want to make sure that he's not going to do anything to anybody else. | 0:58:07 | 0:58:10 | |
# In this trouble town | 0:58:17 | 0:58:20 | |
# Troubles are found | 0:58:20 | 0:58:24 | |
# In this trouble town | 0:58:26 | 0:58:29 | |
# Word soon gets round | 0:58:29 | 0:58:32 | |
# Stuck in speed-bump city | 0:58:38 | 0:58:40 | |
# Where the only thing that's pretty | 0:58:40 | 0:58:42 | |
# Is the thought of getting out. # | 0:58:42 | 0:58:44 |