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-Some bastard's got our Annie and he wants a million quid. -50,000. | 0:00:02 | 0:00:04 | |
We have to be careful that it didn't look like we suddenly had a lot of money to throw around. | 0:00:04 | 0:00:08 | |
What could they be doing in a van that was so bad | 0:00:10 | 0:00:12 | |
that they had to kill a police officer? | 0:00:12 | 0:00:14 | |
It's all your fault! | 0:00:14 | 0:00:15 | |
-PRAVEEN: -You arrested Marcus Gascoigne yesterday. | 0:00:16 | 0:00:19 | |
He does a lot for us. | 0:00:19 | 0:00:20 | |
Nobody is above the law. | 0:00:20 | 0:00:22 | |
-CATHERINE: -I think he's had someone in there. | 0:00:22 | 0:00:24 | |
Are you a virgin? | 0:00:24 | 0:00:25 | |
I've just broken into a house. | 0:00:25 | 0:00:27 | |
The fact that I'm a police officer don't make it legal. | 0:00:27 | 0:00:29 | |
This programme contains some strong language and scenes which some viewers may find disturbing. | 0:00:29 | 0:00:34 | |
This programme also contains some violent scenes. | 0:00:34 | 0:00:36 | |
Shaf, can you get onto the council | 0:00:51 | 0:00:52 | |
and find out who owns number 62 Milton Avenue? | 0:00:52 | 0:00:55 | |
-Sowerby Bridge? -Yeah. | 0:00:55 | 0:00:56 | |
-Boss? -Catherine. | 0:00:58 | 0:01:01 | |
-Have you got a minute? -Sure. | 0:01:01 | 0:01:02 | |
OK. I saw this lad, Tommy Lee Royce, been trying to catch up with him | 0:01:02 | 0:01:06 | |
for a few days, he's just done eight years, drugs. I was hoping to give him | 0:01:06 | 0:01:09 | |
the welcome-home speech. I knocked on at this house | 0:01:09 | 0:01:11 | |
where I know he's been dossing. No answer, | 0:01:11 | 0:01:13 | |
but I had reason to believe, | 0:01:13 | 0:01:15 | |
so I accessed the property via ways and means and... | 0:01:15 | 0:01:17 | |
SHE CATCHES HER BREATH | 0:01:17 | 0:01:20 | |
..I found blood in the cellar, a chair covered in gaffer tape, | 0:01:20 | 0:01:22 | |
like somebody'd been tied to it, a pair of knickers on the floor, | 0:01:22 | 0:01:25 | |
so that and knowing what a charming young man Tommy Lee Royce is, | 0:01:25 | 0:01:28 | |
makes me want to get a CSI - | 0:01:28 | 0:01:30 | |
SOCO, CSI, whatever we're calling them this week - | 0:01:30 | 0:01:32 | |
get one of them in there to take a few swabs, a few photos | 0:01:32 | 0:01:36 | |
-and find out what's going on. -OK. | 0:01:36 | 0:01:38 | |
-What, so that's... -Yep. | 0:01:38 | 0:01:41 | |
Oh, did you go to the H-MIT briefing in Halifax this morning? | 0:01:41 | 0:01:46 | |
I did, yes. | 0:01:46 | 0:01:48 | |
M-CET's worked out there were two vehicles involved. | 0:01:48 | 0:01:50 | |
Pathologist says she was crushed to death. | 0:01:50 | 0:01:53 | |
Run over. | 0:01:53 | 0:01:54 | |
More than once. | 0:01:54 | 0:01:56 | |
There was plenty of debris on the road, paint fragments, | 0:01:56 | 0:01:59 | |
fragments from the number plate, tyre marks. | 0:01:59 | 0:02:02 | |
They'll soon identify what make, model, year of manufacture. | 0:02:02 | 0:02:06 | |
Endless phone calls from the public. | 0:02:06 | 0:02:08 | |
They won't get far, you watch this space. | 0:02:08 | 0:02:10 | |
How is everyone? | 0:02:11 | 0:02:13 | |
Oh, they're gutted, they're in shock. | 0:02:13 | 0:02:17 | |
Are you all right? | 0:02:17 | 0:02:18 | |
I'm fine. | 0:02:20 | 0:02:21 | |
Effed off, insecure, neurotic and emotional, I'm fine, | 0:02:21 | 0:02:24 | |
but other than that, yeah. | 0:02:24 | 0:02:26 | |
You better get onto the CSI, then, | 0:02:28 | 0:02:30 | |
see what this Tommy Lee Jones has been up to. | 0:02:30 | 0:02:32 | |
Yeah, it's Royce. Tommy Lee Royce. | 0:02:32 | 0:02:34 | |
# There's a tower block overhead | 0:02:36 | 0:02:39 | |
# All you've got's your benefits | 0:02:39 | 0:02:41 | |
# And you're barely scraping by | 0:02:41 | 0:02:43 | |
# In this trouble town | 0:02:46 | 0:02:48 | |
# Troubles are found | 0:02:48 | 0:02:52 | |
# Stuck in speed-bump city | 0:02:57 | 0:02:58 | |
# Where the only thing that's pretty | 0:02:58 | 0:03:01 | |
-# Is the thought of getting out. -# | 0:03:01 | 0:03:03 | |
Julie Mulligan. | 0:03:05 | 0:03:07 | |
Registered freeholder of 62 Milton Avenue. | 0:03:07 | 0:03:10 | |
Her address is Upper Lighthazels Farm. Thornton Clough Lane, Soyland. | 0:03:10 | 0:03:14 | |
Her mobile number - do you want it? | 0:03:14 | 0:03:16 | |
Put a request in for a CSI to meet us at Milton Avenue as soon as. | 0:03:16 | 0:03:19 | |
Then I want you to get up there, tape it off and wait for them, OK? | 0:03:19 | 0:03:23 | |
I was going off on the house-to-house with this lot. | 0:03:23 | 0:03:25 | |
-For Kirsten. -Do this first. Oh, and knock on a few doors. | 0:03:25 | 0:03:28 | |
See if anyone's seen any comings or goings, or heard anything. | 0:03:28 | 0:03:31 | |
And trawl the box, see if we've got anything on the address. | 0:03:31 | 0:03:34 | |
Did the boss go to the H-MIT briefing this morning? | 0:03:34 | 0:03:36 | |
Yeah, she was run over. More than once. | 0:03:36 | 0:03:38 | |
Crushed to death. | 0:03:38 | 0:03:40 | |
Hello. Am I speaking to Julie Mulligan? | 0:03:40 | 0:03:42 | |
-PHONE: Yes. -Hiya. This is Sergeant Cawood here, | 0:03:42 | 0:03:44 | |
down at Norland Road police station. | 0:03:44 | 0:03:45 | |
There's something I think you can help with. I'm just wondering | 0:03:45 | 0:03:48 | |
-if I could pop in and have a chat? -Yeah. | 0:03:48 | 0:03:50 | |
-Are you all right? -Why? When? Has something happened? | 0:03:50 | 0:03:52 | |
Any time. Soon. Now. | 0:03:52 | 0:03:54 | |
-What's it to do with? -Put your head between your knees. -Hello? | 0:03:55 | 0:03:58 | |
Right... | 0:04:11 | 0:04:13 | |
The thing is, Nevison... The thing is... | 0:04:14 | 0:04:16 | |
I may be wrong... | 0:04:16 | 0:04:18 | |
I may be wrong, but the thing is... | 0:04:18 | 0:04:20 | |
..I think I might know who these people are. | 0:04:23 | 0:04:25 | |
-Did you see anything? -No. No. | 0:04:35 | 0:04:37 | |
I-I didn't. | 0:04:37 | 0:04:38 | |
The thing is, Nevison... | 0:04:38 | 0:04:39 | |
Will you let me know | 0:04:44 | 0:04:46 | |
if... When... When they let go of her? | 0:04:46 | 0:04:49 | |
Just so I know. Even if it's in the middle of the night. | 0:04:49 | 0:04:52 | |
-Yeah. -I'd just like to know. | 0:04:52 | 0:04:55 | |
I know you'll have a lot of other things | 0:04:55 | 0:04:57 | |
-to think about when it happens... -Of course I will, Kevin. | 0:04:57 | 0:05:00 | |
Go back to your desk. | 0:05:03 | 0:05:05 | |
Nothing we can do. | 0:05:06 | 0:05:08 | |
The thing is... | 0:05:12 | 0:05:13 | |
What? | 0:05:20 | 0:05:21 | |
I get frightened going there, and... | 0:05:23 | 0:05:25 | |
I understand that, Kevin. | 0:05:25 | 0:05:27 | |
And it's fine! It's for Ann, I get that! | 0:05:27 | 0:05:28 | |
I appreciate what you're doing for me... | 0:05:28 | 0:05:32 | |
Believe me. | 0:05:33 | 0:05:35 | |
Yeah. | 0:05:35 | 0:05:36 | |
Yeah, I know you do. | 0:05:39 | 0:05:40 | |
Look, I have to be honest with you. | 0:05:42 | 0:05:45 | |
It's in my name for tax reasons, | 0:05:45 | 0:05:47 | |
and I don't actually have a lot to do with it, so... | 0:05:47 | 0:05:49 | |
That's all right. Who does it have something to do with? | 0:05:49 | 0:05:52 | |
I don't mean anything illegal. | 0:05:52 | 0:05:54 | |
It's literally cos I pay less tax than he does - | 0:05:54 | 0:05:56 | |
me husband. So plan was he'd do it up, we'd rent it out, | 0:05:56 | 0:05:59 | |
only surprise, surprise, he's never got his backside into gear, so... | 0:05:59 | 0:06:02 | |
-And what's your husband's name? Where can I find him? -What's happened? | 0:06:02 | 0:06:05 | |
I just need to talk to him about one of his tenants. | 0:06:05 | 0:06:08 | |
He has no tenants. There are no tenants. | 0:06:08 | 0:06:10 | |
There's never been any tenants. Not there. | 0:06:10 | 0:06:12 | |
Not that I know of. | 0:06:12 | 0:06:13 | |
It's been stood empty. | 0:06:13 | 0:06:15 | |
What's his name? | 0:06:15 | 0:06:17 | |
Hello, my little orange blossom. | 0:06:31 | 0:06:33 | |
You better not be up to anything, you pig. | 0:06:33 | 0:06:36 | |
Me? | 0:06:36 | 0:06:38 | |
You've got a copper coming to see you. | 0:06:38 | 0:06:40 | |
What copper? | 0:06:43 | 0:06:44 | |
A policewoman. | 0:06:44 | 0:06:46 | |
How do you know? | 0:06:47 | 0:06:49 | |
She's just been in here, just now. | 0:06:49 | 0:06:50 | |
Oh, shit! | 0:06:50 | 0:06:52 | |
So... Well... | 0:06:56 | 0:06:58 | |
Something about the house on Milton Avenue. It's been broken into. | 0:06:58 | 0:07:02 | |
-Broken...? -Have you been doing something dodgy in there? -No! | 0:07:02 | 0:07:06 | |
W-What did she say? | 0:07:06 | 0:07:08 | |
And there's no tenants, is there? | 0:07:08 | 0:07:10 | |
No. No, no tenants. | 0:07:10 | 0:07:11 | |
Somebody's broken in, and she needs to talk to you. | 0:07:11 | 0:07:14 | |
-Nobody's br... -Right, well, | 0:07:14 | 0:07:16 | |
she's coming, and you're in bother, | 0:07:16 | 0:07:18 | |
-you bastard... -Why am I... | 0:07:18 | 0:07:20 | |
If you've been up to something, I am not, NOT, visiting you | 0:07:20 | 0:07:24 | |
-in prison. -I don't even know what you're on about. | 0:07:24 | 0:07:27 | |
Why am I up to something just cos some toerag's | 0:07:27 | 0:07:30 | |
decided to break into some property? | 0:07:30 | 0:07:32 | |
Yeah, that's right, Ashley, | 0:07:32 | 0:07:33 | |
you're talking to the woman that were born last week(!) | 0:07:33 | 0:07:36 | |
These bags are shit. | 0:07:37 | 0:07:40 | |
Give it here. | 0:07:42 | 0:07:43 | |
OK. | 0:07:53 | 0:07:54 | |
I want you to go stay in the caravan with Tommy and her. | 0:07:54 | 0:07:58 | |
-And keep it down. -Why? | 0:07:58 | 0:08:00 | |
There's a policewoman coming over. I will deal with it. | 0:08:01 | 0:08:04 | |
-What policewoman? -Just both... How the bloody hell do I know? | 0:08:04 | 0:08:07 | |
You both stay in there till I come and tell you she's been and gone. | 0:08:09 | 0:08:11 | |
All right? I don't want to hear a peep out of anyone. | 0:08:11 | 0:08:14 | |
No noise, no movement. | 0:08:14 | 0:08:15 | |
If that little chicken-shit rat-faced turd | 0:08:15 | 0:08:18 | |
-has been to the police... -He hasn't. He won't have. | 0:08:18 | 0:08:21 | |
Do you think they'd send one woman if they knew owt? | 0:08:21 | 0:08:23 | |
Well, they must know summat. | 0:08:23 | 0:08:25 | |
He hasn't been to the police, all right? | 0:08:25 | 0:08:27 | |
He's in this just as deep as anyone. | 0:08:28 | 0:08:30 | |
No. He isn't. Because he hasn't got his hands mucky. | 0:08:30 | 0:08:34 | |
He doesn't have to sit in that caravan. | 0:08:34 | 0:08:36 | |
She's coming from Halifax, she'll be here in ten minutes. | 0:08:36 | 0:08:38 | |
MOANING | 0:08:51 | 0:08:53 | |
KNOCK ON DOOR / DOOR OPENS | 0:09:18 | 0:09:20 | |
There's a policewoman coming to the farm, | 0:09:36 | 0:09:38 | |
so we've to keep quiet till she's gone. | 0:09:38 | 0:09:40 | |
What policewoman? | 0:09:41 | 0:09:43 | |
Not the one I saw? | 0:09:43 | 0:09:44 | |
How the hell do I know? | 0:09:44 | 0:09:45 | |
Where's your balaclava? | 0:09:48 | 0:09:50 | |
We don't really need 'em any more, do we? | 0:09:50 | 0:09:53 | |
Little numpty-brain. | 0:09:53 | 0:09:54 | |
What? | 0:09:56 | 0:09:58 | |
What you done to her? | 0:10:13 | 0:10:14 | |
I've gave her a bit of smack. | 0:10:14 | 0:10:16 | |
Keep her docile. | 0:10:17 | 0:10:18 | |
She needs gag on. | 0:10:20 | 0:10:22 | |
She keeps being sick. | 0:10:24 | 0:10:26 | |
Unless you want her to choke? | 0:10:27 | 0:10:29 | |
SHE MOANS | 0:10:30 | 0:10:32 | |
She won't scream. | 0:10:34 | 0:10:35 | |
She can't. | 0:10:39 | 0:10:40 | |
-CATHERINE: -Morning. | 0:10:48 | 0:10:50 | |
RICHARD: Are you busy? | 0:10:50 | 0:10:51 | |
I've got a few minutes. Go on. | 0:10:51 | 0:10:53 | |
Right. Well, I've got some information for you | 0:10:53 | 0:10:55 | |
about drugs in the valley, and you're right, | 0:10:55 | 0:10:58 | |
it would make a fantastic article, and it does need writing about. | 0:10:58 | 0:11:01 | |
Good. | 0:11:01 | 0:11:02 | |
You wouldn't believe the chain there is before it gets onto the streets. | 0:11:02 | 0:11:05 | |
Oh, I would. | 0:11:05 | 0:11:07 | |
Heroin is imported pure. 100%. | 0:11:07 | 0:11:09 | |
And then they all cut it, everyone who handles it, | 0:11:09 | 0:11:12 | |
all the way down the chain, | 0:11:12 | 0:11:13 | |
to maximise their profits as they go. | 0:11:13 | 0:11:15 | |
By the time it gets to the streets, street heroin, | 0:11:15 | 0:11:17 | |
it's probably no more than 2% pure. | 0:11:17 | 0:11:20 | |
No, really(?) | 0:11:20 | 0:11:21 | |
And they'll cut it with anything. | 0:11:21 | 0:11:23 | |
Brick dust. Brick dust! face powder, | 0:11:23 | 0:11:25 | |
talcum powder, bicarbonate of soda, | 0:11:25 | 0:11:27 | |
so when they've been injecting for long enough, | 0:11:27 | 0:11:29 | |
if the veins haven't collapsed, they get blocked. | 0:11:29 | 0:11:32 | |
-Then they start having to have their legs amputated. -Yup. | 0:11:32 | 0:11:35 | |
Oh, and up and down this chain, | 0:11:35 | 0:11:37 | |
they're all frightened of the person above. | 0:11:37 | 0:11:39 | |
However high up they are, there's always someone above pushing them | 0:11:39 | 0:11:42 | |
to take more and more and more. | 0:11:42 | 0:11:44 | |
So they have to push those under them to take more and more and more. | 0:11:44 | 0:11:46 | |
And you know, your big regional dealers - | 0:11:46 | 0:11:49 | |
and the people further down the chain - | 0:11:49 | 0:11:51 | |
they'll be people who appear to be perfectly respectable, | 0:11:51 | 0:11:54 | |
with perfectly respectable businesses. | 0:11:54 | 0:11:56 | |
It's all very slick, it's all very well organised. | 0:11:56 | 0:12:01 | |
I've got to go. Can I ring you later? | 0:12:01 | 0:12:02 | |
OK. | 0:12:02 | 0:12:04 | |
-I'm glad you're doing this. -Sure. | 0:12:04 | 0:12:06 | |
-See ya. -Bye. | 0:12:06 | 0:12:08 | |
-Morning. -Ashley Cowgill? | 0:12:33 | 0:12:35 | |
Yep. | 0:12:35 | 0:12:36 | |
I've just spoken to your wife regarding your property on Milton Avenue. | 0:12:36 | 0:12:39 | |
She just rung me. | 0:12:39 | 0:12:40 | |
I need to inform you that we've had reason to enter the property... | 0:12:40 | 0:12:43 | |
-Why? -..and I need to ask you a couple of questions, OK? | 0:12:43 | 0:12:45 | |
Yeah, but why... Why... Why did you have to...? | 0:12:45 | 0:12:48 | |
-Someone's broken in. -When? | 0:12:48 | 0:12:50 | |
-Were you aware the property was insecure? -No. | 0:12:50 | 0:12:53 | |
When did you last visit the property yourself? | 0:12:54 | 0:12:57 | |
Well... It'll be two or three months since, now. | 0:12:57 | 0:13:00 | |
And your wife says you've no tenants at the minute. | 0:13:00 | 0:13:03 | |
No, no. Never had any. I've not got round to sorting it out. | 0:13:03 | 0:13:06 | |
Who has keys to the property besides yourself? | 0:13:08 | 0:13:10 | |
Nobody...should have. | 0:13:10 | 0:13:11 | |
Have they damaged it? | 0:13:12 | 0:13:13 | |
Have they nicked the boiler? Has it been flooded? | 0:13:13 | 0:13:16 | |
Have they left shit everywhere? | 0:13:16 | 0:13:18 | |
So... No, not that I know of. | 0:13:18 | 0:13:20 | |
So no-one that you know of - no-one officially - was in there? | 0:13:20 | 0:13:24 | |
-Yeah? -Yeah. No. No, they weren't. | 0:13:24 | 0:13:27 | |
OK. | 0:13:27 | 0:13:29 | |
Well, I have to be frank with you, Mr Cowgill. | 0:13:30 | 0:13:32 | |
We've got reason to believe that something a bit sinister's gone on in there. | 0:13:32 | 0:13:35 | |
In your house. In this house that you and your wife own. | 0:13:35 | 0:13:39 | |
Whoa. What d'you mean? What sort of sinister? | 0:13:39 | 0:13:42 | |
I don't know. I've got a scene-of-crime officer | 0:13:42 | 0:13:45 | |
in there right now taking a few swabs and a few photographs. | 0:13:45 | 0:13:48 | |
What it looks like to me | 0:13:48 | 0:13:49 | |
is that someone's been held in there against their will | 0:13:49 | 0:13:51 | |
and treated rather unpleasantly. | 0:13:51 | 0:13:53 | |
-Bloody hell. -Yeah. | 0:13:55 | 0:13:57 | |
So, we've had a couple of releases from prison in the area | 0:13:58 | 0:14:01 | |
over the last few weeks, | 0:14:01 | 0:14:02 | |
and I was wondering if any of these names were familiar to you. | 0:14:02 | 0:14:05 | |
Zak Midgeley? | 0:14:05 | 0:14:06 | |
-Jamie Monkford. -No. | 0:14:06 | 0:14:09 | |
Usman Farah. | 0:14:09 | 0:14:10 | |
Tommy Lee Royce. | 0:14:11 | 0:14:13 | |
Should they be familiar to me? | 0:14:14 | 0:14:16 | |
-Are they? Any of them? -No. | 0:14:16 | 0:14:18 | |
These lads are all in their 20s. | 0:14:20 | 0:14:21 | |
Do you employ anyone or had contact with anyone that age | 0:14:21 | 0:14:24 | |
who might associate with lads like that? | 0:14:24 | 0:14:27 | |
-Newly released from prison? -No. No, no. | 0:14:27 | 0:14:29 | |
We'll be finished at the property in an hour or so. | 0:14:33 | 0:14:35 | |
You might want to go in there when we're done and... | 0:14:35 | 0:14:38 | |
make sure it's secure. | 0:14:38 | 0:14:39 | |
If anything occurs to you... | 0:14:39 | 0:14:41 | |
..that might be relevant, | 0:14:43 | 0:14:44 | |
-will you give me a ring? -Sure. | 0:14:44 | 0:14:47 | |
Thanks for your time. | 0:14:49 | 0:14:51 | |
Well, thanks for telling me. | 0:14:51 | 0:14:53 | |
What are you building? | 0:14:57 | 0:14:58 | |
Oh, just renovating this barn. | 0:14:58 | 0:15:01 | |
It's been going on months. | 0:15:02 | 0:15:04 | |
Cos part of it's listed, they make you jump through hoops. | 0:15:04 | 0:15:08 | |
I'll be in touch. | 0:15:08 | 0:15:10 | |
-How we doing? -SHAF: CSI's here. | 0:15:17 | 0:15:19 | |
Just going in just now. | 0:15:19 | 0:15:21 | |
I've told them what you want doing, and I've filmed all the upstairs with the head-cam. | 0:15:21 | 0:15:24 | |
-Kitchen, sitting room? -Yeah, and the upstairs upstairs. | 0:15:24 | 0:15:27 | |
So I'm just gonna knock on a few doors now. | 0:15:28 | 0:15:31 | |
Great. I'll be there in ten minutes. Just got another house call to make. | 0:15:31 | 0:15:34 | |
-I'm popping in on Tommy Lee Royce's mother, OK? -Who? | 0:15:34 | 0:15:37 | |
Newly released. Then I'll be with you. | 0:15:37 | 0:15:39 | |
BANGING ON DOOR | 0:15:49 | 0:15:50 | |
Hello, Lynn. I'm Catherine Cawood. | 0:16:08 | 0:16:10 | |
Got a few minutes? | 0:16:10 | 0:16:12 | |
I'll be honest with you, | 0:16:19 | 0:16:20 | |
if it's about our Tommy, I haven't seen him. | 0:16:20 | 0:16:22 | |
This is his registered release address. | 0:16:24 | 0:16:26 | |
Well, I've seen him, if you know what I mean, but... | 0:16:26 | 0:16:28 | |
Sit down. | 0:16:28 | 0:16:30 | |
He doesn't live here. I don't know where he lives. | 0:16:31 | 0:16:34 | |
When did you last see him? | 0:16:37 | 0:16:38 | |
About three weeks ago, when he came out. | 0:16:38 | 0:16:41 | |
He stopped here one night and then he were off. Gone. | 0:16:41 | 0:16:44 | |
I don't know where. | 0:16:44 | 0:16:45 | |
-Have you got a mobile number for him? -Nope. | 0:16:46 | 0:16:49 | |
No, he don't have one. | 0:16:49 | 0:16:51 | |
Well, he probably has one, do you know what I mean? | 0:16:51 | 0:16:53 | |
But if he has, I don't know owt about it. | 0:16:53 | 0:16:55 | |
-Who does he hang about with? -Nobody. I don't know. People. | 0:16:55 | 0:16:58 | |
I don't know. Has he done summat? | 0:16:58 | 0:17:00 | |
If you see him... | 0:17:00 | 0:17:02 | |
Stupid question. | 0:17:02 | 0:17:03 | |
-If you see him... -He's only been out three week. | 0:17:03 | 0:17:06 | |
If you see him, can you tell him that I need to see him? | 0:17:06 | 0:17:09 | |
Sergeant Cawood. Catherine Cawood. | 0:17:09 | 0:17:12 | |
And to pop down to Norland Road nick at his earliest convenience. | 0:17:14 | 0:17:17 | |
It's unlikely that I will see him, but if I do, I will, yeah. | 0:17:19 | 0:17:22 | |
-OK. Right. You'll remember? -I'll try. | 0:17:22 | 0:17:27 | |
And tell him it'd be much better for him if he pops in to see me | 0:17:27 | 0:17:30 | |
without me having to go looking for him | 0:17:30 | 0:17:32 | |
the next time he has a meeting with his probation officer. OK? | 0:17:32 | 0:17:34 | |
He'll be here when he wants summat, do you know what I mean? | 0:17:34 | 0:17:37 | |
You never know when that's going to be, do you know what I mean? | 0:17:37 | 0:17:39 | |
So you'll pass on that message for me, Lynn? | 0:17:39 | 0:17:42 | |
Yep. | 0:17:42 | 0:17:43 | |
All right. | 0:17:44 | 0:17:46 | |
-You look after yourself. -And you too. | 0:17:46 | 0:17:49 | |
-I'll see myself out. -Are you...? | 0:17:49 | 0:17:51 | |
-What? Am I what? -Catherine Cawood... | 0:17:52 | 0:17:55 | |
Is it you that's... | 0:17:55 | 0:17:56 | |
Your grandson, is it him that's our Tommy's lad? | 0:17:56 | 0:18:00 | |
Who's told you that? | 0:18:02 | 0:18:04 | |
-Is he called Ryan? -Who's told you that? | 0:18:04 | 0:18:06 | |
Somebody mentioned it down in Hebden the other day. | 0:18:06 | 0:18:09 | |
-Who? -Friend of a friend. | 0:18:09 | 0:18:10 | |
-Who? -I don't know. Somebody. | 0:18:10 | 0:18:12 | |
-I don't know, I can't remember. -Well, who were you with? | 0:18:12 | 0:18:15 | |
-Well, you wouldn't know 'em. -Try me. | 0:18:15 | 0:18:16 | |
Well, you would. The usual smackheads. | 0:18:16 | 0:18:18 | |
Sorry. They don't like being called smackheads, but they are. | 0:18:18 | 0:18:21 | |
Your Tommy has got nothing. to do with my grandson. All right? | 0:18:21 | 0:18:24 | |
I were only saying. | 0:18:24 | 0:18:25 | |
You need to get that idea right out of your head. | 0:18:25 | 0:18:28 | |
Right. | 0:18:28 | 0:18:29 | |
Right. | 0:18:29 | 0:18:31 | |
-SHUDDERING: -Shit. | 0:18:51 | 0:18:54 | |
Shit. Shit. | 0:18:54 | 0:18:57 | |
Shit. | 0:19:00 | 0:19:01 | |
Why don't we draw straws? | 0:19:44 | 0:19:45 | |
Because I'm not doing it, that's why not. | 0:19:45 | 0:19:48 | |
Why not? | 0:19:48 | 0:19:50 | |
It's your turn. | 0:19:51 | 0:19:52 | |
You must know somebody. Higher up. | 0:19:55 | 0:19:58 | |
Someone who can make people disappear. | 0:19:58 | 0:20:00 | |
Do you think? | 0:20:00 | 0:20:01 | |
Gary Gaggoski. He disappeared. | 0:20:01 | 0:20:03 | |
Tony Stead says he's sat at the bottom of Scammonden dam in concrete underpants. | 0:20:03 | 0:20:07 | |
Nobody higher up is going to know a single damned thing about this stupid business, | 0:20:07 | 0:20:11 | |
because the second they do, it's me they'll... | 0:20:11 | 0:20:13 | |
We were moonlighting, we were out of our depth, | 0:20:17 | 0:20:20 | |
it shouldn't have happened. | 0:20:20 | 0:20:22 | |
D'you think I want people higher up thinking we're a liability? | 0:20:22 | 0:20:24 | |
-It were your idea. -All right! | 0:20:24 | 0:20:26 | |
It wasn't my idea to murder a policewoman, was it? | 0:20:30 | 0:20:34 | |
You should get him round here. | 0:20:34 | 0:20:36 | |
Kevin shitty-arse twat-face! Make him do it, | 0:20:36 | 0:20:39 | |
make him get his hands all covered in blood. | 0:20:39 | 0:20:41 | |
-Yeah, well, I'm tempted. -Rub his stupid nose in it. | 0:20:41 | 0:20:44 | |
Have you ever killed anybody? | 0:20:46 | 0:20:47 | |
Me? | 0:20:51 | 0:20:52 | |
Sod off. Have I hell. | 0:20:52 | 0:20:55 | |
If you both give me five grand each... | 0:20:58 | 0:21:01 | |
..from that last stash Kevin brought over... | 0:21:02 | 0:21:05 | |
..I'll do it. | 0:21:06 | 0:21:07 | |
How? | 0:21:09 | 0:21:11 | |
It don't matter how. | 0:21:11 | 0:21:12 | |
Deal or no deal? | 0:21:14 | 0:21:16 | |
You're not going to do to her what you did to that policewoman. | 0:21:16 | 0:21:19 | |
Aren't I? | 0:21:19 | 0:21:21 | |
Yeah. | 0:21:27 | 0:21:28 | |
OK. | 0:21:30 | 0:21:31 | |
Deal. | 0:21:31 | 0:21:33 | |
I'll need a van. | 0:21:35 | 0:21:36 | |
Not a white one. I don't want pulling over. | 0:21:37 | 0:21:40 | |
OK. | 0:21:41 | 0:21:43 | |
And then, when it's done, you two, you need to disappear. | 0:21:45 | 0:21:49 | |
All right? | 0:21:49 | 0:21:51 | |
Are you sacking us? | 0:21:51 | 0:21:52 | |
I'm advising you to move on. | 0:21:52 | 0:21:54 | |
You've got your stash from Kevin, | 0:21:55 | 0:21:57 | |
so move on. | 0:21:57 | 0:21:58 | |
You're sacking us. | 0:21:58 | 0:22:00 | |
What do you know? | 0:22:23 | 0:22:25 | |
Fella said he saw a white transit van parked down here, | 0:22:25 | 0:22:27 | |
outside the property, like, four days ago. | 0:22:27 | 0:22:29 | |
That's about it. | 0:22:29 | 0:22:31 | |
A white transit van? | 0:22:31 | 0:22:33 | |
Yeah. | 0:22:33 | 0:22:34 | |
Then again, how many white transit vans are there in Halifax? | 0:22:34 | 0:22:37 | |
It'd be a bit of a coincidence, wouldn't it? | 0:22:37 | 0:22:40 | |
I'll flag it up to H-MIT, they might want to check any CCTV. | 0:22:41 | 0:22:45 | |
Do you want me to knock on a few more doors? | 0:22:45 | 0:22:47 | |
No. | 0:22:47 | 0:22:48 | |
I'll just pop down to the cellar and have a word with the CSI, | 0:22:48 | 0:22:51 | |
then we'll leave it at that. | 0:22:51 | 0:22:52 | |
PHONE RINGS | 0:22:53 | 0:22:55 | |
Hiya. | 0:23:00 | 0:23:01 | |
-CLARE: -You said to let you know if Helen turned up. | 0:23:01 | 0:23:04 | |
Well, she's just got here. | 0:23:04 | 0:23:07 | |
Just now. | 0:23:07 | 0:23:09 | |
I've got another three hours on duty. | 0:23:09 | 0:23:11 | |
Right, OK. | 0:23:11 | 0:23:12 | |
Will she still be there at half four-ish? | 0:23:12 | 0:23:14 | |
Well, I'd have thought so. | 0:23:14 | 0:23:16 | |
She sometimes gets tired, but, yeah. | 0:23:16 | 0:23:19 | |
Right, I'll see you later. | 0:23:19 | 0:23:21 | |
Oh! | 0:23:32 | 0:23:33 | |
BLOWS KISS | 0:23:33 | 0:23:35 | |
You should have dropped him round at Janina's, | 0:23:35 | 0:23:37 | |
he could've played with Cesco. | 0:23:37 | 0:23:39 | |
Where is she? | 0:23:39 | 0:23:41 | |
She's just there with Smiffy. | 0:23:41 | 0:23:43 | |
He's got an appointment with social services at ten to five, | 0:23:43 | 0:23:46 | |
so if you want to grab her, I'll bring you over a cup of tea. | 0:23:46 | 0:23:49 | |
Helen? | 0:23:53 | 0:23:54 | |
Hello. I'm Catherine, | 0:23:54 | 0:23:56 | |
I'm Clare's sister. We spoke on the phone last night. | 0:23:56 | 0:23:59 | |
Oh, yes. Yes, she said you were coming to pick her up. | 0:23:59 | 0:24:02 | |
I'm sorry I didn't... | 0:24:02 | 0:24:04 | |
No, no. I hope you don't mind, only I was worried about you. | 0:24:04 | 0:24:07 | |
And... | 0:24:07 | 0:24:08 | |
Sorry, I know this is awkward, and I know you've not been well, | 0:24:08 | 0:24:13 | |
but is your husband hurting you? | 0:24:13 | 0:24:16 | |
My husband? | 0:24:16 | 0:24:18 | |
Look, I don't want to overstep the mark | 0:24:18 | 0:24:20 | |
and I'm sorry if I've got the wrong end of the stick, | 0:24:20 | 0:24:22 | |
but last night, when you said, "I'm with my husband," | 0:24:22 | 0:24:24 | |
it occurred to me that maybe you couldn't speak, | 0:24:24 | 0:24:27 | |
and maybe that was your way of telling me, | 0:24:27 | 0:24:29 | |
and I wouldn't be doing my job properly if I didn't ask... | 0:24:29 | 0:24:32 | |
No. My husband isn't hurting me. | 0:24:32 | 0:24:34 | |
Are you sure? | 0:24:34 | 0:24:36 | |
I know people think he's a bit of a rough diamond, and he is... | 0:24:37 | 0:24:41 | |
but not like that. | 0:24:41 | 0:24:43 | |
He'd never do something like that. | 0:24:43 | 0:24:46 | |
It takes all sorts. | 0:24:46 | 0:24:47 | |
You really have got the wrong end of the stick. | 0:24:47 | 0:24:50 | |
It's not always easy to acknowledge things sometimes. It's not... | 0:24:51 | 0:24:54 | |
It's very kind of you to be concerned, | 0:24:54 | 0:24:57 | |
but you really have got the wrong end of the stick. | 0:24:57 | 0:25:00 | |
OK. | 0:25:07 | 0:25:08 | |
My daughter's been kidnapped. | 0:25:14 | 0:25:16 | |
-What? -Tea. | 0:25:21 | 0:25:23 | |
Can we just sit down? | 0:25:28 | 0:25:30 | |
I wanted to tell the police... | 0:25:34 | 0:25:36 | |
..but Nevison won't. | 0:25:37 | 0:25:38 | |
He wants to do exactly what they tell him, | 0:25:38 | 0:25:41 | |
and they have said they'd let go of her... | 0:25:41 | 0:25:46 | |
after the last lot of money he gave them, just this morning, | 0:25:46 | 0:25:50 | |
but we've not heard anything, not yet. | 0:25:50 | 0:25:52 | |
-What's happened? -Ann's been taken. | 0:25:52 | 0:25:56 | |
She's been abducted. | 0:25:57 | 0:25:58 | |
-How long's she been missing? -Four nights. | 0:25:58 | 0:26:01 | |
-When did you last see her? -Tuesday morning. | 0:26:01 | 0:26:04 | |
She was driving into Huddersfield. | 0:26:04 | 0:26:07 | |
She set off... She has a little Mini, it's very distinctive. | 0:26:07 | 0:26:10 | |
She had a dental appointment, | 0:26:10 | 0:26:12 | |
only I know she didn't turn up | 0:26:12 | 0:26:14 | |
because I rang up to see if she'd been. | 0:26:14 | 0:26:17 | |
He's been giving them money? | 0:26:17 | 0:26:19 | |
-Yes. -How? | 0:26:20 | 0:26:22 | |
How much? | 0:26:22 | 0:26:23 | |
-No, how. -I don't know. | 0:26:23 | 0:26:26 | |
Do you think I should tell the police? | 0:26:27 | 0:26:30 | |
You have told the police, Helen. | 0:26:31 | 0:26:33 | |
I'm sorry, but I'm obliged to report something like this, I can't just... | 0:26:33 | 0:26:36 | |
No. No. No. | 0:26:36 | 0:26:37 | |
He spoke to a friend who was in the CID, and he said... | 0:26:37 | 0:26:40 | |
Retired? | 0:26:40 | 0:26:42 | |
Yeah. Well, he should've known better. | 0:26:42 | 0:26:44 | |
No, look, Nevison really doesn't want the police involved. | 0:26:44 | 0:26:49 | |
I think he's terrified they'd wade in and... | 0:26:49 | 0:26:53 | |
Look, I don't know how to say this except bluntly, | 0:26:53 | 0:26:56 | |
but most times when something like this happens, the outcome isn't... | 0:26:56 | 0:27:00 | |
It's not good. | 0:27:00 | 0:27:01 | |
You have a much, much, and I cannot tell you how much, better chance | 0:27:01 | 0:27:04 | |
of getting her back safe, all in one piece, with the police on board. | 0:27:04 | 0:27:07 | |
Nobody'll wade in, we have techniques, | 0:27:07 | 0:27:10 | |
we have highly trained people, Helen. | 0:27:10 | 0:27:12 | |
Are you going to let me make that phone call? | 0:27:14 | 0:27:16 | |
Oh, good Lord... | 0:27:16 | 0:27:18 | |
Do you not think this is the right way forward, Helen? | 0:27:18 | 0:27:21 | |
Yes. I don't know. | 0:27:21 | 0:27:23 | |
I don't want him to think I've gone behind his back. | 0:27:25 | 0:27:28 | |
I'll talk to him. | 0:27:28 | 0:27:29 | |
If something did happen and you hadn't acted on your instincts, | 0:27:31 | 0:27:35 | |
you'd never forgive yourself, would you? | 0:27:35 | 0:27:37 | |
Yeah. Hello. | 0:27:42 | 0:27:43 | |
It's Sergeant Cawood here, from Norland Road police station, | 0:27:43 | 0:27:46 | |
Sowerby Bridge, Calderdale District. | 0:27:46 | 0:27:48 | |
Can I speak to the on-call Detective Superintendant, please? | 0:27:48 | 0:27:50 | |
He's in a meeting, is he? Can you knock on his door for me? | 0:27:50 | 0:27:53 | |
I need to talk to him about a kidnap. It's a tiger kidnap, | 0:27:53 | 0:27:56 | |
it's live, it's ongoing, it's happening now. | 0:27:56 | 0:27:59 | |
Are you warm enough? | 0:28:10 | 0:28:11 | |
Catherine? | 0:28:26 | 0:28:28 | |
Phil. | 0:28:30 | 0:28:32 | |
How are you? | 0:28:32 | 0:28:34 | |
This is Helen. | 0:28:36 | 0:28:38 | |
Helen, hello. | 0:28:38 | 0:28:40 | |
I'm Phil Crabtree. | 0:28:40 | 0:28:42 | |
I'm a detective inspector with the National Crime Agency. | 0:28:42 | 0:28:44 | |
I just need you to stay calm and tell me everything you know. | 0:28:44 | 0:28:47 | |
I know very little. I've been saying to Catherine, | 0:28:47 | 0:28:52 | |
I'm not really the person you need to be talking to. | 0:28:52 | 0:28:54 | |
The person you need to be talking to is going to be very cross | 0:28:54 | 0:28:57 | |
when he finds out I've spoken to you. | 0:28:57 | 0:28:59 | |
Mr Gallagher? | 0:29:11 | 0:29:13 | |
Look, I know you didn't want us involved, but I'm going to tell you | 0:29:13 | 0:29:16 | |
the same thing Sergeant Cawood's told your wife, OK? We're four days in. | 0:29:16 | 0:29:19 | |
Your daughter is likely to know a lot about the people that have taken her. | 0:29:19 | 0:29:23 | |
They've got your money, and the reality is, | 0:29:23 | 0:29:27 | |
they've got things to lose by releasing her alive... | 0:29:27 | 0:29:30 | |
..whatever they're telling you. | 0:29:32 | 0:29:34 | |
Have you heard any more since this morning? | 0:29:35 | 0:29:37 | |
No. | 0:29:37 | 0:29:38 | |
OK. Well, then, we need to work quickly. | 0:29:38 | 0:29:41 | |
All I need now is information from you and we'll get the ball rolling. | 0:29:41 | 0:29:44 | |
-I know very little. -You'll be surprised. | 0:29:44 | 0:29:46 | |
-Does he always ring you on your mobile? -Yeah. | 0:29:49 | 0:29:51 | |
What comes up on the screen when he rings? | 0:29:51 | 0:29:53 | |
Annie's number first time, | 0:29:53 | 0:29:55 | |
then since then it's says "number unknown". It's all on there. | 0:29:55 | 0:29:57 | |
-Same man every time? -Yep. -When does he ring? -Any time. | 0:29:57 | 0:30:00 | |
-There's no pattern? -No. | 0:30:00 | 0:30:02 | |
No. | 0:30:02 | 0:30:04 | |
And Helen said the last phone call was this morning? | 0:30:04 | 0:30:06 | |
This morning, yeah. Ten past eight. | 0:30:06 | 0:30:08 | |
Saying where he wanted the money dropped. They tell me how much, | 0:30:08 | 0:30:11 | |
then they'll ring back a few hours later, say where they want it. | 0:30:11 | 0:30:14 | |
-They rang yesterday afternoon, then again this morning. -They? -He. | 0:30:14 | 0:30:17 | |
-Does he have an accent? -Round here. | 0:30:17 | 0:30:19 | |
-How old does he sound? -Oh, I don't know. Not old. | 0:30:19 | 0:30:22 | |
-What kind of language does he use? -He's cocky. He's clever. | 0:30:22 | 0:30:25 | |
He thinks he's funny. | 0:30:25 | 0:30:27 | |
"You can call me God", he says. He reckons like he's helping me. | 0:30:27 | 0:30:31 | |
"I'll do what I can, Nev, but these people, they're nasty", | 0:30:31 | 0:30:34 | |
-like he's got nowt to do with 'em. -He calls you Nev. | 0:30:34 | 0:30:37 | |
Everyone calls me Nev. | 0:30:37 | 0:30:39 | |
Do you think it's someone you know? Someone you've met? | 0:30:39 | 0:30:41 | |
It could be, but it's not struck me. I don't recognise the voice. | 0:30:41 | 0:30:44 | |
Somebody who knows ME, obviously. | 0:30:44 | 0:30:46 | |
-How many times have you delivered the money? -Twice. | 0:30:47 | 0:30:50 | |
-How do you do it? -They asked for my accountant to take it. | 0:30:50 | 0:30:53 | |
He's called Kevin Weatherill. | 0:30:53 | 0:30:54 | |
Why do you think they ask for him? | 0:30:54 | 0:30:56 | |
Um...he's little. | 0:30:57 | 0:30:59 | |
They'll be thinking he's easily intimidated. | 0:30:59 | 0:31:02 | |
So they know Kevin? | 0:31:02 | 0:31:04 | |
I mean, they know of him. | 0:31:04 | 0:31:06 | |
-They ask for him by name? -No. | 0:31:06 | 0:31:08 | |
No, I think he said, "That little..." | 0:31:08 | 0:31:10 | |
No, he said, "That irritating little twat of an accountant you've got." | 0:31:11 | 0:31:17 | |
And so, where does Kevin go when he takes the money? | 0:31:17 | 0:31:20 | |
McDonald's. Just off the Huddersfield ring road, first time, | 0:31:20 | 0:31:24 | |
then Birch Services this morning, on the M62. | 0:31:24 | 0:31:27 | |
So Kevin went this morning to Birch Services with... | 0:31:27 | 0:31:29 | |
-how much money? -£50,000. Cash. | 0:31:29 | 0:31:32 | |
DOOR CLOSES | 0:31:48 | 0:31:50 | |
Oh, shit. | 0:31:50 | 0:31:51 | |
What are you doing here? | 0:31:53 | 0:31:55 | |
I've come to see you. | 0:31:57 | 0:31:59 | |
Oh, yeah, that's likely(!) | 0:31:59 | 0:32:01 | |
Do you want to earn a few quid? | 0:32:06 | 0:32:07 | |
Doing what? | 0:32:09 | 0:32:11 | |
-Nothing. -All right. | 0:32:11 | 0:32:14 | |
I just need to borrow your cellar. | 0:32:15 | 0:32:17 | |
Just for a few days. | 0:32:17 | 0:32:18 | |
-How much? -100. | 0:32:18 | 0:32:21 | |
Two. | 0:32:21 | 0:32:23 | |
Two quid? | 0:32:23 | 0:32:24 | |
OK. You're cheap. | 0:32:24 | 0:32:26 | |
Still, we knew that. | 0:32:26 | 0:32:27 | |
200. | 0:32:27 | 0:32:29 | |
-Whatever. -I should've said three. | 0:32:30 | 0:32:33 | |
Yeah, but you didn't. | 0:32:33 | 0:32:35 | |
-Nothing illegal. -Oh, shut up. | 0:32:35 | 0:32:38 | |
Where have you been stopping? | 0:32:40 | 0:32:42 | |
-Up your arse. -Oh, you're so funny. | 0:32:42 | 0:32:44 | |
LOCK RATTLES | 0:32:44 | 0:32:46 | |
This is a pile of shite. | 0:32:48 | 0:32:49 | |
I'll be putting a padlock on here. | 0:32:51 | 0:32:53 | |
Will you? | 0:32:53 | 0:32:55 | |
It's a dog. | 0:32:55 | 0:32:56 | |
It's been trained up for a fight. | 0:32:57 | 0:32:59 | |
I said I'd look after it just for a few days. | 0:32:59 | 0:33:02 | |
So when it's here, I'll keep it muzzled, | 0:33:02 | 0:33:05 | |
but it might make a bit of noise, but don't go down there, all right? | 0:33:05 | 0:33:07 | |
-It'll have your leg off. -What, with a muzzle on? | 0:33:07 | 0:33:10 | |
I can't keep it muzzled all the time, can I? | 0:33:10 | 0:33:12 | |
It'd be inhuman. | 0:33:12 | 0:33:14 | |
I'll want the cash upfront. | 0:33:14 | 0:33:16 | |
Make sure you stick it all up your nose, Mother. | 0:33:32 | 0:33:34 | |
Piss off. | 0:33:34 | 0:33:36 | |
And you. | 0:33:36 | 0:33:37 | |
Oh, aye, there were this woman here this morning. | 0:33:44 | 0:33:46 | |
-What woman? -Catherine Cawood. | 0:33:46 | 0:33:48 | |
She's a police sergeant down at Sowerby Bridge. | 0:33:48 | 0:33:51 | |
She said she wants to talk to you. | 0:33:51 | 0:33:53 | |
She said next time you're passing you're to pop in the nick, she says. | 0:33:53 | 0:33:57 | |
Why? | 0:34:00 | 0:34:02 | |
She's Becky Cawood's mother. | 0:34:02 | 0:34:03 | |
Did you know she had a kid before she died? | 0:34:05 | 0:34:07 | |
Who did? | 0:34:07 | 0:34:09 | |
-Who died? -Becky Cawood. | 0:34:09 | 0:34:12 | |
How? | 0:34:14 | 0:34:15 | |
I don't know. | 0:34:15 | 0:34:17 | |
Anyway, kid's called Ryan. | 0:34:17 | 0:34:19 | |
Lives with her, the policewoman. She's his granny. | 0:34:19 | 0:34:22 | |
Is it yours? | 0:34:22 | 0:34:24 | |
One of the smackheads down Hebden were saying it's yours. | 0:34:25 | 0:34:28 | |
Anyway, she wants to see you. | 0:34:29 | 0:34:32 | |
In the next hour or so, we'll send someone into your home | 0:34:36 | 0:34:39 | |
and someone into your workplace. | 0:34:39 | 0:34:41 | |
They'll be undercover, disguised as a telecoms worker, | 0:34:41 | 0:34:44 | |
or something like that. We'll duplicate the phone. | 0:34:44 | 0:34:47 | |
I've got the number. | 0:34:47 | 0:34:48 | |
If they try and call you in the next half an hour or so, | 0:34:49 | 0:34:52 | |
before we're up and running, whatever you do, stall them. | 0:34:52 | 0:34:55 | |
If they ask you for more money, | 0:34:55 | 0:34:57 | |
say you're happy to do that, you just need time to get it together. OK? | 0:34:57 | 0:35:00 | |
And do I? Get money together? | 0:35:00 | 0:35:03 | |
Yeah. If you can. Everything as normal. | 0:35:03 | 0:35:06 | |
Don't give them any reason to think anything's happened. | 0:35:06 | 0:35:08 | |
And don't tell anyone - ANYONE - what's going on. | 0:35:10 | 0:35:14 | |
That does include Kevin. I know you trust him... | 0:35:14 | 0:35:17 | |
I don't trust anyone, pal. | 0:35:17 | 0:35:19 | |
But from our point of view, till we can eliminate him, | 0:35:19 | 0:35:21 | |
we'll be treating him as a suspect. OK? | 0:35:21 | 0:35:23 | |
One last one. | 0:35:25 | 0:35:26 | |
Have you asked for any proof that she hasn't been hurt? | 0:35:28 | 0:35:31 | |
He sent, um... | 0:35:36 | 0:35:38 | |
Yesterday, he sent this. | 0:35:38 | 0:35:41 | |
I'm sorry. Can I...? | 0:35:50 | 0:35:52 | |
OK. | 0:36:01 | 0:36:03 | |
Just go home, carry on as normal, and we'll be in touch. All right? | 0:36:04 | 0:36:08 | |
Have you got a minute? | 0:36:10 | 0:36:12 | |
I didn't plan this. | 0:36:22 | 0:36:24 | |
She turned up at the mission. | 0:36:24 | 0:36:26 | |
Only because she was worried about me and even then... | 0:36:26 | 0:36:28 | |
I keep thinking about Kevin. Why Kevin? | 0:36:28 | 0:36:31 | |
Why did they ask for Kevin to deliver the money? | 0:36:31 | 0:36:35 | |
How well do you know them? | 0:36:35 | 0:36:37 | |
I don't. She's a friend of my sister's. Why? | 0:36:37 | 0:36:39 | |
She may have been alive when that picture was taken, | 0:36:39 | 0:36:42 | |
but if they're saying they're not asking for any more money, | 0:36:42 | 0:36:44 | |
and that was this morning... | 0:36:44 | 0:36:46 | |
Kevin Weatherill came into my nick four days ago. | 0:36:48 | 0:36:52 | |
He was agitated. He wanted to tell me something and then | 0:36:52 | 0:36:55 | |
before he could, he disappeared. | 0:36:55 | 0:36:56 | |
We'll have obs on him within an hour. | 0:36:56 | 0:36:59 | |
How long have you been back in uniform? | 0:37:00 | 0:37:02 | |
Nearly nine years. | 0:37:04 | 0:37:06 | |
I had a bit of a... | 0:37:07 | 0:37:09 | |
My daughter died. | 0:37:13 | 0:37:15 | |
Oh, God, I'm sorry. | 0:37:15 | 0:37:17 | |
Then I had a grandson to look after, | 0:37:17 | 0:37:19 | |
and being a detective didn't fit the lifestyle any more, so... | 0:37:19 | 0:37:22 | |
It was nice to see you. | 0:37:29 | 0:37:30 | |
-Thank you, Catherine. -No problem. | 0:37:35 | 0:37:38 | |
-Do you need a lift? -No, you're fine, I'll ring our Clare. | 0:37:38 | 0:37:41 | |
Ready to go. | 0:37:41 | 0:37:42 | |
BALL CLATTERS CLARE: Ooh! | 0:37:50 | 0:37:52 | |
Hello. | 0:38:01 | 0:38:03 | |
Hello. Fancy seeing you here. | 0:38:04 | 0:38:06 | |
-She's not in. -Is she not? | 0:38:06 | 0:38:08 | |
Well, that's all right. | 0:38:08 | 0:38:11 | |
I was coming to see Ryan. | 0:38:11 | 0:38:13 | |
I heard you wanted to play football with me. | 0:38:14 | 0:38:17 | |
-In the dark? -Do you want to? | 0:38:17 | 0:38:19 | |
I would. Only the thing is, I've never been very good at it. | 0:38:19 | 0:38:22 | |
-It's easy. -I've got two left feet. | 0:38:22 | 0:38:24 | |
-Have you? -Who do you support? | 0:38:24 | 0:38:27 | |
-Man City. -That's bad. | 0:38:27 | 0:38:29 | |
Edin Dzeko. | 0:38:29 | 0:38:31 | |
It's all going right over my head, kid. | 0:38:31 | 0:38:34 | |
Striker. | 0:38:34 | 0:38:35 | |
Really? What else do you like doing? | 0:38:35 | 0:38:38 | |
-Me bike. -He likes next-door's cat. | 0:38:38 | 0:38:40 | |
Do you? | 0:38:40 | 0:38:42 | |
-I feed it when they go on holiday. -Very good. | 0:38:42 | 0:38:44 | |
He likes me best. | 0:38:44 | 0:38:45 | |
So you say. PHONE RINGS | 0:38:45 | 0:38:48 | |
-So... -CLARE: Hello? | 0:38:51 | 0:38:53 | |
-Edin...Dzeko? -Is everything all right? | 0:38:53 | 0:38:55 | |
Where's he from? Not Manchester. | 0:38:55 | 0:38:56 | |
-Bosnia. -Do you know where Bosnia is? On a map? | 0:38:56 | 0:38:59 | |
Yeah. Do you? | 0:38:59 | 0:39:01 | |
Hang on. | 0:39:01 | 0:39:02 | |
I've to go pick our Catherine up in Sowerby Bridge. | 0:39:02 | 0:39:06 | |
She's stuck there without a car. Are you... | 0:39:06 | 0:39:08 | |
all right with him if I nip out? | 0:39:08 | 0:39:11 | |
Well, I could... | 0:39:11 | 0:39:13 | |
Yeah. Yeah, you go. | 0:39:16 | 0:39:19 | |
He's all right here with me. | 0:39:19 | 0:39:22 | |
TV: One colleague described PC McAskill | 0:39:29 | 0:39:31 | |
as fun-loving and out-going, | 0:39:31 | 0:39:33 | |
and another as someone for whom nothing was too much trouble, | 0:39:33 | 0:39:36 | |
especially when it came to helping others. | 0:39:36 | 0:39:38 | |
A family member talked about how, since the age of seven, | 0:39:38 | 0:39:41 | |
she'd talked about wanting to be a police officer, | 0:39:41 | 0:39:43 | |
and after securing a place at university in 2009 to study history, | 0:39:43 | 0:39:48 | |
instead enrolled as a PCSO. The funeral is expected... | 0:39:48 | 0:39:52 | |
VOLUME INCREASES ..to take place in two weeks' time. | 0:39:52 | 0:39:55 | |
Can we turn this off? | 0:39:55 | 0:39:57 | |
What's the matter? | 0:39:57 | 0:39:59 | |
-What's happened? -I've thought... | 0:40:02 | 0:40:05 | |
I've thought of a way out of the mess. | 0:40:05 | 0:40:07 | |
How? | 0:40:07 | 0:40:09 | |
I nearly, this morning, said something to Nevison, but... | 0:40:09 | 0:40:12 | |
-Said something? -Yeah. Look. | 0:40:12 | 0:40:14 | |
If I said, "I think I know who these people are," | 0:40:14 | 0:40:17 | |
and I persuade him to go to the police... | 0:40:17 | 0:40:18 | |
And to say Ashley? | 0:40:18 | 0:40:20 | |
-To say Ashley's name? -Yeah. | 0:40:20 | 0:40:21 | |
And to say that we rent the caravan up there, | 0:40:21 | 0:40:24 | |
and I talk about work occasionally, and Nevison, the family, | 0:40:24 | 0:40:27 | |
and that he must've picked up on that. On what I said. | 0:40:27 | 0:40:29 | |
And then when Ashley says it was me, it was my idea, | 0:40:29 | 0:40:32 | |
I just say that's a lie. | 0:40:32 | 0:40:33 | |
Who are they going to believe? It's my word against his. | 0:40:33 | 0:40:36 | |
You'd never keep your nerve. | 0:40:36 | 0:40:38 | |
It was them! | 0:40:39 | 0:40:41 | |
What? | 0:40:42 | 0:40:44 | |
It was them that killed that policewoman. | 0:40:44 | 0:40:46 | |
Those two yobs, those two animals that work for Ashley. | 0:40:47 | 0:40:51 | |
They were moving her, Ann, in a van, and... | 0:40:51 | 0:40:54 | |
That's... | 0:40:54 | 0:40:56 | |
They got pulled over, yeah, by her, the police officer, | 0:40:56 | 0:40:59 | |
the one that's dead... | 0:40:59 | 0:41:00 | |
-Only cos he had a rear light out... -Oh, my God. | 0:41:02 | 0:41:05 | |
And they killed her. | 0:41:05 | 0:41:07 | |
They kill... | 0:41:07 | 0:41:09 | |
They murdered a police officer, Jenny! | 0:41:09 | 0:41:12 | |
That wasn't part of the plan. That was never part of the plan! | 0:41:12 | 0:41:14 | |
And I'm not... If things... I'm not being blamed for that. | 0:41:14 | 0:41:19 | |
Jesus! | 0:41:19 | 0:41:21 | |
Which is why, I go to Nevison, I say, | 0:41:21 | 0:41:23 | |
"I think I might know who these people are," | 0:41:23 | 0:41:24 | |
and I persuade him we should go to the police. | 0:41:24 | 0:41:27 | |
What about the money? | 0:41:27 | 0:41:29 | |
-The money that you've got? -Ssh. I just bury it somewhere. | 0:41:29 | 0:41:33 | |
-I don't know. -Why?! | 0:41:33 | 0:41:35 | |
Why don't you just go there and tell them the truth? | 0:41:38 | 0:41:42 | |
The truth? | 0:41:42 | 0:41:43 | |
Yeah. Just say that you did what you did | 0:41:43 | 0:41:46 | |
but you had nothing to do with murdering this girl! | 0:41:46 | 0:41:50 | |
No, no, Jenny. No. | 0:41:50 | 0:41:51 | |
Why did you do it? Any of it? Why?! | 0:41:51 | 0:41:54 | |
You know why, I've explained why. | 0:41:54 | 0:41:57 | |
If he'd chosen to give me just a little bit more money | 0:41:57 | 0:41:59 | |
-when I asked for it... -The girls, the girls, the girls! | 0:41:59 | 0:42:02 | |
What use are you going to be to them in prison? | 0:42:03 | 0:42:06 | |
Which is why, if I say this thing to Nevison and we go to the police | 0:42:06 | 0:42:09 | |
and say, "I think I might know who these people are," | 0:42:09 | 0:42:11 | |
it's a way out of it! Jenny! | 0:42:11 | 0:42:14 | |
There'll probably be something you haven't thought of. | 0:42:17 | 0:42:20 | |
Thanks. | 0:42:27 | 0:42:29 | |
You'll never believe who I've left our Ryan with. | 0:42:29 | 0:42:32 | |
Richard. Sauntered down to back yard, did he want to play football? | 0:42:32 | 0:42:36 | |
-Wow. -Yep. | 0:42:38 | 0:42:39 | |
OK. | 0:42:39 | 0:42:40 | |
So, how's it going? | 0:42:40 | 0:42:42 | |
It's being dealt with. | 0:42:42 | 0:42:44 | |
Fair enough. | 0:42:44 | 0:42:45 | |
I went to see Tommy Lee Royce's mother this morning. | 0:42:49 | 0:42:52 | |
And she knows. | 0:42:52 | 0:42:54 | |
She knows that that moron's Ryan's dad. | 0:42:55 | 0:42:58 | |
How? | 0:42:58 | 0:42:59 | |
Eyes on the road. | 0:42:59 | 0:43:01 | |
How?! | 0:43:01 | 0:43:03 | |
TV IS ON | 0:43:23 | 0:43:25 | |
PADLOCK OPENS | 0:44:00 | 0:44:02 | |
They want me to kill you... | 0:44:33 | 0:44:36 | |
..but I thought we could have a bit of recreational activity first. | 0:44:37 | 0:44:41 | |
Hmm? | 0:44:41 | 0:44:43 | |
I have this thing on my mind. | 0:44:50 | 0:44:53 | |
It's so weird. | 0:44:55 | 0:44:57 | |
I have a son. | 0:44:59 | 0:45:01 | |
I never knew. | 0:45:01 | 0:45:03 | |
Eight years old. | 0:45:04 | 0:45:06 | |
A boy, a lad. | 0:45:07 | 0:45:08 | |
How about that? | 0:45:11 | 0:45:13 | |
I just found out, just this morning. | 0:45:15 | 0:45:17 | |
What do you think about that? | 0:45:29 | 0:45:31 | |
DOOR OPENS | 0:45:41 | 0:45:43 | |
This has just come in from the store for you. | 0:45:43 | 0:45:46 | |
Boss, that cocaine I took off Marcus Gascoigne when I arrested him - | 0:46:15 | 0:46:19 | |
it's unusable. As an exhibit. | 0:46:19 | 0:46:21 | |
The packaging's been damaged, apparently. | 0:46:21 | 0:46:23 | |
It wasn't damaged when I took it off him. | 0:46:23 | 0:46:25 | |
-These things happen. -Yeah. All right. OK. | 0:46:27 | 0:46:31 | |
So...this is the thing. | 0:46:35 | 0:46:37 | |
The night Kirsten died, | 0:46:39 | 0:46:41 | |
the district commander told me not to send it. | 0:46:41 | 0:46:44 | |
He brought the subject up, not me. | 0:46:44 | 0:46:46 | |
"You arrested Marcus Gascoigne, drop it." | 0:46:46 | 0:46:48 | |
I said I couldn't - the stuff I took off him had gone straight into the store at Halifax nick. | 0:46:48 | 0:46:52 | |
He said, "Take it out." I said I couldn't do that. And now... | 0:46:52 | 0:46:55 | |
the results have come back saying that the packaging was damaged | 0:46:55 | 0:46:58 | |
and it's unusable as evidence, and I know that it wasn't. | 0:46:58 | 0:47:00 | |
-He told you to drop it? -Yeah. | 0:47:00 | 0:47:02 | |
Well, then, I suggest that's what you do. | 0:47:03 | 0:47:05 | |
But... | 0:47:05 | 0:47:07 | |
Things get damaged in transit. | 0:47:07 | 0:47:09 | |
He told you to drop it. | 0:47:09 | 0:47:10 | |
-So drop it. -That's... | 0:47:10 | 0:47:12 | |
It's like you telling me you've entered an address | 0:47:12 | 0:47:15 | |
by "ways and means", and me reckoning I haven't heard. | 0:47:15 | 0:47:17 | |
Sometimes we turn a blind eye, don't we? Hmm? | 0:47:20 | 0:47:23 | |
Drop it. | 0:47:28 | 0:47:29 | |
If his bloods come back tampered with, | 0:47:36 | 0:47:38 | |
I am not dropping that. He was well over the limit. | 0:47:38 | 0:47:40 | |
It wasn't tampered with. It was damaged. | 0:47:40 | 0:47:43 | |
Do you think you're letting this get a bit personal? | 0:47:43 | 0:47:46 | |
What did you have for your dinner? | 0:48:28 | 0:48:30 | |
-I can't remember. -Think. | 0:48:33 | 0:48:35 | |
-Oh, yeah, chips. -Chips? | 0:48:37 | 0:48:39 | |
And custard. | 0:48:39 | 0:48:41 | |
Nice(!) | 0:48:41 | 0:48:43 | |
Nutritious...not. | 0:48:43 | 0:48:45 | |
You wanted to see me. | 0:48:57 | 0:48:59 | |
Put your seat belt on. | 0:48:59 | 0:49:01 | |
-Where are you living? -Is that my son? | 0:49:03 | 0:49:05 | |
You're not at your release address, so where are you living? | 0:49:05 | 0:49:08 | |
-I am living there. Is that my son? -No, not according to your mother, you're not. What were you doing at | 0:49:08 | 0:49:12 | |
-number 62 Milton Avenue? -What? -What were you doing there? | 0:49:12 | 0:49:14 | |
-Not me. -You were seen. -I saw you. | 0:49:14 | 0:49:16 | |
-Must be somebody who looks like me. -What were you doing there? -I wasn't in there. | 0:49:16 | 0:49:20 | |
OK. | 0:49:20 | 0:49:21 | |
Well, we'll see, when I get the and prints and swabs back from the lab. | 0:49:21 | 0:49:25 | |
How come Becky's dead? | 0:49:27 | 0:49:28 | |
-I'm not talking to you about my daughter. -That's my lad. | 0:49:32 | 0:49:35 | |
He's got nothing to do with you. | 0:49:35 | 0:49:37 | |
You know me and your Becky had a thing going on. | 0:49:37 | 0:49:39 | |
-You twisted little bastard. You raped her. -I didn't. | 0:49:41 | 0:49:43 | |
-Yes, you did. -That's not... | 0:49:43 | 0:49:45 | |
I know what you did to her because she told me. | 0:49:45 | 0:49:47 | |
You better not cross me, arsehole, | 0:49:47 | 0:49:48 | |
because if you do, I'll chop your dick off and I'll make you swallow it. | 0:49:48 | 0:49:51 | |
Is there anything I've said you'd like me to repeat more slowly? | 0:49:51 | 0:49:55 | |
You're my son! | 0:50:05 | 0:50:06 | |
-Ryan! -ENGINE REVS | 0:50:06 | 0:50:08 | |
I'm your dad! You're my son! | 0:50:08 | 0:50:11 | |
I knew your mum! | 0:50:11 | 0:50:13 | |
Who's that? | 0:50:13 | 0:50:14 | |
It's no-one. | 0:50:14 | 0:50:16 | |
It's a scrote, nutter. | 0:50:16 | 0:50:18 | |
He's off his head on drugs. | 0:50:20 | 0:50:22 | |
These people say the first damned silly thing | 0:50:22 | 0:50:24 | |
that comes into their heads. | 0:50:24 | 0:50:26 | |
Did he believe you? | 0:50:31 | 0:50:33 | |
I don't know. I don't know. | 0:50:33 | 0:50:34 | |
He seemed to. | 0:50:34 | 0:50:36 | |
Can he get access? | 0:50:36 | 0:50:38 | |
I mean, if he proves... | 0:50:38 | 0:50:40 | |
If he can prove he's his dad... | 0:50:40 | 0:50:42 | |
-God knows. Probably. -Really? | 0:50:42 | 0:50:44 | |
It won't happen. I won't let it. | 0:50:44 | 0:50:46 | |
-But legally, he might... -I couldn't give a toss, legally. | 0:50:46 | 0:50:49 | |
But if he's saying he didn't rape her, | 0:50:49 | 0:50:53 | |
then it's his word against yours. | 0:50:53 | 0:50:55 | |
It's not even his word against hers. | 0:50:55 | 0:50:56 | |
She killed herself because of that bastard. | 0:50:58 | 0:51:00 | |
That is... It's not proof. | 0:51:00 | 0:51:02 | |
It's not like that's what he was convicted of! | 0:51:02 | 0:51:05 | |
If he can prove that he is his, then he will have rights. | 0:51:05 | 0:51:08 | |
He's not going to prove it, | 0:51:08 | 0:51:09 | |
because I'm not going to let him anywhere near him. | 0:51:09 | 0:51:12 | |
Are we being thick? | 0:51:20 | 0:51:22 | |
-Who? -That cellar. | 0:51:26 | 0:51:28 | |
In that house near the Chinese, all the stuff you found in there. | 0:51:28 | 0:51:31 | |
Is that not like...how you might keep someone if you've kidnapped them | 0:51:31 | 0:51:36 | |
and raped them. | 0:51:36 | 0:51:37 | |
That's... | 0:51:38 | 0:51:40 | |
I could flag it up. | 0:51:40 | 0:51:42 | |
They could fast-track the prints and swabs I had taken. | 0:51:44 | 0:51:47 | |
-They should pick him up. -No. God, no. | 0:51:47 | 0:51:49 | |
If they think he's got anything to do with Ann Gallagher, | 0:51:49 | 0:51:52 | |
that's last thing they'll do. They'll follow him. | 0:51:52 | 0:51:54 | |
If they can find him. | 0:51:54 | 0:51:56 | |
Cos he sure as hell won't be anywhere he's supposed to be. | 0:51:56 | 0:51:59 | |
What... Do you not think we're onto something? | 0:51:59 | 0:52:01 | |
Clare, the first thing you learn in this job | 0:52:01 | 0:52:03 | |
is not to make assumptions. It's a short route to a cock-up. | 0:52:03 | 0:52:07 | |
It can take your eye off what's really going on. | 0:52:07 | 0:52:09 | |
Hiya, Phil. It's Catherine. Look, | 0:52:11 | 0:52:13 | |
this might be something and nothing, but I just thought I'd flag it up. | 0:52:13 | 0:52:17 | |
NEWS: In West Yorkshire, detectives investigating | 0:52:18 | 0:52:21 | |
the murder of PC Kirsten McAskill have said that as well | 0:52:21 | 0:52:24 | |
as a white transit van, they're now also looking for a yellow Mini, | 0:52:24 | 0:52:27 | |
and continue to appeal to members of the public for information. | 0:52:27 | 0:52:31 | |
Martin Schofield reports from West Yorkshire. | 0:52:31 | 0:52:33 | |
-SCHOFIELD: -Four days on from the brutal of the brutal killing of... | 0:52:33 | 0:52:35 | |
Oh, God. | 0:52:35 | 0:52:37 | |
Hello? Phil? It's Nevison Gallagher. | 0:52:49 | 0:52:51 | |
Have you heard this on the news about Kirsten McAskill? | 0:52:51 | 0:52:54 | |
A yellow Mini! That's what our Ann was driving. | 0:52:54 | 0:52:57 | |
-CATHERINE ON RADIO: -Shaf. -You all right, Sarge? | 0:52:57 | 0:53:00 | |
What have I missed? | 0:53:00 | 0:53:01 | |
Oh, just three million phone calls from people whose neighbours | 0:53:01 | 0:53:05 | |
have got a yellow mini. | 0:53:05 | 0:53:06 | |
How was the community meeting? | 0:53:06 | 0:53:08 | |
The usual suspects out in force. | 0:53:08 | 0:53:10 | |
We've got a dead police officer, | 0:53:10 | 0:53:11 | |
and they're still more bothered about the amount of dog shit up Smithy Clough Lane. | 0:53:11 | 0:53:15 | |
Listen, I'm just going to look in on Tommy Lee Royce's mother again, | 0:53:15 | 0:53:18 | |
-all right? I shan't be long. -OK. What for? -Fun. | 0:53:18 | 0:53:20 | |
Morning. | 0:53:31 | 0:53:32 | |
Nevison. | 0:53:32 | 0:53:34 | |
I... I think I might know who these people are. | 0:53:35 | 0:53:38 | |
-Who did that? -What are you doing here? | 0:53:53 | 0:53:56 | |
He's been here, because you gave him my message. | 0:53:56 | 0:53:58 | |
I know that. | 0:53:58 | 0:54:00 | |
So here's another one I'd like you to give him. | 0:54:00 | 0:54:02 | |
Ryan is not his son. Ryan has got nothing to do with him. | 0:54:02 | 0:54:06 | |
I would not waste my life dragging up something he'd spawned. All right? | 0:54:06 | 0:54:09 | |
-Right. -So you tell him... | 0:54:09 | 0:54:11 | |
..if he comes anywhere near our Ryan, there'll be bother. | 0:54:12 | 0:54:15 | |
More bother than he knows how to handle. | 0:54:15 | 0:54:18 | |
-All right? -Yeah. | 0:54:18 | 0:54:19 | |
Did he do that? | 0:54:23 | 0:54:24 | |
Why? | 0:54:25 | 0:54:27 | |
Why did he do it? | 0:54:27 | 0:54:28 | |
Cos it's Tuesday. Cos the sun's shining. | 0:54:28 | 0:54:30 | |
Cos he feels like it. There is no why. | 0:54:30 | 0:54:34 | |
-Do you want me to arrest him? -No. | 0:54:34 | 0:54:36 | |
Lynn, if he's knocking you about, I'll arrest him. | 0:54:36 | 0:54:38 | |
Yeah, then he'll do it even worse. | 0:54:38 | 0:54:40 | |
I don't see him for f-f-f...weeks and then... | 0:54:40 | 0:54:44 | |
I'll let his dog out, that'll fucking learn him. | 0:54:44 | 0:54:48 | |
I don't see him for weeks, then he brings a dog, | 0:54:48 | 0:54:52 | |
and I'm not allowed in me own cellar. | 0:54:52 | 0:54:54 | |
Not that I ever go in there, like. | 0:54:54 | 0:54:56 | |
You know, but... | 0:54:56 | 0:54:58 | |
-What dog? -Ohh, it's... | 0:54:59 | 0:55:01 | |
-Why's he got a dog in the cellar? -It's... -Show me, Lynn. | 0:55:01 | 0:55:04 | |
-Show me. -He's just looking after it for someone. | 0:55:04 | 0:55:08 | |
-I'm in trouble now. -Is Tommy here? | 0:55:08 | 0:55:10 | |
-No. -Why's it padlocked? | 0:55:10 | 0:55:13 | |
He put that on. He's training it up for a fight. | 0:55:13 | 0:55:16 | |
-Have you heard this dog? -It's muzzled. | 0:55:18 | 0:55:21 | |
Have you seen the dog? | 0:55:21 | 0:55:23 | |
I don't think that's a dog in there, Lynn. | 0:55:25 | 0:55:27 | |
-WHIMPERING -Ann? | 0:55:36 | 0:55:38 | |
MUFFLED SOBS / CRIES | 0:55:39 | 0:55:41 | |
MUFFLED: Get me out of here! Get me out of here! Get me out of here! | 0:55:46 | 0:55:50 | |
You're out of here. It's over. Ssh. | 0:55:50 | 0:55:52 | |
ANN SOBS | 0:55:55 | 0:55:57 | |
MUFFLED: Get me out of here! Get me out of here! | 0:55:57 | 0:56:00 | |
-What are you doing? -It wasn't me. | 0:56:00 | 0:56:03 | |
What are you fucking doing?! | 0:56:03 | 0:56:04 | |
Urgh! | 0:56:04 | 0:56:05 | |
ANN SCREAMS | 0:56:08 | 0:56:10 | |
Urgh! | 0:56:10 | 0:56:11 | |
HE SPITS | 0:56:16 | 0:56:17 | |
Argh! | 0:56:20 | 0:56:22 | |
You bitch! | 0:56:46 | 0:56:47 | |
You're going to be eating food through a straw | 0:56:50 | 0:56:52 | |
for the rest of your life. | 0:56:52 | 0:56:53 | |
You're going to need someone to wipe your arse for you. | 0:56:55 | 0:56:58 | |
Oh, yes. | 0:56:58 | 0:57:00 | |
Do you like that, you slag? | 0:57:00 | 0:57:02 | |
-Argh! -Urgh! | 0:57:04 | 0:57:05 | |
-HISSING -Argh! | 0:57:07 | 0:57:09 | |
Argh! Argh! | 0:57:12 | 0:57:14 | |
CATHERINE: Get in! No, no, no... | 0:57:35 | 0:57:36 | |
Get in! No! | 0:57:36 | 0:57:38 | |
ANN SOBS | 0:57:38 | 0:57:40 | |
RADIO BEEPS | 0:57:52 | 0:57:54 | |
-SLURRED: -I need an ambulance. | 0:57:54 | 0:57:56 | |
No! Get in, get in. | 0:57:59 | 0:58:01 | |
Get in! | 0:58:01 | 0:58:03 | |
Don't do that. Don't do that. | 0:58:03 | 0:58:06 | |
Don't do that! | 0:58:06 | 0:58:08 | |
Don't do that! Don't do that! | 0:58:08 | 0:58:12 | |
Don't do that! | 0:58:16 | 0:58:18 | |
No! | 0:58:22 | 0:58:24 | |
Don't do that! | 0:58:26 | 0:58:28 | |
RADIO CONTINUES BEEPING | 0:58:30 | 0:58:33 |