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Can I speak to the detective superintendent? | 0:00:02 | 0:00:03 | |
I need to talk to him about a kidnap. | 0:00:03 | 0:00:05 | |
It's a tiger kidnap, live, ongoing, happening now. | 0:00:05 | 0:00:07 | |
LYNN: Catherine Cawood... | 0:00:07 | 0:00:08 | |
Your grandson - is it him that's our Tommy's lad? | 0:00:08 | 0:00:11 | |
I'm your dad! You're my son! | 0:00:11 | 0:00:13 | |
TYRES SCREECH I knew your mum! | 0:00:13 | 0:00:16 | |
Nobody "higher up" is gonna know | 0:00:16 | 0:00:18 | |
a single damn thing about this stupid business! | 0:00:18 | 0:00:21 | |
If he can prove he is his dad, then he will have rights. | 0:00:21 | 0:00:24 | |
It's all your fault! | 0:00:24 | 0:00:25 | |
You genius, who never gets his hands mucky! | 0:00:25 | 0:00:28 | |
I'll look in on Tommy Lee Royce's mother again. | 0:00:28 | 0:00:30 | |
-Shan't be long. -OK. What for? | 0:00:30 | 0:00:32 | |
-Fun. -It was them that killed that policewoman! | 0:00:32 | 0:00:36 | |
This programme contains some violent scenes and scenes which some viewers may find upsetting | 0:00:36 | 0:00:41 | |
I think I might know who these people are. | 0:00:41 | 0:00:43 | |
GASPS FOR BREATH | 0:00:43 | 0:00:45 | |
RADIO BEEPS | 0:00:55 | 0:00:57 | |
ANN WHIMPERS | 0:00:57 | 0:00:58 | |
Help me! Help me! | 0:01:00 | 0:01:03 | |
Can you hear me?! | 0:01:06 | 0:01:08 | |
You've got to help me! | 0:01:08 | 0:01:10 | |
He's going to kill me. | 0:01:10 | 0:01:11 | |
He's going to kill me! | 0:01:13 | 0:01:15 | |
RADIO BEEPS SIRENS BLARE IN DISTANCE | 0:01:15 | 0:01:18 | |
I'll gouge his eyes out, | 0:01:18 | 0:01:19 | |
I'll tear his hair out by the roots... | 0:01:19 | 0:01:21 | |
SHE SCREAMS | 0:01:23 | 0:01:25 | |
SIRENS BLARE | 0:01:25 | 0:01:27 | |
Shit! Sarge! | 0:01:29 | 0:01:31 | |
Sarge? Do you hear me? | 0:01:31 | 0:01:34 | |
-What've you done to her?! -M-Me? I... | 0:01:34 | 0:01:38 | |
It's him! It's him, he's done it, not me! | 0:01:38 | 0:01:41 | |
Tell me what's happened. | 0:01:41 | 0:01:43 | |
Don't you bloody touch me! Where've you bloody well been?! | 0:01:43 | 0:01:45 | |
I'm not trying to touch you, I need to know what's happened. | 0:01:45 | 0:01:48 | |
SIRENS BLARE | 0:01:48 | 0:01:50 | |
What the hell's happened? | 0:01:54 | 0:01:56 | |
Sir, girl in the car says she's been held in a cellar | 0:01:56 | 0:01:58 | |
and assaulted for the last four days. | 0:01:58 | 0:02:01 | |
Hey, love, you'll be all right now. What's your name? | 0:02:01 | 0:02:04 | |
Ann...Gallagher. | 0:02:04 | 0:02:07 | |
SIRENS BLARE | 0:02:07 | 0:02:09 | |
Who's-Who's done this to my sergeant, Ann? | 0:02:09 | 0:02:11 | |
BREATHLESSLY: I don't know his name, but he's still in there. | 0:02:11 | 0:02:14 | |
He's in the cellar. | 0:02:14 | 0:02:17 | |
She sprayed him with something. | 0:02:17 | 0:02:20 | |
You and you, round t'back. | 0:02:20 | 0:02:21 | |
Shaf, you're going in the ambulance with Catherine. If she speaks, | 0:02:21 | 0:02:24 | |
I want to know what she's saying. Stay with t'lass. Everyone else... | 0:02:24 | 0:02:27 | |
Check the cellar first, and be careful! | 0:02:27 | 0:02:30 | |
I want the on-call DI, I want H-MIT, I want CSI. | 0:02:30 | 0:02:32 | |
This is the attempted murder of a police officer. | 0:02:32 | 0:02:35 | |
SIRENS BLARE OUTSIDE | 0:02:43 | 0:02:44 | |
There's nobody down here, sir! | 0:02:56 | 0:02:58 | |
She sprayed him! She gassed him! | 0:02:58 | 0:03:00 | |
HE COUGHS AND BREATHES HEAVILY | 0:03:02 | 0:03:04 | |
RINGING TONE | 0:03:05 | 0:03:07 | |
-Hello? -'Ashley, it's Tommy.' | 0:03:12 | 0:03:15 | |
-You all right? -She's escaped. | 0:03:15 | 0:03:17 | |
-What? -'She's escaped.' | 0:03:17 | 0:03:20 | |
That bastard policewoman! They've got her. | 0:03:20 | 0:03:22 | |
You've got to come and pick me up, you've got to help me. | 0:03:22 | 0:03:25 | |
You're on your own, pal. | 0:03:25 | 0:03:26 | |
Ashley? LINE GOES DEAD | 0:03:26 | 0:03:29 | |
Ashley! | 0:03:29 | 0:03:30 | |
Shit! | 0:03:34 | 0:03:35 | |
Shit! | 0:03:37 | 0:03:38 | |
# In this trouble town | 0:03:38 | 0:03:41 | |
# Troubles are found | 0:03:41 | 0:03:45 | |
# In this trouble town | 0:03:47 | 0:03:50 | |
# Words do get round | 0:03:50 | 0:03:54 | |
# Stuck in speed-bump city | 0:04:00 | 0:04:01 | |
# Where the only thing that's pretty | 0:04:01 | 0:04:04 | |
# Is the thought of getting out. # | 0:04:04 | 0:04:06 | |
Don't tell him I already know what's going on. | 0:04:08 | 0:04:11 | |
-Just introduce us as being from CID. -Right. | 0:04:11 | 0:04:15 | |
KNOCK ON DOOR | 0:04:19 | 0:04:20 | |
Kevin. | 0:04:20 | 0:04:21 | |
These fellas are from the CID, they want to talk to you. | 0:04:21 | 0:04:25 | |
-Hi. -How do you do? | 0:04:25 | 0:04:26 | |
Could you give us a few minutes? | 0:04:28 | 0:04:30 | |
Mr Weatherill. Can I call you Kevin? | 0:04:36 | 0:04:39 | |
Er, yeah. Y-Yeah, of course. | 0:04:39 | 0:04:42 | |
HE CLEARS THROAT | 0:04:42 | 0:04:43 | |
PHONE RINGS AND VIBRATES | 0:04:49 | 0:04:51 | |
-Hello. TOMMY: -Lewis? | 0:04:55 | 0:04:58 | |
Yeah, might be. | 0:04:58 | 0:04:59 | |
It's Tommy. I need a lift. I need picking up. | 0:04:59 | 0:05:03 | |
Have you got a car you can use? | 0:05:03 | 0:05:04 | |
Look, I'll pay you. | 0:05:07 | 0:05:09 | |
Do you know anyone who's got a car I can borrow? | 0:05:11 | 0:05:14 | |
HE BREATHES HEAVILY SIRENS BLARE OUTSIDE | 0:05:16 | 0:05:18 | |
Where are you? | 0:05:20 | 0:05:21 | |
Where did you drop the money off, Kevin? | 0:05:21 | 0:05:24 | |
Where did they tell you to drop the money off? | 0:05:24 | 0:05:26 | |
Er... Er, McDonald's on the Huddersfield ring road. | 0:05:26 | 0:05:29 | |
And then Birch Services on the M62. | 0:05:30 | 0:05:33 | |
Whose car did you drive there in? | 0:05:33 | 0:05:35 | |
-STAMMERS: -Mine. -Both times? | 0:05:36 | 0:05:39 | |
-Yeah. -You're absolutely certain about that? | 0:05:40 | 0:05:43 | |
You didn't take Nevison's or... anyone else's? | 0:05:43 | 0:05:46 | |
No. | 0:05:46 | 0:05:47 | |
No, no. | 0:05:48 | 0:05:49 | |
What's your registration number? | 0:05:49 | 0:05:51 | |
Erm... | 0:05:54 | 0:05:56 | |
VE56... | 0:05:56 | 0:05:57 | |
..CHX. | 0:05:59 | 0:06:01 | |
Can you give me, near as you can, specific times | 0:06:03 | 0:06:06 | |
-when those drops were made? -Erm... | 0:06:06 | 0:06:08 | |
The first time, Huddersfield ring road, that was... | 0:06:08 | 0:06:12 | |
er, Thursday, this last Thursday. | 0:06:12 | 0:06:14 | |
Er, around lunchtime. | 0:06:14 | 0:06:15 | |
Probably...five past, ten past 12? | 0:06:15 | 0:06:18 | |
And the other time? | 0:06:18 | 0:06:20 | |
That was... Er, that was Birch Services. | 0:06:20 | 0:06:25 | |
Erm, half past ten, quarter to 11, this Monday. | 0:06:25 | 0:06:29 | |
And where did you put it? The money. | 0:06:29 | 0:06:31 | |
In-in-in-in... In a... | 0:06:31 | 0:06:34 | |
Wasn't, like, in a bin, next to a...bin. | 0:06:34 | 0:06:36 | |
Was this the Huddersfield ring road or Birch Services? | 0:06:36 | 0:06:39 | |
Er...Huddersfield. | 0:06:39 | 0:06:41 | |
The second time was in the men's toilets. | 0:06:41 | 0:06:44 | |
Can you describe to me where the bins and these toilets are? | 0:06:45 | 0:06:49 | |
Where you left the money? | 0:06:49 | 0:06:51 | |
You can draw a map or a diagram if it's easier. | 0:06:54 | 0:06:56 | |
Yeah, er... | 0:06:56 | 0:06:58 | |
PHONE RINGS | 0:06:59 | 0:07:01 | |
Phil Crabtree. | 0:07:04 | 0:07:05 | |
Thanks, bye-bye. | 0:07:08 | 0:07:09 | |
Can you just give me a minute, Kevin? | 0:07:11 | 0:07:13 | |
Has something happened? | 0:07:13 | 0:07:15 | |
We've got her. She's safe. | 0:07:24 | 0:07:25 | |
Huh! | 0:07:25 | 0:07:27 | |
-GULPS: -Jesus. | 0:07:27 | 0:07:29 | |
So he knew where she was? | 0:07:31 | 0:07:34 | |
No, I've just had a phone call. Do you want to ring Helen? | 0:07:34 | 0:07:36 | |
-She's asking for her mother. -Where is she? | 0:07:36 | 0:07:38 | |
Local. They're taking her to hospital in Halifax. | 0:07:38 | 0:07:40 | |
For a checkup. It's routine. | 0:07:40 | 0:07:42 | |
Have they caught the bastards? | 0:07:43 | 0:07:45 | |
That's as much as I know at the minute. | 0:07:45 | 0:07:47 | |
So-So he didn't know? | 0:07:47 | 0:07:48 | |
-We're still having that conversa... -Helen! | 0:07:48 | 0:07:51 | |
-Hello, love. -They've found her! | 0:07:51 | 0:07:53 | |
-HELEN GASPS -She's safe! | 0:07:53 | 0:07:55 | |
Boss. | 0:08:02 | 0:08:03 | |
There's no ANPR on this fella's vehicle at either of the two | 0:08:05 | 0:08:08 | |
drop-off points he's mentioned, at any point over the last four days. | 0:08:08 | 0:08:12 | |
You were telling me which bin you put the money next to. | 0:08:15 | 0:08:18 | |
Yeah. I, er... It-It-It's difficult to explain. | 0:08:18 | 0:08:21 | |
Erm... | 0:08:21 | 0:08:23 | |
OK. Well, the thing is, Kevin... | 0:08:23 | 0:08:25 | |
I'm arresting you on suspicion of abduction | 0:08:25 | 0:08:27 | |
and demanding money with menaces. | 0:08:27 | 0:08:29 | |
No, that's... Why?! | 0:08:30 | 0:08:33 | |
You're wrong! You've got the wrong end of the stick! | 0:08:33 | 0:08:35 | |
You do not have to say anything, but it may harm your defence | 0:08:35 | 0:08:38 | |
if you do not mention when questioned something you later rely on in court. | 0:08:38 | 0:08:43 | |
Anything you do say may be given in evidence. | 0:08:43 | 0:08:45 | |
Do you understand what I'm saying, Kevin? | 0:08:45 | 0:08:47 | |
Yes, but... I-I... | 0:08:47 | 0:08:49 | |
Is this your mobile phone? | 0:08:49 | 0:08:51 | |
HE WHIMPERS | 0:08:54 | 0:08:55 | |
MACHINE BEEPS | 0:09:00 | 0:09:02 | |
-BECKY: -Come on, Mum! | 0:09:02 | 0:09:03 | |
Come on! Mum, come on! | 0:09:03 | 0:09:06 | |
-CATHERINE: -No! | 0:09:06 | 0:09:08 | |
You'll love it. | 0:09:08 | 0:09:10 | |
It's beautiful, it's perfect! | 0:09:10 | 0:09:14 | |
Just let go, Mummy! | 0:09:14 | 0:09:17 | |
Mummy! | 0:09:19 | 0:09:21 | |
ANAESTHETIST: She's become extremely tachycardic. | 0:09:22 | 0:09:24 | |
Is everything OK down there? | 0:09:24 | 0:09:26 | |
-She is becoming very unstable. -Packs. Quickly. | 0:09:29 | 0:09:32 | |
Her abdomen's full of blood, she's bleeding out. | 0:09:32 | 0:09:35 | |
The spleen's gone. Get the suction. | 0:09:37 | 0:09:39 | |
VOICE FADES OUT | 0:09:39 | 0:09:41 | |
MACHINE BEEPS | 0:09:41 | 0:09:43 | |
What do we know? | 0:09:56 | 0:09:58 | |
No more than I told you on the phone. | 0:09:58 | 0:10:00 | |
She's still in theatre. I don't know where she is. | 0:10:00 | 0:10:02 | |
-They showed me in here. They said it could be hours. -Why? | 0:10:02 | 0:10:06 | |
-They're having to remove her spleen. -Why?! | 0:10:06 | 0:10:09 | |
Well, she... Somebody beat her up. | 0:10:09 | 0:10:12 | |
-Who? -I don't know. | 0:10:12 | 0:10:13 | |
Well, what... What does that mean, your spleen? What does that do? | 0:10:13 | 0:10:16 | |
I don't... I have no... You know as much as I do. | 0:10:16 | 0:10:19 | |
What was she doing? | 0:10:19 | 0:10:20 | |
Just what I've said. That's all I know. | 0:10:20 | 0:10:23 | |
-Is there someone to talk to? -They keep popping in. | 0:10:23 | 0:10:25 | |
Are you all right? | 0:10:27 | 0:10:28 | |
Yeah. I just... | 0:10:28 | 0:10:32 | |
I don't know what to do with meself. | 0:10:32 | 0:10:34 | |
BLENDER WHIRS | 0:10:36 | 0:10:38 | |
Are you not in t'salon today? | 0:10:42 | 0:10:44 | |
BLENDER POWERS OFF | 0:10:44 | 0:10:46 | |
Yeah, I'm down there now. This is a hologram. | 0:10:46 | 0:10:48 | |
What's up? | 0:10:52 | 0:10:53 | |
I might... | 0:10:57 | 0:10:58 | |
I might pop out for a bit. | 0:10:59 | 0:11:01 | |
CAR DOOR CLOSES | 0:11:08 | 0:11:09 | |
You've been at it again. | 0:11:09 | 0:11:11 | |
After everything that's been said. | 0:11:11 | 0:11:14 | |
Ashley Cowgill? I'm Detective Constable Christine Whittaker. | 0:11:20 | 0:11:24 | |
Can I come in? | 0:11:24 | 0:11:25 | |
-What's it to do with? -You all right if I come in? | 0:11:25 | 0:11:28 | |
Is this your wife? | 0:11:31 | 0:11:32 | |
-Yeah, she's... -What's the matter? | 0:11:32 | 0:11:34 | |
What's going on? | 0:11:34 | 0:11:36 | |
OK, Ashley, I'm arresting you on suspicion of abduction | 0:11:36 | 0:11:39 | |
and demanding money with menaces. | 0:11:39 | 0:11:41 | |
What?! | 0:11:41 | 0:11:42 | |
You don't have to say anything, but it may harm your defence | 0:11:42 | 0:11:45 | |
if you do not mention when questioned something you later rely on in court. | 0:11:45 | 0:11:48 | |
That's... | 0:11:48 | 0:11:49 | |
-You can't, -th... Anything you do say may be given in evidence. | 0:11:49 | 0:11:52 | |
Are you with me, Ashley? Have you taken that in? | 0:11:52 | 0:11:55 | |
I haven't... | 0:11:56 | 0:11:58 | |
I didn't... This isn't me. | 0:11:59 | 0:12:01 | |
Why would he do something like that? We've got caravans! | 0:12:01 | 0:12:04 | |
We've got a games room that caters for people in wheelchairs! | 0:12:05 | 0:12:09 | |
MACHINE BEEPS | 0:12:10 | 0:12:13 | |
KNOCK ON DOOR | 0:12:35 | 0:12:36 | |
Ryan, your grandad's here. | 0:12:37 | 0:12:39 | |
-Hiya, Ryan. -And your stepgran, Ros. | 0:12:39 | 0:12:42 | |
Hello! | 0:12:42 | 0:12:44 | |
You're going to be going home with them today | 0:12:44 | 0:12:46 | |
because your granny's had to go into hospital. | 0:12:46 | 0:12:48 | |
And your Auntie Clare's with her, so... | 0:12:48 | 0:12:52 | |
OK. | 0:12:52 | 0:12:53 | |
Do you want to have another go at football in our back garden? | 0:12:54 | 0:12:56 | |
See if you can teach me a few new moves? | 0:12:56 | 0:12:58 | |
Why's she in hospital? | 0:12:58 | 0:12:59 | |
-She's had a bit of an accident at work. -Yeah. | 0:13:01 | 0:13:03 | |
Is she all right? | 0:13:03 | 0:13:06 | |
She's going to be absolutely fine, love. | 0:13:06 | 0:13:09 | |
MACHINE BEEPS | 0:13:13 | 0:13:15 | |
TV: 'The two wanted men have been named as Tommy Lee Royce and Lewis Whippey. | 0:13:29 | 0:13:34 | |
'Abduh Rehman reports from West Yorkshire. | 0:13:34 | 0:13:37 | |
'This morning, two arrests were made and two more men are wanted for questioning, | 0:13:37 | 0:13:42 | |
'28-year-old Tommy Lee Royce and 22-year-old Lewis Whippey, | 0:13:42 | 0:13:45 | |
'both with previous convictions for car theft and drug offences. | 0:13:45 | 0:13:51 | |
'A manhunt was launched this morning involving over 200 officers | 0:13:51 | 0:13:55 | |
'from the Yorkshire Police. | 0:13:55 | 0:13:57 | |
'A spokesman warned both men may be armed and dangerous | 0:13:57 | 0:14:01 | |
'and should not be approached.' | 0:14:01 | 0:14:03 | |
I'm not armed. I'm-I'm-I'm not dangerous! | 0:14:03 | 0:14:05 | |
Oi, you, speccy four-eyes! | 0:14:05 | 0:14:06 | |
You listening? Sh! | 0:14:06 | 0:14:08 | |
'..as well as all ports and airports. | 0:14:08 | 0:14:10 | |
'However, we have reason to believe | 0:14:10 | 0:14:12 | |
'that the two men have not left the locality. | 0:14:12 | 0:14:16 | |
'Anyone helping these two men through some misguided sense of loyalty | 0:14:16 | 0:14:19 | |
'should be in no doubt as to the seriousness of the crimes | 0:14:19 | 0:14:23 | |
'they've committed, | 0:14:23 | 0:14:24 | |
'the brutal murder of PC Kirsten McAskill, | 0:14:24 | 0:14:27 | |
'the attempted murder of Sergeant Catherine Cawood, | 0:14:27 | 0:14:30 | |
'who this evening remains in a critical condition in hospital, | 0:14:30 | 0:14:33 | |
-'and the abduction of Ann Gallagher.' -They're gonna do house-to-house, | 0:14:33 | 0:14:36 | |
door-to-door, then what? | 0:14:36 | 0:14:37 | |
I'll think of summat. | 0:14:37 | 0:14:39 | |
'To Tommy Lee Royce and Lewis Whippey, I would like to say - | 0:14:39 | 0:14:43 | |
'there is no safe haven, you will not escape justice.' | 0:14:43 | 0:14:47 | |
Twat. | 0:14:50 | 0:14:51 | |
ANN SHIVERS | 0:14:51 | 0:14:54 | |
Could you eat something? | 0:15:00 | 0:15:02 | |
No. I don't know. Should I? | 0:15:02 | 0:15:07 | |
-You need to take the Subutex. -Yeah, yeah. | 0:15:07 | 0:15:09 | |
What were they asking you? | 0:15:11 | 0:15:12 | |
-I don't want to go through all that again. -Oh, that's fine. | 0:15:12 | 0:15:16 | |
I want to go and see Clare's sister. | 0:15:16 | 0:15:18 | |
She's going to let us know when you can visit. | 0:15:18 | 0:15:20 | |
I'll... | 0:15:27 | 0:15:28 | |
I'll go and put the kettle on. | 0:15:30 | 0:15:31 | |
MACHINE BEEPS | 0:15:32 | 0:15:35 | |
-SOFTLY: -Mm... | 0:15:35 | 0:15:36 | |
Mm... | 0:15:39 | 0:15:40 | |
-Catherine? -Mm... | 0:15:40 | 0:15:42 | |
Mm... | 0:15:45 | 0:15:46 | |
-Catherine? -Mm... | 0:15:47 | 0:15:49 | |
Hello. | 0:15:53 | 0:15:55 | |
Daniel's here. | 0:15:55 | 0:15:57 | |
And there's a detective outside needs to talk to you. About what happened. | 0:15:57 | 0:16:01 | |
No shit. | 0:16:03 | 0:16:04 | |
We've been here all day. | 0:16:06 | 0:16:07 | |
All day? | 0:16:11 | 0:16:14 | |
Why, what time is it? | 0:16:14 | 0:16:15 | |
Knocking on for midnight. | 0:16:15 | 0:16:17 | |
You've been asleep, you've had an anaesthetic. | 0:16:19 | 0:16:21 | |
Why? | 0:16:22 | 0:16:24 | |
The doctors are going to come and explain everything to you. | 0:16:24 | 0:16:27 | |
Explain everything to me? Why? | 0:16:28 | 0:16:30 | |
-Have I died? -No! | 0:16:32 | 0:16:34 | |
You just need to take things steady for a few days, that's all. | 0:16:36 | 0:16:39 | |
Do you remember what happened? | 0:16:41 | 0:16:43 | |
You got Ann Gallagher out alive. You saved her life. | 0:16:48 | 0:16:51 | |
-Is she all right? -Yeah. | 0:16:51 | 0:16:53 | |
Physically, she's... | 0:16:55 | 0:16:57 | |
And oh, my God, do Helen and Nevison love you! | 0:16:57 | 0:17:01 | |
I've had a phone call. | 0:17:01 | 0:17:03 | |
He said, "If there's ever anything we can do..." | 0:17:03 | 0:17:05 | |
I said, "Well, if you fancied paying off the mortgage!" | 0:17:05 | 0:17:08 | |
They said you were losing blood. Internally. | 0:17:13 | 0:17:16 | |
That was why they had to take you into the operating theatre. | 0:17:16 | 0:17:19 | |
You were in there for five hours. More. | 0:17:20 | 0:17:23 | |
They've all been very kind. | 0:17:23 | 0:17:25 | |
Mum? | 0:17:27 | 0:17:28 | |
How're you feeling? | 0:17:30 | 0:17:32 | |
Hello, love. | 0:17:32 | 0:17:35 | |
How're you feeling? | 0:17:35 | 0:17:36 | |
What do I look like? | 0:17:36 | 0:17:39 | |
You're...bruised. | 0:17:39 | 0:17:41 | |
Mum, there's a detective from H-MIT outside. | 0:17:43 | 0:17:46 | |
He wants to talk to you about what happened. | 0:17:46 | 0:17:48 | |
Oh... | 0:17:50 | 0:17:51 | |
Y-You all right? CATHERINE GROANS | 0:17:52 | 0:17:54 | |
I got him, though, eh? | 0:17:57 | 0:17:59 | |
I got the bastard. | 0:18:01 | 0:18:03 | |
The big news is we are this close to proving the people that abducted | 0:18:13 | 0:18:16 | |
Ann Gallagher were the same people who murdered Kirsten McAskill. | 0:18:16 | 0:18:21 | |
God almighty. | 0:18:21 | 0:18:23 | |
You were right about Milton Avenue. | 0:18:23 | 0:18:25 | |
We picked Ashley Cowgill up around lunchtime. | 0:18:25 | 0:18:28 | |
Ann's told us she was held in a caravan for two nights | 0:18:28 | 0:18:31 | |
after they removed her from Milton Avenue. | 0:18:31 | 0:18:33 | |
She was in Milton Avenue. | 0:18:33 | 0:18:36 | |
I fast-tracked the swabs you authorised. | 0:18:36 | 0:18:38 | |
We found DNA from Ann, Tommy Lee Royce, and the blood... | 0:18:38 | 0:18:43 | |
is from a lad called Lewis Whippey. | 0:18:43 | 0:18:45 | |
Lewis Whippey. | 0:18:45 | 0:18:46 | |
I collared him for nicking a motor when he were 15. | 0:18:49 | 0:18:52 | |
Ann Gallagher's identified them both in the Viper suite | 0:18:52 | 0:18:54 | |
as the men who abducted her. | 0:18:54 | 0:18:57 | |
Back to Cowgill. He's the registered owner of a white van. | 0:18:57 | 0:19:00 | |
The same make, model and year that'd been at the scene where Kirsten died. | 0:19:00 | 0:19:05 | |
It was stolen, the van, last week. | 0:19:05 | 0:19:09 | |
-Did you report it to the police? -No. | 0:19:09 | 0:19:12 | |
What'd have been t'point? You'd not do owt about it. | 0:19:12 | 0:19:15 | |
Well, for the insurance, at least. | 0:19:15 | 0:19:17 | |
It wasn't worth owt, wasn't worth the hassle. It was a shit heap. | 0:19:17 | 0:19:20 | |
He's denying everything, of course. | 0:19:20 | 0:19:23 | |
Doesn't know Tommy or Lewis from Adam. | 0:19:23 | 0:19:25 | |
But we've got Telecoms analysing his phone. It's just a matter of time. | 0:19:25 | 0:19:29 | |
And we took the dogs in. | 0:19:31 | 0:19:32 | |
They sniffed out 20 kilos of cannabis stashed in one of his caravans. | 0:19:32 | 0:19:37 | |
Course, he didn't know anything about that either. | 0:19:37 | 0:19:40 | |
Wow. | 0:19:40 | 0:19:41 | |
There is some... | 0:19:43 | 0:19:44 | |
..less good news, however, I'm afraid. | 0:19:46 | 0:19:48 | |
Tommy Lee Royce is still on his toes, and so is Lewis Whippey. | 0:19:52 | 0:19:56 | |
No... | 0:20:01 | 0:20:02 | |
No... | 0:20:04 | 0:20:06 | |
What-what do you mean? He... | 0:20:06 | 0:20:09 | |
I sprayed him, I blinded him! | 0:20:09 | 0:20:12 | |
He were in the cellar, he was helpless, he were... | 0:20:12 | 0:20:15 | |
PolSA's pulled that house apart. Believe me. | 0:20:15 | 0:20:17 | |
They've been in there all day. | 0:20:17 | 0:20:19 | |
He must've managed to slip out before the first emergency vehicles pulled up. | 0:20:19 | 0:20:23 | |
-BREATHES HEAVILY: -No. | 0:20:23 | 0:20:25 | |
We will get him, Catherine. He can't have got far. | 0:20:25 | 0:20:27 | |
SHE WHIMPERS | 0:20:27 | 0:20:28 | |
SHE SOBS QUIETLY | 0:20:34 | 0:20:35 | |
I won't become addicted. I refuse. | 0:20:46 | 0:20:49 | |
Good. | 0:20:50 | 0:20:52 | |
I wanted... | 0:20:56 | 0:20:58 | |
..to ask you to do something for me. | 0:20:59 | 0:21:02 | |
What? | 0:21:02 | 0:21:03 | |
I don't want my mum to know. | 0:21:03 | 0:21:05 | |
I want her to die not knowing. | 0:21:07 | 0:21:09 | |
Not knowing...? | 0:21:09 | 0:21:11 | |
He raped you. | 0:21:16 | 0:21:17 | |
I don't want her to know. | 0:21:23 | 0:21:24 | |
Ever. | 0:21:24 | 0:21:26 | |
Ever. Ever. And I can't tell my dad that. | 0:21:26 | 0:21:30 | |
I tried to, last night, but I couldn't. I... | 0:21:30 | 0:21:33 | |
I wanted to, but... | 0:21:33 | 0:21:34 | |
..I don't want him picturing... | 0:21:37 | 0:21:38 | |
I don't want to see him picturing... | 0:21:38 | 0:21:41 | |
But he will need to know. Eventually. | 0:21:43 | 0:21:45 | |
When it goes to court. | 0:21:45 | 0:21:46 | |
And it will go to court, | 0:21:46 | 0:21:49 | |
I will see those people in court. | 0:21:49 | 0:21:51 | |
My mother... | 0:21:52 | 0:21:53 | |
I think they think it's unlikely she'll live that long. | 0:21:55 | 0:21:58 | |
And they said it could be eight months before it gets to court, | 0:21:58 | 0:22:03 | |
and if she never needs to know, that's...that's... | 0:22:03 | 0:22:06 | |
..that's how I'd like it. | 0:22:07 | 0:22:09 | |
My dad...he will need to know. Before. | 0:22:11 | 0:22:14 | |
And... | 0:22:14 | 0:22:16 | |
You want me to tell him? | 0:22:16 | 0:22:18 | |
OK. | 0:22:19 | 0:22:21 | |
Really? | 0:22:21 | 0:22:22 | |
Yeah. | 0:22:22 | 0:22:23 | |
When I get out of here. | 0:22:25 | 0:22:27 | |
Can you wait that long? | 0:22:27 | 0:22:29 | |
They took swabs, the police doctors did, | 0:22:33 | 0:22:36 | |
before they let me see my mum and dad, so... | 0:22:36 | 0:22:38 | |
they've got everything they needed. | 0:22:38 | 0:22:40 | |
And they will get him. | 0:22:41 | 0:22:43 | |
Yeah. | 0:22:45 | 0:22:46 | |
I hope so. | 0:22:48 | 0:22:49 | |
KNOCK AT DOOR | 0:23:16 | 0:23:18 | |
KNOCK AT DOOR | 0:23:21 | 0:23:23 | |
-Hi, Mike! -Clare. How are you? | 0:23:26 | 0:23:29 | |
-Not so bad. -Is Catherine not up? | 0:23:29 | 0:23:31 | |
Yeah, she should be. | 0:23:32 | 0:23:34 | |
I took her up a cup of tea before I left. | 0:23:34 | 0:23:36 | |
And she's under strict instructions not to wallow in bed all day. | 0:23:36 | 0:23:40 | |
Come on in. | 0:23:40 | 0:23:41 | |
-I won't stop long. -I'll stick t'kettle on. | 0:23:44 | 0:23:47 | |
Oh, you're up! | 0:23:49 | 0:23:50 | |
Catherine! I was knocking on t'door. | 0:23:52 | 0:23:55 | |
You've not started smoking again? | 0:23:57 | 0:23:59 | |
No, it's me. She just has th'odd one. | 0:23:59 | 0:24:02 | |
How're you feeling? | 0:24:02 | 0:24:04 | |
I'm all right. | 0:24:07 | 0:24:09 | |
I was just popping in to say... | 0:24:11 | 0:24:14 | |
you... | 0:24:14 | 0:24:15 | |
You've probably seen what's on the front of a couple of the tabloids? | 0:24:15 | 0:24:19 | |
I've spoken to the District Commander. | 0:24:19 | 0:24:21 | |
He wanted me to assure you there's no intelligence | 0:24:21 | 0:24:23 | |
whatsoever to suggest that he's got out of the country. | 0:24:23 | 0:24:26 | |
But if the twisted bastard'd done it successfully, | 0:24:26 | 0:24:28 | |
-there wouldn't be, would there? -You think the press'd know that and we wouldn't? | 0:24:28 | 0:24:31 | |
It wouldn't be t'first time. | 0:24:31 | 0:24:33 | |
We will get him. | 0:24:33 | 0:24:34 | |
Yeah. Do you know how many... | 0:24:34 | 0:24:38 | |
tossers in uniform have said that to her over t'last three weeks? | 0:24:38 | 0:24:41 | |
Did you make an appointment with the psychologist? | 0:24:42 | 0:24:45 | |
She told her to put all her troubles in little envelopes. | 0:24:45 | 0:24:49 | |
And to put the little envelopes into a little box. | 0:24:49 | 0:24:51 | |
And to put it in the attic till she felt strong enough to open it up again. | 0:24:51 | 0:24:54 | |
She meant well. | 0:24:54 | 0:24:56 | |
Kevin Weatherill's having a bad time on remand. | 0:24:58 | 0:25:00 | |
His cell-mate took a shine to him. | 0:25:00 | 0:25:04 | |
You know what it's like inside wi' some of these Neanderthals. | 0:25:04 | 0:25:07 | |
Every hole's a goal. | 0:25:07 | 0:25:08 | |
He's been hospitalised with his injuries, apparently. | 0:25:08 | 0:25:11 | |
-Jesus. -Sorry. | 0:25:11 | 0:25:14 | |
But the other thing is that | 0:25:14 | 0:25:15 | |
Ashley Cowgill's up for Judge in Chambers bail this week | 0:25:15 | 0:25:17 | |
and the rumour is he's going to get it. | 0:25:17 | 0:25:19 | |
How come? | 0:25:21 | 0:25:23 | |
Has he done a deal? | 0:25:23 | 0:25:24 | |
That's... | 0:25:24 | 0:25:26 | |
Yeah. More than likely what's happened here. | 0:25:26 | 0:25:28 | |
What's that mean? | 0:25:28 | 0:25:29 | |
It means he has information that could be useful. | 0:25:29 | 0:25:32 | |
To the NCA, I'd imagine. | 0:25:32 | 0:25:33 | |
In return for a reduced sentence, probably. | 0:25:33 | 0:25:36 | |
And bail. | 0:25:37 | 0:25:39 | |
Does that really happen? | 0:25:39 | 0:25:40 | |
Well, we're speculating. But, yes. It really happens. | 0:25:40 | 0:25:45 | |
There is some good news. | 0:25:46 | 0:25:48 | |
You wouldn't normally be told this in advance. | 0:25:48 | 0:25:50 | |
Normally the first you'd hear is when you got a Royal Warrant | 0:25:50 | 0:25:52 | |
from t'Palace. The District Commander asked me to let you know - | 0:25:52 | 0:25:55 | |
he thought it might give you a boost. | 0:25:55 | 0:25:58 | |
He's put your name forward for the Queen's Police Medal for bravery. | 0:25:58 | 0:26:02 | |
That's big, Catherine. | 0:26:03 | 0:26:05 | |
There's only two other serving officers in the whole of West Yorkshire who've got it. | 0:26:06 | 0:26:10 | |
You'll have to go and shake hands and curtsey. | 0:26:10 | 0:26:14 | |
Right. | 0:26:14 | 0:26:16 | |
I think he's holed up, Tommy Lee Royce, right under our noses. | 0:26:21 | 0:26:25 | |
I think, when we find him, | 0:26:25 | 0:26:27 | |
he'll have been holed up in t'same spot all along. | 0:26:27 | 0:26:31 | |
It's only a matter of time. | 0:26:31 | 0:26:32 | |
I'll see myself out. Ta-ta. | 0:26:35 | 0:26:38 | |
Will you pick Ryan up at tea time? | 0:26:47 | 0:26:49 | |
He was asking again this morning, | 0:26:51 | 0:26:53 | |
"When's Granny going to start picking me up again?" | 0:26:53 | 0:26:55 | |
He just wants...everything to get back to normal. | 0:26:55 | 0:26:59 | |
Can you drive me up to Heptonstall? | 0:26:59 | 0:27:01 | |
Not again. | 0:27:01 | 0:27:03 | |
Fine. I'll walk. | 0:27:03 | 0:27:05 | |
-I'll drive you. -I'll walk. | 0:27:05 | 0:27:06 | |
You can't walk. You can't walk that far. | 0:27:06 | 0:27:08 | |
It's your birthday next week. Do you fancy doing something? | 0:27:49 | 0:27:52 | |
No, not really. | 0:27:55 | 0:27:57 | |
We could have a little do. | 0:27:57 | 0:27:59 | |
Just family. A few friends. | 0:27:59 | 0:28:01 | |
Or we could go out. For a meal. | 0:28:02 | 0:28:05 | |
Just a few of us. Somewhere nice. | 0:28:05 | 0:28:08 | |
Hm? | 0:28:10 | 0:28:11 | |
I can't believe I wasn't at Kirsten's funeral. | 0:28:19 | 0:28:21 | |
Catherine, you were poorly. You couldn't stand up. | 0:28:21 | 0:28:24 | |
She'd be wondering why I wasn't there. | 0:28:27 | 0:28:29 | |
Who would? | 0:28:29 | 0:28:30 | |
Kirsten. | 0:28:30 | 0:28:32 | |
I don't think I'd be able to do it again. On the bus. | 0:28:40 | 0:28:42 | |
I think in future, if I can't get a lift, I'll just have to stay at home. | 0:28:45 | 0:28:48 | |
OK. | 0:28:48 | 0:28:49 | |
We've had more nonsense through the letter box. | 0:28:51 | 0:28:53 | |
A dead bird crawling with maggots. | 0:28:55 | 0:28:57 | |
As well as the other filth. | 0:28:57 | 0:28:59 | |
I haven't been back. | 0:28:59 | 0:29:00 | |
My dad went round to pick up a few more bits and pieces. | 0:29:00 | 0:29:03 | |
So I think I'm just going to stay there now. At their house. | 0:29:04 | 0:29:08 | |
With the girls. I think that's best. | 0:29:08 | 0:29:10 | |
Could your dad not...drive you over here? | 0:29:11 | 0:29:14 | |
He won't, Kevin. He doesn't want me to come. | 0:29:14 | 0:29:17 | |
That's... | 0:29:17 | 0:29:19 | |
You've got to make it clear to him it wasn't my fault. Any of it. | 0:29:19 | 0:29:23 | |
What do you mean? | 0:29:23 | 0:29:25 | |
Think about it. | 0:29:25 | 0:29:27 | |
If I hadn't seen that block of cannabis, whatever, | 0:29:27 | 0:29:29 | |
drop out of that sandbag, then none of it would... | 0:29:29 | 0:29:31 | |
It would never have occurred to me. Would it? And if...Nevison | 0:29:31 | 0:29:34 | |
had done the decent thing in the first place. | 0:29:34 | 0:29:37 | |
when I asked him for a rise, then none of it, again, | 0:29:37 | 0:29:39 | |
none of it would've happened. | 0:29:39 | 0:29:41 | |
I made a mistake. Maybe, I flipped, God knows, but... | 0:29:41 | 0:29:45 | |
-And then you... -Me? | 0:29:48 | 0:29:50 | |
Oh, come on! | 0:29:50 | 0:29:51 | |
You encouraged me. | 0:29:51 | 0:29:53 | |
-I... -Maybe not to start with. | 0:29:53 | 0:29:54 | |
But you did. You did! | 0:29:54 | 0:29:56 | |
"Let's split it up into smaller amounts, | 0:29:56 | 0:29:58 | |
"just a few hundred pounds each, in different bank accounts." | 0:29:58 | 0:30:01 | |
I was just trying to make some sense of the mess that you'd made! | 0:30:01 | 0:30:05 | |
Don't you blame me. Don't you dare blame me! | 0:30:05 | 0:30:08 | |
You've just got to explain to people that it wasn't entirely... | 0:30:08 | 0:30:12 | |
SHE SIGHS | 0:30:12 | 0:30:13 | |
These things don't happen in isolation. | 0:30:13 | 0:30:15 | |
That's the point. Surely, | 0:30:15 | 0:30:17 | |
any of us, any one of us, | 0:30:17 | 0:30:19 | |
could find ourselves in a situation not entirely of our own... | 0:30:19 | 0:30:21 | |
and-and... | 0:30:21 | 0:30:23 | |
I shouldn't have to explain this! | 0:30:23 | 0:30:25 | |
You know what I'm saying! | 0:30:25 | 0:30:27 | |
HE SIGHS | 0:30:32 | 0:30:34 | |
TV: 'It's been almost four weeks, Superintendant, | 0:30:36 | 0:30:39 | |
'and these men are still out there. | 0:30:39 | 0:30:41 | |
'A number of newspapers ran a front-page story this morning | 0:30:41 | 0:30:44 | |
'suggesting Tommy Lee Royce had been seen in Spain. | 0:30:44 | 0:30:48 | |
'What can you say to assure the people of West Yorkshire, and beyond, | 0:30:48 | 0:30:51 | |
'that these violent criminals will be brought to justice? | 0:30:51 | 0:30:55 | |
'Well, first I'd like to assure people that we remain confident | 0:30:55 | 0:30:58 | |
'that they will be caught, and that it's simply a matter of time. | 0:30:58 | 0:31:02 | |
'What you do have to appreciate with an inquiry of this nature is | 0:31:02 | 0:31:05 | |
'just how much work goes on behind the scenes. | 0:31:05 | 0:31:08 | |
'And yet they're still out there. | 0:31:08 | 0:31:09 | |
'And the search goes on, and it'll continue to go on...' | 0:31:09 | 0:31:12 | |
DOOR CLOSES | 0:31:12 | 0:31:13 | |
They're doing this block. Right now, knocking on doors. | 0:31:13 | 0:31:15 | |
Shit. Shit! | 0:31:15 | 0:31:16 | |
We knew this would happen. Just calm right down! | 0:31:16 | 0:31:19 | |
They're on the first couple of floors, the cocky bastards, | 0:31:19 | 0:31:21 | |
and there's a fair good few of 'em. | 0:31:21 | 0:31:23 | |
-I-I need a piss! -So, go, then! | 0:31:23 | 0:31:26 | |
It'll take 'em a while to get here. | 0:31:26 | 0:31:28 | |
-Won't it? -Probably. I dunno. | 0:31:29 | 0:31:32 | |
Why have you got so much shopping? | 0:31:32 | 0:31:33 | |
Well, cos... Didn't you ask me...? | 0:31:33 | 0:31:36 | |
No. When the idiots are in here asking stupid little questions. | 0:31:36 | 0:31:39 | |
-Why have you got so much shopping? -Oh! | 0:31:39 | 0:31:41 | |
It's for me mum. She can't get out and about so much... | 0:31:42 | 0:31:47 | |
these days, what with her legs. | 0:31:47 | 0:31:48 | |
Good lad. | 0:31:49 | 0:31:50 | |
Yeah. | 0:31:50 | 0:31:52 | |
You know what to do. | 0:31:58 | 0:32:00 | |
FOOTSTEPS APPROACH | 0:32:36 | 0:32:38 | |
KNOCK ON DOOR | 0:32:38 | 0:32:41 | |
Afternoon. Is it all right if we step inside for a few minutes? | 0:32:47 | 0:32:50 | |
We're doing a house-to-house in the area, | 0:32:50 | 0:32:52 | |
and I'd just like to ask you one or two questions. | 0:32:52 | 0:32:54 | |
Yeah, yeah, yeah, of course you can. Come in. | 0:32:54 | 0:32:57 | |
Is it all right if my colleague has a little look round | 0:32:57 | 0:32:59 | |
whilst we're just having a chat? | 0:32:59 | 0:33:01 | |
Yep. No problem. | 0:33:01 | 0:33:03 | |
Who lives in the property? | 0:33:11 | 0:33:12 | |
-Besides yourself? -No-one. | 0:33:12 | 0:33:15 | |
How long have you lived here? | 0:33:15 | 0:33:17 | |
Probably...like...18 months? | 0:33:17 | 0:33:19 | |
And the tenancy's registered in your name? | 0:33:19 | 0:33:22 | |
Yeah. | 0:33:22 | 0:33:23 | |
Do you know your neighbours? On either side. | 0:33:23 | 0:33:26 | |
Yeah. | 0:33:26 | 0:33:27 | |
-Who lives on this side? -Oh, they're weird. | 0:33:27 | 0:33:30 | |
Mucky as well, and it stinks. | 0:33:30 | 0:33:32 | |
I mean, I know I could use a bit of a tidy up, but at least I can flush my toilet. | 0:33:32 | 0:33:37 | |
-Hmm. -Have you not been in there, then? | 0:33:37 | 0:33:40 | |
They're not answering their door at the minute. | 0:33:40 | 0:33:42 | |
What's the point of an 'ouse to 'ouse if half of 'em don't answer their doors? | 0:33:42 | 0:33:45 | |
Oh, we just have to keep coming back till they do. | 0:33:45 | 0:33:47 | |
You'd think they didn't want to help you, wouldn't you? | 0:33:47 | 0:33:50 | |
No, they're just not all in when we call, but like I say, we'll be back. | 0:33:50 | 0:33:56 | |
SIRENS WAILS OUTSIDE | 0:33:56 | 0:33:59 | |
So, who lives there, next door? How many of them? | 0:33:59 | 0:34:04 | |
Er... | 0:34:04 | 0:34:05 | |
It wouldn't have happened if she hadn't called me a loser. | 0:34:05 | 0:34:08 | |
Granny? She goes, "You're a loser, Ryan." | 0:34:08 | 0:34:12 | |
I told Mrs Mukherjee, but she wouldn't take any notice, so... | 0:34:12 | 0:34:17 | |
So? So you're admitting now that it was you that ripped up this kid's painting? | 0:34:17 | 0:34:20 | |
-It wasn't reet good. -Did you rip up the painting? | 0:34:20 | 0:34:25 | |
-I might of. -I might have. Not of. | 0:34:25 | 0:34:27 | |
You couldn't of done any thing, of isn't a verb. | 0:34:27 | 0:34:30 | |
And don't blame other people for decisions that you make. | 0:34:30 | 0:34:33 | |
You made the decision to rip up the painting! | 0:34:33 | 0:34:35 | |
Whatever the hell else happened, whatever she called you, you made that decision. | 0:34:35 | 0:34:40 | |
When? When? When can I ever pick you up from that bloody place | 0:34:42 | 0:34:46 | |
without the constant threat of being hauled in | 0:34:46 | 0:34:48 | |
and made to feel this big and like a rubbish parent? | 0:34:48 | 0:34:50 | |
Because I am not a rubbish parent! You are lucky to have me! | 0:34:50 | 0:34:53 | |
And you better start showing me some respect by behaving properly or... | 0:34:53 | 0:34:58 | |
or there'll be consequences. And you won't like them. | 0:34:58 | 0:35:00 | |
What consequences? | 0:35:00 | 0:35:02 | |
What consequences? | 0:35:02 | 0:35:05 | |
Granny! | 0:35:06 | 0:35:08 | |
-Where is he? -No idea. | 0:35:14 | 0:35:16 | |
What...what's up? | 0:35:18 | 0:35:19 | |
Oh, the usual. Behaving like an idiot and then lying. | 0:35:19 | 0:35:22 | |
-I hate you! -Yes, I know, I'm under no illusions. | 0:35:22 | 0:35:25 | |
You keep telling me. | 0:35:25 | 0:35:27 | |
Bitch! You're an old bitch! You're an ugly old bitch! | 0:35:29 | 0:35:32 | |
You better do something with him, cos I'll just kill him. | 0:35:32 | 0:35:34 | |
-I think you both need to calm down. -I don't even want to live here! | 0:35:34 | 0:35:37 | |
-What's happened? -Good. Move out. | 0:35:37 | 0:35:39 | |
See if anyone else is daft enough to have you. Please! | 0:35:39 | 0:35:41 | |
Feel free, cos you've ruined me and your Auntie Clare's life long enough. | 0:35:41 | 0:35:44 | |
-I'm ringing Childline. -Yeah, they'll be interested. | 0:35:44 | 0:35:46 | |
-I'm reporting you! -Do you want the number? | 0:35:46 | 0:35:49 | |
Cow! Bitch! Wanker! | 0:35:51 | 0:35:53 | |
Wanker. That's new. | 0:35:53 | 0:35:55 | |
Perhaps it was a bit soon for you | 0:35:58 | 0:35:59 | |
-to go picking him up. -Looks like it. | 0:35:59 | 0:36:01 | |
-You can't talk to him like that. -I've had enough. | 0:36:01 | 0:36:04 | |
I had enough years ago. | 0:36:04 | 0:36:06 | |
-It's not normal, is it? -I don't know! | 0:36:06 | 0:36:08 | |
-I don't know what's happened! -I've done everything! We both have! | 0:36:08 | 0:36:11 | |
-And look at him! -Ssh! | 0:36:11 | 0:36:12 | |
-Why did I do it? -Shut up, Catherine! | 0:36:12 | 0:36:15 | |
Richard. My marriage. Everything. And for what? | 0:36:15 | 0:36:17 | |
-A psychopath. -Stop it! | 0:36:17 | 0:36:19 | |
-LOUD THUDS UPSTAIRS -Right, well, there you go. | 0:36:22 | 0:36:25 | |
He's trashing his bedroom, wrecking our house. | 0:36:25 | 0:36:28 | |
THUDS CONTINUE | 0:36:28 | 0:36:30 | |
My house. | 0:36:30 | 0:36:31 | |
-What are you doing? -I'm trashing my bedroom! | 0:36:41 | 0:36:44 | |
-You're not trashing your bedroom! -I hate her! | 0:36:44 | 0:36:45 | |
No, you don't. | 0:36:45 | 0:36:48 | |
SMASH! | 0:36:48 | 0:36:50 | |
I thought... I thought they'd bloody moved in! I thought they'd never leave! | 0:36:57 | 0:37:02 | |
-Why did you sit on me? -I thought it'd look convincing. | 0:37:03 | 0:37:06 | |
You knob! I couldn't breathe! You've dislocated me shoulder! | 0:37:06 | 0:37:09 | |
-I'm friggin' freezing! -I've gotta get Tommy out. | 0:37:09 | 0:37:12 | |
-Leave him! -Eh? | 0:37:12 | 0:37:13 | |
-Leave him a bit longer. -Don't be stupid. | 0:37:13 | 0:37:16 | |
Brett, Brett, Brett! Listen to me! Listen! | 0:37:16 | 0:37:19 | |
I did not kill that police woman. And I did not rape Ann Gallagher. | 0:37:19 | 0:37:22 | |
I did not beat up that other one! I am not going down for those things! | 0:37:22 | 0:37:25 | |
Let's go, let's get the police now, let's tell 'em. | 0:37:25 | 0:37:28 | |
-Grass him up? -It's not about grassing him up! | 0:37:28 | 0:37:31 | |
It's about me and you getting in deep shit, | 0:37:31 | 0:37:33 | |
because we're hiding him and we don't need to be! | 0:37:33 | 0:37:35 | |
-He's a nutter! -Not happening. | 0:37:35 | 0:37:37 | |
You're not even his friend. You're my friend. | 0:37:37 | 0:37:39 | |
Not happening. | 0:37:40 | 0:37:43 | |
Why? Why? | 0:37:43 | 0:37:45 | |
They've gone, big fella. | 0:37:52 | 0:37:54 | |
She does love you. | 0:38:12 | 0:38:13 | |
She loves you more than you could ever begin to imagine. | 0:38:13 | 0:38:17 | |
What you've got to try and get your head round - | 0:38:17 | 0:38:20 | |
and you're only eight, and it's difficult, and that's fine. | 0:38:20 | 0:38:24 | |
What you've got to understand is that Granny's... | 0:38:24 | 0:38:27 | |
She's still poorly, and she's going to get better, | 0:38:27 | 0:38:31 | |
she's going to be absolutely fine. | 0:38:31 | 0:38:33 | |
But sometimes, you can be poorly in your head as well as in your body. | 0:38:35 | 0:38:40 | |
Do you mean like...mental? | 0:38:40 | 0:38:43 | |
No, Ryan. She's not mental. | 0:38:43 | 0:38:45 | |
She's depressed. | 0:38:47 | 0:38:49 | |
And that sometimes means that someone isn't quite their self, | 0:38:49 | 0:38:53 | |
and I think we just have to be kind to her, like she's kind to you, normally, | 0:38:53 | 0:38:58 | |
when you're angry and upset. | 0:38:58 | 0:39:01 | |
And that's what's going to help her get better. | 0:39:01 | 0:39:04 | |
-Am I adopted? -Well, no... Not... | 0:39:04 | 0:39:08 | |
I mean, she's your real granny and I'm your real auntie. What do you mean? | 0:39:08 | 0:39:12 | |
Who was that man who said he was my dad? | 0:39:12 | 0:39:14 | |
No-one. | 0:39:16 | 0:39:18 | |
No-one. | 0:39:19 | 0:39:20 | |
He's not your dad. Your dad's dead. | 0:39:21 | 0:39:24 | |
What about tidying this room? Hm? | 0:39:30 | 0:39:32 | |
Do you want some tea? | 0:39:40 | 0:39:43 | |
I've broken the kettle. | 0:39:45 | 0:39:46 | |
Well, I can boil some water in a pan. | 0:39:52 | 0:39:54 | |
And then, tomorrow, you can go out and buy us a new one. | 0:39:54 | 0:39:57 | |
It'll give you something to do. | 0:39:57 | 0:39:59 | |
Is he all right? | 0:40:01 | 0:40:02 | |
Are you? | 0:40:04 | 0:40:07 | |
DOOR IS LOCKED | 0:40:30 | 0:40:31 | |
-Open it. -Is the incorrect response. | 0:40:35 | 0:40:39 | |
-I'm not in the mood, Julie! -Join the club, pal. | 0:40:39 | 0:40:41 | |
All right. Thanks for picking me up. I'm sorry I've... | 0:40:43 | 0:40:47 | |
I'm sorry. | 0:40:50 | 0:40:52 | |
I am sorry. | 0:40:52 | 0:40:53 | |
I'm sorry for everything. | 0:40:53 | 0:40:56 | |
How are the boys? | 0:41:00 | 0:41:01 | |
DOORS UNLOCK | 0:41:04 | 0:41:06 | |
You smell like a lag. | 0:41:10 | 0:41:12 | |
-Let's go home. -Have you done a deal? | 0:41:12 | 0:41:15 | |
Can we just get home? | 0:41:17 | 0:41:18 | |
I want to know...if you've sold us down the river. | 0:41:18 | 0:41:23 | |
I'll explain it all to you when we get home. | 0:41:25 | 0:41:27 | |
Thank you for helping Clare with Ryan when I was in hospital. | 0:41:48 | 0:41:52 | |
He's all right. | 0:41:56 | 0:41:58 | |
I can't stand him. | 0:41:58 | 0:42:00 | |
-Sorry? -I can't stand him. | 0:42:00 | 0:42:02 | |
-What are you talking about? -Ryan. I can't stand looking at him. | 0:42:02 | 0:42:06 | |
-Why are you saying that? -No, I understand it. I get what it was. | 0:42:06 | 0:42:10 | |
I get why you couldn't live in the same house. I get it. I get it. | 0:42:10 | 0:42:12 | |
-Believe me, I get it. -You can't... You can't say that. | 0:42:12 | 0:42:15 | |
Can't I? Why? | 0:42:15 | 0:42:16 | |
-Because you made the choice. -Why didn't I listen to you? | 0:42:16 | 0:42:18 | |
-You can't say that, Catherine. -Do you want him? -No! | 0:42:18 | 0:42:21 | |
I mean, I would, but you... you don't mean this. | 0:42:21 | 0:42:27 | |
The times I've had to sit and listen | 0:42:27 | 0:42:29 | |
to the stupid, mindless, idiotic things he's done at that school. | 0:42:29 | 0:42:33 | |
Daniel was never like that! Becky was never like that! | 0:42:33 | 0:42:36 | |
Where's it come from? Hm? | 0:42:36 | 0:42:38 | |
-It's not rocket science, is it? -Yeah. | 0:42:38 | 0:42:40 | |
And it's still not his fault either, is it? | 0:42:40 | 0:42:43 | |
-I thought you said he was dyslexic? -He's daft. | 0:42:43 | 0:42:46 | |
Catherine, if he's dyslexic, he will get angry and frustrated. | 0:42:46 | 0:42:48 | |
It doesn't mean he's...like his dad. | 0:42:48 | 0:42:52 | |
Yeah, but... | 0:42:52 | 0:42:53 | |
-What? But what? -He's bound to be at some level. | 0:42:53 | 0:42:55 | |
He's just bound to be, in't he? | 0:42:55 | 0:42:57 | |
Tommy Lee Royce, right? | 0:43:00 | 0:43:02 | |
I don't even think he's a psychopath, not a real one. | 0:43:02 | 0:43:06 | |
I think he is this little twisted thing who grew up unloved. | 0:43:06 | 0:43:11 | |
More than unloved, despised probably, | 0:43:11 | 0:43:13 | |
treated like dirt on a daily basis in squalor and chaos. | 0:43:13 | 0:43:17 | |
Ryan is loved. | 0:43:17 | 0:43:20 | |
Cared for. He has not grown up in either squalor or chaos, thanks to you. | 0:43:20 | 0:43:25 | |
There's a massive, massive difference! | 0:43:25 | 0:43:27 | |
And yeah, part of him will always inevitably be Tommy Lee bloody Royce, | 0:43:27 | 0:43:32 | |
but part of him will always be Becky. | 0:43:32 | 0:43:34 | |
And a bigger part of him will be you. And Clare. | 0:43:34 | 0:43:37 | |
Because you're the people who've had most influence on him! | 0:43:37 | 0:43:40 | |
And I understand it's tough from time to time, | 0:43:40 | 0:43:43 | |
but kids are a nightmare. | 0:43:43 | 0:43:45 | |
All kids, any kid, they all have their moments. | 0:43:45 | 0:43:48 | |
You know this. Blimey! Becky, she used to | 0:43:48 | 0:43:51 | |
-drive us up the flaming... -Don't! | 0:43:51 | 0:43:53 | |
It's kind of interesting to hear you defending him. | 0:43:56 | 0:43:59 | |
Daniel rang me last night. | 0:44:05 | 0:44:06 | |
Clare had rung him. She was worried. About you. | 0:44:09 | 0:44:13 | |
That's...that's why I asked you out. | 0:44:13 | 0:44:16 | |
What are you doing for your birthday next week? | 0:44:19 | 0:44:21 | |
Same as I do every year. Nothing. | 0:44:21 | 0:44:23 | |
That's not true. | 0:44:23 | 0:44:24 | |
-We used to do... We... -Why am I even here? | 0:44:24 | 0:44:27 | |
Sorry? | 0:44:27 | 0:44:28 | |
For the last eight years, I have not celebrated my birthday. | 0:44:28 | 0:44:32 | |
Course, you wouldn't know that, because you divorced me. | 0:44:32 | 0:44:35 | |
Ever since Becky died, do you know how...? | 0:44:36 | 0:44:40 | |
You must, she was your daughter too, maybe it's different for men. | 0:44:40 | 0:44:42 | |
I've got no idea. But do you know how perverse it is | 0:44:42 | 0:44:45 | |
that people think you want to celebrate your own existence | 0:44:45 | 0:44:48 | |
when you've got a child who's dead? | 0:44:48 | 0:44:50 | |
No offence, but I carried her for nine months in here. | 0:44:50 | 0:44:53 | |
Her flesh was my flesh, and she's dead. | 0:44:53 | 0:44:55 | |
Part of me is dead. | 0:44:55 | 0:44:57 | |
Physically dead. | 0:44:57 | 0:44:59 | |
I thought I'd come to terms with it, and I haven't, I never will, | 0:44:59 | 0:45:02 | |
and why the hell Clare's got this obsession with celebrating my birthday, | 0:45:02 | 0:45:06 | |
-I do not know. -Catherine, it's not an obsession. | 0:45:06 | 0:45:09 | |
-She's just trying to focus on it to... -Cheer me up! | 0:45:09 | 0:45:11 | |
People are trying to help you, because they love you. | 0:45:13 | 0:45:17 | |
And at the moment, it feels like they're hitting a brick wall. | 0:45:18 | 0:45:21 | |
There you go. | 0:45:27 | 0:45:29 | |
-Thanks. -Thanks. | 0:45:29 | 0:45:31 | |
-I have to go. -We've just...got food. | 0:45:34 | 0:45:38 | |
I don't want you to ring me up any more. | 0:45:40 | 0:45:42 | |
We should never have got back into bed together, it was stupid. | 0:45:42 | 0:45:46 | |
You don't have to do that. Catherine... | 0:45:46 | 0:45:48 | |
Catherine! | 0:45:48 | 0:45:50 | |
MOBILE PHONE RINGS | 0:46:10 | 0:46:12 | |
Hello? | 0:46:17 | 0:46:19 | |
Catherine? It's Phil. Crabtree. | 0:46:19 | 0:46:22 | |
Oh, er, hello. | 0:46:22 | 0:46:24 | |
How are you? | 0:46:25 | 0:46:27 | |
Fine. I'm fine. | 0:46:27 | 0:46:28 | |
I wondered if you wanted to be brought up to speed with where we're at. | 0:46:28 | 0:46:32 | |
I think you might find it interesting. | 0:46:32 | 0:46:34 | |
Ashley Cowgill was let out on bail this morning. | 0:46:34 | 0:46:37 | |
What's the story? | 0:46:38 | 0:46:39 | |
Can I trust you? | 0:46:41 | 0:46:44 | |
I don't know. What do you think? | 0:46:44 | 0:46:45 | |
While he was on remand, he indicated | 0:46:47 | 0:46:49 | |
he had information that would make the National Crime Agency | 0:46:49 | 0:46:52 | |
-wet themselves with excitement. -Well, yeah... | 0:46:52 | 0:46:54 | |
I assumed it'd be something of that sort. | 0:46:54 | 0:46:57 | |
Cowgill, many moons ago, worked on the importation side. | 0:46:58 | 0:47:02 | |
Have you heard of Gathercoles? Pharmaceuticals? | 0:47:02 | 0:47:05 | |
They've got factories in the North East and Scotland. Completely legitimate. | 0:47:05 | 0:47:09 | |
OK. | 0:47:09 | 0:47:11 | |
They import all sorts of refined chemicals from all over, | 0:47:11 | 0:47:14 | |
and one thing they do import is paracetamol. | 0:47:14 | 0:47:18 | |
From a Spanish company based in Almeria. | 0:47:18 | 0:47:20 | |
The hauliers bring the product up through Spain, | 0:47:20 | 0:47:23 | |
up through France, into Holland in trucks. | 0:47:23 | 0:47:25 | |
The trucks go from Rotterdam to Hull, then onto the North East and Scotland. | 0:47:25 | 0:47:30 | |
Eight or nine of them, every week, | 0:47:30 | 0:47:32 | |
carrying up to 500 kilos of paracetamol in each. | 0:47:32 | 0:47:36 | |
Yeah? | 0:47:36 | 0:47:38 | |
But before they leave Rotterdam, | 0:47:38 | 0:47:40 | |
every other lorry visits another factory in Dordrecht. | 0:47:40 | 0:47:43 | |
On a daily basis, | 0:47:43 | 0:47:45 | |
a number of lorries pull in at this place and the driver is paid | 0:47:45 | 0:47:49 | |
£25 a kilo to wander over there and have a fag. | 0:47:49 | 0:47:53 | |
One drum in every load is taken out, partially emptied, | 0:47:53 | 0:47:57 | |
refilled with exactly the same weight in cocaine | 0:47:57 | 0:48:00 | |
and shipped to England. | 0:48:00 | 0:48:02 | |
In England, the reverse happens. | 0:48:02 | 0:48:05 | |
As soon as the lorry's away from the docks, | 0:48:05 | 0:48:07 | |
the cocaine's taken out and the paracetamol's put back in. | 0:48:07 | 0:48:10 | |
That's 25 kilos of cocaine coming into the UK | 0:48:10 | 0:48:16 | |
up to four times a week. | 0:48:16 | 0:48:19 | |
And how do you know all this isn't Tales of the Arabian Nights? | 0:48:19 | 0:48:22 | |
We're confident he hasn't made the whole thing up. | 0:48:22 | 0:48:24 | |
-So, if it is true, that's... -Catherine. It's huge. | 0:48:24 | 0:48:27 | |
You've facilitated a link to a team of drug dealers | 0:48:27 | 0:48:30 | |
with a distribution network in the UK worth millions. | 0:48:30 | 0:48:35 | |
Ultimately, some serious players are going to have their assets frozen. | 0:48:35 | 0:48:39 | |
And they're going to want to know who's opened their mouth. | 0:48:39 | 0:48:42 | |
Ashley Cowgill may have bought himself a reduced sentence, | 0:48:42 | 0:48:46 | |
but him and his family'll be on the witness protection programme for ever. | 0:48:46 | 0:48:49 | |
He'll be looking over his shoulder for the rest of his life. | 0:48:49 | 0:48:53 | |
I don't believe what you're telling me. | 0:48:56 | 0:48:58 | |
We'll be fine. | 0:48:58 | 0:48:59 | |
What about the salon? | 0:49:01 | 0:49:02 | |
There'll be other salons. | 0:49:04 | 0:49:05 | |
SHE SIGHS | 0:49:05 | 0:49:06 | |
What about me mum and dad? | 0:49:06 | 0:49:08 | |
My family. | 0:49:08 | 0:49:10 | |
Everything! | 0:49:10 | 0:49:12 | |
GUNFIRE ON COMPUTER GAME | 0:49:13 | 0:49:16 | |
God, you really have sold us down the river! | 0:49:16 | 0:49:18 | |
I'm sorry I've been an arse. | 0:49:29 | 0:49:31 | |
You're not an arse. | 0:49:32 | 0:49:34 | |
Where have you been? Richard rang. | 0:49:35 | 0:49:37 | |
Oh. Oh, that was a mistake, I should never have got back into all that. | 0:49:37 | 0:49:42 | |
-You all right? -Yep. | 0:49:42 | 0:49:44 | |
Sure? | 0:49:44 | 0:49:46 | |
Yeah, I were thinking, um... | 0:49:46 | 0:49:48 | |
maybe I should...maybe we should... | 0:49:48 | 0:49:51 | |
for my birthday...do... | 0:49:51 | 0:49:53 | |
Nothing big, but... | 0:49:55 | 0:49:57 | |
OK. | 0:49:58 | 0:50:00 | |
OK, yeah. What about Helen and Nevison and Ann? | 0:50:00 | 0:50:03 | |
Yeah. If... Yeah. | 0:50:03 | 0:50:06 | |
When you going to tell Nevison about Ann? | 0:50:06 | 0:50:09 | |
Well, when...when I... I'll do it tomorrow. Where's Ryan? | 0:50:09 | 0:50:13 | |
What's this? | 0:50:39 | 0:50:41 | |
Zombies. | 0:50:42 | 0:50:44 | |
Oh, nice. | 0:50:44 | 0:50:45 | |
CHILDREN'S PROGRAMME ON TV | 0:51:08 | 0:51:11 | |
Are you warm enough? | 0:51:13 | 0:51:14 | |
You see? This is why I spend half my time round at our Marie's. | 0:51:15 | 0:51:19 | |
It's just to keep warm. | 0:51:19 | 0:51:20 | |
Although... | 0:51:20 | 0:51:22 | |
with all this, er, this cash you've got... | 0:51:22 | 0:51:26 | |
Tommy? | 0:51:26 | 0:51:28 | |
If you wanted me to get it switched on again, the heating... | 0:51:28 | 0:51:32 | |
-What's happened? -Where've you been? | 0:51:40 | 0:51:42 | |
-What's happened? -He come at me with a knife! | 0:51:42 | 0:51:46 | |
-When? -Last night. | 0:51:46 | 0:51:48 | |
Shit! Shit! | 0:51:48 | 0:51:50 | |
The ungrateful bastard! | 0:51:51 | 0:51:52 | |
They'd have caught him by now. They'd have had him if it hadn't been for me! | 0:51:52 | 0:51:55 | |
-Shit! -I need some pills. | 0:51:55 | 0:51:57 | |
-What pills? -Painkiller pills! | 0:51:57 | 0:51:59 | |
Tommy! You're going to die, man! You need to got to hospital! | 0:52:02 | 0:52:06 | |
-Shit! -What am I going to do? | 0:52:06 | 0:52:08 | |
I need some... | 0:52:08 | 0:52:09 | |
-bandages or... -No. OK, but... | 0:52:09 | 0:52:12 | |
That's not bandages, that's... You're going to... | 0:52:13 | 0:52:16 | |
I think, Tommy, it's the end of the road, mate. | 0:52:16 | 0:52:20 | |
-Buddy, you gotta hand yourself in! -We could've got away with this. | 0:52:20 | 0:52:23 | |
All we had to do was bide our time. The dopey twats were clueless. | 0:52:23 | 0:52:27 | |
-You've done really well, Tommy. -I can't believe it! | 0:52:27 | 0:52:30 | |
Just cos of that dozy feckless piece of shite! | 0:52:30 | 0:52:32 | |
TOMMY PANTS | 0:52:32 | 0:52:34 | |
What a way to go, eh? | 0:52:34 | 0:52:36 | |
No, you'll be fine. You're not going nowhere, Tommy. | 0:52:36 | 0:52:39 | |
I'm not going to an hospital, I'm not... | 0:52:39 | 0:52:41 | |
I'm not handing myself in. | 0:52:41 | 0:52:43 | |
-But you... -It...it...it's over. | 0:52:43 | 0:52:45 | |
It's over, I know, but... no way am I handing myself in. | 0:52:45 | 0:52:48 | |
-Do you want a beer? -Er... | 0:52:51 | 0:52:54 | |
I could've been someone, me. I could've done stuff. | 0:53:11 | 0:53:15 | |
-You still can, Tommy. -Ashley Cowgill. | 0:53:15 | 0:53:17 | |
He's nothing compared to what I could've done. | 0:53:17 | 0:53:20 | |
I had ideas, I had plans. I could've rocked the world. | 0:53:21 | 0:53:27 | |
Why don't you just let me go and ring for an ambulance? | 0:53:27 | 0:53:30 | |
No, no, no. I just want you to go and get me some pain killers. That's all. | 0:53:30 | 0:53:34 | |
Why? | 0:53:34 | 0:53:36 | |
I've got a...kid. | 0:53:36 | 0:53:38 | |
Did you know that? A boy. | 0:53:40 | 0:53:43 | |
He don't know me. He... | 0:53:45 | 0:53:48 | |
He lives in Hebden Bridge. | 0:53:48 | 0:53:50 | |
With that bitch that gassed me. | 0:53:50 | 0:53:52 | |
She's his granny. How mad is that? | 0:53:54 | 0:53:57 | |
What...? What kind of life is that for a lad, eh? | 0:53:57 | 0:54:00 | |
Living with an old woman and no dad. | 0:54:02 | 0:54:05 | |
It...it's not... | 0:54:07 | 0:54:08 | |
It's not... Shit! | 0:54:10 | 0:54:12 | |
Oh, shit! | 0:54:14 | 0:54:16 | |
It's no life, not for a lad. | 0:54:18 | 0:54:21 | |
-What do you want me to do about him? -Who? | 0:54:30 | 0:54:34 | |
Him! Do you want me to give him a good kicking before he wakes up? | 0:54:34 | 0:54:39 | |
No. You...you don't need to give him a good kicking. | 0:54:39 | 0:54:43 | |
He isn't...? | 0:54:46 | 0:54:47 | |
You didn't really think he was asleep? | 0:54:47 | 0:54:49 | |
BRETT GASPS | 0:54:59 | 0:55:01 | |
You... | 0:55:04 | 0:55:06 | |
Oh, you've slit his... | 0:55:06 | 0:55:07 | |
Oh, Jesus! | 0:55:10 | 0:55:11 | |
BRETT GASPS AND PANTS | 0:55:13 | 0:55:15 | |
HE WHIMPERS | 0:55:30 | 0:55:33 | |
-TOMMY: -Hey... | 0:55:38 | 0:55:39 | |
You're not going to go weird on me, Brett, are you? | 0:55:39 | 0:55:43 | |
Oh, oh... | 0:55:43 | 0:55:45 | |
Come on, you're not... You're not chicken shit like him. Are you? | 0:55:45 | 0:55:50 | |
HE WAILS THEN SOBS | 0:55:50 | 0:55:53 | |
-Hey, shut your mouth! -WAILING CONTINUES | 0:55:53 | 0:55:55 | |
Shut your mouth! | 0:55:55 | 0:55:57 | |
-MUFFLED WAILS -Ssh! Shut... | 0:55:57 | 0:55:59 | |
HE GRUNTS | 0:56:06 | 0:56:09 | |
BRETT WHIMPERS | 0:56:09 | 0:56:12 | |
HE PANTS | 0:56:27 | 0:56:29 | |
-CATHERINE: -Come on, don't want you to be late for school. | 0:57:29 | 0:57:32 | |
Sorry I've not been much fun lately. | 0:57:36 | 0:57:38 | |
It's all right. | 0:57:38 | 0:57:40 | |
Morning. | 0:57:40 | 0:57:41 | |
Morning. | 0:57:43 | 0:57:44 | |
I miss your mum sometimes, that's all. | 0:57:45 | 0:57:47 | |
Why are you crying? | 0:57:49 | 0:57:50 | |
It just happens when you get to my age. | 0:57:51 | 0:57:54 | |
It'll be reet. | 0:57:54 | 0:57:55 | |
BUS APPROACHES | 0:57:55 | 0:57:57 | |
JAKE BUGG: # In this trouble town troubles are found | 0:58:17 | 0:58:24 | |
# In this trouble town words do get round | 0:58:25 | 0:58:32 | |
# Stuck in speed bump city where the only thing that's pretty | 0:58:38 | 0:58:42 | |
# Is the thought of getting out. # | 0:58:42 | 0:58:44 |