Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:02 | 0:00:05 | |
-Sheep rustling? -Yeah. -Sheep rustling? -Yeah. -As in, "Yeehah!"? | 0:00:05 | 0:00:07 | |
-No, there were no cowboys involved. -No, good point, that would have been cattle rustling. | 0:00:07 | 0:00:11 | |
No, this is sheep rustling, North Halifax style, | 0:00:11 | 0:00:13 | |
so there's just the one sheep and three lads off their heads on acid. | 0:00:13 | 0:00:16 | |
-SHEEP BLEATS -Shit! | 0:00:16 | 0:00:18 | |
BARKING | 0:00:18 | 0:00:21 | |
Look at that! | 0:00:23 | 0:00:24 | |
I managed to shoo them off, the dogs. Would you like a cup of tea? | 0:00:24 | 0:00:29 | |
SHEEP GROANS | 0:00:29 | 0:00:31 | |
Yeah, tea, perfect. Thank you. | 0:00:31 | 0:00:33 | |
SHEEP GRUNTS WEAKLY | 0:00:36 | 0:00:38 | |
-You didn't? -They'd mauled it, the dogs had, I had to. | 0:00:53 | 0:00:57 | |
There was no way it was going to survive | 0:00:57 | 0:00:58 | |
and it was obviously in distress. | 0:00:58 | 0:01:00 | |
Can you really not find me a vet in the whole of Calderdale? | 0:01:00 | 0:01:03 | |
-So you did it? -Well, that was the plan. | 0:01:03 | 0:01:05 | |
Do you take milk and su...? | 0:01:05 | 0:01:07 | |
Er, no. Yeah, no, thank you. | 0:01:07 | 0:01:10 | |
And yeah, go on, sugar, two sugars. | 0:01:10 | 0:01:13 | |
One sugar. | 0:01:13 | 0:01:14 | |
Thank you. | 0:01:14 | 0:01:16 | |
Oh, and it made this noise, it was like... | 0:01:21 | 0:01:24 | |
God knows, so then I had to do it again, | 0:01:24 | 0:01:26 | |
cos it was still alive, and then... | 0:01:26 | 0:01:28 | |
seemed all right after that. | 0:01:28 | 0:01:30 | |
-All right, as in dead? -I'm so thrilled you're finding this funny. | 0:01:30 | 0:01:33 | |
-I don't know how you do it. -Farmer weren't laughing. | 0:01:33 | 0:01:35 | |
They never do, do they, according to you. | 0:01:35 | 0:01:37 | |
It's not the first time. | 0:01:40 | 0:01:42 | |
Lads come up off the estate, | 0:01:42 | 0:01:44 | |
off their heads on God knows what, and then they take one. | 0:01:44 | 0:01:47 | |
Really? And what is it you think they do with 'em when they've got 'em? | 0:01:47 | 0:01:52 | |
-Sell 'em, eat 'em. God knows how. -They're gimmers, they're not hoggs. | 0:01:52 | 0:01:55 | |
They're for breeding, not eating. Meat'll be tough as an old boot. | 0:01:55 | 0:01:59 | |
They wouldn't know that, though, would they? They're stupid. | 0:01:59 | 0:02:02 | |
It's what happened next that was really comical. Well, I say comical. | 0:02:04 | 0:02:07 | |
I'd been back at the nick maybe an hour, hour and a half. | 0:02:07 | 0:02:10 | |
And there's another call. | 0:02:10 | 0:02:13 | |
-Catherine? -Joyce? | 0:02:13 | 0:02:14 | |
I think we may have entered the Twilight Zone. | 0:02:15 | 0:02:18 | |
-This is like some crazy weird shit, man. -There's no external injuries. | 0:02:21 | 0:02:26 | |
Happened they've been poisoned. | 0:02:26 | 0:02:29 | |
'So, OK, so I didn't mean comical exactly, I meant more ironic, | 0:02:29 | 0:02:32 | |
'the way it turned out.' | 0:02:32 | 0:02:33 | |
Nicky Baxter, the vet from Bolton Brow, he's managed to get up there | 0:02:33 | 0:02:37 | |
sooner that he'd anticipated so he's given the sheep a fatal injection. | 0:02:37 | 0:02:41 | |
I thought I'd finished the poor little sod off, but God knows, | 0:02:41 | 0:02:44 | |
I mustn't have. | 0:02:44 | 0:02:46 | |
So, the sheep's got pentobarbital seeping silently through its veins, | 0:02:46 | 0:02:49 | |
and guess what? The dogs. | 0:02:49 | 0:02:52 | |
Whether they're the same ones who mauled it in the first place | 0:02:52 | 0:02:56 | |
or a whole new pack, they decide to have another go at it. | 0:02:56 | 0:02:59 | |
And there's enough chemicals in the sheep by this point | 0:02:59 | 0:03:01 | |
in the pantomime to knock out half of Huddersfield, | 0:03:01 | 0:03:03 | |
-never mind a handful of feral mongrels in Ovenden. -Oh, my God. | 0:03:03 | 0:03:07 | |
Anyway, I've had a tip-off by then about a couple of these lads | 0:03:07 | 0:03:09 | |
who've nicked the sheep in the first place. | 0:03:09 | 0:03:11 | |
-Have you got no humanity, yeah? Eh? -You talking to me? | 0:03:11 | 0:03:14 | |
-We just wanted a bit of Sunday dinner. -It's Wednesday. -For his mam. | 0:03:14 | 0:03:17 | |
She's starting chemo on Monday, you bitch. | 0:03:17 | 0:03:20 | |
Just listen, shit-for-brains. | 0:03:21 | 0:03:23 | |
It was me that had to put that sheep out of its misery, | 0:03:23 | 0:03:25 | |
-cos of you, so don't talk to me about no humanity! -Get off me! | 0:03:25 | 0:03:28 | |
'I could have let them off with a stern word | 0:03:28 | 0:03:30 | |
'and a community resolution, thus helping Mr Cameron | 0:03:30 | 0:03:32 | |
'and Mrs May massage their crime figures.' | 0:03:32 | 0:03:34 | |
But they scored very poorly in the attitude test, | 0:03:34 | 0:03:37 | |
and that... was when I smelt this... | 0:03:37 | 0:03:40 | |
Well, I was going to say smell, | 0:03:42 | 0:03:43 | |
but the word don't begin to do it justice. | 0:03:43 | 0:03:45 | |
'It could've been anything. | 0:03:45 | 0:03:47 | |
'Fish, poultry, you name it, but whatever it was, it was well off.' | 0:03:47 | 0:03:52 | |
FLIES BUZZ | 0:03:56 | 0:03:58 | |
# There's a tower block overhead | 0:04:14 | 0:04:16 | |
# Oh, you got your benefits and you're barely scraping by | 0:04:16 | 0:04:20 | |
# In this troubled town | 0:04:23 | 0:04:26 | |
# Troubles are found | 0:04:26 | 0:04:29 | |
# Stuck in speed bump city | 0:04:35 | 0:04:36 | |
# Where the only thing that's pretty | 0:04:36 | 0:04:38 | |
# Is the thought of getting out... # | 0:04:38 | 0:04:41 | |
Don't play on that PlayStation, Ben, your tea's nearly ready. | 0:04:43 | 0:04:45 | |
-It's my turn, it's not a game. -Oh, is he crying? -Piss off. | 0:04:45 | 0:04:49 | |
John, can you tell him not to turn it on again? And don't swear. | 0:04:49 | 0:04:53 | |
-This won't open. -You heard what your mother said. | 0:04:53 | 0:04:56 | |
You're not raiding your cupboard, you, five minutes before your tea. | 0:04:56 | 0:05:00 | |
-PHONE BUZZES -If he'd come off | 0:05:00 | 0:05:02 | |
when he was supposed to, I would have had a turn by now. | 0:05:02 | 0:05:04 | |
And it's not just what your mother says, your dad says it as well. | 0:05:04 | 0:05:07 | |
-It's shit living here. -What have I just said about swearing? | 0:05:07 | 0:05:10 | |
-Dock his pocket money. -You're just annoying, you. You don't even exist. | 0:05:10 | 0:05:14 | |
I don't know why you can't take turns. | 0:05:14 | 0:05:15 | |
We used to have a proper system and, when people stuck to it, it worked. | 0:05:15 | 0:05:19 | |
-We still have. -It never worked, Mum. | 0:05:19 | 0:05:21 | |
I don't even want any tea. | 0:05:21 | 0:05:23 | |
THEY CONTINUE TO BICKER | 0:05:23 | 0:05:26 | |
-What are you doing here? -I've phoned you 16 times in the last five days. | 0:05:52 | 0:05:56 | |
-I've left messages, I've left... -You can't come here. | 0:05:56 | 0:05:58 | |
I thought you'd died! I thought you'd been in an accident. | 0:05:58 | 0:06:02 | |
You know, I don't like doing this, John, | 0:06:02 | 0:06:04 | |
I don't like coming here, threatening to knock on your door, | 0:06:04 | 0:06:07 | |
but if you don't return calls or answer messages, what do you expect? | 0:06:07 | 0:06:10 | |
People will read things into things, people aren't stupid. | 0:06:10 | 0:06:12 | |
Look, work's mad. We're understaffed. | 0:06:12 | 0:06:15 | |
I'm doing 15 people's jobs, I don't even know what week it is, | 0:06:15 | 0:06:18 | |
-but you can't be here. -I've not seen you for three weeks, not properly. | 0:06:18 | 0:06:22 | |
And then nothing. Jack shit for five days. | 0:06:22 | 0:06:25 | |
You're overreacting, you're reading too much into stuff. | 0:06:25 | 0:06:28 | |
-Well, people will. -Who are these people? -Me! | 0:06:28 | 0:06:31 | |
I should have rung, I should have texted. I'm sorry. | 0:06:37 | 0:06:40 | |
As long as you're OK. | 0:06:41 | 0:06:44 | |
As long as there's nothing up. | 0:06:44 | 0:06:45 | |
I'm fine, there's nothing, I'm just snowed under, that's all. | 0:06:45 | 0:06:48 | |
I'll ring you in the morning, all right? First thing in the morning... | 0:06:48 | 0:06:51 | |
-Well, probably be the afternoon. -I miss you, that's all. | 0:06:51 | 0:06:55 | |
I love you. | 0:06:55 | 0:06:57 | |
Yeah, I'll ring you. | 0:06:58 | 0:06:59 | |
-Our Catherine had an exciting day at work. -Did she? -Yeah. She, um... | 0:07:23 | 0:07:28 | |
(found a dead body.) | 0:07:28 | 0:07:30 | |
-What? -(She found a dead body.) | 0:07:31 | 0:07:34 | |
Well, is that unusual for a copper? | 0:07:34 | 0:07:37 | |
Isn't that the sort of thing they do every day? | 0:07:37 | 0:07:39 | |
No, not really. Actually find one. | 0:07:39 | 0:07:42 | |
I don't think she's ever actually found one before. | 0:07:42 | 0:07:46 | |
Except when our Becky died. | 0:07:48 | 0:07:50 | |
Even then, it were Richard actually found her. | 0:07:50 | 0:07:52 | |
Who was it? | 0:07:55 | 0:07:57 | |
I think it was so badly... (decomposed,) | 0:07:57 | 0:08:00 | |
they couldn't even tell what sex it was. | 0:08:00 | 0:08:02 | |
Have you thought any more about tomorrow? | 0:08:04 | 0:08:06 | |
-I think you're making a mistake. -We know what you think. | 0:08:06 | 0:08:09 | |
You're starting a new job, you want your mind on it. | 0:08:09 | 0:08:12 | |
This, the fella who didn't want me to join up. | 0:08:12 | 0:08:14 | |
Been training for the last 12 weeks, I just want to get on with it. | 0:08:14 | 0:08:17 | |
Forget everything they taught you in training school, | 0:08:17 | 0:08:20 | |
because none of it works in the real world. | 0:08:20 | 0:08:21 | |
Don't call me Catherine in front of the others, it's Sarge, not Ma'am. | 0:08:21 | 0:08:25 | |
Inspector Taylor is Sir until you get your feet under the table, | 0:08:25 | 0:08:28 | |
then you can have a crack at calling him Boss. | 0:08:28 | 0:08:30 | |
You find yourself on the wrong side of him, he likes sherbet lemons. | 0:08:30 | 0:08:33 | |
Sledge fancies himself a bit with the ladies, | 0:08:33 | 0:08:35 | |
but if he comes on a bit strong, try and let him down gently. | 0:08:35 | 0:08:38 | |
And get well in with Joyce, she knows everybody and everything | 0:08:38 | 0:08:40 | |
and she'll never see you fast. | 0:08:40 | 0:08:42 | |
If you don't understand something, ask me, ask her, ask anybody, | 0:08:42 | 0:08:45 | |
but if you get an answer you don't like, don't ask 20 other people, | 0:08:45 | 0:08:48 | |
trust your instincts. | 0:08:48 | 0:08:49 | |
In my book, there's two instincts, fight or flight. | 0:08:49 | 0:08:51 | |
And I know which one you've got from the way you refused to leave | 0:08:51 | 0:08:54 | |
that cellar without me 18 months since, so have faith in yourself. | 0:08:54 | 0:08:57 | |
You've got your smart book, or your not-so-smart book, | 0:08:57 | 0:09:00 | |
as we fondly refer to them. Good morning, you lucky people. | 0:09:00 | 0:09:02 | |
Got a new PCSO assigned to us today. | 0:09:02 | 0:09:05 | |
This is Ann Gallagher, some of you already know her. | 0:09:05 | 0:09:07 | |
I want you to go out of your way to make her feel welcome. Sit down. | 0:09:07 | 0:09:11 | |
ALL GREET HER Pairing Ann with you today. | 0:09:11 | 0:09:13 | |
-What about me? -I've got plans for you. | 0:09:13 | 0:09:15 | |
I'm not really here, I just wanted to say hello. | 0:09:15 | 0:09:17 | |
Joyce, we met before at her house. | 0:09:17 | 0:09:19 | |
-If you need anything, I'm at the front desk. -What plans? | 0:09:19 | 0:09:22 | |
Pin your lugholes back and you'll find out. | 0:09:22 | 0:09:24 | |
I'm loving you and leaving you. Oh! | 0:09:24 | 0:09:26 | |
-Oh, there's always one! Good afternoon, Mr Tekele. -Sorry, Sarge. | 0:09:26 | 0:09:30 | |
-Baby's teething. -THEY ALL COO | 0:09:30 | 0:09:32 | |
First up, you'll have noticed there is nowhere to park this morning, | 0:09:32 | 0:09:35 | |
-cos we've got HMIT in the building. -Oooh! | 0:09:35 | 0:09:38 | |
That's due to this body that was found, that I found yesterday. | 0:09:38 | 0:09:41 | |
So your deployment possibly today, possibly tomorrow, | 0:09:41 | 0:09:44 | |
possibly all week, is likely to be disrupted, | 0:09:44 | 0:09:46 | |
cos chances are we'll be asked to join OSU in the house-to-house. | 0:09:46 | 0:09:49 | |
GROANING Loving your enthusiasm. | 0:09:49 | 0:09:51 | |
So, today, CCTV is a priority. | 0:09:54 | 0:09:57 | |
Local authority cameras | 0:09:57 | 0:09:59 | |
and any private security cameras in the immediate area. | 0:09:59 | 0:10:02 | |
I want house-to-house, concentrating first of all on any flats, | 0:10:02 | 0:10:05 | |
any houses overlooking the garage where the body was discovered. | 0:10:05 | 0:10:09 | |
John, are you using divine inspiration over there, | 0:10:09 | 0:10:11 | |
-or are you going to start taking notes? -Sorry. | 0:10:11 | 0:10:14 | |
Right, we've got an ident on the DNA. | 0:10:14 | 0:10:17 | |
The victim is a Lynn Dewhurst, 45 years old, address, | 0:10:17 | 0:10:21 | |
10 Bateman Street, King Cross. | 0:10:21 | 0:10:23 | |
Convictions for soliciting, shoplifting and benefit fraud. | 0:10:23 | 0:10:27 | |
Mike, can we get your team over to that address now? | 0:10:27 | 0:10:30 | |
-Get it secured, then I'll get a search team in there. -Lynn Dewhurst? | 0:10:30 | 0:10:33 | |
You know who that is, don't you? | 0:10:33 | 0:10:35 | |
Oh, my God. | 0:10:37 | 0:10:39 | |
Morning. | 0:10:42 | 0:10:44 | |
Hiya. | 0:10:44 | 0:10:46 | |
-Morning. -Morning. -Hi. | 0:10:46 | 0:10:48 | |
-Morning. -Morning. | 0:10:48 | 0:10:49 | |
-That body you found yesterday. -Yeah? | 0:10:49 | 0:10:52 | |
It's Tommy Lee Royce's mother. | 0:10:52 | 0:10:54 | |
No way. | 0:10:56 | 0:10:58 | |
Somebody from HMIT will want to go through your first account with you | 0:10:58 | 0:11:01 | |
in a bit more detail at some point today. | 0:11:01 | 0:11:03 | |
-You should make it clear to them then that you knew her. -Yeah. | 0:11:03 | 0:11:07 | |
How long had she been dead, do they know? | 0:11:14 | 0:11:16 | |
Last sighted five or six weeks since. | 0:11:16 | 0:11:18 | |
Time of death, at the moment, | 0:11:18 | 0:11:20 | |
they can't be any more specific than between three and five weeks ago. | 0:11:20 | 0:11:23 | |
Getting a search team to her house now, see what that throws up. | 0:11:23 | 0:11:26 | |
'OK, folks. I'm inside. | 0:11:40 | 0:11:42 | |
'Inside a big dirty stinking teapot, it feels like. | 0:11:42 | 0:11:46 | |
'Look at this place, Lily! Oh! It's so dark and depressive. | 0:11:46 | 0:11:51 | |
'How do you manage? | 0:11:51 | 0:11:54 | |
'Well, when we first moved in, this was the first room | 0:11:54 | 0:11:56 | |
'we were going to do, but it's just not happened...' | 0:11:56 | 0:11:59 | |
TV SOUND FADES INTO BACKGROUND | 0:11:59 | 0:12:01 | |
'..you've heard it before. The smell of fresh coffee...' | 0:12:03 | 0:12:06 | |
KNOCKING, DOOR OPENS | 0:12:06 | 0:12:08 | |
Tommy. | 0:12:10 | 0:12:11 | |
Don't stand up. | 0:12:13 | 0:12:14 | |
'..anybody in? Sorry, that was a bad joke because he's gone. | 0:12:16 | 0:12:20 | |
'But before he went, he did do this rather nice bathroom, Lily? | 0:12:20 | 0:12:23 | |
'Yeah, we're delighted with this...' | 0:12:23 | 0:12:25 | |
What are you watching? | 0:12:25 | 0:12:28 | |
Just... | 0:12:28 | 0:12:29 | |
Just crap. | 0:12:31 | 0:12:33 | |
Is it all right if I, um... | 0:12:35 | 0:12:38 | |
..sit down? | 0:12:42 | 0:12:44 | |
'I like this, and I loathe it. What is that?' | 0:12:47 | 0:12:51 | |
Can I turn the sound down? | 0:12:51 | 0:12:53 | |
'I like it, because I like this fireplace. | 0:12:53 | 0:12:56 | |
'Something sort of Jane Austen about...' | 0:12:56 | 0:12:58 | |
You're looking troubled. | 0:13:05 | 0:13:07 | |
OK. | 0:13:07 | 0:13:08 | |
So... | 0:13:11 | 0:13:12 | |
Yesterday afternoon, the body of a woman was found in a refuse area | 0:13:17 | 0:13:21 | |
next to some flats in North Halifax. | 0:13:21 | 0:13:24 | |
She'd been strangled and she'd been sexually assaulted. | 0:13:26 | 0:13:29 | |
And what's it got to do with me? | 0:13:33 | 0:13:35 | |
Um... | 0:13:37 | 0:13:38 | |
A DNA swab taken at the postmortem has indicated that the dead woman... | 0:13:40 | 0:13:44 | |
..is your mum. | 0:13:48 | 0:13:49 | |
So, some detectives are going to come and speak to you... | 0:14:00 | 0:14:05 | |
You're lying, you're lying. | 0:14:05 | 0:14:07 | |
I'm sorry. I wish I was. | 0:14:07 | 0:14:10 | |
Some detectives are going to come and talk to you later in the day. | 0:14:13 | 0:14:19 | |
-And in the meantime... -But...why...? | 0:14:19 | 0:14:23 | |
They'll ask you some questions. About her, I assume. | 0:14:23 | 0:14:29 | |
Her lifestyle, people she spent time with, | 0:14:30 | 0:14:34 | |
anybody she owed money to, anybody she didn't get on with. | 0:14:34 | 0:14:37 | |
Anything that might indicate who would do something like this to her. | 0:14:37 | 0:14:41 | |
Anything you can tell them that might help. | 0:14:41 | 0:14:44 | |
And in the meantime, | 0:14:50 | 0:14:52 | |
if you need to talk to someone... | 0:14:52 | 0:14:55 | |
..that's what I'm here for. | 0:14:58 | 0:14:59 | |
And you know where I am. | 0:14:59 | 0:15:01 | |
Are you all right? | 0:15:14 | 0:15:15 | |
You know, phone call. It's just manners, is all I'm saying. | 0:15:26 | 0:15:30 | |
Yeah, and you. | 0:15:30 | 0:15:32 | |
Clare? | 0:15:38 | 0:15:40 | |
-It's me, Neil Ackroyd. We went to Sowerby Bridge together. -Neil! | 0:15:40 | 0:15:45 | |
How are you? | 0:15:45 | 0:15:47 | |
Oh... How are you? | 0:15:47 | 0:15:51 | |
Not so bad. | 0:15:51 | 0:15:52 | |
Well, except I asked after a job in here two weeks since | 0:15:54 | 0:15:57 | |
and he's never got back to me. | 0:15:57 | 0:15:58 | |
Hopeless. He doesn't know which way is up, | 0:15:58 | 0:16:00 | |
he couldn't organise a proverbial piss-up. I'd look elsewhere. | 0:16:00 | 0:16:04 | |
Yeah, I'd have to, now. | 0:16:04 | 0:16:06 | |
God, you know, I'd have walked past and not known you. | 0:16:06 | 0:16:10 | |
-How you keeping? -Oh, you know. -Do you live round here? | 0:16:10 | 0:16:15 | |
Yeah, I've got a little flat in Rawson Lane. | 0:16:15 | 0:16:17 | |
Not been there long, just a few months. | 0:16:17 | 0:16:19 | |
-Cos didn't you live up Queensbury? -Yeah, got divorced. -Oh, I'm sorry. | 0:16:19 | 0:16:23 | |
-Yeah, yeah. Still, what about you, you married? -No. | 0:16:23 | 0:16:27 | |
No, er... I've had a few...entanglements. | 0:16:27 | 0:16:32 | |
But no, I live with me sister, our Catherine. Remember our Catherine? | 0:16:32 | 0:16:37 | |
-I remember your Catherine. -Two years above us. | 0:16:37 | 0:16:40 | |
-I was always terrified of her. -Yeah, I know what you mean! | 0:16:40 | 0:16:44 | |
I thought you worked for t'building society? | 0:16:47 | 0:16:49 | |
Yeah, yeah, I did for years, but, er... | 0:16:49 | 0:16:52 | |
I had a bit of a difficult patch, | 0:16:53 | 0:16:55 | |
-all to do with the divorce, one way or another. -Blimey. | 0:16:55 | 0:16:59 | |
Yeah, yeah. Still. | 0:16:59 | 0:17:01 | |
-Oh, I'm sorry to hear that. -It's smashing bumping into you. | 0:17:01 | 0:17:06 | |
-I've often thought about you. -Have you? -Yeah. | 0:17:06 | 0:17:09 | |
Occasionally wondered what you were up to. | 0:17:10 | 0:17:12 | |
We're on Hangingroyd Street, me and our Catherine, number 29. | 0:17:15 | 0:17:21 | |
If you're ever at a loose end and you fancy a cup of tea. | 0:17:21 | 0:17:24 | |
-I'm working a while, but I could pop my head in then? -Today? | 0:17:24 | 0:17:27 | |
-Oh... Obviously not if you're busy. -No, no, that'd be lovely. | 0:17:27 | 0:17:34 | |
Right. | 0:17:34 | 0:17:35 | |
I'd best get back. | 0:17:37 | 0:17:39 | |
OK, great, thanks very much. Cheers. | 0:17:51 | 0:17:54 | |
How long have you been doing the job, then? | 0:17:54 | 0:17:57 | |
It's my first day. You've asked me that three times now. | 0:17:57 | 0:18:00 | |
PHONE BUZZES | 0:18:00 | 0:18:02 | |
-Yeah, hi. -John? | 0:18:07 | 0:18:10 | |
Can I ring you back? I'm right in the middle of something. | 0:18:10 | 0:18:13 | |
-I will ring you back, I just need a couple of minutes. -Right, well... | 0:18:13 | 0:18:17 | |
-Make sure you do. -I will, I will. Two minutes, all right? | 0:18:17 | 0:18:21 | |
-OK, bye-bye. -Bye. | 0:18:21 | 0:18:24 | |
Cup of tea? | 0:18:31 | 0:18:32 | |
POLICE RADIO: 'Bravo November 1, to all officers on guard. | 0:18:35 | 0:18:38 | |
'Just be aware that the SIO, Mr Shepherd, is coming up | 0:18:38 | 0:18:41 | |
'to your location with a member from the press office. Bravo November 1.' | 0:18:41 | 0:18:44 | |
So, what have you learnt so far, then? Anything exciting? | 0:18:44 | 0:18:47 | |
-I think he's having an affair. -Probably. | 0:18:52 | 0:18:54 | |
-His mind's not on the job. -CID, they're all tossers. | 0:18:54 | 0:18:58 | |
Why do we not like doing house-to-house, us wooden-tops? | 0:19:01 | 0:19:04 | |
Why did they all groan when she announced it? | 0:19:04 | 0:19:06 | |
Because...when do they come and help us out with our workload, eh? | 0:19:06 | 0:19:10 | |
They don't. They think we're just there to support them and we're not. | 0:19:10 | 0:19:14 | |
They sit on their fat arses all day, bending paperclips. It's true. | 0:19:14 | 0:19:19 | |
Same rank as us, same pay as us, | 0:19:19 | 0:19:21 | |
we do all the work, they get all the glory. | 0:19:21 | 0:19:23 | |
Just remember who caught the Ripper. Two uniforms. | 0:19:23 | 0:19:27 | |
And you're not a wooden-top, by the way. | 0:19:27 | 0:19:30 | |
-I'm a wooden-top, you're a plastic police officer. -Oh. | 0:19:30 | 0:19:33 | |
OK. | 0:19:35 | 0:19:36 | |
PHONE BUZZES | 0:19:41 | 0:19:43 | |
-'Hello?' -Hi, sorry, it's me. | 0:19:46 | 0:19:49 | |
-It's wall-to-wall, honestly, I've not had two minutes to myself. -OK. | 0:19:49 | 0:19:53 | |
So, um... | 0:19:53 | 0:19:55 | |
Look, this isn't why I haven't rung. | 0:19:57 | 0:20:01 | |
I just think this isn't really what either of us | 0:20:03 | 0:20:06 | |
thought it was going to be when it started. | 0:20:06 | 0:20:11 | |
I knew summat was up. | 0:20:11 | 0:20:13 | |
'I don't want to do this any more.' | 0:20:13 | 0:20:16 | |
Vicky? | 0:20:18 | 0:20:20 | |
I kind of got that, I think, over the last few days. | 0:20:20 | 0:20:23 | |
The pin has been dropping. | 0:20:23 | 0:20:24 | |
-I'm sorry. -'Yeah, well...' | 0:20:24 | 0:20:27 | |
So am I. | 0:20:27 | 0:20:29 | |
'Are you OK?' | 0:20:29 | 0:20:30 | |
Mmm. | 0:20:32 | 0:20:34 | |
-OK, well... -I've still got some of your things. -What things? | 0:20:35 | 0:20:39 | |
Bits, things that you left. I've got your warrant card. | 0:20:39 | 0:20:42 | |
'That one you lost, I found it under the bed a few days ago.' | 0:20:42 | 0:20:46 | |
-Do you want it back? -Yeah, yeah... Yeah, yeah. | 0:20:46 | 0:20:48 | |
-Right, well, do you want to come and fetch it? -What, to your flat? | 0:20:48 | 0:20:51 | |
Actually, perhaps it would better to meet on neutral ground, in a pub. | 0:20:51 | 0:20:56 | |
-Somewhere. -Yeah, yeah. -This evening. | 0:20:56 | 0:21:00 | |
I'll be up at Wills O'Nats up Slaithwaite at seven o'clock. | 0:21:00 | 0:21:03 | |
I don't if I can do this evening, | 0:21:03 | 0:21:05 | |
depends what time the boss lets us go. | 0:21:05 | 0:21:07 | |
'If you're not there, I shan't wait.' | 0:21:07 | 0:21:09 | |
-Wh... -PHONE DISCONNECTS | 0:21:09 | 0:21:11 | |
I thought about this long and hard, and I'm sorry, | 0:21:32 | 0:21:35 | |
but the upshot is I'm going to have to let you go. | 0:21:35 | 0:21:37 | |
I've given you the benefit of the doubt time and again and now this. | 0:21:37 | 0:21:40 | |
I've just spent an hour apologising. | 0:21:40 | 0:21:41 | |
It was them that started off being rude and swearing, not me! | 0:21:41 | 0:21:44 | |
It's their wall! You churned up the garden with a seven tonne truck! | 0:21:44 | 0:21:47 | |
Do you expect them to come out and say thank you?! | 0:21:47 | 0:21:50 | |
You know, just a bit of humility, | 0:21:50 | 0:21:52 | |
when you've done summat like that, is all that's required. | 0:21:52 | 0:21:56 | |
They're ordinary people, they're nice people. | 0:21:56 | 0:21:58 | |
They just wanted someone to say sorry. Are you even listening to me? | 0:21:58 | 0:22:02 | |
Fine, fine. Pop into accounts, get your P45 off Janice. Go on. | 0:22:02 | 0:22:07 | |
Go on. | 0:22:08 | 0:22:09 | |
How's Mrs Gallagher? | 0:22:27 | 0:22:28 | |
She's... | 0:22:31 | 0:22:33 | |
HE SIGHS | 0:22:33 | 0:22:36 | |
-Did you recognise her? -At the scene? No. | 0:22:44 | 0:22:47 | |
Face was gone, it could have been a lad for all I knew. | 0:22:49 | 0:22:53 | |
Soon as I realised what I was looking at, | 0:22:53 | 0:22:54 | |
I got out of there and secured it. | 0:22:54 | 0:22:56 | |
But you did know Lynn Dewhurst? | 0:22:56 | 0:22:59 | |
Yeah, I knew Lynn. | 0:23:01 | 0:23:02 | |
Yeah, she was Tommy Lee Royce's mother. | 0:23:04 | 0:23:06 | |
What contact had you had with her? Recently? | 0:23:10 | 0:23:13 | |
OK, well, I had had reason recently | 0:23:17 | 0:23:19 | |
to warn her to keep away from my grandson. | 0:23:19 | 0:23:22 | |
Becky, my daughter... | 0:23:23 | 0:23:26 | |
She's dead, she died, took her own life. | 0:23:26 | 0:23:29 | |
Well, Tommy Lee Royce was... | 0:23:29 | 0:23:32 | |
He weren't the father, he raped her, he raped my daughter. | 0:23:35 | 0:23:39 | |
Weren't convicted for it, but that's what happens, so. | 0:23:39 | 0:23:41 | |
Anyway, Lynn found this out about 18 months ago, | 0:23:43 | 0:23:45 | |
that Royce was Ryan's biological... | 0:23:45 | 0:23:48 | |
And four, five, six weeks ago, down in Hebden, | 0:23:51 | 0:23:54 | |
Ryan came home saying that he'd met this woman, this drunk woman, | 0:23:54 | 0:23:57 | |
outside the shops, telling him that she was his grandmother. | 0:23:57 | 0:24:01 | |
She didn't do anything, but the point was, | 0:24:01 | 0:24:05 | |
there's a court order against Royce making any contact with Ryan | 0:24:05 | 0:24:10 | |
whatsoever, either directly or indirectly. | 0:24:10 | 0:24:13 | |
So I knocked on at her address with the intention of warning her off, | 0:24:13 | 0:24:16 | |
but she weren't in. | 0:24:16 | 0:24:18 | |
Or she weren't opening the door. | 0:24:18 | 0:24:20 | |
So, I left a couple of messages on her answering machine, | 0:24:20 | 0:24:24 | |
messages which may have sounded threatening, | 0:24:24 | 0:24:26 | |
and which I assume you've got hold of. | 0:24:26 | 0:24:29 | |
Which is, I assume, why we're here. | 0:24:30 | 0:24:33 | |
What did you say in these messages? | 0:24:33 | 0:24:35 | |
Warned her to keep away from him, I said, | 0:24:35 | 0:24:38 | |
if she didn't stay away from him, she'd regret it. I said, | 0:24:38 | 0:24:41 | |
if she came anywhere near our Ryan again, there'd be consequences, | 0:24:41 | 0:24:44 | |
which there would be, as I say, there's a court order. | 0:24:44 | 0:24:46 | |
And did you see Lynn again subsequently | 0:24:46 | 0:24:48 | |
after you left these messages? | 0:24:48 | 0:24:50 | |
No. | 0:24:50 | 0:24:52 | |
Which phone did you ring her on? | 0:24:52 | 0:24:53 | |
My landline at home. It's blocked. | 0:24:53 | 0:24:57 | |
-When, exactly, did you leave these messages? -When this happened. | 0:24:57 | 0:25:01 | |
-Four, five, six weeks ago. -Can you be any more specific? | 0:25:03 | 0:25:06 | |
It was a Wednesday when she spoke to him, | 0:25:12 | 0:25:14 | |
cos he was late and he has football after school on Wednesday, | 0:25:14 | 0:25:16 | |
so I knocked on her door the next day... I'd been to Bradford. | 0:25:16 | 0:25:19 | |
I'd been... | 0:25:21 | 0:25:22 | |
..to a child sexual exploitation seminar in Bradford. | 0:25:25 | 0:25:29 | |
I was on my way back and I was passing, so I knocked. | 0:25:29 | 0:25:31 | |
There you go, Thursday 14th July. | 0:25:31 | 0:25:34 | |
And then, um...I rang her not long after, about 5:30-ish, | 0:25:34 | 0:25:39 | |
and then, again, about an hour later. | 0:25:39 | 0:25:44 | |
-Can you remember why you left two messages? -To get the message across. | 0:25:49 | 0:25:54 | |
You could never be certain it had gone to the top floor with Lynn. | 0:25:54 | 0:25:57 | |
Her brain was so addled with crap, and, and... And... | 0:25:57 | 0:26:00 | |
I don't know, I suppose I was hoping | 0:26:04 | 0:26:05 | |
she might pick up the phone the second time. | 0:26:05 | 0:26:08 | |
You had no subsequent contact with her? | 0:26:09 | 0:26:11 | |
You've already asked me that, Ma'am. | 0:26:11 | 0:26:13 | |
No, there was no subsequent contact. | 0:26:15 | 0:26:17 | |
OK. | 0:26:20 | 0:26:22 | |
Look, Catherine. You used to work in HMIT, you know the procedure. | 0:26:25 | 0:26:30 | |
You left threatening messages on her answering machine, | 0:26:30 | 0:26:33 | |
and you found the body, so we have to eliminate you, that's all. | 0:26:33 | 0:26:38 | |
At the minute, we're looking at a two-week period | 0:26:38 | 0:26:40 | |
when the pathologist believes Lynn's death occurred | 0:26:40 | 0:26:43 | |
and he won't commit himself to being any more specific | 0:26:43 | 0:26:45 | |
given the condition her body was in. | 0:26:45 | 0:26:47 | |
So, what I need you to do is to go away | 0:26:47 | 0:26:52 | |
and look at your smartphone, | 0:26:52 | 0:26:54 | |
your diary, your pocketbook, look at your work roster. | 0:26:54 | 0:26:58 | |
Check your calendar at home | 0:26:58 | 0:27:00 | |
and get back to us with as accurate an account, | 0:27:00 | 0:27:03 | |
a chronological account, | 0:27:03 | 0:27:05 | |
of what you were doing Saturday 23rd July to Saturday 6th August. | 0:27:05 | 0:27:12 | |
You're not a suspect. | 0:27:15 | 0:27:16 | |
Everyone was a suspect when I was in HMIT. | 0:27:18 | 0:27:20 | |
Thanks for your time, Catherine. | 0:27:31 | 0:27:32 | |
One flat we went in, there were dog turds on the floor. | 0:27:42 | 0:27:44 | |
On the carpet, no bowl, | 0:27:44 | 0:27:45 | |
they must pour the dog food straight out of the can onto the floor. | 0:27:45 | 0:27:49 | |
Yeah, and they're the responsible ones. | 0:27:49 | 0:27:52 | |
They're the ones that actually feed their pets. | 0:27:52 | 0:27:55 | |
99.9% of your time, that's the sort of people you'll be dealing with. | 0:27:55 | 0:27:58 | |
People who live in houses where you have to wipe your feet | 0:27:58 | 0:28:01 | |
-when you leave. You better get used to it. -Oh, God. | 0:28:01 | 0:28:04 | |
You know what this detective I got paired off with said? | 0:28:04 | 0:28:07 | |
The one that had his mind on higher things? | 0:28:07 | 0:28:08 | |
Apparently, Lynn Dewhurst, he hadn't just strangled her, whoever did it. | 0:28:08 | 0:28:14 | |
He'd raped her with a bottle, a broken bottle, like. | 0:28:14 | 0:28:17 | |
Mutilated her. | 0:28:17 | 0:28:19 | |
Internally. | 0:28:19 | 0:28:21 | |
Why do you assume it's a man? | 0:28:25 | 0:28:27 | |
It's not as uncommon as you might imagine. | 0:28:28 | 0:28:30 | |
It don't leave any DNA, a bottle, and you know... | 0:28:30 | 0:28:33 | |
Rape isn't about sex, it's about power. | 0:28:33 | 0:28:36 | |
And it usually is a man, to be fair, | 0:28:36 | 0:28:37 | |
in case I just put the wrong idea in your head. | 0:28:37 | 0:28:40 | |
There's some sick little bastards out there. But you know that. | 0:28:40 | 0:28:44 | |
See you tomorrow. | 0:28:46 | 0:28:47 | |
Owen's at sixth form, he's over at Huddersfield College. | 0:29:07 | 0:29:10 | |
He's doing reasonably well, | 0:29:10 | 0:29:12 | |
he certainly seems engaged with it all, anyway. | 0:29:12 | 0:29:14 | |
Samantha's in the middle of her GCSEs. | 0:29:14 | 0:29:17 | |
I think she's more interested in lads, between you and me, | 0:29:17 | 0:29:20 | |
-but, you know, we live in hope. -How often do you see 'em? | 0:29:20 | 0:29:23 | |
Every other weekend, technically. | 0:29:23 | 0:29:25 | |
I suppose they get to that age and they want to suit themselves, | 0:29:25 | 0:29:28 | |
-don't they? I know I did. -Yeah, you were a rebel. | 0:29:28 | 0:29:31 | |
Er, well, sort of. | 0:29:31 | 0:29:34 | |
I tried to be. It were tricky. | 0:29:34 | 0:29:37 | |
Me and our Catherine. | 0:29:37 | 0:29:39 | |
I don't know if you knew this, but us Dad died when we were tiny, | 0:29:40 | 0:29:44 | |
and then us Mum died when I were 13, Catherine were 15, so... | 0:29:44 | 0:29:49 | |
It's always been Catherine I've turned to if I've needed anything, | 0:29:49 | 0:29:52 | |
she's always looked out for me. | 0:29:52 | 0:29:54 | |
We have our ups and our downs, but she's a rock. | 0:29:54 | 0:29:56 | |
If I have to tell you one more time | 0:29:56 | 0:29:58 | |
about taking that bike to bits on the pavement, I'll do things | 0:29:58 | 0:30:00 | |
with those spark plugs that'd bring tears to your eyes. | 0:30:00 | 0:30:02 | |
Is there anything I said you're struggling with?! Good. | 0:30:02 | 0:30:05 | |
-Hey up! -DOOR SLAMS | 0:30:05 | 0:30:07 | |
-Catherine. -Idiot... -Do you remember Neil Ackroyd? | 0:30:07 | 0:30:11 | |
-We were at school together. -Hiya. | 0:30:11 | 0:30:13 | |
-Hi. -Got that bike in bits again all over t'pavement, next door but one. | 0:30:13 | 0:30:17 | |
We bumped into each other in Hebden, | 0:30:17 | 0:30:19 | |
we've not seen each other since fifth form. | 0:30:19 | 0:30:21 | |
Oh, very good. | 0:30:21 | 0:30:23 | |
You see? I've told him about not kicking it against Winnie's wall. | 0:30:25 | 0:30:29 | |
Ryan! | 0:30:29 | 0:30:30 | |
What have I said about not kicking your ball against Winnie's wall? | 0:30:30 | 0:30:33 | |
-I'd best get off. -Yeah. | 0:30:33 | 0:30:35 | |
-Well, it's been lovely to see you. -Yeah. | 0:30:37 | 0:30:39 | |
If you can remember to put my name down on that list for an allotment, | 0:30:39 | 0:30:42 | |
-I'd love that. -Oh, I will, definitely, yeah. | 0:30:42 | 0:30:44 | |
I'll get us tickets for Cinema Paradiso, it's this Sunday, | 0:30:44 | 0:30:47 | |
-just around t'corner. -Yeah, that'd be great. | 0:30:47 | 0:30:49 | |
-Catherine, Neil's going. -Bye. | 0:30:49 | 0:30:53 | |
Bye! Right, bye. | 0:30:53 | 0:30:56 | |
SHE SOBS QUIETLY | 0:31:08 | 0:31:11 | |
What's up? Catherine? | 0:31:22 | 0:31:24 | |
-I'm all right. I'm just... -What? | 0:31:24 | 0:31:28 | |
What do I have to do? | 0:31:34 | 0:31:35 | |
I've got the Queen's police medal for bravery, | 0:31:37 | 0:31:40 | |
I've been to Buckingham Palace and I've shook the woman's hand. | 0:31:40 | 0:31:43 | |
And now they're accusing me | 0:31:43 | 0:31:45 | |
-of strangling and bottling Lynn Dewhurst. -Who are? | 0:31:45 | 0:31:47 | |
Bottling?! | 0:31:47 | 0:31:48 | |
This DI Jodie Shackleton. She's about 15. | 0:31:48 | 0:31:54 | |
-She's David Shackleton's daughter. -Who? -Chief Con. | 0:31:54 | 0:31:57 | |
Guess how she shinned her way up the greasy pole. | 0:31:57 | 0:32:00 | |
Hang on, what's that got to do with Lynn Dewhurst? | 0:32:00 | 0:32:02 | |
It was her. That body I found. | 0:32:02 | 0:32:06 | |
And they're not accusing me, they're trying to eliminate me, | 0:32:06 | 0:32:09 | |
-but you can see her thinking things with her little brain. -Why? Why you? | 0:32:09 | 0:32:13 | |
I found the body, | 0:32:15 | 0:32:17 | |
I left threatening messages on her answering machine, I had a motive. | 0:32:17 | 0:32:22 | |
But you didn't, did you? Did you? | 0:32:22 | 0:32:24 | |
-Are you seriously asking me that, Clare?! -Sorry, no. I were... No. | 0:32:26 | 0:32:30 | |
-She's just doing her job. -Yeah, but bloody hell. | 0:32:30 | 0:32:35 | |
No, it's routine, it's procedure. | 0:32:35 | 0:32:37 | |
-Bitch. -It's just not much fun being on the wrong end of it. | 0:32:37 | 0:32:42 | |
-Lynn Dewhurst. -I know. | 0:32:46 | 0:32:49 | |
I once snogged him. | 0:32:55 | 0:32:57 | |
-Sorry? -Neil. After a disco at school. | 0:32:58 | 0:33:03 | |
Down at t'bus stop in Sowerby Bridge. I always liked him. | 0:33:03 | 0:33:07 | |
Shall we get a takeaway tonight? | 0:33:11 | 0:33:13 | |
-I thought I was going to be late. -No. | 0:33:48 | 0:33:51 | |
-Is that...? -Only if you want it. -Yeah. | 0:33:52 | 0:33:55 | |
I'm sorry for... I don't want you to think that... | 0:34:03 | 0:34:08 | |
You know, when it started, I did mean all those things. I just... | 0:34:08 | 0:34:13 | |
Well, you must feel the same. It wasn't, it just hasn't... | 0:34:15 | 0:34:19 | |
-Lived up to its early promise. -..become what I thought it would. | 0:34:19 | 0:34:22 | |
Well, yeah, if you like. | 0:34:22 | 0:34:24 | |
Well, that's not how I feel, John. | 0:34:24 | 0:34:29 | |
For the record, I'm... Well, I'm disappointed. | 0:34:29 | 0:34:33 | |
You couldn't wait to get away from her. I thought you were sick of her. | 0:34:33 | 0:34:38 | |
And all I've got to comfort myself with now is the idea that | 0:34:38 | 0:34:42 | |
two years with me and all it's done is make you realise | 0:34:42 | 0:34:44 | |
-she's just not that bad. -It's not just... | 0:34:44 | 0:34:47 | |
You know, it's complicated. | 0:34:49 | 0:34:52 | |
With the kids, you know, three kids. | 0:34:52 | 0:34:55 | |
It doesn't get any easier. Just gets more and more... | 0:34:55 | 0:34:59 | |
We've had some good times. | 0:35:06 | 0:35:08 | |
Haven't we? | 0:35:08 | 0:35:09 | |
How do you know I'm not going to make life difficult for you? | 0:35:11 | 0:35:14 | |
-Are you? -Why shouldn't I? | 0:35:14 | 0:35:16 | |
SHE CHUCKLES | 0:35:20 | 0:35:22 | |
-Did you bring those things? -Mmm. | 0:35:26 | 0:35:29 | |
Thank you. | 0:35:55 | 0:35:57 | |
-We can still be friends. -Sure. -Can't we? -Sure. | 0:36:01 | 0:36:05 | |
TV PLAYS DISTANTLY | 0:36:15 | 0:36:18 | |
DOOR CLOSES | 0:36:33 | 0:36:34 | |
Hello, love. | 0:36:37 | 0:36:38 | |
Can I stop here for a bit? | 0:36:41 | 0:36:43 | |
Um... Yeah, course you can. | 0:36:48 | 0:36:51 | |
-What's happened? -She's chucked me out. | 0:36:53 | 0:36:56 | |
Lucy, why? When did this happen? | 0:36:56 | 0:36:59 | |
Last week. | 0:36:59 | 0:37:01 | |
I've been at my dad's, only Rose got sick of me, | 0:37:01 | 0:37:04 | |
which was entirely mutual. | 0:37:04 | 0:37:06 | |
Then I've been at a bed-and-breakfast, | 0:37:06 | 0:37:09 | |
but that's just made me feel even more shit, so. | 0:37:09 | 0:37:11 | |
You're going to have to sleep on the settee. | 0:37:13 | 0:37:15 | |
-That's fine. -Is it? | 0:37:17 | 0:37:18 | |
How permanent? | 0:37:18 | 0:37:20 | |
She reckons she wants a divorce. | 0:37:20 | 0:37:22 | |
She won't talk to me. I keep knocking on the door. | 0:37:22 | 0:37:25 | |
Her dad's changed the locks. That's my house! | 0:37:25 | 0:37:28 | |
-And he's been on the phone making threats. -Well, why? | 0:37:31 | 0:37:34 | |
-What's happened? -Nothing's happened! | 0:37:34 | 0:37:37 | |
-She's just got stupid ideas in her head, that's all. -About what? -Me. | 0:37:37 | 0:37:42 | |
Ever since Daisy were born, she's been off her...flaming trolley. | 0:37:43 | 0:37:48 | |
-And now, she's just gone completely fruit loop. -What's up? | 0:37:49 | 0:37:53 | |
Daniel's going to be sleeping on the settee for a couple of nights. | 0:37:53 | 0:37:58 | |
-Hiya. -Hiya. | 0:37:58 | 0:38:01 | |
Do you want another one? | 0:38:06 | 0:38:08 | |
No. | 0:38:11 | 0:38:12 | |
No... | 0:38:13 | 0:38:15 | |
No, I ought to be getting off home. | 0:38:18 | 0:38:20 | |
DISTORTED: You all right, John? | 0:38:20 | 0:38:22 | |
Oh... Oh! | 0:38:25 | 0:38:27 | |
Probably coming down with flu. | 0:38:29 | 0:38:31 | |
-Whoops! OK. -Oh... -OK? | 0:38:37 | 0:38:41 | |
HE MUMBLES | 0:38:42 | 0:38:44 | |
Oh, God. Maybe it's because I've not eaten anything all day. | 0:38:44 | 0:38:49 | |
-And then the beer. -Let's get you in the car. | 0:38:49 | 0:38:54 | |
-What's wrong with me? -Let's get you in the car. -Am I having a stroke? | 0:38:55 | 0:38:58 | |
No, no. HE BREATHES HEAVILY | 0:38:58 | 0:39:01 | |
Let's just get you into your car. | 0:39:01 | 0:39:03 | |
Oh, God, I don't think... | 0:39:03 | 0:39:05 | |
-Oh... I don't think I can drive. -I can drive. | 0:39:05 | 0:39:09 | |
-What's happening to me? -Just... | 0:39:09 | 0:39:12 | |
Where's your keys? | 0:39:12 | 0:39:15 | |
-Whoa... -Whoa! OK. | 0:39:15 | 0:39:17 | |
ENGINE ROARS PAST OUTSIDE | 0:39:44 | 0:39:47 | |
HE WHIMPERS | 0:40:11 | 0:40:14 | |
PHONE BEEPS MELODICALLY | 0:40:39 | 0:40:41 | |
HE GROANS | 0:40:45 | 0:40:47 | |
-Morning. Want to...? -No, no, please. | 0:41:06 | 0:41:09 | |
Following the meeting I had yesterday | 0:41:14 | 0:41:15 | |
with the Assistant Chief Con | 0:41:15 | 0:41:17 | |
and the SIOs in the other two investigations, | 0:41:17 | 0:41:19 | |
it's been concluded that there is sufficient evidence, well... | 0:41:19 | 0:41:23 | |
more than sufficient evidence, to link this operation | 0:41:23 | 0:41:26 | |
with Operation Sycamore and Operation Livingston. | 0:41:26 | 0:41:30 | |
The upshot, therefore, | 0:41:30 | 0:41:31 | |
is that we are now looking at a serial offender. | 0:41:31 | 0:41:34 | |
-MURMURING -What that means in practical terms | 0:41:34 | 0:41:36 | |
is that we're merging this investigation with the two teams | 0:41:36 | 0:41:39 | |
looking at the two other murders and the investigation as a whole | 0:41:39 | 0:41:42 | |
will now be upgraded to Cat A... | 0:41:42 | 0:41:44 | |
You need to be listening. Not talking. | 0:41:44 | 0:41:48 | |
TANNOY: 'Ladies and gentlemen, | 0:42:02 | 0:42:04 | |
'this is London King's Cross, where this service terminates. | 0:42:04 | 0:42:09 | |
'Please make sure you take all your personal items with you. Thank you.' | 0:42:09 | 0:42:12 | |
HE SOBS | 0:42:53 | 0:42:55 | |
I can't believe you they told you something like that | 0:42:58 | 0:43:01 | |
in such a matter-of-fact way. | 0:43:01 | 0:43:02 | |
How else are they going to do it in here? | 0:43:05 | 0:43:08 | |
It's appalling. | 0:43:08 | 0:43:10 | |
I know she was what she was, but... | 0:43:11 | 0:43:14 | |
-Well, it's still your mother, in't it? -Yeah. Of course it is. | 0:43:16 | 0:43:19 | |
I've got this... this idea, in me head. | 0:43:27 | 0:43:32 | |
-Oh, it's bugging me. -What? | 0:43:35 | 0:43:37 | |
That fucking bitch! | 0:43:42 | 0:43:44 | |
Cawood. | 0:43:47 | 0:43:49 | |
What about her? | 0:43:52 | 0:43:54 | |
They came in to talk to me, yesterday afternoon, these police. | 0:43:55 | 0:43:59 | |
She'd been dead five, six, seven weeks, Mum, they're not sure. | 0:43:59 | 0:44:05 | |
Cawood rang my mum up, making threats. | 0:44:07 | 0:44:11 | |
She told me, my mum did, I spoke to her, she were crying. | 0:44:13 | 0:44:16 | |
She'd seen Ryan outside t'shop down Hebden, and she spoke to him, | 0:44:17 | 0:44:21 | |
she said, "I'm your granny." | 0:44:21 | 0:44:23 | |
That's all she said, "I'm your granny," | 0:44:23 | 0:44:25 | |
and then Cawood's ringing her up making threats. | 0:44:25 | 0:44:28 | |
I remember, you told me. | 0:44:28 | 0:44:30 | |
Yeah, well, there you go, then she turns up dead, strangled. | 0:44:30 | 0:44:34 | |
Mashed up inside with broken glass. | 0:44:34 | 0:44:36 | |
You see, she's clever, this bitch. | 0:44:40 | 0:44:42 | |
She's do something like that so everyone would go, | 0:44:43 | 0:44:46 | |
"Well, a woman'd never do something like that to another woman." | 0:44:46 | 0:44:50 | |
You see, I know how a bitch like that thinks. | 0:44:50 | 0:44:53 | |
I said to them, I said, "Are you even questioning her?" | 0:44:55 | 0:44:58 | |
-What did they say? -Oh... | 0:44:58 | 0:45:01 | |
"All lines of inquiry are being pursued." | 0:45:01 | 0:45:03 | |
Bollocks. | 0:45:03 | 0:45:05 | |
They'll hide it, if it is her. They will cover it up. | 0:45:07 | 0:45:11 | |
She's untouchable. | 0:45:12 | 0:45:14 | |
She's... | 0:45:18 | 0:45:20 | |
She's... | 0:45:22 | 0:45:23 | |
She's ruined my life, and she's... | 0:45:26 | 0:45:31 | |
She's untouchable. | 0:45:31 | 0:45:34 | |
I love you. | 0:45:39 | 0:45:41 | |
I know you do. | 0:45:51 | 0:45:52 | |
(It's OK.) | 0:45:58 | 0:46:00 | |
(Tommy, it's OK.) | 0:46:02 | 0:46:04 | |
-You wanted to see me? -It's a serial killer, it's official. | 0:46:19 | 0:46:22 | |
-Oh, so I take it I'm off the hook? -Ah. -You're joking. -The thing is... | 0:46:22 | 0:46:26 | |
-Tell me you're joking. -They've got specific times of death on the other two operations. | 0:46:26 | 0:46:30 | |
So, if you can alibi yourself for those, you're laughing. | 0:46:30 | 0:46:32 | |
I'm really seriously not even thinking about laughing. | 0:46:32 | 0:46:35 | |
-It's routine, it's procedure. -It's wank, it's toss. | 0:46:35 | 0:46:38 | |
-You want the dates and times? -No. -Shall I e-mail them to you? -No. | 0:46:38 | 0:46:41 | |
Walking away won't make it go away. Catherine, where are you going? | 0:46:41 | 0:46:45 | |
I'm going to strangle a few more prostitutes | 0:46:47 | 0:46:49 | |
and stick some more broken bottles where the sun don't shine. | 0:46:49 | 0:46:52 | |
-You know that's not funny. Even in fun, that's not funny. -Really? | 0:46:52 | 0:46:55 | |
-I thought it was hilarious! -Catherine, just tick the boxes! | 0:46:55 | 0:46:59 | |
Has anyone thought to go and talk to the girls on Stonyroyd Lane? | 0:46:59 | 0:47:03 | |
Warn them to watch out for each other, | 0:47:03 | 0:47:05 | |
not to go with anybody they don't know, etc, etc? | 0:47:05 | 0:47:07 | |
Yeah, no, not yet, but we will do that, obviously. | 0:47:07 | 0:47:11 | |
I'm going to e-mail you those dates. | 0:47:11 | 0:47:13 | |
Yeah, good luck with that, sir. HE SIGHS | 0:47:13 | 0:47:15 | |
Cather... Sarge, it's Joyce. | 0:47:15 | 0:47:17 | |
-Joyce? -There's a lady down here, Alison Garrs. | 0:47:20 | 0:47:24 | |
She says she's the one whose sheep you put out of its misery | 0:47:25 | 0:47:28 | |
the day before yesterday. | 0:47:28 | 0:47:30 | |
She's coming. | 0:47:33 | 0:47:35 | |
Morning. | 0:47:39 | 0:47:40 | |
Look what they've done to Daryl. | 0:47:41 | 0:47:44 | |
This is them lads that you let off with a caution. | 0:47:44 | 0:47:47 | |
He went into the shop down Havenden, | 0:47:47 | 0:47:50 | |
they started pushing him around. | 0:47:50 | 0:47:52 | |
Making sheep noises at him. | 0:47:52 | 0:47:54 | |
Ask Dave to come down and take a statement. | 0:47:55 | 0:47:57 | |
I want a crime done for a section 39. | 0:47:57 | 0:48:00 | |
Come on through. | 0:48:00 | 0:48:02 | |
Come on, lad, we don't bite, I'm going to nip this in the bud. | 0:48:02 | 0:48:05 | |
Come on. | 0:48:14 | 0:48:16 | |
Go on. | 0:48:16 | 0:48:17 | |
Hello, ladies. Hiya, Nat. How's things? | 0:48:38 | 0:48:44 | |
How are you getting on at Lifeline? | 0:48:46 | 0:48:47 | |
-I don't like going. -She don't like going. -It's full of smack heads. | 0:48:50 | 0:48:54 | |
Yeah, is it? | 0:48:54 | 0:48:56 | |
They just keep you waiting for hours and stuff, | 0:48:56 | 0:48:58 | |
and I said to this guy, "Look, love, time's money." | 0:48:58 | 0:49:01 | |
It is, you know, to be fair. | 0:49:01 | 0:49:02 | |
Hmm. You hungry? | 0:49:02 | 0:49:05 | |
I'm always hungry, me. I'm like a dustbin. | 0:49:05 | 0:49:07 | |
-She is, she's like a dustbin. -You looking after yourself? -Mm-hmm. | 0:49:07 | 0:49:12 | |
Yeah, yeah, she's good, yeah. I keep an eye out for her. | 0:49:12 | 0:49:15 | |
Why do they always put sweetcorn in with tuna, who invented that? | 0:49:16 | 0:49:20 | |
-Take them all between you, go on. -You sure, lovely? -Yeah. -Thank you. | 0:49:20 | 0:49:25 | |
-Do you like my new eyeliner, Mrs Cawood? -Oh, yeah. -Isn't she pretty? | 0:49:25 | 0:49:29 | |
-Where'd you nick that from, then, Leone? -Boots. Boots's. -OK. | 0:49:29 | 0:49:34 | |
Listen, you need to know, we've got a bit of a weirdo doing the rounds. | 0:49:34 | 0:49:38 | |
He's killed three girls, women, one in Elland, | 0:49:38 | 0:49:41 | |
one in Brighouse and another one two days ago up Ovenden. | 0:49:41 | 0:49:45 | |
There's going to be an announcement later this aft, | 0:49:45 | 0:49:48 | |
but he's targeting vulnerable people like yourselves. All right? | 0:49:48 | 0:49:53 | |
And he's not just killing them, he's doing stuff to them. | 0:49:53 | 0:49:56 | |
I can't really tell you what, I'll leave that to your imagination, | 0:49:56 | 0:49:59 | |
but it's not much fun, so you need to be aware, all right? | 0:49:59 | 0:50:01 | |
You need to have eyes in your backside. Leone, are you listening? | 0:50:01 | 0:50:04 | |
LOUD ROCK MUSIC PLAYS | 0:50:04 | 0:50:06 | |
Anyone who makes you feel uncomfortable at all. Yeah? | 0:50:12 | 0:50:16 | |
Promise me that you'll... | 0:50:16 | 0:50:18 | |
-Who's that? -Don't know. | 0:50:25 | 0:50:28 | |
THUNDER ROLLS | 0:50:34 | 0:50:36 | |
And it's been going on for months, she reckons. | 0:50:36 | 0:50:41 | |
She thinks it were even going on before Daisy were born. | 0:50:41 | 0:50:44 | |
I'm not saying owt to him. | 0:50:45 | 0:50:46 | |
If he wants to talk to me, he'll talk to me. | 0:50:46 | 0:50:49 | |
-I'm not starting interfering in other people's marriages. -Course. | 0:50:49 | 0:50:52 | |
Whether it's true or not. Although, why would she make it up? | 0:50:52 | 0:50:55 | |
I don't think she would. She might have got t'wrong end of the stick. | 0:50:55 | 0:50:59 | |
We'll have to tidy out the spare bedroom if he is stopping. | 0:50:59 | 0:51:01 | |
He's not camping out in t'sitting room for any length of time, | 0:51:01 | 0:51:04 | |
-it's not fair on Ryan, or us. -I could move out. | 0:51:04 | 0:51:06 | |
You're not moving out. | 0:51:06 | 0:51:07 | |
It's more his home than mine, though, in't it, technically? | 0:51:07 | 0:51:11 | |
Don't say that. | 0:51:11 | 0:51:12 | |
-Dad? -Huh? | 0:51:38 | 0:51:39 | |
Oh... | 0:51:41 | 0:51:42 | |
-Can I get a biscuit, Uncle Daniel? -Yeah. Suppose so. | 0:52:07 | 0:52:11 | |
-You know where they are? -You want one? -No, thanks. | 0:52:11 | 0:52:14 | |
Actually, I might have a beer, while Auntie Clare's out. | 0:52:16 | 0:52:19 | |
Why can you not drink beer when Auntie Clare's in? | 0:52:19 | 0:52:23 | |
-Well, you can, but we don't, do we? Because... -Why? | 0:52:23 | 0:52:28 | |
She doesn't like it. | 0:52:29 | 0:52:32 | |
Why? | 0:52:32 | 0:52:33 | |
Well, um... | 0:52:33 | 0:52:35 | |
Because she, um... | 0:52:36 | 0:52:40 | |
-She's a... -Is she an alcoholic? | 0:52:40 | 0:52:42 | |
Er, well, yeah. | 0:52:44 | 0:52:47 | |
Yeah, she is. Was. | 0:52:47 | 0:52:50 | |
Is. | 0:52:50 | 0:52:51 | |
What is an alcoholic? | 0:52:53 | 0:52:56 | |
Hiya. | 0:53:06 | 0:53:07 | |
-I've got a reservation. -Name, please? -Drummond. | 0:53:10 | 0:53:15 | |
Frances Drummond. | 0:53:15 | 0:53:17 | |
Passed out? | 0:53:23 | 0:53:25 | |
Yeah. | 0:53:25 | 0:53:26 | |
Sitting at my desk, banging headache, no meal break, as usual. | 0:53:27 | 0:53:33 | |
And I think I, yeah, just passed out. | 0:53:33 | 0:53:37 | |
Well, then, you're working too hard. You've got to tell him. | 0:53:37 | 0:53:39 | |
Oh, yeah, that's going to go down really well. | 0:53:39 | 0:53:41 | |
We're just kicking off this major investigation. | 0:53:41 | 0:53:44 | |
Why did he keep you behind? | 0:53:44 | 0:53:45 | |
Because, you know, I'm the only one that knows | 0:53:47 | 0:53:50 | |
this particular aspect of telecoms. | 0:53:50 | 0:53:52 | |
PHONE BEEPS | 0:53:52 | 0:53:54 | |
Which is what one of the big leads was yesterday. | 0:53:54 | 0:53:57 | |
-You should go and see t'doctor. -Well, if it happens again, I will. | 0:53:57 | 0:54:01 | |
You do look pale. I thought so when you came in. | 0:54:01 | 0:54:05 | |
-I'm going to make some coffee, do you want some? -Yeah, go on. | 0:54:09 | 0:54:12 | |
LANDLINE RINGS | 0:54:15 | 0:54:17 | |
Hello? | 0:54:19 | 0:54:20 | |
Yeah, yeah, sure, he's here. Who's calling? | 0:54:22 | 0:54:25 | |
It's Vicky. From Forensics. | 0:54:27 | 0:54:29 | |
Oh. | 0:54:29 | 0:54:31 | |
-Hello? -'I've just sent you a text, have you seen it?' | 0:54:34 | 0:54:39 | |
No. | 0:54:39 | 0:54:41 | |
Please have a look. | 0:54:41 | 0:54:42 | |
-Have you seen it? -What's this? -What...? | 0:54:51 | 0:54:55 | |
How have you...? | 0:54:55 | 0:54:57 | |
What have you done, Vicky? | 0:54:59 | 0:55:00 | |
I spent the last two years thinking I had things to look forward to, | 0:55:00 | 0:55:05 | |
a future. | 0:55:05 | 0:55:07 | |
A life not on my own. | 0:55:07 | 0:55:10 | |
And now, I find I've got nothing. | 0:55:10 | 0:55:12 | |
I downloaded all your contacts off your phone last night. | 0:55:15 | 0:55:18 | |
'Just after I took those photos. | 0:55:18 | 0:55:20 | |
'Your wife, your mum, your dad, your kids. | 0:55:22 | 0:55:27 | |
'Your sister, your brother.' | 0:55:27 | 0:55:30 | |
Your aunties, your cousins. | 0:55:30 | 0:55:32 | |
Everyone you work with, your bosses, your colleagues. | 0:55:32 | 0:55:36 | |
Everyone at the rugby club. Everyone at the Rotary. | 0:55:36 | 0:55:40 | |
The bloke you bought your car off, your doctor, | 0:55:40 | 0:55:42 | |
-'your dentist, your little Amber's piano teacher.' -What...? | 0:55:42 | 0:55:46 | |
'Someone you met at conferences you've probably forgotten. | 0:55:46 | 0:55:49 | |
-'The list is endless.' -What do you want? | 0:55:49 | 0:55:51 | |
Money. | 0:55:51 | 0:55:53 | |
Only money. | 0:55:53 | 0:55:55 | |
How much? | 0:55:55 | 0:55:57 | |
£1,000 a month. | 0:55:57 | 0:56:00 | |
-Going forward. -I can't, I can't, I can't do that. | 0:56:02 | 0:56:05 | |
-Cash, obviously. -I can't, Vicky, I can't! | 0:56:05 | 0:56:09 | |
Oh, I think you can, I think you might be foolish not to. | 0:56:09 | 0:56:12 | |
First payment's due, shall we say, a week today? | 0:56:12 | 0:56:17 | |
'Where shall we meet?' | 0:56:19 | 0:56:21 | |
Yeah, perhaps you'd like to think about that. | 0:56:23 | 0:56:27 | |
'I do realise I'm playing with fire.' | 0:56:27 | 0:56:30 | |
With you being a policeman and everything. | 0:56:30 | 0:56:33 | |
But perhaps you can take that as a measure of how upset, | 0:56:33 | 0:56:38 | |
how messed around, how pissed off I feel! | 0:56:38 | 0:56:42 | |
'I also realise how easy it would be for you to tell someone at work. | 0:56:45 | 0:56:48 | |
'But please understand that, if you do,' | 0:56:50 | 0:56:53 | |
it will literally take me a matter of seconds to send these images | 0:56:53 | 0:56:57 | |
to every single person in your address book. | 0:56:57 | 0:57:00 | |
John. | 0:57:02 | 0:57:04 | |
-No! -Yes! -No way! -Eat shit, Dan. | 0:57:12 | 0:57:17 | |
Oi, hey! What would your granny say? | 0:57:17 | 0:57:20 | |
That's what she says. | 0:57:20 | 0:57:22 | |
# In this trouble town | 0:58:06 | 0:58:08 | |
# Troubles are found | 0:58:08 | 0:58:11 | |
# In this trouble town | 0:58:14 | 0:58:17 | |
# Words do get round | 0:58:17 | 0:58:20 | |
# Stuck in speed bump city | 0:58:27 | 0:58:28 | |
# Where the only thing that's pretty | 0:58:28 | 0:58:31 | |
# Is the thought of getting out. # | 0:58:31 | 0:58:33 |