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The victim is a Lynn Dewhurst. | 0:00:02 | 0:00:03 | |
We are now looking at a serial offender. | 0:00:03 | 0:00:05 | |
Clare? | 0:00:07 | 0:00:08 | |
Do you remember Neil Ackroyd? We were at school together. | 0:00:08 | 0:00:11 | |
We've not seen each other since fifth form. | 0:00:11 | 0:00:13 | |
Lynn Dewhurst... Whoever did it raped her with a broken bottle and mutilated her. | 0:00:13 | 0:00:16 | |
Now, they're accusing me of strangling | 0:00:16 | 0:00:18 | |
and bottling Lynn Dewhurst. | 0:00:18 | 0:00:19 | |
How do you know I'm not going to make life difficult for you? | 0:00:19 | 0:00:22 | |
-What do you want? -£1,000 a month. -I can't, Vicky! | 0:00:22 | 0:00:25 | |
She's ruined my life. She's untouchable. | 0:00:25 | 0:00:27 | |
Right, take your seatbelt off. We're here. | 0:00:51 | 0:00:53 | |
Here. | 0:01:01 | 0:01:02 | |
Just along here. | 0:01:04 | 0:01:06 | |
So you told him? You could have just said nothing. | 0:01:06 | 0:01:09 | |
-He kept on at me, he kept asking. -And did you tell him the rest? | 0:01:09 | 0:01:11 | |
"And she used to shoot crap up her veins" as well? | 0:01:11 | 0:01:13 | |
No, of course I didn't! | 0:01:13 | 0:01:15 | |
You know he's going to go repeating that at school? | 0:01:15 | 0:01:18 | |
This is Ilinka. | 0:01:18 | 0:01:20 | |
Ilinka, this is Daniel. | 0:01:20 | 0:01:22 | |
Say hello. | 0:01:22 | 0:01:23 | |
Hello. | 0:01:23 | 0:01:24 | |
-And this is Clare. -Hello. | 0:01:24 | 0:01:27 | |
Sit down. Sit. | 0:01:27 | 0:01:29 | |
She doesn't speak any English, so... | 0:01:29 | 0:01:31 | |
-Tea. Do you want any tea? -I've just boiled the kettle. | 0:01:31 | 0:01:34 | |
Great. | 0:01:34 | 0:01:35 | |
Some tea? | 0:01:39 | 0:01:41 | |
Jako ste ljubazni. | 0:01:41 | 0:01:43 | |
OK, yeah. So, Ilinka came into our nick this morning - try and smile - | 0:01:43 | 0:01:48 | |
and she'd escaped from a house up Peveril Lane, | 0:01:48 | 0:01:52 | |
where she was being kept prisoner, | 0:01:52 | 0:01:53 | |
along with 21 other women who've been trafficked from Croatia. | 0:01:53 | 0:01:56 | |
You're kidding? | 0:01:56 | 0:01:58 | |
She's been shunted from one house to another for over four years. | 0:01:58 | 0:02:01 | |
Eight of them in every room at this last place. | 0:02:01 | 0:02:03 | |
She's been doing a ten-hour shift six days a week for £10 a week | 0:02:03 | 0:02:07 | |
at Bowen's biscuit factory up Rastrick. | 0:02:07 | 0:02:09 | |
-That's... -Slavery, yeah. | 0:02:09 | 0:02:12 | |
Anyhow, I got an interpreter on the phone - that took three weeks - | 0:02:12 | 0:02:15 | |
then I got the OSU, spoke to the trafficking unit in Sheffield | 0:02:15 | 0:02:18 | |
and we busted them out, the women. | 0:02:18 | 0:02:20 | |
The only trouble now is housing them. | 0:02:20 | 0:02:22 | |
Managed to get ten of them in at a women's refuge in Huddersfield, | 0:02:22 | 0:02:26 | |
six have gone to a hostel in Leeds and five are at the Mission | 0:02:26 | 0:02:29 | |
waiting for the council to sort out their flights back home | 0:02:29 | 0:02:32 | |
and Ilinka's going to stay with... | 0:02:32 | 0:02:34 | |
Winnie? Hi, it's Catherine. Do you want to come across? | 0:02:35 | 0:02:38 | |
Yeah, she's here. | 0:02:38 | 0:02:40 | |
I have indeed got the kettle on, Winnie. Ta-ta. | 0:02:42 | 0:02:44 | |
I always thought Winnie were Polish. | 0:02:44 | 0:02:46 | |
She's Yugoslavian...as was. | 0:02:46 | 0:02:48 | |
What's up? | 0:02:58 | 0:03:00 | |
He has told our Ryan that I...am an alcoholic. | 0:03:00 | 0:03:07 | |
It wasn't so cut and dried as that, as I've tried to explain. | 0:03:07 | 0:03:10 | |
Nine years old, and he's telling him stuff he never needed to know. | 0:03:10 | 0:03:13 | |
He asked. He used the word... "alcoholic". | 0:03:13 | 0:03:17 | |
-Did he? -I-I didn't... | 0:03:17 | 0:03:20 | |
-I didn't know what to say. -When was this? | 0:03:20 | 0:03:22 | |
Last week. It was when you were at the hospice - when Helen died. | 0:03:22 | 0:03:26 | |
Right, well, tell him you misunderstood, | 0:03:28 | 0:03:30 | |
you got the wrong end of the stick, and she's not. | 0:03:30 | 0:03:32 | |
But that's... That's lying. | 0:03:32 | 0:03:34 | |
He'll think I'm someone who makes stuff up. | 0:03:34 | 0:03:36 | |
No, he'll think you're someone who gets the wrong end of the stick. | 0:03:36 | 0:03:40 | |
He's not daft. In fact, he's the opposite of daft. | 0:03:40 | 0:03:43 | |
He's very bright, he's very perceptive. | 0:03:43 | 0:03:45 | |
And he'll know straightaway that I'm talking shite - sorry - | 0:03:45 | 0:03:49 | |
and that'll just reinforce the fact that she is... | 0:03:49 | 0:03:51 | |
Was...an alcoholic. | 0:03:51 | 0:03:54 | |
-WINNIE: -It's only me! | 0:03:55 | 0:03:58 | |
Come on in, Winnie. | 0:03:58 | 0:04:00 | |
Where is she? | 0:04:00 | 0:04:01 | |
Oh, jadnice! Sto ti se dogodilo? | 0:04:03 | 0:04:07 | |
Moram razgovarati sa svojom obitelji! Treba mi telefon. | 0:04:07 | 0:04:10 | |
Da,da, mozete. Doci kod mene kuci, I koristiti moj telefon. | 0:04:10 | 0:04:17 | |
Ova policajka je bila jako ljubazna prema meni. | 0:04:20 | 0:04:22 | |
And it is just for two or three nights | 0:04:22 | 0:04:24 | |
till the trafficking unit sorts something out. She knows that. | 0:04:24 | 0:04:27 | |
She's saying you are very kind. | 0:04:27 | 0:04:29 | |
Mi cemo se brinuti o tebi, draga moja. | 0:04:29 | 0:04:34 | |
And I am saying you're wonderful... | 0:04:37 | 0:04:39 | |
as long as we all stay on the right side of you, | 0:04:39 | 0:04:41 | |
cos, if we don't, you're a pain in the arse. | 0:04:41 | 0:04:44 | |
MUSIC: Trouble Town by Jake Bugg | 0:04:47 | 0:04:49 | |
Light left on in the bathroom, again. | 0:05:17 | 0:05:19 | |
-His bedroom light on, her bedroom light on. -I'm going back up there! | 0:05:19 | 0:05:21 | |
-You're not up there now. Who's left that? -He did. | 0:05:21 | 0:05:24 | |
So what? I can't find my calculator. | 0:05:24 | 0:05:27 | |
So don't pour so much cereal if you're not going to eat it! | 0:05:27 | 0:05:30 | |
It's all to pay for - it doesn't grow on trees! | 0:05:30 | 0:05:32 | |
He needs to calm down. | 0:05:32 | 0:05:34 | |
I do not need to calm down! | 0:05:34 | 0:05:36 | |
I need to not be surrounded by people who take the p... | 0:05:36 | 0:05:39 | |
Who take the mickey all the time. | 0:05:39 | 0:05:41 | |
-See you. -Yup. | 0:05:43 | 0:05:44 | |
What's up with him? | 0:05:47 | 0:05:48 | |
-God knows. -Eh? | 0:05:48 | 0:05:50 | |
It's this killer, it's this bloke who's murdering prostitutes. | 0:05:51 | 0:05:55 | |
They're tough jobs to work on, I suppose. I don't know. | 0:05:55 | 0:05:57 | |
No need to take it out on us. | 0:05:57 | 0:05:59 | |
RADIO: 'In Calderdale in West Yorkshire, | 0:06:07 | 0:06:09 | |
'police chiefs have called for increased vigilance in the community | 0:06:09 | 0:06:12 | |
'following the linking of the murder of three women in the area | 0:06:12 | 0:06:16 | |
'over the last five months.' | 0:06:16 | 0:06:18 | |
Catherine, you're not going on the house-to-house, are you? | 0:06:32 | 0:06:35 | |
No. That would be unethical, | 0:06:35 | 0:06:37 | |
-what with me being prime suspect, etc. -Just checking. | 0:06:37 | 0:06:39 | |
They're going on the house-to-house, | 0:06:39 | 0:06:41 | |
so, unless you can find any more staff, | 0:06:41 | 0:06:43 | |
I'm going to arrest a 15-year-old at Salter Hebble High | 0:06:43 | 0:06:46 | |
-for dealing skunk behind the science block. -OK, good. | 0:06:46 | 0:06:49 | |
-Morning. -Morning. | 0:06:53 | 0:06:54 | |
Morning. | 0:06:56 | 0:06:57 | |
Do you know how it's grown? | 0:07:00 | 0:07:01 | |
You don't know and you don't care, I know. | 0:07:01 | 0:07:03 | |
I'm going to tell you anyway, | 0:07:03 | 0:07:04 | |
because you never know, it might serve as a wake-up call. | 0:07:04 | 0:07:06 | |
They find a terraced house, rip everything out - | 0:07:06 | 0:07:08 | |
including the bathroom, all the fixtures and fittings - | 0:07:08 | 0:07:11 | |
and fill the whole place with cannabis plants. | 0:07:11 | 0:07:13 | |
Then they employ a load of illegal immigrants - well, I say "employ", | 0:07:13 | 0:07:16 | |
I use the term loosely - to chuck a load of seriously unpleasant | 0:07:16 | 0:07:19 | |
illegal chemicals on them to make them grow far too fast. | 0:07:19 | 0:07:22 | |
And not only that... | 0:07:22 | 0:07:23 | |
Once they've ripped the bathroom out | 0:07:23 | 0:07:25 | |
and there's nowhere to go and do the necessary, | 0:07:25 | 0:07:27 | |
they shit on the plants. | 0:07:27 | 0:07:29 | |
No, they really do. | 0:07:29 | 0:07:31 | |
That's what you're dealing with here. | 0:07:31 | 0:07:34 | |
That's what you've been handling. | 0:07:34 | 0:07:36 | |
Human faeces. | 0:07:36 | 0:07:37 | |
Get in, idiot. | 0:07:41 | 0:07:44 | |
-RADIO: -'Catherine?' | 0:07:44 | 0:07:45 | |
Boss. | 0:07:45 | 0:07:47 | |
You busy? | 0:07:47 | 0:07:48 | |
No. | 0:07:48 | 0:07:50 | |
OK. So, I've just heard, and I thought you'd like to know - | 0:07:50 | 0:07:53 | |
'the Home Office have given Tommy Lee Royce | 0:07:53 | 0:07:56 | |
'permission to attend his mother's funeral tomorrow, | 0:07:56 | 0:07:58 | |
'at the crematorium in Elland. | 0:07:58 | 0:08:00 | |
'I've just heard, just now, | 0:08:00 | 0:08:02 | |
'so I thought you deserved to know in advance, | 0:08:02 | 0:08:05 | |
'before you saw it on the news or in the papers.' | 0:08:05 | 0:08:07 | |
Right. | 0:08:14 | 0:08:15 | |
# Orangey carrots and turnips cream | 0:08:18 | 0:08:23 | |
# Reddening tomatoes that used to be green | 0:08:23 | 0:08:27 | |
# Brown potatoes in little heaps | 0:08:27 | 0:08:31 | |
# Down in the darkness where the celery sleeps | 0:08:31 | 0:08:35 | |
# The apples are ripe The plums are red | 0:08:35 | 0:08:39 | |
# The broad beans are sleeping in the blankety bed. # | 0:08:39 | 0:08:43 | |
Woo! | 0:08:43 | 0:08:45 | |
Sit down, everyone. | 0:08:45 | 0:08:46 | |
Now, this morning, I'm delighted to tell you | 0:08:50 | 0:08:54 | |
that we have a new member of staff joining us. | 0:08:54 | 0:08:58 | |
Miss Wealand has come all the way from Linlithgow in Scotland | 0:08:58 | 0:09:04 | |
to take over from Mrs Etherington as our new teaching assistant, | 0:09:04 | 0:09:08 | |
and I'm sure you'd all like to join me | 0:09:08 | 0:09:11 | |
in giving her a really big, warm welcome. | 0:09:11 | 0:09:16 | |
One, two, three... | 0:09:16 | 0:09:18 | |
-ALL: -Welcome to our school, Miss Wealand! | 0:09:18 | 0:09:22 | |
Thank you, I'm delighted to be here. | 0:09:22 | 0:09:25 | |
KNOCKS ON DOOR | 0:09:35 | 0:09:36 | |
SCREAMING | 0:09:45 | 0:09:48 | |
Is that an approved technique? | 0:09:50 | 0:09:52 | |
For getting people out of bed, yeah. | 0:09:52 | 0:09:54 | |
Do you enjoy this job? | 0:09:57 | 0:09:58 | |
-It's not all house-to-house. -Only, you never look happy. | 0:10:00 | 0:10:03 | |
If you had to lay your hands on £1,000, just like that, | 0:10:07 | 0:10:11 | |
-what would you do? -Ask me dad. -What, and he'd just shell out? | 0:10:11 | 0:10:14 | |
He's a millionaire, so... | 0:10:14 | 0:10:16 | |
-probably not. -Your dad's a millionaire? | 0:10:16 | 0:10:18 | |
He's, like, so rich it's boring. | 0:10:18 | 0:10:20 | |
Wow. | 0:10:20 | 0:10:22 | |
So, how does he feel about you being a PCSO? | 0:10:22 | 0:10:24 | |
Oh, you know. | 0:10:24 | 0:10:25 | |
"Hundreds of millions of pounds spent on her education | 0:10:25 | 0:10:28 | |
"and she wants to be a bloody policeman." | 0:10:28 | 0:10:30 | |
-Only not so polite. -HE LAUGHS | 0:10:30 | 0:10:32 | |
Why do you need £1,000? | 0:10:34 | 0:10:36 | |
It's complicated. | 0:10:36 | 0:10:37 | |
You're not exactly a barrel of laughs yourself, you know, kid. | 0:10:43 | 0:10:45 | |
Yeah, well, it's my mother's funeral tomorrow. | 0:10:45 | 0:10:48 | |
Is it? | 0:10:50 | 0:10:52 | |
Oh, God. I'm sorry, I had no idea. | 0:10:53 | 0:10:54 | |
-I haven't been advertising it. -You shouldn't be at work, Ann. | 0:10:54 | 0:10:57 | |
I'd go mad at home. | 0:10:57 | 0:10:59 | |
Was it sudden? | 0:11:00 | 0:11:01 | |
Cancer. | 0:11:01 | 0:11:03 | |
I'm sorry. I am sorry. | 0:11:05 | 0:11:08 | |
KNOCKS ON DOOR | 0:11:10 | 0:11:12 | |
You could always buy a lottery ticket. | 0:11:16 | 0:11:18 | |
-You're joking. -Nope. -Sarge? -Yup. -How do you know? | 0:11:47 | 0:11:49 | |
Gorkem read it on the box just before it got classified. | 0:11:49 | 0:11:52 | |
She's been questioned cos she left threatening messages | 0:11:52 | 0:11:54 | |
on Lynn Dewhurst's answering machine days before she died. | 0:11:54 | 0:11:57 | |
That'll be why she's not been on the house-to-house. | 0:11:57 | 0:11:59 | |
-She can't do anything connected to the murder inquiry. -That's mad. -It's stupid. | 0:11:59 | 0:12:03 | |
Yeah, but is it? Lynn Dewhurst. | 0:12:03 | 0:12:04 | |
So what? She strangled her and stuck a broken bottle up her f...andango. | 0:12:04 | 0:12:08 | |
I'm not saying she did it. I'm just saying they questioned her over a week ago, | 0:12:08 | 0:12:11 | |
and she still isn't being given any duties on the job. | 0:12:11 | 0:12:14 | |
That's how she were the only one off on that raid yesterday | 0:12:14 | 0:12:16 | |
-with the trafficking unit. -What raid? -Yesterday! She tasered a bloke. -Seriously? | 0:12:16 | 0:12:20 | |
You people need to get your ears glued to the ground better. | 0:12:20 | 0:12:22 | |
-You tasered a bloke, Sarge? -Er, food. | 0:12:22 | 0:12:26 | |
-I did, yeah. -At that house where Ilinka escaped from. -How much do I owe you? | 0:12:26 | 0:12:29 | |
£2.25. What did it feel like? | 0:12:29 | 0:12:31 | |
Good, yeah - given that one minute | 0:12:31 | 0:12:33 | |
there's a bloke coming at you with a baseball bat, | 0:12:33 | 0:12:35 | |
and the next he's flat on the floor, quivering like fucking jelly. | 0:12:35 | 0:12:38 | |
SHOUTING | 0:12:38 | 0:12:41 | |
SHE SPEAKS THEIR LANGUAGE | 0:12:41 | 0:12:43 | |
Sarge, Sarge, Sarge! | 0:12:43 | 0:12:45 | |
Get back! Get back! Drop the bat! | 0:12:45 | 0:12:48 | |
Taser, taser! | 0:12:48 | 0:12:49 | |
TASER BUZZES MAN GIBBERS | 0:12:49 | 0:12:52 | |
Oh, shit. | 0:12:54 | 0:12:56 | |
LAUGHTER | 0:12:56 | 0:12:59 | |
Obviously, I was trying to shoot him in the chesticles, | 0:13:03 | 0:13:06 | |
not in the family jewels. | 0:13:06 | 0:13:08 | |
But you know... | 0:13:08 | 0:13:10 | |
If you're going to wave a baseball bat around in front of a woman | 0:13:10 | 0:13:13 | |
who's just completed her taser training, | 0:13:13 | 0:13:15 | |
you're asking for a bit of excitement. | 0:13:15 | 0:13:18 | |
Eh, careful, Ann. | 0:13:18 | 0:13:19 | |
Sarge's got a bottle in her hand, keep your legs together! | 0:13:19 | 0:13:22 | |
Mr Tekeli... | 0:13:37 | 0:13:39 | |
perhaps you'd like to take yourself outside | 0:13:39 | 0:13:41 | |
and check the oil and water in all the patrol vehicles. | 0:13:41 | 0:13:43 | |
Oh, sorry. Were you in the middle of your dinner? Bad luck. | 0:13:43 | 0:13:47 | |
Perhaps you'd like to clean your mouth out whilst you're down there. | 0:13:47 | 0:13:51 | |
-Ann, can you step into my office, love? I need a word with you. -Yup. | 0:13:54 | 0:13:58 | |
Chop chop! | 0:14:02 | 0:14:03 | |
It were only a joke. | 0:14:04 | 0:14:06 | |
Nobody in their right mind thinks that you did that. | 0:14:14 | 0:14:17 | |
The Home Office are letting Tommy Lee Royce out | 0:14:24 | 0:14:26 | |
for his mother's funeral... | 0:14:26 | 0:14:28 | |
..which...is tomorrow. | 0:14:30 | 0:14:33 | |
Your FLO will be in touch to tell you all this but I heard, | 0:14:35 | 0:14:37 | |
so I thought you ought to know. | 0:14:37 | 0:14:39 | |
He'll be closely guarded, there'll be an armed escort, | 0:14:41 | 0:14:43 | |
he'll be handcuffed at all times. | 0:14:43 | 0:14:45 | |
They'll have done a full risk assessment | 0:14:45 | 0:14:47 | |
and an operational order will be in place. | 0:14:47 | 0:14:50 | |
He'll be in, out, | 0:14:50 | 0:14:51 | |
and straight back to the same nasty little cell in Gravesend | 0:14:51 | 0:14:54 | |
that he'll be occupying for the next 500 years. | 0:14:54 | 0:14:57 | |
Where? | 0:15:00 | 0:15:01 | |
Where's his mother's funeral? | 0:15:01 | 0:15:03 | |
Elland. | 0:15:05 | 0:15:06 | |
Before...mine? | 0:15:09 | 0:15:10 | |
No, it's after. Later in the afternoon. | 0:15:10 | 0:15:13 | |
-Right. -You won't see him. | 0:15:17 | 0:15:19 | |
I said I don't need any help. | 0:15:34 | 0:15:35 | |
You do need help, love. | 0:15:35 | 0:15:37 | |
You need all the help you can get with your reading. | 0:15:37 | 0:15:40 | |
I don't, not if I'm going to play for Man City. | 0:15:40 | 0:15:43 | |
I told her. I said I spelt it out for her. | 0:15:43 | 0:15:46 | |
Did you, indeed? | 0:15:46 | 0:15:48 | |
-Hiya. -Hiya. | 0:15:48 | 0:15:49 | |
-She talks funny and all. -Funny in what way? | 0:15:49 | 0:15:52 | |
-She's Scottish. -Who is? | 0:15:52 | 0:15:54 | |
-His new TA. -Miss Wealand. | 0:15:54 | 0:15:56 | |
Well, it sounds to me like she's trying to help you, | 0:15:56 | 0:15:59 | |
so you just try and be nice to her. | 0:15:59 | 0:16:01 | |
I hate reading. | 0:16:01 | 0:16:02 | |
Winnie wants you, before you start pouring yourself any tea. | 0:16:02 | 0:16:05 | |
Don't do that, love. | 0:16:05 | 0:16:06 | |
KNOCKS ON DOOR | 0:16:14 | 0:16:16 | |
It's only me, Winnie. | 0:16:16 | 0:16:17 | |
-Here she is. Now, then, Catherine... -Aww. | 0:16:17 | 0:16:22 | |
-Thank you, Catherine. -How's she been? | 0:16:22 | 0:16:24 | |
She's been absolutely fine. | 0:16:24 | 0:16:26 | |
Good, good. Did you want to see me? | 0:16:26 | 0:16:29 | |
Look, look at this. | 0:16:29 | 0:16:31 | |
To je Aurelijina odjeca. Moja prijateljica Aurelija. | 0:16:32 | 0:16:36 | |
-She had this friend, Aurelia. -Aurelija Petrovic. | 0:16:36 | 0:16:39 | |
They were shunted from one house to another every few months | 0:16:39 | 0:16:42 | |
by these people, these men, but they always managed to stay together, | 0:16:42 | 0:16:47 | |
her and Aurelia, and they became very close. | 0:16:47 | 0:16:51 | |
Aurelia, as well as working at the biscuit factory, she... They... | 0:16:51 | 0:16:56 | |
-They made her... -Prostitution? | 0:16:57 | 0:16:59 | |
Da. Then, one day, | 0:16:59 | 0:17:02 | |
she thinks about 12 or 13 weeks since, | 0:17:02 | 0:17:06 | |
she never came back, | 0:17:06 | 0:17:08 | |
and she has not seen her since. | 0:17:08 | 0:17:11 | |
And these - and she seems very certain about this - | 0:17:11 | 0:17:14 | |
are HER clothes. | 0:17:14 | 0:17:16 | |
The girl they never identified. | 0:17:16 | 0:17:18 | |
She says they didn't have many clothes, any of them. | 0:17:18 | 0:17:22 | |
-Aurelia? -Petrovic. -Petrovic. | 0:17:24 | 0:17:26 | |
OK. Tell her... | 0:17:26 | 0:17:28 | |
We're going to have to go back down to the station | 0:17:30 | 0:17:32 | |
and talk about this to the team working on the murders. | 0:17:32 | 0:17:35 | |
Catherine zeli otici u Sowerby Bridge s tobom | 0:17:37 | 0:17:41 | |
i razgovarati o ovome sa ljudima koji istrazuju ubojstvo. | 0:17:41 | 0:17:46 | |
-S policijom? -Da. -Ne, ne, ne, ne. | 0:17:46 | 0:17:49 | |
She does not want to talk to the police. | 0:17:49 | 0:17:51 | |
-Why? -Knezevici ce me ubiti. | 0:17:51 | 0:17:53 | |
She says the Knezevici will kill her. | 0:17:53 | 0:17:57 | |
She's mentioned these "Knezevici" more than once. | 0:17:57 | 0:18:01 | |
How? How did she mention them? | 0:18:01 | 0:18:04 | |
Well... Just as a threat. | 0:18:04 | 0:18:07 | |
Did she see any of the Knezevics? Ask her. | 0:18:07 | 0:18:10 | |
Jeste li ikad vidjeli neku od Knezevica? | 0:18:10 | 0:18:14 | |
Ne, ne, ali jedan od njih je dolazio u kucu ponekad spavati s Aureliajom. | 0:18:14 | 0:18:20 | |
-What? -One of them used to come to the house, to... | 0:18:20 | 0:18:25 | |
..do the business with Aurelia. | 0:18:27 | 0:18:31 | |
But she never saw him. | 0:18:31 | 0:18:33 | |
Who are they? | 0:18:33 | 0:18:35 | |
The Halifax mafia. | 0:18:35 | 0:18:37 | |
Of course it'd be the Knezevics trafficking women. | 0:18:37 | 0:18:40 | |
That'd be...right up their alley. | 0:18:40 | 0:18:42 | |
Tell her...this is murder... | 0:18:43 | 0:18:46 | |
..Knezevics or no Knezevics. | 0:18:47 | 0:18:50 | |
In fact, good - anything we can get on the Knezevics, | 0:18:50 | 0:18:54 | |
we have to report it. | 0:18:54 | 0:18:55 | |
We have to do it for Aurelia... | 0:18:56 | 0:18:58 | |
..and we have to do it now. | 0:19:00 | 0:19:02 | |
I don't know why they won't let me sit in and translate for them. | 0:19:07 | 0:19:11 | |
It's protocol, Winnie. | 0:19:13 | 0:19:14 | |
They'll have me written off as senile. | 0:19:14 | 0:19:17 | |
Do you want me to take you home? | 0:19:21 | 0:19:24 | |
No, no, no, no. | 0:19:24 | 0:19:25 | |
No, no. | 0:19:25 | 0:19:27 | |
I'll wait for her. | 0:19:27 | 0:19:30 | |
Poor lass. | 0:19:30 | 0:19:31 | |
How do they get into... a pickle like this? | 0:19:34 | 0:19:39 | |
Do you really want to know? | 0:19:42 | 0:19:44 | |
Now you'll think I'm senile. | 0:19:46 | 0:19:48 | |
They promise them a better life, and a job. | 0:19:51 | 0:19:54 | |
Then, when they get here, they take their passport and their papers, | 0:19:55 | 0:19:59 | |
siphon off their wages... | 0:19:59 | 0:20:00 | |
..tell them they're sending it all home to their families, | 0:20:01 | 0:20:05 | |
along with any letters they write - which, of course, they aren't - | 0:20:05 | 0:20:08 | |
and they don't know any better. | 0:20:08 | 0:20:11 | |
The penny only drops months later, | 0:20:11 | 0:20:13 | |
when they've never had any letters back from their families. | 0:20:13 | 0:20:16 | |
And then when the penny does drop, | 0:20:18 | 0:20:20 | |
there's very little they can do about it... | 0:20:20 | 0:20:23 | |
because the only people they've had any contact with | 0:20:23 | 0:20:26 | |
are the ones that trafficked them in the first place, and each other. | 0:20:26 | 0:20:29 | |
-It's evil. -Yep. | 0:20:29 | 0:20:32 | |
Well, if you know damned well it's the Knezevics doing it, | 0:20:32 | 0:20:35 | |
-why don't you arrest them? -Oh, Winnie, Winnie... | 0:20:35 | 0:20:38 | |
They're clever, clever...bastards. | 0:20:40 | 0:20:44 | |
It's one thing knowing somebody's done something. | 0:20:46 | 0:20:49 | |
It's a different kettle of fish | 0:20:49 | 0:20:51 | |
having the evidence to arrest them for it. | 0:20:51 | 0:20:54 | |
How... | 0:20:54 | 0:20:55 | |
How did she escape? | 0:20:57 | 0:20:59 | |
She was on a fag break from Bowen's biscuit factory. | 0:20:59 | 0:21:02 | |
Morati mi pomoci! Ako me uhvate ubiti ce me! | 0:21:02 | 0:21:06 | |
Molim vas, pomozite mi. | 0:21:06 | 0:21:08 | |
Language line. | 0:21:08 | 0:21:10 | |
'They don't run, normally, | 0:21:10 | 0:21:11 | |
'cos they've got no idea where they are,' | 0:21:11 | 0:21:14 | |
and they don't speak any English, and they're terrified. | 0:21:14 | 0:21:17 | |
So, effectively, they're trapped. | 0:21:17 | 0:21:19 | |
All they know is where they live and where they work. | 0:21:19 | 0:21:23 | |
They're taken there and back in a minibus every day. | 0:21:23 | 0:21:25 | |
That's all they know. That's their life. | 0:21:25 | 0:21:28 | |
She got over the wall and just ran and ran and ran. | 0:21:28 | 0:21:31 | |
She'd got no idea where she was going to, | 0:21:31 | 0:21:34 | |
and, if they'd caught her, they'd have beaten her black and blue. | 0:21:34 | 0:21:37 | |
Sergeant Cawood. | 0:21:40 | 0:21:41 | |
-Oh, is this Mrs Babic? -Winnie. | 0:21:41 | 0:21:43 | |
Andy Shepherd, Detective Superintendent. | 0:21:43 | 0:21:45 | |
We're very grateful to you, Winnie. | 0:21:45 | 0:21:47 | |
This has opened up whole new lines of inquiry for us. | 0:21:47 | 0:21:49 | |
-I wanted to say thank you. -It's my pleasure. | 0:21:49 | 0:21:51 | |
Can I have a word? | 0:21:51 | 0:21:53 | |
Ilinka's concerned that she may have been followed - | 0:22:01 | 0:22:04 | |
here, to the nick. | 0:22:04 | 0:22:06 | |
-How, sir? -I don't know, | 0:22:07 | 0:22:08 | |
but you let her go outside for a comfort break, yesterday afternoon? | 0:22:08 | 0:22:11 | |
-Yeah. -She thinks she saw a car, | 0:22:11 | 0:22:14 | |
which disappeared as soon as whoever it was driving it saw a uniform. | 0:22:14 | 0:22:18 | |
-Really? -Yeah. | 0:22:18 | 0:22:19 | |
So, the concern is that, if she's right, | 0:22:19 | 0:22:23 | |
whoever it was may have followed you | 0:22:23 | 0:22:24 | |
when you drove her back to your house later in the day. | 0:22:24 | 0:22:28 | |
-(Oh, shit.) -Yup. | 0:22:28 | 0:22:30 | |
But I'd have noticed, I'd have seen if somebody had followed me. | 0:22:30 | 0:22:33 | |
How sure can you be? | 0:22:33 | 0:22:34 | |
It isn't as if you were looking for it, is it? | 0:22:34 | 0:22:37 | |
So, what you've gone and done, inadvertently - | 0:22:37 | 0:22:39 | |
-and I'm sure with the best of intentions... -No... | 0:22:39 | 0:22:42 | |
There was nowhere else to take her. | 0:22:42 | 0:22:44 | |
Nowhere else had any space. | 0:22:44 | 0:22:46 | |
What you've done is put that little old lady in there | 0:22:46 | 0:22:48 | |
in a potentially very vulnerable and dangerous position. | 0:22:48 | 0:22:51 | |
If it's who we think it is, these people don't muck about. | 0:22:51 | 0:22:53 | |
If they think Ilinka's told us stuff that could compromise them - and she has - they'll kill her. | 0:22:53 | 0:22:57 | |
They'll put a petrol bomb through the door, they'll do something. | 0:22:57 | 0:23:00 | |
I've contacted the security people. They're going to put a CP alarm in Winnie's house. | 0:23:00 | 0:23:04 | |
They're going over there right now, they'll be there when you get back. | 0:23:04 | 0:23:07 | |
I'm not going as far as an Osman warning - I don't want to freak her out - | 0:23:07 | 0:23:10 | |
but perhaps you could explain to Winnie what they're doing | 0:23:10 | 0:23:12 | |
-without causing her any more alarm than we need to. -Yeah. | 0:23:12 | 0:23:16 | |
And do yourself a favour, Sergeant. | 0:23:16 | 0:23:18 | |
Hurry up with your alibi for either of the first two murders, and then we can eliminate you. | 0:23:18 | 0:23:22 | |
No-one is doing this to embarrass you, Catherine. | 0:23:22 | 0:23:25 | |
It's ticking boxes. We all know it's ridiculous - | 0:23:25 | 0:23:27 | |
you've got the QPM, you're a credit to the police service. | 0:23:27 | 0:23:30 | |
We all know you're not a killer. | 0:23:30 | 0:23:33 | |
Please, just do it. OK? | 0:23:33 | 0:23:36 | |
Sir. | 0:23:37 | 0:23:38 | |
(Oh, shit.) | 0:23:41 | 0:23:42 | |
KNOCKS ON DOOR DOOR OPENS | 0:23:51 | 0:23:53 | |
You all right? | 0:23:57 | 0:23:58 | |
-Dad? -Yep. | 0:24:01 | 0:24:02 | |
You coming downstairs? | 0:24:06 | 0:24:08 | |
In a minute. | 0:24:08 | 0:24:10 | |
People keep asking after you. | 0:24:18 | 0:24:20 | |
Mm. | 0:24:20 | 0:24:21 | |
-I wish we didn't have a full house. -Yeah. | 0:24:33 | 0:24:35 | |
Well... | 0:24:37 | 0:24:38 | |
..they'll all be gone after tomorrow. | 0:24:41 | 0:24:43 | |
And then it'll be just you and me. | 0:24:45 | 0:24:48 | |
I'm sorry we don't always see eye to eye, | 0:24:50 | 0:24:52 | |
because I do love you, you know? | 0:24:52 | 0:24:54 | |
And I'm proud of you. | 0:24:55 | 0:24:57 | |
I'm proud of you. | 0:24:59 | 0:25:01 | |
I sacked this fella at work the other day. | 0:25:14 | 0:25:18 | |
It's been bothering me. | 0:25:18 | 0:25:20 | |
-What did he do? -Oh, he made a mistake | 0:25:20 | 0:25:22 | |
and then he didn't handle it so well and I had to pick up the pieces, | 0:25:22 | 0:25:25 | |
so I gave him his marching orders. | 0:25:25 | 0:25:27 | |
-So? -So... | 0:25:27 | 0:25:28 | |
So, your mother would've persuaded me to give him another chance, | 0:25:30 | 0:25:35 | |
even though he's had loads already. | 0:25:35 | 0:25:37 | |
You see, she never gave up on anyone, your mum. | 0:25:39 | 0:25:44 | |
She never stopped seeing the good in folk. | 0:25:46 | 0:25:49 | |
It's Tommy Lee Royce's mother's funeral...tomorrow. | 0:25:50 | 0:25:54 | |
They're letting him out. | 0:25:55 | 0:25:57 | |
It's at Elland. | 0:25:58 | 0:26:00 | |
I know. | 0:26:00 | 0:26:02 | |
Alec rang. | 0:26:02 | 0:26:04 | |
The Family Liaison Officer. | 0:26:04 | 0:26:06 | |
I had to do a house-to-house up Bateman Street this morning. | 0:26:06 | 0:26:09 | |
-Up King Cross. -They should never have made you go up that street. | 0:26:09 | 0:26:13 | |
I'm not scared of that street. | 0:26:13 | 0:26:15 | |
And I'm not scared of him. | 0:26:15 | 0:26:17 | |
I'm not scared of anything. | 0:26:19 | 0:26:21 | |
See you later. Goodnight. | 0:26:23 | 0:26:25 | |
Drive safely. | 0:26:25 | 0:26:26 | |
So, you know where I am. | 0:26:29 | 0:26:31 | |
And I'll sleep in our conservatory tonight, then I'm handy. | 0:26:31 | 0:26:33 | |
Don't be so damned silly, you'll freeze. | 0:26:33 | 0:26:35 | |
Tell her to get some sleep. | 0:26:35 | 0:26:37 | |
-Catherine kaze san. -Not to worry... -I ne brinite. -..about anything. | 0:26:37 | 0:26:41 | |
I'll tell her, I'll tell her, I'll tell her. | 0:26:41 | 0:26:44 | |
I'm sorry about this. | 0:26:44 | 0:26:45 | |
You get some sleep yourself, lady. | 0:26:45 | 0:26:47 | |
-Night-night. -Night-night. -Lock this door. | 0:26:47 | 0:26:50 | |
Oh, I thought I might leave it wide open | 0:26:50 | 0:26:53 | |
and put a sign out. "Traffickers this way"(!) | 0:26:53 | 0:26:56 | |
Oh, and an arrow. | 0:26:56 | 0:26:58 | |
Boop. | 0:26:58 | 0:27:00 | |
Yeah, OK. Night-night, Ilinka. | 0:27:00 | 0:27:02 | |
Night-night. | 0:27:02 | 0:27:03 | |
Night-night. | 0:27:04 | 0:27:06 | |
LAUGHTER | 0:27:20 | 0:27:22 | |
CELL DOOR OPENS | 0:27:51 | 0:27:54 | |
Good morning. | 0:27:56 | 0:27:57 | |
Morning, boss. | 0:27:59 | 0:28:00 | |
I've come to let you know you've been given | 0:28:00 | 0:28:02 | |
permission by the Home Office to attend your mother's funeral. | 0:28:02 | 0:28:06 | |
-When? -Today. | 0:28:07 | 0:28:09 | |
You'll be leaving in half an hour. | 0:28:09 | 0:28:11 | |
You'll be driven there under armed escort. | 0:28:11 | 0:28:13 | |
You'll be handcuffed at all times. OK? | 0:28:13 | 0:28:16 | |
You came straight here from court after your conviction, | 0:28:16 | 0:28:18 | |
so I'm assuming you've got a suit of some sort? | 0:28:18 | 0:28:21 | |
Yeah, yeah... | 0:28:21 | 0:28:22 | |
-They took it off me... -I've sorted that out. | 0:28:24 | 0:28:26 | |
I'll leave it with you. | 0:28:26 | 0:28:28 | |
You all right, son? | 0:28:34 | 0:28:35 | |
Tea? | 0:28:47 | 0:28:49 | |
Ooh... | 0:28:49 | 0:28:50 | |
I got the note. Why? | 0:28:58 | 0:29:01 | |
Oh, er... | 0:29:01 | 0:29:03 | |
I didn't want to disturb you... | 0:29:04 | 0:29:05 | |
No, I don't mean "why did you leave a note?", | 0:29:05 | 0:29:08 | |
-I mean "why are you sleeping in the conservatory?" -Oh. | 0:29:08 | 0:29:11 | |
Winnie. We put an alarm in her house last night | 0:29:12 | 0:29:15 | |
in case anybody unsavoury followed Ilinka. | 0:29:15 | 0:29:17 | |
So...I just thought I'd keep an eye out. | 0:29:17 | 0:29:21 | |
-You never knock off, do you? -I shouldn't have brought her here. | 0:29:21 | 0:29:24 | |
Well, I should, because she needed to be somewhere, | 0:29:24 | 0:29:27 | |
and I don't think they did follow her, but... | 0:29:27 | 0:29:30 | |
I was stupid not to think about it. | 0:29:30 | 0:29:32 | |
He's gone - | 0:29:34 | 0:29:36 | |
Neil. | 0:29:36 | 0:29:38 | |
He starts his shift at the shop at half past six. | 0:29:38 | 0:29:41 | |
I had a really good chat with him last night. | 0:29:41 | 0:29:43 | |
Oh, is that what it was? | 0:29:43 | 0:29:46 | |
I told him... | 0:29:46 | 0:29:47 | |
I've got a bit of history. | 0:29:47 | 0:29:49 | |
It turns out he does too. | 0:29:50 | 0:29:53 | |
-I know. -You know? | 0:29:53 | 0:29:55 | |
A couple of drunk and incapables, yeah. I PNC'd him. | 0:29:55 | 0:29:58 | |
-I didn't think you were supposed to do that. -We're not. | 0:29:58 | 0:30:00 | |
-Not for personal... -It's a sackable offence. Don't tell him. | 0:30:00 | 0:30:04 | |
Why didn't you tell ME that you knew? | 0:30:04 | 0:30:06 | |
I didn't know whether you'd want to hear it or not. | 0:30:06 | 0:30:09 | |
-When was this? -Five or six years ago. | 0:30:11 | 0:30:13 | |
You see, that's when his marriage broke down. | 0:30:13 | 0:30:16 | |
It sounded awful. | 0:30:17 | 0:30:19 | |
He had a good... I mean, a really good job at the building society. | 0:30:19 | 0:30:25 | |
-And then he got involved with this woman... -Oh... | 0:30:25 | 0:30:28 | |
Oh, and you're whiter than white, aren't you? | 0:30:28 | 0:30:31 | |
-Why did you PNC him? -I don't know, instinct - | 0:30:31 | 0:30:33 | |
the way he flinched when I took my coat off and he saw my uniform. | 0:30:33 | 0:30:38 | |
Anyway, it all got very unpleasant, and she started making threats... | 0:30:38 | 0:30:43 | |
Did she boil his bunny? | 0:30:43 | 0:30:45 | |
I don't know, but it all became known. | 0:30:45 | 0:30:48 | |
She told his wife and his kids and he had a breakdown. | 0:30:48 | 0:30:54 | |
A proper, real deal, nervous breakdown. | 0:30:54 | 0:30:57 | |
He couldn't speak. | 0:30:57 | 0:30:59 | |
He lost his family, his house, his job, his self-respect. Everything. | 0:30:59 | 0:31:04 | |
So, he ended up drinking... | 0:31:04 | 0:31:07 | |
..and that must be when that happened, | 0:31:08 | 0:31:11 | |
when he hit rock bottom. | 0:31:11 | 0:31:13 | |
-Does he drink now? -No. -How do you know? -He told me. | 0:31:13 | 0:31:16 | |
He's a good person, Catherine. | 0:31:17 | 0:31:20 | |
He always was. | 0:31:20 | 0:31:21 | |
At the time of her death, | 0:31:23 | 0:31:25 | |
Aurelia Petrovic was living at 58 Hibernia Street in Boothtown. | 0:31:25 | 0:31:29 | |
She was, according to Ilinka, 34 years old. | 0:31:29 | 0:31:32 | |
Ilinka also told us that she came from a village called Ivanec | 0:31:33 | 0:31:36 | |
in Northern Croatia, and that she has a mother and a sister there. | 0:31:36 | 0:31:39 | |
So, let's get hold of Europol. | 0:31:39 | 0:31:43 | |
Their ground officers should be able to help us trace her family. | 0:31:43 | 0:31:46 | |
I want as much information on the family as possible. | 0:31:46 | 0:31:48 | |
When did they last have any contact with Aurelia? I want detail. | 0:31:48 | 0:31:51 | |
The Hibernia Street address has been secured as a potential crime scene | 0:31:51 | 0:31:54 | |
and CSI are en route. Let's see what that throws up. | 0:31:54 | 0:31:56 | |
Let's liaise with the ops room for the Peveril Lane raid, | 0:31:56 | 0:31:59 | |
because they should be collating full profiles on the women found there | 0:31:59 | 0:32:02 | |
and this could be crucial to our investigation. | 0:32:02 | 0:32:04 | |
If Aurelia was trafficked, I want to know when, who by, | 0:32:04 | 0:32:07 | |
and what she's been doing since she entered the UK. | 0:32:07 | 0:32:09 | |
Who lived at 58 Hibernia Street? Who visited? Who owns it? | 0:32:09 | 0:32:12 | |
"I am not going.... | 0:32:14 | 0:32:17 | |
"to ask...you again, George... | 0:32:17 | 0:32:24 | |
"said...Granny." | 0:32:24 | 0:32:28 | |
My granny doesn't look like that, like a little old woman. | 0:32:28 | 0:32:32 | |
She'd know how to deal with this George lad better, and all. | 0:32:32 | 0:32:35 | |
-What does your granny look like? -She's a policeman. Woman. | 0:32:35 | 0:32:38 | |
Is she? | 0:32:38 | 0:32:40 | |
She chases scrotes and druggies and nutters. | 0:32:40 | 0:32:43 | |
What about your other granny? | 0:32:44 | 0:32:46 | |
-I haven't got another one. -Your dad's mum. | 0:32:46 | 0:32:49 | |
We don't talk about me dad. And anyway... | 0:32:49 | 0:32:52 | |
How did you know Granny isn't me dad's mum? | 0:32:52 | 0:32:55 | |
I didn't tell you that. | 0:32:55 | 0:32:56 | |
Oh, I must've just made a lucky guess there, Ryan. | 0:32:56 | 0:33:00 | |
-Come on, bit more. -Why are you all dressed up? | 0:33:00 | 0:33:03 | |
-You're very good at diversion tactics, aren't you? -Am I? -Mm-hmm. | 0:33:04 | 0:33:08 | |
I'm dressed up because I'm going to a funeral this afternoon. | 0:33:09 | 0:33:12 | |
So is my granny - and my Auntie Clare. | 0:33:12 | 0:33:15 | |
Is she? Are they? | 0:33:15 | 0:33:17 | |
I wanted to go as well so I wouldn't have to come to school, | 0:33:17 | 0:33:20 | |
but they wouldn't let me. | 0:33:20 | 0:33:22 | |
-Did you know Helen as well, then? -Helen? | 0:33:22 | 0:33:25 | |
No. | 0:33:25 | 0:33:26 | |
No, I'm going to someone else's funeral. | 0:33:26 | 0:33:30 | |
Whose? | 0:33:30 | 0:33:32 | |
You didn't know her. | 0:33:32 | 0:33:33 | |
I said, "Stop being a push-over, you pillock. | 0:33:40 | 0:33:42 | |
"You've got to take decisive action. | 0:33:42 | 0:33:44 | |
"You can't let yourself get bullied like this. | 0:33:44 | 0:33:46 | |
"You're a copper, for God's sake - a bloody good one and all". | 0:33:46 | 0:33:49 | |
THUNDERCLAP | 0:33:49 | 0:33:51 | |
'I do realise I'm playing with fire, | 0:33:51 | 0:33:53 | |
'with you being a policeman and everything.' | 0:33:53 | 0:33:56 | |
DIALLING TONE | 0:34:02 | 0:34:04 | |
Hello? | 0:34:04 | 0:34:05 | |
Hi. It's me. | 0:34:05 | 0:34:07 | |
I've, er... | 0:34:09 | 0:34:11 | |
You're right. | 0:34:13 | 0:34:15 | |
You're right, I should leave her. I should have left her years ago. | 0:34:15 | 0:34:18 | |
So...I'm going to go round this afternoon... | 0:34:18 | 0:34:21 | |
Well, this evening, after work, | 0:34:21 | 0:34:24 | |
and I'll get my stuff and... | 0:34:24 | 0:34:29 | |
that's it, I'll tell her. | 0:34:29 | 0:34:31 | |
Then I'll be round at yours. Is that all right? | 0:34:32 | 0:34:35 | |
Well...yeah. | 0:34:35 | 0:34:38 | |
Yeah, yeah, of course. | 0:34:38 | 0:34:39 | |
-Great. -Well, you must feel relieved, | 0:34:41 | 0:34:44 | |
-now you've made that decision. -Yeah, yeah, I do. | 0:34:44 | 0:34:47 | |
What time will I see you? Shall we say half seven-ish? | 0:34:49 | 0:34:52 | |
Yeah. Yeah, yeah. | 0:34:52 | 0:34:53 | |
I'll cook. | 0:34:54 | 0:34:56 | |
Great, that's fine. | 0:34:56 | 0:34:59 | |
Great. | 0:34:59 | 0:35:01 | |
OK. | 0:35:01 | 0:35:02 | |
Bye. | 0:35:03 | 0:35:05 | |
There will be a memorial service, a proper one, at the Minster. | 0:35:40 | 0:35:44 | |
Got the date sorted on that. That's all. | 0:35:47 | 0:35:50 | |
Mr Gallagher. Sorry, Nev, to interrupt. | 0:35:53 | 0:35:57 | |
I just wanted to say how sorry I am. | 0:35:57 | 0:35:59 | |
I tried to catch your eye at the crem, | 0:36:01 | 0:36:03 | |
but obviously you had a lot on your mind, and I realise | 0:36:03 | 0:36:05 | |
you probably might not want me here, but I just wanted to say sorry, | 0:36:05 | 0:36:08 | |
again, about that other business. | 0:36:08 | 0:36:10 | |
Sean... | 0:36:12 | 0:36:13 | |
What am I going to do with you? Eh, lad? | 0:36:16 | 0:36:18 | |
Who's that? | 0:36:20 | 0:36:22 | |
That is Sean... | 0:36:22 | 0:36:24 | |
Somebody who works for Nev. | 0:36:26 | 0:36:28 | |
He's been inside. | 0:36:30 | 0:36:32 | |
He used to hang about at the Mission just after he got out. | 0:36:32 | 0:36:35 | |
Helen got him on the straight and narrow | 0:36:35 | 0:36:37 | |
and he's been working for Nev ever since. | 0:36:37 | 0:36:39 | |
Balmforth! Sean Balmforth. | 0:36:39 | 0:36:40 | |
What? | 0:36:44 | 0:36:46 | |
I was down Stoneyroyd Lane a couple of days ago, | 0:36:46 | 0:36:48 | |
warning the girls to be extra vigilant with this bastard out there | 0:36:48 | 0:36:51 | |
doing what he's doing, when this van came creeping along. | 0:36:51 | 0:36:53 | |
Then, when whoever it was saw me, they sped off. | 0:36:53 | 0:36:56 | |
So I PNC'd the vehicle, and that was the name that came up as the owner - | 0:36:56 | 0:36:58 | |
Sean Balmforth. | 0:36:58 | 0:37:00 | |
You see, that were the thing with Helen. | 0:37:01 | 0:37:04 | |
Just occasionally, there'd be someone come along, and you'd think, | 0:37:04 | 0:37:07 | |
"I wouldn't touch that bastard with a barge pole". | 0:37:07 | 0:37:10 | |
But she never thought like that about anyone, ever. | 0:37:10 | 0:37:13 | |
-Look, I've got to go. -Eh? | 0:37:14 | 0:37:16 | |
I've stuff to do. This is your crowd. You stay here. | 0:37:16 | 0:37:19 | |
I'll pick you up later. | 0:37:19 | 0:37:21 | |
OK if I take the car? | 0:37:21 | 0:37:23 | |
-I don't actually know that many people... -Yes, you do. Liz is here. | 0:37:23 | 0:37:26 | |
OK, but if I get bored, I'll need picking up sooner. | 0:37:28 | 0:37:31 | |
-I am coming back. -I thought we were stopping. | 0:37:31 | 0:37:34 | |
I'm just going to slip out. | 0:37:35 | 0:37:37 | |
I am the resurrection and the life, says the Lord. | 0:39:42 | 0:39:45 | |
Those who believe in me, even though they die, will live. | 0:39:45 | 0:39:50 | |
# All things wise and wonderful | 0:40:41 | 0:40:46 | |
# The Lord God made them all | 0:40:46 | 0:40:49 | |
# Each little flower that opens | 0:40:51 | 0:40:55 | |
# Each little bird that sings | 0:40:55 | 0:41:00 | |
# He made their glowing colours | 0:41:00 | 0:41:04 | |
# He made their tiny wings | 0:41:04 | 0:41:09 | |
# All things bright and beautiful | 0:41:09 | 0:41:13 | |
# All creatures great and small | 0:41:13 | 0:41:18 | |
# All things wise and wonderful | 0:41:18 | 0:41:22 | |
# The Lord God made them all. # | 0:41:22 | 0:41:26 | |
GUESTS CHATTER | 0:41:27 | 0:41:29 | |
..who died and was buried and rose again for us. | 0:41:40 | 0:41:44 | |
Unto Him that is able to keep us from falling, | 0:41:44 | 0:41:48 | |
and to present us faultless | 0:41:48 | 0:41:49 | |
before the presence of His glory, with exceeding joy, | 0:41:49 | 0:41:53 | |
to the only wise God our Saviour, | 0:41:53 | 0:41:55 | |
be glory and majesty, | 0:41:55 | 0:41:57 | |
dominion and power, | 0:41:57 | 0:41:59 | |
both now and ever. | 0:41:59 | 0:42:02 | |
Amen. | 0:42:02 | 0:42:03 | |
The Father and the Son and the Holy Spirit. Amen. | 0:42:03 | 0:42:08 | |
What's that fucking bitch doing here? | 0:42:27 | 0:42:29 | |
Who let that bitch in? | 0:42:30 | 0:42:32 | |
She killed my mother. | 0:42:32 | 0:42:34 | |
You killed my mother, you filthy bitch! | 0:42:34 | 0:42:37 | |
I know what you did! | 0:42:37 | 0:42:39 | |
You're going to get what's coming to you, you filthy fucking whore! | 0:42:39 | 0:42:43 | |
Get off me, you bastards! | 0:42:43 | 0:42:45 | |
You're going to get what's coming to you! | 0:42:45 | 0:42:48 | |
You filthy fucking whore! | 0:42:48 | 0:42:50 | |
Get off me, you bastards! Get off me! | 0:42:50 | 0:42:53 | |
She killed my mother! Get off me! | 0:42:53 | 0:42:56 | |
You filthy bitch! | 0:42:56 | 0:42:58 | |
Get off me, you bastards! | 0:42:58 | 0:43:00 | |
PHONE RINGS | 0:43:24 | 0:43:26 | |
-Hiya. -Where are you? | 0:43:36 | 0:43:39 | |
Nowhere. It's my day off. Why, where are you? | 0:43:39 | 0:43:42 | |
I do my best for you, you know, Catherine. | 0:43:42 | 0:43:44 | |
What the hell did you go there for? | 0:43:44 | 0:43:46 | |
I don't know. To make sure. | 0:43:48 | 0:43:50 | |
-What?! -I don't know. | 0:43:51 | 0:43:54 | |
Right. Well, I've just had my arse kicked by the Super | 0:43:54 | 0:43:56 | |
for not explaining to you beforehand... | 0:43:56 | 0:43:58 | |
if you were so much as thinking of turning up there today, | 0:43:58 | 0:44:01 | |
it would be considered grossly inappropriate. | 0:44:01 | 0:44:03 | |
Yeah, piss off, whatever. | 0:44:03 | 0:44:05 | |
Also... Are you listening? | 0:44:05 | 0:44:07 | |
Also, you've still not alibied yourself, | 0:44:07 | 0:44:09 | |
and turning up there at the victim's funeral | 0:44:09 | 0:44:12 | |
has not helped your case one jot, one iota, | 0:44:12 | 0:44:15 | |
one tiny little bit. | 0:44:15 | 0:44:17 | |
I haven't got a case. | 0:44:17 | 0:44:18 | |
This is really serious, Catherine. You have got a case to answer! | 0:44:18 | 0:44:22 | |
You found the body, you made threatening phone calls, | 0:44:22 | 0:44:25 | |
you had a motive, and now you've turned up at the victim's funeral! | 0:44:25 | 0:44:28 | |
-What motive? -Revenge - | 0:44:28 | 0:44:30 | |
against Tommy Lee Royce. | 0:44:30 | 0:44:31 | |
You've demonstrated very, very poor judgment going there today. | 0:44:33 | 0:44:37 | |
Catherine? | 0:44:39 | 0:44:41 | |
Yeah, I'm still here. | 0:44:41 | 0:44:43 | |
Right, well, stop pissing about and get yourself eliminated. | 0:44:43 | 0:44:46 | |
I can't. I've checked everything. | 0:44:46 | 0:44:48 | |
My calendar, my pocket book, my smartphone, | 0:44:49 | 0:44:52 | |
the roster, everything. | 0:44:52 | 0:44:53 | |
There's nothing. | 0:44:54 | 0:44:56 | |
I wasn't doing anything with anybody | 0:44:57 | 0:44:59 | |
who can give me an alibi on those days, so... | 0:44:59 | 0:45:02 | |
I mean, I probably was, but I've no record of it, all right? | 0:45:02 | 0:45:05 | |
Boss? | 0:45:07 | 0:45:08 | |
Mike? | 0:45:10 | 0:45:11 | |
Hey, Dad. | 0:45:30 | 0:45:32 | |
-You can have an apple and that's it, OK? -Oh, you're back! | 0:45:36 | 0:45:39 | |
I've been called out on obs. We're following a suspect. | 0:45:40 | 0:45:44 | |
Oh, right. How are you feeling? | 0:45:44 | 0:45:46 | |
Yeah, I'm fine. | 0:45:48 | 0:45:49 | |
It might be two days. Hopefully not. | 0:45:51 | 0:45:53 | |
If it's going to be any longer than that, I'll let you know. | 0:45:53 | 0:45:55 | |
-You need to catch this bastard. -Yeah, we will. | 0:45:55 | 0:45:58 | |
-Right, see you. -Bye. -Ta-ta. | 0:45:58 | 0:46:01 | |
Where's he going? | 0:46:03 | 0:46:05 | |
Work. Always work. | 0:46:05 | 0:46:07 | |
DOORBELL RINGS | 0:46:17 | 0:46:19 | |
HE LAUGHS | 0:46:35 | 0:46:37 | |
So, how's this going to work? | 0:46:37 | 0:46:40 | |
I mean, I have to be frank - | 0:46:40 | 0:46:43 | |
I don't feel much like being intimate... | 0:46:43 | 0:46:47 | |
with the threat of those pictures of me out there somewhere in the ether. | 0:46:47 | 0:46:51 | |
So, what did she say? | 0:46:53 | 0:46:55 | |
Amanda, when you told her. | 0:46:55 | 0:46:57 | |
She said she knew. She said she'd known for a while - | 0:46:59 | 0:47:01 | |
well, suspected. | 0:47:01 | 0:47:03 | |
-Did she want to know who I was? -Yeah. -Did you tell her? -No. | 0:47:03 | 0:47:07 | |
I know you're worried about the children, but we can make it work. | 0:47:09 | 0:47:13 | |
You can bring them here. | 0:47:13 | 0:47:15 | |
-There's not room. -Yeah, obviously. | 0:47:15 | 0:47:19 | |
We'd have to get somewhere bigger. | 0:47:19 | 0:47:22 | |
At some point, yeah. | 0:47:22 | 0:47:23 | |
You will have to give me the phone, and anywhere you've backed them up. | 0:47:26 | 0:47:30 | |
I mean, we have to have that trust back. Don't we? | 0:47:30 | 0:47:33 | |
Well, I have to. | 0:47:33 | 0:47:35 | |
So, she didn't go mad? | 0:47:36 | 0:47:38 | |
-She didn't make a big scene in front of the kids? -No. | 0:47:39 | 0:47:42 | |
I wonder why... | 0:47:45 | 0:47:47 | |
Maybe it hadn't sunk in yet. I don't know. | 0:47:49 | 0:47:53 | |
Maybe she didn't want to make a scene in front of them. | 0:47:53 | 0:47:56 | |
-She didn't follow you, did she? -I doubt it. | 0:47:56 | 0:47:59 | |
I made a moussaka. | 0:48:06 | 0:48:08 | |
There you go. | 0:48:25 | 0:48:27 | |
You snuck off. | 0:49:02 | 0:49:04 | |
I had things to do. Is Clare about? | 0:49:04 | 0:49:06 | |
I think they're in the garden. | 0:49:06 | 0:49:08 | |
Her and Ann. I think they're having a cigarette. | 0:49:08 | 0:49:11 | |
She thinks... | 0:49:13 | 0:49:14 | |
-HE LAUGHS -..I don't know she smokes. | 0:49:14 | 0:49:18 | |
Ann, not Clare. I know she smokes. | 0:49:18 | 0:49:21 | |
Clare? | 0:49:39 | 0:49:41 | |
Oh, shit, she's here. | 0:49:41 | 0:49:42 | |
-Evenin', all. -Finally. | 0:49:42 | 0:49:45 | |
What's going on? What are you doing? | 0:49:45 | 0:49:46 | |
It's OK, calm down. I just... I just needed something to blur the edges. | 0:49:46 | 0:49:51 | |
Anyway, where did you disappear off to? | 0:49:51 | 0:49:53 | |
How much has she had to drink? | 0:49:53 | 0:49:55 | |
-I don't know, I haven't been counting. -Don't start. | 0:49:55 | 0:49:58 | |
-Don't start? -She's allowed a drink, it's a funeral. | 0:49:58 | 0:50:02 | |
Do you want to get in the car? | 0:50:02 | 0:50:04 | |
Eh, come on, Catherine, she's not 15. | 0:50:04 | 0:50:06 | |
Yeah, come on, Catherine. No, no, no, no, no, no... | 0:50:06 | 0:50:09 | |
-Put it down. -I don't need it. -Good. Put it down. | 0:50:09 | 0:50:12 | |
Why don't you chill? | 0:50:12 | 0:50:14 | |
Today of all days, to fall off the wagon. | 0:50:14 | 0:50:16 | |
Helen would've been really proud of you. | 0:50:16 | 0:50:18 | |
Don't throw that out at me. That's below the belt, that is. | 0:50:18 | 0:50:21 | |
Right, well, what would she have said? | 0:50:21 | 0:50:24 | |
-Come on, put it down. -I've been very upset today. | 0:50:24 | 0:50:27 | |
I know you've been upset, | 0:50:27 | 0:50:28 | |
but you can make the right decision, right now, | 0:50:28 | 0:50:31 | |
not to let this go any further. When did she start? | 0:50:31 | 0:50:33 | |
Can we not talk to me like I'm about six, please, | 0:50:33 | 0:50:37 | |
or not even present? | 0:50:37 | 0:50:38 | |
-Clare's an alcoholic. -I didn't know that. | 0:50:38 | 0:50:41 | |
-That's right, go on, embarrass me. -When did she start? | 0:50:41 | 0:50:44 | |
-She's not had tonnes. -Who's "she"? The cat's mother? | 0:50:44 | 0:50:46 | |
I don't want to embarrass you, Clare, I just want you | 0:50:46 | 0:50:49 | |
to not let this go any further than it has done already. | 0:50:49 | 0:50:51 | |
I just want you to put that down and I want you to get into the car. | 0:50:51 | 0:50:55 | |
Please? | 0:50:55 | 0:50:57 | |
Do you want me to treat you like I'm your sister and I love you, | 0:51:00 | 0:51:02 | |
or do you want me to treat you like I'm a police officer? | 0:51:02 | 0:51:05 | |
Which I will do, if I have to. | 0:51:05 | 0:51:06 | |
-I've not done anything illegal. -Yes. | 0:51:06 | 0:51:08 | |
But, if you carry on, you and me both know you probably will. | 0:51:08 | 0:51:12 | |
Well... | 0:51:13 | 0:51:14 | |
I need a wee before we go, anyway. | 0:51:16 | 0:51:19 | |
Right. | 0:51:22 | 0:51:23 | |
I'm sorry, Catherine. | 0:51:34 | 0:51:36 | |
I had no idea. | 0:51:37 | 0:51:38 | |
She'll go through your fridge, | 0:51:41 | 0:51:42 | |
she'll be in your cupboards, finding things to take home with her. | 0:51:42 | 0:51:47 | |
Oh, fuck. Yeah. Here. | 0:51:47 | 0:51:48 | |
Thing is, though, how do I know you haven't backed it up somewhere else? | 0:51:57 | 0:52:02 | |
Because I'm telling you. | 0:52:02 | 0:52:04 | |
Anyway, it doesn't matter now, does it? | 0:52:06 | 0:52:09 | |
You're here. | 0:52:10 | 0:52:12 | |
You made the decision to come here. That's all that matters. | 0:52:12 | 0:52:15 | |
Even if I had backed it up - which I haven't - | 0:52:15 | 0:52:18 | |
as long as you're here, it wouldn't matter. | 0:52:18 | 0:52:21 | |
What if I walked out? | 0:52:21 | 0:52:23 | |
Would you suddenly remember that you had backed it up somewhere? | 0:52:23 | 0:52:26 | |
-Are you going to? -No. | 0:52:26 | 0:52:28 | |
Well, then...! | 0:52:28 | 0:52:30 | |
-So, have you? -Have I what? | 0:52:31 | 0:52:33 | |
-Backed it up somewhere? -No. | 0:52:33 | 0:52:35 | |
Of course you have. I'm not stupid. | 0:52:35 | 0:52:37 | |
I only used that phone to take the photos and e-mail them to you, so... | 0:52:37 | 0:52:41 | |
Well, yeah. Technically, | 0:52:43 | 0:52:45 | |
I could've e-mailed them to my own e-mail address as well - | 0:52:45 | 0:52:49 | |
and any number of other people - and backed them up. | 0:52:49 | 0:52:52 | |
But I didn't. | 0:52:52 | 0:52:54 | |
You're going to have to trust me, John. | 0:52:54 | 0:52:56 | |
-HE LAUGHS -Trust you?! -Yeah. | 0:52:56 | 0:53:00 | |
You do realise...you could've killed me with that bloody drug? | 0:53:00 | 0:53:04 | |
-Where did you get it? -SHE GIGGLES | 0:53:04 | 0:53:08 | |
The internet. | 0:53:08 | 0:53:09 | |
Cooked up in someone's back yard? Full of shit?! | 0:53:09 | 0:53:13 | |
I could be dead. | 0:53:13 | 0:53:15 | |
-So I wish you had killed me. -Look, we can either... | 0:53:15 | 0:53:18 | |
Have you any idea of the misery I've been through in the last ten days? | 0:53:18 | 0:53:21 | |
Look, we can keep going over this, or we can move on. | 0:53:21 | 0:53:25 | |
I might need to destroy your computer. | 0:53:25 | 0:53:27 | |
You're not destroying my computer. | 0:53:27 | 0:53:29 | |
-Did you send them to anyone else? -No. | 0:53:29 | 0:53:32 | |
Did you? | 0:53:32 | 0:53:33 | |
No. | 0:53:33 | 0:53:35 | |
Pudding? | 0:53:42 | 0:53:43 | |
Stop it! Don't you dare touch my things, you pig! | 0:54:05 | 0:54:08 | |
Agh, you... | 0:54:08 | 0:54:09 | |
bitch! | 0:54:09 | 0:54:10 | |
You've had that coming! | 0:54:12 | 0:54:14 | |
Calm down... Stop it. | 0:54:17 | 0:54:19 | |
Get off! Calm down... Get off! | 0:54:22 | 0:54:25 | |
You get off! | 0:54:25 | 0:54:27 | |
Get off me! | 0:54:39 | 0:54:41 | |
Get off me...! | 0:54:41 | 0:54:42 | |
Get off me! | 0:54:42 | 0:54:44 | |
Get off me! Get off! | 0:54:44 | 0:54:46 | |
I'll scream. I'll scream, John! | 0:54:46 | 0:54:49 | |
You're hurting me! | 0:54:49 | 0:54:50 | |
-You shouldn't have done it! -SHE SCREAMS | 0:54:50 | 0:54:53 | |
You shouldn't have done it, you shouldn't have done it! | 0:54:55 | 0:54:59 | |
SHE CHOKES AND GASPS | 0:54:59 | 0:55:01 | |
They didn't know that she shouldn't drink. | 0:55:03 | 0:55:05 | |
-What's she doing now? -I've no idea, but at least she's in. | 0:55:05 | 0:55:09 | |
Unless she's shinning down the drainpipe. | 0:55:09 | 0:55:12 | |
FOOTSTEPS COME DOWNSTAIRS | 0:55:12 | 0:55:14 | |
I'm going outside for a fag... | 0:55:16 | 0:55:19 | |
..if that's all right with the Gestapo? | 0:55:20 | 0:55:24 | |
Where's she going to go? | 0:55:41 | 0:55:43 | |
It's gone 11 o'clock - she'll not get served anywhere. | 0:55:43 | 0:55:46 | |
What's she doing? | 0:55:46 | 0:55:47 | |
She's just lighting up. | 0:55:52 | 0:55:54 | |
She'll go down the Jockey's. They stay open all hours. | 0:55:54 | 0:55:56 | |
I thought they closed that down. | 0:55:56 | 0:55:58 | |
She's just smoking. | 0:56:00 | 0:56:02 | |
Mum. | 0:56:12 | 0:56:13 | |
-Clare? -Fucking hell! -Clare! -Can you not leave me alone? | 0:56:15 | 0:56:19 | |
-Where you going? -I'm not going anywhere. | 0:56:20 | 0:56:23 | |
-I'm coming with you. -OK. | 0:56:23 | 0:56:26 | |
-I know where you're going. -Whatever. -Don't do this. | 0:56:26 | 0:56:29 | |
I need some space, I need for you to stop pestering me, Catherine. | 0:56:29 | 0:56:34 | |
-What about Neil? -What about him? | 0:56:34 | 0:56:36 | |
You see, this is what it does to you - | 0:56:36 | 0:56:38 | |
it makes you selfish and small-minded and unpleasant, | 0:56:38 | 0:56:41 | |
-and that isn't you. -You don't like him. | 0:56:41 | 0:56:43 | |
-I never said that. -You PNC'd him! -Shh...! | 0:56:43 | 0:56:46 | |
People don't need to say things, | 0:56:46 | 0:56:48 | |
you can still tell what they're thinking. | 0:56:48 | 0:56:50 | |
Just one day - just for one day - will you stop going on at me?! | 0:56:50 | 0:56:54 | |
No, Clare, this is the day I need to go on at you! | 0:56:54 | 0:56:57 | |
Please. Please, don't do this. I'm saying it because I love you. | 0:56:57 | 0:57:00 | |
I'm begging you. I'll beg. I'll beg. I'll do anything. | 0:57:00 | 0:57:03 | |
I'll be fine. Tomorrow, I'll start again. | 0:57:03 | 0:57:06 | |
No, tomorrow, you'll need another drink. | 0:57:06 | 0:57:08 | |
-If you drink now, you'll need more later... -Will you shift? | 0:57:08 | 0:57:11 | |
I'm sick of you! | 0:57:11 | 0:57:12 | |
With all your holier-than-thou police bollocks shit! | 0:57:12 | 0:57:15 | |
If you go down to the Jockey's, one thing will lead to another. | 0:57:17 | 0:57:22 | |
You know what I'm talking about - | 0:57:22 | 0:57:23 | |
there's nothing you can't buy down there. | 0:57:23 | 0:57:26 | |
You're not in charge of me, Catherine! | 0:57:26 | 0:57:28 | |
Just get out of my life! Go away. | 0:57:28 | 0:57:31 | |
GO AWAY! | 0:57:31 | 0:57:32 | |
Right, well, that's it, then. | 0:57:34 | 0:57:36 | |
The door will be locked when you stagger back, | 0:57:36 | 0:57:38 | |
and you can bang as loud as you like. You'll not get back in. | 0:57:38 | 0:57:41 | |
-OK. -I'll leave all your belongings | 0:57:41 | 0:57:43 | |
and your bits and pieces on the street outside the front door. | 0:57:43 | 0:57:45 | |
-Whatever. -Oh, and remember - | 0:57:45 | 0:57:48 | |
there's a fella out there | 0:57:48 | 0:57:49 | |
murdering and mutilating vulnerable women | 0:57:49 | 0:57:51 | |
wandering about at night on their own. | 0:57:51 | 0:57:53 | |
Shit. | 0:57:58 | 0:58:00 |