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This programme contains scenes which some viewers may find upsetting. | 0:00:02 | 0:00:07 | |
-We have a weirdo who's killed three girls. -You shouldn't have done it! | 0:00:07 | 0:00:10 | |
That body you found yesterday. It's Tommy Lee Royce's mother. | 0:00:10 | 0:00:12 | |
You're not exactly a barrel of laughs yourself, you know, kid. | 0:00:12 | 0:00:15 | |
-I'm going to a funeral this afternoon. -So is my granny! | 0:00:15 | 0:00:18 | |
You killed my mother, you filthy bitch! | 0:00:18 | 0:00:20 | |
You're going to get what's coming to you! | 0:00:20 | 0:00:22 | |
-Was it sudden? -Cancer. | 0:00:22 | 0:00:24 | |
They're accusing me of strangling and bottling Lynn Dewhurst. | 0:00:24 | 0:00:27 | |
I'm sorry. | 0:00:27 | 0:00:28 | |
I am sorry. | 0:00:28 | 0:00:30 | |
I'll be fine. Tomorrow, I'll start again. | 0:00:30 | 0:00:32 | |
-No, tomorrow, you'll need another drink. If you... -Will you shift? | 0:00:32 | 0:00:36 | |
I saw on the sheet that I asked you to fill in... | 0:00:45 | 0:00:48 | |
Oh, the happy sheet? | 0:00:48 | 0:00:49 | |
Yes, the happy sheet. | 0:00:51 | 0:00:54 | |
I saw that on the question - | 0:00:55 | 0:00:57 | |
have you ever contemplated killing yourself or others? - | 0:00:57 | 0:01:00 | |
you've written "yes". | 0:01:00 | 0:01:01 | |
-Do you want to talk about that? -No. | 0:01:03 | 0:01:06 | |
Have you ever contemplated killing yourself? | 0:01:06 | 0:01:08 | |
-Have you ever TRIED to kill yourself? -No. | 0:01:08 | 0:01:11 | |
Have you ever thought about how you might do it if you did? | 0:01:11 | 0:01:13 | |
I've seen all of 'em and none of 'em are pretty. | 0:01:13 | 0:01:16 | |
-They're all... -All what? -Sordid. Ridiculous. | 0:01:16 | 0:01:20 | |
And, anyway, I don't want to be on a slab. | 0:01:21 | 0:01:24 | |
I've seen what they do to people. | 0:01:24 | 0:01:26 | |
Did you have counselling after your daughter took her own life? | 0:01:27 | 0:01:30 | |
No, I had a breakdown. | 0:01:30 | 0:01:32 | |
-What happened? -Nothing. I just... | 0:01:33 | 0:01:36 | |
screamed at people a lot and smashed a few things in the sink | 0:01:36 | 0:01:39 | |
and drank too much and... | 0:01:39 | 0:01:41 | |
..pissed everyone off within a ten-mile radius | 0:01:42 | 0:01:45 | |
for about a year, 18 months, and then... | 0:01:45 | 0:01:47 | |
you know? | 0:01:47 | 0:01:48 | |
You've still got to pay the mortgage at the end of it all, haven't you? | 0:01:50 | 0:01:54 | |
-And your marriage broke down. -Well, yeah. | 0:01:54 | 0:01:57 | |
Most marriages don't survive something like that, do they? | 0:01:57 | 0:02:01 | |
Losing a child. | 0:02:01 | 0:02:02 | |
An experience like that changes people. Permanently. | 0:02:02 | 0:02:05 | |
I'd have said so. | 0:02:07 | 0:02:08 | |
How did it change you? | 0:02:10 | 0:02:11 | |
I'm sad. | 0:02:13 | 0:02:14 | |
I never used to be sad. I mean, I could be sad. But... | 0:02:18 | 0:02:21 | |
it wasn't like it was a permanent state of... | 0:02:21 | 0:02:23 | |
It didn't define who I am. | 0:02:29 | 0:02:31 | |
You don't appear sad. I'm sorry, I don't mean to contradict | 0:02:31 | 0:02:34 | |
the fact that you are sad. Only you know how you feel. | 0:02:34 | 0:02:37 | |
But your colleagues, your friends at work, | 0:02:37 | 0:02:40 | |
I get the idea that they see you as the life and soul of the party. | 0:02:40 | 0:02:43 | |
Good. | 0:02:43 | 0:02:45 | |
-Do you cover things up? -No. | 0:02:45 | 0:02:47 | |
No, they all know about Becky, they all know what happened. | 0:02:48 | 0:02:51 | |
No, I mean do you... | 0:02:51 | 0:02:53 | |
Are you conscious of feeling sad | 0:02:53 | 0:02:55 | |
but still trying to put on a brave face, your happy face, at work? | 0:02:55 | 0:02:59 | |
No, I love work. | 0:02:59 | 0:03:00 | |
Do you think you're angry? | 0:03:02 | 0:03:04 | |
As well as sad? | 0:03:04 | 0:03:05 | |
Sometimes. | 0:03:07 | 0:03:08 | |
You have an edge. | 0:03:09 | 0:03:11 | |
-People are a bit scared of you, aren't they? -Who said that? | 0:03:11 | 0:03:14 | |
It's an observation. | 0:03:14 | 0:03:15 | |
How do you feel about that, people being scared of you? | 0:03:15 | 0:03:20 | |
Well, it's useful occasionally, if I'm dealing with something at work. | 0:03:20 | 0:03:23 | |
I often have to deal with people who are a lot bigger than me. | 0:03:23 | 0:03:26 | |
-Are you scared of me? -Should I be? -No. No. | 0:03:26 | 0:03:29 | |
Nobody needs to be scared of me | 0:03:30 | 0:03:32 | |
unless they've done something they shouldn't have. | 0:03:32 | 0:03:35 | |
The second part of that question - "others". | 0:03:35 | 0:03:38 | |
Have you ever contemplated killing others? | 0:03:38 | 0:03:41 | |
Does the "yes" apply there? | 0:03:41 | 0:03:43 | |
Oh, yeah. | 0:03:43 | 0:03:45 | |
Tell me about that. | 0:03:45 | 0:03:46 | |
When was the last time that you felt like that? | 0:03:49 | 0:03:53 | |
Well, day before yesterday, | 0:03:53 | 0:03:55 | |
I could've merrily strung my grandson up | 0:03:55 | 0:03:57 | |
for setting off a fire extinguisher at school | 0:03:57 | 0:03:59 | |
because someone bet him a bag of crisps he couldn't. | 0:03:59 | 0:04:02 | |
So that's me hauled in and being made to feel this big. | 0:04:02 | 0:04:05 | |
Again. | 0:04:05 | 0:04:07 | |
Then, last Thursday, I could've happily throttled my son, | 0:04:07 | 0:04:10 | |
who, after persistently denying anything, | 0:04:10 | 0:04:13 | |
finally admitted he'd had a fling | 0:04:13 | 0:04:14 | |
with his nasty little bitch of an ex-girlfriend | 0:04:14 | 0:04:17 | |
whilst his perfectly lovely wife was in hospital | 0:04:17 | 0:04:19 | |
giving birth to their first child. | 0:04:19 | 0:04:21 | |
So he's a liar. | 0:04:21 | 0:04:23 | |
And then... When was it? | 0:04:23 | 0:04:24 | |
Two weeks ago? | 0:04:26 | 0:04:27 | |
I could've cheerfully strangled my sister Clare. | 0:04:29 | 0:04:32 | |
She's an alcoholic. | 0:04:33 | 0:04:35 | |
A recovering alcoholic and heroin addict. | 0:04:36 | 0:04:40 | |
She's been dry and clean - | 0:04:40 | 0:04:42 | |
apart from one or two blips with alcohol - for nearly 12 years. | 0:04:42 | 0:04:45 | |
Then she fell off the wagon at this funeral. | 0:04:45 | 0:04:48 | |
and said it was my fault, which... | 0:04:48 | 0:04:50 | |
..it was and it wasn't. | 0:04:52 | 0:04:54 | |
In fact, that was the same day that I did this thing | 0:04:54 | 0:04:57 | |
that's meant I'm having to do this business here...with you. | 0:04:57 | 0:05:00 | |
MUSIC: Trouble Town by Jake Bugg | 0:05:02 | 0:05:04 | |
# There's a tower block overhead | 0:05:04 | 0:05:07 | |
# All you've got's your benefits | 0:05:07 | 0:05:09 | |
# And you're barely scraping by | 0:05:09 | 0:05:11 | |
# In this trouble town | 0:05:14 | 0:05:17 | |
# Troubles are found | 0:05:17 | 0:05:20 | |
# Stuck in speed bump city | 0:05:25 | 0:05:27 | |
# Where the only thing that's pretty | 0:05:27 | 0:05:29 | |
# Is the thought of getting out. # | 0:05:29 | 0:05:31 | |
Tell me about Clare. Two weeks ago. | 0:05:35 | 0:05:38 | |
Why did she think it was your fault that she'd fallen off the wagon? | 0:05:38 | 0:05:42 | |
-SLURRED: -I thought you were stopping! | 0:05:42 | 0:05:44 | |
I thought we were both stopping, and then suddenly you're not! | 0:05:44 | 0:05:49 | |
And I'm there on me own, and I don't know anybody, | 0:05:49 | 0:05:53 | |
except for, like, three people. | 0:05:53 | 0:05:56 | |
And you were five hours! | 0:05:56 | 0:05:59 | |
You said, "I shan't be so long," or whatever. | 0:06:00 | 0:06:04 | |
There's no buses up there, where they live. | 0:06:04 | 0:06:07 | |
Well... | 0:06:07 | 0:06:09 | |
there are might be, but I don't know where they go. | 0:06:09 | 0:06:12 | |
So what am I supposed to do? | 0:06:12 | 0:06:15 | |
Walk home? Hitch a lift? | 0:06:15 | 0:06:18 | |
Call a...taxi? | 0:06:18 | 0:06:19 | |
-Fly?! -Clare? | 0:06:19 | 0:06:21 | |
Well, if it isn't our Clare! | 0:06:23 | 0:06:25 | |
How's yerself? Where you been, eh? | 0:06:25 | 0:06:28 | |
I've not seen you for years. | 0:06:28 | 0:06:30 | |
Spike. Ahh! | 0:06:30 | 0:06:31 | |
Eh, am I interrupting? | 0:06:31 | 0:06:33 | |
No, we were, um... | 0:06:33 | 0:06:35 | |
I'm not interrupting. Only, I just saw you | 0:06:35 | 0:06:38 | |
and I thought I'd say hello, cos... | 0:06:38 | 0:06:40 | |
Bloody 'ell! | 0:06:40 | 0:06:42 | |
Do I know you? | 0:06:45 | 0:06:47 | |
You look familiar. | 0:06:47 | 0:06:48 | |
It's me sister. | 0:06:48 | 0:06:50 | |
Ah, that's it! That'll be it. | 0:06:50 | 0:06:52 | |
Catherine. | 0:06:52 | 0:06:54 | |
Spike. How do you do? | 0:06:54 | 0:06:55 | |
I thought I knew you. I thought you were... | 0:06:56 | 0:07:00 | |
There's this copper round 'ere, she has a look o' you. | 0:07:00 | 0:07:03 | |
She's a right bitch - pardon my French. | 0:07:03 | 0:07:07 | |
She thinks she's well 'ard. | 0:07:07 | 0:07:09 | |
She did our Aaron for possession, right? | 0:07:09 | 0:07:12 | |
Nearly broke his bloody arm. | 0:07:12 | 0:07:14 | |
Not you, obviously. | 0:07:14 | 0:07:17 | |
Yeah, well, happen if he'd gone quietly, | 0:07:18 | 0:07:21 | |
she wouldn't have needed to show him who's in charge. | 0:07:21 | 0:07:24 | |
CLARE VOMITS | 0:07:29 | 0:07:32 | |
CLARE SPITS AND COUGHS | 0:07:32 | 0:07:33 | |
It was Tommy Lee Royce's mother's funeral an hour after Helen's. | 0:07:33 | 0:07:37 | |
Same crematorium. | 0:07:38 | 0:07:40 | |
That's why I left - I went back. I'm sorry. | 0:07:40 | 0:07:42 | |
I'm sorry. I shouldn't have left you. | 0:07:42 | 0:07:45 | |
I knew you were vulnerable and I shouldn't have gone, | 0:07:45 | 0:07:47 | |
but that's why. So... | 0:07:47 | 0:07:49 | |
I'm sorry. | 0:07:49 | 0:07:51 | |
You're joking. | 0:07:52 | 0:07:53 | |
You could have said. That I would've understood. | 0:07:56 | 0:07:59 | |
Was he there? Did they let him out of prison? | 0:08:01 | 0:08:04 | |
Yeah. | 0:08:04 | 0:08:06 | |
Wow... | 0:08:07 | 0:08:09 | |
SHE SIGHS | 0:08:12 | 0:08:14 | |
LIGHT KNOCK ON DOOR | 0:09:03 | 0:09:05 | |
WHISPERING: Daniel? Daniel? | 0:09:05 | 0:09:07 | |
Daniel? | 0:09:07 | 0:09:09 | |
Sorry. Can you do me a favour, love? | 0:09:10 | 0:09:13 | |
Can you get Ryan off to school on time? | 0:09:13 | 0:09:15 | |
I've got to get off to work and Clare's... | 0:09:15 | 0:09:17 | |
-She all right? -Oh, God knows. | 0:09:17 | 0:09:19 | |
Either way, I can't see her surfacing much before dinner time. | 0:09:19 | 0:09:23 | |
I'm sorry to ask. I wouldn't have... | 0:09:23 | 0:09:25 | |
Oh, it's fine, don't worry. | 0:09:25 | 0:09:27 | |
I'll drop him off on my way to work. | 0:09:27 | 0:09:29 | |
-Tea. -Thanks. | 0:09:29 | 0:09:31 | |
-I love you. -Mm. | 0:09:31 | 0:09:33 | |
SHE SIGHS | 0:09:34 | 0:09:36 | |
I wish I knew what was going on with you. | 0:09:37 | 0:09:40 | |
Will you make sure he gets some breakfast inside him? | 0:09:42 | 0:09:45 | |
Course. | 0:09:45 | 0:09:46 | |
Last but not least, there was a... | 0:09:53 | 0:09:56 | |
..house fire in a flat above a shop in Ripponden | 0:09:57 | 0:10:00 | |
reported just after midnight this morning. | 0:10:00 | 0:10:02 | |
The flat was burnt out, apparently. | 0:10:02 | 0:10:04 | |
The fire officer is telling us there are several indicators | 0:10:04 | 0:10:07 | |
pointing towards arson, OK? | 0:10:07 | 0:10:08 | |
There was no-one in the flat, so we're looking for the tenant, | 0:10:08 | 0:10:11 | |
who is a Vicky - Victoria - Vicky Fleming. | 0:10:11 | 0:10:14 | |
50 years old. | 0:10:14 | 0:10:16 | |
She works on the make-up counter at Oswald Department Store, | 0:10:16 | 0:10:20 | |
according to the landlord who owns the shop. | 0:10:20 | 0:10:22 | |
So, Shaf, can you go and see if she's in work this morning | 0:10:22 | 0:10:25 | |
and what she knows about what's happened? | 0:10:25 | 0:10:27 | |
Ann, will you go with him? Right. That's all, folks. | 0:10:27 | 0:10:31 | |
Mind how you go. | 0:10:31 | 0:10:33 | |
-Morning, sir. -Morning, boss. | 0:10:33 | 0:10:35 | |
INDISTINCT CHATTER | 0:10:35 | 0:10:38 | |
Chief Super's coming in to see you. | 0:10:43 | 0:10:45 | |
1.30 this aft. It'll be in my office. | 0:10:45 | 0:10:48 | |
Pillock. | 0:10:50 | 0:10:52 | |
You all right? | 0:10:53 | 0:10:55 | |
Have you thought about retirement? | 0:11:00 | 0:11:02 | |
No, sir. | 0:11:02 | 0:11:03 | |
Medical retirement. | 0:11:03 | 0:11:04 | |
Why? What's wrong with me? | 0:11:04 | 0:11:06 | |
18 months ago, you nearly died. | 0:11:08 | 0:11:10 | |
My wrist aches when the temperature drops below zero, | 0:11:11 | 0:11:15 | |
but other than that... | 0:11:15 | 0:11:18 | |
A thing like that takes its toll | 0:11:20 | 0:11:22 | |
mentally as well as physically, Catherine. | 0:11:22 | 0:11:25 | |
We did go some way down the medical retirement route last time. | 0:11:25 | 0:11:28 | |
Yeah, and it weren't what I wanted then, and it isn't what I want now. | 0:11:28 | 0:11:32 | |
Sir. | 0:11:32 | 0:11:33 | |
It would appear to me that you have unresolved issues, | 0:11:36 | 0:11:40 | |
which is why you turned up at that funeral yesterday - | 0:11:40 | 0:11:42 | |
a funeral which you and me both know, for 1,001 reasons, | 0:11:42 | 0:11:46 | |
you shouldn't have been anywhere near. | 0:11:46 | 0:11:48 | |
You were offered counselling when you left hospital 18 months ago. | 0:11:49 | 0:11:53 | |
-Yeah. -Did you go? | 0:11:55 | 0:11:56 | |
Yeah. | 0:11:56 | 0:11:58 | |
Did you complete the course of treatment? | 0:11:58 | 0:12:00 | |
OK. I'm giving you options, Catherine. Two options. | 0:12:04 | 0:12:08 | |
I'd like you to see the force psychologist. | 0:12:08 | 0:12:10 | |
I'd like you to complete | 0:12:10 | 0:12:11 | |
whatever course of treatment he suggests to you. | 0:12:11 | 0:12:13 | |
Or the alternative - | 0:12:13 | 0:12:15 | |
and I do think it's something you should consider... | 0:12:15 | 0:12:18 | |
Seriously, you've had a long and distinguished career, | 0:12:18 | 0:12:21 | |
you're a highly respected officer who's suffered a major trauma. | 0:12:21 | 0:12:24 | |
Why don't I have a case conference with HR to take things forward | 0:12:24 | 0:12:27 | |
-down the medical retirement route? -You're not doing that to me. | 0:12:27 | 0:12:30 | |
There is no stigma attached. You'd... | 0:12:30 | 0:12:32 | |
You'd retire on a full pension... | 0:12:32 | 0:12:34 | |
Yeah, and I'd miss the next three years' salary. | 0:12:34 | 0:12:36 | |
-Well, do you want to think about it? -No. | 0:12:36 | 0:12:39 | |
Fine. So you'll take the first option. | 0:12:40 | 0:12:42 | |
You'll see the force psychologist, you'll remain operational, | 0:12:44 | 0:12:47 | |
but, this time, you will complete | 0:12:47 | 0:12:49 | |
whatever course of treatment he suggests to you. | 0:12:49 | 0:12:52 | |
And has Clare managed to stay dry during the last two weeks? | 0:12:55 | 0:12:59 | |
It's early days. But, er... | 0:13:01 | 0:13:04 | |
yeah. It was a lapse, it shook her more than anyone. | 0:13:04 | 0:13:07 | |
She's been at every AA meeting going since. | 0:13:07 | 0:13:10 | |
They do all sorts - they have a jive class... | 0:13:10 | 0:13:13 | |
She goes with this new boyfriend. | 0:13:15 | 0:13:17 | |
What about Daniel? | 0:13:18 | 0:13:21 | |
God knows. | 0:13:21 | 0:13:22 | |
And Ryan? | 0:13:22 | 0:13:24 | |
Well, he can be fine for weeks. But... | 0:13:25 | 0:13:28 | |
you never know when the phone's going to go, | 0:13:28 | 0:13:31 | |
and it'll be Mrs Beresford - | 0:13:31 | 0:13:32 | |
"You're going to have to come in and fetch him." So... | 0:13:32 | 0:13:35 | |
You have a lot on. | 0:13:35 | 0:13:37 | |
Ah, no more than most people my age, I suspect. | 0:13:37 | 0:13:40 | |
You did something very selfless when you took Ryan on. | 0:13:40 | 0:13:43 | |
There must have been times when you've struggled with it. | 0:13:43 | 0:13:46 | |
Well, I don't dwell on it. | 0:13:46 | 0:13:47 | |
I've always focused on the fact that it isn't his fault. | 0:13:47 | 0:13:50 | |
Tell me about Tommy Lee Royce. | 0:13:53 | 0:13:55 | |
What about him? | 0:13:58 | 0:14:00 | |
What took you to the funeral? | 0:14:00 | 0:14:02 | |
I have a friend who's scared of birds. | 0:14:11 | 0:14:14 | |
It's a proper phobia. | 0:14:14 | 0:14:16 | |
And, um, one day, this peacock... | 0:14:16 | 0:14:18 | |
..came and sat just outside her front door. | 0:14:19 | 0:14:22 | |
I've no idea where it came from, but it just sat there for hours. | 0:14:22 | 0:14:26 | |
And she didn't dare go out, and her husband was at work, | 0:14:26 | 0:14:29 | |
and she said she felt too stupid to ring anyone. | 0:14:29 | 0:14:31 | |
So she just stared at it through the sitting room window for hours | 0:14:31 | 0:14:35 | |
till it left, | 0:14:35 | 0:14:37 | |
and I said, "Why?" | 0:14:37 | 0:14:39 | |
And she said, "So I knew where it was." | 0:14:40 | 0:14:42 | |
So maybe that's it, maybe that's all it was. | 0:14:44 | 0:14:47 | |
I just... | 0:14:47 | 0:14:48 | |
..wanted to make sure I knew where he was till he was back inside. | 0:14:50 | 0:14:54 | |
Going back to the question... | 0:14:57 | 0:14:58 | |
..have you ever contemplated killing yourself or others? | 0:15:00 | 0:15:03 | |
What about him, Tommy Lee Royce? | 0:15:03 | 0:15:06 | |
My daughter died because of him. What do you think? | 0:15:08 | 0:15:10 | |
-Tell me about that. -Look... | 0:15:10 | 0:15:12 | |
..if I'd really wanted to kill him, | 0:15:16 | 0:15:18 | |
I could've done on that narrow boat, 18 months since. | 0:15:18 | 0:15:21 | |
I had him on the floor, he was helpless, | 0:15:21 | 0:15:22 | |
I could have kicked the stuffing out of him, but I didn't. | 0:15:22 | 0:15:25 | |
What I actually did was douse him in foam | 0:15:25 | 0:15:27 | |
so he couldn't set fire to himself. | 0:15:27 | 0:15:28 | |
When it came to it, when the chips were down, | 0:15:28 | 0:15:30 | |
my instinct was to do the right thing. | 0:15:30 | 0:15:32 | |
-And do you regret that? -No. | 0:15:32 | 0:15:35 | |
How was it? | 0:15:37 | 0:15:39 | |
That bad? | 0:15:40 | 0:15:42 | |
You just hear yourself talking wank. | 0:15:42 | 0:15:44 | |
Dripping off the ceiling and crawling down the walls. | 0:15:44 | 0:15:47 | |
The room's so full of it by the time you've finished, | 0:15:47 | 0:15:49 | |
you've to wade through it in your wellies to get out. | 0:15:49 | 0:15:52 | |
Do you fancy a drink tonight? | 0:15:52 | 0:15:53 | |
You fancy going out for something to eat? | 0:15:53 | 0:15:55 | |
Yeah, actually. That'd be nice. | 0:15:58 | 0:16:00 | |
-My treat. -Why? | 0:16:00 | 0:16:02 | |
-Cos I feel like chucking me brass about. -Ooh... | 0:16:02 | 0:16:04 | |
OK. | 0:16:04 | 0:16:06 | |
-And in other news... -What? | 0:16:06 | 0:16:08 | |
..they think they've found another body. | 0:16:10 | 0:16:13 | |
-Where? -Going over to Brighouse again. Same as first one. | 0:16:13 | 0:16:16 | |
There's been nothing found at the scene to identify who she is. | 0:16:31 | 0:16:35 | |
What we know at the moment is she's white, | 0:16:35 | 0:16:38 | |
she's 5ft 4in, slight build. | 0:16:38 | 0:16:40 | |
She's got blonde, shoulder-length hair. | 0:16:40 | 0:16:43 | |
Shoe size - 5. She's between 30 and 60 years old. | 0:16:43 | 0:16:46 | |
So we need to check all the mispers locally, force wide, | 0:16:46 | 0:16:49 | |
and then moving out force by force, | 0:16:49 | 0:16:51 | |
going back, I'd say... four weeks, initially. | 0:16:51 | 0:16:54 | |
CCTV in the area - | 0:16:54 | 0:16:56 | |
may be limited, but I'd like to see what we can gather. | 0:16:56 | 0:16:59 | |
As you go in, it says the site's covered, | 0:16:59 | 0:17:02 | |
but I didn't see any cameras. | 0:17:02 | 0:17:04 | |
Again, I'd say going back four weeks. | 0:17:04 | 0:17:07 | |
There are a number of houses opposite and along. | 0:17:08 | 0:17:11 | |
Jubilee Terrace, numbers 35 to 75 overlook the site to some degree. | 0:17:11 | 0:17:16 | |
We need to speak to all the occupants. | 0:17:16 | 0:17:18 | |
The number 259 and number 278 buses | 0:17:18 | 0:17:21 | |
go past the site on the Halifax Road. | 0:17:21 | 0:17:23 | |
Somebody may have seen something from a top window. | 0:17:23 | 0:17:25 | |
Let's visit the garages those buses drive out of, | 0:17:25 | 0:17:28 | |
see if they have specific drivers who drive those routes regularly, | 0:17:28 | 0:17:31 | |
any regular passengers who travel upstairs. | 0:17:31 | 0:17:33 | |
I'll include in the press release | 0:17:33 | 0:17:34 | |
an appeal to anyone who uses either of those two buses, | 0:17:34 | 0:17:37 | |
as well as anyone who travels up and down that road regularly. | 0:17:37 | 0:17:40 | |
Are we looking at the same killer, do you think, sir? | 0:17:40 | 0:17:42 | |
Er, she appears to have been strangled, | 0:17:42 | 0:17:45 | |
and there's vaginal mutilation of the same nature | 0:17:45 | 0:17:47 | |
as our previous three women. So, um... | 0:17:47 | 0:17:50 | |
Yeah. John! Can you come and do exhibits for me at the postmortem? | 0:17:50 | 0:17:54 | |
Emma's had to go to the dentist. | 0:17:54 | 0:17:56 | |
S-Sure. | 0:17:56 | 0:17:57 | |
Ten minutes, yeah? I'll meet you downstairs. | 0:17:57 | 0:18:00 | |
John? Boss is looking for you, mate. He's ready to go. | 0:18:03 | 0:18:06 | |
OK. | 0:18:06 | 0:18:08 | |
(Hey.) | 0:18:13 | 0:18:14 | |
Now? No, no problem. I'll pop back upstairs. Um... | 0:18:14 | 0:18:18 | |
Two minutes. Get the car started. Yeah... | 0:18:18 | 0:18:21 | |
Is it true another body's turned up? | 0:18:23 | 0:18:26 | |
Er, yeah. Yeah. Yeah, it is. | 0:18:26 | 0:18:28 | |
Is it the same? Another...? | 0:18:28 | 0:18:30 | |
Someone who's been trafficked? | 0:18:30 | 0:18:32 | |
Well, yeah, starting to look that way. | 0:18:32 | 0:18:35 | |
I shouldn't be asking. | 0:18:35 | 0:18:37 | |
John! | 0:18:38 | 0:18:39 | |
You all right? | 0:18:39 | 0:18:41 | |
Yeah! | 0:18:41 | 0:18:42 | |
Yeah... No. | 0:18:43 | 0:18:45 | |
Not really. | 0:18:45 | 0:18:46 | |
TENSE MUSIC PLAYS | 0:18:48 | 0:18:49 | |
Turns out my wife's been having it off | 0:18:55 | 0:18:57 | |
with this bastard she works with. | 0:18:57 | 0:18:59 | |
Jesus. Shit! | 0:18:59 | 0:19:01 | |
I'd been working on obs, so she thought I was away all night, | 0:19:01 | 0:19:03 | |
which I was, but then they got called off, so I went home. And... | 0:19:03 | 0:19:06 | |
there they were. | 0:19:06 | 0:19:08 | |
I've not told anyone. | 0:19:11 | 0:19:13 | |
God... | 0:19:13 | 0:19:14 | |
that's rough. | 0:19:14 | 0:19:16 | |
When? | 0:19:17 | 0:19:19 | |
Two weeks since. | 0:19:19 | 0:19:20 | |
Fella she's known for years. | 0:19:20 | 0:19:22 | |
-With t'kids in the house and all! -HE LAUGHS | 0:19:22 | 0:19:25 | |
He's married, he's got kids. | 0:19:26 | 0:19:28 | |
That's crap. | 0:19:30 | 0:19:32 | |
Yeah. So... | 0:19:32 | 0:19:34 | |
Anyway... | 0:19:35 | 0:19:37 | |
I'm really sorry, John. | 0:19:37 | 0:19:39 | |
Not your fault. | 0:19:39 | 0:19:40 | |
Do you want to go for a drink some time? | 0:19:42 | 0:19:45 | |
Um... | 0:19:45 | 0:19:46 | |
Sorry. Is that inappropriate? | 0:19:46 | 0:19:47 | |
-Going for a drink? -Asking. | 0:19:47 | 0:19:49 | |
-Oh, is it? I don't... -I'm sorry.... -When? | 0:19:49 | 0:19:52 | |
-Any time. -OK. | 0:19:54 | 0:19:56 | |
-Really? -Not tonight. | 0:19:56 | 0:19:58 | |
-No. -But... -Yeah? -..maybe... -Yeah, whenever. | 0:19:58 | 0:20:00 | |
-..later in the... -Yeah. -..week. | 0:20:00 | 0:20:02 | |
Where are you off? Anywhere exciting? | 0:20:04 | 0:20:06 | |
Postmortem. | 0:20:06 | 0:20:08 | |
What, the victim's postmortem? | 0:20:08 | 0:20:11 | |
CAMERA CLICKS | 0:20:28 | 0:20:30 | |
CAMERA CLICKS | 0:20:32 | 0:20:34 | |
Asphyxiation. | 0:21:09 | 0:21:11 | |
Hyoid bone possibly broken. | 0:21:13 | 0:21:16 | |
I'll show you when I open her up. | 0:21:19 | 0:21:21 | |
-You're hurting me! -You shouldn't have done it! | 0:21:22 | 0:21:24 | |
'John?' | 0:21:24 | 0:21:26 | |
John? | 0:21:27 | 0:21:28 | |
Nails. | 0:21:28 | 0:21:29 | |
Nails. Sorry, yeah. | 0:21:29 | 0:21:32 | |
So, we're looking at vaginal bruising and lacerations. | 0:21:35 | 0:21:39 | |
Are you all right? | 0:21:41 | 0:21:43 | |
Yeah, yeah, yeah, erm... | 0:21:46 | 0:21:48 | |
It's just I haven't done one of these for a while | 0:21:48 | 0:21:51 | |
So, how many times do you have to go? | 0:22:01 | 0:22:04 | |
Six. Including today. | 0:22:04 | 0:22:06 | |
He assesses me... | 0:22:06 | 0:22:08 | |
..then he makes recommendations. | 0:22:10 | 0:22:12 | |
Who to? What sort of recommendations? | 0:22:12 | 0:22:15 | |
Maybe they're going to have me put down. | 0:22:15 | 0:22:18 | |
SHE LAUGHS | 0:22:18 | 0:22:20 | |
Have you ever been? | 0:22:20 | 0:22:22 | |
-Uh-uh. -Have you ever done owt like that? | 0:22:22 | 0:22:25 | |
He leaves gaps. | 0:22:25 | 0:22:27 | |
We sit there in silence. | 0:22:27 | 0:22:28 | |
I think he relies on the idea that nature abhors a vacuum, | 0:22:28 | 0:22:31 | |
so if we sit there long enough, I'll feel obliged to fill it with... | 0:22:31 | 0:22:34 | |
shite. So I do. | 0:22:34 | 0:22:36 | |
Is it, though? Shite? | 0:22:39 | 0:22:42 | |
Some of it. | 0:22:44 | 0:22:46 | |
Look, if I'd really wanted to kill him, I could've done. | 0:22:46 | 0:22:48 | |
I had him on the floor, he was helpless, | 0:22:48 | 0:22:50 | |
I could've kicked the stuffing out of him. | 0:22:50 | 0:22:52 | |
But I didn't. What I actually did was douse him in foam | 0:22:52 | 0:22:55 | |
so he couldn't set fire to himself. | 0:22:55 | 0:22:56 | |
-Do you regret that? -No. | 0:22:56 | 0:22:58 | |
Course I regret it! The only reason | 0:22:58 | 0:23:00 | |
I didn't kick the shit out of him was because he wanted me to. | 0:23:00 | 0:23:03 | |
"Kill me, kill me!" | 0:23:03 | 0:23:04 | |
"Piss off, you little turd, I'm not doing owt you want." | 0:23:04 | 0:23:06 | |
I neglected to mention that, after I'd doused him in foam, | 0:23:06 | 0:23:09 | |
I did indeed endeavour to kick the living daylights out of him. | 0:23:09 | 0:23:12 | |
But sadly that - whoever she was - policewoman went and waded in | 0:23:12 | 0:23:14 | |
-and pulled me off him. -Bitch. | 0:23:14 | 0:23:17 | |
Well, I'm glad you didn't kill him, for what it's worth, | 0:23:17 | 0:23:21 | |
cos then you'd have been in even more bloody trouble. | 0:23:21 | 0:23:24 | |
Yeah, but that's what bothers me. I don't think I would have. | 0:23:24 | 0:23:27 | |
I think I could have probably got away with it, | 0:23:27 | 0:23:29 | |
-one way and another. -Oh... | 0:23:29 | 0:23:30 | |
You weren't there. He was nearly dead anyway. | 0:23:30 | 0:23:32 | |
-He was in a bloody bad way. -You're better than that. | 0:23:32 | 0:23:34 | |
No, I'm not. | 0:23:34 | 0:23:36 | |
Have you done, ladies? | 0:23:36 | 0:23:37 | |
Yeah, I have. | 0:23:37 | 0:23:38 | |
What time's Michael Jackson coming on, then? | 0:23:40 | 0:23:43 | |
Oh, any time now. Sorry, have you been waiting for him? | 0:23:43 | 0:23:46 | |
Thing is, it takes him half an hour to get ready, | 0:23:46 | 0:23:49 | |
with his make-up and his psyching himself up. | 0:23:49 | 0:23:51 | |
Is he any good? | 0:23:51 | 0:23:52 | |
He's... You know. | 0:23:52 | 0:23:55 | |
But we had Robbie Williams here two weeks ago | 0:23:55 | 0:23:57 | |
and he were...all right. | 0:23:57 | 0:23:59 | |
Oh, and then we've got Elvis back again week after next. | 0:23:59 | 0:24:02 | |
Did you see Elvis last time? | 0:24:02 | 0:24:04 | |
Cos we did have him here... Oh, six months back? | 0:24:04 | 0:24:07 | |
And he's...not bad, either. | 0:24:07 | 0:24:10 | |
KARAOKE VERSION OF "THRILLER" PLAYS | 0:24:12 | 0:24:14 | |
D'you know what really pissed me off when I saw him | 0:24:14 | 0:24:17 | |
was how well he looked? | 0:24:17 | 0:24:18 | |
He's obviously been looking after himself inside. | 0:24:18 | 0:24:21 | |
Narcissistic twat. | 0:24:21 | 0:24:23 | |
I think maybe I was hoping he'd gone down the Swanee | 0:24:23 | 0:24:26 | |
-and that he was getting beaten up and buggered around. -Maybe he is. | 0:24:26 | 0:24:29 | |
You don't know. | 0:24:29 | 0:24:31 | |
He'll have 'em all wrapped round his little finger. | 0:24:31 | 0:24:33 | |
-Why would he? -Running round in little circles, wetting themselves. | 0:24:33 | 0:24:37 | |
-Why would he? -Oh, just... | 0:24:37 | 0:24:39 | |
I bet he gets letters. | 0:24:39 | 0:24:41 | |
I bet there's a string of deluded mad bitches in love with him | 0:24:41 | 0:24:44 | |
who want to introduce him to Jesus. | 0:24:44 | 0:24:46 | |
Yeah, well, either way, | 0:24:46 | 0:24:47 | |
there's nowt cushy about Gravesend Prison. | 0:24:47 | 0:24:50 | |
You did a great job, Catherine. | 0:24:50 | 0:24:52 | |
Death would've been too kind. | 0:24:52 | 0:24:54 | |
What you did to him was perfect. | 0:24:54 | 0:24:56 | |
Hey, have you alibied yourself yet? | 0:24:59 | 0:25:01 | |
Don't you start. | 0:25:01 | 0:25:03 | |
Well, have you? No, have you? | 0:25:03 | 0:25:05 | |
No. | 0:25:05 | 0:25:07 | |
Why not? Why not?! | 0:25:07 | 0:25:09 | |
I can't! I've checked everything - | 0:25:09 | 0:25:12 | |
my calendar, my smart book, my day book, the roster. | 0:25:12 | 0:25:15 | |
I mean, I don't care, I don't give a toss. I know I didn't do it. | 0:25:15 | 0:25:18 | |
Have you asked everybody else to check all their doings? | 0:25:18 | 0:25:20 | |
-What good will that do? -Well, it might jog someone's memory. | 0:25:20 | 0:25:23 | |
You give me the dates and I'll ask around. | 0:25:23 | 0:25:27 | |
Right. | 0:25:27 | 0:25:28 | |
Go on, then. | 0:25:28 | 0:25:30 | |
-I'll text 'em to you. -When? | 0:25:30 | 0:25:32 | |
Tomorrow. | 0:25:32 | 0:25:33 | |
You'll forget. | 0:25:33 | 0:25:35 | |
You can remind me. | 0:25:35 | 0:25:36 | |
-Do it when you get in. -What, now? | 0:25:36 | 0:25:38 | |
Ooh, here he comes! My knight in shining armour. Billy! | 0:25:38 | 0:25:41 | |
Has he seen me? Big nelly's lost his glasses again. | 0:25:43 | 0:25:46 | |
He's got a tail-light out. | 0:25:48 | 0:25:50 | |
Oh, yeah, I'll tell him. | 0:25:50 | 0:25:52 | |
Come here. | 0:25:54 | 0:25:56 | |
Night-night, sweetheart. | 0:25:56 | 0:25:58 | |
-Text me as soon as you get in. -Night. | 0:25:58 | 0:26:01 | |
Hey! | 0:26:03 | 0:26:04 | |
Why are you so bothered about me alibi-ing myself? | 0:26:05 | 0:26:08 | |
Cos I care about you. | 0:26:08 | 0:26:10 | |
Has Mike Taylor been on at you? | 0:26:10 | 0:26:12 | |
-No. -Has he? | 0:26:12 | 0:26:13 | |
-No! -Has he? | 0:26:13 | 0:26:15 | |
Cos I know he's been canvassing opinion about me | 0:26:16 | 0:26:18 | |
and passing it on to Praveen | 0:26:18 | 0:26:19 | |
cos of things this therapist said | 0:26:19 | 0:26:21 | |
about what my colleagues think of me. | 0:26:21 | 0:26:23 | |
Like the high esteem everybody holds you in? | 0:26:23 | 0:26:25 | |
You better not go telling him stuff I've said this evening | 0:26:27 | 0:26:30 | |
about that twat, cos I'll know if you have. | 0:26:30 | 0:26:33 | |
Do you think I would? | 0:26:33 | 0:26:34 | |
Do you think I would do that? | 0:26:34 | 0:26:36 | |
No, I'm just saying. | 0:26:36 | 0:26:38 | |
So... Sorry, are you threatening me? | 0:26:39 | 0:26:42 | |
No. No, I'm just saying. | 0:26:42 | 0:26:45 | |
You don't need to text them dates. I was only trying to help. | 0:26:47 | 0:26:51 | |
-All right. -Right. | 0:26:53 | 0:26:55 | |
Night-night, then. | 0:27:01 | 0:27:03 | |
Night. | 0:27:14 | 0:27:16 | |
She was asphyxiated with quite a narrow ligature, | 0:27:21 | 0:27:24 | |
looking at the bruising on the muscle. | 0:27:24 | 0:27:27 | |
Something like an electrical cable. | 0:27:27 | 0:27:29 | |
The grazing on the right knee | 0:27:30 | 0:27:32 | |
happened, I would imagine, during the struggle. | 0:27:32 | 0:27:35 | |
She was alive when it happened. | 0:27:35 | 0:27:37 | |
She was already dead, though, | 0:27:37 | 0:27:39 | |
when the internal vaginal injuries were inflicted. | 0:27:39 | 0:27:42 | |
Can you be any more specific about her age? | 0:27:42 | 0:27:45 | |
Her internal organs are healthy enough. | 0:27:46 | 0:27:48 | |
She wasn't a drinker, she didn't smoke. | 0:27:48 | 0:27:51 | |
Never given birth. | 0:27:51 | 0:27:53 | |
Teeth are in good condition, so... | 0:27:53 | 0:27:55 | |
So, not what you'd think of as a typical prostitute lifestyle? | 0:27:55 | 0:27:58 | |
She's maybe 45 to 55. | 0:27:58 | 0:28:01 | |
Could she be Eastern European? | 0:28:01 | 0:28:03 | |
No. British dental work. | 0:28:03 | 0:28:05 | |
And you're still confident she's been there two or three weeks? | 0:28:05 | 0:28:08 | |
There's no more than three weeks' hair regrowth from the roots, | 0:28:08 | 0:28:12 | |
even with skin slippage. | 0:28:12 | 0:28:14 | |
Was she killed where we found her? | 0:28:15 | 0:28:17 | |
There was very little blood at the scene, but it rained | 0:28:17 | 0:28:21 | |
and the ground was porous. | 0:28:21 | 0:28:23 | |
We've lost any postmortem hypostasis | 0:28:23 | 0:28:25 | |
because of the skin discolouration | 0:28:25 | 0:28:27 | |
so I couldn't really tell you. | 0:28:27 | 0:28:29 | |
-Are we looking at the same killer? -Yeah. | 0:28:31 | 0:28:34 | |
Not as frenzied, not as extensive internally, but, yeah. | 0:28:34 | 0:28:38 | |
DOOR CLOSES | 0:29:00 | 0:29:02 | |
TELEVISION IS ON | 0:29:02 | 0:29:04 | |
Where is everyone? | 0:29:14 | 0:29:15 | |
Ryan's in bed. | 0:29:16 | 0:29:18 | |
Clare and Neil are in t'kitchen with Winnie and Ilinka, | 0:29:18 | 0:29:21 | |
and why can't all these people just go home? | 0:29:21 | 0:29:24 | |
Are you all right? | 0:29:30 | 0:29:32 | |
I've had a letter from a solicitor. | 0:29:35 | 0:29:38 | |
About divorce proceedings. | 0:29:38 | 0:29:39 | |
Hey... | 0:29:47 | 0:29:49 | |
They think they've found another one. It's been on t'news. | 0:29:49 | 0:29:53 | |
National news on t'telly. | 0:29:53 | 0:29:54 | |
Have they announced it officially? | 0:29:54 | 0:29:56 | |
They're saying everything suggests it's another one. | 0:29:56 | 0:29:58 | |
I don't know how official it is. | 0:29:58 | 0:30:00 | |
She's worried it'll be someone else she knows. | 0:30:00 | 0:30:02 | |
She says they went missing all the time. | 0:30:02 | 0:30:04 | |
And it's not just that. They've let that fella out on bail. | 0:30:04 | 0:30:07 | |
Can I pour you some tea? | 0:30:07 | 0:30:09 | |
Catherine? | 0:30:09 | 0:30:11 | |
No, thanks. What fella? | 0:30:11 | 0:30:12 | |
The one you tasered. He's called Goran Dragovic | 0:30:12 | 0:30:16 | |
and she's terrified he's going to come after her. | 0:30:16 | 0:30:18 | |
He's been let out on bail? | 0:30:20 | 0:30:21 | |
They charged him with false imprisonment | 0:30:21 | 0:30:24 | |
and people trafficking and... | 0:30:24 | 0:30:25 | |
People trafficking for the purposes of prostitution. | 0:30:25 | 0:30:27 | |
And now they've let him out on bail. | 0:30:27 | 0:30:30 | |
-Wow. -Are they mental? | 0:30:32 | 0:30:34 | |
It doesn't mean you're in any more danger. Tell her. | 0:30:35 | 0:30:38 | |
SHE TRANSLATES | 0:30:38 | 0:30:42 | |
He might be out, but he still doesn't know where you are. | 0:30:42 | 0:30:45 | |
SHE TRANSLATES | 0:30:45 | 0:30:47 | |
It just means he knows somebody | 0:30:47 | 0:30:49 | |
with enough money to pay his bail for him. | 0:30:49 | 0:30:51 | |
The Knezevics? | 0:30:51 | 0:30:53 | |
God knows. | 0:30:53 | 0:30:55 | |
On the plus side, he won't be going anywhere | 0:30:55 | 0:30:57 | |
cos we'll have taken his passport off him. | 0:30:57 | 0:30:59 | |
-If that is a plus. -There is something else as well. | 0:31:00 | 0:31:04 | |
-What? -What? | 0:31:04 | 0:31:05 | |
She wants to go back to work at the biscuit factory. | 0:31:05 | 0:31:08 | |
She can't do that. | 0:31:08 | 0:31:09 | |
Well, I don't think it's a great idea, | 0:31:09 | 0:31:12 | |
but she keeps going on about how they were all very nice to her, | 0:31:12 | 0:31:16 | |
the other people, and them that ran it. | 0:31:16 | 0:31:18 | |
I mean, they are a legitimate business. | 0:31:18 | 0:31:21 | |
-It doesn't matter. -What, employing trafficked women? | 0:31:21 | 0:31:24 | |
No, that's... The people who own it probably don't even realise | 0:31:24 | 0:31:28 | |
they are trafficked, they probably were perfectly nice to her. | 0:31:28 | 0:31:32 | |
-The problem is... -How can they not know? They don't pay 'em! | 0:31:32 | 0:31:35 | |
No, they do! The biscuit factory does. | 0:31:35 | 0:31:37 | |
What happens is the traffickers set themselves up | 0:31:37 | 0:31:39 | |
as a legitimate employment agency. | 0:31:39 | 0:31:41 | |
They don't go round advertising the fact that they're criminal scum, | 0:31:41 | 0:31:44 | |
it's not written across their foreheads. | 0:31:44 | 0:31:46 | |
They provide staff, women, employees, | 0:31:46 | 0:31:49 | |
then the biscuit factory pays the money to them, | 0:31:49 | 0:31:51 | |
the employment agency/criminal scum, | 0:31:51 | 0:31:54 | |
then it's THEM that don't pass the wages on to the women. | 0:31:54 | 0:31:57 | |
That's how they make their money. However... | 0:31:57 | 0:31:59 | |
-Devious bastards. -She still can't go back there. | 0:31:59 | 0:32:01 | |
She still can't go back there, cos it's not impossible | 0:32:01 | 0:32:03 | |
that the Knezevics'll still have people who go in there every day. | 0:32:03 | 0:32:06 | |
Then they WILL see her and they might follow her. | 0:32:06 | 0:32:09 | |
She really can't do that, Winnie, seriously. | 0:32:09 | 0:32:11 | |
You've got to spell that out to her. | 0:32:11 | 0:32:13 | |
You can't keep sleeping in here. | 0:32:20 | 0:32:22 | |
Have you kept yourself busy today? | 0:32:24 | 0:32:26 | |
Yeah, I've been fine. | 0:32:26 | 0:32:27 | |
You all right? | 0:32:31 | 0:32:32 | |
I just... | 0:32:35 | 0:32:36 | |
I can't get my head round what that woman's been through. Ilinka. | 0:32:40 | 0:32:43 | |
I mean, where do they get the idea from | 0:32:44 | 0:32:48 | |
that they can do that to people? | 0:32:48 | 0:32:50 | |
Is Neil stopping? | 0:32:55 | 0:32:57 | |
You are good, you know. The things you do for people. | 0:33:03 | 0:33:07 | |
I've just wasted my life doing bugger all, | 0:33:09 | 0:33:12 | |
but you, you really help people. | 0:33:12 | 0:33:14 | |
YOU help people. At the Mission. | 0:33:16 | 0:33:19 | |
We make tea. | 0:33:19 | 0:33:20 | |
No, you listen to people. | 0:33:20 | 0:33:22 | |
It's important. | 0:33:24 | 0:33:26 | |
Sorry. | 0:33:28 | 0:33:29 | |
You're bereaved. You're allowed to be upset. | 0:33:31 | 0:33:34 | |
You just need to make sure you look after yourself. | 0:33:37 | 0:33:40 | |
Hm? | 0:33:42 | 0:33:43 | |
Yeah. | 0:33:43 | 0:33:45 | |
I am doing. I will. | 0:33:45 | 0:33:46 | |
Neil thinks you don't like him. | 0:33:53 | 0:33:55 | |
Why? | 0:33:57 | 0:33:58 | |
When he offered to make you some tea, | 0:33:58 | 0:34:00 | |
you said you didn't want any. | 0:34:00 | 0:34:02 | |
That's, like, an hour ago. | 0:34:02 | 0:34:04 | |
Yeah, I know, I said that, but, you know, I think... | 0:34:04 | 0:34:08 | |
he's frightened of you. | 0:34:08 | 0:34:10 | |
There's only one kind of person | 0:34:11 | 0:34:13 | |
who needs to be frightened of me, Clare. You know that. | 0:34:13 | 0:34:15 | |
I know you like to think that, | 0:34:15 | 0:34:16 | |
but, you know, some people are just sensitive. | 0:34:16 | 0:34:20 | |
Yeah, as in oversensitive. | 0:34:20 | 0:34:22 | |
Been up to kiss Ryan? | 0:34:24 | 0:34:26 | |
Yeah. He was asleep. | 0:34:26 | 0:34:29 | |
He said summat today. Odd. | 0:34:29 | 0:34:30 | |
What? | 0:34:30 | 0:34:32 | |
Miss Wealand, this new one that reads with him. | 0:34:32 | 0:34:35 | |
I've met her, she seems right enough. | 0:34:35 | 0:34:37 | |
He said they were talking about things he likes | 0:34:37 | 0:34:40 | |
and things he doesn't like. | 0:34:40 | 0:34:41 | |
He doesn't like reading, for instance, and he does like chips. | 0:34:41 | 0:34:46 | |
and custard and football, that kind of thing. | 0:34:46 | 0:34:50 | |
Anyway, apparently, she said, "What about your dad? | 0:34:50 | 0:34:55 | |
"Do you like your dad?" | 0:34:55 | 0:34:57 | |
And he says... He just said, "We don't talk about me dad," | 0:34:57 | 0:35:00 | |
and that were it. But why's she asking him about his dad? | 0:35:00 | 0:35:03 | |
Doesn't she know not to do that? Haven't they told her? | 0:35:03 | 0:35:06 | |
Ask her next time you see her. | 0:35:06 | 0:35:08 | |
She won't be back there now till next Monday, | 0:35:08 | 0:35:10 | |
she only works Monday, Tuesday, Wednesday. | 0:35:10 | 0:35:12 | |
BUZZING | 0:35:29 | 0:35:31 | |
DOOR OPENS | 0:35:31 | 0:35:33 | |
Can you two brush your teeth? | 0:35:44 | 0:35:45 | |
Now. Right now. | 0:35:45 | 0:35:47 | |
And I know for a fact you weren't out on obs that night, | 0:35:52 | 0:35:54 | |
cos I rang Clifford. | 0:35:54 | 0:35:56 | |
Pack your shit and move out, that's all I've got to say. | 0:35:56 | 0:35:58 | |
I'll just keep repeating it. | 0:35:58 | 0:35:59 | |
For years, I've put up with you coming in at all hours. | 0:35:59 | 0:36:02 | |
I can't believe you're still here, to be honest with you. | 0:36:02 | 0:36:04 | |
You need to be the one that moves out, John, not me. | 0:36:04 | 0:36:07 | |
You neglected us. There's no wonder things've happened. | 0:36:07 | 0:36:09 | |
-These kids don't know who you are. -Whore. Slapper. | 0:36:09 | 0:36:12 | |
-They prefer Graham to you. -Slag. | 0:36:12 | 0:36:14 | |
-He helps 'em with their homework. -Trollop. | 0:36:14 | 0:36:16 | |
-He talks to them. -Filthy bitch. | 0:36:16 | 0:36:18 | |
Pox merchant. | 0:36:18 | 0:36:20 | |
You weren't on obs. You're a liar. | 0:36:20 | 0:36:22 | |
Oh, really? And what would Clifford know? | 0:36:22 | 0:36:23 | |
He never gets sent on obs because of his sciatica. | 0:36:23 | 0:36:26 | |
Yeah, maybe I'll ask Andy Shepherd. | 0:36:26 | 0:36:27 | |
Yeah, you've got a hotline to the superintendent. | 0:36:27 | 0:36:29 | |
-Yeah, well, maybe I have. -Yeah? Really? D'you want his number? | 0:36:29 | 0:36:33 | |
Mr Tekeli, I read your statement for that assault. | 0:36:33 | 0:36:36 | |
I see we're still struggling | 0:36:36 | 0:36:37 | |
with the I before E except after C concept | 0:36:37 | 0:36:39 | |
and can you find someone with more time and patience | 0:36:39 | 0:36:41 | |
than I have to explain to you the difference when you spell | 0:36:41 | 0:36:44 | |
"he threatened to break my arm" and "I applied the foot brake"? | 0:36:44 | 0:36:48 | |
Thank you. | 0:36:48 | 0:36:50 | |
I got you this. | 0:36:51 | 0:36:53 | |
To say sorry. I was, you know, tired and emotional | 0:36:55 | 0:36:59 | |
and out of order and I'm sorry. | 0:36:59 | 0:37:02 | |
I thought it'd remind you of me, cos it's prickly. | 0:37:02 | 0:37:05 | |
And I'm prickly. In fact, you could call it Catherine | 0:37:05 | 0:37:07 | |
and then next time you get cross with me, you could... | 0:37:07 | 0:37:10 | |
-Throw it at you. -Yeah. Er, yeah, that'd work. | 0:37:10 | 0:37:14 | |
Or I could call it by your nickname. | 0:37:14 | 0:37:16 | |
That might make me happy. | 0:37:16 | 0:37:18 | |
Sure! Absolutely. Except I haven't got one. | 0:37:18 | 0:37:20 | |
Oh, you do! | 0:37:20 | 0:37:21 | |
No... | 0:37:21 | 0:37:23 | |
-Do I? -Obviously not one we use to your face. | 0:37:25 | 0:37:27 | |
-What is it? -Well, it's a secret from you. | 0:37:27 | 0:37:30 | |
Obviously, everybody else knows it. | 0:37:30 | 0:37:32 | |
Everybody upstairs and up at headquarters | 0:37:32 | 0:37:35 | |
and that lot down at t'cafe that does us butties. | 0:37:35 | 0:37:37 | |
-Well, what is it, then? -It's... | 0:37:37 | 0:37:39 | |
It's... It's not very flattering. | 0:37:39 | 0:37:41 | |
I haven't got a nickname. | 0:37:41 | 0:37:42 | |
No. Good. OK. | 0:37:42 | 0:37:44 | |
What is it, then? | 0:37:44 | 0:37:46 | |
I accept your apology. | 0:37:46 | 0:37:47 | |
-What's my nickname? -You haven't got one. | 0:37:47 | 0:37:50 | |
-How long have I had it? -I shouldn't have said anything. | 0:37:50 | 0:37:52 | |
-What are you going to call the cactus, then? -Nothing. | 0:37:52 | 0:37:54 | |
No, come on, tell me or I'm taking it back. | 0:37:54 | 0:37:56 | |
-OK. -No, tell me. | 0:37:56 | 0:37:59 | |
Look, I didn't invent it. | 0:37:59 | 0:38:00 | |
What is it? | 0:38:00 | 0:38:02 | |
Come here. | 0:38:02 | 0:38:03 | |
-I'm not telling you. -Right, whatever. | 0:38:03 | 0:38:07 | |
-Keep the cactus. -Mm. | 0:38:07 | 0:38:09 | |
These are those dates when I was out murdering prostitutes, | 0:38:11 | 0:38:14 | |
if you still want to check your diary. | 0:38:14 | 0:38:16 | |
-Nothing I'd rather do. -Come on, what is it? | 0:38:16 | 0:38:18 | |
You used to be a detective. Find out. | 0:38:18 | 0:38:20 | |
-I will. -Good! Good luck. | 0:38:20 | 0:38:22 | |
-Right! -Mm. | 0:38:22 | 0:38:23 | |
Are you lying? | 0:38:25 | 0:38:26 | |
-POLICE RADIO: -'Bravo November 45. | 0:38:26 | 0:38:29 | |
'Could you look at log 134 of today, at Crow Wood Park? | 0:38:29 | 0:38:32 | |
'We've had a phone call from a nun about a suspected suicide.' | 0:38:32 | 0:38:35 | |
-A nun? -'Paramedics are on their way. Can you get someone round there?' | 0:38:36 | 0:38:40 | |
-A real nun? -No, a pretend one(!) | 0:38:40 | 0:38:43 | |
Responding. | 0:38:43 | 0:38:44 | |
They might be dressed up going to a hen party. | 0:38:44 | 0:38:46 | |
-Ten o'clock in t'morning? -Charlie Oscar 965. | 0:38:46 | 0:38:49 | |
They might still be out from the night before. | 0:38:49 | 0:38:51 | |
Charlie Oscar 965. | 0:38:53 | 0:38:55 | |
It's baptism of fire time, kid. | 0:38:55 | 0:38:56 | |
We've got a suicide up Crow Wood Park. | 0:38:56 | 0:38:58 | |
'I'm coming to pick you up, you're coming wi' me.' | 0:38:58 | 0:39:01 | |
"We don't talk about me dad?" | 0:39:01 | 0:39:04 | |
Yeah. But, listen, don't get cross! | 0:39:04 | 0:39:06 | |
He said that, but then nothing could be further from the truth. | 0:39:06 | 0:39:10 | |
Once he started, it was like he could talk about nothing else. | 0:39:10 | 0:39:13 | |
What did he say? | 0:39:15 | 0:39:16 | |
He said how much he liked you | 0:39:16 | 0:39:18 | |
when he met you outside the shop and on the boat | 0:39:18 | 0:39:21 | |
and how he still thinks about you. | 0:39:21 | 0:39:23 | |
Did he say that? Did he actually say that? | 0:39:23 | 0:39:26 | |
-That he still thinks about me? -Every day. | 0:39:26 | 0:39:28 | |
Yes. He said it. | 0:39:28 | 0:39:30 | |
Yeah, but in a bad way. | 0:39:31 | 0:39:34 | |
No! He talked about bringing you milk. | 0:39:34 | 0:39:37 | |
And how he upset you by bringing his friend | 0:39:37 | 0:39:39 | |
and how much he wishes he hadn't done that now | 0:39:39 | 0:39:42 | |
because that seemed to spoil everything. | 0:39:42 | 0:39:45 | |
Did he...? | 0:39:47 | 0:39:49 | |
Did he say owt about me chucking petrol all over him? | 0:39:51 | 0:39:54 | |
He did. Yeah. | 0:39:54 | 0:39:56 | |
That was really interesting, | 0:39:56 | 0:39:57 | |
because he says that all he can think of now | 0:39:57 | 0:40:00 | |
-is how ill you were when that happened. -I was. | 0:40:00 | 0:40:03 | |
I WAS. I had septicaemia. I were off me head, I nearly died! | 0:40:03 | 0:40:07 | |
-He thinks it's his fault. -Eh? | 0:40:07 | 0:40:08 | |
He said if he hadn't brought his friend, | 0:40:08 | 0:40:11 | |
you wouldn't have got upset that day and done that. | 0:40:11 | 0:40:13 | |
It wasn't his friend, as such. He were a nice enough little lad. | 0:40:14 | 0:40:18 | |
I were just frightened they were going to tell people where I was, | 0:40:19 | 0:40:23 | |
cos I knew they'd crucify me. | 0:40:23 | 0:40:25 | |
I would never have hurt him, Frances. | 0:40:25 | 0:40:27 | |
Never. | 0:40:27 | 0:40:29 | |
Not in a million years. | 0:40:31 | 0:40:33 | |
I were just off me head. | 0:40:33 | 0:40:35 | |
-You see, I think he knows that. -Did he say it? | 0:40:37 | 0:40:40 | |
No, no, but I could see in his eyes | 0:40:40 | 0:40:43 | |
that he still really thinks about you. | 0:40:43 | 0:40:45 | |
In a good way. | 0:40:45 | 0:40:47 | |
Hm! | 0:40:49 | 0:40:50 | |
"We don't talk about me dad"! | 0:40:52 | 0:40:55 | |
You see, she'll be trying to fill his head with shit about me. | 0:40:58 | 0:41:01 | |
You've got to tell him stuff, Frances. | 0:41:01 | 0:41:03 | |
You have got to make sure he knows stuff. | 0:41:03 | 0:41:06 | |
-If you don't, nobody else will. I can't. -I will. | 0:41:06 | 0:41:08 | |
Obviously, I will eventually... | 0:41:08 | 0:41:10 | |
And all the other stuff, all the lies I got convicted over. | 0:41:10 | 0:41:13 | |
I did not rape Ann Gallagher. That were Lewis. | 0:41:13 | 0:41:16 | |
It were me that used to bring her Mars bars and let her use t'bucket. | 0:41:16 | 0:41:19 | |
I did not kill that little police girl up on t'moor either. | 0:41:19 | 0:41:22 | |
That were Lewis. | 0:41:22 | 0:41:23 | |
-And I had to kill him, cos he come at me with that knife! -I know. -But nobody believes me. | 0:41:23 | 0:41:28 | |
I do. | 0:41:28 | 0:41:29 | |
Yeah. | 0:41:30 | 0:41:32 | |
Except you. | 0:41:33 | 0:41:35 | |
I did kick the shite out of his granny, | 0:41:43 | 0:41:46 | |
but A, she were asking for it, | 0:41:46 | 0:41:49 | |
and B, she would have killed me. | 0:41:49 | 0:41:52 | |
Spraying me wi' that stuff! | 0:41:52 | 0:41:54 | |
She would have killed me on that boat an' all | 0:41:54 | 0:41:57 | |
if that woman hadn't come and pulled her off me, | 0:41:57 | 0:41:59 | |
and has she ever been taken to court over that? | 0:41:59 | 0:42:01 | |
Has she hell as like! | 0:42:01 | 0:42:03 | |
And now there's been another murder on t'news. Have you seen it? | 0:42:03 | 0:42:06 | |
-Yeah. -Just the same as me mother. | 0:42:06 | 0:42:08 | |
She is a clever bitch... | 0:42:10 | 0:42:12 | |
..making it look like a serial killer. | 0:42:13 | 0:42:16 | |
You see, I know. | 0:42:18 | 0:42:19 | |
I've told you before, I know how a bitch like that thinks. | 0:42:19 | 0:42:22 | |
She is poison, her. | 0:42:22 | 0:42:25 | |
She's dangerous. | 0:42:27 | 0:42:29 | |
I know we try not to have nasty thoughts, Frances, but... | 0:42:33 | 0:42:37 | |
HE IMITATES A GUNSHOT | 0:42:37 | 0:42:39 | |
..she needs putting out of her misery, that one. | 0:42:41 | 0:42:44 | |
He's been talking about things at home. | 0:42:52 | 0:42:55 | |
His Auntie Clare drinks. | 0:42:55 | 0:42:57 | |
I've met her. She's a nice woman. | 0:42:57 | 0:43:00 | |
But between the grandmother's anger and his auntie's problem, | 0:43:00 | 0:43:03 | |
yes, we could ask for better things. | 0:43:03 | 0:43:05 | |
We have to get him out of there. | 0:43:05 | 0:43:07 | |
Well, we can't get him out of there just yet. | 0:43:07 | 0:43:10 | |
-But we can keep an eye on him. Can't we? -No... | 0:43:10 | 0:43:13 | |
Frances, I keep telling you... | 0:43:15 | 0:43:17 | |
and you keep not hearing me! | 0:43:17 | 0:43:20 | |
That is not enough. | 0:43:25 | 0:43:27 | |
If a detective - he's a sergeant - asks me out for a drink, | 0:43:33 | 0:43:39 | |
that's not unethical, is it? | 0:43:39 | 0:43:41 | |
Is he married? | 0:43:43 | 0:43:45 | |
Well, yeah, he is, but he's just found out | 0:43:45 | 0:43:48 | |
his wife's been having it off with someone else, so... | 0:43:48 | 0:43:51 | |
Is he old enough to be your dad? | 0:43:51 | 0:43:53 | |
No. | 0:43:53 | 0:43:54 | |
Yeah, actually. He probably is. | 0:43:54 | 0:43:56 | |
He's not as old as my dad, but, yeah, technically. | 0:43:56 | 0:44:00 | |
And do you believe him about his wife? | 0:44:00 | 0:44:03 | |
I don't fancy him. We're just mates. | 0:44:03 | 0:44:06 | |
Yeah, but is that what he thinks? | 0:44:06 | 0:44:08 | |
It's not really ethics, is it, love? | 0:44:08 | 0:44:11 | |
It's about whether it's wise or not. | 0:44:11 | 0:44:14 | |
You know at work... | 0:44:23 | 0:44:24 | |
Yeah? | 0:44:24 | 0:44:26 | |
Have I got a nickname? | 0:44:26 | 0:44:28 | |
One or two. | 0:44:28 | 0:44:30 | |
One or two? | 0:44:36 | 0:44:37 | |
-I -don't use them. | 0:44:37 | 0:44:39 | |
Oh... That bad, eh? | 0:44:41 | 0:44:44 | |
Do you think maybe I COULD go for a drink with him? | 0:44:44 | 0:44:47 | |
See, I'm interested in the possibility | 0:44:47 | 0:44:49 | |
of becoming a detective, eventually, so.. | 0:44:49 | 0:44:51 | |
So what are they, then, these nicknames? | 0:44:51 | 0:44:54 | |
-Why are you putting me on the spot? -Cos you're here. | 0:44:54 | 0:44:57 | |
I've never met a nun. | 0:44:57 | 0:44:58 | |
The way you changed the subject then | 0:44:58 | 0:45:00 | |
was so subtle, I barely noticed(!) | 0:45:00 | 0:45:02 | |
Me dad says it's a compliment when people have a nickname. | 0:45:02 | 0:45:05 | |
He says people don't bother giving a nickname | 0:45:05 | 0:45:07 | |
to someone they're not bothered about. | 0:45:07 | 0:45:09 | |
-So, well, what are they, then? -I wouldn't worry about it. | 0:45:09 | 0:45:12 | |
I'm not worried. | 0:45:12 | 0:45:14 | |
I'm delighted. | 0:45:14 | 0:45:15 | |
I didn't know I had a nickname. Two nicknames. | 0:45:15 | 0:45:19 | |
-Hello. -Are you all right, love? | 0:45:19 | 0:45:22 | |
Just a bit of shock. She's going to be absolutely fine. | 0:45:22 | 0:45:25 | |
Right. So where is it? | 0:45:25 | 0:45:27 | |
Who found him? You? | 0:45:29 | 0:45:30 | |
Yes, it was us that phoned. | 0:45:30 | 0:45:32 | |
Vodka bottles everywhere. He must've got tanked up to do it. | 0:45:32 | 0:45:36 | |
OK. | 0:45:36 | 0:45:38 | |
Can you get a first account out of those two for me? | 0:45:38 | 0:45:41 | |
Who they are, what they're doing here, where they're from. | 0:45:41 | 0:45:43 | |
-They're nuns, I shouldn't think they're up to much. -He's dead. | 0:45:43 | 0:45:46 | |
-Thanks, love. -It's on the left. | 0:45:46 | 0:45:48 | |
Careful as you go down. It's a bit slippery. | 0:45:48 | 0:45:51 | |
They'll be from St Werburgh's. | 0:45:51 | 0:45:53 | |
Find out if they walk through here regularly and, if they do, | 0:45:53 | 0:45:56 | |
at what times, | 0:45:56 | 0:45:57 | |
and if they're familiar with anybody else who walks through here. | 0:45:57 | 0:46:01 | |
Bravo November 45, I'm in Crow Wood Park, | 0:46:01 | 0:46:03 | |
suspected suicide confirmed dead by the paramedic. | 0:46:03 | 0:46:06 | |
We need a CSI here | 0:46:06 | 0:46:07 | |
and somebody from CID, if there's anyone available. | 0:46:07 | 0:46:10 | |
Wow... | 0:46:18 | 0:46:20 | |
Yeah. | 0:46:20 | 0:46:22 | |
-How are you going to get him down? -That's easy. | 0:46:22 | 0:46:25 | |
I'm going to wait for CID to turn up and let them do it. | 0:46:25 | 0:46:28 | |
So, come on. These names. | 0:46:28 | 0:46:31 | |
Just spit 'em out quickly, then it's done with. | 0:46:31 | 0:46:33 | |
I don't want to be, like, the messenger that gets shot. | 0:46:33 | 0:46:36 | |
What, do you think I'm that small-minded? | 0:46:36 | 0:46:38 | |
Shall I go and take those first accounts? | 0:46:38 | 0:46:40 | |
I'll tell you what... You can write 'em down, if it's easier. | 0:46:40 | 0:46:44 | |
-I'm not sure I should. -No, love, I'm not asking you. | 0:46:44 | 0:46:47 | |
I think, going back to ethics, | 0:46:47 | 0:46:49 | |
you shouldn't use your rank to make me tell you something like that. | 0:46:49 | 0:46:52 | |
Rank? We're friends. | 0:46:52 | 0:46:54 | |
Not at work! You said that. | 0:46:54 | 0:46:55 | |
I saved your life from that bastard. | 0:46:55 | 0:46:58 | |
Yeah, go on, lady. Get round that one. | 0:46:58 | 0:47:01 | |
Do you really want to know that badly? | 0:47:01 | 0:47:04 | |
Catherine? | 0:47:06 | 0:47:07 | |
Are they really shit? | 0:47:09 | 0:47:11 | |
No. | 0:47:11 | 0:47:12 | |
They're affectionate but, you know, | 0:47:14 | 0:47:16 | |
not...not...not something you might choose for yourself. That's all. | 0:47:16 | 0:47:20 | |
If you really want to know, I WILL tell you. | 0:47:22 | 0:47:25 | |
What's up? | 0:47:27 | 0:47:29 | |
I know him. | 0:47:30 | 0:47:31 | |
It's that bloke I tasered. | 0:47:31 | 0:47:33 | |
They let him out on bail yesterday. | 0:47:33 | 0:47:36 | |
Do you want to do the talking? | 0:47:41 | 0:47:43 | |
HE CLEARS HIS THROAT | 0:47:43 | 0:47:45 | |
Good practice for you. | 0:47:45 | 0:47:46 | |
And anyway, look, it was me that tasered him. | 0:47:46 | 0:47:49 | |
If we weren't so understaffed and under-resourced, | 0:47:49 | 0:47:51 | |
I wouldn't even be here. | 0:47:51 | 0:47:53 | |
This is bordering on awkward. | 0:47:53 | 0:47:55 | |
HE KNOCKS ON DOOR | 0:47:59 | 0:48:01 | |
-Mrs Dragovic? -There's no-one here. | 0:48:05 | 0:48:07 | |
Is your husband Goran Dragovic? | 0:48:07 | 0:48:08 | |
-He's not here, he works shifts. -Could we come in? | 0:48:08 | 0:48:11 | |
It's not a good time for me, I'm busy, I'm going out. | 0:48:11 | 0:48:15 | |
It's important, Mrs Dragovic. There's been an accident. | 0:48:15 | 0:48:19 | |
-What accident? -Can we...? | 0:48:19 | 0:48:22 | |
BABY GRIZZLES | 0:48:23 | 0:48:26 | |
You might want to sit down. | 0:48:28 | 0:48:31 | |
SHE KNOCKS ON DOOR | 0:48:36 | 0:48:38 | |
-Hiya. -Oh, hello. | 0:48:38 | 0:48:41 | |
I saw a dead body this morning. This fella hanged himself. | 0:48:41 | 0:48:44 | |
You'll get used to it. | 0:48:44 | 0:48:45 | |
I didn't mind. I was fascinated. | 0:48:45 | 0:48:48 | |
His tongue was like... | 0:48:48 | 0:48:49 | |
and his lips were blue, proper blue, | 0:48:49 | 0:48:51 | |
and his eyes were all, like, bulging out. | 0:48:51 | 0:48:54 | |
Does that make me weird? Not being freaked? | 0:48:54 | 0:48:57 | |
Is it true that men get an erection when they hang? | 0:48:57 | 0:49:01 | |
Well, it depends what they were doing at the time. | 0:49:01 | 0:49:04 | |
So normally not, then? | 0:49:04 | 0:49:07 | |
Nah. It's a myth. | 0:49:07 | 0:49:08 | |
OK. Good! Well, there you go. I've learned something! | 0:49:08 | 0:49:12 | |
Inspector Taylor sent me up with this for Mr Shepherd. | 0:49:12 | 0:49:15 | |
-Is he in? -No, he's stepped out. | 0:49:15 | 0:49:17 | |
It's nothing. It's just Brunhilde's alibi. Finally. | 0:49:17 | 0:49:20 | |
-Joyce at t'front desk worked it out. -Brunhilde? | 0:49:20 | 0:49:22 | |
-Miss Trunchbull. -Sergeant Cawood. | 0:49:22 | 0:49:25 | |
I'll put it on his desk. | 0:49:25 | 0:49:27 | |
You still want to go for a drink? | 0:49:29 | 0:49:31 | |
-Well, yeah. Yeah, if you... -I would! | 0:49:33 | 0:49:35 | |
Tonight? Moorings? | 0:49:35 | 0:49:36 | |
-Seven? Half past? -Great. Seven. | 0:49:36 | 0:49:39 | |
Where's all the boards? | 0:49:43 | 0:49:45 | |
What boards? | 0:49:45 | 0:49:47 | |
You know, on telly, they have all glass boards | 0:49:47 | 0:49:49 | |
with photos of the deceased and clues and, you know, stuff. | 0:49:49 | 0:49:52 | |
Yeah, well, in real life, we have these. | 0:49:52 | 0:49:55 | |
-Can I look? -Er... | 0:49:55 | 0:49:57 | |
No. It's... There's some pretty graphic stuff in there. | 0:49:57 | 0:50:00 | |
I want to be a detective. | 0:50:00 | 0:50:02 | |
I want to do what you lot do. | 0:50:04 | 0:50:06 | |
Ma'am? | 0:50:06 | 0:50:07 | |
Sure! | 0:50:07 | 0:50:09 | |
Is this the most recent victim? | 0:50:19 | 0:50:21 | |
Yeah. | 0:50:21 | 0:50:22 | |
How was the postmortem? Did you learn anything? | 0:50:24 | 0:50:27 | |
Oh, just... | 0:50:27 | 0:50:29 | |
Not much. | 0:50:29 | 0:50:31 | |
Well, nothing relevant. | 0:50:31 | 0:50:32 | |
Well, we think she's not a prostitute, John. | 0:50:32 | 0:50:35 | |
-That's pretty relevant. -Not? | 0:50:35 | 0:50:36 | |
Oh, yeah, yeah. The clothes. | 0:50:36 | 0:50:39 | |
Expensive dress and shoes, other lifestyle... | 0:50:39 | 0:50:42 | |
You know, she didn't smoke, didn't drink, she... | 0:50:42 | 0:50:46 | |
Her teeth were well looked after. So, yeah, yeah. | 0:50:46 | 0:50:48 | |
So...how will you identify her? | 0:50:48 | 0:50:51 | |
Well, sometimes we get a DNA match on our database, | 0:50:51 | 0:50:55 | |
but that's usually only if they've committed a crime in the past. | 0:50:55 | 0:50:59 | |
And she hasn't, so we've been looking at missing persons, but... | 0:50:59 | 0:51:03 | |
You know we never found the woman | 0:51:03 | 0:51:05 | |
who lived in the burnt-out flat in Ripponden, don't you? | 0:51:05 | 0:51:08 | |
Two weeks ago. | 0:51:08 | 0:51:10 | |
Yeah, no, as I say, you know, | 0:51:10 | 0:51:12 | |
we've, er...we've checked all the local mispers, | 0:51:12 | 0:51:14 | |
but she's probably been cleared for whatever reason. | 0:51:14 | 0:51:17 | |
No, this woman isn't a misper. | 0:51:17 | 0:51:19 | |
No-one ever actually reported her missing, as such. | 0:51:19 | 0:51:21 | |
She's called Victoria Fleming, Vicky Fleming, | 0:51:21 | 0:51:23 | |
and how old is your woman? | 0:51:23 | 0:51:26 | |
Between 45 and 55. | 0:51:26 | 0:51:27 | |
-That's... That would fit the bill. -Really? | 0:51:27 | 0:51:30 | |
-This is her? -Yeah. | 0:51:32 | 0:51:35 | |
Blonde shoulder-length hair, slim build. | 0:51:35 | 0:51:38 | |
I've got a photo of her on file. | 0:51:38 | 0:51:40 | |
Me and Shaf went down to talk to HR | 0:51:40 | 0:51:41 | |
at the department store where she works. | 0:51:41 | 0:51:44 | |
We made a copy. Shall I e-mail it to you? | 0:51:44 | 0:51:46 | |
-Well, that's...that's... -That'd be really helpful, if you could. -Right. | 0:51:46 | 0:51:50 | |
Hm. Joined-up thinking. | 0:51:53 | 0:51:56 | |
Why didn't we know about this? | 0:51:58 | 0:52:00 | |
-'You're kidding.' -Nope. | 0:52:02 | 0:52:04 | |
Well done. Fantastic! Thank you, Joyce. Thank you. | 0:52:04 | 0:52:08 | |
Yeah, well, that's what friends are... | 0:52:08 | 0:52:10 | |
LINE GOES DEAD | 0:52:10 | 0:52:12 | |
The night Aurelia Petrovic was murdered, | 0:52:15 | 0:52:17 | |
this is five months ago, I was at Oldham Coliseum with Joyce | 0:52:17 | 0:52:21 | |
dressed up like a pillock for the Rocky Horror Show! | 0:52:21 | 0:52:23 | |
She invited me at the last second cos her cousin dropped out. | 0:52:23 | 0:52:26 | |
That's why it never went on me calendar. | 0:52:26 | 0:52:28 | |
So when Aurelia Petrovic was getting slashed, | 0:52:28 | 0:52:30 | |
-you and Joyce were doing the Time Warp. -Isn't life weird? | 0:52:30 | 0:52:33 | |
-I can't picture that. -Yeah, don't try. | 0:52:33 | 0:52:36 | |
DOOR CLOSES Off the hook. It's official. | 0:52:36 | 0:52:40 | |
Not the guilty party after all. | 0:52:40 | 0:52:42 | |
So Jodie Shackleton can stick that up her pipe and smoke it. | 0:52:42 | 0:52:44 | |
IN her pipe and smoke it. | 0:52:44 | 0:52:46 | |
I don't care where she sticks it. I've rung her anyway. | 0:52:46 | 0:52:49 | |
I've told her. (Bitch.) | 0:52:49 | 0:52:51 | |
-Neil's coming for his tea. -OK. | 0:52:51 | 0:52:54 | |
You won't frighten him, will you? | 0:52:54 | 0:52:56 | |
I will do me best. | 0:52:56 | 0:52:57 | |
And can you ask Daniel not to be... weird with him? | 0:52:57 | 0:53:00 | |
Sure. | 0:53:02 | 0:53:04 | |
-How was school? -Boring. | 0:53:06 | 0:53:08 | |
Oi, what's this about Miss Wealand asking you about your dad? | 0:53:08 | 0:53:12 | |
Nothing. I told her, I said, "We don't talk about me dad." | 0:53:12 | 0:53:16 | |
What have I told you about kicking your ball against Winnie's wall? | 0:53:16 | 0:53:20 | |
Well, keep it that way. | 0:53:20 | 0:53:21 | |
It's only me. All right? | 0:53:27 | 0:53:29 | |
I've got good news. | 0:53:31 | 0:53:33 | |
Well, it's macabre news. | 0:53:33 | 0:53:35 | |
Goran Dragovic is dead. | 0:53:35 | 0:53:37 | |
SHE TRANSLATES | 0:53:37 | 0:53:39 | |
Suicide. He hanged himself from a tree in Crow Wood Park. | 0:53:39 | 0:53:42 | |
THEY SPEAK IN THEIR OWN LANGUAGE | 0:53:42 | 0:53:45 | |
She... She says he would never kill himself. It's them. | 0:53:55 | 0:53:58 | |
They shut him up so he won't...he won't talk. | 0:53:58 | 0:54:01 | |
PHONE RINGS | 0:54:12 | 0:54:14 | |
Hello. | 0:54:23 | 0:54:25 | |
Bloody hell, John, it's definitely Vicky Fleming. | 0:54:25 | 0:54:27 | |
I've spoken to the OIC on District and I've given the lab a bell to chassey them along | 0:54:27 | 0:54:32 | |
for any DNA matches they might have found from the personal stuff | 0:54:32 | 0:54:35 | |
they got from her workplace, but... | 0:54:35 | 0:54:37 | |
Oh, it's her. I mean, you can see it's her from the photos. | 0:54:37 | 0:54:41 | |
She's even, in one of these photos, | 0:54:41 | 0:54:43 | |
wearing that same dress she was wearing when she died. | 0:54:43 | 0:54:45 | |
'John?' | 0:54:47 | 0:54:49 | |
Great. | 0:54:49 | 0:54:51 | |
Yeah. | 0:54:51 | 0:54:52 | |
-Have you told the boss? -Yeah. | 0:54:52 | 0:54:55 | |
-Well done. -'Right. I'll see you, then.' | 0:54:57 | 0:55:00 | |
Bye. | 0:55:00 | 0:55:01 | |
CAR HORN BLARES, HE GASPS | 0:55:04 | 0:55:06 | |
INAUDIBLE | 0:55:18 | 0:55:21 | |
Are you all right, love? | 0:55:23 | 0:55:25 | |
I'm fine, I'm fine, I'm sorry. | 0:55:25 | 0:55:27 | |
-You were right over the wrong side of the road. -I'm sorry. | 0:55:27 | 0:55:31 | |
Are you OK? | 0:55:31 | 0:55:32 | |
Yeah. Um... | 0:55:32 | 0:55:34 | |
I'm just a bit shaken. | 0:55:34 | 0:55:36 | |
-Are you all right? -Yeah, I'm fine, love. | 0:55:38 | 0:55:40 | |
You just gave me a bit of a surprise, that's all. | 0:55:40 | 0:55:43 | |
You want to be more careful. | 0:55:43 | 0:55:46 | |
# In this trouble town | 0:56:32 | 0:56:34 | |
# Troubles are found | 0:56:34 | 0:56:37 | |
# In this trouble town | 0:56:40 | 0:56:43 | |
# Word soon gets round | 0:56:43 | 0:56:46 | |
# Stuck in speed bump city Where the only thing that's pretty | 0:56:52 | 0:56:56 | |
# Is the thought of getting out. # | 0:56:56 | 0:56:59 |