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This programme contains some violent scenes from the start, | 0:00:03 | 0:00:06 | |
some strong language and some scenes which some viewers may find upsetting. | 0:00:06 | 0:00:10 | |
TRAIN CHUGS | 0:00:49 | 0:00:51 | |
SIREN IN DISTANCE | 0:00:58 | 0:01:01 | |
GRUNTING | 0:01:40 | 0:01:42 | |
GROANING | 0:01:48 | 0:01:49 | |
GROANING | 0:01:52 | 0:01:54 | |
GRUNTING | 0:01:59 | 0:02:01 | |
GROANING | 0:02:13 | 0:02:15 | |
CLATTERS | 0:02:23 | 0:02:24 | |
Ah! | 0:02:48 | 0:02:49 | |
SOFTLY GROANS | 0:02:55 | 0:02:56 | |
Daniel? | 0:02:59 | 0:03:01 | |
Please... Please don't... | 0:03:04 | 0:03:07 | |
SPLASHING | 0:03:12 | 0:03:16 | |
SHE SPLUTTERS | 0:03:18 | 0:03:20 | |
Ah! | 0:03:29 | 0:03:30 | |
DOOR SHUTS | 0:03:30 | 0:03:33 | |
SHE PANTS | 0:03:39 | 0:03:41 | |
SHE MOANS | 0:04:18 | 0:04:21 | |
Urgh. | 0:04:26 | 0:04:28 | |
GASPS | 0:05:35 | 0:05:37 | |
Felix. | 0:05:37 | 0:05:38 | |
Open it. | 0:05:48 | 0:05:50 | |
Do you know what they'll do to me if I do that? | 0:05:50 | 0:05:52 | |
Do you know what I'll do to you if you don't? | 0:05:52 | 0:05:54 | |
Now open it, Nicholson. | 0:05:54 | 0:05:56 | |
Hurry up. | 0:06:15 | 0:06:17 | |
Come on, move! | 0:06:17 | 0:06:18 | |
Armed police! | 0:06:18 | 0:06:21 | |
Armed police! | 0:06:22 | 0:06:23 | |
Hundreds of police officers raided several addresses across London | 0:07:01 | 0:07:04 | |
and the Home Counties yesterday in an operation aimed at smashing | 0:07:04 | 0:07:08 | |
one of Britain's most notorious crime gangs. | 0:07:08 | 0:07:11 | |
Senior members of the Nicholson Syndicate were among 15 people | 0:07:11 | 0:07:15 | |
arrested, including accountant Felix Nicholson. | 0:07:15 | 0:07:18 | |
Almost £300,000 in cash, a handgun, shotguns and | 0:07:18 | 0:07:22 | |
other weapons were recovered after years of painstaking investigation. | 0:07:22 | 0:07:26 | |
-Several... -Morning. -Hm. -..business addresses were also raided... | 0:07:26 | 0:07:29 | |
Morning, babe. | 0:07:29 | 0:07:30 | |
Come here, you. | 0:07:32 | 0:07:33 | |
You all right? | 0:07:35 | 0:07:36 | |
-Yeah. -Yeah? | 0:07:36 | 0:07:39 | |
All right? Morning, trouble. | 0:07:39 | 0:07:41 | |
Hey, you all right? | 0:07:41 | 0:07:42 | |
All right, be honest - how much sleep did you get last night? | 0:07:44 | 0:07:47 | |
Loads. | 0:07:47 | 0:07:48 | |
Oh, really, cos it doesn't look like it. | 0:07:48 | 0:07:50 | |
I hope you weren't on your bloody phone texting till all hours. | 0:07:50 | 0:07:53 | |
Now, here, have some of that. | 0:07:53 | 0:07:54 | |
What even is this? | 0:07:54 | 0:07:56 | |
Try it and see. | 0:07:56 | 0:07:58 | |
Go on, you'll love it. | 0:07:58 | 0:07:59 | |
What time did you get home? | 0:08:05 | 0:08:06 | |
Yeah, Dad. How much sleep did you get? | 0:08:06 | 0:08:08 | |
Yeah, all right, cheeky. | 0:08:08 | 0:08:10 | |
Look, I've got to head back in a bit, I just come home to shower and change. | 0:08:10 | 0:08:13 | |
-You need sleep. -And I will get some. | 0:08:13 | 0:08:15 | |
Look, I'll sneak off later today, I'll grab a few hours. | 0:08:15 | 0:08:18 | |
Don't you worry. | 0:08:18 | 0:08:19 | |
Yo, mate, what's up? | 0:08:31 | 0:08:32 | |
Why? What have you been doing? | 0:08:35 | 0:08:37 | |
No way... | 0:08:43 | 0:08:45 | |
No way, no way. | 0:08:46 | 0:08:48 | |
No, no, no, no. That's GCHQ, mate! You don't do that! | 0:08:48 | 0:08:51 | |
You of all people, you know not to mess... | 0:08:52 | 0:08:55 | |
They can lay a trace back, get all "active response continuum", | 0:08:55 | 0:08:58 | |
bloodhound you down, find you and fry you! | 0:08:58 | 0:09:01 | |
How big? | 0:09:07 | 0:09:09 | |
Whoa, whoa, whoa, what does that even mean, "hard sun"? | 0:09:11 | 0:09:14 | |
-Morning, sir. -Morning. | 0:09:29 | 0:09:31 | |
Hey. Morning, all. | 0:09:34 | 0:09:36 | |
-Morning, sir. -Morning, governor. -Guv. -Boss. | 0:09:36 | 0:09:38 | |
What's new? Apart from Keith's shirt, apparently. | 0:09:38 | 0:09:43 | |
That is a courageous selection, Keith. | 0:09:43 | 0:09:45 | |
Yes. Thanks. So what've we heard about the Nicholsons? | 0:09:45 | 0:09:49 | |
No, not a lot. | 0:09:49 | 0:09:50 | |
It was, er, it was date night last night. | 0:09:50 | 0:09:53 | |
Massive raid - nicked the entire firm, more or less. | 0:09:53 | 0:09:56 | |
Nice. Right, anything else? | 0:09:56 | 0:09:58 | |
We have a visitor. | 0:09:58 | 0:10:00 | |
Morning, Charlie boy. Spare me a minute? | 0:10:01 | 0:10:03 | |
Yeah, of course, sir. Absolutely. | 0:10:05 | 0:10:09 | |
Elaine Renko, DCI Charlie Hicks. | 0:10:14 | 0:10:17 | |
DCI Hicks, Elaine is joining us as your new DI. | 0:10:17 | 0:10:21 | |
Oh, right. Well, pleased to meet you. | 0:10:21 | 0:10:23 | |
And you. | 0:10:23 | 0:10:25 | |
So, you met everyone? | 0:10:26 | 0:10:27 | |
Well, I said a quick "hello." | 0:10:27 | 0:10:30 | |
You had breakfast? | 0:10:30 | 0:10:32 | |
Not really, no. I had a bit of first day nerves, to be honest. | 0:10:32 | 0:10:35 | |
Oh, well, let's do that, let's...let's get some breakfast. | 0:10:35 | 0:10:39 | |
Yeah. | 0:10:39 | 0:10:40 | |
Just leave me alone! | 0:11:09 | 0:11:11 | |
And go and do something useful! | 0:11:13 | 0:11:15 | |
SCREAMING | 0:11:15 | 0:11:16 | |
SHE SCREAMS | 0:11:24 | 0:11:26 | |
Help! Help! | 0:11:40 | 0:11:43 | |
You're the Renko that got stabbed, right? The house burnt down. | 0:12:13 | 0:12:17 | |
All that? | 0:12:17 | 0:12:18 | |
That'd be me, yeah. | 0:12:18 | 0:12:20 | |
Ooh! | 0:12:20 | 0:12:21 | |
Bad day. | 0:12:21 | 0:12:23 | |
Well, it was definitely up there. | 0:12:23 | 0:12:24 | |
So, er, so where are you living now? | 0:12:27 | 0:12:30 | |
Do you know the Caliburn Hotel? | 0:12:30 | 0:12:31 | |
Blimey! Well, I hope you brought your own bed sheets. | 0:12:31 | 0:12:35 | |
They actually look after me. I did them a favour once. | 0:12:35 | 0:12:38 | |
And the guy who stabbed you, they...they got him, right? | 0:12:38 | 0:12:42 | |
-They got him. -And he's, er..? | 0:12:42 | 0:12:45 | |
Yeah. He is. Yeah. | 0:12:45 | 0:12:46 | |
So why are you here? | 0:12:52 | 0:12:54 | |
I'm sorry? | 0:12:55 | 0:12:57 | |
I mean, er, why are you stuck here with me? | 0:12:57 | 0:12:59 | |
I don't know. | 0:13:00 | 0:13:02 | |
I have no idea. I just go where they send me. Why? | 0:13:03 | 0:13:07 | |
Oh, no reason. | 0:13:07 | 0:13:08 | |
Well, it's just I'm sure there's no secret we've had a vacancy. | 0:13:10 | 0:13:13 | |
Listen, if I may, I know you've lost Alex Butler | 0:13:16 | 0:13:21 | |
and I know you were close. | 0:13:21 | 0:13:23 | |
We were, yeah. We were very close. | 0:13:23 | 0:13:26 | |
It must've been hard on everyone. | 0:13:26 | 0:13:28 | |
It still is. He was a great man. | 0:13:28 | 0:13:30 | |
He was loved. | 0:13:30 | 0:13:31 | |
It's just that, I want you to know | 0:13:33 | 0:13:35 | |
it's not my intention to replace him. | 0:13:35 | 0:13:38 | |
Oh, good, cos I want you to know that nobody could. | 0:13:39 | 0:13:45 | |
BUZZING | 0:13:48 | 0:13:51 | |
Morning. | 0:14:18 | 0:14:19 | |
Name's Lloyd Hammond. Threw himself from the 15th floor. | 0:14:19 | 0:14:22 | |
What do we know about him? | 0:14:22 | 0:14:23 | |
Nothing much. Long-term sickness beneficiary. | 0:14:23 | 0:14:26 | |
Oh, what's his problem? | 0:14:26 | 0:14:27 | |
Spectrum disorder. | 0:14:27 | 0:14:29 | |
What, Asperger's? | 0:14:29 | 0:14:30 | |
What, does that square with suicide? | 0:14:31 | 0:14:32 | |
People at the milder end are actually at an increased risk. | 0:14:32 | 0:14:35 | |
-Yeah? -Yeah. I've got an interest in mental health issues. | 0:14:35 | 0:14:39 | |
Of course. | 0:14:40 | 0:14:42 | |
That makes sense. | 0:14:42 | 0:14:44 | |
But I'm not telling you anything you don't already know, am I? | 0:14:44 | 0:14:47 | |
Hello again. | 0:15:13 | 0:15:14 | |
-Hello again. -How's it going? | 0:15:14 | 0:15:16 | |
He, er, leave a note? | 0:15:17 | 0:15:19 | |
No. | 0:15:19 | 0:15:20 | |
What, and SOCO found what, kiddie porn on a laptop? | 0:15:20 | 0:15:22 | |
-They did. -But he's not on a register? | 0:15:22 | 0:15:24 | |
No previous offending of any kind. | 0:15:24 | 0:15:26 | |
Right. So what're we thinking? | 0:15:26 | 0:15:29 | |
What? He finally gives in to curiosity, temptation, | 0:15:29 | 0:15:33 | |
can't live with the guilt, takes a running jump? | 0:15:33 | 0:15:36 | |
What do you think, DI Renko? Any thoughts? | 0:15:37 | 0:15:40 | |
How did we get into this? | 0:16:09 | 0:16:11 | |
It was on. | 0:16:11 | 0:16:12 | |
It was on? No password? | 0:16:12 | 0:16:14 | |
No password. | 0:16:14 | 0:16:15 | |
Does that not seem a bit off to you? | 0:16:15 | 0:16:17 | |
Possibly. Possibly not. He did live alone. | 0:16:17 | 0:16:20 | |
Absolutely, yeah. | 0:16:20 | 0:16:21 | |
But he does give off a kind of paranoid vibe, though. | 0:16:21 | 0:16:24 | |
Get the new girl! | 0:16:27 | 0:16:28 | |
I'm sorry. Am I not allowed to play in the sandpit? | 0:16:28 | 0:16:31 | |
You should've mentioned. | 0:16:33 | 0:16:35 | |
They were just taking your measure, that's all. | 0:16:43 | 0:16:45 | |
You should take it as a compliment. | 0:16:45 | 0:16:47 | |
And you? Is that what you're doing? | 0:16:47 | 0:16:49 | |
Nah. No need. | 0:16:49 | 0:16:51 | |
Listen, you couldn't give me a lift somewhere, could you? | 0:16:51 | 0:16:54 | |
It's just I've got an errand to run. Won't take long. | 0:16:54 | 0:16:57 | |
Yeah. | 0:16:57 | 0:16:59 | |
-Hi. -Hello. | 0:17:10 | 0:17:12 | |
Cup of tea or something? | 0:17:19 | 0:17:20 | |
No, no, I can't stop long. | 0:17:20 | 0:17:21 | |
I just, er... Well, I popped by on the off-chance. | 0:17:21 | 0:17:24 | |
So, did you get in? | 0:17:26 | 0:17:29 | |
Well, today's the day, isn't it? | 0:17:29 | 0:17:31 | |
Yeah, I got in. | 0:17:31 | 0:17:32 | |
I knew it! | 0:17:32 | 0:17:34 | |
I can't believe I did it. | 0:17:34 | 0:17:35 | |
I can. | 0:17:35 | 0:17:36 | |
Well, the good news is, you can't have too many psychologists. | 0:17:36 | 0:17:40 | |
Ha-ha ha! | 0:17:40 | 0:17:41 | |
Yeah, there's a shortage, apparently. | 0:17:41 | 0:17:43 | |
Anyway, how's...how's Owen? | 0:17:45 | 0:17:47 | |
Bumping along. | 0:17:48 | 0:17:50 | |
Is he talking about his dad yet? | 0:17:52 | 0:17:54 | |
I keep thinking counselling might help. I don't know. | 0:17:54 | 0:17:58 | |
Open him up or something? | 0:17:58 | 0:17:59 | |
Yeah, right. | 0:17:59 | 0:18:01 | |
I mean, when he was this age, he used to tell me everything. | 0:18:01 | 0:18:04 | |
I mean, literally everything, like "Mum, where does wind come from? | 0:18:04 | 0:18:08 | |
"Can we get a fish? Do dogs lay eggs?" | 0:18:08 | 0:18:11 | |
Do you want me to talk to him? | 0:18:12 | 0:18:14 | |
I know he'd love to see you. | 0:18:15 | 0:18:17 | |
Yeah. Well, me, too. | 0:18:17 | 0:18:19 | |
Anyway, look, reason I, er, stopped by...cos, well... | 0:18:22 | 0:18:27 | |
We don't need your money, Charlie. | 0:18:27 | 0:18:29 | |
Well, then, you're laughing, because it's not mine. I nicked it. | 0:18:29 | 0:18:32 | |
Honestly, I don't need taking care of. | 0:18:35 | 0:18:37 | |
I know that. I need to feel like I'm doing something. | 0:18:37 | 0:18:42 | |
So you do me a favour, help me out. | 0:18:44 | 0:18:46 | |
So, how are we doing? | 0:20:09 | 0:20:11 | |
Well, Elaine thought it might be an idea to check out | 0:20:11 | 0:20:13 | |
sealed records, so we did and it turns out the victim's got a teenage | 0:20:13 | 0:20:17 | |
conviction for hacking - sealed cos he was a minor. | 0:20:17 | 0:20:20 | |
Yeah? Well, who did he hack? | 0:20:20 | 0:20:22 | |
-NASA. -NASA! Who hacks NASA?! | 0:20:22 | 0:20:25 | |
Well, he wanted to expose the global conspiracy to hush up | 0:20:25 | 0:20:28 | |
the existence of extra-terrestrial life. | 0:20:28 | 0:20:30 | |
The point is, Hammond knew his way around computer security. | 0:20:30 | 0:20:33 | |
So the last thing he's going to do is leave incriminating material | 0:20:33 | 0:20:35 | |
just lying around waiting for us to find. | 0:20:35 | 0:20:38 | |
Even if he's got a proclivity in that direction, which he doesn't. | 0:20:38 | 0:20:40 | |
Time of death's about 10.30am. | 0:20:40 | 0:20:43 | |
Tech forensics say the porn was downloaded at 10.27am. | 0:20:43 | 0:20:46 | |
There's no trace of semen, | 0:20:46 | 0:20:48 | |
no secondary signs of recent sexual activity. | 0:20:48 | 0:20:51 | |
So we're supposed to believe that he downloaded, masturbated, | 0:20:51 | 0:20:54 | |
cleaned up, was burnt up by guilt and topped himself off, | 0:20:54 | 0:20:57 | |
all in about five minutes flat. | 0:20:57 | 0:20:58 | |
Which suggests somebody actually did throw him out the window, | 0:20:58 | 0:21:01 | |
then did a bodged job of covering up. | 0:21:01 | 0:21:03 | |
No sign of forced entry, | 0:21:03 | 0:21:04 | |
so Hammond most likely knew and trusted his killer. | 0:21:04 | 0:21:07 | |
Right... | 0:21:08 | 0:21:09 | |
So, motive? | 0:21:10 | 0:21:12 | |
Thing is, none of the classic motives seems to apply. | 0:21:12 | 0:21:16 | |
Hammond's got no money to speak of. He's a near hermit. | 0:21:16 | 0:21:18 | |
Never seems to have hurt anyone, which excludes revenge. | 0:21:18 | 0:21:22 | |
So I'm thinking, a man like that, | 0:21:22 | 0:21:24 | |
how many actual human beings does he even know and trust? | 0:21:24 | 0:21:27 | |
One name keeps coming up. | 0:21:28 | 0:21:30 | |
Sunny Ramachandran. | 0:21:30 | 0:21:32 | |
Hacktivist. Kill the bankers. End capitalism. | 0:21:32 | 0:21:35 | |
Starbucks is genocide and all that. | 0:21:35 | 0:21:37 | |
Hammond and Ramachandran have history - common causes. | 0:21:37 | 0:21:41 | |
Say Hammond's been sniffing around his old haunts - | 0:21:44 | 0:21:47 | |
GCHQ, NASA, wherever - | 0:21:47 | 0:21:48 | |
looking for ET, | 0:21:48 | 0:21:50 | |
he finds something and he tells his friend Ramachandran. | 0:21:50 | 0:21:53 | |
Who kills him for it. Why? | 0:21:53 | 0:21:56 | |
Maybe Hammond wants to keep it between mates, | 0:21:56 | 0:21:59 | |
but Ramachandran doesn't. | 0:21:59 | 0:22:00 | |
He wants to go all Wikileaks on it. | 0:22:00 | 0:22:03 | |
Or maybe the opposite. | 0:22:03 | 0:22:04 | |
How does that work? | 0:22:05 | 0:22:06 | |
It turns out Ramachandran's not exactly the purest of pure. | 0:22:06 | 0:22:09 | |
His name came up in an insider trading investigation | 0:22:09 | 0:22:12 | |
-a few years ago. -For doing what? | 0:22:12 | 0:22:14 | |
Corporate hacking. Accessing insider information to order. | 0:22:14 | 0:22:18 | |
-For money? -For money. | 0:22:18 | 0:22:20 | |
All right, so the dead bloke is doing his hacking, | 0:22:20 | 0:22:23 | |
whilst looking for little green men. | 0:22:23 | 0:22:26 | |
So what are you saying? | 0:22:26 | 0:22:27 | |
What, he stumbles across something accidentally? | 0:22:27 | 0:22:29 | |
Yeah. Something so valuable that Sunny Ramachandran kills him for it. | 0:22:29 | 0:22:33 | |
Well, any offers on what sort of thing? | 0:22:33 | 0:22:36 | |
I don't know, but if Ramachandran was going to sell this information, | 0:22:36 | 0:22:39 | |
he's not going to do it from a computer. | 0:22:39 | 0:22:41 | |
It leaves a trail and it leaves it open to other hackers. | 0:22:41 | 0:22:44 | |
He's going to use physical media - CD, DVD, maybe. | 0:22:44 | 0:22:48 | |
But usually a USB memory stick, a flash drive. | 0:22:48 | 0:22:51 | |
So, we need a search warrant... | 0:22:54 | 0:22:56 | |
Well, we've got no evidence. It'd be a fishing expedition. | 0:22:56 | 0:23:00 | |
No, we need to assume that Ramachandran's actually going | 0:23:00 | 0:23:02 | |
to meet the person that he's selling it to. | 0:23:02 | 0:23:05 | |
It's his MO. It's what he's done before. | 0:23:05 | 0:23:07 | |
Right, well, we need all eyes on Ramachandran. | 0:23:07 | 0:23:10 | |
Catch him in the act. | 0:23:10 | 0:23:11 | |
All right, three teams. | 0:23:13 | 0:23:14 | |
Keith, Mishal, it's your lucky day, you're up first. | 0:23:14 | 0:23:18 | |
Renko, get some rest, we'll take the late watch. | 0:23:18 | 0:23:22 | |
Have you got a minute? | 0:23:25 | 0:23:26 | |
Absolutely. Come in. | 0:23:26 | 0:23:28 | |
Kick off your shoes, loosen your tie, have a drink. | 0:23:28 | 0:23:32 | |
So, how's Renko working out? | 0:23:35 | 0:23:37 | |
Yeah, great, yeah. | 0:23:40 | 0:23:43 | |
Is she working for you? | 0:23:43 | 0:23:45 | |
Absolutely not. | 0:23:46 | 0:23:49 | |
No, to the best of my knowledge, this is a straightforward transfer. | 0:23:49 | 0:23:52 | |
No agenda. | 0:23:52 | 0:23:55 | |
No agenda? | 0:23:55 | 0:23:56 | |
The words, "It is not true. | 0:24:05 | 0:24:07 | |
"It is not" were overheard by residents of houses | 0:24:07 | 0:24:10 | |
backing onto the canal just before the gunshot was heard. | 0:24:10 | 0:24:14 | |
They're presumed to be DCI Butler's last words, | 0:24:16 | 0:24:19 | |
or words spoken by his killer. | 0:24:19 | 0:24:21 | |
Cause of death - single gunshot to the head, | 0:24:23 | 0:24:26 | |
fired from a distance of perhaps five feet. | 0:24:26 | 0:24:30 | |
A good shot. | 0:24:32 | 0:24:33 | |
Which seems more indicative of a professional assassination | 0:24:34 | 0:24:38 | |
than a crime of passion, but due to the clandestine sexual nature | 0:24:38 | 0:24:43 | |
of DCI Hicks's relationship with DCI Butler's wife, | 0:24:43 | 0:24:47 | |
we can assume that DCI Hicks would've known he risked becoming | 0:24:47 | 0:24:50 | |
a suspect in DCI Butler's death and staged the crime accordingly. | 0:24:50 | 0:24:55 | |
At times, DCI Hicks seems anxious. | 0:24:57 | 0:25:01 | |
Scared, even. | 0:25:01 | 0:25:04 | |
He doesn't seem to me like a man with nothing to hide. | 0:25:04 | 0:25:09 | |
But when he claimed to have loved DCI Butler, | 0:25:09 | 0:25:12 | |
there's no question that I believed him. | 0:25:12 | 0:25:14 | |
Actually, it might have been | 0:25:18 | 0:25:20 | |
the only true thing he said to me all day. | 0:25:20 | 0:25:23 | |
Your name's Musa. You're working here illegally. | 0:26:10 | 0:26:14 | |
Yeah. | 0:26:14 | 0:26:16 | |
See, I know everything about you. | 0:26:16 | 0:26:19 | |
I know everything about your wife and your daughters. | 0:26:19 | 0:26:23 | |
Now all I need from you is a pass key | 0:26:23 | 0:26:26 | |
and for you to keep your mouth shut. | 0:26:26 | 0:26:29 | |
You do that, you never have to see me again. | 0:26:29 | 0:26:32 | |
Hello, Daniel. | 0:28:01 | 0:28:03 | |
Hello, Mum. | 0:28:07 | 0:28:09 | |
Is he ever coming out of there? | 0:28:40 | 0:28:41 | |
How've you been keeping? | 0:29:23 | 0:29:25 | |
So anyway, I started a new job... | 0:29:37 | 0:29:39 | |
..which means I can come and see you. | 0:29:44 | 0:29:46 | |
If you'd like that? | 0:29:49 | 0:29:51 | |
Do you like these? | 0:30:04 | 0:30:05 | |
I mean, I-I assumed you like them. | 0:30:09 | 0:30:12 | |
I'm sorry, I... | 0:30:16 | 0:30:18 | |
..I don't know. | 0:30:21 | 0:30:23 | |
I suppose I should know, but I don't know how I would know, you know? | 0:30:26 | 0:30:30 | |
Anyway... | 0:30:41 | 0:30:43 | |
It's OK. | 0:30:43 | 0:30:44 | |
I like them. | 0:30:45 | 0:30:48 | |
OK. | 0:30:52 | 0:30:53 | |
Can I have one? | 0:30:58 | 0:30:59 | |
Course you can. | 0:30:59 | 0:31:01 | |
SHE BREATHES HEAVILY | 0:31:41 | 0:31:44 | |
RINGING | 0:32:06 | 0:32:07 | |
DI Renko. | 0:32:07 | 0:32:08 | |
Mishal and Keith, checking in. | 0:32:08 | 0:32:10 | |
Hang on, I've got the guvnor. | 0:32:10 | 0:32:13 | |
Boss, are you going to get here any time soon? | 0:32:13 | 0:32:15 | |
All right, how are you getting on? Any updates? | 0:32:15 | 0:32:18 | |
Nope, no movement. | 0:32:18 | 0:32:19 | |
Well, you can stop sulking now. We'll be there in a bit to relieve you. | 0:32:19 | 0:32:22 | |
Good. Keith's busting for a wee. | 0:32:22 | 0:32:24 | |
Oi! | 0:32:24 | 0:32:26 | |
Well, tell him to hold it in. | 0:32:26 | 0:32:27 | |
BUZZING | 0:32:53 | 0:32:55 | |
What've you got? | 0:33:03 | 0:33:05 | |
The mother lode, bruv. | 0:33:05 | 0:33:06 | |
I'm going to make you well-monied. | 0:33:06 | 0:33:09 | |
I'm already well-monied. | 0:33:09 | 0:33:11 | |
I ain't got time for you to be a dick. Do you want it or not? | 0:33:11 | 0:33:14 | |
Where shall we meet? | 0:33:14 | 0:33:16 | |
Usual place. | 0:33:16 | 0:33:18 | |
BUZZING | 0:33:53 | 0:33:55 | |
HE SIGHS | 0:33:58 | 0:34:00 | |
DCI Hicks? | 0:34:00 | 0:34:01 | |
Hello, boss. | 0:34:01 | 0:34:03 | |
What's up? | 0:34:03 | 0:34:04 | |
You need to pull the surveillance on Ramachandran. | 0:34:04 | 0:34:06 | |
Yeah? Who's saying? | 0:34:06 | 0:34:09 | |
The Lord himself. I'm just down from the top floor. | 0:34:09 | 0:34:12 | |
Did he say why? | 0:34:12 | 0:34:14 | |
He didn't need to. | 0:34:14 | 0:34:15 | |
He is your Lord and your Master and you feel it a pleasure to serve him. | 0:34:15 | 0:34:18 | |
Fair enough. Well, we'll be back at the shop in an hour. | 0:34:18 | 0:34:22 | |
What was all that about? | 0:34:24 | 0:34:26 | |
We have just been told to withdraw the surveillance. | 0:34:28 | 0:34:31 | |
By who? | 0:34:31 | 0:34:32 | |
Oh, top brass. | 0:34:32 | 0:34:33 | |
Which means top brass will be getting it from Whitehall. | 0:34:33 | 0:34:36 | |
What, MI5? | 0:34:36 | 0:34:37 | |
Yeah. See, the thing is, Spooks hate to get embarrassed. | 0:34:37 | 0:34:42 | |
So if Ramachandran's been rummaging around the government's | 0:34:42 | 0:34:45 | |
underwear drawer, they're going to want to brush it under the carpet. | 0:34:45 | 0:34:48 | |
They'll write off their victim as a suicide. | 0:34:48 | 0:34:51 | |
So what do we do? | 0:34:51 | 0:34:52 | |
Well, if our boy's been going around throwing people | 0:34:54 | 0:34:57 | |
out of 15th-storey windows, then I want him. | 0:34:57 | 0:34:59 | |
Oh, here we go. | 0:35:03 | 0:35:04 | |
What've you got? | 0:36:46 | 0:36:47 | |
Renko? | 0:36:51 | 0:36:52 | |
Are you there? | 0:36:52 | 0:36:54 | |
Yeah. | 0:36:55 | 0:36:56 | |
Why would you show me this? | 0:37:14 | 0:37:16 | |
I don't know why you would do that. I've got children! | 0:37:16 | 0:37:20 | |
-Renko! -Arrgh! | 0:37:20 | 0:37:22 | |
Enough! Police! | 0:37:24 | 0:37:27 | |
That's enough! That's enough! | 0:37:29 | 0:37:31 | |
So what's on here? | 0:37:49 | 0:37:51 | |
Hm? What, some insider information that you were going to sell to him? | 0:37:51 | 0:37:55 | |
See, the thing is that, no offence, | 0:37:55 | 0:37:58 | |
but I mean you're looking a bit 1%. | 0:37:58 | 0:38:00 | |
So, if this is just some insider information, | 0:38:00 | 0:38:03 | |
well, then why have you come over all strangely? Eh? | 0:38:03 | 0:38:06 | |
Well, I can see that this must be worth a lot. | 0:38:08 | 0:38:11 | |
Yeah, and for a kid like you, bit of a dick, | 0:38:12 | 0:38:14 | |
but basically harmless, to decide it's worth killing for. | 0:38:14 | 0:38:17 | |
What do you mean... | 0:38:17 | 0:38:19 | |
..killing for? | 0:38:19 | 0:38:21 | |
Oh, what? You didn't know? | 0:38:21 | 0:38:22 | |
Oh, mate! Eh? | 0:38:22 | 0:38:24 | |
You are in such shit. | 0:38:26 | 0:38:29 | |
And this Lloyd Hammond? I thought he was your mate. | 0:38:36 | 0:38:39 | |
He was a character, man, but I loved him. | 0:38:42 | 0:38:45 | |
All right, so what happened? | 0:38:47 | 0:38:49 | |
He was so excited that he'd found it. | 0:38:49 | 0:38:51 | |
He was...he was all wired, mental, he was pacing the floor | 0:38:51 | 0:38:54 | |
back and forth and everything. | 0:38:54 | 0:38:56 | |
He couldn't wait to leak it, | 0:38:56 | 0:38:58 | |
but I didn't think we should do that. | 0:38:58 | 0:39:00 | |
No, because you wanted to sell it. | 0:39:00 | 0:39:02 | |
Because I wanted to think about it, yeah. | 0:39:02 | 0:39:04 | |
So we had a ruckus. Not even a ruckus, really. | 0:39:04 | 0:39:07 | |
He just went over. | 0:39:09 | 0:39:12 | |
Right, seriously, this is doing my head in. | 0:39:12 | 0:39:14 | |
Don't look at it. | 0:39:17 | 0:39:18 | |
Boss, chain of evidence. | 0:39:18 | 0:39:20 | |
Christ, how long has this light been red? | 0:39:24 | 0:39:27 | |
Drive! Drive! | 0:39:36 | 0:39:37 | |
MI5? | 0:39:41 | 0:39:42 | |
It's got to be. | 0:39:42 | 0:39:44 | |
What are you doing? What are you doing?! | 0:39:46 | 0:39:49 | |
Come on! Come on! | 0:40:03 | 0:40:05 | |
ENGINE DOESN'T START | 0:40:05 | 0:40:07 | |
Come on, come, God, I've got no signal! Come on!! | 0:40:12 | 0:40:15 | |
Damn it, there's nothing, come on! | 0:40:15 | 0:40:17 | |
Jesus. What is on that flash drive? | 0:40:19 | 0:40:21 | |
Shit! | 0:40:21 | 0:40:22 | |
The engine's flooding. | 0:40:22 | 0:40:24 | |
Keep trying! Keep trying! | 0:40:24 | 0:40:26 | |
Drive! Drive! Drive! | 0:40:31 | 0:40:33 | |
We need to get somewhere public! | 0:40:42 | 0:40:44 | |
Ditch your phone. | 0:40:44 | 0:40:45 | |
I'm not throwing this. | 0:40:45 | 0:40:47 | |
Stop! | 0:40:47 | 0:40:48 | |
Through here, through here. | 0:40:57 | 0:40:59 | |
CAR ALARM BLARES | 0:41:38 | 0:41:40 | |
My name is Charlie Hicks! I am a police officer! | 0:41:40 | 0:41:45 | |
I am unarmed and I am under attack! | 0:41:47 | 0:41:51 | |
Call the police! | 0:41:51 | 0:41:53 | |
Tell them officers Charlie Hicks and Elaine Renko are under attack! | 0:41:53 | 0:41:59 | |
Take note of these people! | 0:42:03 | 0:42:05 | |
Photograph them if you can! | 0:42:07 | 0:42:11 | |
Commit their description to your memory! | 0:42:11 | 0:42:16 | |
CAR ALARMS BLARE | 0:42:16 | 0:42:20 | |
You need to hurry! Boss, seriously! | 0:42:24 | 0:42:26 | |
I'm doing it! | 0:42:26 | 0:42:27 | |
What do you think it is? | 0:43:24 | 0:43:25 | |
Don't look. | 0:43:25 | 0:43:27 | |
-Yeah, but what is it... -Don't! | 0:43:27 | 0:43:28 | |
Come on, what we got to lose? Don't you need to know? | 0:43:28 | 0:43:31 | |
Cos I do. | 0:43:34 | 0:43:35 | |
I need to know. | 0:43:35 | 0:43:37 | |
That can't be real. It can't be. | 0:44:17 | 0:44:21 | |
It's real enough to kill for. | 0:44:21 | 0:44:23 | |
Yeah, but how long does it say we've got? | 0:44:25 | 0:44:27 | |
Five years. | 0:44:28 | 0:44:30 | |
Where are you going? | 0:44:33 | 0:44:34 | |
It's MI5, they don't give up. | 0:44:34 | 0:44:36 | |
Look, I need to talk to my wife, | 0:44:36 | 0:44:39 | |
tell her to get somewhere safe. | 0:44:39 | 0:44:41 | |
You should do the same. | 0:44:41 | 0:44:43 | |
RINGING | 0:45:03 | 0:45:06 | |
Hicks residence. | 0:45:06 | 0:45:08 | |
Charlie? | 0:45:10 | 0:45:12 | |
Charlie, is that you? | 0:45:14 | 0:45:16 | |
Who is this? | 0:45:16 | 0:45:18 | |
Who are you? | 0:45:18 | 0:45:20 | |
I think you know who we are. | 0:45:20 | 0:45:22 | |
Is it true? | 0:45:24 | 0:45:26 | |
What I saw. Is it true? | 0:45:26 | 0:45:28 | |
Look, this is an awful mess. | 0:45:28 | 0:45:29 | |
Last night was... very badly handled on our part. | 0:45:31 | 0:45:35 | |
But is it true? | 0:45:35 | 0:45:37 | |
But to be fair, you should've pulled the surveillance | 0:45:37 | 0:45:39 | |
when you were asked to, so there's blame on both sides. | 0:45:39 | 0:45:42 | |
Is...it...true?! | 0:45:42 | 0:45:44 | |
Yes. | 0:45:47 | 0:45:48 | |
Which is why I'm reaching out to you, Charlie. | 0:45:50 | 0:45:53 | |
I'm asking you to help me. | 0:45:55 | 0:45:57 | |
Where's Simone? Where's Hailey? | 0:45:59 | 0:46:02 | |
They're safe. For the moment. | 0:46:04 | 0:46:07 | |
And you can keep them that way. | 0:46:08 | 0:46:11 | |
You can keep them safe. | 0:46:11 | 0:46:13 | |
All you have to do is come in. | 0:46:13 | 0:46:16 | |
Come home. | 0:46:17 | 0:46:19 | |
Bring me the flash drive. | 0:46:20 | 0:46:22 | |
We both have daughters, Charlie. | 0:46:25 | 0:46:27 | |
How is knowing about this going to help them? | 0:46:29 | 0:46:32 | |
How's it going to help anyone? | 0:46:34 | 0:46:37 | |
I need that flash drive. | 0:47:02 | 0:47:04 | |
They, er, they threatened my family, | 0:47:04 | 0:47:08 | |
Elaine, my wife and... | 0:47:08 | 0:47:12 | |
..and my daughter. | 0:47:13 | 0:47:14 | |
So you give them what they ask for and suddenly your family's safe? | 0:47:16 | 0:47:20 | |
Yeah. | 0:47:20 | 0:47:22 | |
That's not how this plays out. You know that. | 0:47:22 | 0:47:24 | |
I can make it work. | 0:47:24 | 0:47:25 | |
-No, you can't. -You don't know me. | 0:47:25 | 0:47:27 | |
You can't game these people! | 0:47:27 | 0:47:29 | |
You're not listening to me, all right? They threatened my daughter! | 0:47:29 | 0:47:33 | |
And my wife! I mean, Christ, she's...she's pregnant. | 0:47:33 | 0:47:35 | |
If you do what they want, we're dead. | 0:47:35 | 0:47:38 | |
So is your wife, | 0:47:38 | 0:47:40 | |
and so is your daughter. | 0:47:40 | 0:47:42 | |
You'd know that, if you were thinking straight. | 0:47:42 | 0:47:44 | |
They'll be on to your boy next. | 0:47:46 | 0:47:47 | |
What, Daniel, is it? | 0:47:49 | 0:47:51 | |
I mean, how old were you when you had him? | 0:47:53 | 0:47:55 | |
What, 13? 14? | 0:47:56 | 0:47:59 | |
What was it? Incest? | 0:48:01 | 0:48:02 | |
Rape? | 0:48:04 | 0:48:06 | |
OK. Rape. | 0:48:09 | 0:48:10 | |
You are not listening! | 0:48:10 | 0:48:12 | |
They're going to keep this secret, no matter what. | 0:48:12 | 0:48:15 | |
Why does he hate you so much? | 0:48:15 | 0:48:17 | |
So all we can do is stop it being a secret. | 0:48:17 | 0:48:20 | |
Go public. Take it somewhere, a newspaper or something. | 0:48:20 | 0:48:23 | |
How many times did he stab you? | 0:48:23 | 0:48:24 | |
Christ! What does it take for a boy to do that to his own mother? | 0:48:26 | 0:48:31 | |
Once that's happened, their hands are tied. | 0:48:31 | 0:48:33 | |
I mean, they can prosecute us if they want. | 0:48:33 | 0:48:35 | |
They can send us to prison. | 0:48:35 | 0:48:37 | |
But they cannot kill us to keep a secret that isn't secret any more! | 0:48:37 | 0:48:41 | |
Give it to me, Elaine. | 0:48:43 | 0:48:45 | |
Look, this is my family. | 0:48:48 | 0:48:49 | |
And I need them to be safe. | 0:48:53 | 0:48:56 | |
No. | 0:48:58 | 0:49:00 | |
Come on, just give it to m... | 0:49:04 | 0:49:06 | |
Aargh! Damn! | 0:49:06 | 0:49:08 | |
THEY GROAN | 0:49:23 | 0:49:25 | |
SNAPPING, HE YELLS | 0:49:25 | 0:49:29 | |
# Pushing through the market square | 0:50:21 | 0:50:24 | |
-# So many mothers sighing -Sighing | 0:50:26 | 0:50:29 | |
# News had just come over | 0:50:31 | 0:50:34 | |
# We had five years left to cry in | 0:50:34 | 0:50:38 | |
# News guy wept and told us | 0:50:40 | 0:50:42 | |
-# Earth was really dying -Dying | 0:50:44 | 0:50:48 | |
# Cried so much his face was wet | 0:50:50 | 0:50:53 | |
-# Then I knew he was not lying -Lying | 0:50:53 | 0:50:58 | |
# I heard telephones, opera house, favourite melodies | 0:50:58 | 0:51:02 | |
# I saw boys, toys, electric irons and TVs | 0:51:02 | 0:51:07 | |
# My brain hurt like a warehouse It had no room to spare | 0:51:07 | 0:51:13 | |
# I had to cram so many things to store everything in there | 0:51:13 | 0:51:17 | |
# And all the fat-skinny people | 0:51:17 | 0:51:20 | |
# And all the tall-short people | 0:51:20 | 0:51:23 | |
# And all the nobody people | 0:51:25 | 0:51:28 | |
# And all the somebody people | 0:51:30 | 0:51:34 | |
# I never thought I'd need so many people | 0:51:34 | 0:51:38 | |
# It was cold and it rained so I felt like an actor | 0:51:40 | 0:51:45 | |
# And I thought of Ma and I wanted to get back there | 0:51:45 | 0:51:49 | |
# Your face, your race, the way that you talk | 0:51:49 | 0:51:54 | |
# I kiss you, you're beautiful, I want you to walk | 0:51:54 | 0:51:58 | |
# We've got five years Stuck on my eyes | 0:51:58 | 0:52:04 | |
# Five years What a surprise | 0:52:04 | 0:52:08 | |
# We've got five years | 0:52:08 | 0:52:10 | |
# My brain hurts a lot | 0:52:10 | 0:52:12 | |
# Five years | 0:52:12 | 0:52:15 | |
# That's all we've got... # | 0:52:15 | 0:52:17 | |
Have you been watching the news? | 0:52:23 | 0:52:25 | |
The Hard Sun. | 0:52:25 | 0:52:26 | |
I mean, all you want to do is protect the people that you love. | 0:52:26 | 0:52:28 | |
So how are you supposed to deal with it, knowing that you can't? | 0:52:28 | 0:52:31 | |
Right, knowing that no-one can? | 0:52:31 | 0:52:33 | |
Ever? | 0:52:33 | 0:52:34 | |
Are you still friends with Charlie Hicks? | 0:52:34 | 0:52:36 | |
I wonder, could you give him a message from me? | 0:52:36 | 0:52:39 | |
I'm saying that we do this. | 0:52:39 | 0:52:40 | |
Me and you. | 0:52:40 | 0:52:42 | |
What, with no backup? | 0:52:42 | 0:52:43 | |
It's either me and you, or it's everyone, | 0:52:43 | 0:52:45 | |
and if it's everyone, | 0:52:45 | 0:52:46 | |
we might as well kill | 0:52:46 | 0:52:48 | |
those kids ourselves. | 0:52:48 | 0:52:49 | |
HE GRUNTS | 0:52:58 | 0:53:01 |