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Contains some violent scenes and scenes which some viewers may find disturbing. | 0:00:02 | 0:00:04 | |
DCI Hicks, Elaine is joining us as your new DI. | 0:00:04 | 0:00:05 | |
-Is she working for you? -Absolutely not. | 0:00:05 | 0:00:07 | |
You're the Renko that got stabbed, right? | 0:00:07 | 0:00:08 | |
-Hello, Daniel. -Hello, Mum. | 0:00:08 | 0:00:10 | |
We have just been told to withdraw the surveillance. | 0:00:11 | 0:00:14 | |
Jesus, what is on that flash drive? | 0:00:15 | 0:00:17 | |
-Yeah, but how long does it say we've got? -Five years. | 0:00:18 | 0:00:21 | |
I need to talk to my wife. | 0:00:21 | 0:00:23 | |
Charlie, is that you? | 0:00:23 | 0:00:24 | |
Who is this? | 0:00:24 | 0:00:25 | |
I think you know who we are. | 0:00:25 | 0:00:27 | |
-Is it true? -Yes. Which is why I'm asking you to help me. | 0:00:28 | 0:00:33 | |
I need that flash drive. | 0:00:33 | 0:00:35 | |
No. | 0:00:35 | 0:00:36 | |
He's gone back to the public call box on Exeter Place. | 0:00:57 | 0:00:59 | |
Unit Two, you're prime to intercept. | 0:00:59 | 0:01:01 | |
PHONE RINGS | 0:01:01 | 0:01:03 | |
Hicks' residence. | 0:01:05 | 0:01:07 | |
I haven't got it. | 0:01:07 | 0:01:08 | |
I'm sorry? Is that Charlie? | 0:01:08 | 0:01:11 | |
Can you say that again? The line's bad. | 0:01:11 | 0:01:15 | |
Renko took it. It's gone. | 0:01:15 | 0:01:17 | |
Well, Charlie. | 0:01:19 | 0:01:20 | |
I don't know what to say. | 0:01:20 | 0:01:23 | |
If that's the case... | 0:01:23 | 0:01:25 | |
then I really can't help you. | 0:01:25 | 0:01:28 | |
I'm sorry. | 0:01:29 | 0:01:31 | |
TYRES SQUEAL | 0:01:36 | 0:01:38 | |
TASER BUZZES | 0:02:00 | 0:02:01 | |
I'm looking for Will Benedetti on news. | 0:02:13 | 0:02:15 | |
-Oh, yeah, he's just over there. -Thank you. | 0:02:15 | 0:02:17 | |
Will Benedetti? | 0:02:21 | 0:02:22 | |
DI Renko. We spoke. | 0:02:25 | 0:02:26 | |
Can we talk somewhere private? | 0:02:28 | 0:02:29 | |
No... | 0:02:44 | 0:02:45 | |
Christ! | 0:03:00 | 0:03:01 | |
I don't get it. Why come to me? | 0:03:12 | 0:03:14 | |
Your name's on the website. You answered the phone. | 0:03:15 | 0:03:18 | |
So you need to listen. Really listen to what I'm saying. | 0:03:19 | 0:03:23 | |
They're killing everyone who's seen it. Everyone. Which means you. | 0:03:23 | 0:03:27 | |
So if you want to protect yourself, you need to run the story. | 0:03:28 | 0:03:32 | |
OK. OK, I can...I can do it. I can do that. | 0:03:38 | 0:03:41 | |
But I'm going to need the full dossier, everything you've got. | 0:03:41 | 0:03:44 | |
I can't do that. I need to hold something back. | 0:03:44 | 0:03:47 | |
But I can give you enough. | 0:03:47 | 0:03:48 | |
I need to retrieve the Hard Sun file. | 0:04:12 | 0:04:15 | |
You have a copy on a flash drive. | 0:04:15 | 0:04:18 | |
I need you to tell me where it is. | 0:04:18 | 0:04:20 | |
I already told them 100 times. | 0:04:20 | 0:04:23 | |
Elaine...Renko took it. | 0:04:24 | 0:04:28 | |
Took it where? | 0:04:28 | 0:04:30 | |
My name is Elaine Renko. | 0:04:31 | 0:04:33 | |
If you are watching this, I've been murdered by the British state. | 0:04:33 | 0:04:37 | |
During the course of a recent investigation, | 0:04:37 | 0:04:40 | |
my colleague DCI Charlie Hicks and I came into contact with | 0:04:40 | 0:04:43 | |
a classified government file, code-named Hard Sun. | 0:04:43 | 0:04:47 | |
I know you love your family, Charlie. | 0:04:47 | 0:04:50 | |
So as a mother... | 0:04:50 | 0:04:52 | |
and a daughter... | 0:04:52 | 0:04:55 | |
..please don't make me do this. | 0:04:59 | 0:05:01 | |
Where's Elaine Renko? | 0:05:08 | 0:05:10 | |
I don't know. | 0:05:10 | 0:05:12 | |
I see. | 0:05:14 | 0:05:15 | |
Come on, now. Just stop it. Turn it off! | 0:05:16 | 0:05:18 | |
It's not like you're giving me any choice, Charlie. | 0:05:18 | 0:05:20 | |
If I don't get back that file, can you imagine what will happen next? | 0:05:20 | 0:05:24 | |
The anarchy? Come on! | 0:05:24 | 0:05:27 | |
Why would you unleash that? | 0:05:29 | 0:05:32 | |
Help me. | 0:05:32 | 0:05:33 | |
Please... | 0:05:34 | 0:05:36 | |
Help Simone and Hailey. | 0:05:37 | 0:05:40 | |
And if not, then for God's sake you help your baby. | 0:05:41 | 0:05:44 | |
Tell me where to find Elaine! | 0:05:45 | 0:05:48 | |
I...can't! | 0:05:53 | 0:05:56 | |
Start with the wife. | 0:05:58 | 0:05:59 | |
PHONE RINGS | 0:06:06 | 0:06:08 | |
Simone Hicks? | 0:06:09 | 0:06:10 | |
Mrs Hicks, this is Detective Chief Superintendent Mark Donnellan. | 0:06:10 | 0:06:14 | |
What's wrong? Is Charlie OK? | 0:06:14 | 0:06:16 | |
You leave her alone. | 0:06:16 | 0:06:18 | |
She...she's pregnant! | 0:06:18 | 0:06:21 | |
Not for long. | 0:06:21 | 0:06:23 | |
Simone Hicks? | 0:06:23 | 0:06:25 | |
DS Angie Jones. You spoke to my colleague. | 0:06:25 | 0:06:27 | |
What's going on? | 0:06:27 | 0:06:29 | |
Can you come with us, please? | 0:06:29 | 0:06:31 | |
We need to talk about Charlie. It won't take a moment. | 0:06:31 | 0:06:34 | |
What's going on? | 0:06:40 | 0:06:41 | |
Is Charlie OK? | 0:06:41 | 0:06:43 | |
-All right, that's-that's enough! -Where's the flash drive? | 0:06:43 | 0:06:46 | |
I sent Elaine to a dead drop. Call it off. | 0:06:46 | 0:06:49 | |
-What dead drop? -Call it off! -Where? | 0:06:49 | 0:06:52 | |
A loose brick in an alley. Now call it off! | 0:06:52 | 0:06:54 | |
What alley? | 0:06:54 | 0:06:56 | |
Behind the anarchist book shop in Stroud Green! Now call it OFF!!! | 0:06:56 | 0:07:00 | |
You're lying, Charlie. | 0:07:00 | 0:07:02 | |
Where are we going? | 0:07:11 | 0:07:13 | |
YOU LEAVE HER ALONE! | 0:07:14 | 0:07:15 | |
TELL ME WHERE IT IS! | 0:07:15 | 0:07:17 | |
I DON'T KNOW WHERE IT IS! | 0:07:17 | 0:07:19 | |
Last chance! | 0:07:19 | 0:07:21 | |
Simone's dead. | 0:07:21 | 0:07:23 | |
You are watching her die! You are killing your baby! | 0:07:23 | 0:07:27 | |
HE ROARS Do it. | 0:07:27 | 0:07:30 | |
Be alert, we have an incoming Code Yellow. | 0:07:30 | 0:07:32 | |
-Stand down! -Code yellow, incoming. -Stand down! | 0:07:32 | 0:07:35 | |
In order to protect myself, DCI Hicks and our loved ones... | 0:07:39 | 0:07:43 | |
I've made a partial version of the Hard Sun dossier available | 0:07:43 | 0:07:47 | |
to a newspaper of record. | 0:07:47 | 0:07:48 | |
-What newspaper? Trace it! -I'm already on it. | 0:07:48 | 0:07:51 | |
The state will do its best to suppress | 0:07:51 | 0:07:53 | |
the release of this information. | 0:07:53 | 0:07:54 | |
Anticipating this, | 0:07:54 | 0:07:56 | |
a full copy of the Hard Sun dossier will be kept with this statement. | 0:07:56 | 0:08:00 | |
The flash drive was accessed here. | 0:08:00 | 0:08:02 | |
This dossier contains a complete record | 0:08:03 | 0:08:06 | |
of the British State's Civil Defence Emergency Planning | 0:08:06 | 0:08:09 | |
related to the Hard Sun event... | 0:08:09 | 0:08:11 | |
This is a police raid. | 0:08:11 | 0:08:13 | |
Do not touch your mobile phones, do not touch your computers. | 0:08:13 | 0:08:16 | |
..including plans for dissident control, | 0:08:16 | 0:08:18 | |
-the imposition of martial law... -Where's Will Benedetti? | 0:08:18 | 0:08:21 | |
..and provisions currently under way for the establishment | 0:08:21 | 0:08:23 | |
of internment camps. | 0:08:23 | 0:08:25 | |
If any harm should come to me, | 0:08:25 | 0:08:28 | |
to DCI Hicks or to any of our loved ones, | 0:08:28 | 0:08:31 | |
this statement and the complete Hard Sun dossier will then be | 0:08:31 | 0:08:34 | |
released to the media and the internet and would be undeniable. | 0:08:34 | 0:08:38 | |
Whatever you read, remember, I have much more. | 0:08:41 | 0:08:44 | |
CAR HORN BLARES | 0:09:41 | 0:09:43 | |
This has been described as "possibly the greatest hoax | 0:10:39 | 0:10:42 | |
"of its kind since the Hitler Diaries." | 0:10:42 | 0:10:46 | |
How do you feel about that? | 0:10:46 | 0:10:48 | |
Well, obviously not great. | 0:10:49 | 0:10:51 | |
Look, the truth is I was offered something too good to be true. | 0:10:52 | 0:10:55 | |
But in the moment, I had to balance urgency and time pressure | 0:10:56 | 0:11:00 | |
against what I considered to be the public's right to know. | 0:11:00 | 0:11:03 | |
So I made a call. | 0:11:05 | 0:11:06 | |
And in retrospect, do you think you made the right call? | 0:11:06 | 0:11:10 | |
Well, it was a call that cost me my career and my reputation, | 0:11:11 | 0:11:15 | |
if that answers your question? | 0:11:15 | 0:11:18 | |
Will Benedetti, thank you for being on Hard Talk. | 0:11:18 | 0:11:21 | |
Perhaps inevitably, despite or maybe because of these disavowals, | 0:11:22 | 0:11:28 | |
the Hard Sun hoax has given rise to its own so-called | 0:11:28 | 0:11:32 | |
"Truther" movement. | 0:11:32 | 0:11:34 | |
On certain corners of the internet, you can | 0:11:34 | 0:11:37 | |
find as many conspiracy theories as there are stars in the sky. | 0:11:37 | 0:11:41 | |
Did the now discredited file refer to a meteor? Or a comet? | 0:11:41 | 0:11:46 | |
Or, perhaps a catastrophic solar storm? | 0:11:46 | 0:11:49 | |
-Daniel... -Well, that's it... | 0:11:49 | 0:11:51 | |
You know it's after hours. Back to bed, please. | 0:11:51 | 0:11:54 | |
Thanks for watching. | 0:11:54 | 0:11:55 | |
Every government agency is preparing for the Hard Sun... | 0:12:06 | 0:12:09 | |
Humanity's days on Earth are numbered. | 0:12:09 | 0:12:11 | |
We have 1,800 days, | 0:12:13 | 0:12:15 | |
and our governments are spending those days lying to us. | 0:12:15 | 0:12:19 | |
The first question to ask is - would the Government lie to you? | 0:12:19 | 0:12:24 | |
And the answer is of course. | 0:12:24 | 0:12:27 | |
As far as our governments are concerned, | 0:12:27 | 0:12:29 | |
this topic must remain above Top Secret. | 0:12:29 | 0:12:32 | |
Reality is broken, the truth must be hidden. | 0:12:32 | 0:12:36 | |
And the masses need a teaching | 0:12:36 | 0:12:38 | |
proportional to their limited knowledge. | 0:12:38 | 0:12:41 | |
These fictions are necessary for the people, | 0:12:41 | 0:12:43 | |
and the truth becomes deadly to those whom | 0:12:43 | 0:12:46 | |
they believe are not strong enough to contemplate it. | 0:12:46 | 0:12:49 | |
They're doing it, them in there. MI5. | 0:12:51 | 0:12:54 | |
They take the truth and fold it into whatever shape they want. | 0:12:54 | 0:12:58 | |
They turn a leak into a conspiracy theory. | 0:12:58 | 0:13:01 | |
It's like, I don't know, origami. | 0:13:01 | 0:13:02 | |
Nah, nah. | 0:13:02 | 0:13:04 | |
They think they've got it all sealed off, but they're wrong. | 0:13:04 | 0:13:07 | |
It's out of the box, and you can't put it back. | 0:13:09 | 0:13:12 | |
DOOR OPENS | 0:13:12 | 0:13:13 | |
You see, the people who believe in it, | 0:13:16 | 0:13:19 | |
all the freaks and the nutters, the religious fanatics | 0:13:19 | 0:13:22 | |
and the psychos, | 0:13:22 | 0:13:24 | |
they're all going to come crawling out the woodwork. | 0:13:24 | 0:13:26 | |
SHE SCREAMS | 0:13:29 | 0:13:31 | |
You know, it just makes my head hurt. | 0:13:34 | 0:13:37 | |
You know, I feel like I've got to just cram it all in. | 0:13:37 | 0:13:41 | |
It's just like I'm forcing myself to remember everything, you know, | 0:13:41 | 0:13:44 | |
every detail. | 0:13:44 | 0:13:46 | |
Cos I know that soon, it's going to be gone. | 0:13:47 | 0:13:49 | |
I mean, all you want to do is protect the people that you love. | 0:13:49 | 0:13:52 | |
So how are you supposed to deal with it, knowing that you can't? | 0:13:52 | 0:13:54 | |
All right, knowing that no-one can? Ever. | 0:13:54 | 0:13:57 | |
Five years. | 0:14:00 | 0:14:02 | |
What's the point? | 0:14:03 | 0:14:05 | |
What's the point? The point is - everything you love is here now. | 0:14:05 | 0:14:10 | |
That is all that matters. | 0:14:14 | 0:14:15 | |
The funny thing is, is that there's only one person that | 0:14:19 | 0:14:22 | |
I can talk to about this on this entire planet. | 0:14:22 | 0:14:24 | |
And that's you. | 0:14:24 | 0:14:27 | |
I mean, I am lying to everyone on this Earth... | 0:14:27 | 0:14:31 | |
..but you... | 0:14:33 | 0:14:35 | |
KNOCKING | 0:14:49 | 0:14:51 | |
You shouldn't come here. | 0:15:09 | 0:15:11 | |
It's not being watched. | 0:15:11 | 0:15:12 | |
That you know of. | 0:15:12 | 0:15:14 | |
Did he tell you his wife left him? | 0:15:16 | 0:15:18 | |
No. | 0:15:20 | 0:15:21 | |
Of course he didn't. No. | 0:15:21 | 0:15:23 | |
So what is taking so long? | 0:15:24 | 0:15:26 | |
Lack of evidence. There's nothing to suggest that Hicks killed Butler. | 0:15:26 | 0:15:31 | |
-He's sleeping with the man's wife. -That's motive, not evidence. | 0:15:31 | 0:15:34 | |
Then find some evidence. | 0:15:34 | 0:15:36 | |
Honestly, what does it matter? | 0:15:36 | 0:15:37 | |
In your head, you've already convicted him. | 0:15:37 | 0:15:40 | |
It matters because we cut you a deal! | 0:15:40 | 0:15:42 | |
We keep your son out of prison, you bring us Charlie Hicks. | 0:15:43 | 0:15:46 | |
Are we clear? | 0:15:48 | 0:15:49 | |
PHONE RINGS | 0:16:11 | 0:16:14 | |
Sorry, Dad. It's Charlie. | 0:16:19 | 0:16:21 | |
Erm...you carry on watching. | 0:16:21 | 0:16:24 | |
-Hey. It's really late. -Oh, I know, I'm... | 0:16:31 | 0:16:34 | |
I'm sorry. I got caught up with something. | 0:16:34 | 0:16:37 | |
How's Hailey? | 0:16:37 | 0:16:39 | |
Yeah, she's great. | 0:16:39 | 0:16:41 | |
Oh, she did have another barney with Rochelle, though. | 0:16:41 | 0:16:44 | |
Oh? What about? | 0:16:44 | 0:16:46 | |
Whether God has a willy? | 0:16:46 | 0:16:47 | |
Apparently, he doesn't because he's not a boy. | 0:16:47 | 0:16:50 | |
That's good to know. | 0:16:50 | 0:16:52 | |
How are you? Hm? How's the bump? | 0:16:54 | 0:16:57 | |
-She's kicking right now, actually. -Yeah? | 0:16:58 | 0:17:01 | |
Well, you know why that is, don't you? | 0:17:02 | 0:17:05 | |
She wants to come home. | 0:17:05 | 0:17:07 | |
We'll come home when you tell me what's going on. | 0:17:07 | 0:17:09 | |
-Hey. Nothing's going on! -So who were those people? | 0:17:09 | 0:17:12 | |
Look, I told you. They were... They were coppers, all right? | 0:17:12 | 0:17:15 | |
They were police. Look, how many times? | 0:17:15 | 0:17:18 | |
Look, there was a threat to my life, and for about five minutes, | 0:17:18 | 0:17:21 | |
it seemed credible. But it was nothing. | 0:17:21 | 0:17:24 | |
Look, Simone, I don't know what else to say. | 0:17:24 | 0:17:27 | |
Huh? The kids are safe. | 0:17:27 | 0:17:29 | |
And you're safe. And we're all safe. | 0:17:30 | 0:17:34 | |
Look, erm... I've got to go. | 0:17:42 | 0:17:45 | |
Hailey's going to call you tomorrow. | 0:17:48 | 0:17:51 | |
She wants to talk to you about her project. It's about spiders. | 0:17:51 | 0:17:54 | |
Yeah, yeah, OK. | 0:17:56 | 0:17:58 | |
Listen, erm, give my love to your mum and dad, yeah? | 0:18:00 | 0:18:03 | |
Good night, Charlie. | 0:18:03 | 0:18:06 | |
Go and kiss Hailey for me. | 0:18:08 | 0:18:10 | |
And the bump. Give the bump a kiss. | 0:18:10 | 0:18:14 | |
The bump says good night. | 0:18:15 | 0:18:16 | |
All right, good night. | 0:18:17 | 0:18:19 | |
KNOCKING | 0:18:37 | 0:18:38 | |
Charlie, it's late. | 0:18:46 | 0:18:49 | |
BUZZ | 0:19:53 | 0:19:55 | |
Hello, mate. | 0:20:06 | 0:20:07 | |
What are you doing up? | 0:20:08 | 0:20:10 | |
Erm, er, rowing practice. | 0:20:11 | 0:20:13 | |
-Rowing? -Yeah. | 0:20:13 | 0:20:15 | |
Oh, since when? | 0:20:15 | 0:20:16 | |
Since, like, a term or something? | 0:20:16 | 0:20:18 | |
Oh! You, er, you had a proper breakfast? | 0:20:18 | 0:20:22 | |
Not yet. | 0:20:22 | 0:20:24 | |
Right, how about I do you some eggs and then I give you a lift? | 0:20:26 | 0:20:28 | |
-How's that? -Yeah. Yeah... | 0:20:28 | 0:20:30 | |
All right, good man, come on. | 0:20:32 | 0:20:34 | |
-Morning. -Morning. | 0:20:42 | 0:20:44 | |
You all right, boss? | 0:20:47 | 0:20:49 | |
Sorry. Bit of a scare with the baby. | 0:20:49 | 0:20:51 | |
No! Everything all right? | 0:20:51 | 0:20:52 | |
Yeah, false alarm. Braxton Hicks. | 0:20:52 | 0:20:55 | |
-Ah. -It's a bit early for that, innit? | 0:20:55 | 0:20:57 | |
No, they can come at six weeks, Braxton Hicks. | 0:20:57 | 0:20:59 | |
-Says Keith, father of hundreds. -Six. | 0:20:59 | 0:21:02 | |
-Six?! -Yeah, we live in a shoe. | 0:21:02 | 0:21:04 | |
Simone all right, though? | 0:21:05 | 0:21:07 | |
She's fine, mate. You know how it is. | 0:21:07 | 0:21:10 | |
Right, let's, er, let's do this. What we got? | 0:21:10 | 0:21:12 | |
Dominic Vaughan and Sabina Kesinovic, husband and wife | 0:21:24 | 0:21:28 | |
-and business partners. -Yeah? What kind of business? | 0:21:28 | 0:21:30 | |
Sunstride PR. Corporate Public Relations. | 0:21:30 | 0:21:33 | |
-Reputation management. -What, we got a list of clients? | 0:21:33 | 0:21:35 | |
George and Herbie are looking into it. | 0:21:35 | 0:21:38 | |
Is there any interest groups their work might have offended? Political? | 0:21:38 | 0:21:41 | |
-Environmental? -Checking that, too. -Any kids? Family? | 0:21:41 | 0:21:44 | |
No kids. Workaholics. He's got no family to speak of. | 0:21:44 | 0:21:48 | |
Hers live in Denmark. | 0:21:48 | 0:21:50 | |
We're notifying them via the Roskilde police. | 0:21:50 | 0:21:53 | |
Right, let's walk it through. What we saying? | 0:21:54 | 0:21:57 | |
He came in from what, the back door? | 0:21:57 | 0:21:59 | |
Using an electric pick-lock - professional locksmith tool. | 0:21:59 | 0:22:02 | |
-Traceable? -Nah. You can get 'em anywhere. | 0:22:02 | 0:22:04 | |
Mr Vaughan tries to protect his wife. Our boy beats him down. | 0:22:04 | 0:22:07 | |
He breaks Mr Vaughan's arms and legs... | 0:22:07 | 0:22:09 | |
And makes him, y'know... | 0:22:09 | 0:22:11 | |
Watch. | 0:22:11 | 0:22:12 | |
So, what are we thinking? | 0:22:16 | 0:22:17 | |
He's lost some traditional male status role - | 0:22:20 | 0:22:22 | |
husband, father, provider. | 0:22:22 | 0:22:25 | |
So, he's looking to re-assert his identity as a man, | 0:22:25 | 0:22:28 | |
to be physically and sexually dominant. | 0:22:28 | 0:22:31 | |
All right... | 0:22:31 | 0:22:34 | |
so he's a dick. | 0:22:34 | 0:22:36 | |
Right, this was planned, | 0:22:38 | 0:22:39 | |
he knew the house, he probably knew the victims. | 0:22:39 | 0:22:43 | |
And it seems like their lives revolved around their work, | 0:22:43 | 0:22:45 | |
so...well, let's start there. | 0:22:45 | 0:22:47 | |
Happy birthday! | 0:23:04 | 0:23:06 | |
Oh! Wow! | 0:23:06 | 0:23:09 | |
-Thank you. -I didn't buy it. I made it. | 0:23:11 | 0:23:16 | |
Oh! You did not make this?! | 0:23:16 | 0:23:19 | |
No way! | 0:23:19 | 0:23:21 | |
Can you read what it says? | 0:23:21 | 0:23:23 | |
Well, why don't you read it to Mummy, hey? | 0:23:24 | 0:23:27 | |
My mummy is kind. My mummy drives a car. | 0:23:28 | 0:23:33 | |
-My mummy.... -DOORBELL RINGS | 0:23:33 | 0:23:36 | |
Your mummy needs to answer the door. | 0:23:36 | 0:23:38 | |
Chris? | 0:23:46 | 0:23:48 | |
What's up? | 0:23:48 | 0:23:49 | |
Nothing. I just, erm, popped by to give you this. | 0:23:50 | 0:23:54 | |
It's just a birthday card, but many happy returns. | 0:23:54 | 0:23:57 | |
Life begins and all that. | 0:24:00 | 0:24:01 | |
So where are the kids? | 0:24:01 | 0:24:03 | |
-They're upstairs, getting ready for school. -Oh, fair enough. | 0:24:03 | 0:24:07 | |
Well, give them a kiss from me. | 0:24:08 | 0:24:10 | |
Tell them I'll see them soon. | 0:24:10 | 0:24:12 | |
Have you been watching the news? | 0:24:16 | 0:24:19 | |
What news? | 0:24:19 | 0:24:20 | |
The Hard Sun. | 0:24:20 | 0:24:22 | |
Chris, honestly. | 0:24:22 | 0:24:24 | |
Is this the thing that you keep sending me the links about? | 0:24:24 | 0:24:26 | |
I haven't got time! | 0:24:26 | 0:24:29 | |
What is it? | 0:24:29 | 0:24:31 | |
Nothing. | 0:24:32 | 0:24:34 | |
It doesn't matter. | 0:24:38 | 0:24:39 | |
Happy birthday. | 0:24:42 | 0:24:43 | |
See you in a bit. | 0:24:47 | 0:24:48 | |
Oops. Sorry. I was miles away! | 0:25:16 | 0:25:19 | |
No worries. Wait. Is it Mari? | 0:25:19 | 0:25:21 | |
It is, yeah. | 0:25:21 | 0:25:22 | |
My god! How are you? | 0:25:22 | 0:25:24 | |
Um...I'm great! Thanks. | 0:25:24 | 0:25:27 | |
Books for your course? | 0:25:27 | 0:25:29 | |
Er, yeah. Er, essay on Milgram. | 0:25:29 | 0:25:32 | |
"Obedience To Authority." | 0:25:32 | 0:25:33 | |
Listen, I was so sorry to hear about Alex. | 0:25:34 | 0:25:37 | |
That's very kind. | 0:25:40 | 0:25:41 | |
How are you bearing up? | 0:25:41 | 0:25:43 | |
Yeah. Good, really. | 0:25:43 | 0:25:46 | |
Thank you. | 0:25:46 | 0:25:47 | |
Well...it was nice bumping into you. | 0:25:47 | 0:25:50 | |
Yeah, you, too. | 0:25:50 | 0:25:52 | |
Are you still friends with Charlie Hicks? | 0:25:55 | 0:25:57 | |
I see him every now and again, yeah. | 0:25:59 | 0:26:02 | |
I wonder, could you give him a message from me? | 0:26:02 | 0:26:04 | |
She said she knew me. I've never seen her before. | 0:26:12 | 0:26:15 | |
Who was she? Did you get her name? | 0:26:15 | 0:26:17 | |
-Well, I don't know who she was! -Well, what did she say? | 0:26:17 | 0:26:21 | |
She gave me a message for you. | 0:26:21 | 0:26:23 | |
What message? | 0:26:25 | 0:26:26 | |
She said, "Renko knows what you did to Alex Butler. | 0:26:28 | 0:26:30 | |
"And why." | 0:26:30 | 0:26:32 | |
Charlie? | 0:26:41 | 0:26:43 | |
Charlie?! | 0:26:43 | 0:26:44 | |
Yeah. Yeah, no, I'm here. Sorry. | 0:26:44 | 0:26:45 | |
Listen, I'm just on my way to a thing at the moment. | 0:26:45 | 0:26:48 | |
-Can I call you back in a bit? -Well, who was she? | 0:26:48 | 0:26:51 | |
I don't know. But I'm sure it's nothing. | 0:26:51 | 0:26:54 | |
I'll call you back when I can, OK? Bye. | 0:26:54 | 0:26:57 | |
Problem? | 0:27:03 | 0:27:05 | |
Yeah. Yeah, it's just Simone, my wife. | 0:27:05 | 0:27:08 | |
I think she knows something's wrong. | 0:27:09 | 0:27:11 | |
What am I supposed to tell her? | 0:27:12 | 0:27:14 | |
That's easy. Tell her a lie. | 0:27:15 | 0:27:18 | |
Yeah, well, I don't want to lie to her. I love her. | 0:27:20 | 0:27:24 | |
PHONE RINGS | 0:28:05 | 0:28:07 | |
Hello. Your call cannot be taken at the moment, | 0:28:14 | 0:28:18 | |
so please leave your message after the tone. | 0:28:18 | 0:28:21 | |
Sorry for the delay. I was on a call. | 0:28:28 | 0:28:31 | |
DI Renko... DCI Hicks. And you are? | 0:28:31 | 0:28:35 | |
Maggie Sweeting. Group Account Director. | 0:28:35 | 0:28:38 | |
Is there a problem? Are we in trouble? | 0:28:38 | 0:28:40 | |
Both of them? How? Was there a fire, or... | 0:28:43 | 0:28:48 | |
I'm sure this must come as a shock. | 0:28:48 | 0:28:50 | |
-An accident? -But we do need to ask some questions. | 0:28:50 | 0:28:53 | |
Absolutely. Yeah, of course. | 0:28:53 | 0:28:55 | |
Erm...except, I feel a bit, erm, I ju... I need to, erm, | 0:28:55 | 0:28:59 | |
splash my face, if that's OK, some cold water to...? | 0:28:59 | 0:29:02 | |
Of course. | 0:29:02 | 0:29:03 | |
Can you believe our Maggie's 40?! | 0:29:21 | 0:29:23 | |
I don't want to! What age does that make me? | 0:29:23 | 0:29:26 | |
Anyone? | 0:29:26 | 0:29:27 | |
Oh, cheers, babe. It's a bit early for me, love. | 0:29:27 | 0:29:29 | |
Why don't I put the kettle on? | 0:29:29 | 0:29:31 | |
DOORBELL RINGS | 0:29:31 | 0:29:33 | |
Cake! | 0:29:33 | 0:29:36 | |
-What time are we picking up the kids, Geoff? -I'd better go now. | 0:29:36 | 0:29:39 | |
Chris? | 0:29:41 | 0:29:42 | |
No! No, no! | 0:29:46 | 0:29:49 | |
Sit down! Sit on your arse! | 0:29:51 | 0:29:53 | |
PHONE BUZZES | 0:29:55 | 0:29:57 | |
Oh, God! | 0:30:03 | 0:30:04 | |
THEY WHIMPER | 0:30:05 | 0:30:07 | |
Oh, my god! Chris! | 0:30:07 | 0:30:09 | |
Oh, my god, Chris, don't hurt them, please! Don't hurt them, please! | 0:30:11 | 0:30:14 | |
Say a word to the police, one word, I end them all. | 0:30:14 | 0:30:17 | |
-Do you believe me? -Yes! Yes, I do! Yes, I do, I believe you! | 0:30:17 | 0:30:20 | |
Oh, my god, please, yes, I believe you. | 0:30:20 | 0:30:22 | |
Cos we both know that you lie, don't we? | 0:30:22 | 0:30:24 | |
-Have you heard about Dominic, by the way? -Oh, Chris, no! | 0:30:26 | 0:30:30 | |
I made him feel what it was like. | 0:30:31 | 0:30:33 | |
Crying like a baby, he was, | 0:30:35 | 0:30:36 | |
begging me to stop, | 0:30:36 | 0:30:38 | |
while I had his wife. | 0:30:38 | 0:30:39 | |
Funny enough, that was the first time I was ever unfaithful to you. | 0:30:42 | 0:30:45 | |
You've got half an hour to get here. | 0:30:47 | 0:30:49 | |
I can't...I can't do that! I can't! | 0:30:49 | 0:30:51 | |
Don't make me do that! | 0:30:51 | 0:30:53 | |
PHONE BEEPS OFF | 0:30:54 | 0:30:56 | |
It's maybe not all puppies and rainbows between the victims. | 0:31:02 | 0:31:05 | |
They joint-own the company, | 0:31:05 | 0:31:06 | |
so they're pretty cagey about the personal side of things, | 0:31:06 | 0:31:09 | |
but it turns out Sabina was consulting a divorce lawyer. | 0:31:09 | 0:31:11 | |
On what grounds? | 0:31:11 | 0:31:13 | |
The usual. | 0:31:13 | 0:31:14 | |
So who's the husband getting busy with? | 0:31:14 | 0:31:16 | |
A colleague called Maggie Sweeting. | 0:31:16 | 0:31:18 | |
So I had a gander at Maggie Sweeting's inbox | 0:31:28 | 0:31:30 | |
-and it turns out the husband... -Ex-husband. | 0:31:30 | 0:31:32 | |
Well, estranged husband, is, | 0:31:32 | 0:31:35 | |
I wouldn't exactly say howling at the moon... | 0:31:35 | 0:31:37 | |
He sent her a dozen emails a day, mostly web links. | 0:31:37 | 0:31:39 | |
-Web links to what? -Hard Sun. | 0:31:39 | 0:31:41 | |
It was a hoax they pulled on the news a few weeks ago - | 0:31:43 | 0:31:45 | |
a conspiracy to cover up the end of the world as we know it and all that | 0:31:45 | 0:31:49 | |
but he seemed a bit woo-woo for it. | 0:31:49 | 0:31:51 | |
All right. So, we need to know more about the husband. | 0:31:52 | 0:31:55 | |
Does anyone here know where Maggie Sweeting's gone? | 0:31:56 | 0:31:59 | |
PHONE BUZZES | 0:32:16 | 0:32:17 | |
SHE WHIMPERS | 0:32:49 | 0:32:50 | |
Oh, no. | 0:32:50 | 0:32:52 | |
Oh, no, no, no. | 0:32:52 | 0:32:53 | |
PHONE BUZZES | 0:32:55 | 0:32:57 | |
Surprise! Happy birthday, Mum! | 0:32:58 | 0:33:04 | |
Happy birthday, Mum! | 0:33:04 | 0:33:06 | |
Happy birthday! | 0:33:06 | 0:33:09 | |
PHONE RINGS | 0:33:09 | 0:33:10 | |
SHE WHIMPERS | 0:33:10 | 0:33:11 | |
Happy birthday. | 0:33:13 | 0:33:14 | |
Where are they? Where are the kids?! | 0:33:14 | 0:33:17 | |
Where have you taken them? Where are they? | 0:33:17 | 0:33:20 | |
They're playing. | 0:33:21 | 0:33:22 | |
Don't hurt them. | 0:33:23 | 0:33:25 | |
Don't, please. | 0:33:25 | 0:33:26 | |
Oh, God, please, Chris! Please don't hurt them! | 0:33:26 | 0:33:29 | |
Not going to hurt them. | 0:33:30 | 0:33:31 | |
I could never hurt them. | 0:33:34 | 0:33:35 | |
They're what I live for. | 0:33:39 | 0:33:40 | |
CHILDREN PLAY | 0:33:40 | 0:33:41 | |
But there is no future, so... | 0:33:43 | 0:33:45 | |
..I'm just going to help make them sleep. | 0:33:47 | 0:33:49 | |
Oh, no, don't say that! No, please! | 0:33:49 | 0:33:51 | |
Please don't, don't say that! Don't do that, don't! | 0:33:51 | 0:33:54 | |
I can't let them suffer through this. | 0:33:54 | 0:33:56 | |
No mum, no dad. I can't. | 0:33:59 | 0:34:03 | |
Oh, God. Chris! Chris! Please! | 0:34:03 | 0:34:06 | |
Well, there's no point in you crying now - you did this to us. | 0:34:06 | 0:34:09 | |
You ended our family! | 0:34:09 | 0:34:10 | |
Threw it all away. | 0:34:15 | 0:34:17 | |
You got what you wanted. | 0:34:21 | 0:34:22 | |
I hope you're happy. | 0:34:25 | 0:34:26 | |
Chris! Chris, please! | 0:34:26 | 0:34:28 | |
What can I do? What? What? What can I do? Please, please! | 0:34:28 | 0:34:31 | |
I'm begging you. I am begging you, please, please! | 0:34:31 | 0:34:34 | |
What can I do? | 0:34:34 | 0:34:35 | |
You remember the place where we made Jessica? | 0:34:42 | 0:34:45 | |
PHONE RINGS | 0:34:47 | 0:34:49 | |
So what've we got? | 0:35:42 | 0:35:44 | |
I think we're safe to confirm an interest in the Hard Sun thing. | 0:35:45 | 0:35:49 | |
Yeah? How much of an interest? | 0:35:49 | 0:35:51 | |
Erm, well, he's definitely a fan. | 0:35:51 | 0:35:56 | |
The husband's Chris Chapel, self-employed joiner. | 0:35:58 | 0:36:01 | |
Company went bust in 2012. | 0:36:01 | 0:36:03 | |
He and Maggie separated last year and he's taken the kids. | 0:36:03 | 0:36:07 | |
Look, we both know how this goes. | 0:36:07 | 0:36:10 | |
What, we trace his phone signal, deploy armed response | 0:36:10 | 0:36:13 | |
and a hostage negotiator? | 0:36:13 | 0:36:15 | |
Yeah, but that won't work. | 0:36:15 | 0:36:17 | |
I've seen it before - he kills his kids, he kills his wife. | 0:36:17 | 0:36:21 | |
And then he kills himself cos that's what they do, men like him. | 0:36:21 | 0:36:24 | |
They kill the people that they love because they're scared | 0:36:24 | 0:36:27 | |
they can't protect them. | 0:36:27 | 0:36:28 | |
Boss... | 0:36:28 | 0:36:29 | |
I can't set that process in motion | 0:36:29 | 0:36:31 | |
knowing that it ends with two dead children. | 0:36:31 | 0:36:33 | |
I can't do that. | 0:36:33 | 0:36:35 | |
All right, so? | 0:36:35 | 0:36:36 | |
So... | 0:36:36 | 0:36:38 | |
..I've got Keith, tracking her mobile. | 0:36:39 | 0:36:42 | |
She's heading out of London - out to the sticks. | 0:36:42 | 0:36:45 | |
-I don't follow. -Look, I'm saying that we do this - me and you. | 0:36:46 | 0:36:52 | |
-Alone? -Yeah. -What, with no backup? | 0:36:52 | 0:36:55 | |
We haven't got time for that. | 0:36:55 | 0:36:56 | |
Now, it's either me and you or it's everyone, | 0:36:56 | 0:36:59 | |
and if it's everyone, | 0:36:59 | 0:37:00 | |
we might as well kill those kids ourselves. | 0:37:00 | 0:37:04 | |
Elaine, trust me. | 0:37:04 | 0:37:06 | |
Where are we going? | 0:37:37 | 0:37:38 | |
Nowhere nice. | 0:37:40 | 0:37:41 | |
PHONE RINGS | 0:37:47 | 0:37:48 | |
Are you going to take that? | 0:37:54 | 0:37:56 | |
No. | 0:37:56 | 0:37:57 | |
It's not important. | 0:37:59 | 0:38:00 | |
Hello, your call cannot be taken at the moment, | 0:38:00 | 0:38:04 | |
so please leave your message after the tone. | 0:38:04 | 0:38:06 | |
TONE BEEPS | 0:38:06 | 0:38:07 | |
OK, we're getting close. | 0:38:36 | 0:38:38 | |
Stop! | 0:38:41 | 0:38:42 | |
Back up! | 0:38:42 | 0:38:44 | |
SHE WHIMPERS | 0:39:39 | 0:39:41 | |
Where is he? Where's Chris? | 0:39:53 | 0:39:55 | |
Do you want your kids to live? Adam and Jessica? | 0:39:55 | 0:39:58 | |
Then where is he? | 0:39:58 | 0:40:00 | |
We've come here to help you, Maggie, but we don't have much time. | 0:40:00 | 0:40:03 | |
PHONE BUZZES | 0:41:01 | 0:41:03 | |
RINGING TONE | 0:41:10 | 0:41:12 | |
PHONE BUZZES | 0:41:15 | 0:41:16 | |
Where are you? | 0:41:19 | 0:41:20 | |
Outside. | 0:41:21 | 0:41:22 | |
I'm out the front. | 0:41:29 | 0:41:30 | |
Come here. | 0:41:55 | 0:41:56 | |
Now. | 0:41:59 | 0:42:00 | |
Can I just say something? | 0:42:07 | 0:42:08 | |
I need to say it for me. | 0:42:09 | 0:42:11 | |
Please just let me say it. | 0:42:11 | 0:42:12 | |
I am... | 0:42:15 | 0:42:16 | |
I'm so sorry, Chris, I... | 0:42:16 | 0:42:19 | |
..and I know what I did to you. | 0:42:19 | 0:42:20 | |
I'm tru... I'm truly sorry. | 0:42:23 | 0:42:24 | |
You...you deserve better. | 0:42:25 | 0:42:28 | |
SLIGHT BANG | 0:42:32 | 0:42:33 | |
Chris! Chris! | 0:42:36 | 0:42:39 | |
Chris, what do I do? Please! | 0:42:39 | 0:42:42 | |
Please, tell me what to do. | 0:42:42 | 0:42:45 | |
Come here! | 0:42:45 | 0:42:47 | |
-WHISPERS: -Oh, no. | 0:42:55 | 0:42:57 | |
On your knees! | 0:43:05 | 0:43:06 | |
Oh, it's OK. They're asleep. | 0:43:10 | 0:43:12 | |
They're drugged. | 0:43:12 | 0:43:13 | |
-Shush! -Daddy! | 0:43:43 | 0:43:45 | |
-We're police. -Daddy! | 0:43:47 | 0:43:49 | |
Daddy! | 0:43:49 | 0:43:50 | |
Aggh! | 0:43:50 | 0:43:51 | |
Help! | 0:43:51 | 0:43:53 | |
Look at you, you prick! | 0:43:53 | 0:43:55 | |
You sad, sad wanker! | 0:43:55 | 0:43:58 | |
GUNSHOT | 0:44:02 | 0:44:03 | |
Take the kids, circle back to the car | 0:44:08 | 0:44:10 | |
but don't call it in until you're safe. | 0:44:10 | 0:44:12 | |
Just do it. | 0:44:12 | 0:44:14 | |
Come on. | 0:44:17 | 0:44:18 | |
Adam! Jessica! | 0:44:21 | 0:44:24 | |
-Are we lost? -No. Shush! -Where are you? | 0:44:24 | 0:44:26 | |
You need to be quiet now, really, really quiet. | 0:44:26 | 0:44:28 | |
You tell me where you are! Right now! | 0:44:28 | 0:44:31 | |
-Right now! -I want to go home. -It's OK. -I want my mummy. | 0:44:33 | 0:44:37 | |
-Adam, do you want to make me angry? -It's all right, shush. | 0:44:37 | 0:44:40 | |
Cos you're going to be in so much trouble, you and your sister! | 0:44:40 | 0:44:43 | |
I want my mummy. | 0:44:43 | 0:44:45 | |
-Adam? -Shush! | 0:44:48 | 0:44:50 | |
-WHISPERS: -OK, Jessica, you stay here. Hide here, OK? | 0:44:52 | 0:44:55 | |
I want you to be quiet, really, really quiet. | 0:44:55 | 0:44:58 | |
Don't make a sound, don't move. | 0:44:58 | 0:45:00 | |
CHRIS GROANS | 0:45:40 | 0:45:41 | |
Daddy! | 0:46:03 | 0:46:05 | |
Adam! Don't watch this! Don't watch! | 0:46:05 | 0:46:08 | |
Run away! Run away now! | 0:46:08 | 0:46:10 | |
-Adam, stay where you are! -Don't, Adam. Daddy's sick. | 0:46:10 | 0:46:13 | |
You go find Mummy, find Mummy, OK? | 0:46:13 | 0:46:15 | |
Adam! | 0:46:16 | 0:46:18 | |
GUN CLICKS | 0:46:23 | 0:46:24 | |
Adam! | 0:46:25 | 0:46:27 | |
You stay where you are! | 0:46:28 | 0:46:30 | |
Stay right there! I'm almost done here. | 0:46:31 | 0:46:36 | |
Don't make me come looking for you! | 0:46:39 | 0:46:41 | |
Oi! | 0:46:53 | 0:46:55 | |
Bell end! | 0:46:55 | 0:46:56 | |
You're killing him! | 0:47:08 | 0:47:10 | |
Charlie, his kid's watching, his kid's watching! | 0:47:13 | 0:47:16 | |
CHRIS COUGHS | 0:47:22 | 0:47:24 | |
-Mummy! -Jessica! | 0:47:50 | 0:47:52 | |
Oh, Jessica! | 0:47:53 | 0:47:55 | |
SHE KISSES THEM | 0:47:57 | 0:47:59 | |
You were right. | 0:48:00 | 0:48:02 | |
There'll be more like this when the news gets out - The Hard Sun thing. | 0:48:02 | 0:48:05 | |
Yeah. | 0:48:07 | 0:48:09 | |
You should talk to Simone. Tell her the truth. | 0:48:11 | 0:48:15 | |
Yeah? And what's that? | 0:48:17 | 0:48:19 | |
I don't know. Make something up. | 0:48:19 | 0:48:21 | |
Just talk to her. | 0:48:21 | 0:48:23 | |
Charlie! What are you doing here? What's happened? | 0:48:39 | 0:48:42 | |
I've been in the country. | 0:48:42 | 0:48:44 | |
I hate the country. | 0:48:45 | 0:48:46 | |
It smells and things live in it. | 0:48:46 | 0:48:48 | |
Look, I just want to say one thing, all right? | 0:48:51 | 0:48:54 | |
And then I'm going to go home, I'm going to have a shower | 0:48:54 | 0:48:57 | |
and play on the Xbox. | 0:48:57 | 0:48:58 | |
Yeah, I bought an Xbox, by the way. | 0:49:00 | 0:49:02 | |
OK. | 0:49:02 | 0:49:03 | |
Listen, what I've got to say, all right, | 0:49:04 | 0:49:07 | |
I'm not trying to be a caveman. | 0:49:07 | 0:49:08 | |
It's not a man and woman thing. | 0:49:08 | 0:49:10 | |
It's a love thing. | 0:49:12 | 0:49:13 | |
Does that make sense? | 0:49:15 | 0:49:16 | |
Simone, look at me. | 0:49:18 | 0:49:19 | |
You are safe, because I will protect you, no matter what. | 0:49:20 | 0:49:26 | |
You, Hailey, and the bump. | 0:49:27 | 0:49:30 | |
And as long as I draw breath, no-one will hurt you ever... | 0:49:32 | 0:49:38 | |
..and if they try... well, I'll kill them. | 0:49:40 | 0:49:44 | |
I need you to understand that. | 0:49:46 | 0:49:48 | |
OK. | 0:49:52 | 0:49:53 | |
So, when do I get to bring you home? | 0:49:55 | 0:49:57 | |
How about tomorrow morning... | 0:49:59 | 0:50:01 | |
..please? | 0:50:02 | 0:50:03 | |
Tomorrow sounds good. | 0:50:08 | 0:50:10 | |
PHONE RINGS | 0:50:24 | 0:50:25 | |
Boss? | 0:50:41 | 0:50:42 | |
Evening, Renko. | 0:50:42 | 0:50:43 | |
What do you want? | 0:50:45 | 0:50:46 | |
To make your life easier. | 0:50:46 | 0:50:47 | |
What's that supposed to mean? | 0:50:49 | 0:50:50 | |
You wanted evidence. I'm sending it through now. | 0:50:50 | 0:50:53 | |
PHONE BUZZES | 0:50:59 | 0:51:00 | |
Shit. | 0:51:04 | 0:51:05 | |
My god! | 0:51:12 | 0:51:13 | |
You've got him. | 0:51:16 | 0:51:17 | |
Mum, it's all it is, | 0:51:23 | 0:51:25 | |
I saw this thing on the news, | 0:51:25 | 0:51:28 | |
this...this thing about the sun. | 0:51:28 | 0:51:31 | |
And then, the next day or whatever, | 0:51:31 | 0:51:33 | |
people all over the TV were saying it was like a mistake or whatever. | 0:51:33 | 0:51:37 | |
And that makes sense, because... | 0:51:42 | 0:51:45 | |
..I've got this thing, in my head. | 0:51:50 | 0:51:54 | |
I look at their eyes when they say it's not true... | 0:51:56 | 0:51:59 | |
..and I think they're lying. | 0:52:02 | 0:52:03 | |
I've been thinking about it a lot, actually. | 0:52:05 | 0:52:09 | |
It's kind of been keeping me awake. | 0:52:09 | 0:52:12 | |
It's just like, why would they lie... | 0:52:13 | 0:52:18 | |
..you know? | 0:52:20 | 0:52:21 | |
But, yeah. | 0:52:27 | 0:52:28 | |
Guess you're at work or whatever, so... | 0:52:30 | 0:52:32 | |
..I'll speak later, yeah? | 0:52:35 | 0:52:36 | |
It's Daniel, by the way. | 0:52:39 | 0:52:42 | |
Bye. | 0:52:45 | 0:52:47 | |
Daniel? You've got a visitor. | 0:53:01 | 0:53:03 | |
It's not your mum. Sorry. | 0:53:06 | 0:53:09 | |
Daniel? | 0:53:10 | 0:53:11 | |
Such a pleasure to meet you. | 0:53:13 | 0:53:15 | |
I'm Jamie. I'm here to listen. | 0:53:25 | 0:53:28 | |
No-one is ever going to sing your favourite song ever again. | 0:53:28 | 0:53:31 | |
-I hurt someone - that's my confession. -Who did you hurt? | 0:53:31 | 0:53:36 | |
I shouldn't trust you cos you're a liar. | 0:53:36 | 0:53:39 | |
Keeping a secret is... it's quite stressful. | 0:53:39 | 0:53:42 | |
Forgive me, Charlie, for I have sinned. | 0:53:42 | 0:53:46 | |
We've got the same problem. | 0:53:46 | 0:53:47 | |
Elaine Renko. | 0:53:48 | 0:53:50 | |
Come on, Dennis... | 0:53:54 | 0:53:55 | |
..for the love of God. | 0:53:57 | 0:53:58 |