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This programme contains some violent scenes, some strong language | 0:00:02 | 0:00:06 | |
and scenes which some viewers may find disturbing | 0:00:06 | 0:00:09 | |
-How long have we got? -Five years. | 0:00:09 | 0:00:11 | |
-Bring me the drive. -Renko took it. It's gone. | 0:00:11 | 0:00:13 | |
They're killing everyone who's seen it. | 0:00:13 | 0:00:15 | |
Protect yourself, run the story. | 0:00:15 | 0:00:17 | |
MI5, they take the truth and fold it into whatever shape they want. | 0:00:17 | 0:00:20 | |
They turn a leak into a conspiracy theory. | 0:00:20 | 0:00:22 | |
Have you been watching the news? The Hard Sun. | 0:00:22 | 0:00:24 | |
You were right. There'll be more like this when the news gets out. | 0:00:24 | 0:00:27 | |
The deal is we keep your son out of prison, you bring us Charlie Hicks. | 0:00:27 | 0:00:30 | |
There's nothing to suggest that Hicks killed Butler. | 0:00:30 | 0:00:33 | |
Daniel? You've got a visitor. | 0:00:33 | 0:00:34 | |
Such a pleasure to meet you. | 0:00:34 | 0:00:36 | |
Hello. I'm Jamie. | 0:01:30 | 0:01:32 | |
I'm here to listen. | 0:01:32 | 0:01:34 | |
What's on your mind? | 0:01:39 | 0:01:41 | |
Why do you do this... | 0:01:41 | 0:01:43 | |
help strangers? | 0:01:43 | 0:01:45 | |
Do you think your goodness will save you... | 0:01:47 | 0:01:49 | |
..when the end comes? | 0:01:51 | 0:01:53 | |
Please don't hang up. | 0:01:58 | 0:02:00 | |
I'm not going anywhere. I'm here. | 0:02:00 | 0:02:03 | |
So here's how I understand the deal you've cut. | 0:02:12 | 0:02:15 | |
In exchange for a reduced sentence and witness protection, | 0:02:16 | 0:02:19 | |
you detail everything you've done for the Nicholson family. | 0:02:19 | 0:02:23 | |
Three nights ago, you coughed to killing an Armenian national | 0:02:24 | 0:02:27 | |
by the name of Alan Grigoryan. | 0:02:27 | 0:02:29 | |
Turns out, we didn't even know Mr Grigoryan was dead. | 0:02:32 | 0:02:35 | |
So, I'm going to need you to explain that. If you don't mind. | 0:02:35 | 0:02:38 | |
Sure. | 0:02:38 | 0:02:40 | |
Grigoryan came to London to discuss a new partnership. | 0:02:40 | 0:02:43 | |
The boss laid a party for him at his hotel. | 0:02:44 | 0:02:46 | |
-The boss being Terry Nicholson. -Of course. | 0:02:46 | 0:02:49 | |
Mr Nicholson sends a girl in to Grigoryan. The best one. | 0:02:49 | 0:02:52 | |
But the guy is an animal. He choked her. | 0:02:54 | 0:02:57 | |
Says it was a game that went a little bit too far. | 0:02:57 | 0:02:59 | |
But Mr Nicholson won't allow his girls to be treated like that. | 0:03:00 | 0:03:04 | |
So he orders me to sanction him. | 0:03:04 | 0:03:06 | |
So where's Grigoryan's body? | 0:03:06 | 0:03:08 | |
I put him through... | 0:03:08 | 0:03:10 | |
..hachoir industriel. | 0:03:13 | 0:03:15 | |
An industrial mincer. | 0:03:15 | 0:03:17 | |
Yeah. And then after that, I fed him to the dogs. | 0:03:17 | 0:03:20 | |
Nice touch. | 0:03:20 | 0:03:21 | |
Thank you. | 0:03:21 | 0:03:23 | |
And this is the dead woman? Petra Andrei? | 0:03:25 | 0:03:28 | |
That's her. | 0:03:28 | 0:03:30 | |
Just out of interest, do you know what happened to Miss Andrei's body? | 0:03:30 | 0:03:33 | |
It was found, I think. | 0:03:33 | 0:03:35 | |
It was found in the boot of a car | 0:03:35 | 0:03:37 | |
belonging to a man called Spencer Coleman. | 0:03:37 | 0:03:40 | |
Who was later found guilty of her murder. | 0:03:41 | 0:03:44 | |
So, what I'm wondering is how come a rival of the Nicholson family | 0:03:47 | 0:03:51 | |
is doing time for a murder that isn't down to him? | 0:03:51 | 0:03:53 | |
I have no idea. | 0:03:53 | 0:03:55 | |
Do you know these men? | 0:03:55 | 0:03:57 | |
-I don't know them. -I think you do. | 0:04:04 | 0:04:06 | |
I think Butler and Hicks were on the Nicholson family payroll. | 0:04:08 | 0:04:11 | |
I think you called them to sort out your mess. | 0:04:11 | 0:04:13 | |
I think they moved Petra Andrei's body | 0:04:13 | 0:04:16 | |
and placed it in the boot of Spencer Coleman's Jag. | 0:04:16 | 0:04:18 | |
I think Butler and Hicks fitted him up. | 0:04:20 | 0:04:22 | |
Are you sure there's nothing you want to tell me, Jean-Paul? | 0:04:25 | 0:04:28 | |
Or are you more afraid of DCI Hicks... | 0:04:29 | 0:04:31 | |
..than your old firm? | 0:04:33 | 0:04:35 | |
Oh, come on. | 0:05:24 | 0:05:26 | |
Will, what do you want? | 0:07:32 | 0:07:35 | |
Just to talk about it. There's no-one I can talk to. | 0:07:35 | 0:07:37 | |
-You know I lost my job, right? -Yeah. | 0:07:39 | 0:07:41 | |
But they've left you alone, right? | 0:07:44 | 0:07:47 | |
MI5? Yeah, they're not interested in me | 0:07:47 | 0:07:49 | |
and I've done all the damage I'm going to. | 0:07:49 | 0:07:51 | |
Still got the conspiracy nut-jobs crawling all over me though. | 0:07:51 | 0:07:54 | |
I'm basically in hiding from them. | 0:07:54 | 0:07:56 | |
Actually, I'm not... | 0:07:59 | 0:08:01 | |
I'm not dealing with it all that well. | 0:08:01 | 0:08:03 | |
I'm not dealing very well with knowing. | 0:08:03 | 0:08:06 | |
What do you think it is? Hard Sun? | 0:08:10 | 0:08:12 | |
-I don't know. -No, I mean is it a comet, an asteroid? | 0:08:14 | 0:08:17 | |
Or is it something to do with the Earth's magnetic field? | 0:08:17 | 0:08:20 | |
You need to spend less time on the internet. | 0:08:20 | 0:08:22 | |
I lost my job and my girlfriend. I have nothing to do but spend time on the internet! | 0:08:22 | 0:08:26 | |
Look, you'll get another job! | 0:08:26 | 0:08:27 | |
Yeah, and what will be the point in that, when we know what's coming? | 0:08:27 | 0:08:30 | |
Will, everyone dies! Cancer, measles, murder. | 0:08:30 | 0:08:34 | |
Worrying about what's going to happen in five years, it's just... | 0:08:34 | 0:08:38 | |
It's what? | 0:08:40 | 0:08:42 | |
It's narcissistic. | 0:08:44 | 0:08:46 | |
I'm not thinking about myself. | 0:08:48 | 0:08:50 | |
I'm thinking that in five years, this is all gone. | 0:08:50 | 0:08:54 | |
Shakespeare and the Sex Pistols and Mozart. | 0:08:54 | 0:08:57 | |
Twitter. Cary Grant. | 0:08:57 | 0:08:59 | |
The Tellytubbies. It's all gone. | 0:08:59 | 0:09:01 | |
No-one is ever going to sing your favourite song ever again. | 0:09:01 | 0:09:05 | |
And that doesn't worry you? | 0:09:05 | 0:09:07 | |
Not unduly. | 0:09:08 | 0:09:10 | |
Well, if you really believe that, | 0:09:11 | 0:09:13 | |
why not just neck a fistful of pills or jump off a bridge? | 0:09:13 | 0:09:17 | |
MOBILE PHONE BUZZES | 0:10:30 | 0:10:32 | |
Is that work? | 0:10:45 | 0:10:46 | |
Yeah, work. | 0:10:47 | 0:10:49 | |
-I'll make you some coffee. -No, you don't. | 0:10:50 | 0:10:53 | |
You stay right there. | 0:10:53 | 0:10:55 | |
Go back to sleep. | 0:10:57 | 0:10:59 | |
OK. | 0:11:00 | 0:11:01 | |
-Hey, don't forget... -I know, I know, 5.30. | 0:11:07 | 0:11:11 | |
-I'll be there. -OK. | 0:11:14 | 0:11:16 | |
Thom! | 0:12:04 | 0:12:05 | |
Welcome! | 0:12:09 | 0:12:11 | |
I thought you were still abroad working with refugees? | 0:12:13 | 0:12:16 | |
How was it? | 0:12:19 | 0:12:20 | |
Would you hear my confession, Dennis? | 0:12:22 | 0:12:24 | |
Victim's Jamie Unwin. 26. | 0:12:35 | 0:12:38 | |
Junior editor at a trade publishing house. | 0:12:38 | 0:12:41 | |
Lives in Putney. | 0:12:41 | 0:12:43 | |
-What, single, married? -Boyfriend. | 0:12:43 | 0:12:45 | |
Shares a house in Peckham with four others. | 0:12:45 | 0:12:48 | |
Apparently, he was home all night. | 0:12:48 | 0:12:50 | |
-All right. Time of death? -Sometime after 3.30am. | 0:12:50 | 0:12:54 | |
-Was she with anyone? -No, she was alone. | 0:12:55 | 0:12:58 | |
26-year-old woman, educated professional. | 0:12:58 | 0:13:00 | |
She's not out alone at half past three in the morning. | 0:13:00 | 0:13:03 | |
We don't have to assume the worst about people. Not every time. | 0:13:03 | 0:13:07 | |
I'm not assuming anything about anyone. | 0:13:07 | 0:13:09 | |
She was on her way home from pulling a shift. | 0:13:09 | 0:13:11 | |
-She volunteered on a suicide helpline. -Oh, Christ. Seriously? | 0:13:11 | 0:13:15 | |
How does God get up in the morning? | 0:13:15 | 0:13:17 | |
By not existing. Same as every other morning. | 0:13:17 | 0:13:20 | |
Actually, it's worse than it looks. | 0:13:20 | 0:13:22 | |
Her scooter is still outside the office. | 0:13:22 | 0:13:24 | |
-The engine had been tampered with. -What, so it was targeted? | 0:13:24 | 0:13:27 | |
He marched her half a mile at knife-point and no-one intervened. | 0:13:27 | 0:13:30 | |
Yeah, he chose his spot well. This is a big intersection. | 0:13:32 | 0:13:35 | |
Hundreds of cars passing by, even early in the morning. | 0:13:35 | 0:13:38 | |
When he left her there, she was still alive. | 0:13:38 | 0:13:40 | |
And all those people just drove past and then she died. | 0:13:40 | 0:13:43 | |
MOBILE PHONE BUZZES | 0:13:46 | 0:13:48 | |
Shit! I've got to go. | 0:13:50 | 0:13:53 | |
-It's my son. -Is he OK? -I don't know. I've got to go. | 0:13:54 | 0:13:58 | |
Her son? | 0:14:00 | 0:14:01 | |
-Do you read the Bible? -Of course. | 0:14:02 | 0:14:04 | |
I mean, read it. | 0:14:04 | 0:14:06 | |
-I'm not sure I follow. -The horror of it. | 0:14:08 | 0:14:11 | |
God commands Abraham to murder his child. | 0:14:12 | 0:14:15 | |
He commands the slaughter of 3,000 men for worshipping a Golden Calf. | 0:14:16 | 0:14:20 | |
He commands genocide in seven nations. | 0:14:20 | 0:14:24 | |
Genocide. | 0:14:25 | 0:14:26 | |
Well, there is a new covenant... | 0:14:28 | 0:14:30 | |
In which He demands the torture and murder of his own son. | 0:14:30 | 0:14:33 | |
Thom, I can hear that you're troubled. | 0:14:33 | 0:14:36 | |
I saw... | 0:14:37 | 0:14:39 | |
..families floating, face down. | 0:14:40 | 0:14:43 | |
Dozens of them. | 0:14:45 | 0:14:47 | |
Hundreds of them. | 0:14:49 | 0:14:51 | |
How many drowned babies have you held in your arms, Dennis? | 0:14:53 | 0:14:56 | |
Thom, I'm sorry. | 0:14:59 | 0:15:01 | |
Do you ever think that it might be a lie? | 0:15:03 | 0:15:06 | |
The God of murdered children and drowned babies? | 0:15:07 | 0:15:10 | |
God is the only thing I am certain of. | 0:15:11 | 0:15:15 | |
It's everything else that's a mystery. | 0:15:17 | 0:15:19 | |
I just wanted to know He's there. | 0:15:21 | 0:15:23 | |
Don't you think it's cruel? | 0:15:26 | 0:15:28 | |
To hide Himself from a man cradling a dead child? | 0:15:29 | 0:15:33 | |
He only had one son on Earth without sin, Thom. | 0:15:34 | 0:15:39 | |
But never one without suffering. | 0:15:39 | 0:15:41 | |
I hurt someone. | 0:15:52 | 0:15:54 | |
We all hurt people. | 0:15:55 | 0:15:57 | |
No. I... | 0:15:57 | 0:15:59 | |
..hurt...someone. | 0:16:01 | 0:16:03 | |
That's my confession. | 0:16:05 | 0:16:07 | |
Who did you hurt? | 0:16:11 | 0:16:12 | |
She was a young woman. A girl, really. | 0:16:15 | 0:16:19 | |
I wanted to see what He'd do. | 0:16:20 | 0:16:22 | |
She was so innocent. | 0:16:25 | 0:16:27 | |
So I wiped her from the face of the Earth. | 0:16:27 | 0:16:31 | |
Just to see what He'd do. | 0:16:33 | 0:16:35 | |
She was so frightened, Dennis. | 0:16:36 | 0:16:38 | |
But He did nothing. | 0:16:39 | 0:16:41 | |
All He had to do was show Himself or strike me down... | 0:16:45 | 0:16:49 | |
..and she'd be alive now. | 0:16:51 | 0:16:53 | |
Imagine it. | 0:16:54 | 0:16:56 | |
Imagine the vanity of that. | 0:16:57 | 0:16:59 | |
The cruelty of it. | 0:17:00 | 0:17:03 | |
Thom, you need help. | 0:17:03 | 0:17:05 | |
You need to see a doctor. | 0:17:06 | 0:17:09 | |
Let me come with you. | 0:17:10 | 0:17:12 | |
I can drive you. We can go now. | 0:17:12 | 0:17:14 | |
You can't break the vow of the confessional, can you? | 0:17:14 | 0:17:17 | |
I can't do that. Not under any circumstances. | 0:17:18 | 0:17:21 | |
So you have to live with it. | 0:17:21 | 0:17:23 | |
Knowing what I've done. | 0:17:23 | 0:17:26 | |
Thom, you're in pain. | 0:17:26 | 0:17:28 | |
But you don't want to hurt anyone. | 0:17:29 | 0:17:31 | |
If He's there... | 0:17:33 | 0:17:35 | |
..let Him stop me. | 0:17:37 | 0:17:39 | |
Thom, please! | 0:17:43 | 0:17:45 | |
Come on, Dennis. | 0:17:51 | 0:17:52 | |
For the love of God. | 0:17:52 | 0:17:54 | |
-RADIO: -Police are appealing for witnesses and information | 0:18:06 | 0:18:09 | |
after a young woman's body was discovered | 0:18:09 | 0:18:12 | |
by early morning commuters on Shepherds Bush Green | 0:18:12 | 0:18:14 | |
in West London today. | 0:18:14 | 0:18:16 | |
Detective Chief Superintendent Roland Bell | 0:18:16 | 0:18:18 | |
says a murder investigation has been launched. | 0:18:18 | 0:18:21 | |
-RADIO: -This harrowing crime occurred in a busy area of Central London, | 0:18:22 | 0:18:25 | |
so it's very likely there are potential witnesses | 0:18:25 | 0:18:28 | |
who might be able to help our investigation. | 0:18:28 | 0:18:30 | |
We are keen to hear from anyone who was in the area | 0:18:30 | 0:18:32 | |
between midnight and 7.00am. | 0:18:32 | 0:18:34 | |
All right, so where are we? | 0:18:34 | 0:18:36 | |
No reported stalkers, restraining orders. | 0:18:36 | 0:18:38 | |
She was a junior editor at a trade publishing house based out in Vauxhall. | 0:18:38 | 0:18:42 | |
Oh, yeah? Work on anything I'd know? | 0:18:42 | 0:18:44 | |
To be fair, that seems pretty unlikely. | 0:18:45 | 0:18:48 | |
Why? I read. | 0:18:48 | 0:18:50 | |
You CAN read. Different thing. | 0:18:50 | 0:18:52 | |
All right, all right. Let's just get to her place of work | 0:18:52 | 0:18:54 | |
and see if she rejected any, I don't know, obsessive would-be author. | 0:18:54 | 0:18:58 | |
-Officers are on their way. -All right. Good. | 0:18:58 | 0:19:01 | |
Yeah, we also need to trace whoever was calling her | 0:19:02 | 0:19:05 | |
at the help centre. | 0:19:05 | 0:19:07 | |
They're careful about anonymity, | 0:19:07 | 0:19:09 | |
so we need to be careful about the paperwork. | 0:19:09 | 0:19:11 | |
-All right, boss. -Yes, boss. -All right, let me know. | 0:19:11 | 0:19:14 | |
Excuse me. | 0:19:23 | 0:19:25 | |
-First of all, I'd like to say... -I don't care what you'd like. | 0:20:03 | 0:20:06 | |
Just tell me what happened. | 0:20:06 | 0:20:08 | |
She told the duty nurse she was from Social Services. | 0:20:12 | 0:20:15 | |
And the duty nurse didn't find that strange? | 0:20:15 | 0:20:18 | |
Her credentials panned out. | 0:20:19 | 0:20:21 | |
I need to see him. | 0:20:41 | 0:20:43 | |
Hey, Daniel. | 0:21:55 | 0:21:56 | |
Hello, Mum. | 0:21:58 | 0:22:00 | |
So, who is she then? That woman. | 0:22:01 | 0:22:04 | |
Someone who wanted to hurt me by hurting you. | 0:22:05 | 0:22:08 | |
Why? | 0:22:08 | 0:22:09 | |
I don't know, but I'll find out. | 0:22:11 | 0:22:12 | |
I'm pretty good at that. | 0:22:15 | 0:22:17 | |
Finding stuff out. | 0:22:17 | 0:22:19 | |
-What did she say? -She talked about you. | 0:22:21 | 0:22:24 | |
-Yeah, what about me? -How I shouldn't trust you. | 0:22:24 | 0:22:27 | |
-Why not? -Because you're a liar. | 0:22:29 | 0:22:31 | |
OK. So you need to listen to me now. She's the liar. | 0:22:31 | 0:22:35 | |
She was lying to you. | 0:22:35 | 0:22:36 | |
She said, when I was born, you probably wanted to love me. | 0:22:36 | 0:22:39 | |
But you couldn't cos of how I came to be. | 0:22:39 | 0:22:42 | |
-And that's... -That's what? | 0:22:43 | 0:22:45 | |
Why you hated me. | 0:22:47 | 0:22:49 | |
-Look, that is not true! -But you did give me away. | 0:22:49 | 0:22:52 | |
Yeah, but that's not because I didn't love you. | 0:22:52 | 0:22:55 | |
Did my dad rape you? | 0:22:59 | 0:23:01 | |
-Daniel... -Yeah, but did he? | 0:23:04 | 0:23:06 | |
Yes. | 0:23:12 | 0:23:13 | |
That's why you couldn't keep me, you looked at me and you thought of him? | 0:23:14 | 0:23:18 | |
All I ever saw was you. You were my baby. | 0:23:18 | 0:23:21 | |
Do you know where he is? | 0:23:21 | 0:23:23 | |
Yeah. | 0:23:27 | 0:23:29 | |
-Yeah. -So, why not tell me? | 0:23:29 | 0:23:30 | |
It's not because I'm scared of him or he means anything to me. | 0:23:30 | 0:23:34 | |
It's not that. | 0:23:34 | 0:23:35 | |
-It's the opposite of that. -Did he hurt you? | 0:23:37 | 0:23:40 | |
Yes. | 0:23:42 | 0:23:44 | |
-Do you hate him? -I used to. | 0:23:45 | 0:23:47 | |
-Because of what he did to you? -Yes. | 0:23:47 | 0:23:50 | |
Am I like him? | 0:23:50 | 0:23:51 | |
-No, you're... You're not like him. -But I hurt you too. | 0:23:52 | 0:23:55 | |
Yeah, but that was because you were ill. | 0:23:55 | 0:23:57 | |
-Not because you're like him. -What is Hard Sun? | 0:23:57 | 0:24:00 | |
I don't know. | 0:24:04 | 0:24:06 | |
You promised not to lie. | 0:24:06 | 0:24:08 | |
-I'm not lying... -Liar! | 0:24:08 | 0:24:10 | |
I am not lying. I will never lie to you, ever. | 0:24:10 | 0:24:12 | |
She showed me. | 0:24:12 | 0:24:14 | |
On her phone. | 0:24:15 | 0:24:17 | |
You're talking about it. Hard Sun. | 0:24:17 | 0:24:19 | |
About how everyone would know the truth | 0:24:19 | 0:24:22 | |
if anything bad happened to you. | 0:24:22 | 0:24:24 | |
So, what is it? What's the truth? | 0:24:24 | 0:24:27 | |
-Daniel... -What is Hard Sun? | 0:24:27 | 0:24:29 | |
I don't know. | 0:24:32 | 0:24:33 | |
It's OK. It's OK. It's OK. | 0:24:56 | 0:24:58 | |
Argh! | 0:24:58 | 0:25:00 | |
Daniel, no! Stop it! Put it down! | 0:25:05 | 0:25:08 | |
Put it down! Help! Help! | 0:25:08 | 0:25:11 | |
Help! | 0:25:12 | 0:25:14 | |
Sshhhhh, sshhhhh. | 0:25:34 | 0:25:37 | |
-ON PHONE: -Hello? -Thom? It's Dennis. | 0:26:02 | 0:26:04 | |
Have you told anyone? | 0:26:04 | 0:26:06 | |
Father Dennis, this is DCI Hicks. He's here to see you. | 0:26:06 | 0:26:09 | |
I'm, I'm sorry I have to go. Something important has come up. | 0:26:11 | 0:26:14 | |
More important than me? | 0:26:14 | 0:26:16 | |
No, I'll, erm... I'll call you back when I can. | 0:26:17 | 0:26:20 | |
-Phone trouble? -I'm sorry? | 0:26:25 | 0:26:28 | |
Two phones. | 0:26:29 | 0:26:31 | |
Ha. | 0:26:31 | 0:26:32 | |
No. Erm... Yes. | 0:26:33 | 0:26:35 | |
This one's due for the scrapheap. | 0:26:35 | 0:26:39 | |
Held together with Sellotape and good intentions. | 0:26:39 | 0:26:42 | |
I'm DCI Hicks. | 0:26:44 | 0:26:46 | |
-How can I help? -Well, I'm not sure really. | 0:26:48 | 0:26:50 | |
I just... Well, I just noticed you earlier at the crime scene. | 0:26:50 | 0:26:54 | |
You did. It's a terrible thing. | 0:26:54 | 0:26:57 | |
That something you do a lot, is it? Hang around murder scenes? | 0:26:57 | 0:27:01 | |
This is my parish. | 0:27:01 | 0:27:03 | |
I wanted to offer what help I could. | 0:27:05 | 0:27:08 | |
She was a young girl? | 0:27:09 | 0:27:11 | |
Hm, yeah, she was. She's not any more. | 0:27:11 | 0:27:14 | |
Father Chapman, is it? | 0:27:15 | 0:27:17 | |
Father Dennis. Just call me Dennis. | 0:27:17 | 0:27:20 | |
Oh, thank you, Dennis. I'm Charlie. | 0:27:20 | 0:27:22 | |
Listen, erm... Listen, please don't take offence here. | 0:27:23 | 0:27:26 | |
Even if I did, I'd be obliged to forgive you. | 0:27:27 | 0:27:31 | |
It's basically part of the job description. | 0:27:32 | 0:27:35 | |
Good one. | 0:27:35 | 0:27:36 | |
So, anyway, what I was going to say was, erm... | 0:27:36 | 0:27:39 | |
Keeping a secret, it's quite stressful. | 0:27:39 | 0:27:41 | |
You know, it wears you down. | 0:27:41 | 0:27:43 | |
You're always waiting for a knock at the door. | 0:27:43 | 0:27:45 | |
So people have this urge to confess. | 0:27:45 | 0:27:48 | |
Yeah, you can see it in their eyes. | 0:27:48 | 0:27:50 | |
-You must see the same sort of thing in your line of work. -I do. | 0:27:52 | 0:27:55 | |
I know that look very well. | 0:27:56 | 0:27:59 | |
Now, I could be wrong... | 0:28:01 | 0:28:02 | |
..but I can't help feeling like I'm looking at that right now. | 0:28:04 | 0:28:08 | |
Forgive me, Charlie, for I have sinned. | 0:28:10 | 0:28:14 | |
-Have you? -Who hasn't? | 0:28:14 | 0:28:17 | |
You didn't hear anything? | 0:28:19 | 0:28:20 | |
See anything you might want to tell me about? Nothing like that? | 0:28:20 | 0:28:24 | |
-No. -And there's nothing you might want to tell me? | 0:28:26 | 0:28:30 | |
Nothing you'd be interested in hearing. | 0:28:32 | 0:28:35 | |
Who were you talking to when I came in? | 0:28:39 | 0:28:42 | |
A transsexual dominatrix. | 0:28:42 | 0:28:44 | |
Right. | 0:28:46 | 0:28:47 | |
-May I? -You may not. | 0:28:54 | 0:28:56 | |
Get my own dominatrix, right? | 0:28:59 | 0:29:00 | |
I'm sure you know a few. | 0:29:02 | 0:29:03 | |
In your line of work. | 0:29:03 | 0:29:06 | |
Ah, so this is me. | 0:29:08 | 0:29:10 | |
If you ever need to contact me for any reason. | 0:29:10 | 0:29:13 | |
Thank you, Dennis. | 0:29:15 | 0:29:17 | |
-What do you want? -ON PHONE: -Thom, we must meet. | 0:29:46 | 0:29:49 | |
Just tell me where. I'll come alone. | 0:29:50 | 0:29:52 | |
Mishal, can you see if you can scare up any link between the victim | 0:29:55 | 0:29:59 | |
and the priest at St Mary of the Angels on Salcott Road? | 0:29:59 | 0:30:02 | |
Yeah, bloke called Dennis Chapman. | 0:30:02 | 0:30:04 | |
-You call me when you know anything, all right? -All right, boss. What's up? | 0:30:04 | 0:30:08 | |
I don't know. He seems wrong. Listen, I've got to shoot. | 0:30:08 | 0:30:12 | |
Mishal, I need urgent assistance. | 0:31:13 | 0:31:16 | |
On its way. What's happening? | 0:31:17 | 0:31:20 | |
I think the priest is walking into trouble. | 0:31:20 | 0:31:23 | |
How long are we talking? | 0:31:23 | 0:31:25 | |
17 minutes out. | 0:31:25 | 0:31:27 | |
Shit! | 0:31:27 | 0:31:28 | |
All right, well, hurry them up. | 0:31:28 | 0:31:30 | |
Did you bring the police? | 0:32:53 | 0:32:55 | |
I can't bring anyone. | 0:32:58 | 0:33:00 | |
I'm alone. | 0:33:02 | 0:33:04 | |
You made me alone. | 0:33:05 | 0:33:07 | |
Why are you here, Dennis? | 0:33:09 | 0:33:11 | |
-Have you read the story of Job? -Of course. | 0:33:13 | 0:33:16 | |
I mean, really read it? | 0:33:17 | 0:33:19 | |
Because when it comes to punishing the wicked and rewarding the just, | 0:33:21 | 0:33:25 | |
it disagrees with every other book in the Bible. | 0:33:25 | 0:33:28 | |
Job loses everything. | 0:33:29 | 0:33:31 | |
Not despite the fact that he's a good man, | 0:33:33 | 0:33:35 | |
because he's a good man. | 0:33:35 | 0:33:37 | |
His children die at the whim of the God of drowned babies. | 0:33:38 | 0:33:42 | |
"I cry out aloud but there is no judgment," he says. | 0:33:43 | 0:33:50 | |
And at the end of it... | 0:33:51 | 0:33:53 | |
..at the end of this cry of absolute desolation from God's silence... | 0:33:54 | 0:34:00 | |
..God speaks. | 0:34:02 | 0:34:04 | |
"Where were you when I founded the Earth?" he says. | 0:34:05 | 0:34:10 | |
"When the morning stars sang together | 0:34:11 | 0:34:14 | |
"and all the sons of God shouted for joy?" | 0:34:14 | 0:34:17 | |
So Job gets his answer, Thom. | 0:34:20 | 0:34:24 | |
And the answer is... | 0:34:24 | 0:34:26 | |
..who the hell do you think you are? | 0:34:29 | 0:34:34 | |
So stop this. | 0:34:36 | 0:34:38 | |
Put down that fucking knife, get on your knees | 0:34:38 | 0:34:41 | |
and for God's sake let me help you! | 0:34:41 | 0:34:44 | |
Shit. | 0:34:54 | 0:34:55 | |
Police! That's enough! | 0:34:55 | 0:34:57 | |
Now, you listen to me. | 0:35:03 | 0:35:05 | |
Armed assistance is on the way, so put the knife down. | 0:35:05 | 0:35:08 | |
Step aside. | 0:35:09 | 0:35:11 | |
Put...the knife...down. | 0:35:11 | 0:35:15 | |
DENNIS GASPS FOR BREATH | 0:35:22 | 0:35:24 | |
Stay calm! Do you understand me? Stay calm! | 0:35:36 | 0:35:39 | |
Yargh! | 0:35:41 | 0:35:42 | |
Hold on, Dennis! | 0:35:48 | 0:35:50 | |
Almost! Stay still! Stay still! | 0:36:00 | 0:36:03 | |
DENNIS GASPS FOR BREATH | 0:36:06 | 0:36:10 | |
N-o-o-o-o! Oh! | 0:36:18 | 0:36:20 | |
Shit! | 0:36:26 | 0:36:28 | |
The man we'd like to speak to | 0:36:28 | 0:36:29 | |
in connection with the death of Jamie Unwin | 0:36:29 | 0:36:31 | |
may have some connection to St Mary of the Angels | 0:36:31 | 0:36:34 | |
on Salcott Road, London. | 0:36:34 | 0:36:36 | |
We're asking for any members of the congregation | 0:36:36 | 0:36:39 | |
at St Mary's to please come forward. | 0:36:39 | 0:36:41 | |
If you think you recognise this man, a helpline has been established. | 0:36:41 | 0:36:46 | |
All calls will be treated with confidentiality. | 0:36:46 | 0:36:49 | |
How's Daniel? | 0:36:56 | 0:36:58 | |
He'll live. | 0:36:58 | 0:36:59 | |
Look, is this her? | 0:37:02 | 0:37:05 | |
She got to Daniel. | 0:37:08 | 0:37:10 | |
Oh, Jesus! | 0:37:10 | 0:37:13 | |
Yeah. Yeah, yeah, that's her. | 0:37:13 | 0:37:15 | |
She's been, er... | 0:37:18 | 0:37:19 | |
..she's been putting pressure on Alex Butler's wife. | 0:37:21 | 0:37:23 | |
Mari Butler? Why her? | 0:37:23 | 0:37:25 | |
Come on, Elaine. Look, we're past all that. | 0:37:25 | 0:37:28 | |
I know what you think. | 0:37:29 | 0:37:31 | |
Yeah? And what's that? | 0:37:31 | 0:37:32 | |
That I had something to do with it. | 0:37:34 | 0:37:36 | |
The way Alex died. | 0:37:36 | 0:37:38 | |
I never said I thought that. | 0:37:38 | 0:37:39 | |
Yeah, well, you don't have to. | 0:37:39 | 0:37:42 | |
Now, I'm telling you now, | 0:37:42 | 0:37:44 | |
straight up. I loved him. | 0:37:44 | 0:37:47 | |
All right? I loved him. | 0:37:47 | 0:37:50 | |
And as far as I'm concerned, his family are my family. | 0:37:50 | 0:37:55 | |
And Keith's family and Mishal's and Herbie's and George's. | 0:37:55 | 0:37:58 | |
Just like Daniel would be our family... | 0:37:58 | 0:38:02 | |
..if anything was to happen to you. | 0:38:04 | 0:38:06 | |
OK? | 0:38:08 | 0:38:10 | |
Look, she's probing our weak spots, looking for a way in. | 0:38:10 | 0:38:12 | |
And she'll keep doing it until she's found a way to take us down. | 0:38:12 | 0:38:16 | |
-Well, what do we do? -Kill her. | 0:38:17 | 0:38:20 | |
Huh! Look, she's Security Services. | 0:38:20 | 0:38:24 | |
We don't even know her name! | 0:38:25 | 0:38:27 | |
All right, look, are we joking here or not? | 0:38:29 | 0:38:31 | |
No, we're not joking. What happens next, Charlie? | 0:38:31 | 0:38:34 | |
To Simone? Hailey? The baby? | 0:38:34 | 0:38:35 | |
Oh, come on, give me a break. That'd be entrapment. | 0:38:44 | 0:38:46 | |
Yeah, wouldn't it? | 0:38:46 | 0:38:48 | |
You need psychiatric help. | 0:38:49 | 0:38:50 | |
DOOR CLOSES | 0:38:57 | 0:38:59 | |
MACHINES BEEP | 0:39:02 | 0:39:03 | |
Heart rate's 152. | 0:39:03 | 0:39:06 | |
Is that normal? | 0:39:06 | 0:39:07 | |
It's perfect, yes. | 0:39:09 | 0:39:11 | |
All right, good. | 0:39:12 | 0:39:13 | |
Good. Brilliant. | 0:39:13 | 0:39:15 | |
Oooh. | 0:39:15 | 0:39:18 | |
She's got her head down already. | 0:39:18 | 0:39:20 | |
Oh, that's funny, because I felt her kicking up here this morning. | 0:39:20 | 0:39:23 | |
You've got a happy baby. | 0:39:23 | 0:39:25 | |
Very busy. | 0:39:25 | 0:39:27 | |
Has she got a name yet? | 0:39:28 | 0:39:30 | |
Not yet. It's a bone of contention. | 0:39:30 | 0:39:33 | |
I don't mind what she's called. | 0:39:34 | 0:39:36 | |
No, but your mum does. | 0:39:36 | 0:39:37 | |
Yeah, well, that is true. | 0:39:37 | 0:39:39 | |
How big is she right now? | 0:39:41 | 0:39:43 | |
About the size of a banana. | 0:39:43 | 0:39:45 | |
Wicked. She looks massive, though. | 0:39:46 | 0:39:49 | |
Aw, look at her! | 0:39:49 | 0:39:51 | |
She's so happy to see you. | 0:39:52 | 0:39:55 | |
Her sister, her daddy. | 0:39:55 | 0:39:57 | |
SIMONE EXHALES | 0:39:59 | 0:40:01 | |
Wave, baby. | 0:40:02 | 0:40:04 | |
-Are you all right, Dad? -Yeah. | 0:40:08 | 0:40:10 | |
Yeah, I'm good. | 0:40:13 | 0:40:15 | |
Yeah, what do you think of your baby sister? | 0:40:15 | 0:40:17 | |
-Pretty mint. -Mm? | 0:40:17 | 0:40:19 | |
Except she definitely gets the small room, though. | 0:40:19 | 0:40:22 | |
-THEY CHUCKLE -Yeah? | 0:40:22 | 0:40:24 | |
Yeah. | 0:40:24 | 0:40:26 | |
HUBBUB | 0:40:39 | 0:40:41 | |
# Dies irae, dies illa | 0:40:56 | 0:41:00 | |
# Solvet saeclum in favilla | 0:41:00 | 0:41:06 | |
# Teste David cum Sibylla | 0:41:06 | 0:41:12 | |
# Quantus tremor est futurus | 0:41:12 | 0:41:17 | |
# Quando Judex est venturus | 0:41:17 | 0:41:22 | |
# Cuncta stricte discussurus. # | 0:41:22 | 0:41:29 | |
Will somebody help me? | 0:41:29 | 0:41:30 | |
No-one? | 0:41:39 | 0:41:41 | |
PANICKED CHATTER | 0:41:47 | 0:41:49 | |
Not one of you? | 0:41:49 | 0:41:51 | |
Open the door! Can you open the door?! Can you open the door?! | 0:41:51 | 0:41:55 | |
PANICKED SHOUTS | 0:41:55 | 0:41:57 | |
My wounds fester and stink because of foolish sins! | 0:42:00 | 0:42:04 | |
HE SOBS | 0:42:07 | 0:42:08 | |
Sir, please! | 0:42:10 | 0:42:12 | |
Don't do that to yourself. | 0:42:14 | 0:42:16 | |
Let me help you. | 0:42:16 | 0:42:18 | |
Please. | 0:42:20 | 0:42:22 | |
Allow me. | 0:42:24 | 0:42:25 | |
Give me the knife. | 0:42:28 | 0:42:29 | |
Thank you. | 0:42:34 | 0:42:36 | |
Thank you. | 0:42:36 | 0:42:38 | |
Thank you. | 0:42:41 | 0:42:43 | |
SCREAMING | 0:42:46 | 0:42:49 | |
INDISTINCT POLICE RADIO | 0:42:56 | 0:42:58 | |
-It's definitely the same bloke? -Pretty sure. | 0:43:05 | 0:43:07 | |
Had it away on his toes. | 0:43:07 | 0:43:09 | |
And the victim's random this time? | 0:43:13 | 0:43:15 | |
Not so much random as self-selecting. | 0:43:15 | 0:43:18 | |
Another Good Samaritan. | 0:43:18 | 0:43:20 | |
I found the pay as you go. The Vicar of Dibley's ditched the SIM card. | 0:43:26 | 0:43:30 | |
Oi, show a bit of respect. | 0:43:30 | 0:43:32 | |
Respect, my eye! It's all kids' stories, innit? | 0:43:32 | 0:43:35 | |
-What is? -God and such. | 0:43:35 | 0:43:37 | |
Well, if it's not, I know which one of us | 0:43:38 | 0:43:40 | |
is in big trouble with the management. | 0:43:40 | 0:43:42 | |
Yeah, but if it comes to that, you're my mate. | 0:43:44 | 0:43:46 | |
You'd have a word, see if you can get me in, right? | 0:43:46 | 0:43:48 | |
I'll try, but I'm not promising anything. | 0:43:48 | 0:43:51 | |
How much longer am I going to be kept here? | 0:43:53 | 0:43:55 | |
Well, you can go whenever you like. | 0:43:57 | 0:43:58 | |
Because the doctor did advise that I should rest. | 0:44:00 | 0:44:03 | |
Right. | 0:44:04 | 0:44:06 | |
Look, can you just do me a favour before you go? | 0:44:06 | 0:44:09 | |
Explain the rules of the confessional to me. | 0:44:09 | 0:44:12 | |
I hardly think this is the time or the place. | 0:44:13 | 0:44:15 | |
Apparently, it is not permitted for a confessor | 0:44:15 | 0:44:20 | |
in any way to betray a penitent | 0:44:20 | 0:44:22 | |
by word or in any other manner or for any reason. | 0:44:22 | 0:44:24 | |
By word or in any other manner or for any reason. | 0:44:27 | 0:44:31 | |
So, is what I'm... Is this what I'm looking at here, Dennis? | 0:44:31 | 0:44:34 | |
I mean, how else do you explain it? | 0:44:34 | 0:44:36 | |
Here he is fresh from the kill. | 0:44:38 | 0:44:39 | |
And here he is again, 20 minutes later. | 0:44:41 | 0:44:45 | |
And then a few hours after that, here's you, going to meet him. | 0:44:45 | 0:44:49 | |
Get yourself strangled. | 0:44:49 | 0:44:51 | |
Look, all we need is a name, Dennis. | 0:44:51 | 0:44:54 | |
Just a name. | 0:44:54 | 0:44:56 | |
I can't do that. | 0:45:01 | 0:45:04 | |
All right, I'll tell you what, how about we give you some names instead, hm? | 0:45:04 | 0:45:07 | |
This is Jamie Unwin. | 0:45:11 | 0:45:14 | |
This time last night, she was thinking about pulling a voluntary shift | 0:45:14 | 0:45:17 | |
at a helpline dedicated to help desperate people | 0:45:17 | 0:45:20 | |
with no-one else to turn to. | 0:45:20 | 0:45:22 | |
This is Toby Olewaio. | 0:45:22 | 0:45:25 | |
This is the watch Toby Olewaio's father left him. | 0:45:31 | 0:45:34 | |
It's a good watch. It's still ticking. | 0:45:34 | 0:45:36 | |
It is a good watch. | 0:45:38 | 0:45:41 | |
Now, if Ms Unwin and Mr Olewaio | 0:45:41 | 0:45:43 | |
hadn't tried to do the right thing | 0:45:43 | 0:45:45 | |
or the Christian thing, you might say... | 0:45:45 | 0:45:47 | |
..well, they'd still be with us. | 0:45:48 | 0:45:51 | |
You see, this killer, he's on a spree. | 0:45:51 | 0:45:54 | |
He's not going to stop until we stop him. You understand that? | 0:45:54 | 0:45:58 | |
Now, you can help us. | 0:45:58 | 0:46:00 | |
Just two words, we can stop him, like that. | 0:46:00 | 0:46:03 | |
I'm sorry...I can't help you. | 0:46:16 | 0:46:20 | |
Now, let's be absolutely clear about this, Dennis, | 0:46:20 | 0:46:22 | |
unless you give us a name, more people are going to die. | 0:46:22 | 0:46:26 | |
You might as well kill them yourself. | 0:46:26 | 0:46:28 | |
That can't be right, can it? | 0:46:28 | 0:46:30 | |
I mean, that can't be the Christian thing to do. | 0:46:30 | 0:46:34 | |
Can it? | 0:46:36 | 0:46:38 | |
Are we any closer to a name? | 0:46:46 | 0:46:48 | |
We've had about 50 churchgoers come through, | 0:46:48 | 0:46:51 | |
no-one seems to recognise him. | 0:46:51 | 0:46:53 | |
Father Dennis has been at St Mary's for years, | 0:46:54 | 0:46:56 | |
but we're looking at previous postings. | 0:46:56 | 0:46:58 | |
So far, he's not just clean, he's minty-fresh. | 0:46:58 | 0:47:01 | |
Right. So, why this bloke? I mean, why this priest? | 0:47:02 | 0:47:04 | |
It can't just be random. | 0:47:04 | 0:47:06 | |
Unless it is. I mean, he's not right, is he? | 0:47:06 | 0:47:10 | |
Could just be a psychiatric case, randomly fixating. | 0:47:11 | 0:47:14 | |
No. | 0:47:15 | 0:47:17 | |
No, he knows him. | 0:47:17 | 0:47:19 | |
How was Simone? | 0:47:24 | 0:47:26 | |
Yeah, she's glowing. | 0:47:29 | 0:47:30 | |
Do you think he's ever going to crack? | 0:47:42 | 0:47:44 | |
If you give me a penknife and five minutes alone with him. | 0:47:44 | 0:47:47 | |
Listen, er...have you got a minute? | 0:47:49 | 0:47:52 | |
Yeah. | 0:47:54 | 0:47:56 | |
So, why are we here? | 0:48:00 | 0:48:01 | |
Are you about to give me a verbal warning for threatening to kill a government employee? | 0:48:03 | 0:48:07 | |
Look, the, er...the reason that I...that I nipped off earlier... | 0:48:12 | 0:48:17 | |
It's Simone's 20-week scan. | 0:48:20 | 0:48:22 | |
That's my baby girl. | 0:48:23 | 0:48:25 | |
People say it to you all the time, but, you know, it's just not until... | 0:48:27 | 0:48:30 | |
Well, until it happens to you that you realise... | 0:48:30 | 0:48:32 | |
Well, you realise it's a miracle. | 0:48:35 | 0:48:36 | |
Now, all this thing you're going through with Daniel...it's horrible. | 0:48:39 | 0:48:44 | |
You know, you want to protect him and, | 0:48:44 | 0:48:47 | |
and you do whatever you can, I get...I get that. | 0:48:47 | 0:48:49 | |
You and I, we...we don't trust each other and we both know why. | 0:48:52 | 0:48:56 | |
But the truth is is that none of it matters. | 0:48:58 | 0:49:00 | |
Because what matters is...is what's coming. | 0:49:02 | 0:49:05 | |
And how we look after the people that we love. | 0:49:07 | 0:49:10 | |
So this is me...trusting you. | 0:49:10 | 0:49:14 | |
TEARFUL: Don't take me away from my family, Elaine. | 0:49:21 | 0:49:23 | |
Please. Not now. | 0:49:25 | 0:49:27 | |
Not with what's coming. | 0:49:29 | 0:49:31 | |
They need me. | 0:49:33 | 0:49:35 | |
Please. | 0:49:37 | 0:49:39 | |
All right, then. | 0:50:06 | 0:50:08 | |
Spencer Coleman. | 0:50:08 | 0:50:09 | |
Head of the Wandsworth Firm. | 0:50:12 | 0:50:13 | |
So? | 0:50:15 | 0:50:17 | |
Are you familiar with the names Butler and Hicks? | 0:50:17 | 0:50:20 | |
Of course I am. | 0:50:20 | 0:50:22 | |
DCI Hicks arrested you for the murder of Petra Andrei. | 0:50:22 | 0:50:25 | |
Yeah. | 0:50:25 | 0:50:26 | |
Except I didn't do it. | 0:50:26 | 0:50:29 | |
Well, so you say. | 0:50:29 | 0:50:30 | |
But here you are. | 0:50:30 | 0:50:32 | |
To be fair, there's not much I haven't done. | 0:50:32 | 0:50:35 | |
But I didn't do that. | 0:50:35 | 0:50:37 | |
He fitted me up. | 0:50:37 | 0:50:39 | |
Why would he do that? | 0:50:39 | 0:50:41 | |
Because Butler and Hicks are on the Nicholson family payroll, right? | 0:50:43 | 0:50:46 | |
It's a sweet way to take down a rival, don't you think? | 0:50:48 | 0:50:51 | |
Plus, they had a massive hard-on for you. | 0:50:51 | 0:50:53 | |
Not because you were a scary old gangster, | 0:50:55 | 0:50:58 | |
but because you liked to knock women around. | 0:50:58 | 0:51:00 | |
But no charges ever stuck, did they? | 0:51:00 | 0:51:03 | |
Because you paid your victims off or you scared them off or whatever. | 0:51:03 | 0:51:06 | |
Why do you like to knock women around, Spencer? | 0:51:09 | 0:51:11 | |
Is that what it takes? | 0:51:13 | 0:51:15 | |
Is THAT what it takes | 0:51:16 | 0:51:19 | |
to get a man like you hard? | 0:51:19 | 0:51:21 | |
Yargh! | 0:51:27 | 0:51:29 | |
Wrong woman, Porky! | 0:51:29 | 0:51:31 | |
Butler was a dick. | 0:51:31 | 0:51:33 | |
But he was decent enough as far as coppers go. | 0:51:33 | 0:51:35 | |
He wanted nothing to do with fitting me up. | 0:51:35 | 0:51:39 | |
He came to me and told me what Hicks was planning. | 0:51:39 | 0:51:41 | |
And what happened? | 0:51:41 | 0:51:43 | |
Butler said he'd speak to him. | 0:51:43 | 0:51:46 | |
Give him a chance to pull back from the edge. | 0:51:46 | 0:51:48 | |
And if Hicks refused? | 0:51:48 | 0:51:50 | |
Butler was going to grass. | 0:51:50 | 0:51:51 | |
So, what happened? | 0:51:51 | 0:51:53 | |
I don't know. That was the last time I saw him. | 0:51:54 | 0:51:57 | |
Luckily for Hicks, a couple of days later, | 0:51:59 | 0:52:01 | |
Butler was found floating face down in the canal. | 0:52:01 | 0:52:04 | |
HE LAUGHS | 0:52:05 | 0:52:08 | |
PHONE VIBRATES | 0:52:22 | 0:52:24 | |
-You spoke to Coleman? -Yeah. -And? | 0:52:28 | 0:52:30 | |
It's bullshit. | 0:52:33 | 0:52:35 | |
A villain's fairy story. There's nothing in it. | 0:52:35 | 0:52:38 | |
Nah, that doesn't add up. | 0:52:38 | 0:52:41 | |
Look, I've turned over every rock. | 0:52:41 | 0:52:43 | |
There's no evidence that Hicks killed Butler. | 0:52:43 | 0:52:45 | |
And which Elaine is this, hm? | 0:52:47 | 0:52:50 | |
My investigator or Hicks' loyal right-hand man? | 0:52:50 | 0:52:53 | |
I'm sorry, sir, but there's no evidence that Hicks killed Butler. | 0:52:53 | 0:52:57 | |
He didn't do it. He just didn't. | 0:52:59 | 0:53:01 | |
He's innocent. | 0:53:01 | 0:53:03 | |
Innocent? | 0:53:03 | 0:53:04 | |
Why do I get the feeling you don't believe that, DI Renko? | 0:53:04 | 0:53:08 | |
No, no, no, no, no. | 0:53:22 | 0:53:24 | |
No, this is my home. You can't be here. | 0:53:24 | 0:53:27 | |
-What do you want? -The same thing you want. | 0:53:29 | 0:53:31 | |
I don't think so. | 0:53:32 | 0:53:34 | |
We've got the same problem. | 0:53:34 | 0:53:36 | |
Yeah? And what problem is that? | 0:53:36 | 0:53:38 | |
Elaine Renko. | 0:53:38 | 0:53:40 | |
She's not a problem to me. | 0:53:40 | 0:53:42 | |
-ELAINE: -Are you familiar with the names Butler and Hicks? | 0:53:46 | 0:53:49 | |
Of course I am. | 0:53:49 | 0:53:51 | |
DCI Hicks arrested you for the murder of Petra Andrei. | 0:53:51 | 0:53:54 | |
Yeah. Except I didn't do it. | 0:53:54 | 0:53:57 | |
When was this? | 0:53:57 | 0:53:58 | |
Tonight. | 0:54:00 | 0:54:01 | |
You can't really blame her, she's just looking after her own. | 0:54:04 | 0:54:07 | |
They cut her a deal. | 0:54:07 | 0:54:09 | |
If she can bring you down, then her child stays out of prison. | 0:54:10 | 0:54:13 | |
But if you go to prison for killing Alex Butler... | 0:54:15 | 0:54:18 | |
..then your family will have to face what's coming without you. | 0:54:20 | 0:54:24 | |
Yeah, and what is that? | 0:54:24 | 0:54:26 | |
What is it? What is Hard Sun? | 0:54:26 | 0:54:28 | |
The end. | 0:54:31 | 0:54:33 | |
And do you want your loved ones to face it alone | 0:54:37 | 0:54:39 | |
just because Elaine Renko wants to bring you down | 0:54:39 | 0:54:41 | |
for something that doesn't even matter any more? | 0:54:41 | 0:54:44 | |
All right. What are you asking? | 0:54:48 | 0:54:49 | |
My name is Elaine Renko... | 0:54:54 | 0:54:55 | |
She copied this. | 0:54:55 | 0:54:57 | |
Maybe to the darknet, maybe to a flash drive | 0:54:57 | 0:54:59 | |
she dead-dropped somewhere. | 0:54:59 | 0:55:01 | |
Either way, she told someone where it is and what to do with it. | 0:55:01 | 0:55:04 | |
Someone she can trust. But I don't know who that is. | 0:55:04 | 0:55:07 | |
I mean, who is it? | 0:55:08 | 0:55:10 | |
I tried the son. He knows nothing. | 0:55:10 | 0:55:13 | |
As far as I know, there's no-one else in her life. | 0:55:15 | 0:55:18 | |
She saved my life with this. | 0:55:18 | 0:55:20 | |
That was then, this is now. | 0:55:20 | 0:55:22 | |
If you can find out what she's done with this file, | 0:55:22 | 0:55:25 | |
then she's not in play, which means she's not in your life any more. | 0:55:25 | 0:55:29 | |
And what happens to her? | 0:55:33 | 0:55:35 | |
Do you care? | 0:55:38 | 0:55:40 | |
Really? | 0:55:43 | 0:55:44 | |
I need protection for my family. | 0:55:49 | 0:55:51 | |
I want them kept safe for as long as possible. | 0:55:51 | 0:55:54 | |
-I mean... -I know what you mean. | 0:55:57 | 0:55:59 | |
All right, if you can give me that... | 0:56:04 | 0:56:06 | |
..then I'll give you whatever you want. | 0:56:10 | 0:56:12 | |
-REPORTER: -Midnight in west London. | 0:56:30 | 0:56:32 | |
As police search for an unknown killer, | 0:56:32 | 0:56:34 | |
grieving loved ones, family, friends and a community shocked to its core | 0:56:34 | 0:56:38 | |
have gathered in spontaneous tribute to Jamie Unwin, | 0:56:38 | 0:56:41 | |
a young woman taken in an act of inexplicable violence. | 0:56:41 | 0:56:44 | |
Now, just a few hours ago, | 0:56:44 | 0:56:46 | |
an estimated 300 people stood here. | 0:56:46 | 0:56:49 | |
Some singing, some praying... | 0:56:49 | 0:56:51 | |
Keep filming, or he dies. | 0:56:52 | 0:56:54 | |
The Hard Sun is coming and I am its messenger. | 0:56:54 | 0:56:58 | |
No-one's going to be protecting you. | 0:57:05 | 0:57:06 | |
No-one will be watching you. | 0:57:06 | 0:57:08 | |
You are completely alone. | 0:57:08 | 0:57:10 | |
If all she's got is enemies, which enemy can she trust the most? | 0:57:10 | 0:57:14 | |
What are you doing? | 0:57:14 | 0:57:16 | |
You will never step away from this? | 0:57:16 | 0:57:18 | |
Absolutely not. | 0:57:18 | 0:57:20 | |
Can you hear him? Because I can. | 0:57:20 | 0:57:22 | |
Where will you be? | 0:57:22 | 0:57:24 | |
Probably best you don't know. | 0:57:24 | 0:57:26 | |
Excuse me, sir, do you have a second? | 0:57:28 | 0:57:30 | |
Absolutely. | 0:57:32 | 0:57:33 | |
It's me. | 0:57:37 | 0:57:38 | |
I've got something for you. | 0:57:38 | 0:57:40 |