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Now how long does it say we've got?!
Five years. | 0:00:03 | 0:00:04 | |
Bring me the flash drive.
I haven't got it. | 0:00:04 | 0:00:06 | |
Renko took it. It's gone. | 0:00:06 | 0:00:08 | |
They cut her a deal. | 0:00:08 | 0:00:09 | |
If she can bring you down,
then her child stays out of prison. | 0:00:09 | 0:00:12 | |
So, what is taking so long? | 0:00:12 | 0:00:13 | |
There's nothing to suggest
that Hicks killed Butler. | 0:00:13 | 0:00:15 | |
He's sleeping with the man's wife. | 0:00:15 | 0:00:17 | |
I know we've never spoken about it,
because we can't, | 0:00:17 | 0:00:19 | |
but I do know what you did for us. | 0:00:19 | 0:00:21 | |
Tell me where it is, | 0:00:21 | 0:00:22 | |
or I'll have to let Daniel
pass away. | 0:00:22 | 0:00:25 | |
Now, I don't care who you are. | 0:00:25 | 0:00:27 | |
You don't get to kill children. | 0:00:27 | 0:00:29 | |
There's no evidence
that Hicks killed Butler. | 0:00:29 | 0:00:31 | |
He's innocent. | 0:00:31 | 0:00:32 | |
Which Elaine is this? | 0:00:32 | 0:00:34 | |
My investigator,
or Hicks' loyal right hand man? | 0:00:34 | 0:00:37 | |
Elaine, I...I thought you knew. | 0:00:37 | 0:00:39 | |
Knew what, Charlie? | 0:00:39 | 0:00:40 | |
It was me. | 0:00:40 | 0:00:42 | |
I killed him. | 0:00:42 | 0:00:43 | |
It's not true! | 0:01:06 | 0:01:07 | |
It's not! | 0:01:07 | 0:01:09 | |
I saw you, Alex! | 0:01:09 | 0:01:10 | |
I saw what you did. | 0:01:12 | 0:01:13 | |
In a video on that laptop
you just lied about. | 0:01:15 | 0:01:20 | |
Reflected in a mirror
in that horrible bedroom. | 0:01:20 | 0:01:25 | |
Look, we can't ever
let them find out about this. | 0:01:25 | 0:01:27 | |
Alex? | 0:01:27 | 0:01:29 | |
No-one can ever find out about this. | 0:01:29 | 0:01:33 | |
I know it went out of control... | 0:01:33 | 0:01:35 | |
..but now it's over, I swear. | 0:01:35 | 0:01:38 | |
No more. | 0:01:40 | 0:01:41 | |
No more. | 0:01:45 | 0:01:46 | |
GUNSHOT | 0:01:50 | 0:01:52 | |
LOCKPICK WHIRS | 0:03:41 | 0:03:43 | |
LIGHT SWITCH CLICKS | 0:04:29 | 0:04:31 | |
Agh! Hand to God, it's true. | 0:05:38 | 0:05:40 | |
God doesn't want your hand.
He knows where it's been. | 0:05:40 | 0:05:43 | |
So why the wait? | 0:05:43 | 0:05:44 | |
I mean, I set you sniffing
around this one maybe a year ago. | 0:05:44 | 0:05:47 | |
Yeah, well, I can only do
what I can do. I'm not a magician. | 0:05:47 | 0:05:49 | |
No. People LIKE magicians. | 0:05:49 | 0:05:51 | |
So? | 0:05:51 | 0:05:53 | |
So, a mate of mine... What mate? | 0:05:53 | 0:05:55 | |
A mate. He's just done a stretch, | 0:05:55 | 0:05:57 | |
and he got talking to
one of the Nicholson lot. | 0:05:57 | 0:05:59 | |
The accountant. Felix. | 0:05:59 | 0:06:01 | |
The bloke hates coppers -
and I mean, like, pathamalogically. | 0:06:01 | 0:06:05 | |
He hates coppers pathamalogically?
Gosh. | 0:06:05 | 0:06:07 | |
So, they're having a laugh, | 0:06:07 | 0:06:08 | |
and they get talking about
coppers being killed on the job, | 0:06:08 | 0:06:11 | |
and he starts talking
about your boy, Butler. | 0:06:11 | 0:06:14 | |
Are you telling me you know who
pulled the trigger on DCI Butler? | 0:06:23 | 0:06:26 | |
I'm telling you, I know everything. | 0:06:28 | 0:06:30 | |
Right down to where you can find
the gun that killed him. | 0:06:30 | 0:06:33 | |
How'd it go? Yeah. Good. Groovy. | 0:06:48 | 0:06:51 | |
Hey! One word about this,
ever, to anyone, | 0:06:58 | 0:07:00 | |
and no-one ever sees you again. | 0:07:00 | 0:07:03 | |
Do you understand me? Yeah. | 0:07:03 | 0:07:04 | |
Do you understand me? | 0:07:06 | 0:07:07 | |
Yes. | 0:07:07 | 0:07:08 | |
You've pissed yourself. | 0:07:12 | 0:07:13 | |
I know. | 0:07:15 | 0:07:17 | |
Get out before
you ruin my upholstery. | 0:07:17 | 0:07:19 | |
PHONE VIBRATES | 0:08:15 | 0:08:16 | |
Morning, Dad. | 0:08:25 | 0:08:27 | |
Morning, sunshine. | 0:08:27 | 0:08:28 | |
What? What? | 0:08:40 | 0:08:42 | |
Seriously, what have I done? | 0:08:43 | 0:08:44 | |
Nothing! | 0:08:44 | 0:08:45 | |
No, it's just that
I wanted to ask you a favour. | 0:08:48 | 0:08:50 | |
Is it about cleaning my room
or something? No! | 0:08:50 | 0:08:53 | |
Look, er, what it is, | 0:08:55 | 0:08:57 | |
it's my birthday coming up
in a couple of weeks, | 0:08:57 | 0:09:00 | |
and I've thought of something
that I'd like. | 0:09:00 | 0:09:02 | |
So, what do you want? | 0:09:02 | 0:09:04 | |
To adopt you. | 0:09:05 | 0:09:06 | |
Well, what do you think? | 0:09:12 | 0:09:13 | |
No sign of a body? | 0:09:41 | 0:09:43 | |
Nothing. No body. No eyewitnesses. | 0:09:43 | 0:09:47 | |
No CCTV. | 0:09:47 | 0:09:48 | |
Dog walkers? Joggers? | 0:09:48 | 0:09:50 | |
Nothing. | 0:09:50 | 0:09:52 | |
Are you all right, George? | 0:09:55 | 0:09:57 | |
What's up? | 0:09:59 | 0:10:00 | |
OK, I hope you girls have nearly
finished your breakfast | 0:10:09 | 0:10:12 | |
because we need to get moving
and I can't be late. | 0:10:12 | 0:10:15 | |
Anyone who wants a lift to school
this morning | 0:10:15 | 0:10:17 | |
has got two minutes to be ready. | 0:10:17 | 0:10:19 | |
Two minutes and I'm out the door! | 0:10:19 | 0:10:20 | |
Has everyone got everything? | 0:10:20 | 0:10:22 | |
Naomi,
you've got violin practice today. | 0:10:22 | 0:10:24 | |
Good. Claire, you've got to remember
that permission slip. | 0:10:24 | 0:10:26 | |
What permission slip? | 0:10:26 | 0:10:27 | |
The permission slip your mum's
been reminding you of | 0:10:27 | 0:10:29 | |
every morning this week -
for the school trip. | 0:10:29 | 0:10:31 | |
I think I took it in already. | 0:10:31 | 0:10:32 | |
Mum told me to, so I did. | 0:10:32 | 0:10:34 | |
Morning! | 0:10:34 | 0:10:36 | |
Where was it?! | 0:10:40 | 0:10:42 | |
On the floor, by your bed. | 0:10:43 | 0:10:45 | |
If you don't take it in today,
you don't get to go. | 0:10:45 | 0:10:47 | |
Where are they going?
Globe Theatre. | 0:10:47 | 0:10:50 | |
Kill me now. | 0:10:50 | 0:10:51 | |
We'll have less of that, thank you! | 0:10:51 | 0:10:53 | |
Shakespeare, though. | 0:10:53 | 0:10:54 | |
She's got a point. | 0:10:54 | 0:10:56 | |
DOORBELL RINGS | 0:10:54 | 0:10:56 | |
What she's got
is an incomplete education. | 0:10:56 | 0:10:58 | |
What's your excuse? | 0:10:58 | 0:10:59 | |
DOORBELL RINGS | 0:10:59 | 0:11:01 | |
Coming! Come on! | 0:10:59 | 0:11:01 | |
You're done. Get a move on! | 0:11:01 | 0:11:02 | |
Grace Morrigan? | 0:11:04 | 0:11:05 | |
Detective Chief
Superintendent Roland Bell. | 0:11:05 | 0:11:07 | |
We have a warrant to search
these premises. | 0:11:07 | 0:11:10 | |
I'm sorry? For what?
May we step inside, please? | 0:11:10 | 0:11:12 | |
How are you keeping? | 0:11:30 | 0:11:31 | |
Daniel, so, listen. | 0:11:36 | 0:11:38 | |
You don't need to worry
about your dad. | 0:11:40 | 0:11:42 | |
That's all in hand. | 0:11:43 | 0:11:45 | |
And the woman that did this to you, | 0:11:45 | 0:11:48 | |
Charlie Hicks and I are going to
make that right today. | 0:11:48 | 0:11:52 | |
She'll never bother us again. | 0:11:52 | 0:11:54 | |
Now, there's something I need
you to understand before I go. | 0:11:57 | 0:12:00 | |
The way you thought things
were between me and you, Daniel, | 0:12:02 | 0:12:06 | |
it was never like that. | 0:12:06 | 0:12:08 | |
You were wrong. | 0:12:09 | 0:12:11 | |
But here's how it's going
to be from now on. | 0:12:12 | 0:12:15 | |
You will never hurt anyone again,
ever, for any reason. | 0:12:16 | 0:12:20 | |
Do you understand that? | 0:12:25 | 0:12:27 | |
Yes, Mum. | 0:12:31 | 0:12:32 | |
OK, good. | 0:12:37 | 0:12:38 | |
Now, rest and get better, all right? | 0:12:43 | 0:12:45 | |
OFFICERS CHATTER | 0:13:09 | 0:13:10 | |
All right, Keith. | 0:13:27 | 0:13:30 | |
The honour's yours. Nick her. | 0:13:30 | 0:13:32 | |
Shall I call someone? A lawyer? | 0:13:41 | 0:13:43 | |
No, don't call anyone. | 0:13:43 | 0:13:44 | |
The emergency contact? | 0:13:44 | 0:13:46 | |
No, don't call anyone. | 0:13:46 | 0:13:47 | |
Darling, honestly,
I don't know what's going on, | 0:13:47 | 0:13:50 | |
but someone, somewhere
has made an error. | 0:13:50 | 0:13:51 | |
I'll be home by tea-time, OK? | 0:13:51 | 0:13:53 | |
In the meantime,
you look after the girls. | 0:13:53 | 0:13:55 | |
You tell them not to worry, because
there's nothing to worry about. | 0:13:55 | 0:13:58 | |
And tell Claire to remember that
permission slip. | 0:13:58 | 0:14:00 | |
OK. Will do. | 0:14:00 | 0:14:01 | |
I love you. | 0:14:01 | 0:14:03 | |
I love you, too. | 0:14:03 | 0:14:05 | |
They'll be here pretty soon. | 0:14:21 | 0:14:23 | |
Yeah. | 0:14:23 | 0:14:24 | |
Are you ready for what comes next? | 0:14:25 | 0:14:27 | |
She tried to kill my son. | 0:14:30 | 0:14:31 | |
Of course I'm ready. | 0:14:32 | 0:14:33 | |
Trish Leabourne. Benjamin Willis.
Sarah Brooks. | 0:14:43 | 0:14:47 | |
Liam McIlveney. Kamal Babra.
And now... | 0:14:47 | 0:14:51 | |
Moira Gallagher. | 0:14:51 | 0:14:53 | |
Six suicides in just over
seven weeks - | 0:14:53 | 0:14:56 | |
different ages, genders, races, | 0:14:56 | 0:14:58 | |
from different
parts of the South East. | 0:14:58 | 0:15:00 | |
In each case, a handwritten note
was left on the dashboard, | 0:15:00 | 0:15:03 | |
weighed down by the pen
that was used to write the note. | 0:15:03 | 0:15:06 | |
In each case, no body's been found. | 0:15:06 | 0:15:08 | |
I think someone's out there killing
people who believe they want to die. | 0:15:09 | 0:15:12 | |
Well, it's a bit early to assume
that, innit? | 0:15:13 | 0:15:15 | |
Not really. No. No? How come? | 0:15:15 | 0:15:18 | |
Because I've spoken to him. | 0:15:18 | 0:15:20 | |
Wait... | 0:15:20 | 0:15:22 | |
Where? | 0:15:22 | 0:15:23 | |
On a message board. | 0:15:23 | 0:15:24 | |
What kind of message board? | 0:15:24 | 0:15:26 | |
A suicide message board. | 0:15:26 | 0:15:27 | |
Well, how long have
you been doing that? | 0:15:29 | 0:15:30 | |
What, weeks, months, what? | 0:15:30 | 0:15:32 | |
It's a while. George... | 0:15:33 | 0:15:36 | |
Boss, this man is real,
and he's killing them. | 0:15:36 | 0:15:39 | |
This is him. | 0:15:39 | 0:15:40 | |
He signs his messages U+1F728. | 0:15:40 | 0:15:45 | |
It's used in computer programming.
Unicode. Denoting this symbol... | 0:15:45 | 0:15:50 | |
What is that? Sniper's scope? | 0:15:50 | 0:15:50 | |
What is that? Sniper's scope? | 0:15:50 | 0:15:52 | |
Some sort of Nazi thing? | 0:15:52 | 0:15:53 | |
Yeah, both. Neither. | 0:15:53 | 0:15:54 | |
It's an alchemical symbol.
Sonnenkreuz. | 0:15:54 | 0:15:57 | |
The Sun Cross.
It's the solar calendar - | 0:15:57 | 0:16:00 | |
the sun dies in midwinter,
gets reborn in spring. | 0:16:00 | 0:16:02 | |
So, yeah. Fascism. Neopaganism. | 0:16:02 | 0:16:06 | |
"Hard Sun". | 0:16:06 | 0:16:07 | |
Yeah, OK. | 0:16:10 | 0:16:12 | |
OK. | 0:16:12 | 0:16:14 | |
Yeah, I think you're right. | 0:16:15 | 0:16:17 | |
I think you've got something here. | 0:16:17 | 0:16:19 | |
DOOR OPENS | 0:16:19 | 0:16:20 | |
Hey, what's going on? | 0:16:36 | 0:16:38 | |
That woman we just brought in.
It looks like it was her. | 0:16:39 | 0:16:43 | |
Her that what? | 0:16:43 | 0:16:44 | |
Killed DCI Butler. | 0:16:44 | 0:16:45 | |
BELL: Can I get you anything? | 0:17:01 | 0:17:02 | |
Tea? Coffee? Water? | 0:17:04 | 0:17:07 | |
Boss, boss, have you got a minute? | 0:17:23 | 0:17:25 | |
30 seconds. | 0:17:25 | 0:17:26 | |
Listen.
I know you spent a lot of time | 0:17:31 | 0:17:31 | |
Listen.
I know you spent a lot of time | 0:17:31 | 0:17:33 | |
thinking that Alex's death
was down to me - | 0:17:33 | 0:17:35 | |
but you were wrong,
and now you know it. | 0:17:35 | 0:17:38 | |
Well, if I hurt your feelings,
I honestly couldn't give a shite. | 0:17:38 | 0:17:41 | |
What I care about is,
this is my house, | 0:17:41 | 0:17:44 | |
and Alex Butler was my boy, | 0:17:44 | 0:17:45 | |
and I'd like to know
what happened to him - | 0:17:45 | 0:17:47 | |
but I'm tacking
close to the wind, here, | 0:17:47 | 0:17:49 | |
because that woman
works for the Security Services, | 0:17:49 | 0:17:52 | |
and whatever she did,
we'll never see a prosecution, | 0:17:52 | 0:17:54 | |
because that lot
take care of their own. | 0:17:54 | 0:17:56 | |
They'll find her. | 0:17:56 | 0:17:58 | |
So we need her to cough
before MI5 pitch up. | 0:17:58 | 0:18:01 | |
Which means I need you
to reel her in | 0:18:01 | 0:18:03 | |
and put the fear of God into her. | 0:18:03 | 0:18:06 | |
Land her, gut her and fillet her. | 0:18:06 | 0:18:09 | |
Boss? Can I borrow you a minute? | 0:18:25 | 0:18:27 | |
What now? I know it's a big day, | 0:18:27 | 0:18:29 | |
but she's not going anywhere
for two minutes, is she? | 0:18:29 | 0:18:31 | |
George, I'm on the clock. | 0:18:31 | 0:18:33 | |
Just let me do this,
I'll be right with you. | 0:18:33 | 0:18:35 | |
There's a vulnerable woman
out there who needs our help. | 0:18:37 | 0:18:39 | |
Do you think this is how Alex
would want you to play it? | 0:18:39 | 0:18:42 | |
Well, we'll never know,
will we, George? | 0:18:42 | 0:18:44 | |
What with him being dead
and everything. | 0:18:48 | 0:18:50 | |
Morning. | 0:18:57 | 0:18:59 | |
I'm DCI Hicks. | 0:18:59 | 0:19:01 | |
This is my partner, DI Renko. | 0:19:01 | 0:19:03 | |
Now it says here that you have
declined the offer of a phone call. | 0:19:07 | 0:19:12 | |
In fact, you specifically instructed
your husband not to call a lawyer. | 0:19:12 | 0:19:16 | |
Why would that be, Grace? | 0:19:16 | 0:19:19 | |
Why wouldn't you want anyone
to know you were here? | 0:19:19 | 0:19:21 | |
Not even a lawyer? | 0:19:21 | 0:19:22 | |
Now, as I understand it, | 0:19:24 | 0:19:25 | |
you, er, you work
for the government. | 0:19:25 | 0:19:28 | |
You're a civil servant
in the Ministry of Defence. | 0:19:28 | 0:19:30 | |
Well, does that mean
what I think it means? | 0:19:32 | 0:19:34 | |
I mean, God only knows
how they're going to react. | 0:19:35 | 0:19:38 | |
Your bosses -
you know, to all of this. | 0:19:38 | 0:19:40 | |
I mean, for someone in your line
of work, that's got to be, er... | 0:19:40 | 0:19:44 | |
What's the word I'm looking for,
DI Renko? | 0:19:45 | 0:19:48 | |
Compromising. | 0:19:48 | 0:19:50 | |
Compromising. That's it. | 0:19:50 | 0:19:53 | |
For someone like you, | 0:19:53 | 0:19:55 | |
with the job that you do... | 0:19:55 | 0:19:57 | |
..that's got to be
very compromising. | 0:19:59 | 0:20:01 | |
I wonder if you can tell me
what this is. | 0:20:04 | 0:20:06 | |
Do you need some reading glasses
or something? | 0:20:16 | 0:20:18 | |
What you're not looking at | 0:20:21 | 0:20:23 | |
is a picture of a
Beretta 9mm PX Storm SubCompact. | 0:20:23 | 0:20:28 | |
I can't help but wonder
what you're doing with it. | 0:20:28 | 0:20:31 | |
Ah, could be
that it's not even yours. | 0:20:31 | 0:20:33 | |
Maybe it's your husband's. | 0:20:33 | 0:20:36 | |
Ben. | 0:20:36 | 0:20:37 | |
Isn't it? | 0:20:37 | 0:20:39 | |
Come on, Grace. | 0:20:41 | 0:20:43 | |
Help me out here. | 0:20:43 | 0:20:45 | |
I mean, we both...
both have daughters. | 0:20:45 | 0:20:48 | |
Help me...to help them. | 0:20:51 | 0:20:54 | |
This is DCI Alex Butler. | 0:21:01 | 0:21:03 | |
He's a good friend of mine. | 0:21:03 | 0:21:05 | |
Or at least he was... | 0:21:08 | 0:21:09 | |
..until someone shot him
in the head. | 0:21:09 | 0:21:11 | |
They used the gun
we found hidden in your kitchen. | 0:21:16 | 0:21:18 | |
OVER SPEAKER: Well, I've got to say,
I wish I had your discipline. | 0:21:23 | 0:21:23 | |
OVER SPEAKER: Well, I've got to say,
I wish I had your discipline. | 0:21:23 | 0:21:26 | |
Although God only knows, there are
things I've seen I wish I hadn't. | 0:21:26 | 0:21:31 | |
You see, the thing is,
it's not looking... | 0:21:31 | 0:21:34 | |
PHONE VIBRATES | 0:21:57 | 0:21:59 | |
All right, so here's how it looks.
You go off book, | 0:22:16 | 0:22:18 | |
earn yourself a few quid selling
intel to criminal organisations... | 0:22:18 | 0:22:22 | |
DCI Butler hears about it. | 0:22:22 | 0:22:24 | |
He doesn't tell anyone
he's investigating you, | 0:22:24 | 0:22:27 | |
cos, well, he's paranoid. | 0:22:27 | 0:22:29 | |
He knows who you work for. | 0:22:29 | 0:22:31 | |
He's got a right to be paranoid. | 0:22:31 | 0:22:32 | |
Because you kill him for it. | 0:22:34 | 0:22:36 | |
So what are your bosses going to do
when they find out about this? | 0:22:37 | 0:22:41 | |
What happens to a dirty spy who
can't be trusted to keep a secret? | 0:22:41 | 0:22:45 | |
You see, right now, here,
you're safe. | 0:22:49 | 0:22:53 | |
But sooner or later, someone... | 0:22:53 | 0:22:57 | |
..is going to call
Security Services. | 0:22:57 | 0:22:59 | |
Now, the number's
publicly available. | 0:23:00 | 0:23:03 | |
It's easily done. | 0:23:03 | 0:23:04 | |
Five minutes after that, | 0:23:07 | 0:23:09 | |
they take you away
and they make you disappear. | 0:23:09 | 0:23:12 | |
Gun to the base of the skull. | 0:23:13 | 0:23:15 | |
Now, they hate to be embarrassed, | 0:23:16 | 0:23:18 | |
the Security Services... | 0:23:18 | 0:23:20 | |
..and they hate it when people
can't keep their secrets. | 0:23:20 | 0:23:23 | |
I mean, what if they leaked
something big? | 0:23:23 | 0:23:26 | |
Really big. | 0:23:29 | 0:23:30 | |
You've got ten minutes to
think about your confession, | 0:23:34 | 0:23:36 | |
or...we make that call... | 0:23:36 | 0:23:41 | |
..and you take your chances
with the people that you betrayed. | 0:23:43 | 0:23:46 | |
All right, Elaine, look,
before you make the call... | 0:24:03 | 0:24:05 | |
All right, you have to know,
there was no doubt here. | 0:24:05 | 0:24:09 | |
You know they would've killed us. | 0:24:09 | 0:24:11 | |
They tried to kill Daniel, | 0:24:11 | 0:24:13 | |
and they will kill Grace. | 0:24:13 | 0:24:15 | |
Now, if they think she's selling
intelligence, they've got no choice. | 0:24:15 | 0:24:17 | |
What, and if we don't do it? | 0:24:17 | 0:24:19 | |
We take pity on her and let her go? | 0:24:19 | 0:24:22 | |
You know what she does -
not just to us. | 0:24:22 | 0:24:24 | |
KEYPAD BEEPS | 0:24:24 | 0:24:26 | |
We've got an issue. | 0:24:27 | 0:24:29 | |
What kind of issue? | 0:24:29 | 0:24:30 | |
George. | 0:24:30 | 0:24:31 | |
We need to find him before he does
something stupid. | 0:24:45 | 0:24:47 | |
Stupider. | 0:24:47 | 0:24:49 | |
I've tried everything. | 0:24:49 | 0:24:50 | |
We're not going to find him
if he doesn't want to be found. | 0:24:50 | 0:24:53 | |
I can. | 0:24:57 | 0:24:58 | |
I can find him. | 0:25:00 | 0:25:02 | |
How? | 0:25:02 | 0:25:03 | |
I bugged his car. | 0:25:03 | 0:25:04 | |
Why would you do that? | 0:25:06 | 0:25:07 | |
Because she was placed on this unit | 0:25:07 | 0:25:09 | |
to investigate the murder
of Alex Butler, | 0:25:09 | 0:25:11 | |
so she bugged all of us. | 0:25:11 | 0:25:13 | |
Bollocks. You're serious?! | 0:25:13 | 0:25:15 | |
Look. You can burn me as a witch
when George is home. | 0:25:15 | 0:25:17 | |
Aye, let's do that, yeah. | 0:25:17 | 0:25:18 | |
I'll bring the matches and
a party hat! All right, all right. | 0:25:18 | 0:25:21 | |
Look, Elaine's right.
Fine. Let's go. | 0:25:21 | 0:25:23 | |
Nah. No, no, no, no.
I need you here, running point. | 0:25:23 | 0:25:26 | |
Keith, Mishal, I need you
watching Grace Morrigan. | 0:25:26 | 0:25:28 | |
She doesn't leave until we're
good and ready. She doesn't move. | 0:25:28 | 0:25:32 | |
She doesn't speak to
anyone, ANYONE, unless I say so. | 0:25:32 | 0:25:37 | |
Is that clear? | 0:25:37 | 0:25:39 | |
KNOCK AT DOOR | 0:26:41 | 0:26:42 | |
Mari. | 0:26:56 | 0:26:58 | |
Sorry to intrude. | 0:26:58 | 0:26:59 | |
Do you mind if I step
inside a moment? | 0:26:59 | 0:27:01 | |
Obviously, I can't go into detail. | 0:27:07 | 0:27:09 | |
I shouldn't really be telling you
anything at all. Not yet... | 0:27:10 | 0:27:13 | |
..but I know how exhausting it is,
emotionally... | 0:27:16 | 0:27:19 | |
..living with the uncertainty. | 0:27:20 | 0:27:21 | |
So in the matter of Alex's death,
your dad's death, Owen... | 0:27:23 | 0:27:28 | |
..we have arrested a suspect. | 0:27:30 | 0:27:31 | |
Who? | 0:27:36 | 0:27:38 | |
I can't go into detail. | 0:27:38 | 0:27:39 | |
Is it someone we know? | 0:27:43 | 0:27:45 | |
No. | 0:27:45 | 0:27:46 | |
No, from what we know, it
looks like Alex was investigating... | 0:27:46 | 0:27:50 | |
..well, a corrupt civil servant. | 0:27:50 | 0:27:52 | |
What... What does that mean? | 0:27:56 | 0:27:57 | |
The long and the short of it is,
he died in the line of duty. | 0:27:57 | 0:28:00 | |
Your dad died a hero, Owen.
That's why I'm here. | 0:28:02 | 0:28:06 | |
Everything else is just details. | 0:28:07 | 0:28:11 | |
It won't make things easier | 0:28:11 | 0:28:12 | |
in the days and the months
and the years to come, | 0:28:12 | 0:28:16 | |
living without him... | 0:28:16 | 0:28:17 | |
..but your dad died a hero... | 0:28:19 | 0:28:20 | |
..and I think it's a fine thing | 0:28:22 | 0:28:25 | |
for a young man to be proud
of his father. | 0:28:25 | 0:28:28 | |
I'm sorry. I know, I know,
it's a pain in the neck - | 0:28:47 | 0:28:52 | |
but Grace is one of our own,
you see, | 0:28:52 | 0:28:54 | |
and we're very keen to find her. | 0:28:54 | 0:28:59 | |
I don't suppose you know
where she's gone, do you? | 0:29:00 | 0:29:03 | |
George? | 0:30:06 | 0:30:07 | |
Are you ready? | 0:30:14 | 0:30:16 | |
Do you believe it? | 0:30:38 | 0:30:39 | |
The stories about the sun? | 0:30:39 | 0:30:41 | |
I don't. | 0:30:46 | 0:30:47 | |
The sun is life. | 0:30:49 | 0:30:51 | |
You can actually feel it. | 0:30:58 | 0:31:00 | |
Can I ask you a question? | 0:31:11 | 0:31:14 | |
Please do. | 0:31:14 | 0:31:15 | |
What happens to me? | 0:31:16 | 0:31:18 | |
After? | 0:31:19 | 0:31:20 | |
What happens to my...remains? | 0:31:22 | 0:31:25 | |
There's no need to be afraid,
George. | 0:31:25 | 0:31:28 | |
I only want you to be happy. | 0:31:28 | 0:31:29 | |
I'd just like to know
before I commit. | 0:31:31 | 0:31:32 | |
Well, look at us. | 0:31:37 | 0:31:38 | |
Here we are. | 0:31:39 | 0:31:41 | |
Surely you've already committed. | 0:31:41 | 0:31:43 | |
What kind of man are you, George? | 0:31:58 | 0:32:00 | |
A sad man? | 0:32:03 | 0:32:04 | |
A lonely man? | 0:32:07 | 0:32:08 | |
A policeman? | 0:32:11 | 0:32:13 | |
Nah. | 0:32:40 | 0:32:42 | |
Herbie? | 0:32:42 | 0:32:43 | |
No, we're too late. | 0:32:43 | 0:32:44 | |
The car's here. No sign of George. | 0:32:44 | 0:32:46 | |
HE RESISTS | 0:32:49 | 0:32:50 | |
Boss. | 0:32:53 | 0:32:54 | |
Oh, shit. | 0:33:00 | 0:33:01 | |
ENGINE STARTS | 0:33:13 | 0:33:15 | |
Go! | 0:33:15 | 0:33:17 | |
The car is registered
to a Herbert West... | 0:33:27 | 0:33:31 | |
..but he died four years ago. | 0:33:31 | 0:33:34 | |
Right, what's the dead man's
last known address? | 0:33:34 | 0:33:36 | |
Borely House, listed as abandoned, | 0:33:36 | 0:33:38 | |
last used by some religious commune. | 0:33:38 | 0:33:40 | |
I'll send you the details. | 0:33:40 | 0:33:41 | |
CONNECTING TONE | 0:33:53 | 0:33:55 | |
PHONE RINGS | 0:33:57 | 0:33:59 | |
Hey. | 0:34:04 | 0:34:05 | |
Look, I know we need to talk,
but I can't speak right now. | 0:34:05 | 0:34:07 | |
Well, I don't need you to speak.
I need you to listen. | 0:34:07 | 0:34:09 | |
Oh, well,
that doesn't sound promising. | 0:34:09 | 0:34:11 | |
I know you lied to me. | 0:34:11 | 0:34:13 | |
What about? | 0:34:13 | 0:34:15 | |
Roland Bell came round. | 0:34:15 | 0:34:17 | |
Is it true? | 0:34:17 | 0:34:19 | |
Did they arrest someone
for killing Alex? | 0:34:19 | 0:34:22 | |
Someone else? | 0:34:22 | 0:34:23 | |
All right, listen. He shouldn't have
come round. All right? Not yet. | 0:34:26 | 0:34:29 | |
Did you lie to me? | 0:34:29 | 0:34:30 | |
To get me into bed? | 0:34:30 | 0:34:31 | |
Because if you did... | 0:34:31 | 0:34:33 | |
All right, we are not having
this conversation on the phone. | 0:34:33 | 0:34:35 | |
We'll talk later. | 0:34:35 | 0:34:37 | |
What kind of man does that make you? | 0:34:37 | 0:34:38 | |
All right, not another word.
Not to anyone. | 0:34:38 | 0:34:40 | |
Not until we have spoken. | 0:34:40 | 0:34:41 | |
Or what? You'll shoot me? | 0:34:41 | 0:34:43 | |
All right. That's enough, all right? | 0:34:43 | 0:34:45 | |
You need to calm down.
No, don't you... | 0:34:45 | 0:34:47 | |
Don't you tell me what I need to do. | 0:34:47 | 0:34:49 | |
All right, listen,
look, if we can talk... | 0:34:49 | 0:34:51 | |
Gah! | 0:34:52 | 0:34:53 | |
Mari? | 0:34:56 | 0:34:57 | |
Yeah. | 0:34:59 | 0:35:00 | |
She pissed off? | 0:35:00 | 0:35:03 | |
Yeah. | 0:35:03 | 0:35:04 | |
Cos she thinks you didn't
kill her husband. | 0:35:04 | 0:35:06 | |
Yeah. | 0:35:08 | 0:35:10 | |
Mate, it's always the way. | 0:35:10 | 0:35:12 | |
The place looks deserted. | 0:35:27 | 0:35:29 | |
Wait. | 0:35:29 | 0:35:31 | |
FLIES BUZZ | 0:36:59 | 0:37:01 | |
CRY OF PAIN | 0:37:23 | 0:37:24 | |
CRY OF PAIN | 0:37:42 | 0:37:43 | |
All right. Shit. | 0:37:51 | 0:37:53 | |
What is that? | 0:37:53 | 0:37:54 | |
FOOTSTEPS CREAK | 0:38:09 | 0:38:10 | |
Moira? | 0:38:38 | 0:38:39 | |
Are you all right? | 0:38:39 | 0:38:41 | |
What happened? | 0:38:42 | 0:38:43 | |
Is she drugged? | 0:38:44 | 0:38:46 | |
It's not that.
I don't think it's that. | 0:38:46 | 0:38:49 | |
FOOTSTEPS CREAK | 0:38:55 | 0:38:56 | |
Shit! Elaine! | 0:38:56 | 0:38:57 | |
Wait, it's them. | 0:39:05 | 0:39:07 | |
They're here. | 0:39:07 | 0:39:08 | |
They're all here! | 0:39:08 | 0:39:10 | |
How many victims were there? | 0:39:12 | 0:39:14 | |
Six. | 0:39:14 | 0:39:16 | |
There's seven in the room. | 0:39:16 | 0:39:17 | |
DOOR SLAMS | 0:39:29 | 0:39:30 | |
There must be another way! | 0:39:32 | 0:39:34 | |
MUFFLED CRIES | 0:39:36 | 0:39:38 | |
HE YELLS | 0:39:43 | 0:39:43 | |
HE YELLS | 0:39:43 | 0:39:46 | |
Why would you do this, George? | 0:39:51 | 0:39:54 | |
They're alive! | 0:39:55 | 0:39:56 | |
Isn't that better? | 0:39:57 | 0:39:58 | |
Despair is irrational. | 0:40:00 | 0:40:03 | |
A dysfunction of your brain -
and it's so easy... | 0:40:03 | 0:40:08 | |
..to correct. | 0:40:08 | 0:40:10 | |
I'm about to perform a procedure
called a...a transorbital lobotomy. | 0:40:11 | 0:40:14 | |
There's no pain. No blood... | 0:40:16 | 0:40:18 | |
..but your unhappiness... | 0:40:18 | 0:40:20 | |
..will just... | 0:40:21 | 0:40:22 | |
..evaporate. | 0:40:24 | 0:40:26 | |
MUFFLED CRIES | 0:40:26 | 0:40:28 | |
HE SCREAMS | 0:40:30 | 0:40:32 | |
You're going to love it. | 0:40:34 | 0:40:36 | |
Don't be afraid. | 0:40:40 | 0:40:42 | |
Put it down. | 0:40:42 | 0:40:43 | |
I'm dying. | 0:40:45 | 0:40:46 | |
Big deal. | 0:40:46 | 0:40:48 | |
Put it down. | 0:40:48 | 0:40:51 | |
But it's sad, though, isn't it? | 0:40:51 | 0:40:52 | |
How you only really appreciate
the value of something | 0:40:54 | 0:40:57 | |
when it's about to be lost. | 0:40:58 | 0:41:00 | |
Put it down, now. | 0:41:00 | 0:41:03 | |
Life is so wonderful. | 0:41:04 | 0:41:05 | |
I'm really going to miss it. | 0:41:08 | 0:41:10 | |
No! No! | 0:41:12 | 0:41:13 | |
Oh... | 0:41:26 | 0:41:28 | |
You are just... | 0:41:28 | 0:41:32 | |
..horrible. | 0:41:32 | 0:41:33 | |
DOORBELL RINGS | 0:41:35 | 0:41:36 | |
I'd like a moment with the suspect. | 0:42:44 | 0:42:46 | |
Please. | 0:42:50 | 0:42:52 | |
PHONE RINGS | 0:43:08 | 0:43:10 | |
Mishal. What's going on? | 0:43:10 | 0:43:12 | |
The boss killed the cameras,
threw us out the room. | 0:43:12 | 0:43:14 | |
He's speaking to the suspect alone. | 0:43:14 | 0:43:16 | |
No, no, no, no, no. | 0:43:16 | 0:43:18 | |
She cannot leave the building - | 0:43:18 | 0:43:19 | |
whatever happens,
she has to stay in the building! | 0:43:19 | 0:43:22 | |
Is that clear?! | 0:43:22 | 0:43:23 | |
Right, got that. | 0:43:23 | 0:43:25 | |
Grace is pulling something. | 0:43:26 | 0:43:28 | |
Make the call. | 0:43:29 | 0:43:31 | |
Charlie Hicks killed DCI Butler. | 0:43:31 | 0:43:33 | |
I can establish that for you
very quickly... | 0:43:34 | 0:43:37 | |
..and that's what you want,
really, isn't it? | 0:43:37 | 0:43:40 | |
Hicks...on a plate. | 0:43:43 | 0:43:46 | |
RENKO: I have important information | 0:43:46 | 0:43:48 | |
on the whereabouts
of your missing field agent. | 0:43:48 | 0:43:50 | |
Uses the name "Grace Morrigan". | 0:43:50 | 0:43:52 | |
She's being held at Lethe Road
police station, | 0:43:54 | 0:43:57 | |
on suspicion of selling
sensitive information. | 0:43:57 | 0:44:00 | |
And what you don't know... | 0:44:02 | 0:44:03 | |
..is that Hicks is killing me, too. | 0:44:05 | 0:44:08 | |
They're seeing to it
that MI5 has no other choice. | 0:44:08 | 0:44:13 | |
What's happening to me,
this second... | 0:44:13 | 0:44:16 | |
..this is a murder. | 0:44:18 | 0:44:20 | |
PHONE VIBRATES | 0:44:23 | 0:44:24 | |
Mm? | 0:44:30 | 0:44:31 | |
Mm. | 0:44:33 | 0:44:34 | |
They found her. | 0:44:38 | 0:44:39 | |
Lucky old you. | 0:44:41 | 0:44:42 | |
You're not listening. | 0:44:52 | 0:44:53 | |
Oh... | 0:44:53 | 0:44:55 | |
HE CHUCKLES | 0:44:53 | 0:44:55 | |
I'm listening... | 0:44:55 | 0:44:57 | |
..but what I'm not doing is
believing you. | 0:44:57 | 0:44:59 | |
You want out of here, | 0:44:59 | 0:45:01 | |
you've got to give me more than
hints and allegations. | 0:45:01 | 0:45:03 | |
No. | 0:45:03 | 0:45:04 | |
No. | 0:45:04 | 0:45:07 | |
You keep me here, you make yourself
an accessory to murder... | 0:45:07 | 0:45:10 | |
..or you get me to a safe house... | 0:45:12 | 0:45:15 | |
..and let me deliver
Hicks to you on a platter. | 0:45:15 | 0:45:18 | |
I can give you Elaine Renko's
head, too... | 0:45:21 | 0:45:23 | |
..if you'd like that. | 0:45:25 | 0:45:26 | |
Boss? | 0:45:37 | 0:45:38 | |
Step aside, DS Ali. | 0:45:38 | 0:45:40 | |
PHONE RINGS | 0:46:19 | 0:46:21 | |
Listen, I can't talk right now,
sunshine. | 0:46:26 | 0:46:28 | |
I'm not your sunshine. | 0:46:28 | 0:46:30 | |
Hailey? Are you all right? | 0:46:30 | 0:46:32 | |
You said you loved us! | 0:46:32 | 0:46:34 | |
I do love you. | 0:46:34 | 0:46:35 | |
I love you very much - why?
Why, what's happened? | 0:46:35 | 0:46:37 | |
Hailey, talk to me. What's happened?
What... What have I done? | 0:46:37 | 0:46:40 | |
You know what! You liar! | 0:46:40 | 0:46:41 | |
All right, listen,
put your mum on the phone. | 0:46:43 | 0:46:45 | |
I hope you die! | 0:46:45 | 0:46:46 | |
Hailey! Please! | 0:46:46 | 0:46:48 | |
I spoke to Mari. | 0:46:48 | 0:46:50 | |
All right, Simone, listen... | 0:46:54 | 0:46:55 | |
Don't you come back here, Charlie. | 0:46:55 | 0:46:57 | |
I don't care where you go. | 0:46:57 | 0:47:00 | |
Don't come back here. | 0:47:00 | 0:47:02 | |
Listen to me, Simone. | 0:47:02 | 0:47:03 | |
Simone, listen! | 0:47:03 | 0:47:04 | |
Listen, Simone! | 0:47:04 | 0:47:06 | |
Shit... | 0:47:06 | 0:47:08 | |
DOOR BANGS | 0:47:06 | 0:47:08 | |
Boss! | 0:47:10 | 0:47:11 | |
Boss? What are you doing?
We'll discuss this later. | 0:47:15 | 0:47:17 | |
No. We'll discuss this now. | 0:47:17 | 0:47:18 | |
Stand aside, DCI Hicks. | 0:47:18 | 0:47:20 | |
Look, she killed Alex!
You're going to let her go? | 0:47:20 | 0:47:22 | |
I think we all know who
killed Alex, Charlie. | 0:47:22 | 0:47:24 | |
I told you to say nothing. | 0:47:24 | 0:47:26 | |
If you let this woman go... What? | 0:47:26 | 0:47:28 | |
It doesn't end well for you? | 0:47:28 | 0:47:30 | |
No, for all of us. | 0:47:30 | 0:47:32 | |
Trust me. | 0:47:32 | 0:47:33 | |
No-one trusts you, Charlie. | 0:47:33 | 0:47:34 | |
Why should I be the first? | 0:47:34 | 0:47:36 | |
Boss! | 0:47:41 | 0:47:42 | |
You need to stop. | 0:47:44 | 0:47:45 | |
No... | 0:47:52 | 0:47:54 | |
TYRES SCREECH | 0:47:54 | 0:47:55 | |
DCS Bell. | 0:48:00 | 0:48:02 | |
This is a warrant mandating this
woman's immediate release | 0:48:02 | 0:48:04 | |
into our custody. | 0:48:04 | 0:48:06 | |
If you do not comply
with this mandate, | 0:48:06 | 0:48:07 | |
you may be subject to
a disciplinary hearing | 0:48:07 | 0:48:10 | |
that may result in your prosecution
under the Official Secrets Act. | 0:48:10 | 0:48:13 | |
Now uncuff her and stand back. | 0:48:14 | 0:48:15 | |
GUN CLICKS | 0:48:53 | 0:48:54 | |
Officer down,
we need assistance now! | 0:49:08 | 0:49:10 | |
DISTANT SIRENS | 0:49:51 | 0:49:52 | |
SIRENS APPROACH | 0:49:55 | 0:49:57 | |
SHE PANTS | 0:50:44 | 0:50:46 | |
All right, Grace. | 0:50:47 | 0:50:48 | |
That's enough. | 0:50:50 | 0:50:51 | |
So, what's the plan now? | 0:50:58 | 0:51:00 | |
This is the plan. | 0:51:00 | 0:51:01 | |
Police think you're a spy
who's been compromised | 0:51:03 | 0:51:07 | |
and disappeared into a new identity. | 0:51:07 | 0:51:09 | |
MI5... | 0:51:11 | 0:51:12 | |
..just think that you're dirty... | 0:51:14 | 0:51:15 | |
..and that you ran. | 0:51:17 | 0:51:18 | |
That's actually not bad. | 0:51:21 | 0:51:22 | |
You should've stayed away
from my son. | 0:51:24 | 0:51:27 | |
I couldn't, Elaine. | 0:51:27 | 0:51:29 | |
You know I have a family, too. | 0:51:33 | 0:51:36 | |
We'll make sure
they're well looked after. | 0:51:38 | 0:51:40 | |
SHE LAUGHS | 0:51:43 | 0:51:45 | |
You actually mean that, don't you? | 0:51:45 | 0:51:47 | |
Yeah, of course I do. | 0:51:47 | 0:51:48 | |
This isn't their fault. | 0:51:50 | 0:51:52 | |
You think you're a good man,
Charlie... | 0:51:53 | 0:51:56 | |
..but you're not. | 0:51:58 | 0:51:59 | |
You're a moral abomination. | 0:52:03 | 0:52:05 | |
Well, I'll live with it. | 0:52:08 | 0:52:10 | |
Do you see what he's
turned you into? | 0:52:12 | 0:52:16 | |
No. | 0:52:16 | 0:52:18 | |
That was your doing. | 0:52:18 | 0:52:19 | |
Are you ready? | 0:52:24 | 0:52:26 | |
Can I... Can I... Can I...
Please, can I have a moment? | 0:52:26 | 0:52:28 | |
SHE GASPS | 0:53:10 | 0:53:11 | |
Oh, not yet... | 0:53:18 | 0:53:19 | |
I thought we had more time. | 0:53:22 | 0:53:24 | |
Yeah, well, we always do. | 0:53:24 | 0:53:25 | |
They lied to me, Charlie. | 0:53:25 | 0:53:27 | |
They lied. | 0:53:31 | 0:53:32 | |
It's already here. | 0:53:35 | 0:53:37 | |
Daniel... | 0:55:01 | 0:55:03 | |
I'm sorry. | 0:55:05 | 0:55:07 | |
I am so sorry. | 0:55:09 | 0:55:13 |