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This programme contains graphic violent scenes | 0:00:02 | 0:00:03 | |
and scenes which some viewers may find upsetting. | 0:00:03 | 0:00:05 | |
-Get the flash drive. -Renko took it. It's gone. | 0:00:05 | 0:00:07 | |
We cut her a deal. If she brings you down, her child stays out of prison. | 0:00:07 | 0:00:10 | |
-Did my dad rape you? -Yes. | 0:00:10 | 0:00:11 | |
But if you go to prison, | 0:00:11 | 0:00:12 | |
then your family will have to face what's coming without you. | 0:00:12 | 0:00:16 | |
So what's taking so long? | 0:00:16 | 0:00:18 | |
There's nothing to suggest that Hicks killed Butler. | 0:00:18 | 0:00:21 | |
He's sleeping with the man's wife. | 0:00:21 | 0:00:22 | |
-Do you think he killed your husband? -Of course he didn't! Jesus! | 0:00:22 | 0:00:25 | |
For what it's worth, I don't think so, either. | 0:00:25 | 0:00:27 | |
She told someone where it is and what to do with it, | 0:00:27 | 0:00:30 | |
someone she can trust, but I don't know who that is. | 0:00:30 | 0:00:33 | |
When she was 14, | 0:00:33 | 0:00:35 | |
Renko's parents brought in a complaint of rape against a teacher. | 0:00:35 | 0:00:39 | |
Noah Underhill. | 0:00:39 | 0:00:41 | |
LABOURED BREATHING | 0:00:44 | 0:00:46 | |
DISTANT SIREN | 0:00:50 | 0:00:52 | |
Do you want to buy some dope? | 0:01:23 | 0:01:24 | |
Hey! Oi! | 0:01:24 | 0:01:26 | |
HIS BREATHING BEGINS TO SETTLE | 0:02:24 | 0:02:27 | |
HE GROANS IN PAIN | 0:02:40 | 0:02:43 | |
Stop! Please! | 0:02:46 | 0:02:48 | |
Hello, Dad. | 0:03:03 | 0:03:05 | |
HE CLEARS HIS THROAT | 0:04:40 | 0:04:42 | |
Morning. | 0:04:51 | 0:04:53 | |
You fancy a cooked breakfast? Come on, I'm starving here. | 0:04:53 | 0:04:56 | |
No, I couldn't, babe. Just woke up. | 0:04:58 | 0:05:00 | |
Oh, come on, have a proper breakfast. | 0:05:00 | 0:05:03 | |
I'll do the full works, how's that? | 0:05:03 | 0:05:04 | |
RUMBLE OF TRAINS | 0:05:13 | 0:05:16 | |
Have you found your son? | 0:05:39 | 0:05:40 | |
No, sir. | 0:05:40 | 0:05:42 | |
And he's been missing how long? | 0:05:42 | 0:05:44 | |
Just over a week. | 0:05:44 | 0:05:47 | |
-And you've been looking for him? -Very hard, yeah. | 0:05:47 | 0:05:50 | |
Your son is the sword that I've got dangling over your head, | 0:05:52 | 0:05:55 | |
and then suddenly he's gone - bazinga! Penn and Teller, | 0:05:55 | 0:05:59 | |
disappeared into a puff of magic. | 0:05:59 | 0:06:00 | |
There was nothing magic about it, I can tell you that much. | 0:06:00 | 0:06:03 | |
So you didn't suggest to him that he slice himself up | 0:06:03 | 0:06:05 | |
-and get himself sent to hospital? -Why would I do that? | 0:06:05 | 0:06:07 | |
Cos it's a lot easier for your boy to | 0:06:07 | 0:06:09 | |
escape from a hospital than a secure unit. | 0:06:09 | 0:06:12 | |
And once he's free, so are you, | 0:06:12 | 0:06:15 | |
of me, of Hicks. | 0:06:15 | 0:06:17 | |
-That's not what happened. -Then what did? -I don't know. | 0:06:17 | 0:06:19 | |
I'll tell you when I find him. | 0:06:19 | 0:06:22 | |
Choose a side, Elaine. | 0:06:24 | 0:06:27 | |
All right, I'll choose a side when you tell me what this is all about. | 0:06:27 | 0:06:30 | |
Because we both know that Hicks didn't kill Alex Butler. | 0:06:30 | 0:06:32 | |
So, come on. Why do you want him so badly? | 0:06:32 | 0:06:35 | |
What, you still think this is about me? | 0:06:35 | 0:06:38 | |
That I'm set on revenge because Charlie Hicks shtupped my wife | 0:06:38 | 0:06:40 | |
at the Christmas party? | 0:06:40 | 0:06:42 | |
Well, I don't have a wife. I have a husband. | 0:06:42 | 0:06:46 | |
And none of this has got anything to do with me and what I want. | 0:06:46 | 0:06:50 | |
This comes from above my head. | 0:06:50 | 0:06:52 | |
Someone on high wants Charlie Hicks defenestrated. | 0:06:52 | 0:06:56 | |
-Who on high? -KNOCKING AT DOOR | 0:06:56 | 0:06:58 | |
-Sorry, guv. Got a call. -That's fine. | 0:06:58 | 0:07:01 | |
I think DI Renko and I have gone through this morning's agenda. | 0:07:01 | 0:07:04 | |
Yeah. Thank you, sir. | 0:07:04 | 0:07:06 | |
-What have we got? -Victim's a Noah Underhill. | 0:07:08 | 0:07:10 | |
-OK? -Yeah. | 0:07:17 | 0:07:19 | |
-I'm out the door. Send details. -On their way. | 0:07:21 | 0:07:23 | |
-Morning, sir. -Morning. | 0:07:35 | 0:07:37 | |
RADIO CHATTER | 0:07:38 | 0:07:41 | |
What, that bad? | 0:07:44 | 0:07:46 | |
-Morning, Keith. -Boss. | 0:07:58 | 0:08:00 | |
He's divorced, lives alone. | 0:08:06 | 0:08:08 | |
We think the killer broke into the house while he was out running. | 0:08:08 | 0:08:10 | |
He liked to run at night. Which is a thing people do, apparently... | 0:08:10 | 0:08:14 | |
..for reasons. | 0:08:14 | 0:08:15 | |
The... | 0:08:18 | 0:08:20 | |
The killer took an ice pick to... | 0:08:22 | 0:08:24 | |
His genitals, Keith. You can say it. | 0:08:26 | 0:08:29 | |
The killer took an ice pick to the victim's penis and testicles. | 0:08:29 | 0:08:32 | |
Well, someone was miffed. | 0:08:34 | 0:08:36 | |
I mean, why cant we all just get along and stop ice-picking | 0:08:37 | 0:08:39 | |
-each other's wing-wangs? -THEY CHUCKLE | 0:08:39 | 0:08:41 | |
Have we got a name? | 0:08:48 | 0:08:50 | |
Underhill. First name, Noah. | 0:08:50 | 0:08:52 | |
-Where's Elaine? -She's on her way. | 0:08:57 | 0:09:00 | |
The guvnor called her in for a talk. | 0:09:00 | 0:09:03 | |
Listen, just... Just give me a tick. | 0:09:03 | 0:09:05 | |
MOBILE PHONE RINGS | 0:09:12 | 0:09:14 | |
-DCI Hicks. -He's a tinker, isn't he? | 0:09:17 | 0:09:20 | |
-Who is? -Elaine's boy, Daniel, who do you think? | 0:09:22 | 0:09:25 | |
-What have you done? -I mean, an ice pick to the privates. | 0:09:27 | 0:09:31 | |
That's got to be a "ten from Len". | 0:09:31 | 0:09:33 | |
Wait a minute. Are you here? Are you watching this? | 0:09:35 | 0:09:40 | |
Listen to me, Charlie. Stop looking for me and listen. | 0:09:40 | 0:09:43 | |
We turned the place over before the first responders got to the scene, | 0:09:43 | 0:09:46 | |
but we couldn't find the flash drive. | 0:09:46 | 0:09:48 | |
Oh. Here comes trouble. | 0:09:48 | 0:09:51 | |
Elaine's about to do all she can to save her child. | 0:10:08 | 0:10:10 | |
She will dig her own grave in the process. | 0:10:10 | 0:10:12 | |
All you have to do is get that flash drive | 0:10:12 | 0:10:14 | |
and she is out of our lives, safely, with no more blood shed. | 0:10:14 | 0:10:17 | |
Fuck, I can't just go blundering about into a crime scene. | 0:10:17 | 0:10:20 | |
Well, if it were me, I would follow Elaine. | 0:10:20 | 0:10:24 | |
She must know where it's hidden. | 0:10:24 | 0:10:26 | |
Just let her find it and take it from her. | 0:10:26 | 0:10:28 | |
And then what? What happens to Elaine? | 0:10:28 | 0:10:30 | |
She's trying to hang you, Charlie. | 0:10:30 | 0:10:33 | |
Just let her hang herself instead. | 0:10:33 | 0:10:35 | |
Anyway, I've got to go. | 0:10:35 | 0:10:37 | |
-Hey. -So, what are we looking at? | 0:10:37 | 0:10:40 | |
-Morning. -How's it going? -Yeah, tip-top. | 0:10:51 | 0:10:54 | |
-Do we know what he did for a living? -He was a personal tutor. -For? | 0:11:01 | 0:11:05 | |
-Rich people with dense kids. -Any funny business? | 0:11:05 | 0:11:08 | |
You know, with his...pupils? | 0:11:08 | 0:11:11 | |
-Nothing that we know of. -But that doesn't mean no. | 0:11:13 | 0:11:15 | |
And revenge for sexual assault would explain the winkle. | 0:11:15 | 0:11:18 | |
Any forensics? | 0:11:18 | 0:11:19 | |
Nice trainer print outside, size 8, | 0:11:19 | 0:11:21 | |
but other than that, he was pretty cautious. | 0:11:21 | 0:11:25 | |
He? We like someone for it? | 0:11:25 | 0:11:29 | |
-Not yet, no. -So it's not necessarily a he. | 0:11:29 | 0:11:31 | |
Well, she'd have to be a strong woman. | 0:11:31 | 0:11:33 | |
-What, and women can't be strong? -Yeah, Keith, check your privilege. | 0:11:33 | 0:11:36 | |
-My wife won't let me. -And nothing was taken? | 0:11:36 | 0:11:39 | |
Well, the place has been turned over, but his computer's still | 0:11:39 | 0:11:41 | |
here, the TV, the DVD player. | 0:11:41 | 0:11:44 | |
Haven't found the victim's phone yet, though. | 0:11:44 | 0:11:46 | |
So the killer took it? | 0:11:46 | 0:11:47 | |
If he did, he had the presence of mind to power it down. | 0:11:47 | 0:11:50 | |
So it won't be much use without the password, then? | 0:11:50 | 0:11:52 | |
Fingerprint detection's capacitive. | 0:11:52 | 0:11:54 | |
Even if the victim's bleeding out, the killer could have | 0:11:54 | 0:11:57 | |
used his fingerprint, unlocked the phone, and reset the password. | 0:11:57 | 0:11:59 | |
Either way, the second he powers up that phone, we'll have him. | 0:11:59 | 0:12:03 | |
OK, good. | 0:12:03 | 0:12:05 | |
Well, hello there. George. | 0:14:05 | 0:14:08 | |
MOBILE PHONE VIBRATES George. | 0:14:13 | 0:14:15 | |
Boss, the victim's phone's been powered up. | 0:14:15 | 0:14:17 | |
Nice one. Listen, patch it through, all right? | 0:14:17 | 0:14:20 | |
He's turned on the phone. | 0:14:21 | 0:14:24 | |
We've got him. | 0:14:24 | 0:14:25 | |
-How long is this going to take? -Herbie? | 0:14:31 | 0:14:34 | |
Not long. We know the phone's still in London. | 0:14:34 | 0:14:37 | |
We're triangulating the signal now. | 0:14:37 | 0:14:39 | |
And...boom. Got him. | 0:14:52 | 0:14:54 | |
He's in here somewhere. | 0:14:56 | 0:14:58 | |
Sending you the feeds now. | 0:14:59 | 0:15:01 | |
What about this scabby little nutsack? | 0:15:06 | 0:15:09 | |
Herbie, can you zoom into the blonde kid playing on his phone? | 0:15:10 | 0:15:13 | |
-There. -Moving in. | 0:15:13 | 0:15:15 | |
PHONE PINGS | 0:15:45 | 0:15:47 | |
What's he doing? | 0:15:53 | 0:15:55 | |
Herbie, has he seen something? Have you got uniforms on the scene? | 0:15:55 | 0:15:57 | |
Not yet. Officers are en route. | 0:15:57 | 0:15:59 | |
Phone's off. We can still keep eyes on him. | 0:16:07 | 0:16:09 | |
Lost him. Sorry. | 0:16:39 | 0:16:42 | |
Boss, can I have a word? | 0:16:47 | 0:16:50 | |
Yeah, of course. | 0:16:50 | 0:16:52 | |
-What, now? -Yeah, outside. | 0:16:52 | 0:16:54 | |
I just got a text. It's about my son, Daniel. | 0:17:05 | 0:17:07 | |
Sorry, I'll have to sit this one out. | 0:17:07 | 0:17:09 | |
-Is he OK? -Not really, no. | 0:17:13 | 0:17:15 | |
-Well, I need you here. -Yeah, I know. | 0:17:19 | 0:17:22 | |
But he comes first. | 0:17:22 | 0:17:23 | |
Yeah, yeah, sure. | 0:17:29 | 0:17:31 | |
-Listen, you do what you've got to do. -Right, cheers, boss. | 0:17:31 | 0:17:33 | |
I'll make up the time. | 0:17:33 | 0:17:35 | |
SHE WHIMPERS QUIETLY | 0:18:06 | 0:18:09 | |
SHE BREATHES ERRATICALLY | 0:18:29 | 0:18:32 | |
You can relax now, Charlie. I think we can take it from here. | 0:19:05 | 0:19:07 | |
She hasn't got it. Her son's got it. Daniel. | 0:19:07 | 0:19:10 | |
Listen, Elaine's trying to get to him before the police can. | 0:19:12 | 0:19:15 | |
She is on her last nerves here, so let me handle this. | 0:19:15 | 0:19:17 | |
Because she trusts you? | 0:19:19 | 0:19:22 | |
I wouldn't call it that. | 0:19:24 | 0:19:27 | |
You should be working for us. | 0:19:27 | 0:19:29 | |
All right, there's no need to get nasty. | 0:19:29 | 0:19:31 | |
It's a genuine offer. | 0:19:31 | 0:19:33 | |
We'll need people like you in the days to come. | 0:19:33 | 0:19:36 | |
And what is to come? | 0:19:36 | 0:19:38 | |
Eh? What is it? | 0:19:38 | 0:19:40 | |
Do you ever read the Bible? | 0:19:46 | 0:19:49 | |
Only the rude bits. | 0:19:49 | 0:19:51 | |
"And I looked and behold a pale horse, and his name that sat on him | 0:19:54 | 0:19:59 | |
"was Death." | 0:19:59 | 0:20:01 | |
"And Hell followed with him." | 0:20:03 | 0:20:05 | |
Then why does it even matter? | 0:20:09 | 0:20:12 | |
Hmm? | 0:20:12 | 0:20:13 | |
The file and Elaine? | 0:20:14 | 0:20:16 | |
Cos whatever you do, people are going to know eventually. | 0:20:17 | 0:20:21 | |
I made a promise. | 0:20:22 | 0:20:23 | |
What, to the Government? | 0:20:23 | 0:20:25 | |
HE SCOFFS | 0:20:25 | 0:20:26 | |
-Sod the Government. -It's not about the Government. | 0:20:26 | 0:20:29 | |
I just want to hang on to this for as long as I can, Charlie. | 0:20:31 | 0:20:35 | |
Normality. | 0:20:37 | 0:20:38 | |
I just want to treasure what we've got, while we've got it. | 0:20:41 | 0:20:44 | |
You just keep your people out of my way. | 0:20:49 | 0:20:51 | |
I'll get you your flash drive. And then we're done. | 0:20:52 | 0:20:55 | |
VIDEO GAME SOUND EFFECTS | 0:21:08 | 0:21:11 | |
DOORBELL RINGS | 0:21:13 | 0:21:15 | |
Simone! Hi! | 0:21:30 | 0:21:31 | |
Hi. Sorry, have you got five minutes? | 0:21:31 | 0:21:34 | |
Yeah, yeah, of course. Come on in. | 0:21:36 | 0:21:38 | |
Oh, my God! Oh, congratulations! | 0:21:38 | 0:21:41 | |
Thanks. | 0:21:41 | 0:21:42 | |
I mean, come in! Put your feet up. | 0:21:42 | 0:21:44 | |
-Hey, I've brought cake. -Oh! | 0:21:44 | 0:21:46 | |
I'm sorry I haven't been round. | 0:21:54 | 0:21:56 | |
You give someone space because you think they probably need it. | 0:21:56 | 0:21:59 | |
Then, before you know it, months have gone past | 0:21:59 | 0:22:01 | |
and you feel like you've abandoned them. | 0:22:01 | 0:22:04 | |
Nobody abandoned anyone. | 0:22:04 | 0:22:06 | |
Life moves on. Takes you with it. | 0:22:06 | 0:22:08 | |
But you still see 'em? The others? | 0:22:10 | 0:22:11 | |
Sometimes, yeah. Erm... | 0:22:12 | 0:22:15 | |
Keith makes the effort, drops round the odd shepherd's pie. | 0:22:15 | 0:22:18 | |
Erm, Herbie, sometimes. | 0:22:18 | 0:22:21 | |
It's hard for them, you know. | 0:22:22 | 0:22:23 | |
They see me and then they see this absence, next to me. | 0:22:25 | 0:22:30 | |
And Charlie? When's the last time you saw him? | 0:22:31 | 0:22:34 | |
I don't know, really. | 0:22:36 | 0:22:37 | |
But you do still see him? | 0:22:37 | 0:22:39 | |
Yeah. Sometimes. I mean - yeah. | 0:22:40 | 0:22:43 | |
The reason I ask is cos every time I mention your name... | 0:22:47 | 0:22:51 | |
..ask how you're doing or whatever, he...he clams up. | 0:22:52 | 0:22:56 | |
He won't talk about you. | 0:22:57 | 0:22:59 | |
But I know he cares about you. | 0:23:02 | 0:23:04 | |
Yeah, I know he does. | 0:23:07 | 0:23:09 | |
I know he cares about us. | 0:23:09 | 0:23:11 | |
It's just, the thing about Charlie - he likes to look after people. | 0:23:12 | 0:23:18 | |
It's like a nervous compulsion. | 0:23:19 | 0:23:21 | |
And you mean so much to him. | 0:23:22 | 0:23:24 | |
And he loves you. | 0:23:24 | 0:23:26 | |
But he thinks he let you down. | 0:23:27 | 0:23:28 | |
You, Alex and Owen. | 0:23:30 | 0:23:33 | |
But that's not true. | 0:23:34 | 0:23:36 | |
He didn't. | 0:23:37 | 0:23:38 | |
Could you just... | 0:23:40 | 0:23:42 | |
..look him in the eye and tell him it wasn't his fault? | 0:23:42 | 0:23:45 | |
Alex... | 0:23:48 | 0:23:50 | |
He died and it...it was horrible. | 0:23:50 | 0:23:52 | |
But it wasn't his fault. | 0:23:54 | 0:23:56 | |
KNOCKING | 0:24:07 | 0:24:08 | |
Fran? Hi, I'm Gretchen Ross from Social Services. | 0:24:11 | 0:24:15 | |
We spoke on the phone. | 0:24:15 | 0:24:16 | |
About Daniel Renko? | 0:24:18 | 0:24:20 | |
Oh, of course, yes. Come in. | 0:24:20 | 0:24:23 | |
-You'll have to excuse the mess. -Oh, not at all. | 0:24:23 | 0:24:25 | |
So what can you tell me about Daniel? | 0:24:29 | 0:24:32 | |
You were his last foster family? | 0:24:32 | 0:24:34 | |
-That's right. -How was he? How did he fit in? | 0:24:34 | 0:24:37 | |
Look, there's usually a honeymoon period | 0:24:39 | 0:24:43 | |
where a child is sizing you up. | 0:24:43 | 0:24:45 | |
It can be a very anxious time. | 0:24:45 | 0:24:48 | |
Rejection or abuse by the birth mother has proved | 0:24:49 | 0:24:52 | |
that they're not worth loving. Not worth trusting. | 0:24:52 | 0:24:55 | |
Not worth much of anything, really. | 0:24:55 | 0:24:58 | |
So they act out, trying to | 0:24:59 | 0:25:00 | |
end a placement before someone else takes it away from them. | 0:25:00 | 0:25:04 | |
They're disruptive and violent. | 0:25:04 | 0:25:07 | |
They set fires. Start fights. Self-medicate. | 0:25:07 | 0:25:12 | |
And Daniel acted out like that? | 0:25:15 | 0:25:17 | |
He was a very damaged boy. | 0:25:17 | 0:25:19 | |
We tried our best. | 0:25:21 | 0:25:22 | |
But he needed more than we could give. | 0:25:22 | 0:25:24 | |
You are aware that Daniel recently got placed in a secure unit? | 0:25:25 | 0:25:29 | |
Apparently. I think he attacked his birth mother? | 0:25:29 | 0:25:33 | |
-That's right. -How is she? | 0:25:33 | 0:25:35 | |
She's fine. She'll be OK. | 0:25:36 | 0:25:39 | |
I'm glad to hear she's all right. | 0:25:39 | 0:25:41 | |
Just over a week ago, Daniel absconded. | 0:25:44 | 0:25:47 | |
Is there anything you can tell us that might help find him? | 0:25:47 | 0:25:49 | |
A place he'd go? A friend he'd rely on? | 0:25:49 | 0:25:52 | |
Not really. Sorry. | 0:25:52 | 0:25:54 | |
He was very private. He barely spoke. | 0:25:54 | 0:25:57 | |
Actually, there was a place. | 0:26:06 | 0:26:09 | |
Somewhere he'd run to, basically, | 0:26:10 | 0:26:12 | |
back when he was with his previous family. | 0:26:12 | 0:26:14 | |
And... And where was that? Do you... Do you remember? | 0:26:14 | 0:26:17 | |
BIRDS FLUTTER | 0:27:34 | 0:27:36 | |
I know why you did it. | 0:27:43 | 0:27:45 | |
It wasn't right, but I get it. | 0:27:46 | 0:27:50 | |
How'd you find me? | 0:27:55 | 0:27:56 | |
It's my job to find people. | 0:28:01 | 0:28:02 | |
Is that why you're here, then? For your job? | 0:28:02 | 0:28:05 | |
No. | 0:28:05 | 0:28:07 | |
He was a rapist. He deserved it. | 0:28:07 | 0:28:10 | |
I know, but that's not how it works. | 0:28:10 | 0:28:12 | |
It should be. | 0:28:12 | 0:28:13 | |
Some people think so, yeah. | 0:28:13 | 0:28:15 | |
But not you. | 0:28:16 | 0:28:17 | |
No. Not me. | 0:28:18 | 0:28:20 | |
He gave me something. | 0:28:24 | 0:28:25 | |
He was lying on the floor. He was bleeding. | 0:28:31 | 0:28:35 | |
He said, "I know why you're here." And he sent me to get this. | 0:28:35 | 0:28:38 | |
Have you looked at it? | 0:28:40 | 0:28:41 | |
Why? | 0:28:41 | 0:28:42 | |
Have you? Have you looked at it? | 0:28:42 | 0:28:44 | |
No. | 0:28:46 | 0:28:48 | |
What is it? | 0:28:48 | 0:28:49 | |
Look, it doesn't matter. | 0:28:49 | 0:28:51 | |
So, are you here for me? Or you here for this? | 0:28:51 | 0:28:54 | |
I'm here for you, Daniel. I'm here to help you. | 0:28:54 | 0:28:56 | |
BIRD FLUTTERS AND CHEEPS | 0:28:56 | 0:28:58 | |
-Come on! -No! | 0:29:02 | 0:29:04 | |
Daniel, run! | 0:29:04 | 0:29:05 | |
DANIEL SHOUTS | 0:29:06 | 0:29:08 | |
Charlie! Let him go. | 0:29:08 | 0:29:10 | |
I get the flash drive | 0:29:10 | 0:29:11 | |
and we forget I ever clapped eyes on Jack the Ripper here. | 0:29:11 | 0:29:15 | |
Everyone's laughing. | 0:29:15 | 0:29:17 | |
You're doing this for them? | 0:29:17 | 0:29:19 | |
No, Elaine. My kids. | 0:29:19 | 0:29:21 | |
You think you're putting your family first but you're not. | 0:29:21 | 0:29:23 | |
Tell him to give me the flash drive! | 0:29:23 | 0:29:26 | |
Or I'll break his arm. | 0:29:26 | 0:29:28 | |
Tell him! | 0:29:28 | 0:29:29 | |
I saw the file you gave him. | 0:29:32 | 0:29:34 | |
How else did he get it? | 0:29:34 | 0:29:36 | |
You do what you've got to. | 0:29:36 | 0:29:38 | |
But you were wrong. | 0:29:38 | 0:29:39 | |
Noah wasn't Daniel's father. | 0:29:40 | 0:29:42 | |
Bullshit. | 0:29:45 | 0:29:46 | |
My parents thought he was. | 0:29:46 | 0:29:49 | |
But he wasn't. He was a good man. | 0:29:49 | 0:29:51 | |
He was a really good man. | 0:29:53 | 0:29:55 | |
But he looked like me. | 0:29:55 | 0:29:56 | |
And now he's dead, not because of Daniel, because of YOU, Charlie! | 0:29:56 | 0:29:59 | |
-But he looked like me! -No, it's all right, mate. | 0:29:59 | 0:30:03 | |
No, she's lying. | 0:30:03 | 0:30:05 | |
Yeah. Yeah, we both know she's a liar. | 0:30:05 | 0:30:08 | |
I don't think she can help it. | 0:30:08 | 0:30:11 | |
HICKS GROANS IN PAIN | 0:30:11 | 0:30:13 | |
Run! | 0:30:13 | 0:30:15 | |
Daniel! Stop! | 0:30:22 | 0:30:24 | |
RENKO MOANS IN PAIN | 0:30:30 | 0:30:32 | |
Daniel! Stop! | 0:30:39 | 0:30:41 | |
HICKS GRUNTS AND COUGHS | 0:31:21 | 0:31:24 | |
She was lying. | 0:31:27 | 0:31:30 | |
He was my dad. | 0:31:30 | 0:31:32 | |
I know. I know, mate. | 0:31:35 | 0:31:37 | |
MOBILE PHONE RINGS | 0:31:55 | 0:31:58 | |
-You catch him? -Not yet. But I will. -No, you won't. | 0:32:01 | 0:32:06 | |
What, is that supposed be some sort of a threat? | 0:32:06 | 0:32:09 | |
-You've got no cards to play here, mate. -You think? | 0:32:09 | 0:32:13 | |
If you had anything on Alex Butler - anything at all - | 0:32:13 | 0:32:16 | |
-I'd know about it by now. -But what about his wife? | 0:32:16 | 0:32:19 | |
What, you think Mari's going to believe any of your paranoid | 0:32:19 | 0:32:22 | |
-bullshit? -What I mean is, | 0:32:22 | 0:32:24 | |
how's everyone going to react to know that you're screwing her? | 0:32:24 | 0:32:28 | |
I mean, Charlie Hicks, right? | 0:32:29 | 0:32:31 | |
He's not perfect but, Christ almighty, he's loyal. | 0:32:31 | 0:32:34 | |
So what will they think? Mishal, Herbie, George, Keith. | 0:32:34 | 0:32:38 | |
I mean, that's bad enough... | 0:32:38 | 0:32:40 | |
..but what about Simone and Hailey? | 0:32:42 | 0:32:44 | |
PHONE VIBRATES | 0:32:47 | 0:32:49 | |
You get away from my house. | 0:33:00 | 0:33:02 | |
I can take it all away. | 0:33:02 | 0:33:04 | |
All the people you love. | 0:33:04 | 0:33:06 | |
I can make them detest you, | 0:33:06 | 0:33:08 | |
and you'll have no-one. | 0:33:08 | 0:33:10 | |
What, so I get a taste of what it's like to be you? | 0:33:10 | 0:33:13 | |
Don't pretend you're not terrified. | 0:33:13 | 0:33:15 | |
See, the funny thing is, Elaine, | 0:33:15 | 0:33:17 | |
that you think you understand me so well. | 0:33:17 | 0:33:21 | |
But you don't even understand yourself. | 0:33:21 | 0:33:24 | |
See, the thing about loving someone - | 0:33:24 | 0:33:26 | |
and I mean really loving someone - | 0:33:26 | 0:33:30 | |
is that it's not about them liking you. | 0:33:30 | 0:33:33 | |
It's about doing what's best for them, | 0:33:33 | 0:33:37 | |
no matter the cost. | 0:33:37 | 0:33:38 | |
I mean, look at yourself. | 0:33:40 | 0:33:42 | |
Look at what you're doing right now. | 0:33:42 | 0:33:45 | |
-I mean, that's love, that is. -Stay away from my son. | 0:33:45 | 0:33:48 | |
-He's a murderer! -There's a lot of them around, and in a few months | 0:33:48 | 0:33:51 | |
it's not going to matter who's a killer and who's not. | 0:33:51 | 0:33:54 | |
You say one word to Simone... | 0:33:54 | 0:33:57 | |
..one word... | 0:33:57 | 0:33:59 | |
-and I will end you. -That's big words, Charlie. | 0:33:59 | 0:34:04 | |
No, no, no, no. | 0:34:04 | 0:34:06 | |
We're in a whole other level now. | 0:34:06 | 0:34:08 | |
You've just taken this to a new place. | 0:34:08 | 0:34:10 | |
I mean, they send you after me, | 0:34:10 | 0:34:11 | |
what do I care? You're no threat to me. | 0:34:11 | 0:34:14 | |
It's not even like I don't like you, because basically I do, | 0:34:14 | 0:34:16 | |
but if you take this to Simone and | 0:34:16 | 0:34:19 | |
Hailey, I will kill you, stone dead. | 0:34:19 | 0:34:22 | |
I will finish you! | 0:34:22 | 0:34:26 | |
Five years, Charlie. | 0:34:26 | 0:34:28 | |
Leave my son alone. | 0:34:28 | 0:34:30 | |
DOOR IS UNLOCKED | 0:35:05 | 0:35:07 | |
DISTANT SIREN | 0:35:09 | 0:35:12 | |
Is Stef here? | 0:35:12 | 0:35:15 | |
Who? | 0:35:15 | 0:35:17 | |
Stefan? | 0:35:17 | 0:35:18 | |
Stef. | 0:36:04 | 0:36:06 | |
Stef. | 0:36:09 | 0:36:11 | |
-You know him? -Yeah. | 0:36:11 | 0:36:13 | |
Just wanted to stay for a bit. | 0:36:16 | 0:36:18 | |
So stay for a bit. | 0:36:19 | 0:36:21 | |
MOBILE PHONE RINGS | 0:36:42 | 0:36:44 | |
Hey! Listen, I can't talk right now. | 0:36:47 | 0:36:49 | |
I'm having a bit of a day here. | 0:36:49 | 0:36:52 | |
She's pregnant! | 0:36:52 | 0:36:54 | |
Well, who told you? | 0:36:56 | 0:36:58 | |
Was it Elaine? | 0:36:58 | 0:36:59 | |
No-one told me anything, that's the point! | 0:36:59 | 0:37:01 | |
-Well, how'd you find out? -Like that's what matters?! -Look, I just... | 0:37:01 | 0:37:04 | |
Sorry, look, I'm trying to follow you here, all right? | 0:37:04 | 0:37:07 | |
I'm... I'm not following. | 0:37:07 | 0:37:09 | |
Simone came round. | 0:37:09 | 0:37:11 | |
-What for? -She wanted me to talk to you. | 0:37:11 | 0:37:15 | |
-About? -Alex. | 0:37:15 | 0:37:17 | |
Look, I don't get it. What did she want you to say? | 0:37:19 | 0:37:21 | |
She knows something's wrong! | 0:37:21 | 0:37:24 | |
She's scared for you. | 0:37:24 | 0:37:26 | |
Listen... | 0:37:31 | 0:37:33 | |
I know we've never spoken about it, because we can't... | 0:37:36 | 0:37:40 | |
..but I do know what you did for us... | 0:37:40 | 0:37:42 | |
..and I know what it cost you. | 0:37:43 | 0:37:45 | |
I know it every second of every day. | 0:37:47 | 0:37:49 | |
But Simone asked me to talk to you, your wife... | 0:37:51 | 0:37:56 | |
..so now I'm talking to you. | 0:37:58 | 0:38:00 | |
This has got to end, me and you. | 0:38:05 | 0:38:08 | |
It's not good, it's not healthy. | 0:38:11 | 0:38:14 | |
You need to be a husband to your wife | 0:38:14 | 0:38:16 | |
and a father to your kids. | 0:38:16 | 0:38:18 | |
And I need... | 0:38:19 | 0:38:21 | |
What? What do you need? | 0:38:23 | 0:38:25 | |
I need to be clear of it. | 0:38:30 | 0:38:32 | |
I need to stop looking back and start looking towards the future. | 0:38:34 | 0:38:38 | |
Yeah, well, what future? | 0:38:39 | 0:38:42 | |
What, I can't have a future without you? | 0:38:42 | 0:38:44 | |
No, sorry, listen, Mari, that's not what I meant! It's not... | 0:38:44 | 0:38:47 | |
Mari, listen! Mari! | 0:38:47 | 0:38:48 | |
PHONE ACTIVATES | 0:39:43 | 0:39:45 | |
Herbie. | 0:39:48 | 0:39:50 | |
HE GROANS | 0:39:54 | 0:39:55 | |
MOBILE PHONE RINGS | 0:39:57 | 0:39:59 | |
All right, good news or I hang up. | 0:40:01 | 0:40:04 | |
Victim's phone is back on the grid. We are in business. | 0:40:04 | 0:40:07 | |
Right, that's great news. | 0:40:07 | 0:40:08 | |
All right, kick bollocks, scramble everything we've got. | 0:40:08 | 0:40:11 | |
I'll see you there. | 0:40:11 | 0:40:13 | |
I'm having that manky little plum for my dinner. | 0:40:13 | 0:40:15 | |
OK, let's go! | 0:40:19 | 0:40:21 | |
-RADIO: -Whisky three, currently en root to apprehend. Murder suspect, | 0:40:21 | 0:40:25 | |
potentially armed and dangerous. | 0:40:25 | 0:40:28 | |
Armed response unit requested. | 0:40:28 | 0:40:30 | |
Proceeding to 13 Lombard Close. | 0:40:30 | 0:40:33 | |
Echo, one, three, Romeo, Charlie. | 0:40:33 | 0:40:35 | |
Which unit's closest? | 0:40:37 | 0:40:40 | |
All right, tell her to get there as soon as possible. | 0:40:40 | 0:40:43 | |
We're en route. | 0:40:43 | 0:40:44 | |
Hey. I'm looking for Daniel. | 0:40:53 | 0:40:55 | |
I don't know any Daniels. Sorry. | 0:40:58 | 0:41:01 | |
Do you mind if I pop in, | 0:41:01 | 0:41:03 | |
have a look around, see if he's here? | 0:41:03 | 0:41:05 | |
Hey, Daniel. | 0:41:13 | 0:41:15 | |
How are you? | 0:41:16 | 0:41:18 | |
Can you tell me where it is, Daniel? | 0:41:21 | 0:41:24 | |
Can you help me find a flash drive? | 0:41:24 | 0:41:26 | |
Did you hide it somewhere? | 0:41:34 | 0:41:37 | |
Give it to someone? | 0:41:37 | 0:41:39 | |
Did you give it to Elaine? | 0:41:43 | 0:41:46 | |
Is that what you did? You gave it to your mum? | 0:41:46 | 0:41:49 | |
That was good, Daniel. | 0:41:56 | 0:41:58 | |
Very clever thinking. | 0:41:58 | 0:42:00 | |
Can I get some more of what he's having? | 0:42:05 | 0:42:07 | |
How much more? | 0:42:09 | 0:42:12 | |
A lot. | 0:42:12 | 0:42:14 | |
SIRENS | 0:42:33 | 0:42:35 | |
Sshhh. It's OK. | 0:42:49 | 0:42:51 | |
Sshhh. | 0:42:51 | 0:42:53 | |
TYRES SCREECH | 0:42:53 | 0:42:55 | |
LINE RINGING | 0:43:03 | 0:43:05 | |
Renko's here for the boy. She's got the flash drive. | 0:43:05 | 0:43:08 | |
Control the situation. We'll be there shortly. | 0:43:08 | 0:43:11 | |
Roger that. | 0:43:11 | 0:43:13 | |
Herbie, how long before armed response are on the scene? | 0:43:13 | 0:43:15 | |
ETA seven minutes. Where are you? | 0:43:15 | 0:43:17 | |
I'm en route. | 0:43:17 | 0:43:19 | |
I'll be there in ten, they'll have to start without me. | 0:43:19 | 0:43:22 | |
Where's Daniel? | 0:43:30 | 0:43:32 | |
SHE GRUNTS | 0:43:32 | 0:43:34 | |
GUN CLICKS | 0:43:39 | 0:43:41 | |
-What did you give him? -Enough. | 0:43:48 | 0:43:51 | |
But he can still live. | 0:43:52 | 0:43:55 | |
There's still time, if you can keep him awake, | 0:43:55 | 0:43:59 | |
get him to Accident and Emergency and give him a shot of naloxone. | 0:43:59 | 0:44:02 | |
You know what I want. | 0:44:04 | 0:44:06 | |
Give me that flash drive and he's all yours. | 0:44:09 | 0:44:12 | |
-So you'll just let me take him? -Absolutely. | 0:44:16 | 0:44:18 | |
-And I believe that? -Why not? | 0:44:18 | 0:44:21 | |
I'll have forgotten you both by tea-time. | 0:44:21 | 0:44:23 | |
OK. | 0:44:32 | 0:44:34 | |
-How do we do it? -Have you got it on you? | 0:44:36 | 0:44:38 | |
In my pocket. | 0:44:38 | 0:44:40 | |
Reach into your pocket. | 0:44:40 | 0:44:42 | |
Move slowly. | 0:44:42 | 0:44:44 | |
Throw it to me. | 0:44:45 | 0:44:47 | |
Underarm. | 0:44:47 | 0:44:48 | |
Daniel, Daniel, you stay awake, OK? | 0:45:14 | 0:45:17 | |
I'm getting you out of here but we need that phone. | 0:45:17 | 0:45:20 | |
Daniel, it's got your fingerprints on it. Your DNA. | 0:45:20 | 0:45:23 | |
Wake up! Where's the phone? | 0:45:23 | 0:45:25 | |
30 seconds, we're leaving. Stay awake! | 0:45:27 | 0:45:30 | |
DOOR SLAMS | 0:45:34 | 0:45:35 | |
Phone. | 0:45:37 | 0:45:38 | |
What phone? | 0:45:40 | 0:45:41 | |
That's all I've got. So take it and give me the phone. | 0:45:45 | 0:45:49 | |
And your cards. | 0:45:50 | 0:45:52 | |
Take it and give me the phone | 0:45:52 | 0:45:53 | |
and I'll let you leave this shitbox with the use of your limbs. | 0:45:53 | 0:45:55 | |
Mishal? He's powered off his phone. | 0:46:04 | 0:46:06 | |
-He may be moving on. -We're five minutes out. | 0:46:06 | 0:46:08 | |
SIREN WAILS | 0:46:08 | 0:46:11 | |
TYRES SCREECH OUTSIDE | 0:46:22 | 0:46:23 | |
MEN GRUNT | 0:46:36 | 0:46:38 | |
What's this? | 0:46:49 | 0:46:50 | |
Hey, I said that I would take care of it. | 0:46:50 | 0:46:52 | |
And so you did. Now it's time for us to take over. | 0:46:52 | 0:46:55 | |
There's no time for this! | 0:46:55 | 0:46:56 | |
Look, Armed Response are on their way! | 0:46:56 | 0:46:58 | |
Then follow procedure and wait for them to arrive. | 0:46:58 | 0:47:01 | |
This will all be over in a moment, Charlie. | 0:47:02 | 0:47:04 | |
SHOUTING | 0:47:06 | 0:47:08 | |
TASER CRACKLES | 0:47:16 | 0:47:18 | |
VOICES ECHO AND FADE | 0:47:23 | 0:47:26 | |
What happens to Elaine? | 0:47:30 | 0:47:31 | |
We retrieve the flash drive, after which she's no threat | 0:47:32 | 0:47:36 | |
and therefore of no interest. | 0:47:36 | 0:47:39 | |
In a minute or two, the police will arrive to find that Elaine has been protecting her son. | 0:47:39 | 0:47:43 | |
She'll be arrested and charged with - I don't know - | 0:47:43 | 0:47:46 | |
withholding evidence? | 0:47:46 | 0:47:47 | |
Perverting the course of justice? | 0:47:47 | 0:47:50 | |
You've set her up pretty nicely. | 0:47:51 | 0:47:53 | |
And what about Daniel? | 0:47:54 | 0:47:56 | |
Just let her dig her own grave, Charlie. | 0:47:59 | 0:48:01 | |
It's not here. | 0:48:41 | 0:48:42 | |
Tell me where it is, or I'll have to let Daniel pass away. | 0:48:44 | 0:48:49 | |
His breathing's very shallow. It won't be long now. | 0:48:51 | 0:48:54 | |
Well, that's your plan anyway, isn't it? | 0:48:54 | 0:48:57 | |
Get what you want. Kill us, cover your tracks. | 0:48:57 | 0:48:59 | |
It doesn't have to be that way. | 0:49:00 | 0:49:02 | |
Your time is up. | 0:49:04 | 0:49:06 | |
I think we both know that. | 0:49:06 | 0:49:07 | |
But I don't see any reason | 0:49:07 | 0:49:09 | |
why Daniel can't live. | 0:49:09 | 0:49:12 | |
BRAKES SCREECH | 0:49:18 | 0:49:20 | |
HE CHANGES GEAR | 0:49:31 | 0:49:33 | |
If you hurt me, or my son, | 0:49:33 | 0:49:35 | |
your dirty secret's all over the newspapers tonight. | 0:49:35 | 0:49:38 | |
I've been doing this a long time, Elaine. | 0:49:39 | 0:49:41 | |
I know a bluff when I see one. | 0:49:43 | 0:49:45 | |
You've had no time to do anything clever with the file. | 0:49:45 | 0:49:48 | |
So it's no longer in play, is it? | 0:49:48 | 0:49:50 | |
I think we're probably done here. | 0:49:55 | 0:49:57 | |
Take her back for interrogation. | 0:49:57 | 0:50:00 | |
Leave the boy here. His story is over. | 0:50:00 | 0:50:03 | |
No, no, no, no, no! | 0:50:08 | 0:50:11 | |
Daniel! | 0:50:11 | 0:50:12 | |
Just don't! | 0:50:12 | 0:50:13 | |
No! | 0:50:13 | 0:50:15 | |
Daniel! No! | 0:50:15 | 0:50:17 | |
Oh, no! Look! | 0:50:33 | 0:50:35 | |
There's no way out! | 0:50:35 | 0:50:37 | |
DISTANT SIRENS | 0:50:37 | 0:50:39 | |
Except that noise you're hearing is a specialist firearms unit, | 0:50:39 | 0:50:42 | |
tooled up with semi-automatics. | 0:50:42 | 0:50:44 | |
Now, you see, if that lot see you lot | 0:50:45 | 0:50:48 | |
with a gun to a police officer's skull, | 0:50:48 | 0:50:51 | |
they will shoot you dead ten times over. | 0:50:51 | 0:50:53 | |
Now, I don't care who you are. | 0:50:56 | 0:50:57 | |
I don't care who you work for. | 0:50:59 | 0:51:00 | |
You don't get to kill children. | 0:51:01 | 0:51:03 | |
Not even mad ones. | 0:51:05 | 0:51:07 | |
So go on, hop in your wanker tanker and piss off! | 0:51:09 | 0:51:13 | |
SIRENS APPROACH | 0:51:25 | 0:51:27 | |
Here they come. | 0:51:27 | 0:51:28 | |
Ready or not. | 0:51:31 | 0:51:32 | |
Armed police! | 0:51:46 | 0:51:47 | |
Armed police! | 0:51:49 | 0:51:51 | |
-Armed police! -Armed police! Do not move! | 0:51:53 | 0:51:55 | |
Daniel! Stay with us, mate! | 0:51:59 | 0:52:01 | |
All right, you hear me? You stay with us! | 0:52:01 | 0:52:04 | |
Stay with me, OK? Stay with me! | 0:52:04 | 0:52:06 | |
Do not fall asleep, you understand me?! | 0:52:06 | 0:52:09 | |
# The Queen was in the parlour Eating all the honey! | 0:52:09 | 0:52:13 | |
# The King was in the chambermaid And she was in the money... # | 0:52:13 | 0:52:16 | |
-Wake up, wake up, wake up! -# Balls to your partner, backs against the wall... | 0:52:16 | 0:52:20 | |
# If you can't get laid on a Saturday night, you'll never get laid at all! # | 0:52:20 | 0:52:23 | |
Stay with us, Daniel! | 0:52:23 | 0:52:25 | |
# Balls to your partner, backs against the wall, | 0:52:27 | 0:52:30 | |
# If you can't get laid on a Saturday night, you'll never get laid at all! # | 0:52:30 | 0:52:34 | |
-Hey. -Hi. | 0:52:49 | 0:52:51 | |
Any news? | 0:52:51 | 0:52:52 | |
He's going to be all right. | 0:52:53 | 0:52:55 | |
Well, let's be fair - | 0:52:57 | 0:52:59 | |
I don't know what "all right" actually means in this context. | 0:52:59 | 0:53:02 | |
Hey, listen, it's not his fault. | 0:53:02 | 0:53:04 | |
You know, the kid's... | 0:53:04 | 0:53:06 | |
Well, he's ill. | 0:53:08 | 0:53:10 | |
We'll take him back to the Secure Unit. We'll tell them... | 0:53:10 | 0:53:14 | |
..I don't know, we found him sleeping rough at Victoria Station or something. | 0:53:15 | 0:53:19 | |
OK. | 0:53:19 | 0:53:20 | |
And what about his dad? | 0:53:23 | 0:53:24 | |
Noah? | 0:53:25 | 0:53:27 | |
Yeah, well, we'll think of something. | 0:53:33 | 0:53:35 | |
And us? | 0:53:36 | 0:53:38 | |
You do know she's going to come for us twice as hard. | 0:53:38 | 0:53:41 | |
Yeah, well, not if we've still got that flash drive. | 0:53:42 | 0:53:45 | |
No! | 0:53:54 | 0:53:55 | |
No, no. | 0:53:57 | 0:53:58 | |
I keep my spare keys in that. | 0:53:58 | 0:54:00 | |
I know. | 0:54:00 | 0:54:01 | |
That is cheeky. | 0:54:01 | 0:54:02 | |
But good. | 0:54:06 | 0:54:07 | |
Very good. | 0:54:09 | 0:54:10 | |
Charlie... | 0:54:18 | 0:54:19 | |
You told me once... | 0:54:22 | 0:54:23 | |
You said you'd protect Daniel if I wasn't about. | 0:54:27 | 0:54:29 | |
Yeah, I know. | 0:54:32 | 0:54:33 | |
I thought you were threatening me. | 0:54:35 | 0:54:36 | |
I know. | 0:54:40 | 0:54:41 | |
I'm so sorry. | 0:54:44 | 0:54:45 | |
Hey, come on, don't be. | 0:54:47 | 0:54:49 | |
Look, you and me... | 0:54:53 | 0:54:55 | |
It doesn't mean you're not a problem. | 0:54:55 | 0:54:57 | |
You're just a problem I have to deal with in my own way. OK? | 0:54:58 | 0:55:02 | |
But I got you so wrong from day one. | 0:55:05 | 0:55:07 | |
Well, I don't know about that. | 0:55:07 | 0:55:10 | |
I honestly thought they were right. | 0:55:10 | 0:55:12 | |
Before I got to know you. | 0:55:12 | 0:55:14 | |
I thought you killed Butler. | 0:55:15 | 0:55:17 | |
Elaine, I... I thought you knew. | 0:55:25 | 0:55:27 | |
Knew what, Charlie? | 0:55:33 | 0:55:35 | |
It was me. | 0:55:51 | 0:55:52 | |
I killed him. | 0:55:54 | 0:55:56 | |
Are you ready for what comes next? | 0:56:00 | 0:56:02 | |
I think someone's out there | 0:56:02 | 0:56:03 | |
killing people who believe they want to die. | 0:56:03 | 0:56:06 | |
No-one trusts you, Charlie. Why should I be the first? | 0:56:06 | 0:56:09 | |
Did they arrest someone for killing Alex? | 0:56:09 | 0:56:11 | |
Someone else? | 0:56:12 | 0:56:13 | |
What kind of man are you? | 0:56:13 | 0:56:15 | |
A sad man? | 0:56:15 | 0:56:16 | |
A lonely man? | 0:56:16 | 0:56:18 | |
A police man? | 0:56:18 | 0:56:20 | |
What happens to a dirty spy who can't be trusted to keep a secret? | 0:56:20 | 0:56:24 | |
And that's what you want, really, isn't it? | 0:56:28 | 0:56:30 | |
Hicks on a plate! | 0:56:30 | 0:56:33 |