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Like your own company, do you? | 0:00:16 | 0:00:18 | |
Don't you? | 0:00:18 | 0:00:20 | |
I was born here. I haven't got a choice. | 0:00:20 | 0:00:23 | |
-We've all got a choice, Delme. -Right. | 0:00:23 | 0:00:25 | |
Good. | 0:00:31 | 0:00:32 | |
Oh, arrived at the farm. | 0:00:35 | 0:00:38 | |
-It's for you. -Thanks. | 0:00:38 | 0:00:40 | |
PHONE RINGS | 0:00:45 | 0:00:47 | |
POLICE RADIO | 0:02:01 | 0:02:04 | |
Call came this morning, sir. Didn't leave a name. Said there was something here we should see. | 0:02:22 | 0:02:26 | |
-Did we get the caller's number? -Pay as you go, sir. Untraceable. Male caller. -Victim's name? | 0:02:26 | 0:02:30 | |
-Idris Williams. -Victim's car? | 0:02:30 | 0:02:32 | |
-I believe so. -Find out when it was last driven. -Yes, sir. | 0:02:32 | 0:02:35 | |
CAMERA SHUTTER | 0:03:05 | 0:03:08 | |
Trauma to the back the head. | 0:04:13 | 0:04:15 | |
Single blow. | 0:04:16 | 0:04:17 | |
Time of death? | 0:04:21 | 0:04:22 | |
Working on it. | 0:04:23 | 0:04:24 | |
NEEDLE ON RECORD PLAYER | 0:04:42 | 0:04:45 | |
TENOR SINGS OPERA | 0:05:04 | 0:05:08 | |
It's like stepping back in time. | 0:06:03 | 0:06:05 | |
Cameras. I don't see any cameras. | 0:06:15 | 0:06:17 | |
Stolen? | 0:06:19 | 0:06:20 | |
Idris Williams. 69 years old. | 0:07:06 | 0:07:09 | |
Lives alone. No wife. No children. | 0:07:09 | 0:07:11 | |
What's the latest on the car? | 0:07:11 | 0:07:13 | |
Regularly taxed and serviced until six years ago. | 0:07:13 | 0:07:16 | |
Hasn't been driven since. | 0:07:16 | 0:07:17 | |
So how does he get about? | 0:07:17 | 0:07:19 | |
He doesn't. Idris doesn't go out into the real world. | 0:07:19 | 0:07:22 | |
The world comes to him. | 0:07:22 | 0:07:24 | |
-Sir? -Nearest shop? Four miles away, you say? | 0:07:24 | 0:07:27 | |
-Pont Erwyd, sir. -That's too far to walk. | 0:07:27 | 0:07:29 | |
There was food in the freezer. Find out who does deliveries. | 0:07:29 | 0:07:32 | |
-What about neighbours? -Closest farm is two miles away, sir. | 0:07:32 | 0:07:35 | |
Talk to them. See what they know. | 0:07:35 | 0:07:36 | |
Let's get the name and addresses of every farm hand | 0:07:36 | 0:07:39 | |
and mechanic that's ever worked on that mountain. | 0:07:39 | 0:07:41 | |
It may be a ghost town now but go back ten years, | 0:07:41 | 0:07:45 | |
Parc y Boda was a fully functioning farm. | 0:07:45 | 0:07:47 | |
Get on to local pawn brokers. And see if anyone's been trying to off-load camera gear. | 0:07:47 | 0:07:51 | |
-You think it might have been a robbery? -It's a line of inquiry. | 0:07:51 | 0:07:54 | |
-No sign of forced entry. Suggests the victim knows his killer. -Or he doesn't lock the door. | 0:07:54 | 0:07:58 | |
The man liked to take pictures. Thousands of them. Trees. | 0:08:01 | 0:08:05 | |
Rivers. Mountains. Look at them. What's missing? | 0:08:05 | 0:08:09 | |
Faces. | 0:08:13 | 0:08:14 | |
Hundreds of images. And not one single face. | 0:08:16 | 0:08:19 | |
The man likes his own company. | 0:08:19 | 0:08:21 | |
He must have shared these pictures with somebody. | 0:08:21 | 0:08:23 | |
Let's find out who else gets to see these photographs. | 0:08:23 | 0:08:26 | |
Maybe he didn't want anybody else to see them. | 0:08:26 | 0:08:28 | |
They look pretty depressing to me. | 0:08:28 | 0:08:30 | |
What's this place? | 0:08:32 | 0:08:34 | |
That could be anywhere. | 0:08:34 | 0:08:36 | |
Old wrecks like that are ten-a-penny round here, sir. | 0:08:36 | 0:08:40 | |
Moving out? | 0:09:10 | 0:09:11 | |
The world's gone digital - haven't you heard? | 0:09:13 | 0:09:17 | |
Is that your father's name above the door? | 0:09:17 | 0:09:19 | |
Who's asking? | 0:09:21 | 0:09:23 | |
I'm here about an old customer of his. Idris Williams. | 0:09:23 | 0:09:27 | |
Lived up on the mountain. | 0:09:31 | 0:09:32 | |
Something happened? | 0:09:35 | 0:09:37 | |
We found his body this morning. | 0:09:37 | 0:09:39 | |
It looks like Mr Williams was murdered. | 0:09:41 | 0:09:43 | |
I thought perhaps your father might remember him. Is he about? | 0:09:44 | 0:09:48 | |
Dad passed away nine years ago. | 0:09:51 | 0:09:55 | |
I'm sorry. What about you? | 0:09:55 | 0:09:59 | |
Do you know the man I'm talking about? | 0:09:59 | 0:10:01 | |
Sorry, I don't remember him. | 0:10:06 | 0:10:07 | |
He used to shop here. | 0:10:10 | 0:10:12 | |
Him and half of Aberystwyth. | 0:10:12 | 0:10:14 | |
Well, if you do remember anything. Give me a call. | 0:10:16 | 0:10:21 | |
It's a nice shop. | 0:10:23 | 0:10:25 | |
Did you know him? | 0:11:03 | 0:11:05 | |
I went up to the farm a couple of times in my vet training days | 0:11:05 | 0:11:09 | |
to see how things were done. | 0:11:09 | 0:11:11 | |
-And since then? -Not really my patch. | 0:11:11 | 0:11:13 | |
The vet's name was Vaughan. Thomas Vaughan. | 0:11:13 | 0:11:16 | |
Do you remember where this Thomas Vaughan was based? | 0:11:16 | 0:11:19 | |
He had a practice over Tregaron way, I think. | 0:11:19 | 0:11:21 | |
Used to come over in his Triumph. | 0:11:21 | 0:11:23 | |
What are you doing? | 0:11:23 | 0:11:24 | |
Phoning the office. We need to talk to him. | 0:11:24 | 0:11:28 | |
You'll have to dig him up first. | 0:11:28 | 0:11:30 | |
Old Vaughan's been dead 30 years. | 0:11:30 | 0:11:32 | |
It was an odd thing, you know. | 0:11:34 | 0:11:36 | |
When he died there were three or four of us in the running to take over. | 0:11:36 | 0:11:40 | |
Old Caradog Williams, Idris's father, had over 300 acres up there. | 0:11:40 | 0:11:45 | |
Dairy herd, sheep, it was quite an operation. | 0:11:45 | 0:11:47 | |
He'd have been one hell of a client. | 0:11:47 | 0:11:50 | |
-I take it you didn't get the call? -Nobody did. | 0:11:51 | 0:11:54 | |
Caradog Williams passed away shortly after | 0:11:55 | 0:11:58 | |
and over a period of 12 months, Idris sold the herd, | 0:11:58 | 0:12:01 | |
got shot of all the machinery, and shut the whole place down. | 0:12:01 | 0:12:04 | |
The Williams place hasn't been farmed in decades. | 0:12:06 | 0:12:08 | |
MATHIAS: 'What sort of a man does that?' | 0:12:10 | 0:12:12 | |
'A man who's had enough.' | 0:12:12 | 0:12:14 | |
Enough of what? Running a farm? | 0:12:14 | 0:12:16 | |
He wouldn't be the first. | 0:12:16 | 0:12:18 | |
'No, I don't buy it.' | 0:12:18 | 0:12:19 | |
Why didn't he just get somebody in to run the farm for him? | 0:12:19 | 0:12:22 | |
Perhaps he preferred to be alone, didn't like people, | 0:12:22 | 0:12:25 | |
found it hard to form relationships? | 0:12:25 | 0:12:27 | |
-'Or maybe he was making a statement.' -Such as? | 0:12:27 | 0:12:30 | |
Erasing the past, his father's legacy. | 0:12:30 | 0:12:33 | |
'Leaving it all to rot.' | 0:12:33 | 0:12:35 | |
'A statement? For whose benefit? You saw the photos.' | 0:12:35 | 0:12:38 | |
The only person in Idris's world was Idris. | 0:12:38 | 0:12:42 | |
'No, there was somebody else, we just haven't found them yet.' | 0:12:42 | 0:12:45 | |
Talk later. | 0:12:46 | 0:12:47 | |
Results from pathology. Time of death - Monday pm. | 0:12:48 | 0:12:53 | |
THUMP | 0:13:58 | 0:14:00 | |
OWL HOOTS | 0:14:00 | 0:14:01 | |
DOOR CREAKS | 0:14:56 | 0:14:58 | |
That's right. Williams, Idris Williams. | 0:16:19 | 0:16:21 | |
His father's name was Caradog. | 0:16:21 | 0:16:22 | |
Look at the date. It was taken a week ago. | 0:16:22 | 0:16:25 | |
-You think this is the killer? -Or the last person to see Idris alive. | 0:16:26 | 0:16:30 | |
-Sir? -Yeah. -According to the Land Registry, | 0:16:33 | 0:16:35 | |
the farm never belonged to Idris. | 0:16:35 | 0:16:38 | |
In October 1982, ownership of the farm was transferred. | 0:16:38 | 0:16:41 | |
-Transferred? To who? -The Guild, sir. | 0:16:41 | 0:16:44 | |
DCI Mathias? | 0:17:03 | 0:17:06 | |
Herbert Rees, Master of the Guild. | 0:17:06 | 0:17:08 | |
-RADIO: -His body was discovered at the farm after police received | 0:17:08 | 0:17:11 | |
an anonymous call. Police are keen to identify the caller... | 0:17:11 | 0:17:14 | |
Under the terms of the agreement, Idris was made, what they call, | 0:17:16 | 0:17:19 | |
-a non-paying tenant. -A tenant on his own farm? | 0:17:19 | 0:17:22 | |
From a legal standpoint, yes. | 0:17:22 | 0:17:24 | |
But in practical terms, as long as Idris remained | 0:17:24 | 0:17:26 | |
living on the mountain, he was free to do as he pleased with the estate. | 0:17:26 | 0:17:29 | |
It was his home after all. | 0:17:29 | 0:17:31 | |
-Must be an expensive place to run. -We manage. | 0:17:39 | 0:17:42 | |
My apologies for the mess. We're in the middle of renovations. | 0:17:42 | 0:17:45 | |
Here we are. | 0:17:46 | 0:17:47 | |
Caradog Williams? | 0:17:52 | 0:17:54 | |
Master of the Guild from 1958 until his death in 1982. | 0:17:54 | 0:17:58 | |
-The man was greatly admired. -Is that right? | 0:17:58 | 0:18:01 | |
His civic record speaks for itself. | 0:18:03 | 0:18:05 | |
And what about his record as a father? | 0:18:05 | 0:18:08 | |
The relationship between Caradog and his son was complicated. | 0:18:08 | 0:18:11 | |
How? | 0:18:11 | 0:18:12 | |
Idris's mother died when he was very young. | 0:18:14 | 0:18:17 | |
Brain haemorrhage. Sudden. | 0:18:17 | 0:18:18 | |
Rumour has it he had a breakdown. The boy was never the same again. | 0:18:18 | 0:18:21 | |
-And their relationship afterwards? -Caradog had a farm to run. | 0:18:21 | 0:18:24 | |
Idris was never going to be strong enough to take over the business. | 0:18:24 | 0:18:28 | |
-But Idris stayed there his whole life. -Yes. | 0:18:28 | 0:18:30 | |
He ran the accounts until his father's death. | 0:18:30 | 0:18:34 | |
And after that? | 0:18:34 | 0:18:35 | |
There was nothing to account for. | 0:18:36 | 0:18:38 | |
You must have known Idris. Had dealings with him. How did you find him? | 0:18:40 | 0:18:44 | |
Cordial. Quiet. | 0:18:44 | 0:18:47 | |
You didn't sense any bitterness in the man? Any anger? | 0:18:47 | 0:18:50 | |
Not that I recall. Why? | 0:18:50 | 0:18:52 | |
You don't think it was a cruel of Caradog, | 0:18:54 | 0:18:56 | |
to deny his own son his inheritance like that? | 0:18:56 | 0:18:58 | |
As far as I know, Idris was happy with the arrangement. | 0:18:58 | 0:19:01 | |
The man had no children. This way he got to live on the mountain | 0:19:01 | 0:19:04 | |
without any concern for the future. Security. | 0:19:04 | 0:19:07 | |
-Isn't that what everybody wants? -That depends on the price. | 0:19:07 | 0:19:10 | |
Where were you on Monday afternoon and evening, Mr Rees? | 0:19:13 | 0:19:15 | |
-I was in court in the afternoon and here in the evening. -Alone? | 0:19:17 | 0:19:20 | |
No. With the other members. | 0:19:20 | 0:19:22 | |
First Monday of the month. A little ritual of ours. | 0:19:24 | 0:19:27 | |
Parc y Boda. Idris's farm, right? | 0:19:29 | 0:19:32 | |
-Yes, it's the only farm for miles around. -Ah. | 0:19:32 | 0:19:35 | |
Well, what's this over here? | 0:19:35 | 0:19:37 | |
-Tramp? -Maybe. | 0:21:15 | 0:21:17 | |
Talygroes has been empty for the last 40 years. | 0:22:29 | 0:22:32 | |
The man who used to live there was called Eric Roberts. Died 1974. | 0:22:32 | 0:22:36 | |
After he died, ownership of the farm was passed to his neighbour. | 0:22:36 | 0:22:39 | |
-Caradog Williams. -Yes. | 0:22:39 | 0:22:41 | |
Sir! Cambria Meat Supplies. They've got a driver, Dylan Bevan. | 0:22:41 | 0:22:45 | |
-Delivers meat to the farm once a month. -Last delivery? | 0:22:45 | 0:22:48 | |
Monday. Hasn't been seen since. | 0:22:48 | 0:22:50 | |
Drives a blue Fiat. Registration N186 JRK. | 0:23:05 | 0:23:08 | |
-Any sign of it? -No, usually parked out front. | 0:23:08 | 0:23:11 | |
We're trying to trace it now. | 0:23:11 | 0:23:13 | |
Clear! | 0:23:13 | 0:23:14 | |
-Sian! -Sir? -There's a photograph of a little girl in uniform. Find out who she is. | 0:23:28 | 0:23:32 | |
Sir! | 0:23:32 | 0:23:34 | |
I'll call forensics. | 0:23:41 | 0:23:43 | |
Sian, we've found the victim's cameras. | 0:23:45 | 0:23:48 | |
Little girl's name is Ffion. She's a pupil in Maes-y-Dderwen. | 0:23:52 | 0:23:55 | |
-The mother's name is Ceri Jones. -Clean? | 0:23:55 | 0:23:57 | |
Police were called out at Christmas. Domestic. She moved out after that. | 0:23:57 | 0:24:01 | |
-We got an address? -Yep. | 0:24:01 | 0:24:03 | |
-Good work. -Thank you, sir. | 0:24:09 | 0:24:11 | |
Ceri Jones? | 0:24:32 | 0:24:34 | |
Do you mind if we come in? | 0:24:35 | 0:24:36 | |
Yeah, I know the place. | 0:24:41 | 0:24:43 | |
We used to go up there sometimes. | 0:24:43 | 0:24:46 | |
-What about Mr Williams? Did you ever meet him? -Once. | 0:24:48 | 0:24:51 | |
Me and Dyl had a row and he drove off. | 0:24:53 | 0:24:56 | |
Used to do it all the time. | 0:24:56 | 0:24:58 | |
Thought it was funny. | 0:24:58 | 0:24:59 | |
The, erm, the old man saw me crying | 0:25:01 | 0:25:03 | |
and came out into the field, and gave me a glass of water. | 0:25:03 | 0:25:06 | |
How did you find him? | 0:25:06 | 0:25:07 | |
He seemed kind of sad to me. | 0:25:09 | 0:25:11 | |
Living up there on his own, I'm not surprised. | 0:25:12 | 0:25:14 | |
What about Dylan? Did he ever talk about him? | 0:25:16 | 0:25:18 | |
Not really. Didn't have much to do with him. | 0:25:19 | 0:25:22 | |
-You don't know of any issues between them? -No. | 0:25:22 | 0:25:25 | |
Ffion... | 0:25:33 | 0:25:34 | |
Don't worry, Ffion. She won't bite. | 0:25:41 | 0:25:43 | |
How often does Dylan see Ffion? | 0:25:53 | 0:25:55 | |
-Is that your decision or his? -Does it make a difference? | 0:25:57 | 0:26:00 | |
Doesn't a man have a right to see his daughter? | 0:26:00 | 0:26:03 | |
Is this Dylan? | 0:26:09 | 0:26:11 | |
It could be anyone. | 0:26:12 | 0:26:14 | |
You recognise the farm? | 0:26:14 | 0:26:16 | |
-Yeah, I know it. -When you and Dylan went up there? | 0:26:17 | 0:26:20 | |
The place gave me the creeps. | 0:26:20 | 0:26:22 | |
What about Dylan? Did it give him the creeps? | 0:26:22 | 0:26:24 | |
Why don't you ask him? | 0:26:25 | 0:26:26 | |
I know what happened over Christmas, Ceri. | 0:26:28 | 0:26:31 | |
-I should never have called the police. -No, you were scared. You were right to call. | 0:26:31 | 0:26:35 | |
No. I was tired. | 0:26:35 | 0:26:37 | |
Tired of all the promises, tired of all the drinking. | 0:26:37 | 0:26:39 | |
Does Dylan smoke? | 0:26:39 | 0:26:41 | |
I mean what brand? | 0:26:42 | 0:26:44 | |
Whatever he can get his hands on. | 0:26:44 | 0:26:46 | |
You're not in any kind of trouble, you know that, don't you? | 0:26:50 | 0:26:53 | |
I'm just trying to work out what kind of man he is. | 0:26:53 | 0:26:56 | |
'Cruelty to animals. Could suggest psychotic tendencies.' | 0:27:38 | 0:27:42 | |
Didn't you pull the wings off butterflies when you were a kid? | 0:27:42 | 0:27:44 | |
No, I didn't actually. | 0:27:44 | 0:27:47 | |
'Oh.' | 0:27:47 | 0:27:48 | |
That was the lab, sir. | 0:27:48 | 0:27:50 | |
There's a film in one of the cameras we found at the scene. | 0:27:50 | 0:27:52 | |
It's been exposed to the light. They're doing what they can. | 0:27:52 | 0:27:55 | |
-'I'm on my way back.' -OK. | 0:27:55 | 0:27:57 | |
-This doesn't make any bloody sense. -What doesn't? -Talygroes. | 0:28:00 | 0:28:02 | |
This is the land boundary in 1971, | 0:28:12 | 0:28:15 | |
three years before Eric Roberts died, | 0:28:15 | 0:28:16 | |
the last time Talygroes was listed. | 0:28:16 | 0:28:18 | |
Now look at the boundary here in 1948. | 0:28:20 | 0:28:22 | |
-They're different. -I know, sir, but there's more. | 0:28:23 | 0:28:25 | |
1956. | 0:28:25 | 0:28:27 | |
1962. | 0:28:28 | 0:28:30 | |
1967. | 0:28:30 | 0:28:31 | |
Talygroes gets smaller and smaller every time. | 0:28:31 | 0:28:34 | |
So Roberts is winding it down. | 0:28:34 | 0:28:36 | |
-Selling it off piece by piece. -That's what I thought but... | 0:28:36 | 0:28:39 | |
These are the accounts of Caradog Williams's place. | 0:28:39 | 0:28:42 | |
Look at them. | 0:28:42 | 0:28:44 | |
No record of any payments to his neighbour. Nothing. | 0:28:44 | 0:28:46 | |
Why would Roberts do that? Hand his land over like that for no money? | 0:28:46 | 0:28:50 | |
Exactly. | 0:28:50 | 0:28:52 | |
Maybe the farm was too much for him. | 0:28:52 | 0:28:53 | |
He had nobody else to leave it to, no kids. | 0:28:53 | 0:28:56 | |
No. No, no, there were children at Talygroes. | 0:28:56 | 0:28:58 | |
There were notches cut into the doorframe. Find out what happened to them. | 0:28:58 | 0:29:01 | |
Caradog Williams? | 0:29:06 | 0:29:07 | |
I thought perhaps you knew him, sir? | 0:29:07 | 0:29:09 | |
Now why would you think that? Never met the man. | 0:29:09 | 0:29:12 | |
What about his son, Idris Williams? Did you know him? | 0:29:12 | 0:29:16 | |
-No-one did. -Herbert Rees did. | 0:29:16 | 0:29:18 | |
Herbert Rees has an alibi. | 0:29:18 | 0:29:20 | |
What's the latest on Bevan? You think he's left town? | 0:29:20 | 0:29:23 | |
Traffic are still trying to trace his car, sir. | 0:29:23 | 0:29:26 | |
-You think he might strike again? -We're doing everything we can. | 0:29:26 | 0:29:29 | |
-KNOCK ON DOOR -Sir? | 0:29:29 | 0:29:31 | |
There were two children in Talygroes, a boy and a girl. | 0:29:32 | 0:29:35 | |
The youngest, Aneirin, left Aber in the late '60s, | 0:29:35 | 0:29:37 | |
moved up north, Bethesda way. Died 2008. | 0:29:37 | 0:29:40 | |
The older girl, Enid, never married. | 0:29:40 | 0:29:42 | |
-She was still living at Talygroes with her father when he died. -And after that? | 0:29:42 | 0:29:46 | |
When Caradog took over the land, she was moved off the mountain, | 0:29:46 | 0:29:49 | |
put in a house on the old road to Borth. | 0:29:49 | 0:29:51 | |
Enid Roberts. Find out what she knows. | 0:29:55 | 0:29:57 | |
-Shouldn't we be concentrating on Bevan? -Sian can handle Bevan. | 0:29:57 | 0:30:01 | |
These maps, right, they're 70 years old, where are you going with this? | 0:30:01 | 0:30:04 | |
Idris took photos of landscapes. | 0:30:04 | 0:30:06 | |
-Apart from the ruin at Talygroes. -So? | 0:30:06 | 0:30:09 | |
Someone had his photograph taken up there. Who is he? | 0:30:09 | 0:30:12 | |
-Why didn't he want anyone else to see him? -Have you run this past Prosser? | 0:30:12 | 0:30:15 | |
Do I have to? | 0:30:15 | 0:30:17 | |
Idris Williams may have withdrawn from the world but it doesn't mean he's lost interest in it. | 0:30:17 | 0:30:22 | |
He may be an old recluse to everyone else, but he's not to me. | 0:30:22 | 0:30:25 | |
Photo from the victim's camera, sir. | 0:30:36 | 0:30:38 | |
When was it taken? | 0:31:31 | 0:31:33 | |
Three weeks ago. | 0:31:34 | 0:31:35 | |
-You were up at the farm? -Yes. | 0:31:37 | 0:31:39 | |
Is that the last time you saw Idris Williams? | 0:31:41 | 0:31:44 | |
When did you last see him, Nia? | 0:31:46 | 0:31:48 | |
Monday. | 0:31:49 | 0:31:50 | |
What time? | 0:31:51 | 0:31:53 | |
-Late afternoon. Four? Five? -How long were you up there? | 0:31:53 | 0:31:57 | |
Not long. Minutes. He... He was different. Agitated. | 0:31:58 | 0:32:02 | |
He wouldn't let me into the house. He told me I should go. | 0:32:02 | 0:32:04 | |
-You think there was somebody there with him? -Yeah. | 0:32:04 | 0:32:07 | |
-Did you see anybody? -No. | 0:32:07 | 0:32:08 | |
A car parked in the yard? A delivery van? | 0:32:08 | 0:32:12 | |
Does the name Dylan Bevan mean anything to you? | 0:32:12 | 0:32:14 | |
-He delivers meat to the farm. -I don't know him. | 0:32:16 | 0:32:18 | |
When I asked you yesterday if you knew Idris Williams, you told me no. | 0:32:20 | 0:32:23 | |
But you've just told us you were up at the farm. | 0:32:23 | 0:32:26 | |
Why didn't you tell us this yesterday? | 0:32:26 | 0:32:28 | |
-I didn't want anyone to know I'd been up there. -Why not? | 0:32:29 | 0:32:32 | |
Were you having an affair with Idris Williams? | 0:32:37 | 0:32:39 | |
-It's more complicated than that. -Go on. | 0:32:42 | 0:32:44 | |
We had something for a couple of years, | 0:32:47 | 0:32:50 | |
and I called it off a year ago when my husband found out. | 0:32:53 | 0:32:57 | |
You promised your husband that it was over? | 0:32:59 | 0:33:01 | |
You promised him that you wouldn't go up there again. | 0:33:01 | 0:33:04 | |
But you did. | 0:33:04 | 0:33:06 | |
Did you still have feelings for Idris? | 0:33:08 | 0:33:10 | |
Did Idris still have feelings for you? | 0:33:12 | 0:33:14 | |
I think the person who took this picture loved you very much. | 0:33:21 | 0:33:24 | |
-'You mustn't tell my husband.' -Why not?' | 0:33:36 | 0:33:39 | |
I've let him down before. I can't do it to him again. | 0:33:39 | 0:33:42 | |
Where were you Monday night? After you left the farm? | 0:33:45 | 0:33:48 | |
-Home. -Alone? -Yes. | 0:33:48 | 0:33:50 | |
-I'm going to have to speak with your husband. -You already have. | 0:33:50 | 0:33:53 | |
It's Herbert Rees. You met him at the Guild. | 0:33:55 | 0:33:58 | |
Do you think she's telling the truth? | 0:34:20 | 0:34:22 | |
I know the difference between grief and guilt. | 0:34:24 | 0:34:27 | |
Herbert Rees. | 0:34:32 | 0:34:33 | |
His wife was having an affair with Idris Williams. | 0:34:33 | 0:34:36 | |
Alibi checked out, sir. There were nine of them at the Guild. | 0:34:36 | 0:34:39 | |
All of them willing to testify. You want to bring him in, sir? | 0:34:39 | 0:34:42 | |
No. No, he's a solicitor. He'd be all over us. | 0:34:42 | 0:34:45 | |
Find out what you can. | 0:34:45 | 0:34:47 | |
Phone records, business interests, associates. Everything. | 0:34:47 | 0:34:49 | |
They've found Bevan's van, sir. Off Bridge Street. | 0:35:43 | 0:35:47 | |
He's still in Aber. | 0:35:47 | 0:35:48 | |
KNOCK ON DOOR | 0:36:00 | 0:36:02 | |
KNOCK ON DOOR | 0:36:05 | 0:36:06 | |
TENSE SLOW BEAT | 0:36:37 | 0:36:40 | |
Mathias. | 0:36:50 | 0:36:52 | |
Is Daddy still in the house with you now? | 0:36:53 | 0:36:55 | |
He's in the kitchen with Mammy. | 0:36:55 | 0:36:57 | |
'OK, just do as I say, all right. Stay where you are. It's very important.' | 0:36:57 | 0:37:01 | |
Don't go into the kitchen. | 0:37:01 | 0:37:03 | |
BANGING AND SCREAMS | 0:37:03 | 0:37:06 | |
-He's hurting her. -I'm on my way, Ffion. Just stay where you are. | 0:37:06 | 0:37:09 | |
Keep her talking. | 0:37:09 | 0:37:11 | |
We need back up now. And get an ambulance up there! | 0:37:13 | 0:37:16 | |
Ffion? | 0:37:24 | 0:37:25 | |
Ffion? | 0:37:27 | 0:37:28 | |
Ceri? | 0:37:53 | 0:37:54 | |
Dylan? | 0:39:02 | 0:39:03 | |
'Did it make you feel good? Knocking her about like that? | 0:39:11 | 0:39:15 | |
'Did it make you feel like a man?' | 0:39:15 | 0:39:17 | |
And killing Idris Williams. Did it make you feel like a man too? | 0:39:17 | 0:39:21 | |
-I didn't kill him. -So what happened then, Dylan? | 0:39:21 | 0:39:23 | |
I went up there like I always do. | 0:39:24 | 0:39:26 | |
Put the meat in the freezer. Picked up my money... | 0:39:26 | 0:39:29 | |
The door was open. There was nobody about. | 0:39:29 | 0:39:31 | |
Had you been in the house before? | 0:39:31 | 0:39:33 | |
But you knew the old man took pictures. You knew he had cameras in the house. | 0:39:35 | 0:39:38 | |
-And you took them. -You don't know what it's like. | 0:39:38 | 0:39:41 | |
My little girl means everything to me and I got nothing to give her. | 0:39:41 | 0:39:44 | |
And you decided to help yourself? | 0:39:44 | 0:39:46 | |
She deserves the best. | 0:39:46 | 0:39:48 | |
He was on the floor | 0:39:55 | 0:39:56 | |
'in the kitchen. | 0:39:56 | 0:39:58 | |
'I didn't see him at first.' | 0:39:59 | 0:40:01 | |
Pushed open the door and... | 0:40:01 | 0:40:03 | |
There was nothing I could do. | 0:40:04 | 0:40:06 | |
The back of his head was all messed up. | 0:40:06 | 0:40:09 | |
There was blood... | 0:40:09 | 0:40:11 | |
'You didn't try and help him?' | 0:40:12 | 0:40:15 | |
The man was dead. | 0:40:15 | 0:40:17 | |
I got back in the van. I left. | 0:40:17 | 0:40:20 | |
It was only when I got back to Aber I realised I still had the cameras. | 0:40:20 | 0:40:23 | |
But you knew we'd be looking for you. | 0:40:23 | 0:40:26 | |
If you are so innocent, why did you go to Ceri's? | 0:40:26 | 0:40:28 | |
-Why not come straight to me? -I needed to talk to her. | 0:40:28 | 0:40:30 | |
-To shut her up? -To stop her feeding you lies. | 0:40:30 | 0:40:33 | |
Like the fact you beat the crap out of her at Christmas? Those lies? | 0:40:33 | 0:40:36 | |
You've seen my record. GBH, ABH. | 0:40:36 | 0:40:38 | |
A few words from her, and it's over for me. | 0:40:38 | 0:40:40 | |
Tonight, why didn't you run? | 0:40:40 | 0:40:43 | |
To prove to her that I didn't do it. | 0:40:48 | 0:40:50 | |
I didn't kill the old man! He was already dead! | 0:40:54 | 0:40:58 | |
I called the police. What more could I do? | 0:40:58 | 0:41:01 | |
The anonymous call, sir. | 0:41:05 | 0:41:08 | |
I couldn't get it out of my head. | 0:41:11 | 0:41:13 | |
The old man... | 0:41:15 | 0:41:16 | |
..lying there. | 0:41:18 | 0:41:20 | |
-An opportunist? -Yes. | 0:41:25 | 0:41:26 | |
But his fingerprints were everywhere. | 0:41:26 | 0:41:29 | |
Everywhere except the kitchen, sir. | 0:41:29 | 0:41:31 | |
He's the last person I'd put on my Christmas list, sir, | 0:41:31 | 0:41:33 | |
but we've checked his mobile phone records. | 0:41:33 | 0:41:35 | |
He definitely made the call. | 0:41:35 | 0:41:38 | |
So we release him? | 0:41:38 | 0:41:39 | |
No, we eliminate him from our enquiry. | 0:41:39 | 0:41:41 | |
But we charge him under section 47 for assault. | 0:41:41 | 0:41:44 | |
Where next? | 0:41:44 | 0:41:45 | |
I've got an address for Enid Roberts. | 0:42:05 | 0:42:07 | |
An old people's home on the front. | 0:42:07 | 0:42:10 | |
I'll get onto it first thing in the morning. Good night. | 0:42:10 | 0:42:13 | |
We try and encourage them to eat together. | 0:42:57 | 0:42:59 | |
Gets them out of their rooms for a bit, breaks up the day. | 0:42:59 | 0:43:02 | |
But not Enid? | 0:43:02 | 0:43:04 | |
Enid likes to keep herself to herself. | 0:43:05 | 0:43:08 | |
Any particular reason? | 0:43:08 | 0:43:10 | |
Early stages dementia. She has good days and bad days. | 0:43:10 | 0:43:13 | |
But we do what we can. | 0:43:13 | 0:43:16 | |
Miss Roberts? | 0:43:22 | 0:43:23 | |
Idris Williams. | 0:43:53 | 0:43:54 | |
MATHIAS: 'Tell me everything you know about Talygroes.' | 0:44:48 | 0:44:51 | |
I can't help you, I'm afraid. | 0:44:51 | 0:44:53 | |
Really? | 0:44:53 | 0:44:55 | |
A man called Eric Roberts used to live there. | 0:44:55 | 0:44:57 | |
Next to Idris Williams' place. | 0:44:57 | 0:44:59 | |
Before my time. | 0:44:59 | 0:45:00 | |
That's a pity. See, I've been trying to work out | 0:45:00 | 0:45:03 | |
why Mr Roberts handed over his land to our friend in the frame there. | 0:45:03 | 0:45:08 | |
I can't help you with that. Like I said... | 0:45:10 | 0:45:12 | |
Before your time. | 0:45:12 | 0:45:13 | |
Must be worth quite a bit, the Caradog estate. | 0:45:15 | 0:45:18 | |
Hard to say. | 0:45:18 | 0:45:20 | |
At least now that his son's dead you'll get to cash in. | 0:45:20 | 0:45:23 | |
I take it the Guild has plans? | 0:45:23 | 0:45:25 | |
-Oh, we haven't really thought about it. -No? | 0:45:25 | 0:45:27 | |
Hardly seemed appropriate while the man was still living there. | 0:45:27 | 0:45:30 | |
Of course. | 0:45:30 | 0:45:32 | |
Must have been galling for you, | 0:45:34 | 0:45:36 | |
watching Idris idle away the years on that mountain. | 0:45:36 | 0:45:40 | |
And then to find out he was screwing your wife. | 0:45:40 | 0:45:43 | |
Still, the man took a lovely photo. | 0:45:47 | 0:45:50 | |
I haven't got time for this. | 0:45:54 | 0:45:55 | |
I've have more important things to do with my morning. | 0:45:55 | 0:45:58 | |
More important than murder? | 0:45:58 | 0:45:59 | |
I think you've known for weeks about the affair. | 0:46:20 | 0:46:22 | |
-The fact it was still going on. -No comment. | 0:46:22 | 0:46:24 | |
She was up there three weeks ago posing for photographs. | 0:46:24 | 0:46:27 | |
Maybe you went up there to get something signed, | 0:46:27 | 0:46:30 | |
-saw her car in the yard? -No comment. | 0:46:30 | 0:46:32 | |
The moment you found out about it, that's when it became personal. | 0:46:32 | 0:46:35 | |
All those years of not being able to get your hands on Idris' land, | 0:46:35 | 0:46:38 | |
all those years of waiting while the Guild fell into ruin. | 0:46:38 | 0:46:42 | |
Was that a question? | 0:46:45 | 0:46:46 | |
No comment. | 0:46:50 | 0:46:52 | |
I didn't kill Idris Williams. | 0:46:57 | 0:47:00 | |
As I've already told you, I was at the Guild. | 0:47:00 | 0:47:03 | |
-Let him go. -Sir? | 0:47:12 | 0:47:14 | |
The man has an alibi. We have no reason to hold him. | 0:47:14 | 0:47:16 | |
-Direct motive. -We've got to do better than that. | 0:47:16 | 0:47:18 | |
He knows more than he's letting on. | 0:47:18 | 0:47:19 | |
Something happened on that mountain. More than just murder. | 0:47:19 | 0:47:22 | |
People don't hand over their land like that for no reason. | 0:47:22 | 0:47:25 | |
Tom, the history of what happened up there is long gone. | 0:47:25 | 0:47:27 | |
Eric Roberts, Caradog Williams... | 0:47:27 | 0:47:29 | |
The people with the answers are dead. | 0:47:29 | 0:47:31 | |
You need to concentrate on the case. Stop chasing ghosts, Tom! | 0:47:31 | 0:47:35 | |
It's the last one on the end. | 0:47:56 | 0:47:57 | |
Thank you, Carol. | 0:47:57 | 0:48:03 | |
Carol! | 0:48:08 | 0:48:09 | |
-She's gone. -Shit. | 0:48:19 | 0:48:21 | |
Enid! | 0:48:41 | 0:48:42 | |
I should've stopped him. | 0:48:50 | 0:48:52 | |
I should've stopped him. | 0:48:54 | 0:48:55 | |
I'll call an ambulance. | 0:48:59 | 0:49:00 | |
I should've stopped him. | 0:49:05 | 0:49:08 | |
DCI Mathias? | 0:49:23 | 0:49:24 | |
-Somebody should be here when she wakes up. -I'll stay. | 0:49:39 | 0:49:42 | |
RINGING TONE | 0:50:19 | 0:50:21 | |
'Hello, it's Meg, leave a message.' | 0:50:28 | 0:50:30 | |
I know you're there, Meg. Pick up the phone, please. | 0:50:32 | 0:50:36 | |
PHONE RINGS Meg? | 0:50:43 | 0:50:46 | |
What is it, Lloyd? | 0:50:46 | 0:50:47 | |
He's letting him go. | 0:50:47 | 0:50:49 | |
'Have you been through all the documents?' | 0:50:49 | 0:50:51 | |
Still going through them now, sir. | 0:50:51 | 0:50:53 | |
Yeah, well, keep going. Rees is involved somehow. He has to be. | 0:50:53 | 0:50:56 | |
-The man has too much to gain. -I'll keep looking, sir. | 0:50:56 | 0:50:59 | |
-What else do we know about Talygroes? -Sir? | 0:51:24 | 0:51:27 | |
The same day she finds out about Idris Williams' murder, | 0:51:27 | 0:51:30 | |
Enid Roberts tries to kill herself. | 0:51:30 | 0:51:33 | |
It's too much of a coincidence. | 0:51:33 | 0:51:35 | |
Something about Idris' murder upset her. | 0:51:35 | 0:51:37 | |
Took her back to a place, a time. | 0:51:37 | 0:51:39 | |
"I should have stopped him. I should have stopped him." | 0:51:39 | 0:51:42 | |
Who was she talking about? | 0:51:42 | 0:51:43 | |
-Look at the date. -1943. | 0:52:54 | 0:52:57 | |
The middle of the Second World War. You don't think that's odd? | 0:52:57 | 0:53:01 | |
I guess it explains why the man couldn't visit. | 0:53:01 | 0:53:04 | |
You think Enid and her German pen-friend here had a child together? | 0:53:04 | 0:53:08 | |
-How else do you explain it? -She'd be 17. | 0:53:08 | 0:53:10 | |
It happens. | 0:53:10 | 0:53:12 | |
Lloyd, when was the first land transfer between | 0:53:12 | 0:53:15 | |
Talygroes and the Williams' place? | 0:53:15 | 0:53:18 | |
48, sir. | 0:53:18 | 0:53:19 | |
I'll get a copy and put it back where I found it | 0:53:19 | 0:53:21 | |
before she wakes up. | 0:53:21 | 0:53:22 | |
HE BLOWS A SINGLE NOTE | 0:54:25 | 0:54:28 | |
Sir. | 0:55:10 | 0:55:11 | |
Provisional Planning Application for Parc y Boda, the Williams Place. | 0:55:11 | 0:55:15 | |
They want to build 60 turbines, sir. | 0:55:15 | 0:55:17 | |
Bottom of page eight - look who's behind it. | 0:55:17 | 0:55:21 | |
Herbert Rees. | 0:55:21 | 0:55:23 | |
Herbert? | 0:56:11 | 0:56:12 | |
DOOR BANGS | 0:57:45 | 0:57:47 | |
Herbert! | 0:57:55 | 0:57:56 | |
BANGING AND MUFFLED SHOUTING | 0:58:00 | 0:58:03 | |
-What is it? -Herbert Rees has been kidnapped. | 0:58:30 | 0:58:32 | |
HE GASPS AND STUTTERS | 0:58:32 | 0:58:34 | |
The place is in arrears, two renovation companies waiting to be paid, | 0:58:34 | 0:58:37 | |
one of them threatening legal action. | 0:58:37 | 0:58:39 | |
Idris Williams is dead. Herbert Rees is missing. | 0:58:39 | 0:58:42 | |
And what do I see? My top man chasing after the bloody Luftwaffe. | 0:58:42 | 0:58:45 | |
MACHINES BEEP | 0:58:45 | 0:58:48 | |
Shit! | 0:58:48 | 0:58:50 |