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Trauma to the back the head. Single blow. | 0:00:02 | 0:00:03 | |
-What's this place? -That could be anywhere. | 0:00:03 | 0:00:05 | |
Old wrecks like that are ten a penny around here. | 0:00:05 | 0:00:07 | |
There were children at Talygroes. There were notches cut into the door frame. | 0:00:07 | 0:00:11 | |
Find out what happened to them! | 0:00:11 | 0:00:12 | |
Idris Williams? | 0:00:12 | 0:00:14 | |
Talygroes gets smaller and smaller every time. | 0:00:17 | 0:00:19 | |
I didn't kill Idris Williams. | 0:00:19 | 0:00:22 | |
Shit! | 0:00:22 | 0:00:23 | |
The same day she finds out about Idris Williams' murder, | 0:00:23 | 0:00:25 | |
Enid Roberts tries to kill herself. | 0:00:25 | 0:00:28 | |
Provisional planning application for Parc-y-Boda, the Williams' place. | 0:00:28 | 0:00:32 | |
They want to build 60 turbines, sir. | 0:00:32 | 0:00:33 | |
Look who's behind it. | 0:00:33 | 0:00:35 | |
Herbert Rees. | 0:00:35 | 0:00:37 | |
BANGING AND MUFFLED SHOUTS | 0:00:38 | 0:00:40 | |
-PHONE RINGS -What is it?! | 0:00:51 | 0:00:53 | |
He's gone. Herbert Rees has been kidnapped. | 0:00:53 | 0:00:57 | |
What are you talking about? | 0:00:57 | 0:00:58 | |
Get over to the Guild, call Soco and secure the building. | 0:00:58 | 0:01:00 | |
-Are you OK? -Oh, I'm fine. There's just someone I need to see. | 0:01:00 | 0:01:04 | |
FAINT SIREN WAILS | 0:01:06 | 0:01:08 | |
FAINT BARKING | 0:01:08 | 0:01:09 | |
-I heard him come in. -But you didn't speak? | 0:01:19 | 0:01:21 | |
I was in bed. We sleep in separate rooms. | 0:01:21 | 0:01:24 | |
I heard him on the landing and I... | 0:01:24 | 0:01:27 | |
-And then he left? For the Guild? -Yeah. | 0:01:27 | 0:01:29 | |
Was he going there to meet someone? | 0:01:29 | 0:01:32 | |
This is important, Nia. | 0:01:32 | 0:01:34 | |
Was Herbert himself involved in something? | 0:01:34 | 0:01:36 | |
Something he couldn't control? | 0:01:36 | 0:01:37 | |
-(No. He'd never do that.) -Are you sure? | 0:01:37 | 0:01:40 | |
Have you noticed anything out of the ordinary in the last few weeks? | 0:01:42 | 0:01:45 | |
Phone calls late at night, meetings, changes in his mood? | 0:01:45 | 0:01:47 | |
Well, if you remember anything, please, just... | 0:01:50 | 0:01:53 | |
Are you OK? | 0:01:57 | 0:01:58 | |
Do you want me to call someone? | 0:02:00 | 0:02:02 | |
There's no-one to call. | 0:02:02 | 0:02:04 | |
Forensics are checking the bloods now. | 0:02:24 | 0:02:26 | |
-And the caretaker? -I've spoken to him. He's on his way in. | 0:02:26 | 0:02:29 | |
-No sign of forced entry. -Do you think Herbert Rees knew his attacker? | 0:02:29 | 0:02:32 | |
If it was the same person that killed Idris Williams, | 0:02:32 | 0:02:34 | |
why didn't he do the same thing to Herbert Rees? Why kidnap him? | 0:02:34 | 0:02:37 | |
Because Herbert has got something the killer wants. | 0:02:37 | 0:02:39 | |
Get on to Traffic. | 0:02:39 | 0:02:41 | |
We need CCTV of all the roads in and out of the town | 0:02:41 | 0:02:44 | |
between 8:00 and 10:30pm. | 0:02:44 | 0:02:46 | |
Are you OK? | 0:02:59 | 0:03:00 | |
The killer has shown his hand. | 0:03:02 | 0:03:04 | |
This isn't just about Idris Williams. | 0:03:05 | 0:03:08 | |
It goes back further than that. | 0:03:08 | 0:03:10 | |
This is about his father. | 0:03:11 | 0:03:12 | |
About history. | 0:03:13 | 0:03:15 | |
-What's the latest on Enid? -No change. | 0:03:18 | 0:03:21 | |
-I'll make sure I'm there when she wakes up. -Good. Good. | 0:03:21 | 0:03:24 | |
You got any contacts at the university? | 0:03:26 | 0:03:28 | |
A couple of old boyfriends. Why? | 0:03:28 | 0:03:30 | |
BIRDSONG | 0:04:19 | 0:04:20 | |
Professor Yorath? | 0:04:23 | 0:04:25 | |
DCI Mathias. | 0:04:26 | 0:04:28 | |
Mared not with you, then? | 0:04:28 | 0:04:29 | |
She's been called away. She sends her regards. | 0:04:29 | 0:04:32 | |
She told you I was an insomniac? | 0:04:32 | 0:04:34 | |
She mentioned it, yes. | 0:04:34 | 0:04:36 | |
Good. | 0:04:36 | 0:04:37 | |
Right. | 0:04:38 | 0:04:40 | |
Wenn wir marschieren. | 0:04:40 | 0:04:43 | |
Together we march. | 0:04:43 | 0:04:45 | |
They were...they were sold | 0:04:45 | 0:04:46 | |
and manufactured in Germany in the early 1940s. | 0:04:46 | 0:04:48 | |
To servicemen? | 0:04:48 | 0:04:50 | |
To soldiers on duty with the Waffen-SS and the Wehrmacht | 0:04:50 | 0:04:53 | |
and to civilians. Where did you get this? | 0:04:53 | 0:04:55 | |
We found it up at the Idris Williams farm. | 0:04:55 | 0:04:57 | |
You might have read about it in the paper. | 0:04:57 | 0:05:00 | |
Any idea how it might have got up there? | 0:05:00 | 0:05:02 | |
Memorabilia of the period is very popular. | 0:05:02 | 0:05:04 | |
-Was...was Idris a collector? -No. | 0:05:04 | 0:05:07 | |
I've got something to show you. | 0:05:07 | 0:05:10 | |
Prisoner-of-war camps? | 0:05:20 | 0:05:21 | |
Detention camps. | 0:05:21 | 0:05:23 | |
For German and Italian prisoners of war. | 0:05:23 | 0:05:26 | |
You see, the whole of the UK was littered with them. | 0:05:26 | 0:05:29 | |
There were...there were 15 different sites in Wales alone. | 0:05:29 | 0:05:32 | |
How come I've never heard of them? | 0:05:32 | 0:05:33 | |
Well, you know, they were knocked down, flattened | 0:05:33 | 0:05:36 | |
as soon as the war was over. | 0:05:36 | 0:05:38 | |
This is, er... This is all that's left now. | 0:05:39 | 0:05:43 | |
And this place...? | 0:05:49 | 0:05:50 | |
-Henllan Bridge. -Yeah. | 0:05:50 | 0:05:53 | |
Do you think the mouth organ came from there? | 0:05:53 | 0:05:55 | |
No. Henllan Bridge was built for Italian prisoners of war only. | 0:05:55 | 0:05:57 | |
But, you see, there was another camp, a sister camp | 0:05:57 | 0:06:00 | |
that didn't exist officially. | 0:06:00 | 0:06:03 | |
-For German soldiers? -Yes. And there's more. | 0:06:03 | 0:06:05 | |
According to local sources, in September 1943, | 0:06:05 | 0:06:09 | |
five German prisoners of war escaped. | 0:06:09 | 0:06:11 | |
Two of them were picked up within half a mile of Henllan Bridge, | 0:06:11 | 0:06:14 | |
but three of them were never caught. | 0:06:14 | 0:06:16 | |
So, what happened to the three that got away? | 0:06:16 | 0:06:18 | |
Well, that's the point. Nobody knows. | 0:06:19 | 0:06:22 | |
CONSTANT BEEPING | 0:06:28 | 0:06:30 | |
FLAMES CRACKLE | 0:06:32 | 0:06:34 | |
SCREAMING | 0:06:36 | 0:06:37 | |
Nothing. | 0:06:52 | 0:06:54 | |
Daily reports from mainland Europe and a load of local stuff. | 0:06:54 | 0:06:58 | |
-But nothing on Henllan Bridge? -Nothing. | 0:06:58 | 0:07:00 | |
What about the Guild? Anything back from Forensics? | 0:07:00 | 0:07:03 | |
DS Owen's chasing them now. There is something else, sir. | 0:07:03 | 0:07:06 | |
I've been looking into their accounts. The place is in arrears. | 0:07:06 | 0:07:09 | |
Two renovation companies waiting to be paid, | 0:07:09 | 0:07:12 | |
one of them threatening legal action. | 0:07:12 | 0:07:14 | |
Good work, Lloyd! | 0:07:14 | 0:07:16 | |
-Oh, I'm sure it happened, all right. -Why no mention of it in the papers? | 0:07:20 | 0:07:23 | |
Anything to do with escapees was more than likely censored. | 0:07:23 | 0:07:27 | |
Mr Bracken and his Ministry of Information, | 0:07:27 | 0:07:30 | |
always stealing our best stories. | 0:07:30 | 0:07:32 | |
You're lucky, stories tended to be pulled at the last minute. | 0:07:33 | 0:07:36 | |
So they were written up, just didn't make it into the paper. | 0:07:36 | 0:07:40 | |
Here we are. | 0:07:42 | 0:07:43 | |
October...1943. | 0:07:43 | 0:07:48 | |
Does it say the prisoners' names? | 0:07:48 | 0:07:50 | |
Impatient bugger, aren't you? | 0:07:50 | 0:07:51 | |
Occupational hazard. | 0:07:51 | 0:07:53 | |
Short on facts, I'm afraid. More of a reaction piece. | 0:07:53 | 0:07:57 | |
To the rumours? | 0:07:57 | 0:07:58 | |
Stories like this had a habit of trickling out. | 0:07:58 | 0:08:00 | |
The whole purpose of censorship was to starve the story of oxygen. | 0:08:00 | 0:08:04 | |
Hope it would go away. | 0:08:04 | 0:08:06 | |
But you're talking about German soldiers running around Aberystwyth. | 0:08:06 | 0:08:10 | |
People are going to talk. | 0:08:10 | 0:08:11 | |
Here we are, got himself a witness. | 0:08:11 | 0:08:14 | |
An old farm hand says he saw the Germans up on the ridge. | 0:08:14 | 0:08:18 | |
RAPID BEEPING | 0:08:32 | 0:08:35 | |
The men were headed west. | 0:09:35 | 0:09:36 | |
From some place called Carn yr Awel. | 0:09:36 | 0:09:39 | |
-The ridge, sir. -Do you know it? | 0:09:39 | 0:09:41 | |
Used to go up there with my father before he was ill. | 0:09:41 | 0:09:43 | |
There's only one way down from there, sir. | 0:09:47 | 0:09:49 | |
Look at the first place it leads you. | 0:09:49 | 0:09:52 | |
Talygroes. | 0:09:52 | 0:09:54 | |
Sir, something in from Traffic. | 0:09:54 | 0:09:56 | |
One of the cameras on the prom picked this up. | 0:10:03 | 0:10:06 | |
Freeze it there. | 0:10:12 | 0:10:14 | |
Go in on the van, see if you can get the plates. | 0:10:14 | 0:10:16 | |
Let's get a trace of it, quick. | 0:10:21 | 0:10:24 | |
FOOTSTEPS | 0:10:30 | 0:10:32 | |
HE SPLUTTERS | 0:10:42 | 0:10:43 | |
GASPS FOR BREATH | 0:10:43 | 0:10:45 | |
Wake up! | 0:10:46 | 0:10:48 | |
You've got work to do. | 0:10:49 | 0:10:51 | |
Please! | 0:10:52 | 0:10:54 | |
The van was registered to a Mr Aneirin Roberts. He died 2008. | 0:11:03 | 0:11:06 | |
-Enid's brother? -Yes, sir. | 0:11:06 | 0:11:08 | |
Do we know if he had any children? | 0:11:08 | 0:11:09 | |
-A son. We're trying to trace him. -Why didn't we pick this up before? | 0:11:09 | 0:11:13 | |
-Aneirin left Aber in the '60s. We didn't realise... -Find him! | 0:11:13 | 0:11:16 | |
Yes, sir. | 0:11:17 | 0:11:19 | |
PHONE RINGS | 0:11:23 | 0:11:24 | |
Mathias. | 0:11:28 | 0:11:29 | |
Nia. | 0:11:33 | 0:11:34 | |
WAVES CRASH | 0:11:40 | 0:11:42 | |
BIRDSONG | 0:11:42 | 0:11:43 | |
I promised my husband it was over. | 0:11:45 | 0:11:47 | |
Promised him I wouldn't see Idris again, but... | 0:11:47 | 0:11:50 | |
I couldn't do it. | 0:11:50 | 0:11:52 | |
For a couple of years, yes, but in the end... | 0:11:52 | 0:11:54 | |
..I couldn't stay away. | 0:11:55 | 0:11:58 | |
Knowing he was up there on his own. | 0:11:58 | 0:12:00 | |
The sweetest, gentlest man. | 0:12:02 | 0:12:04 | |
The kindest soul. | 0:12:06 | 0:12:08 | |
Herbert knew Idris and my father were friends. | 0:12:09 | 0:12:12 | |
That's why he sent me up there...to Parc-y-Boda. | 0:12:13 | 0:12:17 | |
To see if I could... | 0:12:17 | 0:12:19 | |
..persuade Idris to move off the mountain. | 0:12:20 | 0:12:22 | |
Herbert sent you up there? | 0:12:22 | 0:12:24 | |
The first time, yes. | 0:12:24 | 0:12:25 | |
He thought the connection with Dad would help. | 0:12:26 | 0:12:29 | |
-Did it? -(I don't know.) | 0:12:29 | 0:12:30 | |
I don't think Idris would have moved. Not for anybody. | 0:12:33 | 0:12:36 | |
Every day he spent on that mountain | 0:12:38 | 0:12:39 | |
was another nail in his father's coffin. | 0:12:39 | 0:12:41 | |
Why did Idris hate his father so much? | 0:12:41 | 0:12:44 | |
Caradog was a bully. | 0:12:46 | 0:12:47 | |
All Idris ever wanted was a father. | 0:12:49 | 0:12:51 | |
In the end, the mountain was all Idris had. | 0:12:54 | 0:12:56 | |
It was everything to him. | 0:12:58 | 0:13:01 | |
Not everything, Nia. | 0:13:01 | 0:13:03 | |
You loved him, didn't you? | 0:13:11 | 0:13:13 | |
With all my heart. | 0:13:15 | 0:13:17 | |
Tom. | 0:13:31 | 0:13:33 | |
I've just had Hywel from the Cambrian Herald in my office | 0:13:33 | 0:13:37 | |
going on about German prisoners of war. | 0:13:37 | 0:13:40 | |
Idris Williams is dead, | 0:13:40 | 0:13:41 | |
Herbert Rees is missing and what do I see? | 0:13:41 | 0:13:44 | |
My top man running around Aberystwyth, | 0:13:44 | 0:13:46 | |
chasing after the bloody Luftwaffe. | 0:13:46 | 0:13:48 | |
-The two things are linked, sir. -They'd better be. | 0:13:50 | 0:13:53 | |
Otto Ernst, Christian Sommer, | 0:14:17 | 0:14:21 | |
Lukas...Lukas Schmidt. | 0:14:21 | 0:14:24 | |
Find out if any of these men made it back to Germany. | 0:14:24 | 0:14:27 | |
They were last seen headed towards Talygroes. | 0:14:27 | 0:14:29 | |
Now, we need to know where they went from there. | 0:14:29 | 0:14:31 | |
-Yep, I'm on it. -Thanks, DS Owen. | 0:14:31 | 0:14:34 | |
She loved him. | 0:15:17 | 0:15:18 | |
She was young. | 0:15:20 | 0:15:21 | |
So? | 0:15:21 | 0:15:22 | |
PHONE RINGS | 0:15:24 | 0:15:25 | |
-Sian? -The prisoners never made it home. | 0:15:29 | 0:15:32 | |
They were officially declared dead in the late '70s. | 0:15:32 | 0:15:34 | |
What about family, descendants? | 0:15:34 | 0:15:36 | |
Christian Sommer had a daughter, Eva Sommer, born 1943. | 0:15:36 | 0:15:40 | |
1943? | 0:15:40 | 0:15:41 | |
That's who the letter's to. | 0:15:43 | 0:15:46 | |
Your loving father. | 0:15:46 | 0:15:47 | |
He was saying goodbye to his little girl in case he didn't make it home. | 0:15:47 | 0:15:51 | |
Get a number for this Eva Sommer, find out what she knows. | 0:15:51 | 0:15:55 | |
-You sure that's a good idea, sir? -Hold on. | 0:15:55 | 0:15:58 | |
She doesn't know her father and we don't know what happened to him. | 0:15:58 | 0:16:01 | |
Is it fair to go stirring things up like that? | 0:16:01 | 0:16:04 | |
-Do it. -'Yes, sir.' | 0:16:06 | 0:16:08 | |
So, how come Enid ended up with the letter? | 0:16:10 | 0:16:12 | |
Maybe Christian Sommer gave it to her to send on. | 0:16:14 | 0:16:17 | |
You saw her back there. | 0:16:18 | 0:16:19 | |
Maybe she couldn't bear to let it go. | 0:16:20 | 0:16:22 | |
Maybe the letter is the only thing she has left to remember him by. | 0:16:22 | 0:16:27 | |
Her only memory. | 0:16:27 | 0:16:28 | |
FOOTSTEPS | 0:16:34 | 0:16:36 | |
Hello. | 0:16:38 | 0:16:39 | |
Hello? | 0:16:42 | 0:16:43 | |
Herbert Rees said he was at the Guild | 0:17:07 | 0:17:09 | |
the night Idris Williams was murdered. Can you vouch for that? | 0:17:09 | 0:17:11 | |
I was here all night. Saw him with my own eyes. | 0:17:11 | 0:17:13 | |
-You weren't aware of him behaving oddly? -No more than the rest. | 0:17:13 | 0:17:16 | |
He was with the others the whole time? | 0:17:16 | 0:17:18 | |
Yeah. He did nip out the back to make a call at one point, | 0:17:18 | 0:17:21 | |
-but other than that... -Make a call? -Yeah. | 0:17:21 | 0:17:23 | |
-How long was he gone? -Five minutes. | 0:17:23 | 0:17:25 | |
I thought DC Ellis said there were no record of any calls? | 0:17:27 | 0:17:29 | |
Nothing came up. Perhaps he has another phone. | 0:17:29 | 0:17:31 | |
Perhaps he didn't make a call. | 0:17:31 | 0:17:33 | |
How far back does that thing go? | 0:17:38 | 0:17:40 | |
-Three weeks. -Can you show me the night in question? | 0:17:40 | 0:17:43 | |
Yeah, I can try. | 0:17:43 | 0:17:45 | |
I must've got it wrong. There's nothing here. | 0:17:59 | 0:18:02 | |
Stop it there. | 0:18:02 | 0:18:04 | |
Play it again. | 0:18:04 | 0:18:06 | |
There! | 0:18:08 | 0:18:10 | |
Look at the time. 8:43. | 0:18:10 | 0:18:12 | |
Rewind it. | 0:18:12 | 0:18:14 | |
Play it again. | 0:18:15 | 0:18:16 | |
There's 20 minutes missing. | 0:18:18 | 0:18:20 | |
He deleted it. | 0:18:20 | 0:18:22 | |
Or he turned the camera off before going outside. | 0:18:22 | 0:18:24 | |
-You say all the other members were inside? -Yeah, that's right. | 0:18:24 | 0:18:27 | |
And they're the only ones to have keys to this place? | 0:18:27 | 0:18:30 | |
Yeah, more or less. | 0:18:30 | 0:18:32 | |
More or less? | 0:18:32 | 0:18:33 | |
The only other people with keys are the boys from the Esplanade. | 0:18:33 | 0:18:37 | |
-Yeah, we do the odd function for them. -How do you find them? | 0:18:41 | 0:18:44 | |
Not too quick paying their bills. | 0:18:44 | 0:18:46 | |
Apart from that, they're the same as everybody else here. | 0:18:46 | 0:18:48 | |
What about Herbert Rees? Have you had anything to do with him? | 0:18:48 | 0:18:51 | |
He's a humourless bugger. I try and stay out of his way if I can. | 0:18:51 | 0:18:54 | |
He sent you down here, did he? | 0:18:54 | 0:18:56 | |
Were any of your staff up at the Guild last night? | 0:18:56 | 0:18:58 | |
-Last night? No. -You're definitely sure about that? | 0:18:58 | 0:19:01 | |
We had a wedding on. It was all hands on deck. | 0:19:01 | 0:19:03 | |
Nobody left early? | 0:19:03 | 0:19:04 | |
Nobody off sick? | 0:19:04 | 0:19:06 | |
Well, there's Jo. | 0:19:06 | 0:19:07 | |
-Jo? -Joseph Roberts. | 0:19:07 | 0:19:09 | |
Well, he's been off for ten days. Stomach bug or something. | 0:19:09 | 0:19:12 | |
How long has he worked for you? | 0:19:12 | 0:19:13 | |
Couple of years. Hard worker. From north Wales. | 0:19:13 | 0:19:16 | |
Have you got an address for him? | 0:19:16 | 0:19:18 | |
He lives with his auntie, I think. On the old road to Borth. | 0:19:18 | 0:19:21 | |
I got it written down in the office. | 0:19:21 | 0:19:23 | |
RAPID CLICKING | 0:19:29 | 0:19:31 | |
BREATHES HARD | 0:19:31 | 0:19:33 | |
BREATHES DEEPLY | 0:20:04 | 0:20:06 | |
VEHICLE APPROACHES | 0:20:33 | 0:20:34 | |
We should wait for backup. | 0:21:16 | 0:21:18 | |
The place is empty. | 0:21:46 | 0:21:48 | |
ENGINE REVS | 0:21:48 | 0:21:50 | |
Shit! | 0:21:54 | 0:21:55 | |
TYRES SCREECH | 0:22:04 | 0:22:05 | |
BIRD'S WINGS FLUTTER | 0:22:17 | 0:22:19 | |
FAINT POLICE RADIO | 0:23:15 | 0:23:16 | |
CAMERA SHUTTER CLICKS | 0:23:22 | 0:23:24 | |
He was one of the boys from the Esplanade. | 0:24:44 | 0:24:47 | |
I found him in my office one day. | 0:24:49 | 0:24:51 | |
He'd spotted the painting. | 0:24:52 | 0:24:54 | |
He was upset. | 0:24:55 | 0:24:56 | |
He said his family had been cheated out of their land. | 0:24:58 | 0:25:01 | |
That it was all Caradog Williams' fault. | 0:25:01 | 0:25:04 | |
And was it? | 0:25:04 | 0:25:05 | |
No. | 0:25:05 | 0:25:07 | |
It wasn't Caradog who killed those soldiers. | 0:25:08 | 0:25:12 | |
It was Eric Roberts. | 0:25:12 | 0:25:13 | |
Joseph's grandfather. | 0:25:13 | 0:25:15 | |
They were sheltering in his barn. | 0:25:18 | 0:25:20 | |
Roberts' daughter Enid found them up there. | 0:25:22 | 0:25:25 | |
She took pity on them. | 0:25:26 | 0:25:28 | |
Started going to see them at night, taking them food. | 0:25:29 | 0:25:33 | |
One of them was injured. | 0:25:33 | 0:25:35 | |
She...got close to him. | 0:25:35 | 0:25:38 | |
How long were they there? | 0:25:38 | 0:25:41 | |
I don't know. Days, a week. | 0:25:41 | 0:25:43 | |
Roberts caught his daughter running back from the barn one night. | 0:25:45 | 0:25:49 | |
He asked her what was going on, she told him. | 0:25:50 | 0:25:53 | |
He took things into his own hands. | 0:25:55 | 0:25:56 | |
He torched the barn. | 0:25:59 | 0:26:00 | |
Let them burn. | 0:26:02 | 0:26:03 | |
Caradog had heard the men screaming. | 0:26:06 | 0:26:08 | |
He went up there the next morning. | 0:26:08 | 0:26:10 | |
Saw what his neighbour had done. | 0:26:10 | 0:26:12 | |
And he blackmailed him? | 0:26:14 | 0:26:15 | |
The men came to an agreement. | 0:26:16 | 0:26:18 | |
Just like the one between you and Joseph Roberts. | 0:26:18 | 0:26:21 | |
Was this him? | 0:26:23 | 0:26:24 | |
Do you recognise the place? | 0:26:26 | 0:26:27 | |
What happened, Herbert? | 0:26:29 | 0:26:31 | |
The man wanted his land back. | 0:26:31 | 0:26:33 | |
What was I supposed to do? | 0:26:36 | 0:26:37 | |
Be straight with him. | 0:26:37 | 0:26:39 | |
Tell him that it wasn't possible. | 0:26:39 | 0:26:41 | |
But instead of that, you made a deal with him. | 0:26:41 | 0:26:44 | |
Get rid of Idris Williams and I'll give you your land back. | 0:26:44 | 0:26:48 | |
Joseph came to the Guild, didn't he, the night Idris was murdered? | 0:26:48 | 0:26:52 | |
He came to tell you what he'd done. | 0:26:52 | 0:26:54 | |
He came to tell you he'd kept to his side of the bargain, | 0:26:54 | 0:26:57 | |
now it was up to you to keep yours. | 0:26:57 | 0:26:59 | |
That's why you turned off the security cameras. | 0:26:59 | 0:27:01 | |
You didn't go outside to make a phone call, | 0:27:01 | 0:27:03 | |
you went outside to meet the killer! | 0:27:03 | 0:27:06 | |
You got a desperate man to do your dirty work for you. | 0:27:06 | 0:27:09 | |
A man who'd lost his father. | 0:27:09 | 0:27:11 | |
Lost his inheritance. Lost everything! | 0:27:11 | 0:27:13 | |
You used him and then you turned him away! | 0:27:13 | 0:27:15 | |
We're up to our necks in debt! | 0:27:15 | 0:27:18 | |
I...I tried talking to Idris. He didn't want to listen. | 0:27:21 | 0:27:26 | |
So you sent Joseph up there. | 0:27:26 | 0:27:28 | |
Just like you sent Nia up there before him. | 0:27:31 | 0:27:33 | |
She never loved you, Herbert. | 0:27:36 | 0:27:37 | |
I should never have married her. | 0:27:43 | 0:27:45 | |
She's ruined everything. | 0:27:47 | 0:27:50 | |
No. She didn't. | 0:27:50 | 0:27:51 | |
You did that all by yourself. | 0:27:53 | 0:27:55 | |
You were right about the mountain, Tom. | 0:28:03 | 0:28:05 | |
Sir, they've found the van. | 0:28:08 | 0:28:11 | |
Have we got a position? | 0:28:17 | 0:28:18 | |
It was abandoned on the B4275 | 0:28:18 | 0:28:20 | |
just north of the junction with the A651. | 0:28:20 | 0:28:23 | |
-I'll call out a search team. -No need. He's not trying to get away. | 0:28:23 | 0:28:25 | |
-What? -He's trying to go home. | 0:28:25 | 0:28:27 | |
-Tom? -You saw his house, his place was like a shrine. | 0:28:30 | 0:28:32 | |
Talygroes was everything to him. Where else would he go? | 0:28:32 | 0:28:34 | |
RUSTLING | 0:28:36 | 0:28:38 | |
BIRDSONG | 0:28:40 | 0:28:42 | |
SIRENS WAIL | 0:28:50 | 0:28:53 | |
FAINT POLICE RADIO | 0:28:58 | 0:29:00 | |
-Joseph? -Stay away from me! | 0:29:40 | 0:29:43 | |
Put the lighter down, Joseph. | 0:29:43 | 0:29:44 | |
I know what happened to the prisoners. | 0:29:48 | 0:29:50 | |
I know what your grandfather did to them. | 0:29:51 | 0:29:54 | |
It wasn't your fault. | 0:29:55 | 0:29:56 | |
We lost everything. | 0:30:06 | 0:30:08 | |
Our land, our future. | 0:30:08 | 0:30:11 | |
Everything. | 0:30:11 | 0:30:13 | |
I know. | 0:30:13 | 0:30:15 | |
I know what my grandfather did was wrong, | 0:30:15 | 0:30:18 | |
but when are we going to stop paying for his sins? | 0:30:18 | 0:30:21 | |
Talygroes. | 0:30:24 | 0:30:26 | |
All his life, my dad spoke of nothing else. | 0:30:28 | 0:30:31 | |
This is where he grew up! | 0:30:34 | 0:30:37 | |
Even at the end, cooped up in his little flat, | 0:30:37 | 0:30:40 | |
coughing his guts up! | 0:30:40 | 0:30:41 | |
He never forgot! | 0:30:43 | 0:30:45 | |
I sat with him...right till the end. | 0:30:45 | 0:30:49 | |
You were a good son. | 0:30:49 | 0:30:50 | |
Do you have any idea what it's like... | 0:30:53 | 0:30:55 | |
..to watch someone close to you dying like that? | 0:30:56 | 0:30:59 | |
Yes. | 0:31:01 | 0:31:02 | |
He was a lonely man miles away from home, dying. | 0:31:06 | 0:31:08 | |
He should've been here, on the mountain, where he belonged! | 0:31:09 | 0:31:12 | |
I know, I know. | 0:31:12 | 0:31:14 | |
The doctors said it was dust from the quarry that killed him. | 0:31:18 | 0:31:22 | |
You blame Caradog Williams, don't you? | 0:31:24 | 0:31:26 | |
All I wanted was the farm back, that's all. | 0:31:27 | 0:31:29 | |
I thought Idris would understand. | 0:31:31 | 0:31:33 | |
I tried talking to him, tried to reason with him. | 0:31:33 | 0:31:35 | |
Begged him to help me, but he wouldn't! He wouldn't listen! | 0:31:35 | 0:31:38 | |
I just wanted back what was ours. | 0:31:43 | 0:31:46 | |
Joseph? Joseph! | 0:31:48 | 0:31:50 | |
Hey. | 0:31:51 | 0:31:52 | |
It's going to be all right. | 0:31:54 | 0:31:56 | |
Do you hear me? | 0:31:56 | 0:31:58 | |
All the pain... | 0:32:01 | 0:32:03 | |
..all the suffering... | 0:32:04 | 0:32:05 | |
..it ends here. | 0:32:07 | 0:32:09 | |
It ends now. | 0:32:11 | 0:32:13 | |
Thank you. | 0:32:23 | 0:32:24 | |
No! | 0:32:31 | 0:32:33 | |
FIRE ROARS | 0:32:33 | 0:32:34 | |
Sir, please, you've got to come now! | 0:32:45 | 0:32:46 | |
GLASS SHATTERS | 0:32:53 | 0:32:54 | |
GLASS SHATTERS | 0:33:10 | 0:33:11 | |
BIRDSONG | 0:33:39 | 0:33:40 | |
RUSTLING | 0:33:40 | 0:33:42 | |
FAINT CHATTER | 0:33:55 | 0:33:57 | |
POIGNANT INSTRUMENTAL | 0:33:59 | 0:34:01 | |
BIRDSONG | 0:34:03 | 0:34:04 | |
WAVES CRASH | 0:34:50 | 0:34:51 | |
BIRDSONG | 0:34:54 | 0:34:56 | |
BREATHES HARD | 0:34:57 | 0:34:59 |