Browse content similar to Episode 2 - Part 1. Check below for episodes and series from the same categories and more!
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KEY TURNS IN LOCK | 0:00:02 | 0:00:04 | |
DOOR CLOSES | 0:00:05 | 0:00:07 | |
CLOCK TICKS | 0:00:08 | 0:00:11 | |
HE EXHALES DEEPLY | 0:00:25 | 0:00:27 | |
HE BREATHES DEEPLY | 0:00:42 | 0:00:45 | |
QUICK SHALLOW BREATHING | 0:01:01 | 0:01:04 | |
TELEPHONE RINGS | 0:01:10 | 0:01:12 | |
Hello? | 0:01:15 | 0:01:17 | |
Eh? | 0:02:28 | 0:02:30 | |
WIND BLOWS SOFTLY | 0:04:13 | 0:04:15 | |
Diolch. | 0:04:47 | 0:04:49 | |
A DC Ellis called... | 0:06:24 | 0:06:27 | |
..looking for you. | 0:06:28 | 0:06:30 | |
Sounded urgent. | 0:06:30 | 0:06:31 | |
Thanks. | 0:06:39 | 0:06:40 | |
-Where the hell have you been? -Sorry, I... | 0:07:02 | 0:07:04 | |
-What have we got? -Laura Dean, 24. | 0:07:04 | 0:07:07 | |
Two poachers found the body just after midnight. | 0:07:07 | 0:07:09 | |
And then we tried calling you. | 0:07:09 | 0:07:11 | |
She was strangled, sir. | 0:07:11 | 0:07:13 | |
She was found naked, buried in a plastic sheet. | 0:07:13 | 0:07:15 | |
Forensics are working on her now. | 0:07:15 | 0:07:17 | |
She said she was going to Manchester for the weekend | 0:07:20 | 0:07:22 | |
to stay with an old college friend. | 0:07:22 | 0:07:24 | |
Her boyfriend reported her missing yesterday | 0:07:24 | 0:07:26 | |
when she didn't arrive back. | 0:07:26 | 0:07:28 | |
-When did he last speak to her? -Friday. | 0:07:28 | 0:07:30 | |
When he called the friend yesterday, | 0:07:30 | 0:07:32 | |
turns out the two hadn't spoken in years. | 0:07:32 | 0:07:34 | |
-What's his name? -The boyfriend's called Ifan Riley. | 0:07:34 | 0:07:36 | |
KNOCK ON DOOR | 0:08:10 | 0:08:12 | |
Mr Riley? | 0:08:19 | 0:08:21 | |
When was the last time you spoke to Laura? | 0:08:31 | 0:08:33 | |
Friday morning. | 0:08:35 | 0:08:36 | |
Before I left for work. | 0:08:38 | 0:08:40 | |
She didn't call to say that she'd arrived? | 0:08:41 | 0:08:43 | |
We don't always call. | 0:08:43 | 0:08:45 | |
I just wanted her to have a good time. | 0:08:48 | 0:08:50 | |
Was she away a lot? | 0:08:50 | 0:08:53 | |
Only when she's cataloguing an art collection. | 0:08:53 | 0:08:55 | |
Sometimes she'd stay over... | 0:08:58 | 0:09:00 | |
..to save the driving. | 0:09:01 | 0:09:03 | |
Wednesday, she was... | 0:09:05 | 0:09:07 | |
..at a gallery opening in Caernarfon. | 0:09:07 | 0:09:10 | |
Alone? | 0:09:13 | 0:09:14 | |
Yes. | 0:09:15 | 0:09:17 | |
Are you sure? | 0:09:18 | 0:09:19 | |
I spoke to her before she went to bed. | 0:09:22 | 0:09:24 | |
What time was that? | 0:09:24 | 0:09:26 | |
About...ten. | 0:09:27 | 0:09:29 | |
Where? | 0:09:36 | 0:09:37 | |
-I'm sorry? -Where did you find her? | 0:09:39 | 0:09:42 | |
We found her in the woods, near Trefenta. | 0:09:44 | 0:09:48 | |
We need to try and create a picture of what happened to her. | 0:09:51 | 0:09:55 | |
Is there anyone else we should speak to? | 0:09:57 | 0:09:59 | |
Friends? | 0:09:59 | 0:10:01 | |
Colleagues? | 0:10:01 | 0:10:02 | |
Naomi. | 0:10:06 | 0:10:07 | |
In the college. | 0:10:08 | 0:10:10 | |
I don't know her second name. | 0:10:11 | 0:10:13 | |
TELEPHONE RINGS | 0:10:51 | 0:10:53 | |
Cambria Police. | 0:10:55 | 0:10:57 | |
HE SIGHS | 0:11:07 | 0:11:09 | |
-Naomi Harris? -Upstairs. Just go up. | 0:11:49 | 0:11:51 | |
-Naomi Harris? -She's here somewhere. | 0:12:01 | 0:12:03 | |
I'll find her, you check Laura's office. | 0:12:04 | 0:12:07 | |
Naomi Harris? | 0:12:38 | 0:12:40 | |
DI Mared Rhys. | 0:12:42 | 0:12:44 | |
DCI Mathias. | 0:12:44 | 0:12:46 | |
When was the last time you saw her? | 0:12:49 | 0:12:51 | |
Erm...Thursday. | 0:12:51 | 0:12:53 | |
The day after the gallery opening? | 0:12:54 | 0:12:56 | |
In Caernarfon? | 0:12:56 | 0:12:58 | |
She never mentioned it. | 0:13:05 | 0:13:07 | |
Did she mention she was going for a weekend away to visit friends | 0:13:07 | 0:13:10 | |
in Manchester? | 0:13:10 | 0:13:12 | |
She... She was seeing someone. | 0:13:18 | 0:13:21 | |
Who? | 0:13:21 | 0:13:23 | |
-Lewis John. -The artist? | 0:13:24 | 0:13:26 | |
He'd asked her to model for him. | 0:13:28 | 0:13:30 | |
Was she having an affair? | 0:13:30 | 0:13:33 | |
I don't know. | 0:13:33 | 0:13:34 | |
Maybe she made it out to be more than it was. | 0:13:34 | 0:13:37 | |
She'd stopped telling me. | 0:13:37 | 0:13:39 | |
I couldn't keep lying for her. | 0:13:39 | 0:13:41 | |
Ifan adored her but he was so | 0:13:42 | 0:13:46 | |
careful with her. | 0:13:46 | 0:13:47 | |
These sketches of Laura... | 0:13:47 | 0:13:49 | |
Is that Lewis John's work? | 0:13:51 | 0:13:53 | |
She was infatuated by him. | 0:13:58 | 0:14:00 | |
Mrs John? | 0:14:45 | 0:14:47 | |
Is your husband here? | 0:14:51 | 0:14:53 | |
-Lewis is in the studio. -Where? | 0:14:54 | 0:14:57 | |
-Do you have time for some questions? -Of course. | 0:15:01 | 0:15:04 | |
Can I help you? | 0:15:12 | 0:15:14 | |
-Lewis John? -Yes. | 0:15:18 | 0:15:20 | |
I'd offer you a drink but, er, it's probably a bit early for you, | 0:15:40 | 0:15:43 | |
-isn't it? -Just a bit, yeah. | 0:15:43 | 0:15:45 | |
Beautiful, aren't they? | 0:15:52 | 0:15:54 | |
It takes years to perfect form. | 0:15:56 | 0:15:58 | |
To lose the rough edges. | 0:16:00 | 0:16:02 | |
I keep them to remind me. | 0:16:05 | 0:16:07 | |
Oh, yeah. What about? | 0:16:08 | 0:16:10 | |
Perfection. | 0:16:10 | 0:16:13 | |
All these paintings... | 0:16:17 | 0:16:18 | |
..are they Laura Dean? | 0:16:20 | 0:16:22 | |
You're not sure. | 0:16:23 | 0:16:25 | |
Huh! The world's obsessed with who people are. | 0:16:25 | 0:16:29 | |
I paint what they are. | 0:16:30 | 0:16:32 | |
-But you knew who she was. -Was? | 0:16:33 | 0:16:36 | |
We found her body this morning. | 0:16:41 | 0:16:43 | |
She's been murdered. | 0:16:44 | 0:16:46 | |
Yes. | 0:18:31 | 0:18:33 | |
'I found her, erm, beguiling.' | 0:18:35 | 0:18:37 | |
Very beautiful. | 0:18:38 | 0:18:39 | |
Did you sleep with her on Wednesday night? | 0:18:41 | 0:18:43 | |
Yes. | 0:18:43 | 0:18:45 | |
And not for the first time? | 0:18:45 | 0:18:47 | |
No. | 0:18:47 | 0:18:48 | |
I was attracted to her and she was to me. | 0:18:49 | 0:18:53 | |
She'd undress... | 0:18:55 | 0:18:57 | |
She'd sit for me and sometimes we had sex... | 0:18:59 | 0:19:03 | |
..sometimes not. | 0:19:04 | 0:19:06 | |
Did you sleep with all your models? | 0:19:12 | 0:19:14 | |
No. Not all of them. | 0:19:14 | 0:19:16 | |
Did you know that Laura had a boyfriend? | 0:19:16 | 0:19:19 | |
I, er, never asked her. | 0:19:21 | 0:19:23 | |
And she never said. | 0:19:23 | 0:19:25 | |
-But you were close? -Laura sat for me. | 0:19:25 | 0:19:28 | |
The rest of the time...she lived her own life. | 0:19:30 | 0:19:33 | |
According to one of Laura's friends, your relationship with her | 0:19:35 | 0:19:38 | |
was more than just sexual. | 0:19:38 | 0:19:40 | |
It wasn't more or less anything. | 0:19:40 | 0:19:43 | |
It was about putting a form in paint on canvas. | 0:19:44 | 0:19:47 | |
HE EXHALES | 0:19:47 | 0:19:49 | |
You think Laura understood that? | 0:19:51 | 0:19:53 | |
I have no idea what Laura thought. | 0:19:55 | 0:19:58 | |
What happened between us was consensual, it was natural. | 0:19:59 | 0:20:03 | |
Does your wife know? | 0:20:05 | 0:20:06 | |
My wife and I share everything. | 0:20:09 | 0:20:11 | |
LOUD KNOCK AT DOOR | 0:20:20 | 0:20:22 | |
FAINT POLICE RADIO | 0:22:33 | 0:22:35 | |
Hello? | 0:24:18 | 0:24:20 | |
CLOCK TICKS | 0:24:20 | 0:24:21 | |
DING! | 0:24:28 | 0:24:30 | |
So the devil has returned to Devil's Bridge. | 0:24:39 | 0:24:41 | |
Hello, Agnes. | 0:24:44 | 0:24:46 | |
FAINT POLICE RADIO | 0:24:46 | 0:24:47 | |
Last night, did you hear anything? | 0:25:21 | 0:25:24 | |
The storm woke me up, but that's nothing new. | 0:25:24 | 0:25:27 | |
No guests? | 0:25:27 | 0:25:28 | |
No. | 0:25:30 | 0:25:31 | |
The place is cursed. Always was. | 0:25:31 | 0:25:35 | |
I've put it up for sale. | 0:25:36 | 0:25:38 | |
Who is it this time? | 0:25:39 | 0:25:40 | |
I can't say. | 0:25:44 | 0:25:45 | |
Tom? | 0:25:46 | 0:25:48 | |
Tom? | 0:25:48 | 0:25:50 | |
-Prosser's outside, he wants to speak to you. -OK. | 0:25:54 | 0:25:57 | |
If you do remember anything, just, um... | 0:25:57 | 0:25:59 | |
I've still got your number. | 0:25:59 | 0:26:01 | |
Tom. | 0:26:15 | 0:26:17 | |
You can't be here. | 0:26:17 | 0:26:19 | |
-Sir? -You're too involved. | 0:26:19 | 0:26:21 | |
What do you mean? | 0:26:23 | 0:26:25 | |
You know how it works. We'll have to bring someone in. | 0:26:28 | 0:26:31 | |
Sir, with respect, I'm the best person to conduct this case. | 0:26:31 | 0:26:34 | |
Tom, you're part of an ongoing investigation. | 0:26:36 | 0:26:39 | |
The main subject of which has just been found dead. | 0:26:39 | 0:26:42 | |
DS Owens will oversee things now, | 0:26:44 | 0:26:46 | |
until an independent investigator arrives. | 0:26:46 | 0:26:48 | |
An independent investigator? | 0:26:48 | 0:26:50 | |
It's procedure. | 0:26:52 | 0:26:54 | |
We have to do this properly. My...my hands are tied. | 0:26:55 | 0:26:58 | |
Go back and work on the Laura Dean case. | 0:27:02 | 0:27:05 | |
See it through. | 0:27:06 | 0:27:07 | |
I'll brief you as appropriate. | 0:27:09 | 0:27:11 | |
-Tom? -Yeah? | 0:27:31 | 0:27:33 | |
Where were you last night? | 0:27:36 | 0:27:38 | |
I was out. | 0:27:41 | 0:27:43 | |
I was out looking for Iwan Thomas. | 0:27:51 | 0:27:53 | |
Did you find him? | 0:27:57 | 0:27:59 | |
Mared, I wish I had. | 0:28:01 | 0:28:02 | |
PHONE RINGS | 0:28:08 | 0:28:10 | |
I needed to see the place. | 0:29:45 | 0:29:47 | |
I loved her! | 0:29:52 | 0:29:53 | |
I don't understand why that wasn't enough! | 0:29:56 | 0:29:59 | |
Come on. | 0:30:11 | 0:30:13 | |
She was seeing somebody else, wasn't she? | 0:30:20 | 0:30:22 | |
Did he do this to her? | 0:30:26 | 0:30:27 | |
Move it forward. | 0:32:02 | 0:32:03 | |
Ifan was waiting for Laura for hours, just like he said. | 0:32:12 | 0:32:15 | |
Sir? Lewis John. | 0:32:18 | 0:32:20 | |
Nine years ago, a 17-year-old brought an accusation against him. | 0:32:21 | 0:32:24 | |
Sexual assault. | 0:32:24 | 0:32:26 | |
No charges were ever brought against the artist and the case was shelved. | 0:32:26 | 0:32:29 | |
-We just have the initial notes and statements. -What was her name? | 0:32:29 | 0:32:32 | |
Joanna Miller. She's currently working as a cook in Aberystwyth. | 0:32:32 | 0:32:35 | |
Well done, Lloyd. | 0:32:38 | 0:32:39 | |
Can I help you? | 0:34:50 | 0:34:51 | |
Oh, if you're looking for DCI Mathias, he's not here. | 0:34:58 | 0:35:02 | |
I wasn't looking for him. | 0:35:05 | 0:35:06 | |
I'd like to speak to you. | 0:35:08 | 0:35:09 | |
-Joanna Miller? -Yeah. | 0:35:22 | 0:35:23 | |
I'm DCI Mathias, this is DI Rhys. | 0:35:23 | 0:35:26 | |
We need to ask you some questions about Lewis John. | 0:35:26 | 0:35:29 | |
It was years ago. | 0:35:37 | 0:35:39 | |
I have nothing to do with him now. | 0:35:40 | 0:35:42 | |
It's in the past. | 0:35:42 | 0:35:44 | |
Maybe you can help us with something that isn't in the past. | 0:35:44 | 0:35:47 | |
One of his models, Laura Dean... | 0:35:47 | 0:35:50 | |
She was found dead during the early hours of this morning. | 0:35:50 | 0:35:55 | |
I've said all I want to say about him. | 0:36:01 | 0:36:03 | |
It's on record. | 0:36:03 | 0:36:05 | |
It was a lifetime ago. | 0:36:07 | 0:36:09 | |
That's OK. | 0:36:09 | 0:36:10 | |
If you do decide to, er...say anything... | 0:36:13 | 0:36:16 | |
..just give us a call. | 0:36:19 | 0:36:20 | |
-It was a long time ago. -But you remember her. | 0:36:55 | 0:36:58 | |
Joanna Miller? She brought an assault charge against you. | 0:36:59 | 0:37:02 | |
-She was 17 years old. -And then retracted it. | 0:37:02 | 0:37:05 | |
But you admit to having a naked 17-year-old in your studio. | 0:37:05 | 0:37:08 | |
She wasn't naked. | 0:37:10 | 0:37:12 | |
Joanna developed a crush on my husband. | 0:37:19 | 0:37:22 | |
We were both aware of it | 0:37:22 | 0:37:24 | |
and did our best to bring the arrangement to an end. | 0:37:24 | 0:37:27 | |
Did it work? | 0:37:27 | 0:37:29 | |
Jo mistook my interest in her as...something more. | 0:37:29 | 0:37:33 | |
When Lewis' work was done... | 0:37:35 | 0:37:36 | |
..she couldn't understand why he didn't need to see her any more. | 0:37:38 | 0:37:42 | |
She couldn't handle it. | 0:37:42 | 0:37:44 | |
And lashed out. | 0:37:46 | 0:37:47 | |
She was just 17 years old. Same age as my daughter. | 0:37:47 | 0:37:50 | |
Then you'll understand. | 0:37:50 | 0:37:52 | |
-Will I? -Was Laura Dean in love with you, Mr John? | 0:37:52 | 0:37:55 | |
No. It... | 0:37:55 | 0:37:57 | |
..it wasn't that. | 0:37:59 | 0:38:00 | |
HE SIGHS | 0:38:01 | 0:38:03 | |
-She was special. -She was vulnerable. | 0:38:03 | 0:38:06 | |
Like Jo Miller. | 0:38:07 | 0:38:09 | |
You've no idea what these girls are like. | 0:38:10 | 0:38:12 | |
We've all been guilty of attention-seeking. | 0:38:14 | 0:38:17 | |
One time or another. | 0:38:18 | 0:38:20 | |
I paint what's inside. | 0:38:24 | 0:38:25 | |
Once I've seen it and... | 0:38:27 | 0:38:29 | |
..I've painted it, I... | 0:38:30 | 0:38:32 | |
..I move on. | 0:38:33 | 0:38:34 | |
Do you really believe you can see inside people? | 0:38:34 | 0:38:38 | |
I... | 0:38:38 | 0:38:39 | |
..I'd like to think I do, yes. | 0:38:41 | 0:38:43 | |
Would you like him to paint you... | 0:38:45 | 0:38:47 | |
..Mr Mathias? | 0:38:49 | 0:38:51 | |
Well, that depends. | 0:38:51 | 0:38:52 | |
Do you think you can see inside of me, Mr John? | 0:38:56 | 0:38:58 | |
Ifan! | 0:39:48 | 0:39:50 | |
Ifan! | 0:39:50 | 0:39:51 | |
-What do you want? -I wanted to say sorry! | 0:39:51 | 0:39:54 | |
I should've said something! I-I should've told you about Laura! | 0:39:54 | 0:39:58 | |
I-I tried talking to her, I tried to make her stop! | 0:39:58 | 0:40:00 | |
-To let you know, tell you...! -I'm not interested! | 0:40:00 | 0:40:02 | |
-If I'd have said something, then maybe...! -Stop! Just stop! | 0:40:02 | 0:40:07 | |
Everybody lied! | 0:40:07 | 0:40:09 | |
She lied! You lied! | 0:40:09 | 0:40:11 | |
You're all liars! All of you! | 0:40:11 | 0:40:14 | |
Laughing at me behind my back! | 0:40:14 | 0:40:16 | |
-Ifan, that isn't true! -Leave me alone! | 0:40:16 | 0:40:18 | |
DS Owens? | 0:40:28 | 0:40:30 | |
Sir. | 0:40:30 | 0:40:31 | |
Hi. | 0:40:44 | 0:40:45 | |
You! | 0:41:49 | 0:41:51 | |
You killed him! | 0:41:51 | 0:41:53 | |
He never killed himself! He never was going to kill himself! | 0:41:53 | 0:41:57 | |
You killed him! | 0:41:57 | 0:41:59 | |
-Hey, leave it! -Get off me! | 0:41:59 | 0:42:01 | |
-Get off me! Get off! -Let him go. | 0:42:01 | 0:42:03 | |
-Get off me! -Let him go! Let him go! | 0:42:03 | 0:42:05 | |
You killed him, or you drove him to it! | 0:42:11 | 0:42:14 | |
His blood's on your hands! | 0:42:14 | 0:42:16 | |
HE BREATHES HARD | 0:42:18 | 0:42:20 | |
WAVES CRASH | 0:42:46 | 0:42:48 | |
DCI Mathias. | 0:43:26 | 0:43:28 | |
I've heard a lot about you. | 0:43:28 | 0:43:30 | |
Hm! Yeah, I'm sure you have. | 0:43:31 | 0:43:33 | |
I've asked DS Owens to work with me on this. | 0:43:37 | 0:43:40 | |
I take it you haven't got a problem with that? | 0:43:41 | 0:43:44 | |
No. | 0:43:44 | 0:43:45 | |
She's a good officer. | 0:43:45 | 0:43:47 | |
We'll sort this out. | 0:43:51 | 0:43:52 | |
And then everyone can move on. | 0:43:54 | 0:43:56 | |
KNOCK AT DOOR | 0:44:20 | 0:44:21 | |
HE SIGHS | 0:45:14 | 0:45:16 | |
-Where are we with Pathology? -Still waiting for the report, sir. | 0:45:37 | 0:45:40 | |
-Sir? -Yes? | 0:45:56 | 0:45:57 | |
-I'm not trying to... -Sian? | 0:46:05 | 0:46:07 | |
Just do your best. | 0:46:09 | 0:46:10 | |
Mared? | 0:46:38 | 0:46:41 | |
FAINT TV BROADCAST | 0:47:27 | 0:47:28 | |
KNOCKS AT DOOR | 0:47:35 | 0:47:37 | |
Hi. | 0:47:43 | 0:47:45 | |
-Sorry. -Everything OK? | 0:47:45 | 0:47:47 | |
Yeah. Um...there's, um...there's no power. | 0:47:47 | 0:47:50 | |
Fuse box. Only the thousandth time! | 0:47:50 | 0:47:53 | |
I haven't had a chance to fix the wiring yet. | 0:47:55 | 0:47:57 | |
-Whiskey? -Yeah. | 0:48:01 | 0:48:03 | |
Put it on my bill. | 0:48:08 | 0:48:10 | |
Oh, don't worry about it. | 0:48:10 | 0:48:12 | |
Well, at least it'll help with the wiring. | 0:48:14 | 0:48:17 | |
It was my grandparents' place. | 0:48:22 | 0:48:23 | |
I used to come here as a little girl. | 0:48:26 | 0:48:29 | |
I loved it. | 0:48:29 | 0:48:30 | |
The sea. | 0:48:32 | 0:48:33 | |
Happy times. Hm! | 0:48:35 | 0:48:38 | |
So, you took it on? | 0:48:38 | 0:48:40 | |
Yeah. They were getting old. | 0:48:40 | 0:48:42 | |
And my marriage came to an end. | 0:48:44 | 0:48:46 | |
Hm. | 0:48:48 | 0:48:50 | |
So, why are you here? | 0:49:07 | 0:49:09 | |
Well, I was sent here. Work. | 0:49:10 | 0:49:12 | |
-Banished! -Huh! | 0:49:14 | 0:49:16 | |
Yeah, something like that. | 0:49:16 | 0:49:18 | |
A police officer came here today. | 0:49:24 | 0:49:26 | |
Asking about you. | 0:49:28 | 0:49:30 | |
About where you were last night. | 0:49:32 | 0:49:34 | |
I thought you were the policeman. | 0:49:37 | 0:49:39 | |
Well, sometimes it's not that easy. | 0:49:41 | 0:49:43 | |
You know, you try and do something and... | 0:49:45 | 0:49:47 | |
Well, it's complicated. | 0:49:49 | 0:49:50 | |
What do they think you've done? | 0:49:56 | 0:49:58 | |
They think I killed someone. | 0:50:04 | 0:50:06 | |
I didn't. | 0:50:16 | 0:50:17 | |
Hm! | 0:50:20 | 0:50:21 | |
WAVES CRASH | 0:50:26 | 0:50:27 | |
GULLS CRY | 0:54:36 | 0:54:37 | |
Hm. | 0:55:06 | 0:55:08 | |
CLOCK TICKS | 0:55:11 | 0:55:12 | |
PHONE RINGS | 0:55:36 | 0:55:37 | |
Mathias. | 0:55:39 | 0:55:40 | |
You're a professional. Haven't you ever crossed a line? | 0:57:43 | 0:57:46 | |
Leave! Get out! | 0:57:49 | 0:57:51 | |
Whatever you think happened here, you're wrong. | 0:57:51 | 0:57:54 | |
I cared about Laura. | 0:57:54 | 0:57:55 | |
-I think he's been lying to us. -He's an obsessive. | 0:57:55 | 0:57:59 | |
Obsessions come and go. | 0:57:59 | 0:58:01 | |
HE GROANS | 0:58:01 | 0:58:03 |