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-She was strangled, sir. -Was she having an affair? | 0:00:02 | 0:00:04 | |
-Lewis John. -The artist? | 0:00:04 | 0:00:06 | |
He'd asked her to model for him She was infatuated by him. | 0:00:06 | 0:00:10 | |
-Did you sleep with all your models? -Not all of them. | 0:00:10 | 0:00:13 | |
Did you know that Laura had a boyfriend? | 0:00:13 | 0:00:15 | |
I loved her. I don't understand why that wasn't enough. | 0:00:15 | 0:00:18 | |
Joanna Miller. She brought an assault charge against you. She was 17 years old. | 0:00:18 | 0:00:22 | |
I've said all I want to say about him. | 0:00:22 | 0:00:24 | |
Joanna developed a crush on my husband. | 0:00:24 | 0:00:26 | |
We've all been guilty of attention seeking one time or another. | 0:00:26 | 0:00:31 | |
You think I killed someone? | 0:00:31 | 0:00:33 | |
I didn't. | 0:00:33 | 0:00:34 | |
We'll sort this out and then everyone can move on. | 0:00:38 | 0:00:41 | |
This is where I'd come to hide when I was younger. | 0:01:15 | 0:01:18 | |
You caught me by surprise, asking about Lewis. | 0:01:32 | 0:01:35 | |
I put it away a long time ago and... | 0:01:37 | 0:01:40 | |
..moved on. | 0:01:41 | 0:01:43 | |
Well, I'm sorry to bring it up again, but... | 0:01:43 | 0:01:45 | |
..I appreciate it. | 0:01:46 | 0:01:48 | |
How did you start modelling for him? | 0:01:51 | 0:01:53 | |
I was a waitress on the front, just on the weekends. | 0:01:53 | 0:01:57 | |
I was 17. | 0:02:00 | 0:02:02 | |
Still in school. | 0:02:03 | 0:02:05 | |
Modelling made me feel very grown-up. | 0:02:07 | 0:02:09 | |
I'd sit for him. | 0:02:12 | 0:02:14 | |
And he'd ask me to undress. | 0:02:16 | 0:02:18 | |
Were you happy to do that? | 0:02:20 | 0:02:22 | |
I don't know. | 0:02:23 | 0:02:25 | |
And he just asked you to sit for him? | 0:02:26 | 0:02:28 | |
No, she did. | 0:02:28 | 0:02:30 | |
Anna. | 0:02:31 | 0:02:32 | |
His wife? | 0:02:32 | 0:02:34 | |
I didn't see it at the time but... | 0:02:35 | 0:02:38 | |
it was her, really. | 0:02:38 | 0:02:40 | |
She was the one that approached me, made me feel special. | 0:02:42 | 0:02:46 | |
She said I was intriguing. | 0:02:49 | 0:02:51 | |
She said I had a look. | 0:02:51 | 0:02:53 | |
But she knew you were 17? | 0:02:54 | 0:02:57 | |
17 going on 30. | 0:02:58 | 0:03:00 | |
It was Anna that decided how I'd sit. | 0:03:05 | 0:03:08 | |
Like... like she was setting me up as bait for him. | 0:03:10 | 0:03:14 | |
And you felt the need to press charges against him? | 0:03:15 | 0:03:18 | |
They said there wasn't any real evidence. | 0:03:24 | 0:03:27 | |
-Maybe they were right. -Maybe they were wrong. | 0:03:30 | 0:03:33 | |
I decided to... | 0:03:34 | 0:03:36 | |
..put it all behind me and move on. | 0:03:37 | 0:03:40 | |
Yeah. | 0:03:40 | 0:03:41 | |
But things like that don't really go away, do they? | 0:03:42 | 0:03:45 | |
HAMMERING NOISE | 0:04:15 | 0:04:17 | |
'Do you choose all the models for him?' | 0:04:23 | 0:04:25 | |
No, not all. | 0:04:26 | 0:04:28 | |
But you decide who he paints and how he paints them? | 0:04:28 | 0:04:31 | |
He felt guilty about it. | 0:04:32 | 0:04:34 | |
At the beginning. | 0:04:35 | 0:04:37 | |
Guilty? | 0:04:37 | 0:04:38 | |
Wanting them. | 0:04:38 | 0:04:40 | |
He thought he'd hurt me. | 0:04:42 | 0:04:44 | |
Isn't there a line between... | 0:04:49 | 0:04:52 | |
an artist and a model? | 0:04:52 | 0:04:54 | |
And shouldn't there be one? | 0:04:55 | 0:04:57 | |
-A line? -Yeah. | 0:04:59 | 0:05:01 | |
Professional line. | 0:05:02 | 0:05:03 | |
You're a professional. | 0:05:04 | 0:05:06 | |
Haven't you ever crossed a line? | 0:05:06 | 0:05:09 | |
They pick themselves. | 0:05:16 | 0:05:18 | |
I can just spot them, that's all. | 0:05:19 | 0:05:21 | |
Lewis doesn't have a type, | 0:05:22 | 0:05:25 | |
if that's what you mean. | 0:05:25 | 0:05:27 | |
What about Laura Dean? | 0:05:34 | 0:05:36 | |
-What about Laura Dean? -Was she different from the others? | 0:05:39 | 0:05:42 | |
-No. -But she used to stay here, didn't she, overnight? | 0:05:43 | 0:05:46 | |
Like Joanna Miller. | 0:05:46 | 0:05:47 | |
In the spare room. | 0:05:49 | 0:05:51 | |
You seem very comfortable with his indiscretions. | 0:05:51 | 0:05:54 | |
He's an obsessive. | 0:05:55 | 0:05:57 | |
Obsessions come and go. | 0:05:58 | 0:06:00 | |
And these young women... | 0:06:01 | 0:06:03 | |
..they're nothing more than that. | 0:06:06 | 0:06:08 | |
They mean nothing to him once he's done with them. | 0:06:09 | 0:06:13 | |
They fascinate him. | 0:06:15 | 0:06:17 | |
For a while. | 0:06:18 | 0:06:19 | |
Once they step out of the light... | 0:06:22 | 0:06:24 | |
..they disappear. | 0:06:27 | 0:06:29 | |
All of them? | 0:06:34 | 0:06:36 | |
All of them. | 0:06:38 | 0:06:40 | |
CAR APPROACHES | 0:06:42 | 0:06:44 | |
Yeah? | 0:07:28 | 0:07:29 | |
Laura Dean was pregnant. | 0:07:29 | 0:07:31 | |
'Do we know who the father is?' | 0:07:31 | 0:07:33 | |
Ifan. | 0:08:36 | 0:08:38 | |
Sorry. | 0:08:39 | 0:08:41 | |
I, erm... | 0:08:41 | 0:08:42 | |
I... | 0:08:44 | 0:08:45 | |
I had to come in. | 0:08:46 | 0:08:48 | |
I, erm... | 0:08:48 | 0:08:49 | |
It's easier to be at work. | 0:08:52 | 0:08:54 | |
Yeah, well, it's better to keep busy, I suppose. | 0:08:56 | 0:08:58 | |
If you find the right soils, | 0:09:11 | 0:09:13 | |
the right light... | 0:09:13 | 0:09:15 | |
..temperature and water... | 0:09:17 | 0:09:19 | |
..then what you do pays off. | 0:09:21 | 0:09:24 | |
You get something that rewards you. | 0:09:26 | 0:09:28 | |
Gives back. | 0:09:28 | 0:09:30 | |
For the care you put in. | 0:09:31 | 0:09:33 | |
Ifan, is there somewhere we can talk? | 0:09:35 | 0:09:38 | |
We're on our own here. | 0:09:41 | 0:09:43 | |
We can talk. | 0:09:43 | 0:09:45 | |
Laura was pregnant. | 0:09:49 | 0:09:51 | |
The pathology report confirmed it this morning. | 0:09:52 | 0:09:55 | |
She was very early. | 0:09:56 | 0:09:58 | |
Only eight weeks. | 0:09:58 | 0:10:00 | |
No. | 0:10:01 | 0:10:03 | |
We're sorry. | 0:10:03 | 0:10:05 | |
I didn't know. | 0:10:12 | 0:10:13 | |
Pathology were running tests to see if there were any unusual substances | 0:10:25 | 0:10:29 | |
in Laura's blood... | 0:10:29 | 0:10:31 | |
and they found a match with your DNA. | 0:10:31 | 0:10:33 | |
What? | 0:10:37 | 0:10:38 | |
Well, erm... | 0:10:41 | 0:10:43 | |
The baby was yours. | 0:10:44 | 0:10:46 | |
No. | 0:10:48 | 0:10:50 | |
No, it's... it's a mistake. | 0:10:50 | 0:10:52 | |
It can't be my baby. | 0:10:56 | 0:10:58 | |
You're wrong. It can't be. | 0:10:59 | 0:11:01 | |
Ifan? | 0:11:01 | 0:11:02 | |
It's not mine. | 0:11:04 | 0:11:06 | |
It can't be mine! | 0:11:07 | 0:11:08 | |
-Ifan... -Get out! | 0:11:09 | 0:11:11 | |
-Leave! Get out! -Come on, Ifan. | 0:11:11 | 0:11:13 | |
No! No! | 0:11:13 | 0:11:15 | |
No! | 0:11:19 | 0:11:21 | |
HE SOBS | 0:11:21 | 0:11:23 | |
What did he mean, it was a mistake? Why was the baby a mistake? | 0:14:22 | 0:14:26 | |
-He was devastated. -That wasn't grief, that was rage. He was furious. | 0:14:26 | 0:14:29 | |
Is that what you expect from someone who's just found out that the person | 0:14:29 | 0:14:33 | |
they've lost, the person they loved, was also having their child? | 0:14:33 | 0:14:36 | |
We know Laura lied about the gallery opening on Wednesday night | 0:14:36 | 0:14:39 | |
-because that night she was with Lewis John, right? -Right. | 0:14:39 | 0:14:41 | |
We know she went to work on Thursday and left as normal that evening. | 0:14:41 | 0:14:45 | |
-Correct. -And we know that Ifan was in work on Friday. | 0:14:45 | 0:14:47 | |
Yes. I checked with his employer. He was there all day. He left late but he often does. | 0:14:47 | 0:14:51 | |
-Did they notice anything unusual in his behaviour, his mood? -Nothing they said. | 0:14:51 | 0:14:55 | |
-According to his colleagues he was his usual self. -So no change? | 0:14:55 | 0:14:58 | |
No, he left early on Wednesday and called in sick on Thursday. | 0:14:58 | 0:15:01 | |
He was ill? What was wrong with him? | 0:15:01 | 0:15:04 | |
They didn't say. He just called in sick. | 0:15:04 | 0:15:06 | |
Ifan told us that he didn't know that Laura was pregnant. | 0:15:08 | 0:15:11 | |
-Maybe she didn't know herself. -She was eight weeks gone, Lloyd. | 0:15:11 | 0:15:14 | |
Or he thought that the child wasn't his. | 0:15:14 | 0:15:17 | |
-You said that he left work on Wednesday? -Yes, sir. -Why? | 0:15:18 | 0:15:21 | |
We don't know. He didn't tell anyone. | 0:15:21 | 0:15:24 | |
Oh, my god, I think he's been lying to us. | 0:15:25 | 0:15:28 | |
He left work early on Wednesday just to follow her, | 0:15:32 | 0:15:35 | |
to find out where she was going. He knew about the affair. | 0:15:35 | 0:15:38 | |
He didn't phone her in Caernarfon because she wasn't in Caernarfon. She was with Lewis John. | 0:15:38 | 0:15:42 | |
That's why he didn't show up for work on Thursday - because he found out the truth. | 0:15:42 | 0:15:46 | |
So the phone messages, the texts, meeting her at the station, | 0:15:46 | 0:15:49 | |
telling us that she was missing, that was all an act? | 0:15:49 | 0:15:52 | |
He knew she wasn't coming back. He knew because he killed her. | 0:15:52 | 0:15:55 | |
What he didn't know until now is that the baby, her baby, was his. | 0:15:55 | 0:15:59 | |
-Get a unit over to Ifan Riley's house now. -Yes, sir. | 0:16:01 | 0:16:04 | |
Ifan Riley! | 0:16:34 | 0:16:35 | |
No sign of him, sir. His car's not here. | 0:16:53 | 0:16:56 | |
OK, Lloyd. | 0:16:57 | 0:16:58 | |
I think I know where he might be. | 0:17:07 | 0:17:09 | |
FLOORBOARDS CREAK | 0:17:31 | 0:17:33 | |
You took her from me. | 0:17:54 | 0:17:55 | |
Who are you? | 0:17:58 | 0:18:00 | |
You stole Laura from me. | 0:18:05 | 0:18:08 | |
Ifan? | 0:18:09 | 0:18:10 | |
You treated her like an object. | 0:18:15 | 0:18:18 | |
That's not true. | 0:18:19 | 0:18:21 | |
I cared about Laura. | 0:18:24 | 0:18:26 | |
No. | 0:18:27 | 0:18:29 | |
All you care about... | 0:18:32 | 0:18:34 | |
..is this! | 0:18:35 | 0:18:36 | |
I gave her everything. | 0:18:50 | 0:18:52 | |
And then you came along. | 0:18:53 | 0:18:55 | |
Flattered her. | 0:18:56 | 0:18:58 | |
Made her feel special. | 0:18:58 | 0:19:01 | |
Whatever you think happened here... | 0:19:06 | 0:19:08 | |
..you're wrong. | 0:19:10 | 0:19:12 | |
You poisoned her against me. | 0:19:22 | 0:19:24 | |
No. | 0:19:24 | 0:19:26 | |
She died... | 0:19:28 | 0:19:30 | |
..because of you. | 0:19:31 | 0:19:33 | |
DRAMATIC MUSIC | 0:19:46 | 0:19:48 | |
Try phoning the house. | 0:19:49 | 0:19:51 | |
Lewis? | 0:19:55 | 0:19:57 | |
LOUD GROANS | 0:19:57 | 0:19:58 | |
Lewis! | 0:20:04 | 0:20:05 | |
Lewis! | 0:20:06 | 0:20:08 | |
Oh, god! Oh, god! | 0:20:08 | 0:20:09 | |
It's Ifan. | 0:20:09 | 0:20:11 | |
What have you done?! | 0:20:16 | 0:20:19 | |
Please, I need help, Ifan! | 0:20:19 | 0:20:21 | |
Please! | 0:20:21 | 0:20:23 | |
You and him, you're both the same. | 0:20:23 | 0:20:25 | |
-No! -Go! | 0:20:25 | 0:20:27 | |
You leave her alone! You leave her alone! | 0:20:27 | 0:20:30 | |
Leave her alone! | 0:20:30 | 0:20:32 | |
No! | 0:20:32 | 0:20:33 | |
CAR APPROACHES | 0:20:39 | 0:20:41 | |
Help! Help! | 0:20:42 | 0:20:44 | |
SOBBING | 0:20:48 | 0:20:50 | |
No! | 0:20:52 | 0:20:54 | |
DRAMATIC MUSIC BUILDS | 0:20:55 | 0:20:57 | |
CRIES OF TERROR | 0:21:08 | 0:21:10 | |
No! | 0:21:11 | 0:21:12 | |
Ifan... | 0:21:27 | 0:21:29 | |
..put the knife down. | 0:21:30 | 0:21:32 | |
STIFLED GROANS | 0:21:34 | 0:21:36 | |
Let them go, Ifan. | 0:21:43 | 0:21:44 | |
This was her choice. | 0:21:45 | 0:21:48 | |
Ifan, listen to me, this was all Laura's choice. | 0:21:48 | 0:21:51 | |
-It's their fault. -No, it isn't. | 0:21:51 | 0:21:53 | |
They've taken everything from me! | 0:21:53 | 0:21:56 | |
I've known for months... | 0:22:04 | 0:22:06 | |
..deep down... | 0:22:07 | 0:22:08 | |
..that she'd been lying to me. | 0:22:10 | 0:22:12 | |
In the end I just had to know. | 0:22:15 | 0:22:17 | |
Tell me, Ifan. | 0:22:22 | 0:22:25 | |
What happened the next day, when she came back? | 0:22:30 | 0:22:32 | |
I just wanted her to tell me... | 0:22:36 | 0:22:38 | |
..why. | 0:22:39 | 0:22:41 | |
She said she didn't love me any more. | 0:22:43 | 0:22:45 | |
That I was suffocating her. | 0:22:47 | 0:22:49 | |
Drop the knife, Ifan. | 0:22:58 | 0:23:00 | |
She said she was in love with someone else. | 0:23:01 | 0:23:03 | |
She said it was his baby. | 0:23:07 | 0:23:09 | |
And I believed her. | 0:23:12 | 0:23:14 | |
I just snapped. | 0:23:16 | 0:23:18 | |
I strangled her. | 0:23:21 | 0:23:22 | |
HE CRIES | 0:23:29 | 0:23:31 | |
Why did she have to lie? | 0:23:34 | 0:23:36 | |
Look at me, Ifan. | 0:23:37 | 0:23:39 | |
Give me the knife. | 0:23:41 | 0:23:43 | |
Come on. | 0:23:59 | 0:24:01 | |
TENSE MUSIC BUILDS | 0:24:10 | 0:24:12 | |
SHE SOBS | 0:24:26 | 0:24:28 | |
'Mammy! | 0:26:52 | 0:26:54 | |
'Mammy, come here! | 0:26:54 | 0:26:56 | |
'Look at me.' | 0:26:56 | 0:26:57 |