Episode 2 - Part 2 Hinterland


Episode 2 - Part 2

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-She was strangled, sir.

-Was she having an affair?

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-Lewis John.

-The artist?

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He'd asked her to model for him She was infatuated by him.

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-Did you sleep with all your models?

-Not all of them.

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Did you know that Laura had a boyfriend?

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I loved her. I don't understand why that wasn't enough.

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Joanna Miller. She brought an assault charge against you. She was 17 years old.

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I've said all I want to say about him.

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Joanna developed a crush on my husband.

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We've all been guilty of attention seeking one time or another.

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You think I killed someone?

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I didn't.

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We'll sort this out and then everyone can move on.

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This is where I'd come to hide when I was younger.

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You caught me by surprise, asking about Lewis.

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I put it away a long time ago and...

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..moved on.

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Well, I'm sorry to bring it up again, but...

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..I appreciate it.

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How did you start modelling for him?

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I was a waitress on the front, just on the weekends.

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I was 17.

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Still in school.

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Modelling made me feel very grown-up.

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I'd sit for him.

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And he'd ask me to undress.

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Were you happy to do that?

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I don't know.

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And he just asked you to sit for him?

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No, she did.

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Anna.

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His wife?

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I didn't see it at the time but...

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it was her, really.

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She was the one that approached me, made me feel special.

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She said I was intriguing.

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She said I had a look.

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But she knew you were 17?

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17 going on 30.

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It was Anna that decided how I'd sit.

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Like... like she was setting me up as bait for him.

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And you felt the need to press charges against him?

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They said there wasn't any real evidence.

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-Maybe they were right.

-Maybe they were wrong.

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I decided to...

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..put it all behind me and move on.

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Yeah.

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But things like that don't really go away, do they?

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HAMMERING NOISE

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'Do you choose all the models for him?'

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No, not all.

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But you decide who he paints and how he paints them?

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He felt guilty about it.

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At the beginning.

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Guilty?

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Wanting them.

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He thought he'd hurt me.

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Isn't there a line between...

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an artist and a model?

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And shouldn't there be one?

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-A line?

-Yeah.

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Professional line.

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You're a professional.

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Haven't you ever crossed a line?

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They pick themselves.

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I can just spot them, that's all.

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Lewis doesn't have a type,

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if that's what you mean.

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What about Laura Dean?

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-What about Laura Dean?

-Was she different from the others?

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-No.

-But she used to stay here, didn't she, overnight?

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Like Joanna Miller.

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In the spare room.

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You seem very comfortable with his indiscretions.

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He's an obsessive.

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Obsessions come and go.

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And these young women...

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..they're nothing more than that.

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They mean nothing to him once he's done with them.

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They fascinate him.

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For a while.

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Once they step out of the light...

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..they disappear.

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All of them?

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All of them.

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CAR APPROACHES

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Yeah?

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Laura Dean was pregnant.

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'Do we know who the father is?'

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Ifan.

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Sorry.

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I, erm...

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I...

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I had to come in.

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I, erm...

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It's easier to be at work.

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Yeah, well, it's better to keep busy, I suppose.

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If you find the right soils,

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the right light...

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..temperature and water...

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..then what you do pays off.

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You get something that rewards you.

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Gives back.

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For the care you put in.

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Ifan, is there somewhere we can talk?

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We're on our own here.

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We can talk.

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Laura was pregnant.

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The pathology report confirmed it this morning.

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She was very early.

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Only eight weeks.

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No.

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We're sorry.

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I didn't know.

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Pathology were running tests to see if there were any unusual substances

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in Laura's blood...

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and they found a match with your DNA.

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What?

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Well, erm...

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The baby was yours.

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No.

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No, it's... it's a mistake.

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It can't be my baby.

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You're wrong. It can't be.

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Ifan?

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It's not mine.

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It can't be mine!

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-Ifan...

-Get out!

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-Leave! Get out!

-Come on, Ifan.

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No! No!

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No!

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HE SOBS

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What did he mean, it was a mistake? Why was the baby a mistake?

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-He was devastated.

-That wasn't grief, that was rage. He was furious.

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Is that what you expect from someone who's just found out that the person

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they've lost, the person they loved, was also having their child?

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We know Laura lied about the gallery opening on Wednesday night

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-because that night she was with Lewis John, right?

-Right.

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We know she went to work on Thursday and left as normal that evening.

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-Correct.

-And we know that Ifan was in work on Friday.

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Yes. I checked with his employer. He was there all day. He left late but he often does.

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-Did they notice anything unusual in his behaviour, his mood?

-Nothing they said.

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-According to his colleagues he was his usual self.

-So no change?

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No, he left early on Wednesday and called in sick on Thursday.

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He was ill? What was wrong with him?

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They didn't say. He just called in sick.

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Ifan told us that he didn't know that Laura was pregnant.

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-Maybe she didn't know herself.

-She was eight weeks gone, Lloyd.

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Or he thought that the child wasn't his.

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-You said that he left work on Wednesday?

-Yes, sir.

-Why?

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We don't know. He didn't tell anyone.

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Oh, my god, I think he's been lying to us.

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He left work early on Wednesday just to follow her,

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to find out where she was going. He knew about the affair.

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He didn't phone her in Caernarfon because she wasn't in Caernarfon. She was with Lewis John.

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That's why he didn't show up for work on Thursday - because he found out the truth.

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So the phone messages, the texts, meeting her at the station,

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telling us that she was missing, that was all an act?

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He knew she wasn't coming back. He knew because he killed her.

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What he didn't know until now is that the baby, her baby, was his.

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-Get a unit over to Ifan Riley's house now.

-Yes, sir.

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Ifan Riley!

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No sign of him, sir. His car's not here.

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OK, Lloyd.

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I think I know where he might be.

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FLOORBOARDS CREAK

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You took her from me.

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Who are you?

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You stole Laura from me.

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Ifan?

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You treated her like an object.

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That's not true.

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I cared about Laura.

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No.

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All you care about...

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..is this!

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I gave her everything.

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And then you came along.

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Flattered her.

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Made her feel special.

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Whatever you think happened here...

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..you're wrong.

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You poisoned her against me.

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No.

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She died...

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..because of you.

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DRAMATIC MUSIC

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Try phoning the house.

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Lewis?

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LOUD GROANS

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Lewis!

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Lewis!

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Oh, god! Oh, god!

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It's Ifan.

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What have you done?!

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Please, I need help, Ifan!

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Please!

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You and him, you're both the same.

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-No!

-Go!

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You leave her alone! You leave her alone!

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Leave her alone!

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No!

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CAR APPROACHES

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Help! Help!

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SOBBING

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No!

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DRAMATIC MUSIC BUILDS

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CRIES OF TERROR

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No!

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Ifan...

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..put the knife down.

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STIFLED GROANS

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Let them go, Ifan.

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This was her choice.

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Ifan, listen to me, this was all Laura's choice.

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-It's their fault.

-No, it isn't.

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They've taken everything from me!

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I've known for months...

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..deep down...

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..that she'd been lying to me.

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In the end I just had to know.

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Tell me, Ifan.

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What happened the next day, when she came back?

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I just wanted her to tell me...

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..why.

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She said she didn't love me any more.

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That I was suffocating her.

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Drop the knife, Ifan.

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She said she was in love with someone else.

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She said it was his baby.

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And I believed her.

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I just snapped.

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I strangled her.

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HE CRIES

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Why did she have to lie?

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Look at me, Ifan.

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Give me the knife.

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Come on.

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TENSE MUSIC BUILDS

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SHE SOBS

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'Mammy!

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'Mammy, come here!

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'Look at me.'

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