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You cheated on our OSCE papers. | 0:00:40 | 0:00:43 | |
Are you ready to start again, Dr Valentine? | 0:00:43 | 0:00:45 | |
Sure it's me you want to talk to? Not Malick? | 0:00:45 | 0:00:48 | |
Are you jealous? | 0:00:48 | 0:00:49 | |
Now, the business plan for Plastics is rock solid, | 0:00:49 | 0:00:52 | |
and I'm not going to stand by | 0:00:52 | 0:00:53 | |
while you're trying to bolster some whim of Sahira's! | 0:00:53 | 0:00:56 | |
I take it Sahira's seed fell on stony ground. | 0:00:56 | 0:00:58 | |
For the time being, we will take | 0:00:58 | 0:00:59 | |
only electives patients on to Darwin. | 0:00:59 | 0:01:01 | |
All other patients must be referred to St James's. | 0:01:01 | 0:01:04 | |
I don't think I need to tell you | 0:01:04 | 0:01:06 | |
where the future of Darwin might lie. | 0:01:06 | 0:01:08 | |
What the hell were you thinking? | 0:01:11 | 0:01:13 | |
Maybe you had this planned? | 0:01:13 | 0:01:15 | |
String Sahira along with the little trauma project. | 0:01:15 | 0:01:17 | |
'That way she won't notice the ward is closing down?' | 0:01:17 | 0:01:20 | |
ELLIOT WHISTLES | 0:01:20 | 0:01:21 | |
-Ssh! -'When were you going to tell me?' | 0:01:21 | 0:01:23 | |
-I have little power. -Right, of course, of course, | 0:01:23 | 0:01:26 | |
because you're only Director of Surgery, | 0:01:26 | 0:01:28 | |
why would anyone listen to anything that you have to say? | 0:01:28 | 0:01:32 | |
Did you really think | 0:01:32 | 0:01:33 | |
that you could disappear for a week and I'd just forget about it? | 0:01:33 | 0:01:36 | |
Imagine if one of us spoke to him like that! | 0:01:36 | 0:01:38 | |
I have, once or twice. Although I was asleep at the time. | 0:01:38 | 0:01:41 | |
-Which begs the question, what does she have that we don't? -Breasts? | 0:01:41 | 0:01:46 | |
Not that yours aren't spectacular. | 0:01:46 | 0:01:49 | |
No, you're right. Sexual nepotism - it's depressingly predictable. | 0:01:49 | 0:01:54 | |
Nothing to do with her being talented? | 0:01:54 | 0:01:56 | |
That would really mess with the Naylor world view! | 0:01:56 | 0:02:00 | |
Is it any coincidence | 0:02:00 | 0:02:01 | |
the man defending her also has a massive crush? | 0:02:01 | 0:02:03 | |
Ssh! They're talking about Darwin! | 0:02:03 | 0:02:06 | |
You said it yourself, Darwin's closure is imminent. | 0:02:06 | 0:02:09 | |
-Probable. -So there's hope? | 0:02:09 | 0:02:11 | |
-I'd like to think so. -Listen to yourself. | 0:02:11 | 0:02:14 | |
You sound like a bystander watching with a passing interest | 0:02:14 | 0:02:18 | |
while Sir Fraser does exactly as he pleases. | 0:02:18 | 0:02:21 | |
-This isn't like you, Henrik. -Anger is a futile emotion. | 0:02:21 | 0:02:23 | |
Anger is not a futile emotion. | 0:02:23 | 0:02:27 | |
Anger is passion, and passion is the fuel you need to fight. | 0:02:27 | 0:02:30 | |
You're so wrapped up in the politics of it all that you've forgotten | 0:02:30 | 0:02:34 | |
why we do this job in the first place. | 0:02:34 | 0:02:36 | |
And don't tell me that you don't care, Henrik. You do care. | 0:02:36 | 0:02:40 | |
You care about your patients. | 0:02:40 | 0:02:42 | |
Please take a breath. | 0:02:42 | 0:02:43 | |
It's easy to be idealistic when you've got nothing at stake. | 0:02:43 | 0:02:46 | |
Nothing at stake?! | 0:02:46 | 0:02:48 | |
You might like to think of them as an inconvenience, | 0:02:48 | 0:02:53 | |
but children are the highest stakes a woman can have. | 0:02:53 | 0:02:56 | |
I need this job, Henrik. | 0:02:59 | 0:03:01 | |
But I am not prepared to jump on any bandwagon to keep it. | 0:03:01 | 0:03:05 | |
-That's what you think I'm doing, is it? -Yes. I do. | 0:03:05 | 0:03:09 | |
I see. You've made yourself extremely clear. Thank you. | 0:03:09 | 0:03:12 | |
-Henrik... -No. | 0:03:12 | 0:03:15 | |
-Elliot. -Morning. | 0:03:21 | 0:03:24 | |
Disgraceful. | 0:03:37 | 0:03:39 | |
-What? -Hanssen choosing Plastics over Darwin. | 0:03:39 | 0:03:42 | |
Yeah. It's a shame. | 0:03:42 | 0:03:44 | |
Makes you wonder what's next. You know he's on Keller all day. | 0:03:44 | 0:03:47 | |
Got two ops on the board. | 0:03:47 | 0:03:50 | |
-You worried? -Please! | 0:03:50 | 0:03:52 | |
Word's not even in my vocabulary. | 0:03:52 | 0:03:54 | |
Right, well. I'll see you out there. | 0:03:54 | 0:03:56 | |
Well, man's only human. | 0:04:02 | 0:04:05 | |
Thank you. | 0:04:09 | 0:04:11 | |
-What do you want, a pat on the head? -Haven't you been told? | 0:04:16 | 0:04:19 | |
-Told what? -Oh. -Why don't I like the sound of what's coming? | 0:04:19 | 0:04:23 | |
You're my new mentor. | 0:04:23 | 0:04:25 | |
I take it the interest you displayed earlier | 0:04:26 | 0:04:30 | |
will convert to signatures on my petition | 0:04:30 | 0:04:33 | |
-to save the trauma project. -Elliot? | 0:04:33 | 0:04:36 | |
Yes, of course, I've just got to... | 0:04:36 | 0:04:40 | |
-I'll sign it. -No, you won't. | 0:04:40 | 0:04:42 | |
-I think that's up to him. -Shall I tell you why he's not? | 0:04:42 | 0:04:45 | |
He wants a career that's going to lasts longer that his shift today. | 0:04:45 | 0:04:48 | |
Well, that's exactly why he should sign it, | 0:04:48 | 0:04:50 | |
because if Hanssen doesn't back the cardiac trauma project, | 0:04:50 | 0:04:54 | |
then Darwin will be dead in the water and we'll all be screwed. | 0:04:54 | 0:04:57 | |
After what Hanssen said last week, do you think your little project is | 0:04:57 | 0:05:00 | |
going to save CT? And people say I'm arrogant! | 0:05:00 | 0:05:02 | |
At least I can't be accused of duplicity. You seemed to be all for it when Hanssen was behind it. | 0:05:06 | 0:05:11 | |
I'm a pragmatist. There's no shame in it. | 0:05:11 | 0:05:15 | |
We need to take a stand. | 0:05:15 | 0:05:17 | |
The question you have to ask yourself, | 0:05:17 | 0:05:19 | |
do you want to be in the dole queue or not? | 0:05:19 | 0:05:22 | |
Are you ready for your first task as my official mentee? | 0:05:24 | 0:05:29 | |
Pour me another one. With skimmed milk this time. | 0:05:29 | 0:05:32 | |
-Thanks. -What? I signed. | 0:05:34 | 0:05:37 | |
-In pencil. -What? | 0:05:37 | 0:05:39 | |
You singed it in pencil. | 0:05:39 | 0:05:40 | |
Did I? | 0:05:40 | 0:05:43 | |
Of course I've told you about her. Chrissie, the nurse. | 0:05:43 | 0:05:47 | |
No, not that nurse! | 0:05:47 | 0:05:48 | |
Yes, it's serious this time. | 0:05:48 | 0:05:50 | |
So what do you say? Saturday at eight? | 0:05:50 | 0:05:53 | |
Please, Mummy. | 0:05:53 | 0:05:56 | |
Oh, thank you. You'll love her, I know you will. | 0:05:56 | 0:05:59 | |
OK, bye. | 0:05:59 | 0:06:01 | |
So, you're introducing Chrissie to your mother? | 0:06:03 | 0:06:05 | |
-Mmm-hmm. -It's serious, then? | 0:06:05 | 0:06:08 | |
Seriously serious. | 0:06:08 | 0:06:10 | |
Mummy! I mean, Mummy! | 0:06:14 | 0:06:17 | |
-It's so undignified. The man must be knocking on 40. -Top me up, Sacha. | 0:06:17 | 0:06:21 | |
He's in for a shock. Chrissie doesn't like mothers. | 0:06:21 | 0:06:24 | |
-Correction - she doesn't like your mother. -So you are listening? | 0:06:24 | 0:06:27 | |
I'm editing out the bits I've heard before, | 0:06:27 | 0:06:30 | |
so that's 75% not listening. | 0:06:30 | 0:06:31 | |
I do not talk about Chrissie all the time. | 0:06:31 | 0:06:34 | |
Sometimes you talk about really interesting things, | 0:06:34 | 0:06:36 | |
like the colour of Daniel's poo. | 0:06:36 | 0:06:38 | |
Hey, everything all right? | 0:06:38 | 0:06:40 | |
-Yeah, fine. -Could you have Daniel this weekend? -Daniel? | 0:06:40 | 0:06:44 | |
-Daniel, your son. -This weekend? | 0:06:44 | 0:06:47 | |
That's the question, now you usually provide me with an answer. | 0:06:47 | 0:06:50 | |
But that knocks out my rota, I won't see him for two weeks. | 0:06:50 | 0:06:53 | |
Sure. | 0:06:55 | 0:06:57 | |
Great. Thank you. | 0:06:57 | 0:06:59 | |
-Oh, have a good time. -Sorry? | 0:06:59 | 0:07:02 | |
-Meeting Dan's mother. Have a good time. -What are you talking about? | 0:07:02 | 0:07:06 | |
Oh, it's just I happened to hear him talking on the phone, and... | 0:07:09 | 0:07:13 | |
Sorry. | 0:07:13 | 0:07:15 | |
-You'll have to tell them to turn around. -They're pulling in. | 0:07:15 | 0:07:18 | |
They shouldn't have come here in the first place - Hanssen's instructions were clear. | 0:07:18 | 0:07:22 | |
-What's going on? -Paramedics are bringing in an RTA. | 0:07:22 | 0:07:25 | |
They didn't realise we're only treating elective cases. | 0:07:25 | 0:07:29 | |
-Where are they? -In reception. -You're not going to do anything rash? | 0:07:29 | 0:07:32 | |
-Well, it depends on your definition of rash is. -Sahira. | 0:07:32 | 0:07:35 | |
His mum? And he asked you that this morning? | 0:07:35 | 0:07:38 | |
Well, technically he hasn't asked me yet, | 0:07:38 | 0:07:41 | |
but he must have spoken to her this morning. Why? | 0:07:41 | 0:07:44 | |
No reason. So you're going to go for it? | 0:07:44 | 0:07:47 | |
I'm supposed to be revising for my clinical exam. | 0:07:47 | 0:07:50 | |
Sacha's got Daniel, but I will have to take a break at some pint. | 0:07:50 | 0:07:56 | |
-What? -Eh, none of my business. | 0:07:56 | 0:07:59 | |
Something about him, always looks like he's doing calculations | 0:08:01 | 0:08:05 | |
in his head, figuring out your value. | 0:08:05 | 0:08:07 | |
Malick! When you say none of your business, | 0:08:07 | 0:08:10 | |
it usually means you're about to poke your nose in. | 0:08:10 | 0:08:13 | |
So go on, I'm inviting you, be my guest. | 0:08:13 | 0:08:15 | |
OK. If you're really serious about your career, | 0:08:15 | 0:08:18 | |
and with him running this ship, you kind of have to be... | 0:08:18 | 0:08:20 | |
-You know I am. -..then you don't take breaks. | 0:08:20 | 0:08:23 | |
You focus. You eat, sleep, breathe it, you get in the zone. You get me? | 0:08:23 | 0:08:26 | |
Sort of. I've never been a swot. | 0:08:26 | 0:08:28 | |
More into boys than books. | 0:08:28 | 0:08:31 | |
Oh, God, I didn't know you were such a taskmaster. | 0:08:31 | 0:08:34 | |
Look, don't get me wrong. I'm into boys and books. | 0:08:34 | 0:08:36 | |
You've just got to keep them in separate rooms. That's the only why. | 0:08:36 | 0:08:39 | |
You see, that's why I need your help. You're full of top tips. | 0:08:39 | 0:08:43 | |
OK. But I expect some proper food this time. | 0:08:43 | 0:08:47 | |
None of that celery and hummus business. | 0:08:47 | 0:08:49 | |
I'm talking meat, I'm talking heat. | 0:08:49 | 0:08:52 | |
In fact, I'm talking season meat. | 0:08:52 | 0:08:53 | |
All right. We'll get takeout. | 0:08:53 | 0:08:56 | |
You really should give Malick a chance. He's a nice guy. | 0:08:59 | 0:09:03 | |
I've got something to ask you. | 0:09:03 | 0:09:05 | |
You don't know what it is yet! | 0:09:07 | 0:09:08 | |
I think I do. | 0:09:08 | 0:09:10 | |
Hanssen specifically said that we're not taking trauma patients. | 0:09:12 | 0:09:15 | |
Where am I? | 0:09:15 | 0:09:17 | |
You've been in a car accident, Holby City Hospital. | 0:09:17 | 0:09:19 | |
Wait, wait. I'll call St James's, see if they have space. | 0:09:19 | 0:09:22 | |
No. Just leave her here. | 0:09:22 | 0:09:23 | |
But Mr Hanssen said... | 0:09:23 | 0:09:25 | |
Look, her pulse is 120, | 0:09:25 | 0:09:26 | |
her BP's 80/60 and her oxygen saturation is 91%. | 0:09:26 | 0:09:29 | |
Do you really think we should be debating this? | 0:09:29 | 0:09:31 | |
-She's borderline. -Sounds like a pneumothorax. We need to aspirate. | 0:09:31 | 0:09:35 | |
Mr Hope thinks she's borderline. She should be treated at St James's. | 0:09:35 | 0:09:38 | |
She'd be dead by then. | 0:09:38 | 0:09:39 | |
Her condition obviously is deteriorating fast. Let's get moving. | 0:09:39 | 0:09:43 | |
So we're all agreed, no transferral? | 0:09:43 | 0:09:45 | |
-Agreed. -Elliot? | 0:09:45 | 0:09:46 | |
ELLIOT: Agreed. | 0:09:46 | 0:09:47 | |
Please, Chrissie. She's really looking forward to meeting you. | 0:09:55 | 0:09:58 | |
What about next weekend? After my exam. | 0:09:58 | 0:10:00 | |
It's not like you're hitting the books all weekend, is it? | 0:10:00 | 0:10:03 | |
Actually, I am. I'm getting in the zone. | 0:10:03 | 0:10:05 | |
The zone? Let me guess. Malick. | 0:10:05 | 0:10:09 | |
He's right. I can't have any distractions. | 0:10:09 | 0:10:11 | |
-What business is it of his? -Oh, don't be like that. | 0:10:11 | 0:10:14 | |
-He's helping me study. -I told you, I could help. | 0:10:14 | 0:10:16 | |
That's not the kind of help I need. Anyway, what's the big rush? | 0:10:16 | 0:10:19 | |
Why can't we put it back one weekend? | 0:10:19 | 0:10:22 | |
Anyway, let's just drop it. | 0:10:22 | 0:10:23 | |
-Malick doesn't want to hear about our petty tiffs. -It wasn't a tiff. | 0:10:23 | 0:10:28 | |
-We weren't having a tiff. -What have we got? | 0:10:28 | 0:10:30 | |
Skater boy sent up from ED. | 0:10:30 | 0:10:32 | |
-Where? -12 o'clock. | 0:10:32 | 0:10:34 | |
My man needs a mirror, not a doctor. | 0:10:34 | 0:10:37 | |
Needle. | 0:10:43 | 0:10:45 | |
OK, you need to calm down, | 0:10:45 | 0:10:47 | |
you're going to be able to breathe any minute. Don't be scared. | 0:10:47 | 0:10:50 | |
Now, breathe nice and easy for me. | 0:10:55 | 0:10:57 | |
Are you feeling better? | 0:10:59 | 0:11:01 | |
OK, Ms Shah? Her sats are back up. we should transfer her. | 0:11:01 | 0:11:05 | |
-Yes, but I'd like to do a few more tests. -The crisis has passed. | 0:11:05 | 0:11:09 | |
Fine. I'll speak to Hanssen if you insist. | 0:11:09 | 0:11:11 | |
I doubt even he will quibble over protocol | 0:11:11 | 0:11:13 | |
when it comes to saving someone's life, do you? | 0:11:13 | 0:11:15 | |
Don't touch the deck. | 0:11:21 | 0:11:23 | |
-It's a health-and-safety issue. -Not anymore. | 0:11:23 | 0:11:26 | |
-Right, Mr Davies. -It's Hawk. | 0:11:28 | 0:11:30 | |
-Short for? -David. | 0:11:30 | 0:11:33 | |
Naturally. | 0:11:33 | 0:11:36 | |
Well, Hawk, I'm going to do an X-ray, | 0:11:36 | 0:11:38 | |
but I think it's safe to say it's broken. | 0:11:38 | 0:11:40 | |
And I'd like to run an echo. | 0:11:40 | 0:11:42 | |
-Why? -I heard a murmur. | 0:11:42 | 0:11:45 | |
-Probably that drink. -That? | 0:11:45 | 0:11:46 | |
Caffeine can raise your heart rate. | 0:11:46 | 0:11:48 | |
Right! | 0:11:48 | 0:11:51 | |
Well. I'd better come clean, then. That's not my first of the day. | 0:11:51 | 0:11:55 | |
I think we've found our source. | 0:11:55 | 0:11:57 | |
Maybe. But still, I'd like to have it confirmed, OK? | 0:11:57 | 0:12:02 | |
Right, I'll organise an echocardiogram and an X-ray? | 0:12:05 | 0:12:07 | |
-Don't bother with the echo, just the X-ray. -Oh, for God's sake! | 0:12:07 | 0:12:10 | |
I only meant that I'd order the tests myself | 0:12:10 | 0:12:13 | |
since you're obviously very busy. | 0:12:13 | 0:12:15 | |
-Oh, right. Thanks. -No problem. | 0:12:15 | 0:12:18 | |
If Darwin closes and I don't have anything to show for it... | 0:12:18 | 0:12:21 | |
Funny you should say that. I've had the very same thought. | 0:12:21 | 0:12:23 | |
-You have? -Today could be a good opportunity for you. | 0:12:23 | 0:12:26 | |
How are your reef knots? | 0:12:26 | 0:12:29 | |
-Excellent. -We'll soon find out. | 0:12:29 | 0:12:32 | |
-Crikey. -Crikey indeed. | 0:12:32 | 0:12:34 | |
How would you swallow a ring? | 0:12:34 | 0:12:37 | |
Not everyone is as mentally balanced as you, Mr Levy. | 0:12:37 | 0:12:40 | |
Now, Mrs Kilbride, it appears you have swallowed a ring. | 0:12:44 | 0:12:50 | |
How - and, might I ask, why - has this happened? | 0:12:50 | 0:12:52 | |
-Why? You clearly haven't met my ex-husband! -You OK? | 0:12:52 | 0:12:57 | |
Bastard wants it back. The cheek! | 0:12:57 | 0:13:00 | |
Fancy asking for an engagement ring back! | 0:13:00 | 0:13:03 | |
It does seem a bit insensitive. | 0:13:03 | 0:13:05 | |
A bit insensitive? Oh, sweetheart, you have no idea! | 0:13:05 | 0:13:09 | |
He wants to use it to propose to his latest bit of stuff. | 0:13:09 | 0:13:13 | |
Must've been a nasty smash. | 0:13:15 | 0:13:18 | |
Tree just came out of nowhere. | 0:13:18 | 0:13:20 | |
-I ain't blind, handsome. -Sorry. How did you get this? | 0:13:24 | 0:13:28 | |
Can't remember. | 0:13:28 | 0:13:31 | |
Right, I can hear a murmur. | 0:13:31 | 0:13:33 | |
Sounds like an aortic regurg. | 0:13:33 | 0:13:35 | |
Have you ever had a problem with your heart? | 0:13:35 | 0:13:38 | |
Not the type you're thinking. | 0:13:38 | 0:13:40 | |
OK, we'll need to do a test called an echocardiogram, | 0:13:40 | 0:13:42 | |
just to see if there's any damage to the heart. | 0:13:42 | 0:13:45 | |
Is there anyone we can call for you? | 0:13:45 | 0:13:48 | |
-Are you sure? -Are you deaf? | 0:13:49 | 0:13:51 | |
-But I need my things. -What things? | 0:13:51 | 0:13:53 | |
My bag. It was with me in the ambulance. | 0:13:53 | 0:13:56 | |
-We'll see what we can do. -I've got to have it, yeah? | 0:13:56 | 0:13:59 | |
Right. | 0:13:59 | 0:14:00 | |
Careful, you're about to hit bone. | 0:14:03 | 0:14:05 | |
I just want to be thorough. | 0:14:05 | 0:14:07 | |
-I'm not going to let you down. -Glad to hear it. | 0:14:07 | 0:14:09 | |
I don't suppose I could, | 0:14:09 | 0:14:12 | |
you know, take the lead on this one? | 0:14:12 | 0:14:13 | |
Why not? | 0:14:15 | 0:14:17 | |
-You trust me? -Got to start somewhere. | 0:14:19 | 0:14:22 | |
Thanks, Ms Naylor. I really appreciate this. | 0:14:22 | 0:14:25 | |
-Where're you going? -Well, I thought... | 0:14:27 | 0:14:29 | |
Nuh-uh. Follow me. | 0:14:29 | 0:14:30 | |
See that! | 0:14:32 | 0:14:34 | |
Sweet nollie kickflip! | 0:14:34 | 0:14:36 | |
Ace was on fire that day. | 0:14:36 | 0:14:39 | |
Jono's more into his pressure tricks. I'm a slides man. | 0:14:39 | 0:14:42 | |
The painkillers should start to kick in soon, | 0:14:42 | 0:14:44 | |
and then we'll get a cast on once we've seen the X-ray. | 0:14:44 | 0:14:47 | |
Is anyone coming to pick you up? Jono or Ace? | 0:14:47 | 0:14:50 | |
They've only got provisionals. I'm the designated driver. | 0:14:50 | 0:14:53 | |
How old are they? | 0:14:53 | 0:14:55 | |
Dunno. 18? Could be 17. | 0:14:55 | 0:14:59 | |
Man, those painkillers are strong, I can't feel my fingers. | 0:14:59 | 0:15:03 | |
Give me your hand?. Can you feel that? | 0:15:03 | 0:15:06 | |
-It's numb. -Could you grip my fingers? | 0:15:06 | 0:15:10 | |
-Damn it. -That's not a good face. | 0:15:12 | 0:15:14 | |
The fracture may have damaged an artery. | 0:15:14 | 0:15:18 | |
Stopping the blood from your arm getting to your hand. | 0:15:18 | 0:15:21 | |
We'll run an ultrasound test. | 0:15:21 | 0:15:23 | |
-Give it to me straight. -The other surgeon, Mr Malick, | 0:15:23 | 0:15:26 | |
-he might have to repair the artery. -An operation? | 0:15:26 | 0:15:29 | |
Can't stay here overnight! | 0:15:29 | 0:15:30 | |
The alternative, you lose your arm. Up to you. | 0:15:30 | 0:15:32 | |
Let's not get ahead of ourselves. | 0:15:32 | 0:15:34 | |
Fingers crossed it's nothing serious, | 0:15:34 | 0:15:36 | |
and you're checking out this afternoon. | 0:15:36 | 0:15:39 | |
Well, come on. | 0:15:43 | 0:15:45 | |
So, what happens down here? | 0:15:46 | 0:15:49 | |
-Organ harvesting? -You'll see. | 0:15:49 | 0:15:52 | |
She's got a damaged valve all right. | 0:15:52 | 0:15:54 | |
-Is Theatre Two free? -Please tell me that's a joke, | 0:15:54 | 0:15:56 | |
-albeit a very unfunny one? -Nope. | 0:15:56 | 0:15:59 | |
-They can do it at St James's. -We can do it here. | 0:15:59 | 0:16:01 | |
So you're wilfully ignoring the edict about elective cases only? | 0:16:01 | 0:16:04 | |
Why do I get the feeling this is about more than just saving a patient's life? | 0:16:04 | 0:16:08 | |
Maybe you're a tired old cynic. | 0:16:08 | 0:16:10 | |
-And you're Joan of Arc, clearly. -So you're in? | 0:16:10 | 0:16:13 | |
-I don't know, I've got other cases. -But not like this one. | 0:16:13 | 0:16:16 | |
I realise Mr Carson's VATS procedure isn't up there | 0:16:16 | 0:16:18 | |
in the lifesaving stakes, palliative care somewhat lower down | 0:16:18 | 0:16:21 | |
on that scale, but try telling him that, unreasonable git. | 0:16:21 | 0:16:24 | |
OK, sarcy point made. You're in, right? | 0:16:24 | 0:16:27 | |
-Down, tiger! -Thank you. | 0:16:27 | 0:16:29 | |
From the ambulance? | 0:16:29 | 0:16:32 | |
What is it? | 0:16:34 | 0:16:35 | |
Then we'll put a tube with a camera down your throat | 0:16:39 | 0:16:42 | |
so we can see the ring to get it out. | 0:16:42 | 0:16:45 | |
Can't I just keep it in there? | 0:16:45 | 0:16:46 | |
Well, I think this is a safer, less risky option. | 0:16:46 | 0:16:51 | |
A Mr Kilbride has just called. He's coming in to see you. | 0:16:51 | 0:16:54 | |
-Aren't I the lucky one? -The ex? | 0:16:54 | 0:16:55 | |
Pass my bag, would you? | 0:16:55 | 0:16:58 | |
Got to show the rotter what he's missing, eh? | 0:16:58 | 0:17:00 | |
-Bonkers. -Oh, come on, don't be so hard on her. | 0:17:07 | 0:17:10 | |
Please tell me you're not relating. | 0:17:10 | 0:17:12 | |
Cos empathy for a patient is such a terrible thing? | 0:17:12 | 0:17:14 | |
-Problem? -No. | 0:17:23 | 0:17:26 | |
I'm sensing a "but". | 0:17:28 | 0:17:29 | |
-You think you're above this? -Absolutely not. | 0:17:32 | 0:17:35 | |
I was just thinking how important it is to be thorough. | 0:17:35 | 0:17:38 | |
That's right. | 0:17:38 | 0:17:39 | |
So, suturing plastic tubing it is, Oliver. | 0:17:39 | 0:17:42 | |
Shouldn't we go to the police? | 0:17:42 | 0:17:44 | |
Could make the triumphant march into Hanssen's office fall a tad flat. | 0:17:44 | 0:17:48 | |
Cops crawling the ward doesn't have quite the same smell of success. | 0:17:48 | 0:17:52 | |
-So, we do nothing? -Maybe put it on some ice, till its owner turns up. | 0:17:52 | 0:17:55 | |
And let ED know. | 0:17:55 | 0:17:57 | |
How was the echo? | 0:17:59 | 0:18:00 | |
-What? -The echo, for Hawk. | 0:18:00 | 0:18:02 | |
-The sonographer's backed up. -Man, they're slow. I'll chase them up. | 0:18:02 | 0:18:05 | |
No need. I've got it covered. | 0:18:05 | 0:18:06 | |
I've got the results for Hawk's arm. You were right. | 0:18:06 | 0:18:09 | |
-The blood's not coming through. -Ortho job, right? | 0:18:09 | 0:18:11 | |
Luckily, I've got a spare slot, | 0:18:11 | 0:18:13 | |
-unless you fancy trying an artery repair? -I'll book a theatre. | 0:18:13 | 0:18:17 | |
-Looking forward to it, bro. -Thanks. -For what? | 0:18:17 | 0:18:19 | |
For making an effort with Malick. | 0:18:19 | 0:18:21 | |
You never know, you might end up liking him. | 0:18:21 | 0:18:24 | |
We got the results back from the echo. | 0:18:28 | 0:18:31 | |
The main artery to your heart is leaking blood, | 0:18:31 | 0:18:33 | |
which means you'll have to go into theatre shortly. | 0:18:33 | 0:18:36 | |
You won't find it. | 0:18:39 | 0:18:41 | |
-What? -The finger. I assume that's what you're looking for? | 0:18:41 | 0:18:44 | |
Dare I ask what it was doing in your bag? | 0:18:45 | 0:18:48 | |
Or where the poor man it belongs to is? | 0:18:48 | 0:18:51 | |
Poor man, good one. | 0:18:51 | 0:18:53 | |
-Who is he? -He deserved it. | 0:18:53 | 0:18:56 | |
What he puts me through. It was self-defence. | 0:18:56 | 0:18:59 | |
-Your boyfriend? -On and off. | 0:18:59 | 0:19:01 | |
He hits you? | 0:19:01 | 0:19:03 | |
Yeah, he hits me. Course he bloody hits me. | 0:19:03 | 0:19:05 | |
-Where is he now? -How should I know? | 0:19:05 | 0:19:08 | |
Look, you had a finger in your bag. | 0:19:09 | 0:19:12 | |
Now, if you don't drop the attitude and tell me why, | 0:19:12 | 0:19:15 | |
-I will call the police. -He came at me, I just grabbed the knife. | 0:19:15 | 0:19:18 | |
The next thing I know, his finger was on the floor. | 0:19:18 | 0:19:21 | |
-Why did you pick it up? -I panicked. | 0:19:21 | 0:19:25 | |
Same reason I drove into a flippin' tree. | 0:19:25 | 0:19:27 | |
You have got security here, right? | 0:19:30 | 0:19:32 | |
-Yes. -Cos he'll come looking for me. | 0:19:32 | 0:19:35 | |
And he'll be angry. When he's like that, there's no stopping him. | 0:19:35 | 0:19:40 | |
He'll want payback. | 0:19:41 | 0:19:43 | |
Don't worry. this is probably the safest place | 0:19:45 | 0:19:47 | |
for you to be right now. OK? | 0:19:47 | 0:19:48 | |
You're Mr Kilbride? | 0:20:03 | 0:20:04 | |
-Mum's here, right? -Oh, her son. | 0:20:04 | 0:20:06 | |
-I brought her these. -Josh! | 0:20:06 | 0:20:09 | |
Josh! Where's your father? | 0:20:09 | 0:20:12 | |
-How should I know? -But he knows I'm here? | 0:20:12 | 0:20:15 | |
Typical, insensitive man! I could be dying for all he knows. | 0:20:15 | 0:20:19 | |
But you're not, though, are you? | 0:20:19 | 0:20:22 | |
Well, at least you're here, darling. | 0:20:22 | 0:20:25 | |
-I brought you some stuff. -Josh and I are inseparable, aren't we? | 0:20:25 | 0:20:29 | |
Like two peas. He takes after me. Artistic. Not like his father. | 0:20:29 | 0:20:33 | |
-What did he say? -Nothing. | 0:20:33 | 0:20:35 | |
He only cares about the ring. Makes packets of money, mind. | 0:20:35 | 0:20:38 | |
-And Mum? -Hmm? -I got something in the post today. | 0:20:38 | 0:20:41 | |
I bet the minute that it comes out, he'll be down here, | 0:20:41 | 0:20:44 | |
-probably try and fish the ruddy thing straight out of my gob... -Mum. | 0:20:44 | 0:20:47 | |
I'll be sure to give his fingers a good old.... | 0:20:47 | 0:20:51 | |
No. Start again. | 0:20:51 | 0:20:52 | |
What? | 0:20:52 | 0:20:54 | |
Do you want a job stacking shelves at a supermarket? | 0:20:54 | 0:20:58 | |
Then start again. And it might help if you don't act like | 0:20:58 | 0:21:01 | |
-you've just had ten pints of beer. -I haven't. | 0:21:01 | 0:21:04 | |
OK. No problem. | 0:21:08 | 0:21:10 | |
Glad to hear it. | 0:21:12 | 0:21:14 | |
Oh-oh. Swabs. | 0:21:23 | 0:21:25 | |
So, it's getting serious? | 0:21:30 | 0:21:32 | |
What? | 0:21:32 | 0:21:34 | |
Sloops, vascular clamps. | 0:21:34 | 0:21:37 | |
Between you and Chrissie. | 0:21:40 | 0:21:42 | |
Be careful not to prang the median nerve. | 0:21:42 | 0:21:45 | |
Fair enough. | 0:21:48 | 0:21:51 | |
Nothing to do with me. | 0:21:51 | 0:21:53 | |
Except... | 0:21:53 | 0:21:55 | |
Scalpel. | 0:21:55 | 0:21:57 | |
Except I wouldn't want her to get hurt. | 0:22:01 | 0:22:04 | |
She won't. | 0:22:04 | 0:22:06 | |
Good. | 0:22:06 | 0:22:08 | |
So I'd prefer it if you concentrated on your own private life. | 0:22:08 | 0:22:12 | |
Cool, there's plenty to be getting on with there. | 0:22:14 | 0:22:17 | |
Trust me. | 0:22:17 | 0:22:19 | |
Catheter. | 0:22:20 | 0:22:22 | |
Look at us! Working like a team! | 0:22:30 | 0:22:33 | |
Who'd have thought, eh? | 0:22:33 | 0:22:36 | |
-Right, I'll see you in theatre. -Josh? Where's Josh. | 0:22:37 | 0:22:40 | |
Here, Mum. | 0:22:40 | 0:22:42 | |
-I'm scared. -I'll be waiting for you. | 0:22:44 | 0:22:47 | |
You'll be fine. | 0:22:47 | 0:22:49 | |
She's brave, your mum. | 0:22:54 | 0:22:57 | |
Divorce can be tough. For everyone. You included. | 0:22:57 | 0:22:59 | |
It was 12 years ago. | 0:22:59 | 0:23:02 | |
I was six when it happened. | 0:23:02 | 0:23:04 | |
Wow! But she still seems so raw. | 0:23:04 | 0:23:06 | |
-Say it, please, it's infuriating. -I told you so. | 0:23:22 | 0:23:24 | |
-Thank you. -The tear is huge. If we'd transferred her, | 0:23:24 | 0:23:27 | |
she wouldn't have stood a chance. | 0:23:27 | 0:23:29 | |
-"I told you so" was plenty. -She's going downhill quickly. | 0:23:29 | 0:23:32 | |
We need to move fast. 5.0 Prolene suture. | 0:23:32 | 0:23:34 | |
You think Hanssen's going to be handing out gold stars for this? | 0:23:34 | 0:23:37 | |
I'd say it's a pretty watertight case | 0:23:37 | 0:23:39 | |
-for the defence, don't you think? -Hanssen's a politician, | 0:23:39 | 0:23:42 | |
and the thing about them is, they tend not to follow evidence. | 0:23:42 | 0:23:45 | |
-Well, you don't know him very well. -What, like you do, you mean? | 0:23:45 | 0:23:48 | |
Hanssen didn't become a surgeon to sit in an office balancing books. | 0:23:48 | 0:23:52 | |
Not what you were saying this morning. | 0:23:52 | 0:23:54 | |
-That was a private conversation. -Then perhaps you should have considered | 0:23:54 | 0:23:58 | |
dialling down the volume a notch. You weren't holding back, that's for sure. | 0:23:58 | 0:24:02 | |
Like I say, I've known him a long time. | 0:24:02 | 0:24:04 | |
You think that's going to make you immune? | 0:24:04 | 0:24:06 | |
-What? -This little stunt. He could lay down the law if he wanted to. | 0:24:06 | 0:24:10 | |
-Saline. -I mean it, Sahira. | 0:24:10 | 0:24:11 | |
Much as I admire this flirtation with rebellion, | 0:24:11 | 0:24:14 | |
you could be jeopardising your future here. | 0:24:14 | 0:24:17 | |
It's not a flirtation. I'm serious. | 0:24:17 | 0:24:19 | |
I can see that. | 0:24:19 | 0:24:21 | |
Here goes. | 0:24:23 | 0:24:25 | |
Congratulations. | 0:24:36 | 0:24:38 | |
Kelly, could you see if Sir Fraser has a window this afternoon, please? | 0:24:38 | 0:24:42 | |
It's about the matter we've been discussing. | 0:24:42 | 0:24:45 | |
Good. Thank you. | 0:24:45 | 0:24:47 | |
The lining of her oesophagus looks sore. | 0:24:50 | 0:24:52 | |
The ring must have scraped the walls. | 0:24:52 | 0:24:54 | |
I've been thinking, | 0:24:54 | 0:24:56 | |
you and Miss Bunny Boiler here could make a good match. | 0:24:56 | 0:24:58 | |
-Please! -What? She makes you laugh, you've got lots in common. | 0:24:58 | 0:25:02 | |
Very subtle(!) | 0:25:02 | 0:25:04 | |
No? Maybe it's not such a good idea. | 0:25:04 | 0:25:07 | |
You'd catch her late at night swallowing all your silverware. | 0:25:07 | 0:25:11 | |
Blimey! | 0:25:11 | 0:25:13 | |
They should make a public health warning out of that. | 0:25:13 | 0:25:17 | |
Stick it in Valentine's cards. | 0:25:17 | 0:25:19 | |
Henrik! | 0:25:19 | 0:25:21 | |
I've got a gastrocutaneous fistula in ten minutes, | 0:25:21 | 0:25:24 | |
so if you want to talk, it'll have to be on the move, I'm afraid. | 0:25:24 | 0:25:27 | |
I took on a trauma patient this morning. | 0:25:27 | 0:25:29 | |
What happened to on the move? | 0:25:31 | 0:25:33 | |
I ordered that we take only on elective cases | 0:25:33 | 0:25:35 | |
and that trauma patients should be treated at... | 0:25:35 | 0:25:37 | |
At St James's. Yes, I know, but the ambulance didn't get the message, | 0:25:37 | 0:25:40 | |
the patient was critical and I made a judgement call. | 0:25:40 | 0:25:43 | |
You operated? | 0:25:43 | 0:25:45 | |
She was suffering from acute aortic regurgitation, | 0:25:45 | 0:25:48 | |
verging on cardiovascular collapse. | 0:25:48 | 0:25:50 | |
I repaired the valve and she's now recovering in ITU. | 0:25:50 | 0:25:54 | |
Come on, Henrik, you'd have done exactly the same. | 0:25:54 | 0:25:57 | |
The decision to use St James's was based on sound clinical grounds. | 0:25:57 | 0:26:00 | |
They have the specialists and resources | 0:26:00 | 0:26:02 | |
to deal with cardiac trauma cases. | 0:26:02 | 0:26:03 | |
She would have died had I sent her away. | 0:26:03 | 0:26:06 | |
Admitting patients for vainglorious reasons is | 0:26:06 | 0:26:08 | |
risking lives, not saving them. | 0:26:08 | 0:26:10 | |
-I don't believe you. -You can't run a hospital with your heart. | 0:26:10 | 0:26:14 | |
Luckily, because you don't seem to have one. | 0:26:14 | 0:26:16 | |
I've got a meeting with Sir Fraser this afternoon. | 0:26:16 | 0:26:19 | |
The cardiac trauma project might be off the table, | 0:26:19 | 0:26:21 | |
but there's still plenty of stuff left on it. | 0:26:21 | 0:26:23 | |
Right. How admirable(!) | 0:26:23 | 0:26:25 | |
It might not be the revolution you're after, | 0:26:25 | 0:26:28 | |
but I'm still fighting. One of the battles will be | 0:26:28 | 0:26:31 | |
-to ringfence certain jobs. -So, what are you saying? | 0:26:31 | 0:26:34 | |
I don't want you to worry. | 0:26:34 | 0:26:36 | |
I trust you'll have that patient transferred | 0:26:36 | 0:26:39 | |
at the earliest opportunity | 0:26:39 | 0:26:41 | |
-so they can receive the appropriate care. -What? | 0:26:41 | 0:26:44 | |
The last time I looked, the elective list was full. | 0:26:44 | 0:26:47 | |
She's using up valuable bed space. | 0:26:47 | 0:26:48 | |
-Ouch. -Did you hear that? | 0:26:53 | 0:26:54 | |
-Yeah. -I mean, how pig-headed can you be? | 0:26:54 | 0:26:57 | |
The facts are staring him in the face and still he won't budge. | 0:26:57 | 0:27:00 | |
-You tried your best. -Just a few days ago, | 0:27:00 | 0:27:02 | |
he was encouraging me to go for the trauma project, | 0:27:02 | 0:27:05 | |
and now it's as if the very idea of saving people's lives | 0:27:05 | 0:27:08 | |
is just repugnant to him. | 0:27:08 | 0:27:09 | |
-I call St James's, get an ambulance to transfer her? -Wait. | 0:27:09 | 0:27:13 | |
I don't care what he says. She's staying here. | 0:27:13 | 0:27:15 | |
-The ward's full. -Strange she hasn't had any bleeding or perforations. | 0:27:15 | 0:27:20 | |
Look at those kissing ulcers. They're very florid. | 0:27:20 | 0:27:22 | |
Ironic name. | 0:27:22 | 0:27:24 | |
Cut her some slack, would you? She's really suffered, poor woman. | 0:27:24 | 0:27:28 | |
Yeah, she's right up there with Gandhi(!) I feel for her, I do. | 0:27:28 | 0:27:31 | |
You don't bring ulcers on yourself. | 0:27:31 | 0:27:33 | |
-Did you ask her if she smokes or drinks? -It didn't seem relevant. | 0:27:33 | 0:27:36 | |
Bet she does, and I bet she blames that on her ex as well. | 0:27:36 | 0:27:39 | |
All right. So what's your excuse? | 0:27:39 | 0:27:41 | |
-Excuse me? -We all have our vices. | 0:27:41 | 0:27:43 | |
Perhaps you shouldn't be so quick to judge. | 0:27:43 | 0:27:46 | |
Why are you being so defensive? | 0:27:46 | 0:27:48 | |
Oh, for God's sake. This isn't about Chrissie. | 0:27:48 | 0:27:52 | |
-I never said that it was. -I just think that sometimes you have | 0:27:52 | 0:27:57 | |
-an astounding lack of empathy. -I don't go around with blinkers on. | 0:27:57 | 0:28:00 | |
When you have a child with someone, you have to make sacrifices. | 0:28:00 | 0:28:03 | |
Look, I know how important seeing Daniel is to you. | 0:28:03 | 0:28:06 | |
I just don't get why you let Chrissie dictate all of the terms. | 0:28:06 | 0:28:09 | |
All right, Eddi, what exactly would you have me do? | 0:28:09 | 0:28:12 | |
I don't know, Sacha. Man up? | 0:28:12 | 0:28:15 | |
How did Hawk's op go? | 0:28:19 | 0:28:21 | |
-Like a dream. -Do you still want me to organise an Echo? | 0:28:21 | 0:28:24 | |
No, sonographer's being slow. | 0:28:24 | 0:28:26 | |
That's funny. Mrs O'Grady's came back in under an hour. | 0:28:26 | 0:28:29 | |
Right. | 0:28:29 | 0:28:31 | |
That doesn't necessarily mean... | 0:28:31 | 0:28:34 | |
All right, just let me check. | 0:28:34 | 0:28:36 | |
Hey, let's not jump to conclusions just yet. | 0:28:36 | 0:28:39 | |
Hello, it's Sister Williams from Keller. | 0:28:39 | 0:28:42 | |
Could I just check you've had a Mr Davis in? | 0:28:42 | 0:28:45 | |
OK, thanks. | 0:28:45 | 0:28:48 | |
I knew it. | 0:28:50 | 0:28:53 | |
-How long are you planning to hide her down here for? -As long as it takes. | 0:28:53 | 0:28:57 | |
-You don't have to help me. -I want to - | 0:28:57 | 0:28:59 | |
even if your ego has got caught up in the mix. We've all got one. I just hadn't see yours before. | 0:28:59 | 0:29:03 | |
I mean it Greg. You can walk away. I'll say you had nothing to do with it. | 0:29:03 | 0:29:06 | |
What and let you have all the fun? Never! | 0:29:06 | 0:29:09 | |
As much as it pains me to admit it, I'm on your side. | 0:29:09 | 0:29:10 | |
Hey, what are you guys doing down here? | 0:29:12 | 0:29:14 | |
Hey Ollie. How you doing? | 0:29:14 | 0:29:17 | |
-Should you be doing that? -Valentine, | 0:29:17 | 0:29:18 | |
If you want a bright future. you haven't seen us. OK? | 0:29:18 | 0:29:21 | |
Please, Ollie. Just stay out of it, for your own good. | 0:29:25 | 0:29:29 | |
Right, we've gotta go back up. | 0:29:33 | 0:29:35 | |
Should we be worried? | 0:29:35 | 0:29:37 | |
Him? He's harmless. | 0:29:37 | 0:29:39 | |
-There was nothing wrong! -Don't try and justify your negligence. | 0:29:41 | 0:29:44 | |
-Guys, people are looking. -I made a judgement call based on my experience as a surgeon... | 0:29:44 | 0:29:49 | |
I thought an Echo was a waste of resources. | 0:29:49 | 0:29:51 | |
-Where's Hawk? -And in case you've forgotten I am the Consultant. | 0:29:51 | 0:29:54 | |
-THEY ARGUE OVER EACH OTHER -Where's Hawk! | 0:29:54 | 0:29:57 | |
Hawk! | 0:30:02 | 0:30:04 | |
-Dude. -What're you doing? | 0:30:04 | 0:30:06 | |
Wasn't feeling great. The wall's were like staring at me. | 0:30:09 | 0:30:13 | |
-Come on, let's get you back inside. -Ah man, you don't get it do you? | 0:30:13 | 0:30:16 | |
Get what? | 0:30:16 | 0:30:17 | |
You're part of the machine. | 0:30:17 | 0:30:20 | |
The job, the wife. | 0:30:20 | 0:30:23 | |
-Girlfriend. -But you want her to be your wife. | 0:30:23 | 0:30:25 | |
Nice house, kids, dog, holidays. | 0:30:25 | 0:30:31 | |
All that stuff makes me sweat. | 0:30:31 | 0:30:32 | |
-I can't be contained, man. -I get that. | 0:30:32 | 0:30:36 | |
-You do? -I'm not just that guy, you know. | 0:30:36 | 0:30:39 | |
You make me sound like a robot. | 0:30:39 | 0:30:41 | |
Have a go. | 0:30:41 | 0:30:42 | |
What? | 0:30:42 | 0:30:43 | |
-On my board. try it. -No, it's OK. | 0:30:43 | 0:30:47 | |
Go on. I can see it now. there's something in your eye. | 0:30:47 | 0:30:51 | |
A spark. | 0:30:51 | 0:30:53 | |
Go on, set yourself free. | 0:30:53 | 0:30:56 | |
This is ridiculous. Let's get you back inside. | 0:30:56 | 0:30:58 | |
What's the harm? Five more minutes, then I'll promise I'll go back like a good boy. | 0:30:58 | 0:31:04 | |
Thought you weren't a robot? | 0:31:05 | 0:31:06 | |
I'm going to go and check on Kara. | 0:31:14 | 0:31:18 | |
Don't worry, I've got your back. | 0:31:18 | 0:31:21 | |
# Rows of houses | 0:31:21 | 0:31:23 | |
# Are bearing down on me | 0:31:23 | 0:31:27 | |
# I can feel their | 0:31:27 | 0:31:31 | |
# Blue hands touching me | 0:31:31 | 0:31:34 | |
# All these things into position | 0:31:34 | 0:31:38 | |
# All these things we'll one day swallow whole | 0:31:38 | 0:31:41 | |
# And fade out | 0:31:48 | 0:31:55 | |
# Again | 0:31:55 | 0:32:00 | |
# And fade out | 0:32:00 | 0:32:08 | |
# This machine will not communicate... # | 0:32:08 | 0:32:14 | |
Hello Kara. | 0:32:14 | 0:32:16 | |
# These thoughts and the strain I am under | 0:32:16 | 0:32:20 | |
# Be a world child, form a circle | 0:32:23 | 0:32:26 | |
# Before we all go under... # | 0:32:26 | 0:32:29 | |
You bitch! | 0:32:29 | 0:32:31 | |
-Look what you've done to me. -I knew you'd come. -Why'd you do it, eh? | 0:32:31 | 0:32:36 | |
I was almost out the door, | 0:32:36 | 0:32:37 | |
I was so close to getting free from you and then you go psycho again. | 0:32:37 | 0:32:42 | |
You were worried about me. That's why you're here. | 0:32:42 | 0:32:45 | |
Don't kid yourself, love. | 0:32:45 | 0:32:48 | |
Where's my finger? | 0:32:48 | 0:32:49 | |
Dunno, some doctor took it. | 0:32:49 | 0:32:54 | |
Baby, we can start again. | 0:32:57 | 0:32:59 | |
-Don't start, Kar. -I'll be good, I promise. -No! | 0:32:59 | 0:33:02 | |
That's what you always say, but then you're always there, | 0:33:02 | 0:33:05 | |
you're breathing down my neck. Getting on my case. | 0:33:05 | 0:33:09 | |
Checking my phone. I can't handle it any more. | 0:33:09 | 0:33:13 | |
And now this. You just don't know when to stop. | 0:33:13 | 0:33:19 | |
Fine, well if that's how you feel, may as well go. | 0:33:19 | 0:33:22 | |
Are you going to stab me? | 0:33:26 | 0:33:29 | |
-Shut up. Shut up! -Go on then, | 0:33:29 | 0:33:33 | |
I deserve it. | 0:33:33 | 0:33:34 | |
Then we'll be even. if that's what you need. | 0:33:35 | 0:33:38 | |
Do it. | 0:33:43 | 0:33:45 | |
Do it! | 0:33:47 | 0:33:50 | |
I can't believe you're defending him. | 0:34:28 | 0:34:31 | |
I'm not, it's just that he could... | 0:34:31 | 0:34:33 | |
I'm dreaming. Please, tell me I'm dreaming. | 0:34:33 | 0:34:37 | |
Oh. My. God. | 0:34:38 | 0:34:40 | |
-Uncage the beast! Yes! -Do you know what, I think I get it. | 0:34:41 | 0:34:46 | |
I really do. | 0:34:46 | 0:34:46 | |
Hawk? | 0:34:49 | 0:34:51 | |
Hawk? Hawk, can you hear me? | 0:34:56 | 0:34:59 | |
I'm always telling you not to drink so much. | 0:34:59 | 0:35:02 | |
You say it's one glass, but it's practically a goldfish bowl. | 0:35:02 | 0:35:06 | |
It's hard, especially when your father insists on making me a nervous wreck. | 0:35:06 | 0:35:10 | |
Well, I can give you drugs for the inflammation and the ulcers | 0:35:12 | 0:35:17 | |
and you're going to need to cut down on alcohol and cigarettes. | 0:35:17 | 0:35:20 | |
Oh... And here's the ring. | 0:35:20 | 0:35:25 | |
Hawk, can you hear me? | 0:35:34 | 0:35:37 | |
-There's no pulse. He's not breathing. -He just collapsed? | 0:35:38 | 0:35:41 | |
Told you I heard a murmur. | 0:35:41 | 0:35:43 | |
Charging at 200. | 0:35:44 | 0:35:47 | |
Nothing. | 0:35:47 | 0:35:49 | |
Again at 200. | 0:35:49 | 0:35:52 | |
No. | 0:35:52 | 0:35:54 | |
-Again. -OK, 360. | 0:35:54 | 0:35:57 | |
For God's sake. | 0:36:01 | 0:36:01 | |
Wait... | 0:36:01 | 0:36:03 | |
-He's back in rhythm. -Oh, thank you. | 0:36:05 | 0:36:07 | |
But his B/P is very low. | 0:36:09 | 0:36:11 | |
Let's get him inside, get two lines in and squeeze fluids. | 0:36:11 | 0:36:15 | |
-Woah. OK, let's get you some help. What's your name? -I'm all right. | 0:36:23 | 0:36:27 | |
I don't need any help. | 0:36:27 | 0:36:29 | |
-What have you done to your hand? -I've done nothing. -It's OK, we just want to help you. | 0:36:29 | 0:36:33 | |
-That's all. -Don't! Please. | 0:36:33 | 0:36:36 | |
-Can we get him over to ED please? -Hold your hand up, that's it. | 0:36:36 | 0:36:41 | |
What's all that about? | 0:36:42 | 0:36:45 | |
Some bloke minus a finger. | 0:36:45 | 0:36:47 | |
Greg, I need you in the basement now. | 0:36:53 | 0:36:56 | |
Oh, my God! | 0:37:03 | 0:37:04 | |
What happened? | 0:37:08 | 0:37:09 | |
I left the room unguarded. didn't even think about the risks! | 0:37:14 | 0:37:17 | |
Why didn't I take her more seriously? | 0:37:17 | 0:37:19 | |
Squeeze the 0-Neg and bag 100% oxygen. There are no theatres free. | 0:37:19 | 0:37:22 | |
-We can't do it here. -We don't have a choice. Pulse 120, B/P. 50/30. | 0:37:22 | 0:37:26 | |
Oxygen sats 88. We're losing her. | 0:37:26 | 0:37:27 | |
You paged? | 0:37:27 | 0:37:30 | |
I need you to go to ITU get the Chest Opening case. I need suction, I need light. | 0:37:30 | 0:37:33 | |
And if you can't find a light, get me a headlight. I need a theatre crew. whoever's available. | 0:37:33 | 0:37:38 | |
-What happened? -Did you get all of that? | 0:37:38 | 0:37:41 | |
Then why are you still here? | 0:37:41 | 0:37:43 | |
You wanted a Trauma case - you've got one now. | 0:37:43 | 0:37:46 | |
How's he doing? | 0:38:05 | 0:38:07 | |
The CT specialist is coming down to look at the Echo. | 0:38:07 | 0:38:10 | |
Let me know when he's here? | 0:38:10 | 0:38:12 | |
-Talk about childish. -What? -The silent treatment - haven't pulled that one since Junior School. | 0:38:12 | 0:38:18 | |
-Dan, this is serious. -OK, I know. I feel awful. I do. | 0:38:18 | 0:38:20 | |
-Then why did you do it? -I don't know. | 0:38:20 | 0:38:23 | |
I didn't think the test was necessary and Malick was being | 0:38:23 | 0:38:26 | |
all Malick-like. | 0:38:26 | 0:38:28 | |
I wouldn't be surprised if he reported you for this. | 0:38:28 | 0:38:32 | |
-What should I do? -Apologise. -I've tried! -Like you mean it! | 0:38:32 | 0:38:34 | |
I really thought you'd turned over a new leaf today. | 0:38:34 | 0:38:38 | |
-You're blocking my light. -Sorry. -In fact. can you just go? -What? | 0:38:44 | 0:38:47 | |
You'd be more use to me in the end of the corridor. | 0:38:47 | 0:38:51 | |
-Make sure no-one finds us here, OK? -You realise the risk I'm taking? | 0:38:51 | 0:38:54 | |
Ms Naylor is my new mentor in case you'd forgotten. | 0:38:54 | 0:38:57 | |
-Didn't bother you when you thought you were getting some sexy theatre time? -Right. Clips. | 0:38:57 | 0:39:02 | |
I need to mobilise the liver and repair the tear. | 0:39:02 | 0:39:04 | |
-Luckily there's no damage to the heart or lungs. -Lucky? She won't stop bleeding. | 0:39:04 | 0:39:09 | |
Put your hand in there. I need more time to repair this. | 0:39:09 | 0:39:13 | |
It's coming out faster than it's going in. more fluids. 100% oxygen. | 0:39:13 | 0:39:17 | |
Sutures. Right. | 0:39:17 | 0:39:19 | |
This isn't working, the thread's too fine, it's braiding. | 0:39:23 | 0:39:26 | |
It's making the bleeding worse. | 0:39:26 | 0:39:29 | |
She's heading for hypovalemic shock. | 0:39:29 | 0:39:31 | |
-I need more time! -Sahira, we're losing her! | 0:39:31 | 0:39:33 | |
-What do you want me to do?! -Your call. | 0:39:33 | 0:39:38 | |
Page Mr Hanssen. | 0:39:38 | 0:39:40 | |
Talent is a rare commodity. | 0:39:40 | 0:39:42 | |
I don't think we should underestimate its value. | 0:39:42 | 0:39:45 | |
Feeling insecure, Henrik? | 0:39:45 | 0:39:46 | |
The the fact I've taken time out of my busy schedule | 0:39:46 | 0:39:49 | |
for an impromptu meeting might flatter the ego somewhat? | 0:39:49 | 0:39:52 | |
And, as I said, I'm terribly grateful. | 0:39:52 | 0:39:56 | |
I'm urging you to see Darwin and its surgeons as separate entities. | 0:39:56 | 0:40:01 | |
The departure of one, needn't lead to the departure of the other. | 0:40:01 | 0:40:04 | |
You're asking me to be a human being. | 0:40:04 | 0:40:08 | |
You know my background's in business, Henrik. | 0:40:08 | 0:40:11 | |
Now the key attribute of any successful business man | 0:40:11 | 0:40:14 | |
is common sense, and the way I see it, keeping on a CT surgeon when we no longer have a CT ward | 0:40:14 | 0:40:20 | |
is rather like a shopkeeper stocking winter hats in the Sahara. | 0:40:20 | 0:40:27 | |
I'd like to think my staff have more valuable than an item of knitwear, | 0:40:27 | 0:40:32 | |
-they're certainly more retrainable. -But that takes time and money. | 0:40:32 | 0:40:35 | |
Investments don't always pay out immediately. | 0:40:35 | 0:40:37 | |
We should be thinking of the long term future. | 0:40:37 | 0:40:40 | |
Thank you for pointing that out. Who do you have in mind? | 0:40:40 | 0:40:44 | |
-There's a number of valued members of staff. -Name one. | 0:40:44 | 0:40:47 | |
-Ms Shah, for example. -Ah, Ms Shah. | 0:40:47 | 0:40:51 | |
-Her name's cropped up before. -For good reason. | 0:40:51 | 0:40:55 | |
Why don't we have this discussion properly | 0:40:55 | 0:40:59 | |
-when we know exactly what we're facing? -Is that a brush off? | 0:40:59 | 0:41:02 | |
PAGER BEEPS | 0:41:02 | 0:41:05 | |
-Problem? -You will consider my request? | 0:41:05 | 0:41:07 | |
Of course. | 0:41:07 | 0:41:09 | |
I'm looking forward to seeing the talented Ms Shah at work. | 0:41:12 | 0:41:15 | |
Dr Valentine? | 0:41:15 | 0:41:17 | |
I didn't know we were in a war zone. | 0:41:20 | 0:41:22 | |
-She's ruptured her liver. -What are these? -Vicryl sutures. | 0:41:22 | 0:41:26 | |
There's your problem. Do we have any pledgets? | 0:41:26 | 0:41:28 | |
Give me some on a blunt number one please? Who is this patient? | 0:41:28 | 0:41:32 | |
I take it from your silence she's another trauma case? | 0:41:34 | 0:41:37 | |
It's the same patient - her boyfriend came in and stabbed her. | 0:41:37 | 0:41:40 | |
Swabs, please. | 0:41:40 | 0:41:42 | |
-We were going to transfer her, but then we were concerned she had an irregular heartbeat. -Were we? | 0:41:42 | 0:41:48 | |
-It was totally my call. -All right. | 0:41:50 | 0:41:52 | |
Got it. That should hold now. | 0:41:54 | 0:41:57 | |
Her B/P's going up. | 0:41:57 | 0:42:00 | |
She's going to make it. | 0:42:00 | 0:42:04 | |
-Thank you. -Let's hope so. | 0:42:04 | 0:42:05 | |
The way you've gambled with this girl's life is unacceptable. | 0:42:05 | 0:42:09 | |
Look at this debacle. | 0:42:09 | 0:42:11 | |
Hawk's results? Malick, please. | 0:42:22 | 0:42:24 | |
-This isn't your case any more. -Let me explain - I feel responsible. | 0:42:24 | 0:42:28 | |
-That's because you are. -Let me tell Hawk you advised an Echo and I didn't follow up. | 0:42:28 | 0:42:33 | |
I want to come clean. | 0:42:33 | 0:42:35 | |
I really am sorry. It won't happen again. | 0:42:37 | 0:42:39 | |
OK. | 0:42:43 | 0:42:45 | |
Truce? | 0:42:45 | 0:42:47 | |
You do you job, and I'll do mine. | 0:42:47 | 0:42:49 | |
And you're not going to... | 0:42:49 | 0:42:51 | |
You know. | 0:42:51 | 0:42:53 | |
There's something I've been trying to tell you for a while now. | 0:43:01 | 0:43:05 | |
Have you? Tell me. Tell me what is it? | 0:43:05 | 0:43:08 | |
You know I went for that audition? | 0:43:08 | 0:43:11 | |
-Audition? -Yeah. In London before Christmas. | 0:43:11 | 0:43:15 | |
-I don't believe it. -It's true. | 0:43:15 | 0:43:17 | |
I got a big information pack in the post this morning. | 0:43:17 | 0:43:19 | |
Has he had hair implants? | 0:43:19 | 0:43:22 | |
-What? -Your Father. | 0:43:22 | 0:43:25 | |
I'm impressed. | 0:43:25 | 0:43:28 | |
-You are? -You've shown guts today. | 0:43:28 | 0:43:31 | |
You did what I would have done. | 0:43:31 | 0:43:34 | |
What do you mean? | 0:43:34 | 0:43:35 | |
Ducking out of here to run to Ms Shah's side. | 0:43:35 | 0:43:38 | |
That's right. I know. | 0:43:38 | 0:43:41 | |
You're not angry? | 0:43:42 | 0:43:44 | |
No. | 0:43:44 | 0:43:46 | |
That shows you're hungry. | 0:43:46 | 0:43:47 | |
I am. | 0:43:47 | 0:43:49 | |
It's just a pity Ms Shah's not your mentor. | 0:43:49 | 0:43:52 | |
You obviously feel very strongly about her cause. | 0:43:52 | 0:43:54 | |
I requested you. | 0:43:56 | 0:44:00 | |
What? | 0:44:00 | 0:44:01 | |
I'm serious about this, Ms Naylor. | 0:44:01 | 0:44:03 | |
I requested you because you're the best. | 0:44:03 | 0:44:05 | |
And if that means suturing inside plastic cups | 0:44:05 | 0:44:09 | |
then I'll do it. | 0:44:09 | 0:44:11 | |
Six months, | 0:44:11 | 0:44:13 | |
maybe then I'll let you loose on a cadaver. | 0:44:13 | 0:44:16 | |
If you think I'm ready for it. | 0:44:16 | 0:44:18 | |
It is a serious condition, we can treat it with medication to control | 0:44:22 | 0:44:25 | |
your blood pressure and keep the strain to your heart to the minimum, | 0:44:25 | 0:44:28 | |
but you may eventually need an operation to have an aortic valve replacement. | 0:44:28 | 0:44:32 | |
Heavy. | 0:44:32 | 0:44:34 | |
And, I should also say that the other surgeon, Mr Malick... | 0:44:34 | 0:44:38 | |
The dude that wanted the test? | 0:44:38 | 0:44:41 | |
If I'd carried out the Echo | 0:44:41 | 0:44:43 | |
we could have identified the problem sooner | 0:44:43 | 0:44:45 | |
and potentially avoided what happened outside. | 0:44:45 | 0:44:47 | |
What happens, happens. | 0:44:47 | 0:44:48 | |
Yes, but it was serious omission. | 0:44:48 | 0:44:51 | |
-You were awesome. -Pardon? -On the board. | 0:44:51 | 0:44:54 | |
Did you dig it? | 0:44:54 | 0:44:57 | |
Yeah, a little. | 0:44:57 | 0:44:59 | |
-Where is she? -Don't worry, it's safe. | 0:44:59 | 0:45:01 | |
-Can I see her? -Sure. | 0:45:01 | 0:45:04 | |
But I'm afraid skating might be off the menu for the foreseeable. | 0:45:04 | 0:45:07 | |
-What? -You need to take it easy. | 0:45:07 | 0:45:10 | |
Raising the heart rate could be life threatening. | 0:45:10 | 0:45:13 | |
But skating's my life, man. It's my soul. | 0:45:13 | 0:45:17 | |
What about taking up something else? | 0:45:17 | 0:45:19 | |
-fishing can be very therapeutic. -Fishing? | 0:45:19 | 0:45:24 | |
How are we today? | 0:45:24 | 0:45:25 | |
Hawk. this is Mr Hanssen, our Director of Surgery. | 0:45:25 | 0:45:28 | |
You've been lucky. | 0:45:28 | 0:45:31 | |
-Don't feel it. -I've seen this kill younger men than you. | 0:45:31 | 0:45:35 | |
-Well, spotted, Mr Hamilton. -Right, thank you. | 0:45:35 | 0:45:38 | |
He says he just wants it back and then he'll leave. | 0:45:42 | 0:45:46 | |
Maybe it's for the best, Suzy. let him have it. | 0:45:46 | 0:45:49 | |
-It's not brought you much happiness. -No. | 0:45:49 | 0:45:51 | |
Josh, are you OK? | 0:45:57 | 0:45:59 | |
She'll never change. | 0:45:59 | 0:46:01 | |
Tell her to listen to track three, would you? | 0:46:01 | 0:46:03 | |
And tell her I got into the Royal Academy of Music. | 0:46:03 | 0:46:07 | |
I've known since Christmas, but never found the right time to tell her. | 0:46:07 | 0:46:11 | |
Anyway, I'll be out of her life soon enough. | 0:46:11 | 0:46:16 | |
That's if she notices. | 0:46:16 | 0:46:17 | |
Kara? | 0:46:25 | 0:46:26 | |
The police need to talk to you. | 0:46:29 | 0:46:32 | |
-No. -They're charging him with attempted murder. | 0:46:32 | 0:46:36 | |
Things just got a bit out of hand, that's all. | 0:46:36 | 0:46:39 | |
He nearly killed you - that's not what I'd call a bit out of hand. | 0:46:39 | 0:46:44 | |
You wouldn't get it. | 0:46:44 | 0:46:46 | |
Look, I get that you're scared, Kara. You don't have to be. He'll go to jail for this. | 0:46:48 | 0:46:54 | |
I love him. | 0:46:54 | 0:46:57 | |
I don't want him to go anywhere. | 0:46:57 | 0:46:59 | |
Music College? | 0:47:01 | 0:47:04 | |
But he hasn't applied to music college. | 0:47:04 | 0:47:06 | |
Yes, he has. And he's got in. | 0:47:06 | 0:47:08 | |
-He's clearly a very talented young man. -He never told me. | 0:47:08 | 0:47:12 | |
-With all due respect Mrs Kilbride... -Suzy. -Mrs Killbride, | 0:47:12 | 0:47:17 | |
judging by the way you spoke to him earlier, I doubt he was able to get a word in edgeways. | 0:47:17 | 0:47:24 | |
Track three. | 0:47:24 | 0:47:26 | |
You should try listening. | 0:47:26 | 0:47:29 | |
Guess you were right about her. | 0:47:39 | 0:47:41 | |
Yeah. Well, heartache can do funny things to a person. Right? | 0:47:42 | 0:47:46 | |
Listen, I'm sorry about earlier. | 0:47:48 | 0:47:50 | |
Me too. | 0:47:50 | 0:47:52 | |
No. I overstepped. | 0:47:52 | 0:47:54 | |
I shouldn't have got personal like that. You're a really great girl. | 0:47:54 | 0:47:59 | |
Sacha, can't we just leave it at sorry? | 0:47:59 | 0:48:01 | |
Too mushy for you? | 0:48:01 | 0:48:04 | |
-Do you want a pint later? -I can't. -Oh, go on. | 0:48:06 | 0:48:09 | |
I'll even let you talk about Chrissie, | 0:48:09 | 0:48:13 | |
-as long as you let me have a drink first. -No, really... | 0:48:13 | 0:48:15 | |
There's some paperwork with my name on it. | 0:48:15 | 0:48:20 | |
Are you sure that's not code for watching a romcom crying with a vat of ice-cream, Mr Levy? | 0:48:20 | 0:48:26 | |
Positive, Nurse McKee. | 0:48:26 | 0:48:29 | |
Take her away. | 0:48:34 | 0:48:35 | |
-Really? -You have her. | 0:48:35 | 0:48:37 | |
-No really, I wouldn't use it. -OK. just put her in the trash. | 0:48:37 | 0:48:44 | |
You don't mean that. | 0:48:44 | 0:48:46 | |
Can you put that in sister's office for me, thank you? | 0:48:46 | 0:48:50 | |
-Just because you can't skate, doesn't mean you have to give up everything you believe in. -I know. | 0:48:50 | 0:48:54 | |
Been thinking about what you said. | 0:48:54 | 0:48:56 | |
Fishing. None of this lame reservoir crap, | 0:48:56 | 0:49:00 | |
I'm talking about serious deep sea fishing. | 0:49:00 | 0:49:04 | |
-Just make sure it's a calm day. -You're kind of missing the point, man. | 0:49:04 | 0:49:08 | |
Have you seen Malick? | 0:49:14 | 0:49:16 | |
-I thought you apologised? -I did. | 0:49:16 | 0:49:20 | |
He'll serve a long time for this. | 0:49:23 | 0:49:26 | |
-Well, she did that to him. -Excuse me. He stabbed her. | 0:49:26 | 0:49:29 | |
I'm not defending him, I'm just saying, | 0:49:29 | 0:49:31 | |
there's something pretty messed up at the heart of this. | 0:49:31 | 0:49:34 | |
It's sick. Masochists, both of them. | 0:49:34 | 0:49:37 | |
Why would anyone want to be in a relationship that's so toxic? | 0:49:37 | 0:49:41 | |
Beats me. | 0:49:41 | 0:49:42 | |
Chrissie, hang on. | 0:49:55 | 0:49:57 | |
I'm sorry, but I can't take Daniel this weekend and then not see him for two entire weeks. | 0:50:00 | 0:50:06 | |
I really look forward to our time together | 0:50:06 | 0:50:09 | |
and I don't want to disrupt the routine. | 0:50:09 | 0:50:12 | |
-OK. you should have said. -Friends? | 0:50:12 | 0:50:16 | |
Course. | 0:50:16 | 0:50:19 | |
You know sometimes, I think you're the only man in my life who acts like a grown up. | 0:50:19 | 0:50:26 | |
Sorry Chrissie, I've got to get on. | 0:50:26 | 0:50:28 | |
-Yeah, sure. Night. -Night. | 0:50:28 | 0:50:33 | |
I've been nave, haven't I? | 0:50:49 | 0:50:52 | |
Idealistic. Nothing wrong with that. | 0:50:52 | 0:50:55 | |
There is when you let it get in the way of your patients. | 0:50:55 | 0:50:58 | |
Don't beat yourself up. | 0:50:59 | 0:51:02 | |
Besides, if Elliot had got his way, she'd have died in the ambulance. | 0:51:02 | 0:51:06 | |
Have you seen this? | 0:51:09 | 0:51:11 | |
-Glad I've found you. -Bang out of order. | 0:51:30 | 0:51:32 | |
I was telling him and then Hanssen showed up and. | 0:51:32 | 0:51:36 | |
-You're delusional! -Technically they were my patients. | 0:51:36 | 0:51:38 | |
Look in there! That is the person you've been fighting today, not me. | 0:51:38 | 0:51:42 | |
-Stop using me as a scapegoat. I won't have you messing with my career. -You'll do that all by yourself. | 0:51:42 | 0:51:48 | |
Say that again? | 0:51:48 | 0:51:50 | |
Go on! | 0:51:50 | 0:51:52 | |
-You think you're better than me? -A better surgeon, yes. | 0:51:52 | 0:51:55 | |
Why? Because your face fits. | 0:51:55 | 0:51:58 | |
-Blonde haired, blue eyed rugger bugger. -Oh, don't play that card. | 0:51:58 | 0:52:01 | |
Like you were bought up on some council estate. | 0:52:01 | 0:52:04 | |
That's your ignorant assumption, not mine. | 0:52:04 | 0:52:07 | |
Don't kid yourself! You play to type just as much as I do. | 0:52:07 | 0:52:09 | |
-Intimidating people so you get your own way. And you don't scare me. -No. | 0:52:09 | 0:52:15 | |
I terrify you - in more ways that. | 0:52:15 | 0:52:17 | |
Oh, spare me the Malick psychology and stay out of my relationship. | 0:52:17 | 0:52:20 | |
-I don't want to see Chrissie end up as collateral. -How dare you lecture me! | 0:52:20 | 0:52:25 | |
The closest you get to intimacy is a GPS signal in a sweaty bar. | 0:52:25 | 0:52:28 | |
-Please. -Don't laugh at me. -Joker. | 0:52:28 | 0:52:32 | |
Don't laugh at me. | 0:52:32 | 0:52:34 | |
I said stop. | 0:52:34 | 0:52:35 | |
I pity you. | 0:52:35 | 0:52:36 | |
I'm busy. | 0:52:44 | 0:52:46 | |
Come in. | 0:52:49 | 0:52:50 | |
You're right. | 0:52:53 | 0:52:54 | |
The Trauma Project doesn't add up. It's a financial hole, | 0:52:54 | 0:52:59 | |
an indulgent use of surgeon's time and its success rate would be negligible. | 0:52:59 | 0:53:07 | |
But that doesn't mean I agree with you. | 0:53:07 | 0:53:11 | |
Well, perhaps we could agree to disagree? | 0:53:11 | 0:53:13 | |
I'm passionate about what I do and that's thanks to you. | 0:53:13 | 0:53:19 | |
You encouraged me, you bullied me, you pushed me when I thought I had nothing more to give. | 0:53:19 | 0:53:25 | |
You gave me that passion | 0:53:28 | 0:53:31 | |
and now you're telling me that I can't use it. | 0:53:31 | 0:53:33 | |
Well, I'm sorry we don't live in an ideal world. | 0:53:37 | 0:53:41 | |
Well, perhaps there are places out there that still have ideals. | 0:53:47 | 0:53:53 | |
The job in Newcastle's still available. | 0:53:55 | 0:53:57 | |
Very well. | 0:55:10 | 0:55:12 | |
What? | 0:55:15 | 0:55:17 | |
Even though I know it's not what's best for this hospital, | 0:55:25 | 0:55:29 | |
or for me, I... | 0:55:29 | 0:55:32 | |
I simply can't let you go. | 0:55:35 | 0:55:37 | |
Well, I wonder what Sir Fraser will have to say about that? | 0:55:40 | 0:55:45 |