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He won't be able to snowboard any more? | 0:00:40 | 0:00:43 | |
Josh might not be able to walk any more. | 0:00:43 | 0:00:46 | |
I'm not going anywhere you know? | 0:00:46 | 0:00:49 | |
I get it wrong sometimes because | 0:00:49 | 0:00:53 | |
I've never felt like this about anyone else. | 0:00:53 | 0:00:56 | |
Excuse me, mate, I'm looking for Chrissie Williams. | 0:00:56 | 0:00:58 | |
-And you are? -Stephen. Agency nurse. | 0:00:58 | 0:01:01 | |
Right, yes, of course you are. | 0:01:01 | 0:01:04 | |
Rugby is about grabbing each other's legs and trying to pull the other guy's shorts down... | 0:01:04 | 0:01:10 | |
but mine's the girls' sport? | 0:01:10 | 0:01:11 | |
-Do you think she had any idea? -Of what? | 0:01:11 | 0:01:14 | |
That her best mate was hopelessly in love with her. | 0:01:14 | 0:01:17 | |
A woman always knows. | 0:01:17 | 0:01:19 | |
-Hey, I thought you'd left? -Tell me about it. I'm on call. -What's this? | 0:01:21 | 0:01:25 | |
Heamothorax or pneumothorax. Bullet wound. She's pregnant and she's crashed. | 0:01:25 | 0:01:29 | |
-How long for? -Three minutes and counting. | 0:01:29 | 0:01:31 | |
We need to get this baby out of her before it kills her. Theatre two. | 0:01:31 | 0:01:34 | |
COME ON! | 0:01:36 | 0:01:37 | |
Goal! Come on! Come on, Nursey! | 0:01:44 | 0:01:50 | |
Give her all the blood through the infuser. | 0:01:50 | 0:01:53 | |
-Bullet's still in there. -Where are obs and gynae? | 0:01:53 | 0:01:55 | |
-We've got about 60 seconds to get that baby out. -Scalpel. | 0:01:55 | 0:01:59 | |
MONITORS BEEP | 0:01:59 | 0:02:00 | |
Scissors. | 0:02:00 | 0:02:02 | |
I can't find it. | 0:02:13 | 0:02:14 | |
HE GROANS | 0:02:20 | 0:02:22 | |
3-2. I win. | 0:02:22 | 0:02:25 | |
Fair enough! | 0:02:25 | 0:02:27 | |
Better luck next time. | 0:02:29 | 0:02:31 | |
Oi! | 0:02:33 | 0:02:34 | |
THEY LAUGH | 0:02:34 | 0:02:37 | |
Sahira? | 0:02:39 | 0:02:41 | |
I don't understand. They told me she was pregnant. | 0:02:41 | 0:02:45 | |
I can feel the bullet against the spine. Forceps. | 0:02:45 | 0:02:48 | |
You ready to deal with this bleed? | 0:02:51 | 0:02:55 | |
Sahira? | 0:02:55 | 0:02:56 | |
Yeah. | 0:02:58 | 0:03:00 | |
Glad to see you're not competitive or anything. | 0:03:04 | 0:03:07 | |
That's the way we play it down here. There's no rules in crutch hockey! | 0:03:07 | 0:03:11 | |
THEY LAUGH | 0:03:11 | 0:03:14 | |
HE GROANS | 0:03:14 | 0:03:16 | |
-Did you hurt your neck? -It's nothing. | 0:03:16 | 0:03:20 | |
We should go up. | 0:03:23 | 0:03:25 | |
What's the rush? | 0:03:25 | 0:03:26 | |
Aw! | 0:03:30 | 0:03:31 | |
The Police brought them in. | 0:03:35 | 0:03:37 | |
Still looking for that baby? | 0:03:37 | 0:03:40 | |
I'm sorry. | 0:03:43 | 0:03:45 | |
Bad joke! | 0:03:45 | 0:03:46 | |
-I'm so sorry. -Where have you been? | 0:03:51 | 0:03:53 | |
Downstairs. I forgot. | 0:03:53 | 0:03:55 | |
What've done to your neck? | 0:03:55 | 0:03:57 | |
Crutch hockey. We were just letting off steam. | 0:03:57 | 0:03:59 | |
Hiya. | 0:03:59 | 0:04:01 | |
You'll have to look through these on your own. | 0:04:01 | 0:04:03 | |
I've marked off the ones I like. So you do the same. | 0:04:03 | 0:04:06 | |
-What's the matter now? -Next summer is like eons away. | 0:04:07 | 0:04:10 | |
-Not if we want a good villa. -Can't we get through the minefield of Christmas first? | 0:04:10 | 0:04:15 | |
-Christmas? -Yeah. -Christmas is another conversation. This is our holiday. | 0:04:15 | 0:04:19 | |
-Unless you can't commit to that... -That's not what I said! | 0:04:19 | 0:04:22 | |
Well, enjoy your night... | 0:04:22 | 0:04:25 | |
-She giving you a hard time? -That's NFK. Normal for Keller. | 0:04:31 | 0:04:35 | |
Get off! | 0:04:35 | 0:04:37 | |
Don't touch me! | 0:04:37 | 0:04:39 | |
-You need to get back into bed. -Just leave me alone. | 0:04:39 | 0:04:41 | |
-The doctor has to look at your arm. -Where is he then? | 0:04:41 | 0:04:44 | |
Right here, Mrs Newton. | 0:04:44 | 0:04:46 | |
-You've broken your wrist. -Oh, you're clever. -Sit down, please. | 0:04:47 | 0:04:52 | |
Legs up. | 0:04:52 | 0:04:54 | |
-When did this happen? -Yesterday. Day before. Does it matter? SHE WINCES | 0:04:54 | 0:04:59 | |
-Painful? -What do you think?! | 0:04:59 | 0:05:01 | |
I think your bone has been bleeding into your muscle. | 0:05:01 | 0:05:04 | |
The muscle is in compartments so the blood can't get out, | 0:05:04 | 0:05:07 | |
-hence the swelling. It's called compartment syndrome. -I want my daughter! | 0:05:07 | 0:05:11 | |
You left this too long. Now you need surgery or you could lose the arm. | 0:05:11 | 0:05:15 | |
-Could you page the on call anaesthetist please? -Yeah. | 0:05:15 | 0:05:19 | |
Ah. | 0:05:21 | 0:05:23 | |
Not good. | 0:05:24 | 0:05:26 | |
I'm sorry. | 0:05:32 | 0:05:35 | |
Come here. Come on. | 0:05:35 | 0:05:37 | |
SHE SOBS | 0:05:37 | 0:05:39 | |
I don't know what's wrong with me. | 0:05:44 | 0:05:45 | |
You've been working every day since CTU opened. | 0:05:45 | 0:05:48 | |
Yes, but I should be able to handle that. | 0:05:48 | 0:05:50 | |
Super mum, breadwinner? It's a piece of piss. | 0:05:50 | 0:05:54 | |
-I can't believe... -You did it to save her life because they said she was pregnant. | 0:05:55 | 0:05:59 | |
What's a scar on your belly when you've survived a shooting?! | 0:05:59 | 0:06:02 | |
-I've just got to get through this shift. -MOBILE BEEPS | 0:06:02 | 0:06:06 | |
-Sorry...you have to go. It's fine. -No... | 0:06:06 | 0:06:09 | |
I was thinking I could swap with you. | 0:06:09 | 0:06:11 | |
No, no, I wouldn't want Jac or Hanssen to think I can't hack it. | 0:06:11 | 0:06:16 | |
OK, plan B. You stay here and take a nap. | 0:06:16 | 0:06:18 | |
I cover for you and if any customers come in, I'll wake you. | 0:06:18 | 0:06:22 | |
-No. I can't. -Yes, you can. -I can't! | 0:06:22 | 0:06:25 | |
40 minutes shut eye... you'll be a new woman. | 0:06:25 | 0:06:27 | |
-Are you sure? -No. Grab it while you can. | 0:06:29 | 0:06:33 | |
Are you ready, Mr Hamilton? | 0:06:44 | 0:06:46 | |
-For what? -The night shift. | 0:06:46 | 0:06:50 | |
I love nights. | 0:06:50 | 0:06:52 | |
All the pen pushers and bean counters gone | 0:06:52 | 0:06:56 | |
and the hospital is ours. | 0:06:56 | 0:06:59 | |
Well, I'm on site and on call should you need me. But I trust you won't. | 0:07:03 | 0:07:08 | |
The morphine's calmed her down. | 0:07:13 | 0:07:14 | |
Thanks. | 0:07:14 | 0:07:17 | |
If it's quiet, can I watch you operate? | 0:07:17 | 0:07:19 | |
It's only her arm. | 0:07:19 | 0:07:21 | |
-I've heard it pops out like a balloon. -Sure. | 0:07:21 | 0:07:24 | |
-Come right into theatre if you want. I am the boss. -Great. | 0:07:24 | 0:07:28 | |
You didn't mind me asking about Sister Williams, did you? | 0:07:28 | 0:07:31 | |
I don't want to be the cause of any friction. | 0:07:31 | 0:07:33 | |
It wasn't the crutch hockey. She's on about holidays already... | 0:07:33 | 0:07:37 | |
for next year. Why do women do things so far ahead? | 0:07:37 | 0:07:41 | |
-To keep us in check. -Have you got a partner? | 0:07:41 | 0:07:43 | |
No. Being agency I move around | 0:07:43 | 0:07:47 | |
and belonging to someone doesn't suit me any way. | 0:07:47 | 0:07:50 | |
-That's what a relationship is. -Not always. -Ownership? I'd say so. | 0:07:50 | 0:07:55 | |
You can feel you belong without being owned. Chrissie doesn't own me. | 0:07:55 | 0:07:59 | |
Where's Megan Newton? | 0:07:59 | 0:08:02 | |
Straight through there - bed seven. | 0:08:02 | 0:08:04 | |
Hiya, Mum. | 0:08:11 | 0:08:13 | |
What the hell are you doing here? | 0:08:14 | 0:08:16 | |
-Alison asked me. -Did you? | 0:08:16 | 0:08:19 | |
-I was scared. -Is there a problem? | 0:08:19 | 0:08:21 | |
-Yes, there's a problem. My sister's not welcome. -Mum! | 0:08:21 | 0:08:24 | |
-She has to go. -And you need to calm down. | 0:08:24 | 0:08:28 | |
-Alison said it would be all right. -It's not. | 0:08:28 | 0:08:32 | |
-I can wait outside. -That's a good idea. | 0:08:32 | 0:08:34 | |
A better one is go. | 0:08:34 | 0:08:37 | |
Are you deaf?! | 0:08:37 | 0:08:38 | |
For the sake of my patient I think you need to leave. | 0:08:38 | 0:08:42 | |
Evening. Right. What's new? | 0:08:50 | 0:08:54 | |
There's a stroke patient in five, | 0:08:54 | 0:08:56 | |
Josh is leaving and the rest you know. | 0:08:56 | 0:09:00 | |
Cool hair. | 0:09:00 | 0:09:02 | |
I hear they got you a bed at the specialist unit. | 0:09:07 | 0:09:10 | |
With some proper physio and decent equipment, I hope. | 0:09:10 | 0:09:13 | |
And other people in the same situation. | 0:09:13 | 0:09:15 | |
So you can see what's possible. | 0:09:15 | 0:09:17 | |
-Do you know where my coat is? -It's in the office. | 0:09:17 | 0:09:20 | |
Can I have it? I wanna get out of here. | 0:09:20 | 0:09:22 | |
We still have to discharge you and wait for transport. | 0:09:22 | 0:09:26 | |
And a thank you wouldn't go a miss, Josh. | 0:09:26 | 0:09:29 | |
-Good luck, all the same. -I don't need your luck. | 0:09:30 | 0:09:33 | |
I don't want your sister agitated and I don't want the ward disrupted. | 0:09:37 | 0:09:41 | |
It's not me making a scene. | 0:09:41 | 0:09:43 | |
-I have to think about the patient. -And I have to think of Alison. | 0:09:43 | 0:09:46 | |
We can manage. | 0:09:46 | 0:09:48 | |
You don't know the situation... | 0:09:48 | 0:09:51 | |
-She needs an operation. -There's something else you need to know... | 0:09:51 | 0:09:54 | |
Alison is MY daughter. | 0:09:56 | 0:09:58 | |
I don't need to know that. That's not my problem. | 0:09:58 | 0:10:01 | |
-But it IS the reason I'm staying. -I really... | 0:10:01 | 0:10:03 | |
I'm not here to make trouble and I need to be here for Alison. | 0:10:03 | 0:10:08 | |
Yeah, I'll tell him. | 0:10:08 | 0:10:10 | |
-Someone's messed up. -What? -Josh is not going anywhere. | 0:10:10 | 0:10:15 | |
Specialist unit made a cock-up with beds. | 0:10:15 | 0:10:17 | |
I'll tell him. | 0:10:17 | 0:10:19 | |
No. Let me. | 0:10:19 | 0:10:20 | |
Josh? | 0:10:24 | 0:10:26 | |
-The spinal unit called. They haven't got a bed for you. I'm sorry. -What?! | 0:10:28 | 0:10:33 | |
-So you're going to be with us a bit longer. -How long?! | 0:10:33 | 0:10:36 | |
-They're just a hospital, like we're a hospital. -They're specialist. | 0:10:36 | 0:10:40 | |
It's not where you are, Josh, it's what you bring to it. | 0:10:40 | 0:10:43 | |
-I haven't seen you do a single exercise. You never practice in your chair. -I don't like it. | 0:10:43 | 0:10:49 | |
If you're going to be lazy... we're just as good for you here as any where else. | 0:10:49 | 0:10:53 | |
-Total cow. -What did you say? | 0:10:55 | 0:10:59 | |
You call yourself a nurse. You're supposed to care, but you don't. | 0:10:59 | 0:11:03 | |
Good job. | 0:11:08 | 0:11:09 | |
-What's she said? -Nothing. | 0:11:11 | 0:11:13 | |
Yes, she has. | 0:11:13 | 0:11:15 | |
I know she has. | 0:11:15 | 0:11:17 | |
I've told you. Nothing. | 0:11:17 | 0:11:18 | |
-SHE GASPS What's she said? -Get some rest. | 0:11:24 | 0:11:27 | |
-Are you sure this is legal? -Pay attention. What can you hear? | 0:11:56 | 0:12:01 | |
-Systolic and blowing. -Therefore? -Aortic stenosis. | 0:12:01 | 0:12:04 | |
Informally covering for someone else is not legal. | 0:12:04 | 0:12:08 | |
When did you get so po-faced? | 0:12:08 | 0:12:11 | |
Oh, that's right, since forever. | 0:12:11 | 0:12:13 | |
-How did I get here? -You collapsed in the street. | 0:12:13 | 0:12:18 | |
He's slipping again. | 0:12:18 | 0:12:20 | |
I've got a date with destiny, so you only have to suffer me | 0:12:22 | 0:12:25 | |
for an hour tops. Get the pads. | 0:12:25 | 0:12:27 | |
-What are you doing? -Trying to speed your heart back up. | 0:12:28 | 0:12:31 | |
-Have you been popping pills, Tyrone? -What? | 0:12:31 | 0:12:34 | |
Has this happened before? | 0:12:34 | 0:12:36 | |
Bite your teeth together. | 0:12:38 | 0:12:40 | |
Just kidding. It won't hurt. | 0:12:40 | 0:12:42 | |
Clear. DEFIBRILLATOR CHARGES | 0:12:42 | 0:12:44 | |
-Urgh, that really hurts. -Don't be such a wuss. -Ow! | 0:12:44 | 0:12:49 | |
No, it doesn't, | 0:12:49 | 0:12:50 | |
but it has woken you up, so let's ask the man who is awake... | 0:12:50 | 0:12:54 | |
What about the drugs? | 0:12:54 | 0:12:55 | |
I can't remember. | 0:13:00 | 0:13:01 | |
Bloods, please, Doctor Valentine. | 0:13:01 | 0:13:04 | |
And you're too sick to make phone calls. | 0:13:11 | 0:13:14 | |
-Where is she? -Getting coffee. | 0:13:16 | 0:13:20 | |
And you just called her, did you? | 0:13:20 | 0:13:22 | |
-Out of the blue. -She's family. | 0:13:22 | 0:13:25 | |
-Unless you didn't call her out of the blue, Ali. -You done with this? | 0:13:25 | 0:13:28 | |
Have you been seeing her? | 0:13:33 | 0:13:35 | |
What's she done, eh? | 0:13:35 | 0:13:37 | |
Picked you up from school? Taken you shopping? | 0:13:37 | 0:13:40 | |
-She's just being friendly. -How many times? | 0:13:43 | 0:13:47 | |
Twice. | 0:13:47 | 0:13:49 | |
-What did she buy you? -Shoes. | 0:13:50 | 0:13:54 | |
These really nice peach-coloured platforms. | 0:13:54 | 0:13:57 | |
And you didn't think to tell me? | 0:13:57 | 0:13:59 | |
-I'm sorry. -Nothing's going on and you didn't think to tell me! | 0:14:01 | 0:14:06 | |
-Time to take you into theatre. -Ali? | 0:14:09 | 0:14:13 | |
HEADPHONE MUSIC BLARES | 0:14:15 | 0:14:17 | |
Excuse me. | 0:14:17 | 0:14:18 | |
Josh, turn it down. | 0:14:23 | 0:14:26 | |
Look, I know you can hear me, | 0:14:28 | 0:14:31 | |
so while you're awake and I'm here, let's do something useful. | 0:14:31 | 0:14:36 | |
Bed to chair transfer. We'll start with the first step. | 0:14:36 | 0:14:40 | |
What's the worst that can happen? | 0:14:45 | 0:14:47 | |
You might manage it. | 0:14:47 | 0:14:49 | |
What then? | 0:14:49 | 0:14:52 | |
See, I knew you could hear me. | 0:14:52 | 0:14:55 | |
I've got all night. | 0:14:58 | 0:15:01 | |
It's Mr Hamilton, Alison... I'm going to come in. OK? | 0:15:03 | 0:15:08 | |
Your mum's going to be fine. | 0:15:13 | 0:15:15 | |
It's a very simple operation. | 0:15:15 | 0:15:18 | |
I don't understand why they can't just get on. | 0:15:18 | 0:15:21 | |
It's like I've done something wrong. | 0:15:21 | 0:15:22 | |
I'm sure you haven't. | 0:15:22 | 0:15:25 | |
You know what this is all about? | 0:15:28 | 0:15:30 | |
No. | 0:15:30 | 0:15:32 | |
University. | 0:15:32 | 0:15:34 | |
Mum says I can't go. I'll have too much debt. And Aunty Beverly, | 0:15:34 | 0:15:38 | |
she's got money, said she'd help. | 0:15:38 | 0:15:40 | |
But Mum won't let her and I don't understand. | 0:15:40 | 0:15:43 | |
Maybe it's pride. | 0:15:43 | 0:15:45 | |
She wants me to do radiology. | 0:15:47 | 0:15:50 | |
Cause the NHS pays. | 0:15:50 | 0:15:52 | |
This is a decision that affects your whole life. | 0:15:52 | 0:15:55 | |
You can't let other people make it for you. | 0:15:55 | 0:15:58 | |
Are you all right? | 0:16:01 | 0:16:04 | |
She wasn't. But we talked it through. | 0:16:04 | 0:16:07 | |
I'll leave you to it. | 0:16:08 | 0:16:10 | |
-Talked what through? -The University thing. Radiology. | 0:16:11 | 0:16:16 | |
-I thought you wanted to do physics. -I do. | 0:16:16 | 0:16:19 | |
But I don't want a fight about it. | 0:16:19 | 0:16:22 | |
You have to decide and then go for it, Alison. | 0:16:22 | 0:16:24 | |
Or you'll end up like her. | 0:16:24 | 0:16:27 | |
-OK, the aces are here, here, here and here, right. -Excuse me. | 0:16:28 | 0:16:33 | |
So if I know where they are, I can follow where they go. | 0:16:33 | 0:16:37 | |
A-hem. | 0:16:41 | 0:16:43 | |
So just by following them, | 0:16:46 | 0:16:48 | |
I know the first ace is one, two, three, four cards down. | 0:16:48 | 0:16:51 | |
The second ace is third. | 0:16:51 | 0:16:54 | |
The third is second and the last is first. Shabbah! | 0:16:54 | 0:16:58 | |
You just have to watch carefully. | 0:16:58 | 0:17:00 | |
Just checking for texts. | 0:17:06 | 0:17:08 | |
I thought casinos didn't like their croupiers being card sharps. | 0:17:08 | 0:17:12 | |
-How do you know I'm a croupier? -There's a logo on your shirt | 0:17:12 | 0:17:15 | |
-and a gambling chip in your bag. -Rohypnol. | 0:17:15 | 0:17:17 | |
-What? -That's why you can't remember anything and that's what slowed your heart down. | 0:17:17 | 0:17:23 | |
-Are you sure you haven't been off your face on roofies? -No way. | 0:17:23 | 0:17:27 | |
-Then you were spiked. -Maybe we should call the police? | 0:17:27 | 0:17:30 | |
No police! | 0:17:30 | 0:17:31 | |
-Why no police, Tyrone? -Just don't. | 0:17:31 | 0:17:34 | |
Nothing to do with having a £500 roulette chip? | 0:17:34 | 0:17:36 | |
-That was a tip. -Sure it was. A £500 tip. | 0:17:36 | 0:17:39 | |
-Getting irregular. -No police. -Don't worry. | 0:17:39 | 0:17:42 | |
I've got better things to do with my night. | 0:17:42 | 0:17:44 | |
If it's second or third degree slows like before? Use the de-fib. | 0:17:44 | 0:17:49 | |
-Not that taser thing. -Yes. | 0:17:49 | 0:17:50 | |
So behave. | 0:17:50 | 0:17:52 | |
Now, I go and get shagged senseless while you stay here. | 0:17:52 | 0:17:55 | |
Life's just not fair, is it? Oh, c'mon it's not that bad. | 0:17:55 | 0:17:58 | |
You had 50 minutes extra with your favourite doctor. | 0:17:58 | 0:18:01 | |
I hope Ms Shah appreciates it. | 0:18:01 | 0:18:02 | |
She'll love you forever. I'll go wake her as I go. | 0:18:02 | 0:18:05 | |
The pressure build up makes the muscle pop. | 0:18:07 | 0:18:10 | |
And that's what it looks like. | 0:18:12 | 0:18:14 | |
-You make it look so simple. -That bit is... | 0:18:14 | 0:18:17 | |
Now we have to look for necrotic tissue. | 0:18:17 | 0:18:20 | |
-Sometimes we use maggots. -How? | 0:18:21 | 0:18:24 | |
They eat the dead flesh and leave the healthy, | 0:18:24 | 0:18:28 | |
but this all looks fine. | 0:18:28 | 0:18:32 | |
Does Sister Williams ever make it to theatre? | 0:18:34 | 0:18:37 | |
Sometimes. | 0:18:37 | 0:18:39 | |
She's more interested in the patients than what I do to them. | 0:18:39 | 0:18:42 | |
I think it's fascinating. | 0:18:44 | 0:18:45 | |
See this swelling? That's the soft tissue complication of this. | 0:18:49 | 0:18:53 | |
So...now we're in we fix the break and check the bone bleeding. | 0:18:53 | 0:18:58 | |
HE GROANS | 0:18:58 | 0:19:00 | |
Is that still a problem? | 0:19:00 | 0:19:03 | |
I thought it would go away. | 0:19:03 | 0:19:04 | |
I can give you a treatment, if you want. | 0:19:04 | 0:19:07 | |
A treatment? | 0:19:07 | 0:19:09 | |
-Acupuncture. -Hmm. | 0:19:09 | 0:19:12 | |
Hidden talents. | 0:19:12 | 0:19:14 | |
Sahira? | 0:19:16 | 0:19:18 | |
SHE MURMURS | 0:19:18 | 0:19:19 | |
Wake up. | 0:19:24 | 0:19:26 | |
The hospital's on fire. | 0:19:26 | 0:19:28 | |
Gorgeous... | 0:19:35 | 0:19:37 | |
Your oxygen came loose. Do you know where you are? | 0:19:55 | 0:19:59 | |
Do you know where you are, Mr Johnson? | 0:19:59 | 0:20:02 | |
HE GROANS AND WHEEZES | 0:20:02 | 0:20:05 | |
EARPHONE MUSIC PLAYS | 0:20:05 | 0:20:07 | |
Can you sleep with him wheezing like that? | 0:20:13 | 0:20:15 | |
I'll just keep these on. | 0:20:15 | 0:20:18 | |
I think you and I should start over, Josh. | 0:20:18 | 0:20:21 | |
We got off on the wrong foot tonight. | 0:20:21 | 0:20:22 | |
Hello?! | 0:20:27 | 0:20:29 | |
-Oi? You can't just take that. -I just did. -I'm not ten years old! | 0:20:31 | 0:20:35 | |
-So don't act like it. -What do you want from me!? | 0:20:35 | 0:20:38 | |
She did well. | 0:20:45 | 0:20:47 | |
There was no dead tissue. The arm should recover completely. | 0:20:47 | 0:20:51 | |
Maybe you should back off a bit. | 0:20:58 | 0:21:00 | |
I have a duty of care to that girl. You know I have. | 0:21:00 | 0:21:04 | |
Stop it, you are killing me. | 0:21:06 | 0:21:08 | |
I can't... | 0:21:10 | 0:21:11 | |
Wear it tomorrow, and I promise I'll be there... | 0:21:15 | 0:21:19 | |
Oh, for f...! | 0:21:24 | 0:21:26 | |
No, it's not you. It's someone here. | 0:21:26 | 0:21:28 | |
I gotta go. | 0:21:28 | 0:21:31 | |
Oi, what are you doing?! | 0:21:31 | 0:21:33 | |
-HE GASPS -Meeting someone. | 0:21:33 | 0:21:35 | |
Playing Russian roulette is what you're doing. Back inside. Now. | 0:21:35 | 0:21:39 | |
Jesus. | 0:21:42 | 0:21:44 | |
Stay put...you eejit. | 0:21:46 | 0:21:49 | |
-Feel that one? -Yes. | 0:21:52 | 0:21:55 | |
You're tense. I think three's enough for your first time. | 0:21:55 | 0:21:59 | |
Now what? | 0:21:59 | 0:22:02 | |
You sit there and you don't move. | 0:22:02 | 0:22:04 | |
Uh, uh. No distractions. | 0:22:08 | 0:22:11 | |
-May I talk? -Sure. | 0:22:12 | 0:22:15 | |
How come you became a nurse and not a doctor? | 0:22:16 | 0:22:19 | |
Look, I got stabbed. | 0:22:21 | 0:22:25 | |
The nursing I got was so good I wanted to do it. | 0:22:26 | 0:22:29 | |
The nursing, not the doctoring. | 0:22:29 | 0:22:31 | |
-What does that do? -Stimulates the points. | 0:22:34 | 0:22:38 | |
And you believe in meridians and Chi and all of that. | 0:22:38 | 0:22:42 | |
Uh-huh, and that tells me you know more than you're letting on... | 0:22:42 | 0:22:46 | |
I read. | 0:22:46 | 0:22:48 | |
Ahem. | 0:22:48 | 0:22:50 | |
It must be a quiet night. | 0:22:53 | 0:22:55 | |
This, um, this is for my neck. | 0:22:55 | 0:22:59 | |
I really don't care what it's for Mr Hamilton, | 0:22:59 | 0:23:02 | |
-so long as your ward doesn't need you. -No everything's absolutely fine. | 0:23:02 | 0:23:06 | |
I had an emergency fasciotomy and my rounds...are in ten. | 0:23:06 | 0:23:09 | |
These zero stay figures need justifying. | 0:23:10 | 0:23:13 | |
They make the procedures look unnecessary, you see. | 0:23:13 | 0:23:16 | |
I've separated the general surgery and orthopaedics numbers. | 0:23:16 | 0:23:20 | |
You need to account for that column there, please. | 0:23:20 | 0:23:23 | |
Have you heard of an American called Arthur Taub? | 0:23:23 | 0:23:26 | |
No. | 0:23:26 | 0:23:27 | |
I'd look him up. | 0:23:27 | 0:23:29 | |
Take these out. Now! | 0:23:32 | 0:23:34 | |
What are you playing at Tyrone? | 0:23:34 | 0:23:36 | |
-I had to see someone. -Excitement is forbidden. | 0:23:36 | 0:23:40 | |
-Including dodgy deals in car parks. -What are you saying? | 0:23:40 | 0:23:43 | |
Rohypnol and avoiding the police do paint a certain picture. | 0:23:43 | 0:23:46 | |
-I thought you'd gone. -He crashed outside. | 0:23:46 | 0:23:49 | |
-Did you wake Ms Shah? -Jaysus... you're like a broken record. | 0:23:49 | 0:23:52 | |
Just look after the patient and do your job. Get the de-fib. | 0:23:52 | 0:23:56 | |
Aw, don't do that. | 0:23:56 | 0:23:57 | |
Better. | 0:24:05 | 0:24:07 | |
No. He needs a temporary pacer. | 0:24:07 | 0:24:09 | |
I was meant to meet someone. | 0:24:14 | 0:24:15 | |
If she comes in... she's blonde, and I'm here. OK? | 0:24:15 | 0:24:19 | |
-Of course. -Anyone else, I'm not. | 0:24:19 | 0:24:23 | |
Doctor Valentine will put some pacer wires in to stabilise your heart. | 0:24:23 | 0:24:27 | |
You've been dying for some hands on. Here it is. | 0:24:27 | 0:24:31 | |
Keep your head turned. | 0:24:36 | 0:24:38 | |
All you'll feel is a light pressing on your neck. | 0:24:38 | 0:24:41 | |
You a bit of a gambler? | 0:24:47 | 0:24:49 | |
-What makes you say that? -There's a type. | 0:24:49 | 0:24:53 | |
Likes skating on thin ice and getting away with it. | 0:24:53 | 0:24:57 | |
-Sounds more like you. -You know most people gamble to lose. | 0:24:57 | 0:25:01 | |
I thought they did it to win. | 0:25:01 | 0:25:03 | |
No, seriously. | 0:25:03 | 0:25:05 | |
Winning is pleasant, but losing is painful. | 0:25:05 | 0:25:09 | |
That's a much stronger buzz. | 0:25:09 | 0:25:11 | |
What's your angle then? | 0:25:14 | 0:25:17 | |
What are YOU getting away with? | 0:25:17 | 0:25:20 | |
If you're not sure, stop. | 0:25:26 | 0:25:28 | |
Don't turn your head. | 0:25:32 | 0:25:35 | |
Find the guide wire... turn the tip to the right... | 0:25:35 | 0:25:39 | |
steadily through the tricuspid... | 0:25:39 | 0:25:41 | |
and along the floor of the ventricle. | 0:25:41 | 0:25:44 | |
Got it? | 0:25:44 | 0:25:46 | |
What settings? | 0:25:46 | 0:25:49 | |
-70 at 3V? -Continue to check the ECG for pacing inhibition. | 0:25:49 | 0:25:55 | |
Feel the difference? | 0:25:55 | 0:25:57 | |
-No. -You will. | 0:25:57 | 0:26:00 | |
-How was it for you? -Like skating on thin ice. | 0:26:00 | 0:26:03 | |
And getting away with it. | 0:26:03 | 0:26:05 | |
-I feel terrible. -No sign of infection. | 0:26:06 | 0:26:09 | |
-Her temperature is up. -And she's mildly tachycardic. | 0:26:09 | 0:26:12 | |
-Is something wrong? -She has a mild temperature. | 0:26:12 | 0:26:15 | |
-What does that mean? -At the moment we're not sure. | 0:26:15 | 0:26:18 | |
Dan! | 0:26:18 | 0:26:21 | |
She's vomiting blood, she needs a scan. Take her down and I'll call ahead. | 0:26:21 | 0:26:25 | |
-Why is she vomiting blood? -We'll get a scan to find out. -It's not good though is it? | 0:26:25 | 0:26:29 | |
The sooner I call the technician, the sooner we'll know. | 0:26:29 | 0:26:33 | |
-Are nights always like this? -No. | 0:26:37 | 0:26:39 | |
I'm sorry about before. Is your neck any better? | 0:26:39 | 0:26:43 | |
Not really. | 0:26:43 | 0:26:44 | |
HE RINGS THE BELL | 0:26:49 | 0:26:51 | |
Where the hell is he? I just called him. | 0:26:51 | 0:26:54 | |
I'll have a look. | 0:26:54 | 0:26:57 | |
What's wrong with me? | 0:26:59 | 0:27:01 | |
You may have oesophageal varacies or an ulcer. | 0:27:01 | 0:27:04 | |
-Stress can make them bleed. -Where's Alison? | 0:27:04 | 0:27:06 | |
She's with your sister. | 0:27:06 | 0:27:08 | |
There's your stress right there. | 0:27:08 | 0:27:10 | |
You should do something about it. | 0:27:10 | 0:27:12 | |
What do you mean? | 0:27:12 | 0:27:14 | |
She's a smart kid. She knows something's not right. | 0:27:14 | 0:27:18 | |
If I were in your shoes, I'd tell her before your sister did. | 0:27:18 | 0:27:22 | |
-Tell her what? -I think you know. | 0:27:22 | 0:27:24 | |
-Who told you? -It wasn't Alison. | 0:27:26 | 0:27:29 | |
But you do owe it to her. | 0:27:29 | 0:27:31 | |
Megan! | 0:27:34 | 0:27:36 | |
-What's wrong? -She's gone into septic shock. Give her oxygen. | 0:27:38 | 0:27:42 | |
Get her back up to Keller and into theatre. I'll page Hanssen. | 0:27:42 | 0:27:47 | |
PAGER BEEPS | 0:27:57 | 0:27:59 | |
-Mum?! -She has to go into theatre. -Bev, don't, please, please. | 0:28:18 | 0:28:23 | |
-If anything happens, you know I'll look after her. -Excuse me. -Sorry. | 0:28:23 | 0:28:26 | |
-Thank you. Is this your fasciotomy? -She keeps vomiting blood. | 0:28:26 | 0:28:29 | |
-What's the history? -Broken wrist, bone bleed and compartment syndrome. | 0:28:29 | 0:28:33 | |
I operated and she vomited blood in recovery. | 0:28:33 | 0:28:35 | |
-Did you scan? -I booked one, but she went into septic shock. | 0:28:35 | 0:28:39 | |
SHE GROANS Did you examine the upper arm too? | 0:28:39 | 0:28:42 | |
-No. -No. Because she has compartment syndrome here too and you missed it. | 0:28:42 | 0:28:46 | |
Get her prepped, please. | 0:28:46 | 0:28:48 | |
Missing the swelling in the upper arm is a common error, | 0:28:52 | 0:28:55 | |
but that's why you should know about it. | 0:28:55 | 0:28:57 | |
-Yes. -Never lose sight of the bigger picture. | 0:28:57 | 0:29:02 | |
-Are you the ward nurse? -Yep. | 0:29:02 | 0:29:04 | |
Then you're surplus to requirements in theatre. | 0:29:04 | 0:29:07 | |
If I took my eye off the ball, Mr Hamilton... | 0:29:09 | 0:29:13 | |
I'd ask myself why? | 0:29:13 | 0:29:15 | |
-Have you got a phone I can use? -What's wrong with yours? | 0:29:17 | 0:29:20 | |
-She's not picking up. I just thought maybe another number? -Pain? | 0:29:20 | 0:29:26 | |
-What's wrong? -Excuse me a moment. | 0:29:27 | 0:29:31 | |
Hey, he's bradycardic. | 0:29:33 | 0:29:36 | |
-HE GASPS -What's wrong? -I'm about to find out. | 0:29:39 | 0:29:42 | |
It feels so, I feel so tight. | 0:29:42 | 0:29:46 | |
-So tight. -HE GASPS | 0:29:46 | 0:29:49 | |
Pericardial collection. Let's get him into theatre. | 0:29:49 | 0:29:51 | |
-Do you think it was the pacer wires? -Must be. | 0:29:51 | 0:29:54 | |
-Can we get some help here, please? -What's...wrong? | 0:29:54 | 0:29:58 | |
-There's blood between the heart and protective sac. We have to drain it. -Not without a consultant. | 0:29:58 | 0:30:02 | |
-Page Jac. -What about... -Don't say it. Just shut up. I'm doing it. | 0:30:02 | 0:30:06 | |
OK. Let's go. | 0:30:06 | 0:30:08 | |
Sahira! | 0:30:08 | 0:30:11 | |
-Sahira. Jac Naylor is coming. -What?! | 0:30:11 | 0:30:13 | |
-Thought that'd do it! -What happened? -Cardiac tamponade. | 0:30:13 | 0:30:16 | |
-How? -Me and Ollie put some temporary pacer wires in. | 0:30:16 | 0:30:19 | |
-You said you'd wake me. Why didn't you wake me? -I just did. | 0:30:19 | 0:30:22 | |
-I can't believe you did this. -He'll be fine. | 0:30:22 | 0:30:25 | |
-I said to wake me. -I tried. You looked so happy, I didn't want to spoil it. | 0:30:25 | 0:30:29 | |
-What am I rescuing? -Tyrone Brooks. Came in off his tits on Rohypnol | 0:30:29 | 0:30:32 | |
-with aortic stenosis. We put pacers in to stabilise him. -Badly. -Ollie was nervous, | 0:30:32 | 0:30:36 | |
-seeing as Jac never lets him get his feet wet. -Don't go there. -I accept full responsibility. | 0:30:36 | 0:30:41 | |
-Except for now, when I have to. -No. You can say you were asleep. I'll take it in the neck. | 0:30:41 | 0:30:46 | |
Don't tempt me. | 0:30:46 | 0:30:49 | |
-He's just not responding. -Mr Johnson. | 0:30:49 | 0:30:51 | |
Mr Johnson! | 0:30:51 | 0:30:52 | |
Start CPR. One milligram adrenaline? | 0:30:52 | 0:30:55 | |
MONITORS BEEP | 0:30:55 | 0:30:59 | |
Thank you. | 0:30:59 | 0:31:01 | |
We've got an audience. | 0:31:03 | 0:31:05 | |
PH is 6.9. | 0:31:05 | 0:31:08 | |
He's not coming back. | 0:31:08 | 0:31:10 | |
I don't really think Josh should hear this. | 0:31:11 | 0:31:14 | |
Do you want to move him? | 0:31:15 | 0:31:17 | |
Will you take him somewhere else, Frieda? Please. | 0:31:17 | 0:31:20 | |
Can I get a hand here? | 0:31:24 | 0:31:27 | |
What's going on? | 0:31:29 | 0:31:31 | |
This is where I practice on my own in the Night time. | 0:31:31 | 0:31:35 | |
This is pig's heart. | 0:31:35 | 0:31:37 | |
Everybody thinks it's such a great mystery. | 0:31:38 | 0:31:42 | |
It's just sewing with blood. | 0:31:42 | 0:31:45 | |
I try to make good technique. | 0:31:45 | 0:31:48 | |
You know like an athlete... | 0:31:48 | 0:31:50 | |
Good technique. Less energy. | 0:31:50 | 0:31:52 | |
-That's what my coach says. -It's true. | 0:31:52 | 0:31:56 | |
But when you're out on a run he's not there, is he? | 0:31:56 | 0:31:59 | |
It's just you and the snow. No-one giving instructions... | 0:31:59 | 0:32:04 | |
That's gone now, that bit. | 0:32:05 | 0:32:09 | |
Not gone, it's just different mountain. | 0:32:10 | 0:32:14 | |
In the hospital, good technique is how we care. | 0:32:14 | 0:32:17 | |
You know, like Nurse McKee. | 0:32:17 | 0:32:20 | |
You have a go now. | 0:32:25 | 0:32:27 | |
Suction will you, please? Retractors. | 0:32:29 | 0:32:32 | |
Perforated. There's your sepsis. | 0:32:38 | 0:32:40 | |
We'll have to do a finney and mobilise the duodenum. | 0:32:40 | 0:32:44 | |
More suction, please. Packs! | 0:32:44 | 0:32:46 | |
All right, we'll get to your arm in a minute. | 0:32:49 | 0:32:53 | |
Right. Focus. As I kocherise the duodenum, you retract the liver. | 0:32:53 | 0:32:57 | |
You can recognise the liver? | 0:32:57 | 0:32:59 | |
Which way? | 0:32:59 | 0:33:01 | |
Your left. My right. | 0:33:01 | 0:33:03 | |
Good. IVC and portal vein... | 0:33:06 | 0:33:10 | |
we don't seem to be hosing out of the pancreas any more. | 0:33:10 | 0:33:14 | |
More Prolene, please. | 0:33:14 | 0:33:16 | |
Do I just stay here? | 0:33:16 | 0:33:18 | |
You do. | 0:33:18 | 0:33:19 | |
Right, I'll need a Robinson drain and silk. | 0:33:22 | 0:33:25 | |
If I say 'sushi' to you, what do you think of? | 0:33:25 | 0:33:28 | |
Fish? | 0:33:29 | 0:33:30 | |
Sushi is, in fact, a word for rice. | 0:33:32 | 0:33:34 | |
It used to take 10 years to train a sushi chef. BP? | 0:33:34 | 0:33:37 | |
130 over 80. | 0:33:37 | 0:33:41 | |
Nobody wants to put the time in any more... | 0:33:41 | 0:33:45 | |
Probably too busy choosing their next holiday. | 0:33:45 | 0:33:48 | |
She has an ulcer and it perforated. | 0:33:48 | 0:33:50 | |
-Is she going to die? -Mr Hanssen is director of surgery. | 0:33:50 | 0:33:53 | |
-He's the best we have. -I thought it was her arm. | 0:33:53 | 0:33:55 | |
We'll have to keep her in for some time. | 0:33:57 | 0:33:59 | |
I can stay with my aunt. | 0:33:59 | 0:34:01 | |
With me?! | 0:34:05 | 0:34:07 | |
Whoa! Where've you been?! | 0:34:12 | 0:34:15 | |
62 over 39. | 0:34:16 | 0:34:19 | |
Suction. Did you put these in with an image intensifier? | 0:34:19 | 0:34:23 | |
-No. We did it on the ward. -We? | 0:34:23 | 0:34:26 | |
I hope you're not responsible for this, Valentine. | 0:34:27 | 0:34:31 | |
I'd hate to think Ms Shah is letting you do things | 0:34:31 | 0:34:34 | |
beyond your level of competence. Is that what happened? | 0:34:34 | 0:34:37 | |
No. It's not. | 0:34:37 | 0:34:39 | |
-Did you read up on Dr Taub? -No. | 0:34:42 | 0:34:46 | |
He was part of a delegation looking at acupuncture in China. | 0:34:46 | 0:34:50 | |
Not retracting. There's necrosis. | 0:34:50 | 0:34:53 | |
I'll step in if you're done. | 0:34:53 | 0:34:56 | |
He called it 'nonsense with needles'. | 0:34:58 | 0:35:01 | |
Saline wash, please. | 0:35:01 | 0:35:03 | |
I really didn't think I had to look out for you Mr Hamilton. | 0:35:03 | 0:35:06 | |
I thought you were reliable. Boring. But reliable. | 0:35:06 | 0:35:09 | |
However, if you're the sort of man who'd rather have | 0:35:09 | 0:35:12 | |
pins stuck into him than spend his time examining patients properly, | 0:35:12 | 0:35:16 | |
I may have to revise that view. | 0:35:16 | 0:35:18 | |
-What are you doing here? -My audit. | 0:35:22 | 0:35:26 | |
-What about the Rohypnol patient? -What about him? | 0:35:26 | 0:35:28 | |
Your handwriting's in the notes. | 0:35:28 | 0:35:30 | |
Your signature on the bloods. Your footprints everywhere. | 0:35:30 | 0:35:34 | |
I swapped with Sahira at the start of the shift. | 0:35:34 | 0:35:36 | |
-No. A swap requires my say so. -Officially. | 0:35:36 | 0:35:40 | |
You called me out in the middle of the night, | 0:35:40 | 0:35:42 | |
because Nigella needs a nap? | 0:35:42 | 0:35:44 | |
Tell me, was it you or Ollie who screwed up the pacer wires? | 0:35:44 | 0:35:48 | |
-Me. -Do you want to think about that? | 0:35:49 | 0:35:53 | |
Ah, come on. People do extra hours all the time. | 0:35:53 | 0:35:55 | |
-I don't think Hanssen will see it that way? -Who's going to tell him? -I already did. | 0:35:55 | 0:36:00 | |
Boring. He called me boring. | 0:36:04 | 0:36:07 | |
-You know you're not. -Now he thinks I'm unreliable. | 0:36:07 | 0:36:10 | |
Don't beat yourself up. | 0:36:10 | 0:36:12 | |
It's a common error, but that's why you should know about it'. | 0:36:12 | 0:36:15 | |
You got her through it. That's what matters. Come here. | 0:36:15 | 0:36:20 | |
-HE GROANS -All right? -Yeah. | 0:36:26 | 0:36:30 | |
What are you doing? | 0:36:53 | 0:36:55 | |
-Making you feel good. -Don't! | 0:36:55 | 0:36:57 | |
Sorry. | 0:36:59 | 0:37:01 | |
That's a first. | 0:37:01 | 0:37:03 | |
Yeah. I read the signs wrong. | 0:37:05 | 0:37:08 | |
-What signs? -Forget it. | 0:37:11 | 0:37:15 | |
-What did you mean by signs? -I said sorry. -Did someone say something? | 0:37:29 | 0:37:33 | |
-No. -Then what?! -Does it matter? -Yes! -Because I touched a nerve? | 0:37:33 | 0:37:37 | |
I told you I'm with Chrissie. | 0:37:37 | 0:37:39 | |
-And that's your straight life. -What?! | 0:37:39 | 0:37:42 | |
-But if you're saying I misread it... -Misread what? -You. | 0:37:42 | 0:37:47 | |
I'm not gay. | 0:37:49 | 0:37:51 | |
Look. If you want to deal with labels, fine. | 0:37:52 | 0:37:54 | |
You're with Chrissie. You're straight. I can still like you. | 0:37:54 | 0:37:59 | |
-Why? -Why not? | 0:38:00 | 0:38:03 | |
You wouldn't be the first man who wanted more than one thing. | 0:38:03 | 0:38:07 | |
My mobile, my hotel. | 0:38:18 | 0:38:21 | |
Where is he? | 0:38:53 | 0:38:55 | |
Has he gone to intensive care or something? | 0:38:55 | 0:38:58 | |
If he died just say it. | 0:38:58 | 0:39:01 | |
He died... | 0:39:02 | 0:39:04 | |
-Ready? -No. Give me the board. | 0:39:06 | 0:39:09 | |
OK. | 0:39:09 | 0:39:11 | |
Lock your brake. | 0:39:13 | 0:39:15 | |
You can do this, Josh. | 0:39:21 | 0:39:23 | |
Frieda, just move the wheel chair back, Frieda. | 0:39:43 | 0:39:46 | |
-Josh, did you hurt yourself? -There's nothing left to hurt? | 0:39:46 | 0:39:49 | |
-There's plenty. Can you get the...? -The hoist. | 0:39:49 | 0:39:53 | |
It's OK. Look it's gonna be OK. | 0:39:54 | 0:39:56 | |
It's not OK. HE SOBS | 0:39:56 | 0:40:00 | |
Oh, don't cry, oh, Josh. | 0:40:07 | 0:40:11 | |
Hey. | 0:40:13 | 0:40:14 | |
Look at me, Josh, look at me. | 0:40:16 | 0:40:20 | |
It's OK. | 0:40:20 | 0:40:22 | |
It's OK. | 0:40:23 | 0:40:25 | |
Were you there when he died? | 0:40:28 | 0:40:30 | |
Yes. | 0:40:32 | 0:40:34 | |
How can you do that? | 0:40:35 | 0:40:38 | |
Shh. | 0:40:47 | 0:40:49 | |
It's not hard is it? If you're not on the rota you can't treat patients. | 0:40:49 | 0:40:53 | |
-It's not legal and you're not insured. Are you above the law? -I was here doing my audit. | 0:40:53 | 0:40:59 | |
When the patient came in, I helped. | 0:40:59 | 0:41:01 | |
-Where were you? -Not on the ward at that precise moment. | 0:41:01 | 0:41:04 | |
I was asleep in the on-call room. | 0:41:04 | 0:41:06 | |
I promised to wake her if anyone came in. | 0:41:06 | 0:41:09 | |
-I got caught up in the moment. -Is that what happened | 0:41:09 | 0:41:11 | |
with the female gunshot victim? You 'got caught up in the moment'. | 0:41:11 | 0:41:15 | |
The patient said she was pregnant. Trauma will back that up. | 0:41:15 | 0:41:18 | |
Well, it still has to be investigated. | 0:41:18 | 0:41:20 | |
We saved that woman's life. BLEEPER BEEPS | 0:41:20 | 0:41:24 | |
It's for you. | 0:41:26 | 0:41:27 | |
You're strangely silent, Ms Shah. | 0:41:31 | 0:41:33 | |
Are you happy for Mr Douglas to do your talking? | 0:41:33 | 0:41:36 | |
No, I have no excuses. | 0:41:36 | 0:41:38 | |
-It shouldn't have happened. -Is it really necessary? | 0:41:38 | 0:41:41 | |
Yes, Mr Douglas, rules are necessary. | 0:41:41 | 0:41:43 | |
Both matters will be subject to formal procedures. | 0:41:45 | 0:41:47 | |
Is that it?! Is that our hearing?! | 0:41:49 | 0:41:52 | |
This stinks. | 0:41:54 | 0:41:56 | |
He could be struck off. | 0:42:09 | 0:42:11 | |
It's a formal, independent process and I cannot be the judge. | 0:42:12 | 0:42:18 | |
-I'm asking you to let it go. -Why? | 0:42:18 | 0:42:22 | |
A man who makes up his own rules is a danger to the public. | 0:42:22 | 0:42:25 | |
But he's a committed surgeon! You'd be wasting his training. | 0:42:25 | 0:42:29 | |
Turn a blind eye... | 0:42:29 | 0:42:31 | |
To him working off shift. Yes. | 0:42:31 | 0:42:35 | |
On one condition. | 0:42:35 | 0:42:37 | |
What? | 0:42:37 | 0:42:39 | |
You act like a manager. | 0:42:39 | 0:42:43 | |
See what it looks like, from the upper circle, | 0:42:43 | 0:42:45 | |
is that he's smitten with you. | 0:42:45 | 0:42:47 | |
Is that what you want your colleagues to see? | 0:42:48 | 0:42:51 | |
-I can get it, if you like? -No, I want to do it myself. | 0:43:17 | 0:43:21 | |
HE SIGHS | 0:43:21 | 0:43:23 | |
But that's the problem. I can't do what I want. | 0:43:23 | 0:43:26 | |
Leave it! | 0:43:29 | 0:43:31 | |
Can I buy you something? | 0:43:52 | 0:43:55 | |
What are you doing here? | 0:44:20 | 0:44:23 | |
Same as you, judging by the state of that crutch. | 0:44:23 | 0:44:26 | |
Fancy a game, instead? | 0:44:30 | 0:44:31 | |
Not tonight. | 0:44:31 | 0:44:34 | |
Which is not to say you can't have a go. | 0:44:34 | 0:44:37 | |
So what're you getting out of your system? | 0:44:37 | 0:44:40 | |
A bit of domestic. | 0:44:44 | 0:44:45 | |
Women. Tell me about it. | 0:44:48 | 0:44:50 | |
She mentioned the 'C' word. | 0:44:50 | 0:44:53 | |
Commitment? See that's your basic fault line between the sexes. | 0:44:53 | 0:44:57 | |
Men live for the present and women for the future. | 0:44:57 | 0:44:59 | |
Why? Because they have the children. | 0:44:59 | 0:45:01 | |
And the only thing that can span the gap between them... is a question. | 0:45:01 | 0:45:05 | |
Do you love her? | 0:45:07 | 0:45:09 | |
-Of course I do. -Love alters the male brain... | 0:45:09 | 0:45:13 | |
Makes you more compatible. | 0:45:13 | 0:45:14 | |
That is such crap. | 0:45:16 | 0:45:20 | |
Five star crap. Makes the world go round. | 0:45:20 | 0:45:22 | |
You're really helping, you know that. | 0:45:22 | 0:45:25 | |
At the end of the day, it's not my problem. | 0:45:25 | 0:45:28 | |
It's yours. | 0:45:28 | 0:45:29 | |
It's me. | 0:45:54 | 0:45:56 | |
Sorry, I know it's the middle of the night. | 0:45:56 | 0:45:58 | |
I just wanted to hear your voice. | 0:46:01 | 0:46:03 | |
No, nothing. | 0:46:06 | 0:46:08 | |
I'll see you in the morning. | 0:46:08 | 0:46:10 | |
I dropped my money. I can't get back up. | 0:46:20 | 0:46:24 | |
-Do you want to get back up? -No. | 0:46:28 | 0:46:30 | |
You asked me about Mr Johnson earlier. | 0:46:31 | 0:46:34 | |
Well, watching a 70-year-old die | 0:46:37 | 0:46:39 | |
is nothing compared to watching a 17-year-old give up. | 0:46:39 | 0:46:45 | |
Salt and vinegar? | 0:46:47 | 0:46:49 | |
There was a girl here earlier. | 0:46:57 | 0:46:59 | |
She gave me that look. | 0:47:01 | 0:47:03 | |
-What look? -Poor you. | 0:47:03 | 0:47:05 | |
Made me think of my girlfriend. | 0:47:08 | 0:47:11 | |
I didn't know you had one. | 0:47:11 | 0:47:13 | |
I don't want her here. | 0:47:14 | 0:47:16 | |
I don't want her looking at me that way. | 0:47:16 | 0:47:19 | |
So don't be that way. | 0:47:19 | 0:47:22 | |
People take their cue off you Josh. | 0:47:22 | 0:47:25 | |
So turn it around. | 0:47:25 | 0:47:27 | |
What's the most fun you've ever had? | 0:47:29 | 0:47:32 | |
The first time I went over 90. | 0:47:32 | 0:47:35 | |
You go 90 miles an hour on your snow board? | 0:47:36 | 0:47:40 | |
First I couldn't crack it. Then I did. | 0:47:40 | 0:47:43 | |
So you're a speed freak. | 0:47:43 | 0:47:45 | |
Some kind of freak. | 0:47:45 | 0:47:48 | |
People have done this before Josh. And you do all of your physio | 0:47:51 | 0:47:56 | |
and you get really fit and you never know. | 0:47:56 | 0:47:58 | |
Are you saying I could be back on my board? | 0:47:58 | 0:48:01 | |
No. But I am saying start with what you've got | 0:48:01 | 0:48:05 | |
-and see where it takes you. -But what have I got? | 0:48:05 | 0:48:09 | |
You've got from here to here, | 0:48:09 | 0:48:12 | |
and your chair. | 0:48:12 | 0:48:13 | |
So use it. Don't just sit on your arse. | 0:48:13 | 0:48:17 | |
THEY LAUGH | 0:48:18 | 0:48:21 | |
Where's Ali? | 0:48:22 | 0:48:24 | |
Could you give us a minute? | 0:48:26 | 0:48:28 | |
Would you like me to get you some pain relief? | 0:48:28 | 0:48:30 | |
Ali's getting some sweets. | 0:48:33 | 0:48:36 | |
-She's still a child, really. -You noticed. | 0:48:37 | 0:48:41 | |
She asked to come and stay with me. | 0:48:41 | 0:48:44 | |
Don't worry. It wouldn't work. | 0:48:44 | 0:48:47 | |
What ever made you think it would? | 0:48:47 | 0:48:50 | |
-I thought she was ready. -She's not. | 0:48:51 | 0:48:54 | |
You're not. | 0:48:55 | 0:48:57 | |
None of us are. | 0:48:59 | 0:49:01 | |
Let her go. | 0:49:03 | 0:49:05 | |
Let her go to University. | 0:49:05 | 0:49:08 | |
And turn into someone who forgets where she's from? | 0:49:08 | 0:49:12 | |
Don't punish her for what I did. She's not me. | 0:49:12 | 0:49:16 | |
You pay her fees and she'll want to know you. | 0:49:16 | 0:49:19 | |
I can be busy. I'm good at that. | 0:49:19 | 0:49:23 | |
-I might go to Toronto. -Toronto? -There's a job offer. | 0:49:24 | 0:49:29 | |
Will you say goodbye for me? | 0:49:32 | 0:49:34 | |
She turned out really nice. | 0:49:41 | 0:49:44 | |
You did a good job. | 0:49:45 | 0:49:47 | |
My little sister, I'm always lumbered with her mistakes. | 0:50:00 | 0:50:03 | |
The bit I heard sounded positive. | 0:50:03 | 0:50:05 | |
I'll still have to tell Ali though, won't I? | 0:50:06 | 0:50:09 | |
No, you don't. | 0:50:09 | 0:50:12 | |
You have to protect her. | 0:50:12 | 0:50:15 | |
You don't have to tell her anything. | 0:50:15 | 0:50:17 | |
-Do you know where Sahira is? -Mr Douglas? -What? | 0:50:24 | 0:50:28 | |
Who got blamed for the tamponade? | 0:50:28 | 0:50:30 | |
-That'll be me. -Sorry. | 0:50:30 | 0:50:33 | |
-Will you give it up? -What?! -It's not going to happen. | 0:50:36 | 0:50:39 | |
She's not going to text! She's not going to phone! | 0:50:39 | 0:50:42 | |
She's not showing up! So all that's left is for you to decide is, was she worth it?! | 0:50:42 | 0:50:46 | |
-What wound him up? -He doesn't need any help. | 0:50:48 | 0:50:51 | |
He's self-winding. | 0:50:51 | 0:50:53 | |
-He could be wrong... -Who am I kidding? | 0:50:55 | 0:50:58 | |
HE SIGHS | 0:50:58 | 0:51:01 | |
I really liked her as well. | 0:51:01 | 0:51:02 | |
She spiked my drink and had away with the money... | 0:51:05 | 0:51:08 | |
-I didn't see that coming. -Well, if it wasn't for the Rohypnol | 0:51:10 | 0:51:14 | |
we wouldn't have found out about your heart. | 0:51:14 | 0:51:16 | |
It's a busted flush whatever side you look at. | 0:51:16 | 0:51:19 | |
Rule number one of the gamblers' bible, | 0:51:19 | 0:51:22 | |
no such thing as a sure bet. | 0:51:22 | 0:51:25 | |
-Is everything OK? -Why are you still here? | 0:51:28 | 0:51:30 | |
-To make sure you're all right. -I don't need you to. | 0:51:30 | 0:51:33 | |
Right, this is very touching, | 0:51:33 | 0:51:35 | |
but I think we should take it outside, please. | 0:51:35 | 0:51:37 | |
I'd like it to be noted that I want to be on a different shift pattern to Mr Douglas. | 0:51:44 | 0:51:48 | |
-What?! -If we are here at the same time I'll be on CTU, so we shouldn't need to cross paths. | 0:51:48 | 0:51:53 | |
I'll pass it on to your consultants. | 0:51:53 | 0:51:55 | |
Is this some weird pound of flesh I don't know about? | 0:51:55 | 0:51:58 | |
This is exactly what it sounds like, Greg. | 0:51:58 | 0:52:01 | |
You shouldn't be here, and I don't want you here. | 0:52:01 | 0:52:04 | |
So go. | 0:52:05 | 0:52:07 | |
-Is it true you have to stay for days? -It is. | 0:52:18 | 0:52:20 | |
Aunt Beverly said I could be at hers. | 0:52:22 | 0:52:25 | |
Probably best I stay at home. | 0:52:25 | 0:52:27 | |
It's just one bus then to see you. | 0:52:27 | 0:52:30 | |
You're a good girl, Ali. | 0:52:30 | 0:52:32 | |
Pity I'm not a good mum, hey. | 0:52:32 | 0:52:35 | |
Yes, you are. | 0:52:35 | 0:52:37 | |
If you want to go to University, | 0:52:39 | 0:52:42 | |
then you go. I won't stand in your way. | 0:52:42 | 0:52:46 | |
You mean it? | 0:52:46 | 0:52:48 | |
Can I tell Aunt Beverly? | 0:52:53 | 0:52:55 | |
Aunt Beverly had to go. | 0:52:55 | 0:52:57 | |
She's a busy woman. | 0:52:58 | 0:52:59 | |
Come here, eh? | 0:53:03 | 0:53:05 | |
-We'll see her again. -When? | 0:53:14 | 0:53:18 | |
When we're ready. | 0:53:20 | 0:53:22 | |
Psst. Come and see this. | 0:53:50 | 0:53:53 | |
Don't let him see you. | 0:53:56 | 0:53:58 | |
-How long has he been doing that? -I don't know. | 0:54:06 | 0:54:09 | |
But I think it is laps. Up and down, up and down. | 0:54:09 | 0:54:14 | |
Many times, yeah. | 0:54:14 | 0:54:16 | |
-I'm clocking off in a bit. -And I'm waiting for Sister Williams. | 0:54:46 | 0:54:51 | |
-Morning. -Morning. -Is everything all right? | 0:55:37 | 0:55:40 | |
-Come here. -Dan?! -Come on. | 0:55:41 | 0:55:44 | |
Come on. | 0:55:46 | 0:55:47 | |
Tada! | 0:55:47 | 0:55:49 | |
-Is this why you phoned in the middle of the night? -What do you think? | 0:55:49 | 0:55:53 | |
I think it's lovely, but it's expensive. | 0:55:53 | 0:55:55 | |
I already booked it. | 0:55:55 | 0:55:57 | |
-You've done what?! -I thought you'd be pleased. | 0:55:57 | 0:56:00 | |
-I am, but I don't need big gestures like this. -What do you want?! | 0:56:00 | 0:56:04 | |
What's got into you?! | 0:56:04 | 0:56:06 | |
I've had a hell of a night... but it's still a real question. | 0:56:06 | 0:56:10 | |
Then the real answer... | 0:56:10 | 0:56:13 | |
is for the man I love not to feel he's trapped. | 0:56:13 | 0:56:16 | |
-Or to feel he's got to do something he doesn't want to do. -I don't. | 0:56:16 | 0:56:19 | |
-Do you really love me? -I just said so, didn't I? | 0:56:19 | 0:56:24 | |
And the villa is lovely. | 0:56:25 | 0:56:27 | |
Lovely enough for a honeymoon? | 0:56:28 | 0:56:30 | |
-What are you saying? -Marry me. | 0:56:32 | 0:56:35 | |
-Is that a yes, or a no? -A yes, silly. | 0:56:42 | 0:56:46 | |
I made a ring. | 0:56:55 | 0:56:57 | |
-Wow, it fits. -I'm not an orthopod for nothing. | 0:57:00 | 0:57:04 | |
-I'll buy you a real one. -This is real. | 0:57:06 | 0:57:10 | |
Let's not tell anyone just yet. | 0:57:13 | 0:57:16 | |
I'll keep my mouth shut. | 0:57:18 | 0:57:20 | |
Subtitles by Red Bee Media Ltd | 0:57:43 | 0:57:47 | |
Email [email protected] | 0:57:47 | 0:57:50 |