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'Mr Hanssen has been making rather a lot of reckless decisions.' | 0:00:42 | 0:00:46 | |
Can you honestly say you still have faith in him as a leader? | 0:00:46 | 0:00:51 | |
No. | 0:00:51 | 0:00:52 | |
-What? Is that more antibiotic? What are you doing? -We need to stop the bleed. | 0:00:52 | 0:00:56 | |
Come on, Dean, fight, fight. | 0:00:56 | 0:00:59 | |
You've just ended your career, Hemingway. | 0:00:59 | 0:01:02 | |
We'll deal with him later. | 0:01:02 | 0:01:03 | |
WHIRRING | 0:01:11 | 0:01:13 | |
'The man disappeared off the face of the earth eight weeks ago. | 0:01:32 | 0:01:36 | |
'I didn't really have much choice. | 0:01:36 | 0:01:38 | |
'You can't just hack someone's inbox. | 0:01:38 | 0:01:40 | |
'You're right. Turns out it's a tricky old business. | 0:01:40 | 0:01:44 | |
'Took Ray from IT over a week. | 0:01:44 | 0:01:46 | |
'Being Hanssen, of course it was double-encrypted.' | 0:01:46 | 0:01:48 | |
But if I hadn't, we wouldn't even know this offer existed. | 0:01:48 | 0:01:53 | |
This makes no sense. | 0:01:53 | 0:01:54 | |
He wouldn't deliberately try and block a deal like this. | 0:01:54 | 0:01:57 | |
Well, here are his emails, | 0:01:57 | 0:01:58 | |
stretching back to last October. | 0:01:58 | 0:02:01 | |
He has found 52 different ways to say no. | 0:02:01 | 0:02:05 | |
One of the largest pharmaceutical companies in Sweden are offering | 0:02:05 | 0:02:09 | |
us a £40 million partnership deal and he's trying to block it? | 0:02:09 | 0:02:13 | |
-He's giving it a pretty good go. -What are the Swedes saying? | 0:02:13 | 0:02:16 | |
They won't deal with anyone but Hanssen. | 0:02:16 | 0:02:18 | |
-And Hanssen's... -Refusing to answer phone calls, | 0:02:18 | 0:02:20 | |
emails or even good old-fashioned letters. | 0:02:20 | 0:02:23 | |
Well, if I was in your shoes, I'd be on the first plane over there. | 0:02:23 | 0:02:27 | |
Oh, I was hoping you'd say that. | 0:02:27 | 0:02:29 | |
Unfortunately, I'm a tad too busy to just hop on a 747. | 0:02:29 | 0:02:32 | |
I hear Stockholm's rather lovely. You a fan of herring? | 0:02:32 | 0:02:38 | |
Why me? | 0:02:38 | 0:02:41 | |
You bring home a deal like this, you can name your terms. | 0:02:41 | 0:02:45 | |
Stockholm? What about your patients? | 0:02:46 | 0:02:50 | |
I have to do what's best for the hospital as a whole. | 0:02:50 | 0:02:52 | |
And this is an entirely altruistic mission? | 0:02:52 | 0:02:54 | |
Nothing to do with furthering your career? | 0:02:54 | 0:02:57 | |
You think that's the only thing I care about? | 0:02:57 | 0:03:00 | |
'Glad you think so highly of me. | 0:03:00 | 0:03:02 | |
'You know I do. It's Ms Campbell. I don't trust her. | 0:03:02 | 0:03:05 | |
'At least she's here! Where's Hanssen? First sign of trouble and he disappears,' | 0:03:05 | 0:03:08 | |
and now he's trying to do everything he can to screw us over. | 0:03:08 | 0:03:12 | |
Sort of poetic justice, really, after the way we... | 0:03:12 | 0:03:15 | |
Sorry. I didn't mean it like that. | 0:03:15 | 0:03:17 | |
Yeah, you did. | 0:03:19 | 0:03:21 | |
Luc? Please tell me you haven't been in here all night. | 0:03:36 | 0:03:39 | |
With a blood sample, there's a viability window. I can't afford to waste time. | 0:03:39 | 0:03:43 | |
We told you to go home and get some rest. | 0:03:43 | 0:03:47 | |
You're in no fit state... | 0:03:47 | 0:03:48 | |
Ten years' research and I finally manage my first live trial... | 0:03:48 | 0:03:51 | |
-You gave a man an unlicensed drug! -Dean lived. You saw what happened. | 0:03:51 | 0:03:54 | |
-This saved his life. -Well, you don't know that for sure. | 0:03:54 | 0:03:57 | |
Luc, enough. | 0:04:02 | 0:04:05 | |
CLASSICAL MUSIC PLAYS | 0:04:19 | 0:04:22 | |
Hey, the only reason you are not in front of a GMC hearing now | 0:04:38 | 0:04:41 | |
is that I have been given more second chances than anyone I know. | 0:04:41 | 0:04:44 | |
You are punishing me for saving a patient's life. | 0:04:44 | 0:04:46 | |
Er, for the record, it was the kidney removal that saved him. | 0:04:46 | 0:04:50 | |
-And what if he hadn't made it? -"What if?" What kind of argument is that? | 0:04:50 | 0:04:53 | |
-Luc, give me a break. I'm trying to help you. -I don't need your help. | 0:04:53 | 0:04:55 | |
Hey, what happened in theatre, you think that was normal behaviour? | 0:04:55 | 0:05:00 | |
Now here's what we're going to do. I want you to keep your job but you are going to do two things for me. | 0:05:00 | 0:05:04 | |
-First, you are going to stay out of your lab until further notice. -Can't do that. | 0:05:04 | 0:05:07 | |
Second, you see a professional. I don't need to know what your demons are. | 0:05:07 | 0:05:10 | |
-I just need to know you're dealing with 'em. -A professional what? -He's expecting you at three. | 0:05:10 | 0:05:15 | |
Show up, you get to keep your job and your lab. You don't, I will report you. It's your choice. | 0:05:15 | 0:05:20 | |
-How's your coffee? -Hm? | 0:06:05 | 0:06:08 | |
I grind it myself. | 0:06:09 | 0:06:11 | |
Get it when I'm in London from a little place on Dean Street. | 0:06:11 | 0:06:15 | |
Used to only drink Brazilian, | 0:06:15 | 0:06:16 | |
but I'm trying out Ethiopia at the moment. | 0:06:16 | 0:06:20 | |
Yirgacheffe. | 0:06:20 | 0:06:22 | |
Life's too short for bad coffee, don't you think? | 0:06:23 | 0:06:26 | |
Fair enough. No, as normalisers go, that was...that was pretty solid. | 0:06:28 | 0:06:34 | |
Listen, I'll spare you the time and the effort. | 0:06:34 | 0:06:36 | |
Never knew my father, although my mother managed to narrow it down to | 0:06:36 | 0:06:40 | |
a US marine and a particle physicist she spent a week with in Mexico. | 0:06:40 | 0:06:43 | |
"Tell me about your mother"? | 0:06:43 | 0:06:45 | |
Well, she was an overdependent bipolar addict who had | 0:06:45 | 0:06:48 | |
a series of disastrous boyfriends, only one of whom beat me | 0:06:48 | 0:06:51 | |
and no, before you ask, no, there was no sexual element, | 0:06:51 | 0:06:53 | |
sorry to disappoint, although he was fond of locking me in cupboards. | 0:06:53 | 0:06:57 | |
Yes, my mother's sudden death | 0:06:57 | 0:06:59 | |
when I was 19 was at the same time traumatic and a relief, | 0:06:59 | 0:07:03 | |
but I've stopped feeling guilty about that a long time ago. | 0:07:03 | 0:07:05 | |
And in answer to your first question, | 0:07:05 | 0:07:08 | |
it's perfectly drinkable, but I suggest a lighter roast might be better suited to its acidity. | 0:07:08 | 0:07:13 | |
Well... | 0:07:16 | 0:07:18 | |
That only leaves us with another 50 minutes. | 0:07:20 | 0:07:24 | |
So what'll we talk about next? | 0:07:25 | 0:07:27 | |
HOOTS | 0:07:39 | 0:07:41 | |
Come on! | 0:07:41 | 0:07:42 | |
Woah! | 0:08:00 | 0:08:02 | |
Watch where you're going! | 0:08:02 | 0:08:04 | |
Mr Hanssen! | 0:08:11 | 0:08:13 | |
What are you doing here? Have you been following me? | 0:08:15 | 0:08:19 | |
Well, if you'd bothered to answer your door | 0:08:19 | 0:08:22 | |
or the emails, or letters or phone calls... | 0:08:22 | 0:08:24 | |
I am currently on leave. | 0:08:24 | 0:08:25 | |
I believe that entitles me to a certain degree of privacy. | 0:08:25 | 0:08:27 | |
-Don't you think you owe us all some answers? -I don't believe so, no. | 0:08:27 | 0:08:31 | |
Why are you trying to block the Biotek proposal? | 0:08:31 | 0:08:34 | |
I have no doubt it's made you feel very important being | 0:08:37 | 0:08:40 | |
sent on this little errand, but I'm afraid you are | 0:08:40 | 0:08:42 | |
out of your depth, so I'd suggest you turn around and go home. | 0:08:42 | 0:08:45 | |
Sorry if it's been a wasted trip. | 0:08:45 | 0:08:47 | |
I hope while you're here you'll have a little time to explore Stockholm. | 0:08:47 | 0:08:50 | |
I particularly recommend the Vasa museum. | 0:08:50 | 0:08:52 | |
-Wait... -Goodbye, Miss Naylor. | 0:08:52 | 0:08:55 | |
It says in your notes that you received some counselling | 0:09:03 | 0:09:08 | |
after you were discharged from the army. | 0:09:08 | 0:09:11 | |
Does it? | 0:09:11 | 0:09:12 | |
Was that for anything in particular? | 0:09:12 | 0:09:14 | |
I was in the Army Medical Corps. | 0:09:14 | 0:09:16 | |
There were things that happened that I'd rather forget. | 0:09:16 | 0:09:19 | |
Where did these things happen? | 0:09:19 | 0:09:21 | |
Why don't you just read what it says in the notes? | 0:09:21 | 0:09:24 | |
-Humour me. -I think I've humoured you more than enough. | 0:09:24 | 0:09:27 | |
-The incident in theatre. -Mm-hm? | 0:09:28 | 0:09:32 | |
Something about that patient took you back to a particular time and place. | 0:09:32 | 0:09:37 | |
I was just wondering... | 0:09:38 | 0:09:40 | |
Bravo. Well done. You've cracked the code. I'm cured. | 0:09:40 | 0:09:44 | |
I shall be recommending you to all my friends. | 0:09:44 | 0:09:47 | |
Now perhaps you could tell my consultant I'm not a nut job. | 0:09:47 | 0:09:49 | |
We've still got 30 minutes left. | 0:09:49 | 0:09:51 | |
-I don't think we have anything more to discuss. -I think we're just getting started. | 0:09:51 | 0:09:55 | |
Thank you for the coffee. | 0:09:55 | 0:09:57 | |
Who was Elise Laurier? | 0:09:57 | 0:10:00 | |
Read the notes. That's clearly where you got this. | 0:10:02 | 0:10:05 | |
I'd rather hear it from you. | 0:10:05 | 0:10:06 | |
-Why? -I'd just like you to tell me who she was. It's not a trick question. | 0:10:06 | 0:10:12 | |
She was my wife. She was going to be my wife. | 0:10:12 | 0:10:17 | |
Nils Johansson, please. Henrik Hanssen. | 0:10:45 | 0:10:48 | |
This has gone quite far enough. | 0:10:53 | 0:10:55 | |
Luc? Luc. | 0:10:57 | 0:10:59 | |
How did it go? Yesterday? | 0:10:59 | 0:11:02 | |
Fine. Fine. Sent me on my way. Told me I was fit to practise. | 0:11:02 | 0:11:05 | |
So you can put the straitjacket away. | 0:11:05 | 0:11:08 | |
Oh, great. Oh! By the way... | 0:11:08 | 0:11:10 | |
Arrived this morning. | 0:11:11 | 0:11:13 | |
Our Eddi's landed on her feet. | 0:11:16 | 0:11:18 | |
I mean, no disrespect to Leeds, | 0:11:18 | 0:11:20 | |
but if I wanted to find inner peace I think I'd probably head to... | 0:11:20 | 0:11:23 | |
wherever that is. | 0:11:23 | 0:11:25 | |
It's Kerala. In India. | 0:11:25 | 0:11:26 | |
Anyway, it's not addressed to me. | 0:11:29 | 0:11:31 | |
Why don't you just put it on the noticeboard? | 0:11:31 | 0:11:34 | |
OK, this is Jelena. | 0:11:35 | 0:11:37 | |
She fell down the stairs on a bus, possible head injury, | 0:11:37 | 0:11:40 | |
oh, and she's cut her hand. | 0:11:40 | 0:11:42 | |
Hello, Jelena. I'm Mr Hemingway. | 0:11:42 | 0:11:44 | |
Could you tell me what happened, please? | 0:11:44 | 0:11:47 | |
My shopping. On the... | 0:11:48 | 0:11:52 | |
What's the word? I can't find it. | 0:11:52 | 0:11:56 | |
You lost your shopping? Did anyone pick up her shopping? | 0:11:56 | 0:12:00 | |
OK, Jelena. You may have left your shopping on the bus. | 0:12:00 | 0:12:03 | |
Can you tell me was it a big weekly shop, | 0:12:03 | 0:12:05 | |
or just a few little bits and bobs? | 0:12:05 | 0:12:07 | |
I went to buy... | 0:12:07 | 0:12:10 | |
I don't remember. | 0:12:10 | 0:12:12 | |
-Fish... -Fish. A big fish. | 0:12:14 | 0:12:15 | |
All right, she's confused, slurring, Eastern European. | 0:12:15 | 0:12:19 | |
Tox screen perhaps? | 0:12:19 | 0:12:21 | |
Just because she's Eastern European doesn't necessarily mean | 0:12:21 | 0:12:24 | |
she's been hitting the vodka. | 0:12:24 | 0:12:25 | |
All right, all right, we'll set up a head CT. | 0:12:25 | 0:12:27 | |
Keep up the neuro obs just in case. | 0:12:27 | 0:12:29 | |
And can someone stitch this hand, please? | 0:12:29 | 0:12:31 | |
Sorry to interrupt, chaps. | 0:12:31 | 0:12:32 | |
Wonder if I might borrow Mr Hemingway for a sec? | 0:12:32 | 0:12:35 | |
Sure. | 0:12:35 | 0:12:37 | |
A concerned scrub nurse told me you walked out of theatre | 0:12:37 | 0:12:40 | |
having had a bit of a set-to with Michael, is this true? | 0:12:40 | 0:12:42 | |
It was a misunderstanding. | 0:12:42 | 0:12:44 | |
If Michael did cross a line, I hope you'd feel you could tell me? | 0:12:44 | 0:12:48 | |
I have worked with him, so I know he can be a bit... | 0:12:48 | 0:12:51 | |
excitable. | 0:12:51 | 0:12:53 | |
It was me. I overreacted to something. You can forget about it. | 0:12:53 | 0:12:56 | |
OK. | 0:12:56 | 0:12:57 | |
What are you up to, Henrik? | 0:13:14 | 0:13:15 | |
Hello, Nils. | 0:13:39 | 0:13:40 | |
Why frequent a restaurant when you don't like the food? | 0:14:00 | 0:14:03 | |
That's why. You get to look down on the world. | 0:14:03 | 0:14:06 | |
But you're used to that, of course. | 0:14:06 | 0:14:08 | |
Tack. | 0:14:08 | 0:14:10 | |
25 years and you can't spare me an hour for lunch? | 0:14:12 | 0:14:16 | |
I don't see any merit in pretending this is a social occasion. | 0:14:16 | 0:14:19 | |
By the way, you know you speak Swedish with an English accent now? | 0:14:19 | 0:14:23 | |
Just then with the waiter... | 0:14:23 | 0:14:24 | |
You know why I'm here. | 0:14:24 | 0:14:25 | |
Your "ar" sound is the giveaway. On the word Stannar. | 0:14:25 | 0:14:29 | |
You remember how we used to tease you at Karolinska - | 0:14:31 | 0:14:34 | |
what was it, the Swedish giant with the Danish surname | 0:14:34 | 0:14:38 | |
and the English private school manners. | 0:14:38 | 0:14:41 | |
Back when the world was young and I had a full head of hair... | 0:14:42 | 0:14:47 | |
I've asked you repeatedly to stop contacting me. | 0:14:47 | 0:14:50 | |
-But for some reason... -You know the reason. | 0:14:50 | 0:14:52 | |
You're the managing director. | 0:14:53 | 0:14:55 | |
It's his company. | 0:14:55 | 0:14:56 | |
And I gave him my word I would do whatever it took. | 0:14:58 | 0:15:01 | |
Then I'm afraid you're going to have to disappoint him. | 0:15:01 | 0:15:03 | |
Please try to understand my position, Henrik. | 0:15:03 | 0:15:06 | |
Right, how do we stop this? | 0:15:06 | 0:15:08 | |
You have to talk to him. He's in the house on Tynningo. | 0:15:11 | 0:15:15 | |
You know I won't do that. | 0:15:15 | 0:15:16 | |
Well, in that case I guess we have a stalemate. | 0:15:16 | 0:15:19 | |
-You seen Michael? -He's up on Keller. | 0:15:45 | 0:15:48 | |
He has to let me back in my lab. I'm going to call him. | 0:15:48 | 0:15:51 | |
Before you do...Jelena. | 0:15:51 | 0:15:53 | |
You worked out which type of vodka it was yet? | 0:15:53 | 0:15:56 | |
Tox screen's immaculate. | 0:15:56 | 0:15:58 | |
All right. Not drunk on a bus. Head injury? | 0:15:59 | 0:16:02 | |
CT's completely normal. | 0:16:02 | 0:16:04 | |
-She still slurring, bewildered? -It's a little more than that. | 0:16:05 | 0:16:09 | |
-And it's getting worse by the second. -You tracked down a relative? | 0:16:09 | 0:16:12 | |
I left a message with the husband. He's on his way. | 0:16:12 | 0:16:14 | |
All right, Jelena. Jelena, you may remember me from earlier. | 0:16:14 | 0:16:18 | |
Mr Hemingway. | 0:16:18 | 0:16:20 | |
Now the good news is you don't appear to have any kind of major head injury. | 0:16:20 | 0:16:23 | |
-Get away from me! -It's all right, I just need to examine you. | 0:16:23 | 0:16:26 | |
No, no, you want to cut me up. | 0:16:26 | 0:16:29 | |
You want to kill me. I know why you're here. | 0:16:29 | 0:16:33 | |
What you did to the others... | 0:16:33 | 0:16:35 | |
I'm a doctor, I just want to... | 0:16:35 | 0:16:37 | |
You're going to kill me! You want to kill me! | 0:16:37 | 0:16:40 | |
Sklonite ga od mene! | 0:16:40 | 0:16:44 | |
Hello. | 0:16:52 | 0:16:54 | |
-Mr Johansson? -Yes. | 0:16:54 | 0:16:56 | |
Jac Naylor. | 0:16:56 | 0:16:58 | |
-Sorry. Should I... -I'm from Holby City Hospital. | 0:16:58 | 0:17:00 | |
I'm sorry to turn up unannounced like this, | 0:17:00 | 0:17:02 | |
but we've had no luck getting hold of you via phone or email... | 0:17:02 | 0:17:05 | |
We just wanted to demonstrate how committed we are to making this deal work. | 0:17:05 | 0:17:08 | |
Maybe we could go to your office and discuss the details? | 0:17:08 | 0:17:11 | |
Sorry, what did you say your name was again? | 0:17:11 | 0:17:13 | |
Jac Naylor. | 0:17:13 | 0:17:14 | |
Well, have a seat. | 0:17:49 | 0:17:51 | |
Oh. Your son? | 0:17:54 | 0:17:56 | |
Fredrik. He graduated from medical school this summer. | 0:17:56 | 0:18:00 | |
Top of his class. | 0:18:00 | 0:18:02 | |
You must be very proud. | 0:18:02 | 0:18:04 | |
So your role at Holby City is...? | 0:18:04 | 0:18:07 | |
Deputy director of surgery. | 0:18:07 | 0:18:10 | |
So you and Henrik must work quite closely together? | 0:18:10 | 0:18:12 | |
Yes. Very close. Finish each other's sentences. | 0:18:12 | 0:18:16 | |
And you have discussed our proposal with him? | 0:18:16 | 0:18:19 | |
He's filled me in on the basics. | 0:18:19 | 0:18:21 | |
And can I ask you, | 0:18:21 | 0:18:23 | |
do you get the sense he's committed to making this deal work? | 0:18:23 | 0:18:27 | |
You know Henrik. You can never really tell what he's thinking. | 0:18:27 | 0:18:31 | |
Let me ask you another question. | 0:18:31 | 0:18:34 | |
Does he have any idea that you're here? | 0:18:34 | 0:18:37 | |
Look. You and I both want to make this deal work. | 0:18:40 | 0:18:43 | |
But Mr Hanssen's been on leave for nearly two months and no-one knows why. | 0:18:43 | 0:18:48 | |
So perhaps he's not the person you should be dealing with on this. | 0:18:48 | 0:18:51 | |
Well, I'm afraid he's the only person I can deal with on this. | 0:18:51 | 0:18:54 | |
That makes no sense. You want to set up a partnership with the hospital, not with Mr Hanssen, so... | 0:18:54 | 0:18:58 | |
Whatever you or I think of this proposal makes no difference. | 0:18:58 | 0:19:02 | |
There are matters that can only be resolved between Mr Hanssen and our chairman, Mr Lovborg. | 0:19:02 | 0:19:07 | |
Matters? What do you mean, matters? | 0:19:07 | 0:19:08 | |
Mr Hanssen has certain...issues with our chairman that are personal. | 0:19:08 | 0:19:14 | |
And it's not for me to discuss them. | 0:19:14 | 0:19:16 | |
Stannar. Stann-ar. | 0:19:31 | 0:19:36 | |
I'm here to see Mr Lovborg, please. | 0:19:36 | 0:19:39 | |
Paranoia, hallucinations, fever, rapid decline... | 0:20:32 | 0:20:36 | |
Stroke? | 0:20:36 | 0:20:37 | |
Could be a stroke, could be an infection, could be meningitis, could be... | 0:20:37 | 0:20:41 | |
Excuse me, Mr Levy? | 0:20:41 | 0:20:43 | |
-Mr H! -Hi, Branko. | 0:20:48 | 0:20:50 | |
I'm so pleased to see that the rumours are not true. | 0:20:50 | 0:20:53 | |
What rumours? | 0:20:53 | 0:20:55 | |
The word amongst the porters is that you've gone a bit loco. | 0:20:55 | 0:20:59 | |
-What? -You know Fat Alan? The Chinese guy? | 0:20:59 | 0:21:02 | |
I know Alan. | 0:21:02 | 0:21:03 | |
He said you'd been living in your lab, not changing your clothes... | 0:21:03 | 0:21:07 | |
We were all a bit worried. But you're OK? | 0:21:07 | 0:21:09 | |
Do I look crazy to you? | 0:21:09 | 0:21:11 | |
No more than usual. | 0:21:11 | 0:21:12 | |
There we are, then. | 0:21:12 | 0:21:14 | |
Actually, I am not here today as a porter. | 0:21:14 | 0:21:18 | |
You're moonlighting as a neurosurgeon? | 0:21:18 | 0:21:20 | |
Mr Levy left me a message. My wife is a patient here. | 0:21:20 | 0:21:23 | |
She fell over on a bus and hurt her hand. | 0:21:23 | 0:21:25 | |
Her name is Jelena. But if you tell me which bed number... | 0:21:25 | 0:21:29 | |
Yeah, I will, I will, it's Bed 1. I'll take you, Branko. | 0:21:29 | 0:21:32 | |
Jelena! | 0:21:32 | 0:21:34 | |
Who are you? | 0:21:39 | 0:21:41 | |
Jelena. | 0:21:42 | 0:21:44 | |
Who is this man? Get him away from me. | 0:21:44 | 0:21:49 | |
Henrik? | 0:22:07 | 0:22:09 | |
I was sorry to hear that you've been unwell. | 0:22:21 | 0:22:24 | |
Were you? | 0:22:24 | 0:22:25 | |
You weren't relieved to know that you were finally going to be rid of the old man? | 0:22:25 | 0:22:31 | |
I trust you haven't been in too much pain? | 0:22:31 | 0:22:34 | |
I have my personal angel - she administers soup with one hand | 0:22:35 | 0:22:41 | |
and morphine with the other. | 0:22:41 | 0:22:44 | |
All men should be lucky enough to have a woman like her in their life. | 0:22:44 | 0:22:48 | |
In fact, she should be here any minute now. | 0:22:48 | 0:22:51 | |
I think you'll like her. | 0:22:53 | 0:22:56 | |
Would you please withdraw this ludicrous deal... | 0:22:57 | 0:23:00 | |
I wouldn't call it ludicrous. | 0:23:00 | 0:23:02 | |
Given the year you've had, I thought you'd be glad of a lifeline. | 0:23:02 | 0:23:08 | |
Please don't presume to know what sort of year I've had. | 0:23:08 | 0:23:11 | |
An implant scandal, a patient who dies in a van! | 0:23:11 | 0:23:15 | |
Then you decide to criticise your government on national television. | 0:23:15 | 0:23:21 | |
Henrik. | 0:23:21 | 0:23:22 | |
I thought you were a man of good judgment... | 0:23:23 | 0:23:27 | |
My career is no concern of yours. | 0:23:27 | 0:23:29 | |
You know, you're worth a great deal more than a mediocre British hospital | 0:23:29 | 0:23:34 | |
that doesn't even seem to appreciate you. | 0:23:34 | 0:23:37 | |
If it's so mediocre, then why are you trying to throw money at it? | 0:23:37 | 0:23:41 | |
30 years of unanswered letters. | 0:23:41 | 0:23:45 | |
I had to find some way to get through to you. | 0:23:45 | 0:23:49 | |
And you were prepared to spend 40 million. | 0:23:49 | 0:23:52 | |
I am a sick man who wanted to see my son. | 0:23:52 | 0:23:57 | |
Well, I'm here now. Not through choice. | 0:23:58 | 0:24:01 | |
But because effectively you blackmailed me into coming. | 0:24:01 | 0:24:05 | |
So you've achieved your aim. | 0:24:05 | 0:24:07 | |
Now, perhaps, you will call off the deal. | 0:24:07 | 0:24:08 | |
The deal is irrelevant. I don't care about that. | 0:24:08 | 0:24:13 | |
It was to get you here. | 0:24:13 | 0:24:15 | |
I don't have long and I need to put my affairs in order. | 0:24:17 | 0:24:22 | |
I'm leaving you everything. This house. | 0:24:23 | 0:24:28 | |
Everything in it. | 0:24:28 | 0:24:31 | |
And of course the company. | 0:24:31 | 0:24:33 | |
So that's why you brought me here? | 0:24:35 | 0:24:37 | |
To offer me this blood money? | 0:24:39 | 0:24:41 | |
Henrik! | 0:24:43 | 0:24:45 | |
HENRIK! | 0:24:45 | 0:24:47 | |
I have to get back to the city straightaway, I'm afraid. | 0:24:47 | 0:24:50 | |
-Yeah, his name is Anders Lovborg. -And? -That's all I've got so far. | 0:25:00 | 0:25:05 | |
But Hanssen wouldn't be blocking this deal unless it was something pretty serious. | 0:25:05 | 0:25:09 | |
What could possibly be worth losing £40 million over? | 0:25:09 | 0:25:13 | |
I'm sure the board'll be very interested to know he's blocking this deal for personal reasons. | 0:25:13 | 0:25:17 | |
You can't do that. | 0:25:17 | 0:25:19 | |
He's an obstruction. | 0:25:19 | 0:25:21 | |
The last time he became a liability, there were only a few of us who were prepared to stand up and say so. | 0:25:21 | 0:25:26 | |
Come on, Jac, you don't wimp out on tough decisions | 0:25:26 | 0:25:29 | |
because of some misguided sense of loyalty. | 0:25:29 | 0:25:32 | |
-Look, why don't I see what else I can find out? -Fine. | 0:25:33 | 0:25:38 | |
They will kill me. | 0:25:54 | 0:25:56 | |
But if God didn't mean us to smoke, | 0:25:56 | 0:25:59 | |
then why did he make these things so damn tasty? | 0:25:59 | 0:26:01 | |
We've done a lumbar puncture. | 0:26:03 | 0:26:05 | |
We think it could be bacterial meningitis, | 0:26:05 | 0:26:07 | |
but we'll have to run more tests. | 0:26:07 | 0:26:09 | |
You will figure it out. | 0:26:11 | 0:26:13 | |
My wife could not be in better hands. | 0:26:13 | 0:26:15 | |
This is our house. The Bay of Mlini, near Dubrovnik. | 0:26:17 | 0:26:21 | |
We used to live there before... before we came to England. | 0:26:21 | 0:26:24 | |
But I always promised Jelena we would go back one day. | 0:26:24 | 0:26:28 | |
The war destroyed almost everything, as wars do... | 0:26:28 | 0:26:32 | |
It left only two walls standing. | 0:26:32 | 0:26:35 | |
But me and Jelena, we worked six days a week for 20 years, | 0:26:35 | 0:26:40 | |
and every year we go back for a month and fix a bit more. | 0:26:40 | 0:26:43 | |
Two weeks ago, we finally finished. | 0:26:43 | 0:26:46 | |
Six months, we said, and we will go back for good. | 0:26:46 | 0:26:50 | |
I always had faith we would go back together. | 0:26:51 | 0:26:55 | |
Always. And I still do. | 0:26:55 | 0:26:57 | |
BEEPING | 0:26:57 | 0:27:00 | |
Is that Jelena? | 0:27:01 | 0:27:02 | |
She's had a seizure. | 0:27:04 | 0:27:05 | |
So how long have you been back for? | 0:27:08 | 0:27:10 | |
A while. | 0:27:10 | 0:27:13 | |
I never thought you'd come. | 0:27:13 | 0:27:14 | |
It's two months since I got the nurse to call you. | 0:27:14 | 0:27:17 | |
It was a last-minute decision. | 0:27:17 | 0:27:19 | |
You couldn't have warned us that you were coming? | 0:27:21 | 0:27:23 | |
How could I know you'd be his doctor? | 0:27:23 | 0:27:25 | |
Nils gave no indication at all. | 0:27:25 | 0:27:27 | |
And before you ask, no, I don't cook and shop for all my patients. | 0:27:27 | 0:27:31 | |
He's a special case. | 0:27:31 | 0:27:32 | |
He could easily afford someone to cook for him. | 0:27:32 | 0:27:35 | |
Of course he could. | 0:27:35 | 0:27:37 | |
-But the last thing he wants is a lot of strangers fussing around him. -It's more than he deserves. | 0:27:37 | 0:27:42 | |
Still? | 0:27:46 | 0:27:48 | |
Even now? | 0:27:48 | 0:27:50 | |
I must get back to the city. | 0:27:50 | 0:27:53 | |
So that's it? You're just going to leave like that? | 0:27:58 | 0:28:01 | |
It was a mistake. I should never have come here. | 0:28:01 | 0:28:04 | |
Stop. Just stop. | 0:28:04 | 0:28:05 | |
25 years... Don't you think you at least owe me a coffee? | 0:28:10 | 0:28:16 | |
Wait! Wait! Stop. Where are you taking her? | 0:28:22 | 0:28:25 | |
-ITU. -No. I wanted to run more tests. MRI, full bloods... | 0:28:25 | 0:28:28 | |
-She's not your patient any more. -Of course she is. | 0:28:28 | 0:28:30 | |
Jelena's in a coma. She needs to be on ITU. | 0:28:30 | 0:28:32 | |
-I'll go with her. -What are you doing? | 0:28:32 | 0:28:34 | |
-These people have put their trust in me. I have a duty... -You're not the only doctor here. | 0:28:34 | 0:28:37 | |
Why won't you just let me do my job? | 0:28:37 | 0:28:39 | |
Can you excuse us a second? Hm? | 0:28:41 | 0:28:44 | |
I think you just answered your own question. | 0:28:47 | 0:28:49 | |
I wasn't going to do this here, but Jerry tells me | 0:28:49 | 0:28:52 | |
-you walked out halfway through your first appointment yesterday. -We were done. -No. | 0:28:52 | 0:28:56 | |
He gets to decide when you're done. Not you. | 0:28:56 | 0:28:59 | |
-Now he's got a slot for you today at 1.30. Be there. -It's a waste of time. | 0:28:59 | 0:29:03 | |
Don't push me, Luc. You are hanging on by a thread here. | 0:29:03 | 0:29:06 | |
You care about your job. You care about your project. I want to help you keep both. 1.30. | 0:29:06 | 0:29:12 | |
All right. | 0:29:12 | 0:29:14 | |
Mr H, don't worry. You've done what you can. | 0:29:15 | 0:29:18 | |
She'll be fine. I know. | 0:29:18 | 0:29:21 | |
Thank you. | 0:29:37 | 0:29:38 | |
You know, he's not the man you always described to me. | 0:29:43 | 0:29:47 | |
See, I was expecting this...monster. | 0:29:48 | 0:29:52 | |
And at first I didn't even want to be in the same room as him... | 0:29:52 | 0:29:55 | |
But then he offered your husband a lucrative job. | 0:29:55 | 0:29:58 | |
But then, over the years I got to know him. | 0:29:58 | 0:30:01 | |
And I realised he isn't a monster at all. | 0:30:02 | 0:30:04 | |
If this is an attempt to tug at my heartstrings... | 0:30:04 | 0:30:07 | |
Of course it isn't. That would assume you HAVE a heart. | 0:30:07 | 0:30:10 | |
Sorry... | 0:30:13 | 0:30:14 | |
Sorry. I'm not upset, I'm not. | 0:30:14 | 0:30:17 | |
And don't think any of this still bothers me. It doesn't. | 0:30:17 | 0:30:21 | |
I am happy. I have a wonderful life. | 0:30:23 | 0:30:27 | |
I'm pleased for you. | 0:30:27 | 0:30:28 | |
Are you? Well, thank you, Henrik. I'm really touched by your warm words. | 0:30:31 | 0:30:39 | |
Anyway, for his sake, I'm glad you came to make your peace in the end. | 0:30:40 | 0:30:45 | |
I didn't come to make my peace. I came because he blackmailed me | 0:30:45 | 0:30:49 | |
into coming with this ridiculous deal. | 0:30:49 | 0:30:50 | |
Well, how else was he supposed to get you here? | 0:30:50 | 0:30:53 | |
An emotional appeal was hardly going to work, was it? | 0:30:53 | 0:30:55 | |
Emotions really don't come into it. | 0:30:55 | 0:30:58 | |
The only thing he cares about is his legacy. | 0:30:58 | 0:31:02 | |
You know, for a man who is supposed to be so intelligent, | 0:31:02 | 0:31:05 | |
you can be quite unbelievably stupid. | 0:31:05 | 0:31:07 | |
This is not about the company or the deal. | 0:31:07 | 0:31:10 | |
This is about a sick old man who just wants his son to forgive him. | 0:31:10 | 0:31:14 | |
And he hasn't got long. | 0:31:14 | 0:31:17 | |
He'll be dead in a week, two at the most. | 0:31:17 | 0:31:20 | |
Hi. I need to use a computer, please. | 0:31:38 | 0:31:41 | |
Thank you. | 0:31:46 | 0:31:48 | |
Tack. | 0:32:11 | 0:32:13 | |
-You still have the apartment on Sankt Paulsgatan? -Mmm. | 0:32:25 | 0:32:29 | |
I don't suppose my mural is still there? | 0:32:29 | 0:32:32 | |
I had it painted over years ago. I'd forgotten all about it. | 0:32:32 | 0:32:35 | |
Will you come inside? | 0:32:38 | 0:32:39 | |
I have nothing more to say to him. | 0:32:39 | 0:32:41 | |
-You've got 35 years' worth of... -You know what he did. | 0:32:41 | 0:32:45 | |
Yes. He made one terrible mistake, | 0:32:45 | 0:32:48 | |
and he's been paying for it ever since. | 0:32:48 | 0:32:50 | |
-He's not the one who paid for it. -He's still your father. | 0:32:50 | 0:32:53 | |
As far as I'm concerned, my father died when I was 16. | 0:32:53 | 0:32:57 | |
Just because a son has a different name to his father doesn't make him any less his son, does it? | 0:32:57 | 0:33:02 | |
How can you stand there and judge him after what you did to us? | 0:33:05 | 0:33:09 | |
It's an entirely different situation. | 0:33:09 | 0:33:11 | |
Yes. He didn't abandon a pregnant woman. | 0:33:11 | 0:33:15 | |
Is there really any point in us raking over the past? | 0:33:18 | 0:33:21 | |
It's not about the past, though, Henrik, is it? | 0:33:21 | 0:33:23 | |
We are both here, right now, living it. Present tense. | 0:33:24 | 0:33:29 | |
I forgave you. | 0:33:31 | 0:33:32 | |
And it might have taken a long time, and I'm still not sure I understand... | 0:33:34 | 0:33:39 | |
..but I did. | 0:33:41 | 0:33:42 | |
So why can't you forgive him? | 0:33:44 | 0:33:45 | |
I never told you how my mother died, did I? | 0:33:48 | 0:33:51 | |
After my father's betrayal, | 0:33:53 | 0:33:54 | |
she filled her pockets with stones one night, she walked into that | 0:33:54 | 0:33:58 | |
water right there, and she kept on walking until the current took her. | 0:33:58 | 0:34:03 | |
That, I'm afraid, I can't forgive. | 0:34:07 | 0:34:09 | |
-Has there been anyone else since Elise? -God, yeah. | 0:34:50 | 0:34:54 | |
The last decade's pretty much been a non-stop marathon of frenzied copulation. | 0:34:54 | 0:34:59 | |
-Why are you evading the question? -Because it's irrelevant. | 0:34:59 | 0:35:02 | |
What is? Love? Relationships? | 0:35:02 | 0:35:06 | |
Shall I just put "Not applicable"? | 0:35:06 | 0:35:08 | |
The last time I tried dipping my toe in that particular water, | 0:35:08 | 0:35:12 | |
I came very close to destroying someone. | 0:35:12 | 0:35:15 | |
That convinced me beyond any doubt | 0:35:15 | 0:35:17 | |
that I have a moral obligation to be alone. | 0:35:17 | 0:35:19 | |
And this someone... were you in love with them? | 0:35:19 | 0:35:23 | |
Love's just a chemical reaction. | 0:35:23 | 0:35:24 | |
A combination of adrenaline, dopamine and serotonin. It's completely illogical. | 0:35:24 | 0:35:28 | |
Does it have to be logical? | 0:35:28 | 0:35:30 | |
Why voluntarily subject yourself to a situation that you know | 0:35:30 | 0:35:33 | |
ultimately will only end in pain and suffering? | 0:35:33 | 0:35:36 | |
-Best to avoid it altogether? -Absolutely. | 0:35:36 | 0:35:38 | |
Even though it might mean you never get to live life at all? | 0:35:38 | 0:35:43 | |
All right, I'll give you an example. | 0:35:43 | 0:35:45 | |
I had a patient today, this woman and her husband. | 0:35:45 | 0:35:48 | |
They have wasted 20 years of their lives dreaming of | 0:35:48 | 0:35:51 | |
their little cottage in Croatia, but they are never going to make it there | 0:35:51 | 0:35:54 | |
because now he's going to have to stand there and watch her die. | 0:35:54 | 0:35:59 | |
You really hate losing patients, don't you? | 0:35:59 | 0:36:02 | |
Yes, it's one of my quirks. | 0:36:02 | 0:36:04 | |
A curious thing happened back in the mid '80s. | 0:36:06 | 0:36:10 | |
Psychs all over the country had this sudden influx of men in their 60s. | 0:36:10 | 0:36:15 | |
Men who had lived these quiet, ordinary lives hit retirement age, and suddenly fell to pieces. | 0:36:15 | 0:36:24 | |
-Why would that be? -I have no idea. | 0:36:26 | 0:36:29 | |
They were veterans of the war. | 0:36:29 | 0:36:32 | |
They'd carried their nightmares around with them | 0:36:32 | 0:36:34 | |
for 40 years, but their working lives had held them at bay. | 0:36:34 | 0:36:40 | |
Until...the day they stopped. | 0:36:40 | 0:36:43 | |
-Of course. -What? | 0:36:46 | 0:36:49 | |
Their house in Croatia - | 0:36:49 | 0:36:50 | |
Mlini's near a forest, they were there two weeks ago. | 0:36:50 | 0:36:53 | |
It would have been absolutely rife. That's what's wrong with her. | 0:36:53 | 0:36:56 | |
Where are you going? | 0:36:56 | 0:36:57 | |
Thank you. | 0:36:58 | 0:37:00 | |
-Mr H... -Your house near Dubrovnik. It's near a forest, right? -Yes, very near. | 0:37:51 | 0:37:55 | |
And I bet you get those really irritating little ticks that | 0:37:55 | 0:37:58 | |
-suck the blood right out of your legs, yes? -Yes. | 0:37:58 | 0:38:00 | |
I knew it. Right, we need a blood sample. | 0:38:00 | 0:38:02 | |
Mr Hemingway? | 0:38:02 | 0:38:04 | |
Tick-borne encephalitis. Makes perfect sense. | 0:38:04 | 0:38:06 | |
We just need to identify the right antibodies to the virus in her blood. | 0:38:06 | 0:38:09 | |
It's not over yet, Branko. I am not letting her go. | 0:38:09 | 0:38:12 | |
DOORBELL RINGS | 0:38:33 | 0:38:35 | |
No... No, I have to save her, I have to save her. | 0:38:48 | 0:38:51 | |
We need to talk about Anders Lovborg. | 0:38:57 | 0:39:00 | |
ALARM SOUNDS | 0:39:01 | 0:39:03 | |
-Mr Hemingway. Mr Hemingway! -Calm down! Calm down, now. | 0:39:08 | 0:39:13 | |
-Love what you've done with the place, you've really made it your own. -You have two minutes. | 0:39:15 | 0:39:21 | |
Nils Johansson says you're blocking the deal | 0:39:21 | 0:39:23 | |
-because you have a grudge against Anders Lovborg. -Rather more than a grudge. | 0:39:23 | 0:39:27 | |
-Well, whatever it is... -Have you any idea what kind of man he is? | 0:39:27 | 0:39:32 | |
He's not the only scientist to ever make use of that data. | 0:39:32 | 0:39:35 | |
There's always been a code of honour among scientists, | 0:39:35 | 0:39:38 | |
that the methods by which that data was achieved render it unusable. | 0:39:38 | 0:39:41 | |
By rights, it should have been destroyed. | 0:39:41 | 0:39:44 | |
But he took some of the most unspeakable atrocities ever committed, | 0:39:44 | 0:39:47 | |
-and used them for his own glory. -It was 30 years ago. | 0:39:47 | 0:39:50 | |
36. And you've one minute left. | 0:39:50 | 0:39:52 | |
Since then, he's built a company which has helped God knows how many thousands of people. | 0:39:54 | 0:39:59 | |
The man made ONE mistake. | 0:39:59 | 0:40:02 | |
Because of that, you're going to sabotage the future of the hospital, | 0:40:02 | 0:40:05 | |
-sabotage your own career... -You've obviously done your homework. | 0:40:05 | 0:40:09 | |
I wonder, did you find out anything about Lovborg's wife during your research? | 0:40:09 | 0:40:14 | |
His wife? | 0:40:14 | 0:40:15 | |
Did you know that 8,000 Danish Jews escaped to Sweden during the war? | 0:40:15 | 0:40:21 | |
Lovborg's wife was one of them, when she was nine years old. | 0:40:21 | 0:40:25 | |
Her elder brother, sadly, was not so lucky. | 0:40:25 | 0:40:29 | |
Her name, if you'd bothered to look it up, was Elizabet Hanssen. | 0:40:29 | 0:40:33 | |
She had the misfortune to marry Anders Lovborg. They even had a son. | 0:40:33 | 0:40:39 | |
A son who took his mother's name when he was 16 | 0:40:40 | 0:40:42 | |
in the hope that nobody would ever know who his father was. | 0:40:42 | 0:40:45 | |
-What were you thinking? -I was trying to save a patient's life. | 0:40:49 | 0:40:52 | |
-By locking that door, you put that life in danger... -Luc, I didn't have a choice. | 0:40:52 | 0:40:55 | |
I told you to stay out of that lab and I knew you wouldn't be able to. | 0:40:55 | 0:40:58 | |
I've just had a call from Security. | 0:40:58 | 0:41:00 | |
I, er... I needed to do some urgent blood tests. | 0:41:02 | 0:41:06 | |
Sorry, I'm probably just being thick, but why had your lab been padlocked in the first place? | 0:41:06 | 0:41:10 | |
Well, given the sensitive nature of Mr Hemingway's research, | 0:41:10 | 0:41:13 | |
-don't you think it makes sense to keep the samples locked up? -That makes perfect sense. | 0:41:13 | 0:41:16 | |
What doesn't make sense is why Mr Hemingway doesn't have a key to his own lab. | 0:41:16 | 0:41:20 | |
He was trying to protect me. | 0:41:23 | 0:41:25 | |
-So the entire deal was a red herring, it was just to get you out here? -So it would seem. | 0:41:26 | 0:41:31 | |
-Why didn't you just say so? -Because it was nobody else's business but mine. | 0:41:31 | 0:41:35 | |
And would have remained so if someone hadn't seen fit | 0:41:35 | 0:41:37 | |
to smash into my private emails like a common burglar. | 0:41:37 | 0:41:41 | |
Serena was only acting in the hospital's interests. | 0:41:41 | 0:41:44 | |
Oh, yes, of course she was. | 0:41:44 | 0:41:46 | |
And you were only obeying orders. | 0:41:46 | 0:41:49 | |
You'd just disappeared. | 0:41:49 | 0:41:51 | |
Have you ever tried to disappear? It isn't easy. | 0:41:51 | 0:41:55 | |
I don't give Lovborg credit for much, | 0:41:55 | 0:41:57 | |
but vanishing off the face of the earth for three months takes effort. | 0:41:57 | 0:42:02 | |
Why would you want to disappear? | 0:42:02 | 0:42:03 | |
Have you never wanted to escape? | 0:42:05 | 0:42:07 | |
Feel that weightlessness one normally feels only in water? | 0:42:09 | 0:42:12 | |
Finally feel...truly free? | 0:42:14 | 0:42:17 | |
I'd like nothing more. | 0:42:21 | 0:42:22 | |
Are you coming back? | 0:42:24 | 0:42:26 | |
No. | 0:42:27 | 0:42:29 | |
Why would I want to come back? | 0:42:29 | 0:42:30 | |
To a mediocre British hospital that has no faith in my leadership? | 0:42:30 | 0:42:34 | |
Because I don't want to work at a hospital | 0:42:35 | 0:42:37 | |
that cares more about making money than treating patients. | 0:42:37 | 0:42:41 | |
Because you're crazy enough to stick your head above the parapet when it counts. | 0:42:41 | 0:42:46 | |
Well...we know what happens to people who stick their heads above the parapet, don't we? | 0:42:46 | 0:42:51 | |
It was me. | 0:42:56 | 0:42:57 | |
I was the one who stabbed you in the back. | 0:42:59 | 0:43:01 | |
I told Cunningham I had no faith in your leadership, but I was wrong. | 0:43:01 | 0:43:05 | |
Is that the real reason you came to Sweden? For absolution? | 0:43:08 | 0:43:11 | |
I did something wrong, and I had to try and put it right. | 0:43:15 | 0:43:18 | |
I'm very sorry, Mr Hemingway, but as you know I have no choice | 0:43:26 | 0:43:29 | |
but to suspend you with immediate effect. | 0:43:29 | 0:43:31 | |
You're to have absolutely no contact with any patients until further notice. | 0:43:31 | 0:43:35 | |
Any violation of these terms and I will have to report you to the General Medical Council. | 0:43:35 | 0:43:40 | |
-What about my research project? -What about it? | 0:43:40 | 0:43:43 | |
My fellowship's entirely distinct from my contract as a doctor, I assume there's no reason... | 0:43:43 | 0:43:47 | |
Luc, you must see that in all conscience we can't let your project continue. | 0:43:47 | 0:43:52 | |
I'm afraid that as far as this hospital is concerned, it's game over. | 0:43:52 | 0:43:57 | |
-MOBILE RINGS -Excuse me. | 0:43:57 | 0:43:59 | |
Hi. | 0:44:04 | 0:44:05 | |
I've looked up everything I can on this Lovborg character, but I'm still drawing a bit of a blank. | 0:44:05 | 0:44:09 | |
Right, where does that leave us? What exactly do you suggest we do now? | 0:44:09 | 0:44:14 | |
I suggest we trust Mr Hanssen's judgment. | 0:44:14 | 0:44:16 | |
My mother always loved this time of year. | 0:44:25 | 0:44:27 | |
Tack. | 0:44:30 | 0:44:32 | |
She used to look forward to the first snow of winter, because | 0:44:32 | 0:44:34 | |
she said that it would reflect the moon and lighten the darkness. | 0:44:34 | 0:44:39 | |
We used to sit by the window, and wait. | 0:44:42 | 0:44:45 | |
Wait, for that first snowflake. | 0:44:48 | 0:44:52 | |
Why am I here, Henrik? | 0:44:57 | 0:44:59 | |
Earlier this afternoon, it occurred to me that you had had | 0:45:01 | 0:45:03 | |
the grace to forgive me, but I'd done nothing to earn that forgiveness. | 0:45:03 | 0:45:08 | |
I've never apologised for my actions, nor made any attempt to explain them. | 0:45:08 | 0:45:14 | |
So, I would be grateful if you would consider this a retrospective apology. | 0:45:14 | 0:45:20 | |
Well, you're about 25 years late. | 0:45:26 | 0:45:30 | |
That fact notwithstanding. | 0:45:30 | 0:45:32 | |
-That's it? -Quite so. | 0:45:34 | 0:45:38 | |
And what about the explanation? | 0:45:38 | 0:45:40 | |
Perhaps my father's true legacy is that | 0:45:47 | 0:45:51 | |
he proved to me beyond any doubt that, finally, | 0:45:51 | 0:45:57 | |
love is a source of cruelty and destruction. | 0:45:57 | 0:46:00 | |
So I vowed to myself that I would never risk putting anyone that I loved through... | 0:46:01 | 0:46:09 | |
Of failing them in that way. | 0:46:12 | 0:46:15 | |
So you walked away. Before he was even born. | 0:46:15 | 0:46:21 | |
I set you free. You, and... | 0:46:21 | 0:46:24 | |
Fredrik. | 0:46:26 | 0:46:27 | |
His name is Fredrik. | 0:46:29 | 0:46:31 | |
I think it's the best decision I could have made. | 0:46:36 | 0:46:40 | |
Nils is far more suited to all this than I ever would have been. | 0:46:40 | 0:46:44 | |
Will you please tell me one thing? | 0:46:46 | 0:46:50 | |
After you left, did you ever think of us? | 0:46:51 | 0:46:57 | |
Even once? | 0:46:59 | 0:47:00 | |
Shall I just... | 0:47:02 | 0:47:03 | |
No. No, Henrik. Please. | 0:47:03 | 0:47:05 | |
-At least come with me to the archipelago, to say goodbye. -I have nothing to say to him. | 0:47:08 | 0:47:13 | |
-He asked me not to tell you. -Tell me what? | 0:47:20 | 0:47:22 | |
-I promised I wouldn't. -Tell me what, Maja? | 0:47:23 | 0:47:27 | |
It was your mother. | 0:47:29 | 0:47:30 | |
She told him to use the research. | 0:47:32 | 0:47:35 | |
He didn't want to, but... | 0:47:35 | 0:47:37 | |
she thought it might mean that her brother's death hadn't been worthless. | 0:47:37 | 0:47:42 | |
-So why did she...? -She thought he was dead. | 0:47:48 | 0:47:51 | |
That's why. Not because he betrayed her | 0:47:53 | 0:47:55 | |
but because she didn't know how to live without him. | 0:47:55 | 0:48:01 | |
I don't believe you. | 0:48:04 | 0:48:06 | |
How am I supposed to go until I know she's OK? | 0:48:32 | 0:48:34 | |
You are only one man, and you can't save the world. | 0:48:34 | 0:48:37 | |
I heard they have suspended you. I'm sorry. | 0:49:47 | 0:49:50 | |
You're not the one who should be sorry. | 0:49:50 | 0:49:52 | |
-What are you talking about? You figured it out. -I should've diagnosed her sooner. | 0:49:52 | 0:49:56 | |
-The neuro said it's incredibly rare... -That's no excuse. | 0:49:56 | 0:49:59 | |
-He's only ever seen one, maybe two cases... -You trusted me. | 0:49:59 | 0:50:02 | |
Please. You cannot blame yourself. | 0:50:02 | 0:50:06 | |
And we don't even know yet what her prognosis is. She could make a full recovery. | 0:50:06 | 0:50:11 | |
How can you be so calm? Your wife is lying there in a coma. | 0:50:11 | 0:50:16 | |
What else can I do? | 0:50:18 | 0:50:19 | |
-Why aren't you angry? -Who should I be angry with? God? | 0:50:19 | 0:50:23 | |
-Yes, God. Yes - if that's who you believe in. -Why should I be angry with God? | 0:50:23 | 0:50:27 | |
Why did he let you meet this woman in the first place? | 0:50:27 | 0:50:30 | |
Why did he let you fall in love with her, if he knew it was going to end like this? | 0:50:30 | 0:50:34 | |
Even if I knew on the day when I met her | 0:50:34 | 0:50:39 | |
that I would feel this pain now, I would change nothing. | 0:50:39 | 0:50:44 | |
-It's a very small price to pay. -No... -I feel no anger. | 0:50:44 | 0:50:48 | |
No. You can't just accept this. You trusted me to save her, and I failed her. | 0:50:48 | 0:50:51 | |
I failed her. Why can't you see that, Branko? I have failed her. | 0:50:51 | 0:50:55 | |
Failed who? Mm? | 0:50:56 | 0:51:00 | |
I know what it is to have nightmares, my friend. | 0:51:02 | 0:51:05 | |
And you look like a man who hasn't slept in a long, long time. | 0:51:06 | 0:51:11 | |
KNOCK AT DOOR | 0:51:31 | 0:51:32 | |
Have you got any more of that Ethiopian coffee? | 0:51:39 | 0:51:41 | |
Is it true? | 0:52:16 | 0:52:17 | |
What difference does it make now? | 0:52:23 | 0:52:26 | |
Why didn't you tell me? | 0:52:27 | 0:52:29 | |
I never wanted you to hate her. | 0:52:31 | 0:52:33 | |
You couldn't have saved her. | 0:52:35 | 0:52:37 | |
She always felt things so deeply. | 0:52:37 | 0:52:42 | |
HE SPEAKS SWEDISH: | 0:52:45 | 0:52:47 | |
She was a fellow medic. Elise. | 0:53:13 | 0:53:16 | |
No-one knew we were together. | 0:53:16 | 0:53:18 | |
Against army rules. But we were... | 0:53:18 | 0:53:20 | |
Anyway, she had this... rare blood abnormality. It didn't clot the way that it should. | 0:53:24 | 0:53:30 | |
I didn't know this. I didn't know this until | 0:53:30 | 0:53:34 | |
she was shot in the stomach. Surprise attack, | 0:53:34 | 0:53:37 | |
she wasn't even supposed to be with them, but they were a person short. | 0:53:37 | 0:53:41 | |
When they brought her in... | 0:53:41 | 0:53:42 | |
When they brought her in, I'd been drinking. I was drunk. | 0:53:46 | 0:53:52 | |
And...I couldn't operate, they wouldn't let me... | 0:53:52 | 0:53:58 | |
I...I couldn't save her. | 0:53:58 | 0:54:01 | |
She... | 0:54:03 | 0:54:05 | |
she bled to death on the table, and I couldn't save her. | 0:54:05 | 0:54:10 | |
I couldn't save her. | 0:54:13 | 0:54:14 | |
I wonder if you would see that he's buried near my mother, please. | 0:55:09 | 0:55:13 | |
-You're not staying for the funeral? -No. | 0:55:13 | 0:55:17 | |
You should also know that I'll be instructing my lawyers | 0:55:17 | 0:55:19 | |
to transfer full ownership of the company to you. | 0:55:19 | 0:55:22 | |
Why? | 0:55:23 | 0:55:25 | |
It was never really mine in the first place. | 0:55:25 | 0:55:27 | |
And you've taken excellent care of things for the last 25 years. | 0:55:29 | 0:55:33 | |
I've no doubt you'll continue to do so. | 0:55:33 | 0:55:35 | |
Perhaps you could use some of the money to set up a trust | 0:55:38 | 0:55:42 | |
for your son. | 0:55:42 | 0:55:44 | |
Well... Thank you. | 0:55:48 | 0:55:50 | |
You know, Fredrik is coming down from Uppsala this weekend, | 0:56:07 | 0:56:12 | |
and Nils and I wondered... perhaps you'd like to meet him? | 0:56:13 | 0:56:16 | |
Another time, perhaps? | 0:56:25 | 0:56:26 | |
Another time. | 0:56:29 | 0:56:31 | |
You asked me a question. | 0:56:36 | 0:56:38 | |
-Did I? -At the cafe. | 0:56:40 | 0:56:42 | |
The answer's every day. | 0:56:45 | 0:56:47 | |
Every day. | 0:56:50 | 0:56:52 | |
'Dear Sacha. I decided to take your advice. | 0:57:29 | 0:57:33 | |
'Something I'm not generally good at doing. | 0:57:33 | 0:57:37 | |
'You told me to go home, | 0:57:37 | 0:57:39 | |
'only home's something I've never really had in the conventional sense, | 0:57:39 | 0:57:43 | |
'so I decided to do something else, to take a leap of faith. | 0:57:43 | 0:57:48 | |
'I'm going to spend some time doing nothing. | 0:57:48 | 0:57:52 | |
'Maybe find a lagoon somewhere. I hear Kerala's nice. | 0:57:52 | 0:57:55 | |
'I've spent far too long inside my own head, and that's never a good place to be. | 0:57:57 | 0:58:03 | |
'So, I'm going to try something radical. | 0:58:04 | 0:58:08 | |
'I'm going to live.' | 0:58:12 | 0:58:13 | |
Subtitles by Red Bee Media Ltd | 0:58:49 | 0:58:51 |