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Thanks for your concern. It was a great help. | 0:00:02 | 0:00:04 | |
I just need to call my commanding officer | 0:00:04 | 0:00:06 | |
and say I won't be back for a while. | 0:00:06 | 0:00:08 | |
I'm your nephew, Jason. | 0:00:08 | 0:00:09 | |
If I'm a bit direct it's because I have Asperger's syndrome | 0:00:09 | 0:00:13 | |
but you said you wanted to meet me. | 0:00:13 | 0:00:15 | |
Miss Wolfe? | 0:00:15 | 0:00:16 | |
If you're sticking around, and I assume someone of your | 0:00:16 | 0:00:19 | |
frustrating ability will be looking for some employment somewhere? | 0:00:19 | 0:00:23 | |
If you want to be Jason's aunt then you have to be all the way in | 0:00:23 | 0:00:26 | |
and if you want to say goodbye, walk away, | 0:00:26 | 0:00:30 | |
then you shouldn't feel guilty about that. | 0:00:30 | 0:00:31 | |
He's lucky that he came in today. | 0:00:31 | 0:00:33 | |
If he'd left it any longer then he wouldn't have, | 0:00:33 | 0:00:36 | |
but he's lucky in another way... | 0:00:36 | 0:00:39 | |
cos he's got me looking after him. | 0:00:39 | 0:00:42 | |
# Ring a ring o' roses | 0:01:19 | 0:01:21 | |
# A pocket full of posies | 0:01:21 | 0:01:24 | |
# A-tishoo, a-tishoo...# | 0:01:24 | 0:01:26 | |
We all fall down. | 0:01:26 | 0:01:27 | |
It's a really creepy song, that one, actually. It's all about death. | 0:01:29 | 0:01:32 | |
The Black Death. | 0:01:32 | 0:01:33 | |
-Actually, it's not. -Yes, it is. | 0:01:33 | 0:01:35 | |
The ring of roses is the creeping red rash. | 0:01:35 | 0:01:38 | |
A pocket full of posies were used to ward off the stench of death. | 0:01:38 | 0:01:43 | |
A-tishoo - well, that's pretty self-explanatory. | 0:01:43 | 0:01:46 | |
And we all fall down - that's death. | 0:01:46 | 0:01:51 | |
Inevitable. | 0:01:51 | 0:01:52 | |
Once you got sick, you were a goner. | 0:01:52 | 0:01:55 | |
Well, my Dad used to sing it to me before I went to bed every night... | 0:01:55 | 0:01:59 | |
-That's pretty grim. -Haven't you got somewhere to be, Dom? | 0:01:59 | 0:02:02 | |
Yes. | 0:02:03 | 0:02:05 | |
Bye. | 0:02:05 | 0:02:07 | |
It's just a story. It's an old wives' tale. | 0:02:09 | 0:02:11 | |
It's not a metaphor for the Black Death or anything. | 0:02:11 | 0:02:14 | |
He has advanced liver disease, Arthur. | 0:02:16 | 0:02:20 | |
He's dying and there's nothing you or I can do about it. | 0:02:20 | 0:02:24 | |
Feels pretty inevitable to me. | 0:02:25 | 0:02:28 | |
MOBILE RINGS | 0:02:45 | 0:02:48 | |
SHE CHUCKLES | 0:02:50 | 0:02:53 | |
Don't worry, I'm here. | 0:02:56 | 0:02:58 | |
What does it look like? | 0:02:59 | 0:03:02 | |
Civilian. | 0:03:02 | 0:03:04 | |
I know. | 0:03:04 | 0:03:06 | |
Ditto. | 0:03:06 | 0:03:09 | |
Welcoming committee, Mr Hanssen? | 0:03:10 | 0:03:12 | |
As it's your first day, Ms Wolfe, I thought an introduction | 0:03:13 | 0:03:16 | |
to your new colleagues on Keller would be in order. | 0:03:16 | 0:03:19 | |
No need. We'll get to know each other soon enough. | 0:03:19 | 0:03:21 | |
CLEANER TAPS MOBILE PHONE KEYS | 0:03:27 | 0:03:30 | |
Ready, aim and fire! | 0:03:40 | 0:03:44 | |
SHE LAUGHS | 0:03:44 | 0:03:46 | |
Right, Dom! Dom! | 0:03:47 | 0:03:49 | |
EQUIPMENT CLATTERS | 0:03:49 | 0:03:51 | |
Sorry. | 0:03:51 | 0:03:53 | |
Ms Wolfe? | 0:03:53 | 0:03:55 | |
Eric Griffin. | 0:03:55 | 0:03:57 | |
Bernie, please. | 0:03:57 | 0:03:59 | |
-Keller Ward. -Welcome to Keller, Bernie. | 0:03:59 | 0:04:01 | |
-First impressions? -It's got character. | 0:04:01 | 0:04:05 | |
Mr Griffin, there's a major RTC from the ED. | 0:04:05 | 0:04:09 | |
Ms Naylor needs a Trauma Consult in surgery. | 0:04:09 | 0:04:11 | |
-I'll go. -Wouldn't you prefer to ease yourself in? | 0:04:11 | 0:04:13 | |
It's trauma. It's what I do. | 0:04:13 | 0:04:15 | |
Eager. Who's she? | 0:04:17 | 0:04:20 | |
Major Berenice Wolfe. | 0:04:20 | 0:04:22 | |
Former Consultant Trauma Surgeon, British Army, | 0:04:22 | 0:04:26 | |
ex-Iraq, ex-Afghanistan. | 0:04:26 | 0:04:28 | |
Now Locum GS Consultant on Keller Ward. | 0:04:28 | 0:04:31 | |
Choccy? | 0:04:31 | 0:04:33 | |
Ms Naylor. | 0:04:36 | 0:04:38 | |
Well, well, well, look who it is. | 0:04:38 | 0:04:39 | |
I understand you have an RTC en route from ED? | 0:04:39 | 0:04:42 | |
-You requested a GS Trauma consult. -Are you sure you're up to this? | 0:04:42 | 0:04:44 | |
You were only a patient on this ward a few weeks ago. | 0:04:44 | 0:04:47 | |
-I've always been a fast healer. -Ah, Ms Wolfe. | 0:04:47 | 0:04:49 | |
Thought we'd agreed it was Bernie? Is this the RTC? | 0:04:49 | 0:04:51 | |
Er, yes, Tamsin Wright. 33. | 0:04:51 | 0:04:53 | |
Car drove off a road bridge at high speed, smashed through the barriers | 0:04:53 | 0:04:56 | |
and then rolled before catching fire. | 0:04:56 | 0:04:58 | |
She's lucky to have made it to ED, let alone here. | 0:04:58 | 0:05:00 | |
Yes, the Good Samaritan dragged her out of the burning car | 0:05:00 | 0:05:03 | |
and administered CPR until the paramedics arrived. | 0:05:03 | 0:05:05 | |
Someone should buy that man a drink. | 0:05:05 | 0:05:07 | |
Well, you can do it yourself. She's over there. | 0:05:07 | 0:05:10 | |
Once the paramedics arrived she then collapsed. | 0:05:10 | 0:05:12 | |
If you two are quite finished with the fascinating back-story, | 0:05:12 | 0:05:15 | |
we have a massive right haemothorax to the chest. | 0:05:15 | 0:05:17 | |
Probably a torn pulmonary vein. | 0:05:17 | 0:05:19 | |
Tell theatre to prep for a right anterolateral thoracotomy. | 0:05:19 | 0:05:22 | |
Oh, really? | 0:05:22 | 0:05:24 | |
-You have an objection? -More an observation. | 0:05:24 | 0:05:27 | |
-ED fast scan shows free fluid in the abdomen. -Theory? | 0:05:27 | 0:05:31 | |
The bleed might be coming from the liver, passing from the abdomen | 0:05:31 | 0:05:34 | |
to the chest via a torn diaphragm, | 0:05:34 | 0:05:36 | |
in which case we SHOULD be prepping for an abdominal exploration. | 0:05:36 | 0:05:39 | |
Or it could be the pulmonary vein. | 0:05:39 | 0:05:42 | |
Or it could be the pulmonary vein. | 0:05:42 | 0:05:44 | |
Good. I'm glad we agree. We should probably get to theatre. | 0:05:44 | 0:05:47 | |
-I'm really sorry. -It's fine. | 0:05:49 | 0:05:51 | |
I watched my brothers fiddle around with engines for years. | 0:05:51 | 0:05:54 | |
Just figured, how hard can it be, you know? | 0:05:54 | 0:05:56 | |
Turns out harder than it looks. | 0:05:56 | 0:05:59 | |
-Perhaps Mr Di Lucca or Nurse Fletcher can... -Men?! | 0:05:59 | 0:06:02 | |
The car could be targeted by a drone missile strike, and they'd | 0:06:02 | 0:06:04 | |
just smugly ask if you'd checked the oil or if the battery was flat? | 0:06:04 | 0:06:07 | |
There you are. | 0:06:07 | 0:06:09 | |
Mr Griffin asked if you can send a doctor to help him on Keller. | 0:06:09 | 0:06:11 | |
His locum's been seconded to Darwin apparently. | 0:06:11 | 0:06:13 | |
I'm not supposed to be here. | 0:06:13 | 0:06:14 | |
I'm supposed to be driving to Cambridge to watch my daughter | 0:06:14 | 0:06:17 | |
in an am-dram production of Les Mis, which promises to be | 0:06:17 | 0:06:19 | |
only slightly less excruciating than Elinor's reaction if I let her down. | 0:06:19 | 0:06:23 | |
I've just come in to pick up a pair of shoes and I'd have been long gone | 0:06:23 | 0:06:25 | |
if it weren't for the fact that my stupid car has broken down. | 0:06:25 | 0:06:28 | |
-Have you checked the oil? -The battery could be flat? | 0:06:28 | 0:06:31 | |
I would look at it, but I just can't spare the time. | 0:06:31 | 0:06:34 | |
Thank you, no, but I'm already late. What's this all about? | 0:06:34 | 0:06:37 | |
ED referral. | 0:06:37 | 0:06:38 | |
Suspected deep vein thrombosis, | 0:06:38 | 0:06:40 | |
only it's not responding to warfarin or thrombolysis. | 0:06:40 | 0:06:42 | |
Yeah, I'm about to send him up to Keller for exploration. | 0:06:42 | 0:06:45 | |
And it takes three nurses for a sore leg? | 0:06:45 | 0:06:47 | |
They're more interested in him than the leg. Shapely though it is. | 0:06:47 | 0:06:50 | |
Right, Fletch, come on. | 0:06:50 | 0:06:53 | |
Thank you, ladies. I'm sure it doesn't require all of you to... | 0:06:53 | 0:06:56 | |
Oh, my! | 0:06:58 | 0:07:00 | |
Er, Nurse Fletcher, could you please arrange for Mr, um... | 0:07:00 | 0:07:03 | |
Barnes. | 0:07:03 | 0:07:04 | |
..Barnes to be transferred up to Keller, please? | 0:07:04 | 0:07:07 | |
-Ulysses? -Morven? -Hi. | 0:07:07 | 0:07:10 | |
-It's been... -Three years. | 0:07:10 | 0:07:12 | |
You're still as beautiful as ever. | 0:07:12 | 0:07:14 | |
-You know each other? -Intimately. | 0:07:14 | 0:07:17 | |
Intimately, ooh, lucky. | 0:07:17 | 0:07:19 | |
Anyway. Two birds, one stone. | 0:07:19 | 0:07:22 | |
Dr Shreve, you will accompany Mr, erm, Barnes up to Keller | 0:07:22 | 0:07:26 | |
for an investigation of that leg. | 0:07:26 | 0:07:29 | |
Fletch, please, I'm going to call a mechanic. | 0:07:29 | 0:07:32 | |
-If anyone wants me, I don't care, I am not here. Understood? -OK. | 0:07:32 | 0:07:37 | |
What was it about the huge salary that first attracted you to | 0:07:37 | 0:07:40 | |
working as a locum in the NHS? | 0:07:40 | 0:07:43 | |
It wasn't the money. | 0:07:43 | 0:07:45 | |
What was it then? | 0:07:45 | 0:07:46 | |
Oh, the people? | 0:07:46 | 0:07:48 | |
Ah, there it is. | 0:07:50 | 0:07:53 | |
Tear in the pulmonary vein. Small but it's there. | 0:07:53 | 0:07:56 | |
Thank you. | 0:07:58 | 0:08:00 | |
Sorry if I was brusque earlier. | 0:08:02 | 0:08:05 | |
Don't be. I like brusque. Saves time. | 0:08:05 | 0:08:07 | |
Good, then you and I will get on like a house on fire. | 0:08:07 | 0:08:11 | |
Scissors, please. | 0:08:12 | 0:08:15 | |
Good. Pulmonary vein is stitched. | 0:08:18 | 0:08:21 | |
-Would you like to close? -BP's falling. | 0:08:21 | 0:08:24 | |
MACHINE BEEPS | 0:08:24 | 0:08:27 | |
-She's bleeding out. -No, that's not possible. | 0:08:27 | 0:08:29 | |
We just turned off the tap. | 0:08:29 | 0:08:31 | |
Bleed's not coming from the pulmonary vein. Look. | 0:08:31 | 0:08:33 | |
It's coming up from the abdomen through a tear in the diaphragm. | 0:08:33 | 0:08:36 | |
Step aside. | 0:08:36 | 0:08:38 | |
At the risk of sounding brusque, step aside, Naylor, now. | 0:08:38 | 0:08:41 | |
Scalpel. | 0:08:43 | 0:08:45 | |
Sorry, I'm late. | 0:08:47 | 0:08:49 | |
It's fine. Now, Arthur, I wanted to speak to you... | 0:08:49 | 0:08:52 | |
What are you doing? | 0:08:52 | 0:08:54 | |
Getting ready for the blood test. | 0:08:54 | 0:08:55 | |
-That's how you check compatibility, right? -Er, yeah. | 0:08:55 | 0:08:58 | |
I know you normally just roll up a sleeve but sometimes I have an | 0:08:58 | 0:09:01 | |
involuntary reflex reaction to the sight of needles and blood. | 0:09:01 | 0:09:03 | |
My blood, that is. | 0:09:03 | 0:09:05 | |
Anyway, just thought it would save on laundry if I'm unencumbered | 0:09:05 | 0:09:08 | |
so to speak. | 0:09:08 | 0:09:09 | |
Arthur, we're not here for the blood-test. | 0:09:09 | 0:09:11 | |
OK, what are we here for then? | 0:09:11 | 0:09:13 | |
A second opinion. | 0:09:13 | 0:09:15 | |
Mr Hanssen? I wanted to keep this hush-hush. | 0:09:15 | 0:09:19 | |
Given the impact live donation has, | 0:09:19 | 0:09:21 | |
Nurse Harrison felt obliged to widen your circle of trust. | 0:09:21 | 0:09:25 | |
On the evidence of the last 30 seconds, | 0:09:25 | 0:09:28 | |
I think we can safely say she made a wise decision. | 0:09:28 | 0:09:31 | |
My office, please. | 0:09:31 | 0:09:33 | |
And Dr Digby... | 0:09:33 | 0:09:36 | |
you might want to get dressed first. | 0:09:36 | 0:09:38 | |
Multiple tears to the hepatic veins. Suction, please. | 0:09:41 | 0:09:44 | |
Clamp, please. | 0:09:44 | 0:09:46 | |
Pringle manoeuvre? | 0:09:48 | 0:09:50 | |
-A variation of. -You're not worried about liver ischaemia? | 0:09:50 | 0:09:53 | |
More worried about the patient bleeding to death. | 0:09:53 | 0:09:56 | |
Atraumatic haemostat, please. | 0:09:56 | 0:09:58 | |
Can you press on the liver, here? | 0:09:58 | 0:10:01 | |
OK. Good. That's bought us some time. Let's see what we can see. | 0:10:03 | 0:10:06 | |
Page Mr Kennedy, please. | 0:10:06 | 0:10:08 | |
-Who's he? -Liver specialist. You don't mind, do you? | 0:10:08 | 0:10:11 | |
I could use all the help I can get. | 0:10:11 | 0:10:13 | |
-How did you know the liver was bleeding? -I didn't. | 0:10:13 | 0:10:15 | |
-You guessed? -Educated one. | 0:10:15 | 0:10:17 | |
Zosia mentioned her car rolled. | 0:10:17 | 0:10:19 | |
We used to see similar bleeds caused by IED's rolling armoured vehicles. | 0:10:19 | 0:10:24 | |
Sometimes it pays to listen to the fascinating back-story. | 0:10:24 | 0:10:28 | |
Consider me duly chastised. | 0:10:28 | 0:10:29 | |
-I wasn't chas... Damn it. -What now? | 0:10:29 | 0:10:33 | |
Inferior vena cava is also torn. | 0:10:33 | 0:10:35 | |
-How big a problem is that for you? -Pretty big. | 0:10:35 | 0:10:37 | |
Mr Kennedy's ETA - 30 minutes. | 0:10:37 | 0:10:39 | |
Can you isolate the bleed? Contain it until Kennedy gets here? | 0:10:41 | 0:10:44 | |
-I can try. -Well, then try. It's not like we have an alternative. | 0:10:44 | 0:10:47 | |
Might be. You've already done the thoracotomy. | 0:10:47 | 0:10:51 | |
-Endotracheal tube, please. -An atriocaval shunt? -I learned it as a Shrock shunt. | 0:10:51 | 0:10:55 | |
There have been more papers written about this procedure than | 0:10:55 | 0:10:57 | |
-people who have survived it. -People should write less papers. Might improve the odds. | 0:10:57 | 0:11:01 | |
No, put the tube down. I will keep pressure on the liver | 0:11:01 | 0:11:04 | |
-until Mr Kennedy gets here. -She doesn't have time. | 0:11:04 | 0:11:06 | |
I'm afraid I can't sanction this. | 0:11:06 | 0:11:08 | |
I wasn't asking your permission. | 0:11:08 | 0:11:10 | |
I'm really not sure this is necessary. It's my decision. You won't be talking me out of it. | 0:11:10 | 0:11:14 | |
You are incorrect - it is not simply your decision. | 0:11:14 | 0:11:17 | |
There is a recipient to consider, is there not? | 0:11:17 | 0:11:19 | |
-Does Mr Shreve know of your intention to be a live donor on his behalf? -Not yet. | 0:11:19 | 0:11:24 | |
And his daughter, your girlfriend, Dr Shreve? | 0:11:24 | 0:11:26 | |
-Have you discussed this with her? -No, I don't want to give her false hope. | 0:11:26 | 0:11:29 | |
You don't want to give Dr Shreve false hope? | 0:11:29 | 0:11:31 | |
I want to get tested for compatibility. | 0:11:31 | 0:11:33 | |
And if I'm a match, then - | 0:11:33 | 0:11:36 | |
and only then - is it worth broaching it with Morven. | 0:11:36 | 0:11:38 | |
So I don't really see what the problem is. | 0:11:38 | 0:11:41 | |
You're not donating to Morven. | 0:11:43 | 0:11:46 | |
-Er... -What is your motive? | 0:11:46 | 0:11:48 | |
Um, I want to help. | 0:11:49 | 0:11:51 | |
Who? Dr Shreve or her father? | 0:11:51 | 0:11:54 | |
Can't it be both? | 0:11:55 | 0:11:57 | |
There are hundreds of people who live donate | 0:11:57 | 0:11:59 | |
all the time for all sorts of reasons. | 0:11:59 | 0:12:00 | |
I don't see why am I being treated any differently to them. | 0:12:00 | 0:12:03 | |
Because they're not suffering from a serious general anxiety disorder. | 0:12:03 | 0:12:08 | |
And that is something that should be | 0:12:08 | 0:12:10 | |
explored as part of your assessment as a suitable live donor. | 0:12:10 | 0:12:13 | |
Nurse Harrison has been arguing for you to be given a chance. | 0:12:13 | 0:12:18 | |
Look, I understand the process and consequences of live donation. | 0:12:18 | 0:12:22 | |
I want to do this. Please. | 0:12:22 | 0:12:25 | |
It seems I'm required on Darwin. | 0:12:33 | 0:12:34 | |
So, Nurse Harrison - you may proceed with the compatibility test. | 0:12:34 | 0:12:40 | |
And if you are a match, then we'll review. | 0:12:40 | 0:12:43 | |
Thank you. | 0:12:43 | 0:12:45 | |
You are aware of the hero syndrome? | 0:12:45 | 0:12:48 | |
The unconscious need to be valued, which disguises | 0:12:48 | 0:12:50 | |
itself as a good thing but threatens to destroy you. | 0:12:50 | 0:12:53 | |
You think that's what this is? | 0:12:56 | 0:12:58 | |
That I want to be a hero? | 0:12:58 | 0:13:00 | |
There's a fine line between altruism and validation. | 0:13:00 | 0:13:03 | |
Tread carefully, Dr Digby. | 0:13:04 | 0:13:06 | |
HEARTBEAT SOUND EFFECT | 0:13:12 | 0:13:16 | |
SHE SIGHS | 0:13:39 | 0:13:42 | |
Liver fully excluded. Haemorrhage should be under control. BP stabilising. | 0:13:42 | 0:13:46 | |
SHE SIGHS | 0:13:46 | 0:13:48 | |
Good work. | 0:13:48 | 0:13:49 | |
Thank you, Ms Wolfe. Mr Kennedy will continue from here. | 0:13:51 | 0:13:54 | |
But I haven't finished. | 0:13:54 | 0:13:55 | |
Your job here is done, Ms Wolfe. | 0:13:55 | 0:13:57 | |
Please step out of the theatre. I'd like a word with you. | 0:13:58 | 0:14:02 | |
I'm not trying to be a hero. | 0:14:02 | 0:14:04 | |
I wouldn't know where to start, would I? | 0:14:05 | 0:14:07 | |
I think you would. | 0:14:07 | 0:14:08 | |
Look, I will come and find you when I'm ready to do your blood tests. | 0:14:10 | 0:14:14 | |
OK, thank you. | 0:14:14 | 0:14:15 | |
-Ooh! -Don't worry. | 0:14:18 | 0:14:20 | |
Hey! Can you get your hands off her please! | 0:14:21 | 0:14:24 | |
Arthur! What are you doing? | 0:14:24 | 0:14:26 | |
Trying to protect you! | 0:14:26 | 0:14:28 | |
You know this person, Morven? | 0:14:28 | 0:14:29 | |
Yes. Let him go. He's a doctor. | 0:14:29 | 0:14:32 | |
-And her boyfriend. -Really? | 0:14:32 | 0:14:34 | |
Yes. Really. Do you know this thug, Morven? | 0:14:34 | 0:14:37 | |
He's not a thug. He's a patient. | 0:14:37 | 0:14:41 | |
And Morven's ex-boyfriend. | 0:14:41 | 0:14:43 | |
Pleased to meet you! | 0:14:43 | 0:14:45 | |
Yeah. | 0:14:46 | 0:14:47 | |
An atriocaval shunt has been performed 31 times | 0:14:49 | 0:14:52 | |
in the last 11 years. | 0:14:52 | 0:14:54 | |
Six patients survived. | 0:14:54 | 0:14:56 | |
Anything you'd like to say, Ms Wolfe? | 0:14:56 | 0:14:58 | |
Now it's 32 times with seven survivors? Touch wood. | 0:14:58 | 0:15:03 | |
You had no other option? You couldn't have waited for assistance? | 0:15:03 | 0:15:07 | |
I couldn't be sure there was time. | 0:15:07 | 0:15:09 | |
Mr Kennedy - a specialist - had been paged, had he not? | 0:15:09 | 0:15:12 | |
In my experience of NHS consultants, there's a difference | 0:15:12 | 0:15:15 | |
between being paged and being available. In the Army, | 0:15:15 | 0:15:18 | |
we don't have time for such distinctions. | 0:15:18 | 0:15:20 | |
You are no longer in the Army, Ms Wolfe. | 0:15:20 | 0:15:22 | |
You are in the NHS, where there are different rules of engagement. | 0:15:22 | 0:15:25 | |
Yes, of course. I'm sorry. | 0:15:25 | 0:15:26 | |
If the patient had died and there had been a viable, less dangerous, | 0:15:26 | 0:15:29 | |
alternative, this hospital - and you - could be subject to legal action. | 0:15:29 | 0:15:33 | |
-You've made your point, Mr Hanssen. I get it. -I don't think you do. | 0:15:33 | 0:15:36 | |
You came with impeccable references. | 0:15:38 | 0:15:41 | |
Your colleagues and senior officers were | 0:15:41 | 0:15:43 | |
glowing in their assessment of your skills and character. | 0:15:43 | 0:15:47 | |
But...? | 0:15:48 | 0:15:50 | |
Not one of them could quite believe you'd made the decision to leave the Army. | 0:15:50 | 0:15:53 | |
Perhaps you don't quite believe it, either. | 0:15:53 | 0:15:56 | |
I do understand that they are different worlds. | 0:15:56 | 0:15:58 | |
But you have to choose one and live by its rules. | 0:15:58 | 0:16:02 | |
Do I make myself clear? | 0:16:03 | 0:16:05 | |
You didn't tell me you had an ex-boyfriend. | 0:16:09 | 0:16:11 | |
Well, it was way back in university. | 0:16:11 | 0:16:13 | |
Right - so a lifetime ago, then. | 0:16:13 | 0:16:15 | |
What happened? | 0:16:17 | 0:16:18 | |
We just...drifted apart. | 0:16:18 | 0:16:21 | |
So - what, did you break up with him, or...? | 0:16:23 | 0:16:26 | |
Well, it was more of a mutual thing. | 0:16:26 | 0:16:28 | |
Anyway, what's with the inquisition? | 0:16:29 | 0:16:31 | |
I just think it's something you should have told me, that's all. | 0:16:31 | 0:16:34 | |
Given me a bit of warning. | 0:16:34 | 0:16:36 | |
What, warn you about an ex-boyfriend | 0:16:36 | 0:16:39 | |
that I haven't seen in three years, in the unlikely event that he'll | 0:16:39 | 0:16:42 | |
turn up unannounced and that you would decide to attack him? | 0:16:42 | 0:16:46 | |
Yeah, precisely. | 0:16:46 | 0:16:47 | |
What kind of name is Ulysses anyway? | 0:16:48 | 0:16:51 | |
It's an heroic name! A name for a king. | 0:16:51 | 0:16:53 | |
The Latinised version of Odysseus - King of Ithaca, | 0:16:53 | 0:16:57 | |
hero of Homer's Odyssey. | 0:16:57 | 0:16:59 | |
I'm getting the sense that that was a rhetorical question. | 0:17:00 | 0:17:04 | |
Dr Digby - AAU have sent up a possible ileofemoral DVT | 0:17:04 | 0:17:08 | |
by the name of...isn't that a coincidence - Ulysses Barnes. | 0:17:08 | 0:17:14 | |
If you need any help, let me know. | 0:17:14 | 0:17:16 | |
Look after Ulysses for me, please. | 0:17:20 | 0:17:22 | |
He meant a lot to me once. | 0:17:23 | 0:17:25 | |
TEXT MESSAGE | 0:17:38 | 0:17:41 | |
Which part of "I need my car today" are you struggling to understand? | 0:17:42 | 0:17:47 | |
Hello? | 0:17:48 | 0:17:49 | |
Engine been growling or whining? | 0:17:49 | 0:17:52 | |
Any intermittent smell of hot or burning rubber? | 0:17:52 | 0:17:55 | |
Define intermittent. | 0:17:55 | 0:17:58 | |
Alternator might be cactus. | 0:17:58 | 0:18:00 | |
Sounds bad. | 0:18:00 | 0:18:01 | |
It is, if you want to drive anywhere. | 0:18:01 | 0:18:03 | |
Funny. You don't look like a mechanic. | 0:18:03 | 0:18:05 | |
Well, apart from the fag. | 0:18:05 | 0:18:07 | |
I'm not a mechanic. I'm a trauma surgeon. | 0:18:07 | 0:18:09 | |
Ah, you must be Berenice Wolfe? | 0:18:09 | 0:18:11 | |
Serena Campbell. I think you're meant to light it. | 0:18:11 | 0:18:14 | |
I've had this cigarette for two years. | 0:18:16 | 0:18:18 | |
My husband made me quit when British forces left Helmand. | 0:18:18 | 0:18:22 | |
So I tore up every cigarette I had. Except this one. | 0:18:22 | 0:18:26 | |
Thought I'd keep it as a symbol...of my freedom. | 0:18:26 | 0:18:29 | |
My old independent self. | 0:18:29 | 0:18:31 | |
As symbols of freedom go, it's a bit pants. | 0:18:31 | 0:18:34 | |
A nice bottle of Shiraz, however... | 0:18:34 | 0:18:36 | |
Goes really nicely with a fag. | 0:18:36 | 0:18:37 | |
Oh, dear, you've clearly made a great sacrifice for your husband. | 0:18:37 | 0:18:41 | |
-I wish you'd tell him. -Hah! | 0:18:41 | 0:18:43 | |
This may hurt. I apologise. | 0:18:47 | 0:18:49 | |
I have a high pain threshold. | 0:18:49 | 0:18:51 | |
Of course you do. | 0:18:51 | 0:18:53 | |
-Sorry? -Nothing. | 0:18:53 | 0:18:55 | |
Prothrombin time, thrombophilia test and FBC. | 0:18:55 | 0:18:58 | |
Today would be nice. | 0:18:59 | 0:19:00 | |
Ah, come on. | 0:19:04 | 0:19:06 | |
-Sorry about that. -It's fine. -Krav Maga hold. | 0:19:06 | 0:19:08 | |
Targets the radial nerve. | 0:19:09 | 0:19:12 | |
Krav Maga? You in the Israeli army, were you? | 0:19:12 | 0:19:16 | |
No, no. Spent some time on a kibbutz. | 0:19:16 | 0:19:19 | |
Just picked up a few tips. | 0:19:19 | 0:19:20 | |
Gap year, was it? So that why you and Morven broke up? | 0:19:22 | 0:19:26 | |
Because she was in med school, | 0:19:26 | 0:19:28 | |
needed support but you wanted to go gallivanting around on Thai beaches? | 0:19:28 | 0:19:32 | |
Actually I joined the Peace Corps. | 0:19:32 | 0:19:35 | |
Helped develop Ebola programmes in Sierra Leone. | 0:19:35 | 0:19:38 | |
Of course you did. | 0:19:38 | 0:19:40 | |
But you're right - Morven went to medical school and we just... | 0:19:40 | 0:19:44 | |
grew apart. | 0:19:44 | 0:19:45 | |
What a shame. Er, excuse me. | 0:19:45 | 0:19:48 | |
-Ready when you are. -Let's do it. | 0:19:50 | 0:19:53 | |
Who's that? | 0:19:53 | 0:19:54 | |
Everything I'm not. | 0:19:55 | 0:19:56 | |
I have a standing rule - when I meet a hero, I buy them a drink. | 0:20:00 | 0:20:05 | |
Then you'd better find yourself a hero. | 0:20:05 | 0:20:08 | |
Pulling a woman from a burning car and performing CPR doesn't qualify? | 0:20:08 | 0:20:11 | |
I just did what anyone would've done. | 0:20:11 | 0:20:13 | |
I don't think so. | 0:20:13 | 0:20:15 | |
And I don't think you're just anyone. | 0:20:15 | 0:20:17 | |
Soldier? | 0:20:20 | 0:20:21 | |
Artillery. Once upon a time. | 0:20:23 | 0:20:26 | |
Me too. | 0:20:28 | 0:20:29 | |
-You're Forces? -Yes. No...um... | 0:20:31 | 0:20:34 | |
Until very recently. | 0:20:36 | 0:20:38 | |
You got anything stronger? | 0:20:39 | 0:20:42 | |
Not in here, I'm afraid. | 0:20:42 | 0:20:44 | |
-SHE COUGHS -And certainly not until you're better. That sounds nasty. | 0:20:44 | 0:20:49 | |
I'll be fine. | 0:20:49 | 0:20:50 | |
I've survived worse. | 0:20:51 | 0:20:53 | |
Is there anyone we can call? Family? Friends? | 0:20:53 | 0:20:56 | |
No. No family. | 0:20:56 | 0:20:58 | |
My friends are all still serving. | 0:21:01 | 0:21:03 | |
Why did you leave? | 0:21:04 | 0:21:06 | |
Why did you? | 0:21:08 | 0:21:09 | |
Save my marriage. | 0:21:09 | 0:21:12 | |
That's as good a reason as any. | 0:21:12 | 0:21:14 | |
That woman. | 0:21:20 | 0:21:23 | |
Is she going to make it? | 0:21:23 | 0:21:25 | |
Thanks to you. | 0:21:25 | 0:21:27 | |
I'd prefer it if people didn't know. About me being in the Forces. | 0:21:29 | 0:21:32 | |
-About any of it. -Understood. | 0:21:33 | 0:21:35 | |
You get some rest, soldier. | 0:21:37 | 0:21:38 | |
Elinor, darling. Bad news. The car's broken down. | 0:21:45 | 0:21:47 | |
I'm not going to make the matinee. | 0:21:47 | 0:21:49 | |
I'm hoping to make the evening show but just in case I don't - break a leg. | 0:21:49 | 0:21:53 | |
Oh, Jason! You scared me half to death. | 0:21:55 | 0:21:58 | |
Who is Elinor? And why do you want to break her leg? | 0:21:58 | 0:22:02 | |
Well, she's...I don't, I don't! Jason, what are you doing here? | 0:22:02 | 0:22:05 | |
-I can explain. -You can? Good. | 0:22:05 | 0:22:07 | |
-I fell off my bike. -Yes, I can see that. | 0:22:09 | 0:22:11 | |
What I don't understand is why you're here instead of in the ED. | 0:22:11 | 0:22:15 | |
Don't blame them. Jason insisted that we come here. | 0:22:15 | 0:22:18 | |
Auntie Serena is a doctor. | 0:22:18 | 0:22:20 | |
When you're hurt, you go to the doctor. Allan got hurt. | 0:22:20 | 0:22:24 | |
We have to go to Auntie Serena. | 0:22:24 | 0:22:26 | |
I tried to explain but... | 0:22:26 | 0:22:28 | |
Jason, there are many doctors. | 0:22:28 | 0:22:31 | |
And there are many hospitals with doctors. | 0:22:31 | 0:22:34 | |
-Do you understand? -Yes. | 0:22:34 | 0:22:36 | |
And there are many departments in those hospitals. | 0:22:36 | 0:22:38 | |
And it's important that people go to the right department. | 0:22:38 | 0:22:41 | |
And see the right kind of doctor. | 0:22:41 | 0:22:44 | |
There are rules, do you understand? | 0:22:44 | 0:22:46 | |
-Yes. -There you are, see? Wasn't so difficult. | 0:22:46 | 0:22:49 | |
I wanted him to come here because I've seen you help people | 0:22:49 | 0:22:52 | |
and I want you to do that for Allan. | 0:22:52 | 0:22:54 | |
I don't want some strange doctor doing a bad job. | 0:22:54 | 0:22:56 | |
It's OK. I'll be able to explain it to him. | 0:22:56 | 0:22:58 | |
It'll just take time. | 0:22:58 | 0:22:59 | |
Yes, well - time's something that we're often rather short of around here. I'm sure you understand that. | 0:22:59 | 0:23:05 | |
Is she angry with me? | 0:23:05 | 0:23:06 | |
No, she's not angry, mate. | 0:23:06 | 0:23:08 | |
Don't let her break my leg. | 0:23:08 | 0:23:09 | |
-What? -Jason. | 0:23:09 | 0:23:11 | |
She's wants to break Elinor's leg. | 0:23:11 | 0:23:13 | |
Who's Elinor? | 0:23:13 | 0:23:14 | |
She's my dau...and I don't, I didn't... | 0:23:14 | 0:23:16 | |
Fletch - can you just take Jason to get something to eat | 0:23:16 | 0:23:19 | |
and drink from the vending machine, please. | 0:23:19 | 0:23:22 | |
We only came here because he was getting upset. | 0:23:22 | 0:23:24 | |
I'm sorry if I didn't follow the rules. | 0:23:24 | 0:23:26 | |
But we've seen you now and I'm all patched up. | 0:23:26 | 0:23:29 | |
OK, were you wearing a helmet when you came off that bike? | 0:23:29 | 0:23:32 | |
No. Right, back to bed, please. | 0:23:32 | 0:23:34 | |
-We need to examine you to rule out concussion. -C'mon, mate. | 0:23:34 | 0:23:37 | |
Mind your leg. | 0:23:37 | 0:23:38 | |
You're being ridiculous. | 0:23:40 | 0:23:42 | |
You saw the guy. Even his name is heroic. | 0:23:42 | 0:23:45 | |
Ulysses - King of Ithaca. | 0:23:45 | 0:23:48 | |
You're named after Britain's most famous king, remember - Camelot? | 0:23:48 | 0:23:53 | |
No, actually I'm named after Arthur C Clarke. Emperor of Nerds. | 0:23:53 | 0:23:58 | |
He's her ex for a reason. Everybody's got a flaw. | 0:23:58 | 0:24:02 | |
Even Ulysses. | 0:24:02 | 0:24:03 | |
How long have you had this mole? | 0:24:05 | 0:24:07 | |
I dunno. Sure it's not a freckle? | 0:24:09 | 0:24:11 | |
Another genetic gift from the gods - skin so white | 0:24:12 | 0:24:15 | |
and pasty, you could blind a bat from a thousand paces. | 0:24:15 | 0:24:19 | |
I think you should get it looked at. | 0:24:19 | 0:24:21 | |
Bet Ulysses doesn't have any unsightly skin defections. | 0:24:21 | 0:24:24 | |
Ms Effanga, isn't it? I'm Bernie. | 0:24:31 | 0:24:33 | |
-Yeah, I know who you are. Word definitely travels fast round here. -It has? | 0:24:33 | 0:24:38 | |
An atriocaval shunt? Telling Naylor you don't answer to her! | 0:24:38 | 0:24:41 | |
I would have paid good money to have been in that theatre. | 0:24:41 | 0:24:43 | |
It wasn't really like that. | 0:24:43 | 0:24:45 | |
I wanted to ask about your patient, Danielle Gordon. | 0:24:46 | 0:24:49 | |
-Yeah. The pericarditis. -You've made a diagnosis, then? | 0:24:49 | 0:24:52 | |
Yeah, we're just waiting for the tests to see how serious it is. | 0:24:52 | 0:24:55 | |
It's just I couldn't help noticing she's got a nasty chest cough and sweats. | 0:24:55 | 0:24:58 | |
Yeah, it's definitely an indication of infection. | 0:24:58 | 0:25:00 | |
We've got her on broad spectrum antibiotics | 0:25:00 | 0:25:02 | |
and I've asked for a culture and sensitivity test on her sputum. | 0:25:02 | 0:25:06 | |
You suspect TB? | 0:25:06 | 0:25:07 | |
Well, it's not uncommon with the homeless. Especially junkies. | 0:25:07 | 0:25:11 | |
But she's not homeless, is she? And a heroin addict? | 0:25:11 | 0:25:15 | |
-She told you this? -No, course not. | 0:25:15 | 0:25:17 | |
But she's using a fake name - and there are track marks. | 0:25:17 | 0:25:21 | |
That's what the sweats are - withdrawal. | 0:25:21 | 0:25:23 | |
Did you really do an atriocaval shunt? | 0:25:23 | 0:25:27 | |
Um, ED sent these up. Danielle Gordon's belongings. | 0:25:31 | 0:25:35 | |
-Right. -Do you mind if I give them to her? I... | 0:25:35 | 0:25:39 | |
-I feel I owe her for saving that woman's life. -Sure. | 0:25:40 | 0:25:43 | |
Dr Digby - where are we with Mr Barnes? | 0:25:46 | 0:25:48 | |
Have you not seen his bloods? | 0:25:50 | 0:25:53 | |
No. I've...been busy. Um... | 0:25:53 | 0:25:55 | |
His clotting's deranged. And his WBC is up. | 0:25:56 | 0:25:59 | |
Let's do a duplex ultrasound on his lower limbs. | 0:26:00 | 0:26:02 | |
Might be worth doing an auto-immune screen to check we're not | 0:26:02 | 0:26:06 | |
dealing with anything weird and wonderful. | 0:26:06 | 0:26:08 | |
Can I help you? | 0:26:14 | 0:26:15 | |
I'm looking for Ulysses Barnes. | 0:26:15 | 0:26:18 | |
Of course you are. | 0:26:18 | 0:26:19 | |
Sorry. Yes, he's here. You are? | 0:26:19 | 0:26:22 | |
Kali Simpson. I'm his fiancee. | 0:26:22 | 0:26:25 | |
That is amazing. That is great news! | 0:26:25 | 0:26:28 | |
He is this way. | 0:26:30 | 0:26:31 | |
So er, when's the big day? | 0:26:33 | 0:26:35 | |
We haven't set a date. | 0:26:35 | 0:26:37 | |
Right, well, you should do. Quick smart. Snap that man up! | 0:26:37 | 0:26:40 | |
-Oh! -Who is that? -Oh! | 0:26:40 | 0:26:42 | |
That is my girlfriend. | 0:26:42 | 0:26:44 | |
Oh, Uly, that is soooo good. Mmm. | 0:26:44 | 0:26:47 | |
Kali. | 0:26:49 | 0:26:50 | |
-I'd like you to meet Morven. -Hi. -Hi. | 0:26:52 | 0:26:54 | |
Morven was once the love of my life. | 0:26:54 | 0:26:57 | |
Is that so? | 0:26:57 | 0:26:58 | |
Um, but now Kali is the love of his life. | 0:26:58 | 0:27:02 | |
Which is why they're getting married! Hooray! | 0:27:02 | 0:27:05 | |
Yeah, they're getting married. That's nice, isn't it? | 0:27:05 | 0:27:08 | |
I had a migraine, so um, Uly here was doing Tok Sen. | 0:27:10 | 0:27:14 | |
-It's amazing. -Isn't it just! | 0:27:14 | 0:27:16 | |
Tok Sen? | 0:27:18 | 0:27:20 | |
It's a Thai massage. | 0:27:20 | 0:27:21 | |
I learnt it from this Buddhist monk whilst trekking in Borneo. | 0:27:21 | 0:27:24 | |
-Of course you did. -Uly, your leg! What's wrong with it? | 0:27:24 | 0:27:29 | |
It might be a severe venous thrombosis | 0:27:29 | 0:27:32 | |
but I'll need to do a few further tests to find out. | 0:27:32 | 0:27:35 | |
Why don't we let these two love birds catch up first. OK? | 0:27:35 | 0:27:38 | |
-She seems nice. -Mmm. | 0:27:42 | 0:27:44 | |
Are you OK? | 0:27:46 | 0:27:48 | |
Tok Sen, huh? | 0:27:48 | 0:27:50 | |
Oh, my goodness. You're jealous! You're jealous of Ulysses. | 0:27:50 | 0:27:54 | |
No, I'm not. | 0:27:54 | 0:27:56 | |
Why would I be jealous of a muscly Adonis-like creature with | 0:27:56 | 0:27:59 | |
perfect hair and smouldering eyes? | 0:27:59 | 0:28:00 | |
-That's just ridiculous. -Oh, my goodness. You are so adorable! | 0:28:00 | 0:28:05 | |
Well, what's wrong with this one? There's no peanuts in this one. | 0:28:07 | 0:28:10 | |
That one has Arachis hypogaea as an ingredient. | 0:28:10 | 0:28:12 | |
Arachis hypogaea? | 0:28:12 | 0:28:14 | |
Peanut protein. | 0:28:14 | 0:28:15 | |
-Oh, so you're allergic to peanuts, then? -No. | 0:28:15 | 0:28:19 | |
-Is it all right if I get something? -Sure. Who is Elinor? | 0:28:21 | 0:28:25 | |
Um, Serena's daughter. | 0:28:25 | 0:28:27 | |
Why would Auntie Serena want her daughter to break a leg? | 0:28:27 | 0:28:30 | |
No, it's because she's in a play. | 0:28:32 | 0:28:35 | |
And Auntie Serena doesn't like plays? | 0:28:35 | 0:28:39 | |
No - well, not this one. | 0:28:39 | 0:28:41 | |
In fact, to use her exact words this is going to be excruciating. | 0:28:41 | 0:28:46 | |
HE LAUGHS | 0:28:46 | 0:28:48 | |
Jason? | 0:28:52 | 0:28:53 | |
Yeah, definite concussion. We may need to keep you in overnight. | 0:28:56 | 0:29:00 | |
I would have thought you'd have set Jason an example by wearing a helmet. | 0:29:00 | 0:29:05 | |
He's not a child, Serena. | 0:29:05 | 0:29:06 | |
Jason's perfectly capable of making his own informed | 0:29:06 | 0:29:09 | |
choices about things like bike safety. | 0:29:09 | 0:29:12 | |
So why does he find it so hard to learn rules. And structure. | 0:29:13 | 0:29:15 | |
Cos I think we're going to need to set some boundaries here. | 0:29:15 | 0:29:18 | |
He does have rules, structure - and he most definitely has boundaries. | 0:29:18 | 0:29:23 | |
They're just his own. | 0:29:23 | 0:29:25 | |
And, yeah, they take time to learn. Time to adapt to. | 0:29:25 | 0:29:28 | |
And it's hard. But it's possible. | 0:29:28 | 0:29:31 | |
And worth it. | 0:29:32 | 0:29:34 | |
What would he do without you? | 0:29:34 | 0:29:35 | |
Survive, I guess. We've never had to find out. | 0:29:35 | 0:29:38 | |
Though we might, if I'm here overnight. | 0:29:38 | 0:29:40 | |
-Is that going to be a problem? -Not necessarily. | 0:29:40 | 0:29:43 | |
It might be really helpful if YOU could run him home. | 0:29:43 | 0:29:46 | |
-Once he's there he'll be fine. -Me? | 0:29:46 | 0:29:48 | |
No, I can't. My car's broken down and I'm not even supposed to be here. | 0:29:48 | 0:29:51 | |
I'm supposed to be with my daughter watching her attempt to sing. | 0:29:51 | 0:29:54 | |
-Does your daughter know about Jason? -No. Not yet. | 0:29:54 | 0:29:58 | |
How can I explain any of this to her | 0:29:58 | 0:30:00 | |
when I can't even explain it to myself. | 0:30:00 | 0:30:03 | |
And now I feel bad. | 0:30:03 | 0:30:05 | |
Don't. It's hard. | 0:30:05 | 0:30:06 | |
Maybe if we both spoke to Jason, we might work something out - | 0:30:09 | 0:30:14 | |
at least for tonight. | 0:30:14 | 0:30:16 | |
I only took my eye off him for a second. | 0:30:18 | 0:30:20 | |
Kali seems nice. | 0:30:23 | 0:30:24 | |
We complement each other well. | 0:30:25 | 0:30:28 | |
It's good to see Morven again. But... | 0:30:28 | 0:30:31 | |
There's a sadness about her. Some sort of spiritual pain. | 0:30:32 | 0:30:36 | |
Her father has advanced liver disease. | 0:30:37 | 0:30:40 | |
Without a transplant, he'll die. | 0:30:40 | 0:30:43 | |
That's why she's in pain. It's not spiritual. | 0:30:43 | 0:30:46 | |
It's...it's all too real. | 0:30:46 | 0:30:47 | |
Austin's dying? | 0:30:47 | 0:30:48 | |
-You know him? -We used to play competition backgammon together. | 0:30:50 | 0:30:53 | |
Of course you did. | 0:30:53 | 0:30:55 | |
This is so terrible. I wish there was something I could do. | 0:30:55 | 0:30:57 | |
There isn't. Maybe give Morven some space. | 0:30:57 | 0:31:00 | |
OK? | 0:31:01 | 0:31:02 | |
Who's the cub with the chiselled jaw? | 0:31:11 | 0:31:14 | |
-Cub? -M'hm. -You mean gay? | 0:31:14 | 0:31:17 | |
A certain kind of gay. | 0:31:18 | 0:31:20 | |
-He's not any kind of gay. -Yes, he is. | 0:31:20 | 0:31:23 | |
He's got a fiance. | 0:31:24 | 0:31:26 | |
Have you never heard of the term beard? | 0:31:26 | 0:31:28 | |
As in facial hair? | 0:31:29 | 0:31:31 | |
As in convenient cover. | 0:31:31 | 0:31:32 | |
He's Morven's ex-boyfriend. | 0:31:32 | 0:31:34 | |
HE LAUGHS | 0:31:34 | 0:31:36 | |
Hmm, OK. Interesting. | 0:31:37 | 0:31:38 | |
Right, so you can tell just by looking. | 0:31:39 | 0:31:42 | |
OK. Let's test, shall we? | 0:31:43 | 0:31:45 | |
Open app. | 0:31:48 | 0:31:49 | |
Send. | 0:31:52 | 0:31:54 | |
Three, two, one. | 0:31:54 | 0:31:56 | |
PHONE MESSAGE | 0:31:56 | 0:31:58 | |
I don't believe it. | 0:32:00 | 0:32:01 | |
Oh - careful, Diggers. We don't need another Lee on our hands, do we? | 0:32:03 | 0:32:08 | |
Mr Barnes' lab results. | 0:32:08 | 0:32:09 | |
Oh, dear! | 0:32:18 | 0:32:19 | |
SHE COUGHS | 0:32:21 | 0:32:27 | |
You got that proper drink for me yet? | 0:32:27 | 0:32:29 | |
When did you start using, Danielle? | 0:32:29 | 0:32:31 | |
Don't know what you're talking about. | 0:32:33 | 0:32:35 | |
You do have a family, a husband, a child? | 0:32:35 | 0:32:39 | |
What business is it of yours? What do you care? | 0:32:39 | 0:32:43 | |
I patched up too many broken bodies, | 0:32:43 | 0:32:46 | |
only to see their minds fall apart when they got home | 0:32:46 | 0:32:48 | |
because they didn't get the support they needed. | 0:32:48 | 0:32:51 | |
But there is support out there. I can access it. | 0:32:51 | 0:32:53 | |
I can make calls. Let me help you. | 0:32:53 | 0:32:55 | |
I don't need it. Don't want it. | 0:32:55 | 0:32:59 | |
I don't deserve it. | 0:33:00 | 0:33:02 | |
The woman who pulled Tamsin Wright from a burning car is | 0:33:02 | 0:33:05 | |
the same as the woman in the photo. | 0:33:05 | 0:33:07 | |
Tell me your real name. Let me help you. | 0:33:09 | 0:33:11 | |
There's some news on your patient in ITU. | 0:33:19 | 0:33:22 | |
Excuse me, Kali. I just need to speak to Ulysses alone. | 0:33:31 | 0:33:35 | |
If there's a problem, then... | 0:33:35 | 0:33:37 | |
Oh, there's no problem as such. It's just...it's private. | 0:33:37 | 0:33:40 | |
It'll be fine. I'll tell you if there's anything you need to know. | 0:33:40 | 0:33:44 | |
OK. | 0:33:44 | 0:33:45 | |
You have something called anti-phospholipid syndrome. | 0:33:50 | 0:33:54 | |
It's a disorder of the immune system that causes an increased | 0:33:54 | 0:33:56 | |
risk of blood clots. | 0:33:56 | 0:33:58 | |
The tests produced some other, er, troubling results. | 0:34:00 | 0:34:05 | |
There's no easy way to say this... | 0:34:05 | 0:34:07 | |
Is it about my Hepatitis C? | 0:34:07 | 0:34:08 | |
-You know? -That I have Hep C? Yes. Of course. | 0:34:10 | 0:34:13 | |
Why didn't you tell us? | 0:34:16 | 0:34:17 | |
I didn't realise it was relevant. Is it relevant to my leg? | 0:34:17 | 0:34:21 | |
Er, no, but that's not the point... | 0:34:21 | 0:34:25 | |
What is the point? | 0:34:25 | 0:34:27 | |
Do you know how you contracted it? | 0:34:27 | 0:34:29 | |
Needle-stick injury. I volunteered at a Johannesburg needle exchange. | 0:34:29 | 0:34:34 | |
Did you. Really? | 0:34:34 | 0:34:36 | |
Of course I did. | 0:34:36 | 0:34:37 | |
Does Kali know? | 0:34:39 | 0:34:40 | |
About my Hep C? No. | 0:34:40 | 0:34:42 | |
About your sex life! | 0:34:42 | 0:34:44 | |
I'm polysexual. | 0:34:47 | 0:34:49 | |
Everyone has a flaw, Arthur. | 0:34:50 | 0:34:53 | |
Mine is that I have a voracious and insatiable sex drive. | 0:34:53 | 0:34:57 | |
Of course it is. | 0:34:57 | 0:34:59 | |
Arthur, I value my privacy. | 0:34:59 | 0:35:01 | |
There's no reason for Kali to know about it. Any of it. | 0:35:01 | 0:35:04 | |
Isn't that a little bit irresponsible? | 0:35:04 | 0:35:06 | |
I'm very careful. Kali and I always use protection. | 0:35:06 | 0:35:09 | |
-You're lying to her. -I'm protecting her. -What! | 0:35:10 | 0:35:13 | |
I have my condition under control. Kali would only fret. | 0:35:13 | 0:35:17 | |
She's very sensitive. | 0:35:17 | 0:35:19 | |
And I love her way too much to burden her like that. | 0:35:19 | 0:35:23 | |
And that goes for Morven as well. You can't tell her, either. | 0:35:23 | 0:35:26 | |
I'm afraid I can't, in all conscience, keep this a secret. | 0:35:26 | 0:35:29 | |
You can and you will. | 0:35:29 | 0:35:31 | |
Everything I've told you is in medical confidence. | 0:35:31 | 0:35:34 | |
If you break that covenant, I will report you to the GMC. | 0:35:34 | 0:35:38 | |
I will not allow the people I care about to be hurt | 0:35:38 | 0:35:41 | |
just because you disapprove of my lifestyle choices. | 0:35:41 | 0:35:44 | |
Ah... | 0:35:48 | 0:35:49 | |
They say she's almost ready to be brought round. | 0:35:55 | 0:35:57 | |
A most remarkable recovery. | 0:35:57 | 0:35:59 | |
Mr Kennedy says that your atriocaval shunt is the most exquisite | 0:36:02 | 0:36:05 | |
piece of work he's ever seen. | 0:36:05 | 0:36:07 | |
I should have waited. | 0:36:08 | 0:36:09 | |
I did it because I could. | 0:36:10 | 0:36:12 | |
Because in the Army - in action - I was in total control. | 0:36:12 | 0:36:16 | |
And now I feel that control being stripped away and I hate it. | 0:36:16 | 0:36:20 | |
Maybe I should just stop fighting and accept it. | 0:36:22 | 0:36:26 | |
Accept that I don't belong here. | 0:36:27 | 0:36:29 | |
In the world of biology, those who adapt to change thrive. | 0:36:31 | 0:36:34 | |
And those who don't, die out. | 0:36:34 | 0:36:36 | |
You like her. | 0:36:47 | 0:36:48 | |
You like her and want her to stay. | 0:36:51 | 0:36:53 | |
But you don't tell her that. | 0:36:53 | 0:36:56 | |
Why? | 0:36:56 | 0:36:57 | |
How very curious. | 0:36:59 | 0:37:00 | |
He isn't dying, is he? | 0:37:05 | 0:37:06 | |
Uly - it's nothing terminal, is it? | 0:37:08 | 0:37:10 | |
No. It's nothing terminal. Um... | 0:37:11 | 0:37:15 | |
-You really need to talk to him about it. -See I can't. He doesn't speak much about himself. | 0:37:15 | 0:37:19 | |
Really? I thought he spoke of little else. | 0:37:19 | 0:37:21 | |
I mean about real stuff. He's so busy with all his projects. | 0:37:21 | 0:37:25 | |
-He works at a soup kitchen, you know? -Of course he does. | 0:37:25 | 0:37:29 | |
But he just keeps that part of his life separate. | 0:37:29 | 0:37:31 | |
And we're getting married and there's so much we haven't discussed | 0:37:31 | 0:37:36 | |
about the future, about having children. | 0:37:36 | 0:37:38 | |
That's probably not a good idea. Um... | 0:37:38 | 0:37:40 | |
-Why? -It's just...population bomb. | 0:37:42 | 0:37:45 | |
And climate change. And the ever increasing threat of war and famine. | 0:37:45 | 0:37:49 | |
Um, I've just got to deal with something over here but I will, um, yep...be back. | 0:37:49 | 0:37:53 | |
-Boo! -SHE LAUGHS | 0:37:56 | 0:37:59 | |
Saw you talking with Kali. | 0:37:59 | 0:38:03 | |
Not trying to make ME jealous now, are you? | 0:38:03 | 0:38:05 | |
No. | 0:38:05 | 0:38:07 | |
So what's the story with Ulysses? | 0:38:07 | 0:38:10 | |
Er, no story. | 0:38:10 | 0:38:12 | |
I meant, is he having surgery or not? | 0:38:12 | 0:38:15 | |
Oh, yes. Thrombectomy. | 0:38:15 | 0:38:17 | |
Ooh, can I assist? I'd love to get my hands into that! | 0:38:17 | 0:38:20 | |
No! You are not going anywhere near him. | 0:38:20 | 0:38:23 | |
Sorry. I just meant I don't want you involved in his care, OK? | 0:38:23 | 0:38:26 | |
Sure. Whatever. | 0:38:26 | 0:38:28 | |
-Morven. -What? | 0:38:29 | 0:38:31 | |
You two um, had relations, right? | 0:38:36 | 0:38:40 | |
Excuse me? | 0:38:40 | 0:38:41 | |
You know, you two... | 0:38:41 | 0:38:45 | |
Yes, Arthur, we had relations. | 0:38:45 | 0:38:48 | |
And were you always, um... | 0:38:48 | 0:38:50 | |
Safe? | 0:38:50 | 0:38:52 | |
Do you know what, Arthur? You can go to hell. | 0:38:52 | 0:38:56 | |
Morven. Wait. wait. I'm sorry, I'm sorry. | 0:38:56 | 0:38:58 | |
What is it? You keep blowing hot then cold. | 0:38:58 | 0:39:01 | |
Look, is there something you're not telling me? | 0:39:02 | 0:39:05 | |
Dr Digby. Can I have a word? | 0:39:08 | 0:39:09 | |
Just...I'll talk to you later. OK? | 0:39:13 | 0:39:16 | |
OK. | 0:39:16 | 0:39:17 | |
We've got a match. You can donate. | 0:39:21 | 0:39:24 | |
That's amazing! Thank you! | 0:39:24 | 0:39:27 | |
Remember - this just the start. | 0:39:27 | 0:39:29 | |
Why? What happens now? | 0:39:29 | 0:39:31 | |
Joe? It's Bernie. | 0:39:31 | 0:39:33 | |
Listen, massive favour - do you still have access to personnel records? | 0:39:33 | 0:39:38 | |
No, I don't have a name. | 0:39:38 | 0:39:39 | |
But I do have search criteria that should help narrow things down. | 0:39:39 | 0:39:43 | |
What do you mean, you can't pull the CCTV? | 0:39:43 | 0:39:46 | |
That's your one job. To watch it and find stuff on it. | 0:39:46 | 0:39:48 | |
-I've checked the gardens, there's no sign. -Check again. -Yeah, but I... | 0:39:48 | 0:39:51 | |
He likes the garden. Check again. | 0:39:51 | 0:39:55 | |
What? | 0:39:55 | 0:39:56 | |
Oh, um, he's about 5'11", wears glasses, curly brown hair, | 0:39:56 | 0:40:01 | |
answers to the name of Jason - | 0:40:01 | 0:40:03 | |
if he answers at all, which sometimes he doesn't. | 0:40:03 | 0:40:06 | |
Because that's just how he rolls. And he is MY NEPHEW! | 0:40:06 | 0:40:09 | |
Ms Campbell. | 0:40:09 | 0:40:11 | |
Oh, not now, Henrik. I've got a bit of a crisis. | 0:40:11 | 0:40:13 | |
I believe I have something that belongs to you. | 0:40:13 | 0:40:16 | |
Oh, Jason! You must stop doing this. | 0:40:16 | 0:40:20 | |
-Thank you. -A remarkable young man. | 0:40:20 | 0:40:23 | |
We've been discussing the concept and application of idiom in the English language. | 0:40:23 | 0:40:28 | |
Idiom - a phrase or fixed expression that has a figurative or sometimes literal meaning. | 0:40:28 | 0:40:35 | |
An idiom's figurative meaning is different from the literal meaning. | 0:40:35 | 0:40:38 | |
"To break a leg" - idiom in theatre - is to wish a performer good luck in an ironic way. | 0:40:38 | 0:40:46 | |
I'm glad you didn't literally want to break your daughter's leg, Auntie Serena. | 0:40:46 | 0:40:50 | |
Yes, I'm sure you are, Jason. | 0:40:50 | 0:40:52 | |
We need to have a chat. | 0:40:54 | 0:40:56 | |
Things seemed a bit tense back there with you and Morven. | 0:41:00 | 0:41:03 | |
It's cos they are. | 0:41:03 | 0:41:06 | |
Not still hung up on the ex, are you? | 0:41:06 | 0:41:09 | |
If you could make a complete opposite of me in every aspect, he would be it. | 0:41:09 | 0:41:15 | |
I think I hate him. | 0:41:15 | 0:41:17 | |
Just hold it together, Arthur. You're nearly there. | 0:41:19 | 0:41:22 | |
-Is this sensitive? -It's just a bit itchy. | 0:41:23 | 0:41:26 | |
You need to get that looked at. Maybe you should talk to Sacha. | 0:41:26 | 0:41:30 | |
Don't you think I've got enough to be worrying about? | 0:41:30 | 0:41:33 | |
Let's get this over with, shall we? | 0:41:33 | 0:41:36 | |
Your name is Susan Danielle Kelly. | 0:41:41 | 0:41:44 | |
Your husband's name is Peter, your son's name is Michael | 0:41:44 | 0:41:47 | |
and you haven't seen them for five years. | 0:41:47 | 0:41:49 | |
-How did you...? -On 9th September, 2010, | 0:41:49 | 0:41:52 | |
you went absent without leave after being recalled to Helmand Province. | 0:41:52 | 0:41:56 | |
If you're worried I've called military police, I have not, | 0:41:56 | 0:42:00 | |
and will not, until you have been treated and discharged. | 0:42:00 | 0:42:03 | |
I will then give you two hours' grace because you went into | 0:42:03 | 0:42:07 | |
a burning car and saved a life with no thought for your own. | 0:42:07 | 0:42:11 | |
I don't know what that means but perhaps part of "Danielle Gordon" | 0:42:12 | 0:42:16 | |
is becoming a better, more honourable person | 0:42:16 | 0:42:19 | |
than the "Susan Kelly" who deserted her comrades on the battlefield. | 0:42:19 | 0:42:23 | |
I don't get it. | 0:42:27 | 0:42:29 | |
People go AWOL, burn out. Whatever. | 0:42:30 | 0:42:33 | |
But to leave your family. | 0:42:34 | 0:42:36 | |
How could you desert your child? | 0:42:38 | 0:42:40 | |
You said you left to save your marriage. I tried the same thing. | 0:42:41 | 0:42:46 | |
Turns out you can leave the army... | 0:42:47 | 0:42:49 | |
..but the army never leaves you. | 0:42:50 | 0:42:53 | |
Arthur! I've got the most amazing news! | 0:42:53 | 0:42:56 | |
You too? Hang on, I think I've got the most amazing news but you first. | 0:42:56 | 0:42:59 | |
-Go on... -Ulysses is going to be a live donor for my dad. | 0:42:59 | 0:43:05 | |
-What? -He knows his blood type and it's a match. | 0:43:06 | 0:43:11 | |
It's so great, isn't it? | 0:43:11 | 0:43:13 | |
HE LAUGHS OK, erm... Right. | 0:43:14 | 0:43:19 | |
That's impossible. | 0:43:19 | 0:43:22 | |
He's sick. Right, Mr Barnes? | 0:43:22 | 0:43:26 | |
Sure. We'll have to wait until my leg is healed. | 0:43:26 | 0:43:29 | |
But what if there are any other, underlying conditions? | 0:43:29 | 0:43:34 | |
Well, it's not really very fair on Kali, is it? | 0:43:38 | 0:43:41 | |
If it's what Ulysses wants, then... | 0:43:41 | 0:43:44 | |
OK, he can't be the donor. | 0:43:47 | 0:43:50 | |
-Why? -It should be me. It has to be me. | 0:43:50 | 0:43:54 | |
Right. This is why I couldn't tell you. | 0:43:54 | 0:43:57 | |
I've been tested. I'm compatible. | 0:43:58 | 0:44:00 | |
That's what I wanted to tell you. That's what I've been working on. | 0:44:07 | 0:44:11 | |
-I can't believe that you would do this for me. -I love you. | 0:44:13 | 0:44:17 | |
Well, I can't let you, you know? | 0:44:18 | 0:44:20 | |
Besides, who will look after me while I'm looking after my dad? | 0:44:22 | 0:44:26 | |
-We'll make it work. -We don't have to. | 0:44:26 | 0:44:29 | |
I had no hope... | 0:44:29 | 0:44:31 | |
..and now I've got nothing but. | 0:44:34 | 0:44:37 | |
OK, come with me. | 0:44:40 | 0:44:42 | |
Tell her why you can't be a live donor, or I will. | 0:44:46 | 0:44:48 | |
Arthur? | 0:44:48 | 0:44:51 | |
Uly? | 0:44:51 | 0:44:52 | |
Morven, I'm as puzzled and hurt as you are. | 0:44:52 | 0:44:55 | |
Arthur, we're all friends here. Think carefully. | 0:44:55 | 0:44:59 | |
Morven, how many games of championship backgammon did Austin win? | 0:45:02 | 0:45:06 | |
My dad's never played backgammon in his life. | 0:45:06 | 0:45:10 | |
I thought as much. That was one lie too many. | 0:45:11 | 0:45:14 | |
Are they all lies? Treks in Borneo? | 0:45:16 | 0:45:20 | |
The Kibbutz? | 0:45:20 | 0:45:22 | |
I bet your name's even a lie, isn't it? Ulysses? Really? | 0:45:22 | 0:45:27 | |
Are you kidding me? | 0:45:27 | 0:45:29 | |
Soup kitchens? Is that really where you think he spends his time? | 0:45:30 | 0:45:33 | |
-We don't have to listen to this. -Yes. You do. | 0:45:33 | 0:45:36 | |
He can't be a live donor because he has Hepatitis C. | 0:45:36 | 0:45:39 | |
-There was this needle exchange... -Come on! Enough! | 0:45:39 | 0:45:42 | |
Or it might be he contracted it from the sex he's been having with complete strangers. | 0:45:42 | 0:45:46 | |
-That's not true. -Check the phone. He's got an app for it! -Dr Digby. | 0:45:46 | 0:45:49 | |
You're not a hero. You're a liar with a pathological need for aggrandisement... | 0:45:49 | 0:45:54 | |
Nothing that you do or say is real. It's just a grand gesture... | 0:45:54 | 0:45:58 | |
Dr Digby! | 0:45:58 | 0:46:00 | |
-Mr Hanssen. -My office. Now. | 0:46:03 | 0:46:06 | |
Here you are. | 0:46:15 | 0:46:17 | |
-Now, I know things have got off to a rocky start... -Yes. | 0:46:20 | 0:46:25 | |
I think we need to talk about some rules, some boundaries. | 0:46:26 | 0:46:31 | |
What's Elinor like? | 0:46:31 | 0:46:33 | |
Elinor? | 0:46:34 | 0:46:37 | |
Well, she's...feisty, talented, | 0:46:37 | 0:46:41 | |
obstinate, impatient, often rude. | 0:46:41 | 0:46:45 | |
-Sometimes lovely. -So, she's you, but younger. | 0:46:45 | 0:46:49 | |
-Yes. I suppose she is. -Why haven't I met her? | 0:46:49 | 0:46:53 | |
-Well, I haven't told her yet. -About me? -About any of it. -Why? | 0:46:53 | 0:46:59 | |
-It's complicated. -Mum used to say that about me. | 0:46:59 | 0:47:02 | |
She would say, you're not different, Jason, you're complicated. | 0:47:02 | 0:47:06 | |
Well, I think we're all rather complicated in this family. | 0:47:06 | 0:47:09 | |
Maybe that's why you're so difficult. | 0:47:09 | 0:47:12 | |
Do you know what? I think you're probably right. | 0:47:12 | 0:47:15 | |
Jason, I would love you to meet my daughter. | 0:47:17 | 0:47:21 | |
-Would you like that? -I think so. | 0:47:22 | 0:47:24 | |
Good. Well, I just need someone to fix my alternator. | 0:47:24 | 0:47:28 | |
Disconnect the battery, remove the serpentine belt, | 0:47:28 | 0:47:32 | |
unbolt the alternator, remove the wiring connectors | 0:47:32 | 0:47:36 | |
then do everything in reverse to re-install it. | 0:47:36 | 0:47:39 | |
-Well, aren't you just full of surprises! -No. | 0:47:39 | 0:47:44 | |
-Bernie, you're a consultant, right? -Last time I checked. | 0:47:47 | 0:47:50 | |
-What are the perks? -More paperwork, more insurance, more responsibility. | 0:47:50 | 0:47:56 | |
I think you need to brush up on your understanding of the word "perk". | 0:47:56 | 0:47:59 | |
-Naylor can't tell you what to do. -Sold! | 0:47:59 | 0:48:03 | |
Tamsin, this is Ms Wolfe - the surgeon who is looking after you. | 0:48:04 | 0:48:08 | |
-Thank you. -I'm just glad you pulled through. | 0:48:08 | 0:48:12 | |
What about the woman? Is she OK? | 0:48:12 | 0:48:14 | |
The woman who pulled you from the car? | 0:48:14 | 0:48:17 | |
Did someone pull me out of the car? I don't remember... | 0:48:17 | 0:48:20 | |
She must mean Danielle. She was the only one around. | 0:48:20 | 0:48:22 | |
She just walked out in front of my car. Like a zombie. | 0:48:22 | 0:48:26 | |
Are you saying she deliberately walked into oncoming traffic? | 0:48:26 | 0:48:30 | |
Yes. Like she wanted to die. | 0:48:30 | 0:48:33 | |
-Dr Digby. -OK, I know what I did was wrong but I'd do it again in a heartbeat. | 0:48:44 | 0:48:49 | |
That man was going to hurt Morven. | 0:48:49 | 0:48:51 | |
-He was making promises he couldn't keep... -Arthur. Stop. | 0:48:51 | 0:48:54 | |
Remove your top, please. | 0:48:57 | 0:49:00 | |
Are you kidding? | 0:49:05 | 0:49:07 | |
Thank you, Dr Digby. | 0:49:23 | 0:49:27 | |
Nurse Harrison, would you please arrange the operation | 0:49:27 | 0:49:30 | |
to remove the mole and the follow up tests. | 0:49:30 | 0:49:33 | |
What? Wait, OK. | 0:49:33 | 0:49:36 | |
What about the CT scan? Can I be the donor? | 0:49:38 | 0:49:41 | |
There will be no donation until this matter has been fully resolved, I'm afraid. | 0:49:41 | 0:49:45 | |
This is ridiculous. | 0:49:45 | 0:49:47 | |
You've been against this from the start. This is just an excuse. | 0:49:47 | 0:49:50 | |
It has an irregular shape and it appears to be bleeding. | 0:49:50 | 0:49:53 | |
You think it's cancer. | 0:49:58 | 0:50:00 | |
I think we'll know a lot more once we've put it under the microscope. | 0:50:00 | 0:50:04 | |
OK. Thank you. | 0:50:05 | 0:50:07 | |
-I'd better get back... -Arthur, go home. Talk to Morven. | 0:50:10 | 0:50:16 | |
I spoke to the woman you saved. | 0:50:26 | 0:50:28 | |
You're in the army. It's your whole world, all you've ever known. | 0:50:32 | 0:50:37 | |
Then one day you get pregnant. So you get married. | 0:50:39 | 0:50:42 | |
You think it's all fine. You can live in these two worlds. | 0:50:43 | 0:50:47 | |
But you can't. Because now you've got something to lose. | 0:50:47 | 0:50:50 | |
You can't go back. Not to that. | 0:50:50 | 0:50:54 | |
So that's one world gone. | 0:50:54 | 0:50:57 | |
So you try the other world. Being a mother. | 0:50:58 | 0:51:01 | |
And then you realise... | 0:51:03 | 0:51:05 | |
-What? -..that you don't know the rules. | 0:51:08 | 0:51:12 | |
I didn't know the rules. So I ran. | 0:51:15 | 0:51:17 | |
-And I've been running ever since. -Then stop running. | 0:51:19 | 0:51:24 | |
You have pericarditis. You need to be in surgery or you could die. | 0:51:24 | 0:51:28 | |
That's why I was on that bridge. | 0:51:28 | 0:51:30 | |
There has to be a better way. | 0:51:30 | 0:51:32 | |
You have a husband, right? Kids? How did you make it work? | 0:51:34 | 0:51:39 | |
I don't think I did. | 0:51:46 | 0:51:48 | |
I'm just learning the rules of this world too. | 0:51:49 | 0:51:53 | |
Let me help you. | 0:52:00 | 0:52:02 | |
You don't happen to have a fag, do you? | 0:52:12 | 0:52:14 | |
-I can't take your last one. -It's all right. I quit. | 0:52:39 | 0:52:43 | |
Me too. | 0:52:52 | 0:52:55 | |
Call my commanding officer. | 0:52:56 | 0:52:59 | |
-It's time to stop running. -Yeah. | 0:52:59 | 0:53:03 | |
So, it turns out that while Jason is an autodidact on car maintenance, | 0:53:19 | 0:53:22 | |
he's not so big on the practical part. | 0:53:22 | 0:53:25 | |
Big reader. Eidetic memory. | 0:53:25 | 0:53:27 | |
Can be fastidious when it comes to getting his hands dirty. | 0:53:27 | 0:53:31 | |
And you're sure he'll be all right with this? That he'll cope? | 0:53:33 | 0:53:36 | |
If Jason feels he's ready. He's ready. | 0:53:36 | 0:53:39 | |
Are you? | 0:53:39 | 0:53:41 | |
-I'll have to be. -Serena, you don't have to be anything. | 0:53:42 | 0:53:45 | |
-You know that, right? -I know. | 0:53:45 | 0:53:47 | |
I want to be. All the way in. | 0:53:47 | 0:53:50 | |
Elinor, darling. I'm on my way. Yes. | 0:54:00 | 0:54:05 | |
And I'm bringing a special guest that I really want you to meet. | 0:54:05 | 0:54:10 | |
SHE HUMS "RING A RING O' ROSES" | 0:54:32 | 0:54:35 | |
Hey. How did it go with Hanssen? Were you in heaps? | 0:54:51 | 0:54:57 | |
I wasn't in trouble at all. | 0:55:07 | 0:55:10 | |
They wanted to talk about the CT scan | 0:55:10 | 0:55:14 | |
that I did as part of the compatibility. | 0:55:14 | 0:55:17 | |
-And? -It turns out that I'm not compatible after all. | 0:55:17 | 0:55:20 | |
-Right. I'm relieved, actually. -You sure? | 0:55:23 | 0:55:28 | |
Yeah, I mean, something will come up for my dad. I know it. | 0:55:30 | 0:55:34 | |
And I need you. Just as much as I need him. | 0:55:36 | 0:55:40 | |
What? | 0:55:46 | 0:55:48 | |
Nothing. I love you, that's all. | 0:55:57 | 0:56:02 | |
Excuse me. I'm just going to pop to the loo. | 0:56:04 | 0:56:06 | |
-She has some skill, this Effanga. -Indeed. | 0:56:21 | 0:56:24 | |
Tell me, will you be back on Keller tomorrow? | 0:56:26 | 0:56:29 | |
And the next day. | 0:56:29 | 0:56:31 | |
Understood. | 0:56:32 | 0:56:34 | |
I'm glad. | 0:56:36 | 0:56:38 | |
-Interesting day. -A difficult one. | 0:56:42 | 0:56:45 | |
I fear there will be many more difficult days to come. | 0:56:45 | 0:56:48 | |
Welcome to Holby, Ms Wolfe. | 0:56:50 | 0:56:52 | |
# Ring-a-ring o' roses | 0:56:56 | 0:57:00 | |
# A pocket full of posies | 0:57:02 | 0:57:06 | |
# A-tishoo! A-tishoo... # | 0:57:09 | 0:57:13 |