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-So, your maternity leave... -Is over. | 0:00:02 | 0:00:03 | |
Finger painting doesn't quite compare | 0:00:03 | 0:00:05 | |
to holding a man's heart in your hand. | 0:00:05 | 0:00:07 | |
We are not supposed to be friends with our patients. | 0:00:07 | 0:00:10 | |
Do you always do what you're supposed to? | 0:00:10 | 0:00:12 | |
To hell with Jac! | 0:00:15 | 0:00:17 | |
If she thinks treating people badly is going to get the best | 0:00:17 | 0:00:20 | |
out of them, then more fool her. | 0:00:20 | 0:00:22 | |
Oh, you've been playing me. All day. | 0:00:22 | 0:00:24 | |
It's come to my attention that I'll need a team around me. | 0:00:24 | 0:00:27 | |
-Are you in? -100%. | 0:00:27 | 0:00:30 | |
Doctor Digby doesn't think we should do any more surgery, Hugh. | 0:00:30 | 0:00:33 | |
-It's my time, love. -Just because we didn't save her, | 0:00:33 | 0:00:35 | |
that doesn't lessen the good that we did. | 0:00:35 | 0:00:37 | |
You just think I'm some naive, | 0:00:37 | 0:00:39 | |
little kid that'll get used to this sort of thing eventually, don't you? | 0:00:39 | 0:00:42 | |
You're cold, Arthur. | 0:00:42 | 0:00:44 | |
DOOR OPENS | 0:01:50 | 0:01:51 | |
Are you reading or hiding? | 0:01:51 | 0:01:53 | |
I'm reading... and I'm doing paperwork. | 0:01:53 | 0:01:56 | |
Self-help, is it? | 0:01:56 | 0:01:57 | |
Philosophy. | 0:01:57 | 0:01:59 | |
Nice. | 0:01:59 | 0:02:00 | |
This needs a signature while you're sitting there. | 0:02:00 | 0:02:02 | |
And when you get a chance, we could do with some help out here. | 0:02:02 | 0:02:05 | |
Thank you. | 0:02:05 | 0:02:06 | |
Oh, um...good hair, by the way. | 0:02:07 | 0:02:10 | |
She dropped the clamps in theatre twice, apparently. | 0:02:21 | 0:02:23 | |
Wow, second one this week. | 0:02:23 | 0:02:24 | |
Third, actually. Alan? Adam? | 0:02:24 | 0:02:27 | |
Laughs like a seal? | 0:02:27 | 0:02:29 | |
Yeah, him. He walked too. | 0:02:29 | 0:02:30 | |
Silver lining - we don't have to sponsor any more of his "fun runs". | 0:02:30 | 0:02:34 | |
The king is dead. Long live the queen. | 0:02:35 | 0:02:37 | |
Thank you. I will. | 0:02:37 | 0:02:38 | |
Not even the slightest bit nervous? | 0:02:38 | 0:02:40 | |
It's not like you two have ever seen eye to eye. | 0:02:40 | 0:02:42 | |
-Well, it's hardly the point, is it? -Oh, really? The knives are out. | 0:02:42 | 0:02:45 | |
Yes, for dweebs who can't hack it. Jac values ambition, talent. | 0:02:45 | 0:02:49 | |
Skill. | 0:02:49 | 0:02:51 | |
Oh, you won't have any problems. | 0:02:51 | 0:02:52 | |
Look, we won't be braiding each other's hair any time soon | 0:02:52 | 0:02:55 | |
but Jac needs me on this team. | 0:02:55 | 0:02:57 | |
You need to learn from the master. | 0:02:57 | 0:02:59 | |
Busy? | 0:03:05 | 0:03:06 | |
Yep, just doing the rounds. You know. | 0:03:06 | 0:03:08 | |
Great. Getting stuck in there. | 0:03:08 | 0:03:10 | |
Um, Cara, can you get some oxygen to Mr Stark, please? | 0:03:10 | 0:03:13 | |
-On it. -Thank you. | 0:03:13 | 0:03:14 | |
-Eh... -Arthur, I'm actually trying to do some work. | 0:03:14 | 0:03:16 | |
Right. Right. It's just we haven't had chance to talk since erm... | 0:03:16 | 0:03:19 | |
-Well, according to you, I'm "naive". -I didn't say that. | 0:03:19 | 0:03:21 | |
Let's just keep things professional, yeah? | 0:03:21 | 0:03:24 | |
HE SIGHS | 0:03:24 | 0:03:25 | |
Well, it could be a boot. | 0:03:25 | 0:03:27 | |
It looks like a badger. | 0:03:28 | 0:03:30 | |
Why would it be a badger? | 0:03:30 | 0:03:32 | |
I don't know. But then why would it be a boot? | 0:03:32 | 0:03:34 | |
It's a donkey. | 0:03:35 | 0:03:38 | |
Oi! | 0:03:38 | 0:03:39 | |
Apart from opening the door on chocolates, | 0:03:39 | 0:03:42 | |
we are also here to open the door on Adele's first day on Keller. | 0:03:42 | 0:03:46 | |
-Whoo! -Regretting it already, aren't you? | 0:03:46 | 0:03:49 | |
No, it's great to be here. | 0:03:49 | 0:03:51 | |
Now, just remember - she's here to learn, OK? | 0:03:51 | 0:03:54 | |
I know. Milk, sweetener and just a wisp of cinnamon, please. | 0:03:54 | 0:03:57 | |
Thank you. | 0:03:57 | 0:03:58 | |
I don't think so. | 0:03:58 | 0:04:00 | |
So, bed one, Mrs Melvin has a subhepatic abscess | 0:04:00 | 0:04:03 | |
and she's due in for a percutaneous drainage. | 0:04:03 | 0:04:06 | |
We'll do that by ultrasound, I think. | 0:04:06 | 0:04:07 | |
Now, Mr Cannon, if his infection's cleared up, then he's good to go. | 0:04:07 | 0:04:12 | |
So, Dom, would you care to deal with that? | 0:04:12 | 0:04:14 | |
Thank you very much. And Mr Lemmon is due in for thyroidectomy | 0:04:14 | 0:04:17 | |
You know that, don't you? | 0:04:17 | 0:04:19 | |
Good, OK, so I'll leave all of that | 0:04:19 | 0:04:21 | |
and the beautiful Adele in your capable hands. | 0:04:21 | 0:04:24 | |
Why do you look so happy? | 0:04:27 | 0:04:28 | |
It's nearly Christmas. | 0:04:29 | 0:04:31 | |
Knock knock. | 0:04:33 | 0:04:34 | |
SHE SIGHS | 0:04:34 | 0:04:35 | |
MRI for Mr Westlake. | 0:04:35 | 0:04:37 | |
So what happened with Nurse Murray? | 0:04:39 | 0:04:41 | |
Does it look like we're in a hairdressers? | 0:04:41 | 0:04:43 | |
No, I'm just curious. | 0:04:43 | 0:04:45 | |
Mr Westlake. Your thoughts? | 0:04:45 | 0:04:47 | |
Um, it would appear he has... | 0:04:50 | 0:04:53 | |
hypertrophic obstructive cardiomyopathy. | 0:04:53 | 0:04:56 | |
And you would recommend? | 0:04:56 | 0:04:58 | |
-Septal myectomy. -Good. | 0:04:58 | 0:05:00 | |
Thanks for dropping by. | 0:05:00 | 0:05:02 | |
No problem. | 0:05:02 | 0:05:03 | |
Make sure you knock properly next time. | 0:05:06 | 0:05:09 | |
She says she's fine with not having any big presents this year. | 0:05:10 | 0:05:14 | |
Oh, that's sweet. | 0:05:14 | 0:05:15 | |
No, it's a warning. | 0:05:15 | 0:05:17 | |
See, no woman, even as young as Evie, has said "fine" | 0:05:17 | 0:05:20 | |
and meant "fine". | 0:05:20 | 0:05:21 | |
Right, you say you're "fine" but you're anything but. | 0:05:21 | 0:05:24 | |
Well, that's a lie. | 0:05:24 | 0:05:25 | |
Diggers, help us out here, mate. | 0:05:25 | 0:05:27 | |
Have you ever had a woman say she was fine about something | 0:05:27 | 0:05:29 | |
that didn't expect you to figure out what the problem was on your own? | 0:05:29 | 0:05:32 | |
OK, when Zosia says she's fine, | 0:05:32 | 0:05:34 | |
-Dom and I tend to hide in our rooms. -There you are. | 0:05:34 | 0:05:37 | |
So, when someone might need your emotional support, | 0:05:37 | 0:05:39 | |
your solution is to run away? | 0:05:39 | 0:05:41 | |
Exactly. | 0:05:42 | 0:05:44 | |
Have you two fallen out? | 0:05:48 | 0:05:51 | |
Uh, well, technically, we now have | 0:05:51 | 0:05:54 | |
a "professional working relationship". | 0:05:54 | 0:05:56 | |
Well, you did the right thing, you know, with the old dear. | 0:05:57 | 0:06:01 | |
Every time we lose a patient, it's very sad. | 0:06:01 | 0:06:03 | |
And the more time Morven spends on here, the more she'll realise that. | 0:06:03 | 0:06:07 | |
Yeah. She'll get used to it. | 0:06:07 | 0:06:08 | |
And then she'll get jaded, and then cold. | 0:06:08 | 0:06:12 | |
But you're all right, though, yeah? | 0:06:14 | 0:06:16 | |
Oh, yeah, I'm fine. | 0:06:16 | 0:06:17 | |
See what I did there? | 0:06:19 | 0:06:20 | |
A question mark. | 0:06:22 | 0:06:24 | |
In blood-red pen. | 0:06:24 | 0:06:25 | |
-Maybe she's forgotten how to spell your name? -That's not funny. | 0:06:25 | 0:06:28 | |
So she's not sure about you. | 0:06:28 | 0:06:30 | |
It's hardly a surprise, is it? She didn't pick you. | 0:06:30 | 0:06:33 | |
There was probably a question mark against my name at some point too. | 0:06:33 | 0:06:37 | |
Yes. And then you had your moment in the sun. | 0:06:37 | 0:06:38 | |
Your little chance to impress. | 0:06:38 | 0:06:40 | |
Just be grateful it's not a big black X, or a skull and crossbones. | 0:06:40 | 0:06:43 | |
SHE SIGHS | 0:06:43 | 0:06:44 | |
It's probably just a wind-up. She wanted you to see it. | 0:06:46 | 0:06:49 | |
Now she's got her castle, | 0:06:49 | 0:06:51 | |
she's got to be all Game Of Thrones or she'll get bored. | 0:06:51 | 0:06:53 | |
Keep your head down, get on with it, don't draw attention, | 0:06:53 | 0:06:56 | |
don't put a thorn in her side that you... | 0:06:56 | 0:06:58 | |
have been in the past. | 0:06:58 | 0:07:00 | |
Let her eat the other fish. | 0:07:00 | 0:07:02 | |
What other fish? There aren't any left. | 0:07:02 | 0:07:05 | |
-I earned my cut. -We all have. | 0:07:05 | 0:07:07 | |
Yes, and she needs to know that. | 0:07:07 | 0:07:09 | |
I'm not on this team just to make up the numbers. | 0:07:09 | 0:07:11 | |
I am on this team because of what I can do. | 0:07:11 | 0:07:14 | |
She'll see. | 0:07:16 | 0:07:17 | |
Doctor Digby. Unconscious male. No ID. | 0:07:18 | 0:07:20 | |
Found by some railings, | 0:07:20 | 0:07:21 | |
looks like he's partially impaled himself on them. | 0:07:21 | 0:07:23 | |
And they think he was outside all night. | 0:07:23 | 0:07:25 | |
BP's 110/80, and pulse is 96. | 0:07:25 | 0:07:27 | |
OK, have we any signs of consciousness, any response at all? | 0:07:27 | 0:07:30 | |
Crew said he was out the whole time. | 0:07:30 | 0:07:32 | |
He woke up in the ED but not for long. | 0:07:32 | 0:07:35 | |
Right, we need to get FBC, U & E's, clotting and cross match. | 0:07:35 | 0:07:38 | |
We need to assess how much blood he's lost. | 0:07:38 | 0:07:40 | |
Hugh? Mr Musgrove? | 0:07:40 | 0:07:42 | |
OK, we need theatre space now. | 0:07:43 | 0:07:45 | |
What have we got here? | 0:07:45 | 0:07:46 | |
Um, it's fine. We're dealing with it. | 0:07:46 | 0:07:48 | |
-How long's he been like this? -We're trying to stop the bleed, so... | 0:07:48 | 0:07:51 | |
-It's Hugh. -Keep moving, please. Keep moving. | 0:07:51 | 0:07:53 | |
But, Arthur, I need to know what happened. | 0:07:53 | 0:07:55 | |
OK, Morven, I'm dealing with it. OK? | 0:07:55 | 0:07:57 | |
No green stuff? | 0:07:59 | 0:08:01 | |
No green stuff. | 0:08:01 | 0:08:02 | |
All right, you can put your top down. | 0:08:06 | 0:08:08 | |
I can stop holding my gut in, you mean. | 0:08:08 | 0:08:11 | |
Be good to get some exercise. | 0:08:11 | 0:08:12 | |
Burn off some of these hospital carbs. | 0:08:12 | 0:08:14 | |
You look fine to me. | 0:08:14 | 0:08:16 | |
Not much. Just a thank you. | 0:08:18 | 0:08:20 | |
Thank you. | 0:08:21 | 0:08:23 | |
Mr Glenn's got his oxygen. What now? | 0:08:26 | 0:08:29 | |
Tea? | 0:08:29 | 0:08:30 | |
Oh, come on. I need to get my teeth into something. | 0:08:30 | 0:08:32 | |
Well, no-one's looking at the moment so just ease off a little bit. | 0:08:32 | 0:08:36 | |
I like to just get stuck in, you know? | 0:08:36 | 0:08:38 | |
I like to have stuff to do. | 0:08:38 | 0:08:39 | |
Yes. Good, well, that was a test and you've passed. | 0:08:40 | 0:08:44 | |
So, well done. | 0:08:44 | 0:08:45 | |
Oh, hello. You must be Ms Blenheim, our thyroidectomy. | 0:08:46 | 0:08:51 | |
Hello. Welcome. | 0:08:51 | 0:08:53 | |
Hello, Trish. Um, well, Adele, bed four, please. | 0:08:53 | 0:08:59 | |
This way. | 0:09:01 | 0:09:02 | |
Nurse Reynolds, welcome to Darwin for the day. | 0:09:09 | 0:09:12 | |
Thank you. I've got that first-day-of-school thing where | 0:09:12 | 0:09:15 | |
I can't remember anyone's names, or the way back from the loos... | 0:09:15 | 0:09:18 | |
Can you change the bed pan in Bay Four | 0:09:18 | 0:09:20 | |
and get the discharge letters ready? | 0:09:20 | 0:09:22 | |
Yeah. | 0:09:22 | 0:09:23 | |
Tobey Dreyfus. Ready for admission! | 0:09:26 | 0:09:28 | |
Uh-huh, you know the routine by now, surely. | 0:09:28 | 0:09:30 | |
Something like that. Bed ten again, is it? | 0:09:30 | 0:09:33 | |
Doctor March. Tobey Dreyfus. | 0:09:33 | 0:09:35 | |
Fainted at work. | 0:09:35 | 0:09:37 | |
Under a car. Reliant Scimitar. | 0:09:37 | 0:09:40 | |
Right, we'll schedule in for a chest X-ray and a CT. | 0:09:40 | 0:09:42 | |
It's more than likely it's simply time for another chest drain. | 0:09:42 | 0:09:45 | |
Quite. | 0:09:45 | 0:09:47 | |
We'll get you settled in, and have a nurse come see you shortly. | 0:09:47 | 0:09:50 | |
-Valentine. Is Mr Westlake prepped? -Good to go. | 0:09:53 | 0:09:56 | |
Good. You're in on the myectomy. | 0:09:56 | 0:09:57 | |
Zosia, you can stick with Mr Dreyfus and his cysts. | 0:09:57 | 0:10:00 | |
I thought I was on the myectomy? | 0:10:00 | 0:10:02 | |
No, I'm pretty certain I just told you that you were on the cysts. | 0:10:02 | 0:10:05 | |
And given how eager you were to jump all over Tobey's diagnosis | 0:10:05 | 0:10:08 | |
a minute ago, I'd thought you'd relish it. | 0:10:08 | 0:10:10 | |
See? Why's she taken me off Mr Westlake's case? | 0:10:12 | 0:10:15 | |
I've been working on that all morning | 0:10:15 | 0:10:17 | |
and she's just given it to you. | 0:10:17 | 0:10:18 | |
-Why? Why you? -Look on the bright side. She's given you some work. | 0:10:18 | 0:10:22 | |
Yeah, sucking air out of a pleural cavity. | 0:10:22 | 0:10:23 | |
The patient could do it himself with a mirror and a long enough stick. | 0:10:23 | 0:10:26 | |
Look, with my experience, | 0:10:26 | 0:10:28 | |
it's often better to go for the quieter, simpler jobs. | 0:10:28 | 0:10:30 | |
The alternative simply isn't worth it. | 0:10:30 | 0:10:32 | |
Yes. I'm not playing along. I am worth more than this. | 0:10:32 | 0:10:34 | |
I have arrived at obligatory crossroads, haven't I? | 0:10:36 | 0:10:40 | |
So, how long's he been like this? | 0:10:41 | 0:10:43 | |
Eh, my guess? 12 - 15 hours, maybe more. | 0:10:43 | 0:10:45 | |
And what else do we know? | 0:10:45 | 0:10:46 | |
He's Hugh Musgrove. Suction. | 0:10:46 | 0:10:48 | |
His wife was in last week, Beth. She had mesenteric ischemia. | 0:10:48 | 0:10:51 | |
The one who passed away? | 0:10:51 | 0:10:53 | |
He's bleeding from both axillary and brachial veins. | 0:10:53 | 0:10:56 | |
We need to do a transfusion. | 0:10:56 | 0:10:57 | |
OK, let's start with that. Let's get this controlled and stitched up. | 0:10:57 | 0:11:00 | |
MONITOR BEEPS | 0:11:00 | 0:11:01 | |
He's arrhythmic. | 0:11:01 | 0:11:03 | |
1.2 milligrams of Digoxin, please. | 0:11:03 | 0:11:05 | |
How's he doing? | 0:11:09 | 0:11:11 | |
He's stable. Where are we with that transfusion? | 0:11:11 | 0:11:14 | |
It's coming. | 0:11:14 | 0:11:15 | |
Yeah, so's Christmas. | 0:11:15 | 0:11:17 | |
Did it, brah. | 0:11:17 | 0:11:18 | |
Sorry. I'm Dean. | 0:11:20 | 0:11:22 | |
How is it? | 0:11:22 | 0:11:23 | |
This ultrasound should give us | 0:11:23 | 0:11:25 | |
an idea of how many cysts we're dealing with. | 0:11:25 | 0:11:27 | |
-Right. -We'll soon get a sense of how many there are | 0:11:27 | 0:11:30 | |
and the pressure they're putting on the pleural cavity. | 0:11:30 | 0:11:32 | |
-Could you move... Thank you. -So, how'd he take it? | 0:11:32 | 0:11:35 | |
Well, he tried to act like it was no skin, | 0:11:35 | 0:11:37 | |
but you know he's not going to find anyone as good as me. | 0:11:37 | 0:11:40 | |
Forget him. I've moved out - handed in my notice. | 0:11:40 | 0:11:43 | |
-So, we're good? -Dude, I'm free as a bird. | 0:11:43 | 0:11:45 | |
We're all set, as long as you get the all-clear. | 0:11:45 | 0:11:48 | |
All set for what? | 0:11:48 | 0:11:49 | |
Thunder Road. | 0:11:49 | 0:11:51 | |
Last of the V8 Interceptors. | 0:11:51 | 0:11:53 | |
Wrong movie, you fool. | 0:11:53 | 0:11:54 | |
-Yeah, but it sounds cool. -Does it? | 0:11:54 | 0:11:56 | |
Ha! Dissed and dismissed. | 0:11:56 | 0:11:58 | |
So what is it, then? | 0:11:58 | 0:12:00 | |
Well, we just won it on auction. | 0:12:00 | 0:12:02 | |
We're going to tune her up and then cruise along Petaluma | 0:12:02 | 0:12:05 | |
and then down 1 to the LA river basin. | 0:12:05 | 0:12:07 | |
We're going to race it around the West Coast | 0:12:07 | 0:12:09 | |
and then just take it from there. | 0:12:09 | 0:12:11 | |
Which is why my man, here, just quit his job. | 0:12:11 | 0:12:13 | |
That's it. Ditched the job. Sold my bike. Hitting the road. | 0:12:13 | 0:12:16 | |
With my amigo, of course. | 0:12:16 | 0:12:18 | |
-You sure you're up to it? -How's it look? | 0:12:18 | 0:12:21 | |
Well, there are more cysts than we expected. | 0:12:21 | 0:12:23 | |
But the drain should help. | 0:12:23 | 0:12:24 | |
Dude. I'll just do more of the driving. | 0:12:24 | 0:12:27 | |
Oh, yeah. Perfect. | 0:12:27 | 0:12:28 | |
That is if we do the drain. | 0:12:28 | 0:12:31 | |
What's that mean? | 0:12:32 | 0:12:33 | |
So I take it that Mr Levy's already talked you through the procedure? | 0:12:37 | 0:12:41 | |
OK, is that you not understanding, not hearing me, or not knowing? | 0:12:43 | 0:12:47 | |
Adele, would you mind finishing up on obs for Mr Cannon, please? | 0:12:49 | 0:12:52 | |
Yeah. 'Course. | 0:12:52 | 0:12:53 | |
Hello. | 0:12:55 | 0:12:56 | |
Are you all right, Mr Cannon? | 0:12:58 | 0:12:59 | |
Looking forward to being set free. | 0:12:59 | 0:13:01 | |
Cut, please. | 0:13:06 | 0:13:07 | |
Yes, that looks like it's going to hold. OK, let's get him closed up. | 0:13:12 | 0:13:16 | |
Over to you, Arthur. Unless you would rather someone else did it? | 0:13:16 | 0:13:20 | |
No. I can do it. | 0:13:20 | 0:13:21 | |
I know him and, er, I owe it to him. | 0:13:21 | 0:13:24 | |
It doesn't quite work like that. | 0:13:24 | 0:13:26 | |
Look, I know the patient | 0:13:26 | 0:13:27 | |
so he's not going to have to go over old ground with me. | 0:13:27 | 0:13:30 | |
I'm across it. | 0:13:30 | 0:13:31 | |
2-0 Prolene, please. | 0:13:35 | 0:13:36 | |
-Have you worked with Jac Naylor long? -Um...mm-hmm. | 0:13:37 | 0:13:41 | |
Does she like anyone in this hospital? At all. | 0:13:41 | 0:13:45 | |
Yes, absolutely. | 0:13:45 | 0:13:46 | |
Really? Who? | 0:13:46 | 0:13:47 | |
Herself. Very much in love. | 0:13:47 | 0:13:50 | |
-Oliver. -Yeah? | 0:13:52 | 0:13:54 | |
Um, Tobey has more cysts than we expected. | 0:13:54 | 0:13:56 | |
Oh, it happens. | 0:13:56 | 0:13:57 | |
Has anyone considered lung volume reduction? | 0:13:57 | 0:14:00 | |
I imagine so, yeah. | 0:14:00 | 0:14:01 | |
A sternotomy and bilateral surgery could be a better mid-term solution. | 0:14:01 | 0:14:05 | |
He has bilateral cysts and is on a transplant list. | 0:14:05 | 0:14:08 | |
Anything drastic will affect not only his chance at transplant, | 0:14:08 | 0:14:11 | |
but also his health long-term. | 0:14:11 | 0:14:13 | |
Yes, but if we get it wrong, which we won't. | 0:14:13 | 0:14:15 | |
But if we get it right... we could change his life. | 0:14:15 | 0:14:19 | |
OK, why the urgency? | 0:14:19 | 0:14:21 | |
He's about to go on a once-in-a-lifetime road trip | 0:14:21 | 0:14:23 | |
with his best friend, | 0:14:23 | 0:14:24 | |
and he plans to take early nights and a folding chair. | 0:14:24 | 0:14:26 | |
And you get to trial some innovative surgery with Jac Naylor | 0:14:26 | 0:14:30 | |
and prove yourself as a little shining star in the process. | 0:14:30 | 0:14:34 | |
It's a win-win. What's the big deal? | 0:14:34 | 0:14:36 | |
Beth? | 0:14:39 | 0:14:40 | |
Beth, love. | 0:14:43 | 0:14:45 | |
Fletch? Mr Musgrove, you're in hospital. You're safe. | 0:14:46 | 0:14:50 | |
Oh, you. | 0:14:50 | 0:14:52 | |
Hello, again. How are you feeling? | 0:14:52 | 0:14:54 | |
I don't suppose the other one's here? The girl. | 0:14:54 | 0:14:56 | |
The one Beth liked? | 0:14:56 | 0:14:58 | |
Shall I go and grab Morven? | 0:14:58 | 0:15:00 | |
No. No. No. | 0:15:00 | 0:15:01 | |
So, Mr Musgrove, you had an impalement injury. | 0:15:01 | 0:15:04 | |
But we managed to stop the bleed, | 0:15:04 | 0:15:06 | |
so you should be OK now. Any idea what might have happened? | 0:15:06 | 0:15:09 | |
Well, I was on the allotment. | 0:15:09 | 0:15:11 | |
We'd already put parsnips in ready for Christmas and... | 0:15:11 | 0:15:14 | |
Well, I just lost track of time. | 0:15:14 | 0:15:17 | |
They'd already locked the gates so I had to climb out. | 0:15:19 | 0:15:22 | |
Must've fallen. Bit embarrassing, really. | 0:15:22 | 0:15:26 | |
OK. Um, is there anyone you need us to contact? | 0:15:26 | 0:15:30 | |
No. You're all right. | 0:15:30 | 0:15:31 | |
OK. Can you try just raising your right arm for me? | 0:15:31 | 0:15:34 | |
That's it. How's that? | 0:15:36 | 0:15:37 | |
Oh, fine. | 0:15:37 | 0:15:38 | |
Oh, Teddy Boy - you must have a comb. | 0:15:39 | 0:15:43 | |
Beth would kill me if I went home looking this scruffy. | 0:15:43 | 0:15:46 | |
Well, I'll see if I can get you one, eh? | 0:15:46 | 0:15:48 | |
How's that, Mr Musgrove? Any pain there? | 0:15:48 | 0:15:50 | |
Any pins and needles? | 0:15:50 | 0:15:51 | |
Just not as young as I used to be. | 0:15:51 | 0:15:54 | |
Nothing that a cuppa won't fix. | 0:15:54 | 0:15:57 | |
Well, I'm your man for that. | 0:15:57 | 0:15:59 | |
And you give me a shout if you need anything else, OK? | 0:15:59 | 0:16:02 | |
-We need to keep an eye on him. -Agreed, yep. | 0:16:03 | 0:16:05 | |
The mobility in his arm, plus his heart, so we need to... | 0:16:05 | 0:16:08 | |
No, we need to keep an eye on HIM, all right? | 0:16:08 | 0:16:10 | |
He's too bright. He's too cheery. | 0:16:10 | 0:16:12 | |
Now he's going on about how embarrassing this all is? | 0:16:12 | 0:16:14 | |
The state of his hair? It's not right. He's not grieving. | 0:16:14 | 0:16:17 | |
-Well, we don't really know what he's going through... -Mate. Trust me. | 0:16:17 | 0:16:20 | |
If his wife died, he should be grieving. | 0:16:20 | 0:16:22 | |
Yep, sorry. Yeah, we need to keep on top of everything. | 0:16:24 | 0:16:27 | |
-And if he's asking for Morven then maybe we should bring her... -We shouldn't. | 0:16:27 | 0:16:30 | |
Nothing against her, it's just... she was too emotionally involved | 0:16:30 | 0:16:34 | |
before and I can't have her getting attached. | 0:16:34 | 0:16:36 | |
It's just not going to help anything. | 0:16:36 | 0:16:37 | |
Whatever you say, mate. | 0:16:37 | 0:16:39 | |
I knew we had one somewhere. | 0:16:45 | 0:16:47 | |
Ooh, thank you so much. Thank you, thank you, thank you. | 0:16:47 | 0:16:50 | |
Oi! A whole week. That's not how this works! | 0:16:50 | 0:16:54 | |
Don't look at me. | 0:16:54 | 0:16:55 | |
Trish. Ta-da! | 0:16:58 | 0:17:00 | |
This should make life a little bit easier. | 0:17:00 | 0:17:03 | |
Give it a try. | 0:17:03 | 0:17:04 | |
OK, I'm assuming that means it's good. | 0:17:10 | 0:17:12 | |
I'm just going to have a little listen to your chest, OK? | 0:17:12 | 0:17:15 | |
It must be so annoying not being able to speak | 0:17:17 | 0:17:19 | |
and having all those sermons to do. | 0:17:19 | 0:17:21 | |
Not that you do sermons, obviously, because you're not a vicar... | 0:17:23 | 0:17:26 | |
and I'm sure there's a lot more to your job than just reading... | 0:17:26 | 0:17:30 | |
and...singing? | 0:17:30 | 0:17:32 | |
Whatever it is you do. | 0:17:34 | 0:17:35 | |
That's sounding OK at the moment, so... | 0:17:37 | 0:17:40 | |
sit tight. | 0:17:40 | 0:17:42 | |
Have you got my meds yet? | 0:17:46 | 0:17:47 | |
You're going to need to chill out a little bit, OK? | 0:17:47 | 0:17:50 | |
You can't rush these things. Don't want you racing off prematurely. | 0:17:50 | 0:17:53 | |
Is it normal? This wait? | 0:17:53 | 0:17:55 | |
Nothing in this hospital is normal. Just try not to worry. | 0:17:55 | 0:18:00 | |
Maybe I should go for a drink after this. Deserve one, right? | 0:18:00 | 0:18:03 | |
You fancy it? | 0:18:03 | 0:18:05 | |
You assume I'm free? | 0:18:05 | 0:18:06 | |
Mate, I'm just looking for a place to crash. | 0:18:06 | 0:18:09 | |
I don't really care who with. | 0:18:09 | 0:18:10 | |
Oh. I see. That kind of guy, huh? | 0:18:10 | 0:18:14 | |
I got you pegged. | 0:18:14 | 0:18:15 | |
I asked for her. She was very good with my Beth. | 0:18:26 | 0:18:31 | |
Yes, yes. Of course. | 0:18:31 | 0:18:32 | |
It's OK, Mr Musgrove. I'm here now. | 0:18:32 | 0:18:35 | |
Um, I've got you that comb, Hugh. | 0:18:36 | 0:18:38 | |
Do you want me to, er... | 0:18:38 | 0:18:40 | |
And the paper. | 0:18:40 | 0:18:42 | |
It's looking a right state. | 0:18:42 | 0:18:45 | |
Keep that arm resting, Mr Musgrove, and I'll just do this. | 0:18:45 | 0:18:48 | |
Hugh. | 0:18:48 | 0:18:49 | |
Um, when you were brought in, | 0:18:49 | 0:18:52 | |
you didn't have anything on you - keys, wallet, that kind of thing... | 0:18:52 | 0:18:55 | |
Do you know where they might be? | 0:18:55 | 0:18:57 | |
I had a bag. But I threw it over the fence first. | 0:18:57 | 0:19:01 | |
OK, I'll go and see what's happened to that. | 0:19:01 | 0:19:03 | |
I'm just going to borrow Doctor Shreve for a moment. | 0:19:03 | 0:19:05 | |
I won't be long. | 0:19:05 | 0:19:07 | |
I'll be right back, OK? | 0:19:07 | 0:19:08 | |
Right, he's my patient and Raf is expecting me to look after him, so... | 0:19:11 | 0:19:15 | |
He needs more than just meds. You know that, don't you? | 0:19:15 | 0:19:18 | |
Right. OK. Just, please - one thing at a time, so... | 0:19:18 | 0:19:23 | |
OK. | 0:19:24 | 0:19:26 | |
I have an idea. Bilateral lung volume reduction surgery. | 0:19:26 | 0:19:32 | |
Instead of the chest drain. | 0:19:32 | 0:19:33 | |
Yeah. LVR. I've heard of it. | 0:19:33 | 0:19:35 | |
You'd be left with better lung function. Less shortness of breath. | 0:19:35 | 0:19:38 | |
Higher capacity for exercise. | 0:19:38 | 0:19:40 | |
It's not our first rodeo. We've done this before. | 0:19:40 | 0:19:42 | |
So you know it could seriously help. | 0:19:42 | 0:19:44 | |
No more passing out when things get good. | 0:19:44 | 0:19:46 | |
Except it's dangerous. | 0:19:46 | 0:19:48 | |
Right. Do you want your friend to get back behind the wheel? | 0:19:49 | 0:19:52 | |
Enjoy life? | 0:19:52 | 0:19:53 | |
I want what's best for my friend. | 0:19:53 | 0:19:55 | |
This is best. The risk is manageable. | 0:19:55 | 0:19:58 | |
But it's there. | 0:19:58 | 0:19:59 | |
And it's just a temporary fix until the transplant anyway. | 0:19:59 | 0:20:02 | |
So you'd be happy to go on a road-trip of a lifetime | 0:20:02 | 0:20:05 | |
in the passenger seat? | 0:20:05 | 0:20:07 | |
He doesn't need it. | 0:20:07 | 0:20:08 | |
Wait, dude. I can answer for myself. | 0:20:08 | 0:20:11 | |
But you don't need it. | 0:20:11 | 0:20:12 | |
And anyway, we can't do this now. | 0:20:12 | 0:20:15 | |
The recovery - it puts everything off. | 0:20:15 | 0:20:17 | |
The recovery is long, yes. | 0:20:17 | 0:20:19 | |
But the long-term benefits... Surely you see? | 0:20:19 | 0:20:21 | |
Look, you can't do this now. I've just quit my job. | 0:20:21 | 0:20:24 | |
I don't have the money to put this off. | 0:20:24 | 0:20:25 | |
OK, dude, back off a bit, man. | 0:20:25 | 0:20:27 | |
Yeah, cut him some slack, please. | 0:20:27 | 0:20:28 | |
Since when have things been so bad that you have to derail everything? | 0:20:28 | 0:20:32 | |
Since forever, man. I've been sick the whole time, remember? | 0:20:32 | 0:20:34 | |
Look, I need some time to just talk to my man here, | 0:20:36 | 0:20:39 | |
so could you just... | 0:20:39 | 0:20:40 | |
Of course. But I need you to have faith in this. | 0:20:40 | 0:20:43 | |
I can't be your doctor if you don't trust me with your health. | 0:20:43 | 0:20:47 | |
I've got it. | 0:20:47 | 0:20:48 | |
No. They've still not arrived yet. | 0:20:49 | 0:20:51 | |
Er, yes, as soon as possible. | 0:20:54 | 0:20:56 | |
Yeah, yeah, I'll hold. | 0:21:00 | 0:21:01 | |
Yeah, well, can you just hurry up and do it, please? | 0:21:23 | 0:21:26 | |
And stop making excuses. Thank you. | 0:21:26 | 0:21:28 | |
Not a fan of the, um... | 0:21:37 | 0:21:39 | |
Actually, I don't know what that is. Spinach and... | 0:21:39 | 0:21:41 | |
I ate rat-packs for 20 years - I never liked them then. | 0:21:41 | 0:21:45 | |
This is worse. | 0:21:45 | 0:21:46 | |
40 Commando. | 0:21:48 | 0:21:50 | |
You must have seen quite a bit. | 0:21:50 | 0:21:52 | |
-Aden? -You look that up? | 0:21:52 | 0:21:55 | |
Well, no, I sort of specialise a bit in military history. | 0:21:55 | 0:21:58 | |
I rather hoped you specialised in medicine, son. | 0:21:58 | 0:22:01 | |
Yeah. Sorry. It's a hobby. | 0:22:02 | 0:22:04 | |
My grandfather served. 51st Highland. | 0:22:04 | 0:22:07 | |
Oh, "The Ladies from Hell". | 0:22:07 | 0:22:09 | |
Did he also do the long march with Monty? | 0:22:09 | 0:22:12 | |
He did. And he met my grandmother in France. | 0:22:12 | 0:22:16 | |
I married first and then went to fight. | 0:22:17 | 0:22:20 | |
Months away at a time. | 0:22:20 | 0:22:22 | |
But maybe that's why I got home again. | 0:22:22 | 0:22:26 | |
Wanting to see her. | 0:22:27 | 0:22:28 | |
Well, we're all here for you. | 0:22:30 | 0:22:32 | |
Have you managed to sort out the funeral? | 0:22:32 | 0:22:34 | |
Well, I've got my niece helping out at the moment. | 0:22:34 | 0:22:36 | |
She's a Godsend. | 0:22:36 | 0:22:38 | |
Oh, the man in charge! | 0:22:38 | 0:22:40 | |
How's that arm doing? | 0:22:40 | 0:22:42 | |
Well, thanks to you. | 0:22:42 | 0:22:43 | |
And the doctor says that I might be out of here soon. | 0:22:43 | 0:22:47 | |
You are strong as an ox, Mr Musgrove. | 0:22:47 | 0:22:49 | |
You put up a real fight in surgery. | 0:22:49 | 0:22:52 | |
I just want to get on with things. | 0:22:52 | 0:22:54 | |
Of course. We totally understand. | 0:22:54 | 0:22:56 | |
We appear to be short of three nurses. | 0:23:05 | 0:23:08 | |
What's happening, cabinet reshuffle? | 0:23:08 | 0:23:09 | |
You know what my role is here. | 0:23:09 | 0:23:11 | |
To remove useless or harmful tissue. | 0:23:11 | 0:23:13 | |
We also repair, don't forget. | 0:23:13 | 0:23:14 | |
We're better off without them | 0:23:14 | 0:23:16 | |
and there's probably more to come, if I'm honest. | 0:23:16 | 0:23:18 | |
So what am I supposed to do? | 0:23:18 | 0:23:19 | |
Put Post-it Notes on the ones I'd like to keep? | 0:23:19 | 0:23:21 | |
Nepotism's not dead, then. | 0:23:21 | 0:23:23 | |
-What is the story there? -What's that? | 0:23:23 | 0:23:26 | |
Naylor. Even you're getting it in the neck. | 0:23:26 | 0:23:28 | |
Jac? Oh, she's just... Look, she doesn't suffer fools gladly. | 0:23:28 | 0:23:31 | |
The trick is never take it personally. | 0:23:31 | 0:23:34 | |
Have you had much experience with that? | 0:23:34 | 0:23:36 | |
Oh, yeah, I can show you the scars, if you'd like. | 0:23:36 | 0:23:39 | |
Better get on. She's got a thing about small-talk. | 0:23:39 | 0:23:42 | |
Zosia, what about you? How are you coping with your new overlord? | 0:23:42 | 0:23:48 | |
"Ours is not to reason why." | 0:23:48 | 0:23:50 | |
Jac winning hearts and minds all over, is she? | 0:23:50 | 0:23:53 | |
I'm qualified, I'm experienced | 0:23:53 | 0:23:55 | |
and yet she treats me like a bet she has lost. | 0:23:55 | 0:23:58 | |
Pushing me into whatever corner she cares for the least. | 0:23:58 | 0:24:00 | |
Look, don't let her railroad you. | 0:24:00 | 0:24:02 | |
She doesn't get to say how good you are. Only you do. | 0:24:02 | 0:24:05 | |
You can probably rub that off now. | 0:24:10 | 0:24:13 | |
Tut-tut. You were meant to be nil by mouth. | 0:24:17 | 0:24:21 | |
Why am I not surprised? | 0:24:25 | 0:24:27 | |
What's she been saying? I deny everything. | 0:24:27 | 0:24:30 | |
Yeah, of course you do. So, these drinks tonight, | 0:24:30 | 0:24:33 | |
I'm assuming they're going to be a wild one. | 0:24:33 | 0:24:36 | |
Nah. Cheeky half down the Kaz. Chips and naan, maybe. | 0:24:36 | 0:24:40 | |
Sounds a little bit lame. | 0:24:40 | 0:24:41 | |
Come on, do you not fancy going somewhere loud, dark, | 0:24:41 | 0:24:45 | |
hot, having a pina colada? | 0:24:45 | 0:24:48 | |
I kind of want to keep it low-key. | 0:24:48 | 0:24:51 | |
Just get away from it. Put it all behind me. | 0:24:51 | 0:24:53 | |
Can't have all been that bad. | 0:24:53 | 0:24:56 | |
It's not going to feel like it's out my system, | 0:24:56 | 0:24:58 | |
until it's all out of my system. | 0:24:58 | 0:24:59 | |
No, of course. Absolutely. | 0:24:59 | 0:25:01 | |
Anyway, I best be getting on. | 0:25:04 | 0:25:06 | |
Look, before you ask, I had five minutes, | 0:25:11 | 0:25:13 | |
and I wanted to check on Mr Musgrove. | 0:25:13 | 0:25:14 | |
OK, he's sleeping so I'd rather he rest. | 0:25:14 | 0:25:16 | |
OK, fine. Well, um, now's probably a good time to get the Duty Psyche in. | 0:25:16 | 0:25:20 | |
-Brief them before he wakes up. -Sorry? | 0:25:20 | 0:25:22 | |
You have spoken to them, haven't you? | 0:25:22 | 0:25:23 | |
No. Why? He doesn't need... Look, I've been talking to him. | 0:25:23 | 0:25:27 | |
He's coping. | 0:25:27 | 0:25:28 | |
No. He needs grief counselling. | 0:25:28 | 0:25:30 | |
He's got a niece, um, who's looking after him. | 0:25:30 | 0:25:32 | |
-Really? -Mm-hmm. | 0:25:32 | 0:25:34 | |
So now he's got her, my job is just to make sure his arm | 0:25:34 | 0:25:36 | |
and his heart are well enough for him to go home. | 0:25:36 | 0:25:40 | |
Um, Mr Di Lucca? Um, sorry. Excuse me. Uh, about Mr Musgrove. | 0:25:40 | 0:25:46 | |
He's really not well. | 0:25:46 | 0:25:47 | |
-I think he knows that. -No. | 0:25:47 | 0:25:49 | |
I mean it - it's more than the heart and the arm. | 0:25:49 | 0:25:52 | |
He really needs someone to talk to. | 0:25:52 | 0:25:54 | |
Arthur was talking to him earlier. | 0:25:54 | 0:25:56 | |
Yeah. Absolutely. And we were talking about his army days... | 0:25:56 | 0:25:59 | |
And he seemed all right to you, didn't he? | 0:25:59 | 0:26:01 | |
Well, I mean, he's been through a lot, | 0:26:01 | 0:26:03 | |
but, yeah, he's on the mend. We're doing well. | 0:26:03 | 0:26:05 | |
Well, he was close to tears with me. | 0:26:05 | 0:26:06 | |
Well, it might be because you and Beth were close. | 0:26:06 | 0:26:09 | |
You know, you remind him of what happened. | 0:26:09 | 0:26:10 | |
So perhaps your presence is making him upset. | 0:26:10 | 0:26:13 | |
Well, it looks like everything's in hand. Excuse me. | 0:26:13 | 0:26:16 | |
He'll be fine. Trust me. | 0:26:16 | 0:26:18 | |
Mr Dreyfus' chest drain. He missed his slot. | 0:26:21 | 0:26:24 | |
Uh, yes. The patient was complaining of dizziness. | 0:26:24 | 0:26:27 | |
I thought it best for him to rest. | 0:26:27 | 0:26:29 | |
He can rest as much as he wants when he's off the ward. | 0:26:29 | 0:26:31 | |
I want cases turned around, targets hit and exceeded. | 0:26:31 | 0:26:34 | |
This isn't cosy Care Bear hour with Sacha Levy any more. | 0:26:34 | 0:26:36 | |
Yes. Understood. | 0:26:36 | 0:26:38 | |
They're a bit wet, but they found his stuff. Outside, though. | 0:26:42 | 0:26:45 | |
So he must have dropped it before he started to climb over. All right? | 0:26:45 | 0:26:49 | |
Brilliant. Thanks very much. | 0:26:49 | 0:26:50 | |
Hugh? Looks like we've found some of your things. | 0:26:52 | 0:26:56 | |
Would you like me to... | 0:26:56 | 0:26:57 | |
Oh. Yeah, go on. | 0:26:57 | 0:26:59 | |
Ooh, look at this. | 0:27:04 | 0:27:06 | |
Meritorious Service. Always said she should've been awarded that. | 0:27:08 | 0:27:12 | |
She could have had any man in the world. | 0:27:13 | 0:27:15 | |
But she picked you. | 0:27:15 | 0:27:17 | |
Oh, the sweets, yes. | 0:27:18 | 0:27:19 | |
I used to bring them home on the train and she kept them in the car. | 0:27:19 | 0:27:24 | |
HE WINCES Do you want some more pain relief? | 0:27:24 | 0:27:26 | |
No, no. It's just old bones. | 0:27:26 | 0:27:28 | |
I should be more careful, not to throw my memories about. | 0:27:28 | 0:27:32 | |
Climbing in places at night. | 0:27:32 | 0:27:35 | |
Sorry. Climbing in? | 0:27:36 | 0:27:38 | |
You what? | 0:27:38 | 0:27:40 | |
Earlier, you said you got locked in and that you climbed out. | 0:27:40 | 0:27:44 | |
Oh, in and out. | 0:27:44 | 0:27:45 | |
Surely I'm allowed a senior moment after the day that I've had. | 0:27:45 | 0:27:49 | |
It'll be good when I just get home and get on and... | 0:27:51 | 0:27:55 | |
get these things back where they belong. | 0:27:55 | 0:27:58 | |
Er, of course, but... | 0:27:58 | 0:27:59 | |
I really need to rest now. It's been quite a day. | 0:27:59 | 0:28:03 | |
OK. | 0:28:05 | 0:28:06 | |
When I find out which one of you has been at them... | 0:28:14 | 0:28:18 | |
Do you have time for a quick chat? Or...a listen? | 0:28:29 | 0:28:33 | |
It's a little bit personal, so it's probably beyond your normal remit. | 0:28:35 | 0:28:38 | |
So, spare me the psalms and the hymns, but I was wondering if... | 0:28:38 | 0:28:43 | |
She's not cheating again, is she? | 0:28:43 | 0:28:45 | |
Habit or not, I don't trust this one. | 0:28:45 | 0:28:47 | |
Yeah... Crafty. Look, I'll check on you in a little while, OK? | 0:28:48 | 0:28:54 | |
"Do not be ashamed of help." | 0:29:00 | 0:29:02 | |
-Morven. -Arthur. -About Hugh. | 0:29:06 | 0:29:08 | |
Apparently, you're doing a great job there. Keep it up! | 0:29:08 | 0:29:11 | |
Has he said anything about the funeral? | 0:29:11 | 0:29:13 | |
No, he didn't. | 0:29:13 | 0:29:14 | |
Right, and Beth never mentioned any family? | 0:29:14 | 0:29:17 | |
I get the impression all they had was each other. | 0:29:17 | 0:29:19 | |
Why? You don't believe him, either, do you? | 0:29:19 | 0:29:23 | |
Look, we really need to get someone for him to talk to. | 0:29:23 | 0:29:25 | |
We need to get the duty psyche here. | 0:29:25 | 0:29:27 | |
If we get the duty psyche in, we just make all this worse. | 0:29:27 | 0:29:30 | |
How do you know that? | 0:29:30 | 0:29:31 | |
Right. We'll be suggesting that he's mad, OK? | 0:29:31 | 0:29:33 | |
That's how it will look to him. Trust me, OK? | 0:29:33 | 0:29:35 | |
My grandfather was like this, | 0:29:35 | 0:29:37 | |
proud and absolutely determined not to show any weakness. | 0:29:37 | 0:29:40 | |
Hugh's a man who's lived three times the lives we have | 0:29:40 | 0:29:42 | |
and we go up to him and tell him he can't manage? | 0:29:42 | 0:29:44 | |
That's just going to push him further away, any confidence he has, it goes. | 0:29:44 | 0:29:48 | |
No, no, no. He's been through too much. | 0:29:48 | 0:29:51 | |
So we just need to make sure the arm and heart is healed | 0:29:51 | 0:29:53 | |
and anything else is just secondary. | 0:29:53 | 0:29:55 | |
What, so we wait until he's beyond our care? | 0:29:55 | 0:29:57 | |
Well, you can't get involved in the life of every patient. | 0:29:57 | 0:30:00 | |
You just can't. There has to be a cut-off point. | 0:30:00 | 0:30:03 | |
It's not about us. | 0:30:03 | 0:30:04 | |
You just protect yourself, Arthur. | 0:30:05 | 0:30:07 | |
Oh... | 0:30:07 | 0:30:09 | |
So I quit my job and lost my bike. | 0:30:11 | 0:30:14 | |
I never asked you to do any of that. | 0:30:14 | 0:30:15 | |
Zosia, what are you doing? | 0:30:15 | 0:30:17 | |
-This is ridiculous. -The "win-win". | 0:30:17 | 0:30:20 | |
Wow. Excellent timing. | 0:30:23 | 0:30:26 | |
I wanted to talk to you on your own. | 0:30:26 | 0:30:27 | |
Why? So that you can pressure me without him here? | 0:30:27 | 0:30:30 | |
So you could make a decision on your own. | 0:30:30 | 0:30:33 | |
Consent rests solely with you. | 0:30:33 | 0:30:35 | |
Look, man. Your boss - Jac - I've dealt with her a few times. | 0:30:35 | 0:30:38 | |
She ain't never once wanted me to do this | 0:30:38 | 0:30:40 | |
and she seems pretty good at her job. | 0:30:40 | 0:30:42 | |
Well, you must be tempted, otherwise you'd just say no. | 0:30:42 | 0:30:44 | |
I thought we had. | 0:30:44 | 0:30:46 | |
Listen to yourself. "We had" - it's not about him, it's about you. | 0:30:46 | 0:30:51 | |
Isn't it time you came out from under his shadow? | 0:30:51 | 0:30:55 | |
I thought you were resting. | 0:30:55 | 0:30:58 | |
Well, I used to be able to sleep where I stood. | 0:30:58 | 0:31:01 | |
You stuck? | 0:31:01 | 0:31:03 | |
She made me do them to keep me sharp. | 0:31:03 | 0:31:07 | |
I don't know how she ever did it. | 0:31:07 | 0:31:09 | |
Listen, how long do I have to stay here? | 0:31:10 | 0:31:13 | |
Well, we need to monitor you a little while longer. | 0:31:13 | 0:31:16 | |
You were bleeding out in the open for some time. | 0:31:16 | 0:31:18 | |
We need to check there's no infection | 0:31:18 | 0:31:20 | |
and be sure that the arrhythmia isn't an ongoing problem. | 0:31:20 | 0:31:23 | |
Even prisoners get to walk in the yard - | 0:31:23 | 0:31:25 | |
a bit of sky, a bit of fresh air. | 0:31:25 | 0:31:28 | |
Well, when we're ready. | 0:31:28 | 0:31:30 | |
If you could get me something to help me sleep, | 0:31:30 | 0:31:33 | |
that would be very nice. | 0:31:33 | 0:31:35 | |
We'll get you out of here as soon as we can. | 0:31:35 | 0:31:38 | |
See? Don't you want to be in the driving seat for that? | 0:31:51 | 0:31:54 | |
-What's this? -The V-8 in action. | 0:31:54 | 0:31:57 | |
Oh, right. Nice. So when are we out of here, brah? | 0:31:57 | 0:32:01 | |
Still talking it through. | 0:32:01 | 0:32:03 | |
-Do you get a commission for the riskier ones? -N-No, I... | 0:32:03 | 0:32:07 | |
It's, um, just part of my job. | 0:32:07 | 0:32:08 | |
Well, I have to hand it to you, you do the hard sell pretty good. | 0:32:10 | 0:32:13 | |
Dean, man. We're just talking. | 0:32:13 | 0:32:14 | |
He has more cysts on his lungs than we anticipated. | 0:32:14 | 0:32:17 | |
If he has a lung collapse, he could quite possibly die. | 0:32:17 | 0:32:21 | |
These are worst-case scenarios, of course. | 0:32:21 | 0:32:23 | |
Which we risk, by not taking action. | 0:32:23 | 0:32:26 | |
We can't guarantee what's going to happen. | 0:32:26 | 0:32:28 | |
Do you want to gamble with your friend's health? | 0:32:28 | 0:32:30 | |
Why are you so set against this? | 0:32:30 | 0:32:32 | |
It would be cool if I wasn't so ill all the time. | 0:32:32 | 0:32:35 | |
And if it makes you worse? You passed out. | 0:32:35 | 0:32:38 | |
-Are you really up to hardcore surgery? -Dude... | 0:32:38 | 0:32:41 | |
if you're trying to hold me back, because you sold your bike... | 0:32:41 | 0:32:43 | |
-Is that what you think? -I don't get why you're so set against this? | 0:32:43 | 0:32:46 | |
None of us do. | 0:32:46 | 0:32:48 | |
I think we should all take a moment and discuss it properly. | 0:32:48 | 0:32:51 | |
-Doctor March? -No, it's cool. | 0:32:51 | 0:32:54 | |
Discussion over. I'm doing it. | 0:32:54 | 0:32:56 | |
-For real? -Yeah. You had to be a jerk about it, didn't you? | 0:32:56 | 0:33:01 | |
Well, you can sort yourself out afterwards, man. I'm out. | 0:33:01 | 0:33:04 | |
Sign me up. Let's do it. | 0:33:12 | 0:33:14 | |
No. | 0:33:18 | 0:33:19 | |
No? | 0:33:21 | 0:33:22 | |
You asked. I answered. | 0:33:22 | 0:33:24 | |
I would be there to supervise. It can be done. | 0:33:24 | 0:33:27 | |
-It could change Tobey's life. -Undoubtedly. | 0:33:27 | 0:33:29 | |
He bleeds too much while his chest is open, develops an air leak, | 0:33:29 | 0:33:32 | |
and infection and dies. Merry Christmas. | 0:33:32 | 0:33:34 | |
Which is the worst-case scenario. | 0:33:34 | 0:33:36 | |
Which we don't even risk if we stick with a chest drain. | 0:33:36 | 0:33:39 | |
What are you failing to understand, here? | 0:33:39 | 0:33:42 | |
Is it the language I'm using, or the authority? | 0:33:42 | 0:33:44 | |
Because either one are a concern. | 0:33:44 | 0:33:46 | |
What? | 0:33:49 | 0:33:50 | |
-We might have already sold him on the idea. -Why? | 0:33:51 | 0:33:55 | |
I was letting him know his options. | 0:33:55 | 0:33:56 | |
There are no options. You do what I say. | 0:33:56 | 0:34:00 | |
Which for you right now, is to go and explain to Mr Dreyfus | 0:34:00 | 0:34:03 | |
why we'll be sticking with the chest drain. Thank you. | 0:34:03 | 0:34:05 | |
He fell out with his best friend over this. | 0:34:05 | 0:34:08 | |
Oh, well, if that's the case then let's scrub in. | 0:34:08 | 0:34:12 | |
Page Connie, page Guy. We can't have two boys in a tiff, can we? | 0:34:12 | 0:34:16 | |
We'll let the patient know. | 0:34:16 | 0:34:18 | |
Professor Hope would have agreed to this. | 0:34:18 | 0:34:20 | |
Well, he's left the building. | 0:34:20 | 0:34:22 | |
Yes, we'd noticed. | 0:34:22 | 0:34:24 | |
-Hey. -Hey. I'm just taking Trish over to radiology. | 0:34:32 | 0:34:36 | |
OK, I can do that. | 0:34:36 | 0:34:37 | |
-No, it's no problem. -No, I'd quite like to. | 0:34:37 | 0:34:40 | |
So would I. | 0:34:40 | 0:34:42 | |
I don't want to pull rank, but... | 0:34:42 | 0:34:44 | |
Good. Because Sacha asked me to do it and I think he out-ranks you. | 0:34:44 | 0:34:47 | |
Look, it's just a trip to radiology. What's the big deal? | 0:34:47 | 0:34:51 | |
-Fine. I'll do the five tea runs. -Ten. -Eh, seven. | 0:34:51 | 0:34:56 | |
-Well, if you're not serious, excuse me. -Uh, fine. Ten. | 0:34:56 | 0:35:00 | |
Deal. But I thought you'd rather hang out with Mr Cannon, though? | 0:35:00 | 0:35:05 | |
I mean, fit plumber versus nun? | 0:35:05 | 0:35:07 | |
You surprise me. | 0:35:07 | 0:35:09 | |
Yeah, well, I work in mysterious ways. | 0:35:09 | 0:35:11 | |
I'm sorry. | 0:35:14 | 0:35:16 | |
You're thorough. | 0:35:17 | 0:35:19 | |
Yeah, well, you're not my only patient. | 0:35:19 | 0:35:21 | |
DOOR OPENS | 0:35:29 | 0:35:31 | |
He hasn't made any plans. | 0:35:35 | 0:35:37 | |
For Beth. | 0:35:38 | 0:35:40 | |
He's just ignoring it. | 0:35:40 | 0:35:42 | |
He's not arranged the funeral. | 0:35:45 | 0:35:47 | |
There is no niece, is there? | 0:35:49 | 0:35:52 | |
I don't think so, no. | 0:35:52 | 0:35:54 | |
So he's on his own. | 0:35:54 | 0:35:56 | |
I need your help. | 0:35:59 | 0:36:01 | |
So now I'm useful to you? | 0:36:01 | 0:36:04 | |
I just got it wrong. | 0:36:06 | 0:36:08 | |
About you. | 0:36:09 | 0:36:10 | |
Please. | 0:36:13 | 0:36:14 | |
This is so stupid. | 0:36:17 | 0:36:19 | |
I'm being punished for using my initiative. | 0:36:19 | 0:36:21 | |
-What could that possibly encourage? -Unquestioning obedience? | 0:36:21 | 0:36:25 | |
-Ah! -This is Jac's ship, after all. | 0:36:25 | 0:36:27 | |
So, what, I just put up and walk the plank? | 0:36:27 | 0:36:29 | |
-Has Dean been in touch since... -No chance. | 0:36:42 | 0:36:45 | |
Well, I hate to say it and drop this bombshell | 0:36:46 | 0:36:51 | |
but after some consideration, | 0:36:51 | 0:36:53 | |
we've decided to not go ahead with the LVR. | 0:36:53 | 0:36:55 | |
-I'm so sorry. -What? | 0:36:55 | 0:36:58 | |
We believe, uh, there is too much risk involved. | 0:36:59 | 0:37:03 | |
You were just in here, selling me on this. | 0:37:03 | 0:37:07 | |
Yes, there were other factors to consider. | 0:37:07 | 0:37:10 | |
You mean you didn't check with the boss first. | 0:37:10 | 0:37:12 | |
I got ahead of myself. I hadn't thought it all through. | 0:37:12 | 0:37:16 | |
LABOURED BREATHING | 0:37:29 | 0:37:31 | |
HE GASPS AND STRUGGLES | 0:37:35 | 0:37:38 | |
Do you mind if I bend your ear? | 0:37:48 | 0:37:51 | |
Have you ever dealt with anyone who's been involved | 0:37:54 | 0:37:59 | |
in conflict or trauma? | 0:37:59 | 0:38:03 | |
You know, real, gritty life situations? | 0:38:03 | 0:38:05 | |
OK, so do these people ever really | 0:38:08 | 0:38:13 | |
completely get over it? | 0:38:13 | 0:38:15 | |
For example, there are two soldiers. | 0:38:15 | 0:38:19 | |
One of them is badly injured and nearly dies. | 0:38:19 | 0:38:23 | |
And the other one saves his life. | 0:38:23 | 0:38:25 | |
And when they get back home, | 0:38:25 | 0:38:28 | |
even though they were really close, | 0:38:28 | 0:38:32 | |
these soldiers, they never wanted to spend any more time with each other | 0:38:32 | 0:38:38 | |
because it just brought back too many bad memories. | 0:38:38 | 0:38:43 | |
'Doors opening, lift going down...' | 0:38:43 | 0:38:46 | |
'Doors closing.' | 0:38:51 | 0:38:53 | |
So if you were this soldier... | 0:38:55 | 0:38:58 | |
and you felt your friend was... | 0:38:58 | 0:39:02 | |
hiding away and you were scared that you were going to lose him | 0:39:02 | 0:39:08 | |
and you didn't want to and... | 0:39:08 | 0:39:11 | |
Oh... | 0:39:11 | 0:39:13 | |
Right. | 0:39:17 | 0:39:19 | |
Don't panic, look, he won't have gone far. | 0:39:23 | 0:39:27 | |
Stop worrying. | 0:39:27 | 0:39:29 | |
OK, if you turn Miss Carter and meet me by Mr Reeves | 0:39:29 | 0:39:32 | |
when you're ready. Thank you. | 0:39:32 | 0:39:34 | |
-Mr Dreyfus scheduled for his chest drain? -Yeah, yes, he is. | 0:39:34 | 0:39:37 | |
-Does he know? -He does. -Good. So you can follow simple instructions. | 0:39:37 | 0:39:41 | |
-That's very reassuring. -He's crashing! | 0:39:41 | 0:39:43 | |
Tension pneumothorax. | 0:39:48 | 0:39:51 | |
His lung's completely collapsed. Let's get him back on the bed. | 0:39:51 | 0:39:54 | |
Get a porter. Get an angiocath, now. | 0:39:54 | 0:39:57 | |
HE BREATHES WHEEZILY | 0:39:57 | 0:39:58 | |
HE GROANS | 0:40:09 | 0:40:11 | |
HE STRUGGLES TO SPEAK | 0:40:21 | 0:40:25 | |
HE CRIES OUT | 0:40:29 | 0:40:31 | |
Agh! | 0:40:34 | 0:40:35 | |
What do you mean? The whole doctor/patient thing? | 0:40:44 | 0:40:46 | |
Oh, well yeah, absolutely. | 0:40:46 | 0:40:48 | |
I mean, aside from the whole professional faux pas, | 0:40:48 | 0:40:51 | |
the abuse of power, you then wander into really murky | 0:40:51 | 0:40:54 | |
Florence Nightingale territory, you know? | 0:40:54 | 0:40:57 | |
Is it gratitude or is it genuine? | 0:40:57 | 0:40:59 | |
Does he think the same about me as he does about Sacha? | 0:40:59 | 0:41:02 | |
I mean, what if I just constantly remind him of illness? | 0:41:02 | 0:41:06 | |
Thank you very much, thank you. | 0:41:11 | 0:41:13 | |
You think I should take the risk, right? | 0:41:14 | 0:41:16 | |
Oh, no, I'm not scared but... | 0:41:18 | 0:41:20 | |
Thank you. I've just got a lot to lose. | 0:41:20 | 0:41:23 | |
I'm not very good at this kind of thing, either. | 0:41:23 | 0:41:26 | |
I mean, what if you're wrong? | 0:41:27 | 0:41:29 | |
What if he just wants to get away from here as quick as he can? | 0:41:29 | 0:41:32 | |
And away from me as quickly as he can? | 0:41:32 | 0:41:34 | |
Fletch! Fletch, is anyone in there with you? | 0:41:37 | 0:41:39 | |
-Eh? -Hugh? Is Hugh in there? -No, it's empty, mate. | 0:41:39 | 0:41:42 | |
He said it was like a prison. | 0:41:42 | 0:41:43 | |
That he wanted exercise and sky so... | 0:41:43 | 0:41:45 | |
He's probably just gone outside. | 0:41:45 | 0:41:47 | |
I'll wait on the ward and let you know if he comes back. | 0:41:47 | 0:41:49 | |
OK, can you call security and Fletch? Can you come with me? | 0:41:49 | 0:41:54 | |
Angiocath. | 0:41:54 | 0:41:55 | |
Syringe. | 0:42:02 | 0:42:03 | |
Steady. | 0:42:08 | 0:42:09 | |
The LVR. Did you look into keyhole reduction | 0:42:18 | 0:42:20 | |
or just the bilateral procedure? | 0:42:20 | 0:42:23 | |
Mostly bilateral. Why? | 0:42:23 | 0:42:26 | |
Because you're with me now and we're fixing this. Emergency surgery. | 0:42:26 | 0:42:30 | |
Keyhole. Get him prepped. | 0:42:30 | 0:42:32 | |
Mr Musgrove. Hugh? | 0:42:45 | 0:42:47 | |
It's Dr Digby. Can you hear me? | 0:42:47 | 0:42:49 | |
Can we get some help down here, please? | 0:42:49 | 0:42:52 | |
We're right here. We've got you. | 0:42:52 | 0:42:54 | |
-Ready for diathermy. -All yours. | 0:42:56 | 0:42:59 | |
Are you taking the scenic route? | 0:43:06 | 0:43:08 | |
You do know what you're doing, don't you? | 0:43:09 | 0:43:12 | |
-We're ready. -Are you sure? | 0:43:16 | 0:43:19 | |
-Yes. -Why the right lung? | 0:43:21 | 0:43:23 | |
It's the more inflated of the two. Reduction here will help both. | 0:43:23 | 0:43:26 | |
Gold star. | 0:43:26 | 0:43:28 | |
If you really want to impress, you can staple and cut. | 0:43:28 | 0:43:32 | |
Cheer up, Dr March. You've got your wish. | 0:43:32 | 0:43:35 | |
He's arrested but he's stable. Substantial abdominal bleed. | 0:43:38 | 0:43:41 | |
All right, straight into theatre, please. | 0:43:41 | 0:43:44 | |
Hey. I'm going to fix him. I promise. | 0:43:44 | 0:43:48 | |
All done. | 0:43:56 | 0:43:57 | |
Going somewhere? | 0:44:01 | 0:44:02 | |
You can finish off. Close him up. Get him back on the ward. | 0:44:04 | 0:44:07 | |
Stitch. | 0:44:09 | 0:44:11 | |
So, we are in for a splenectomy. I'll do that laparoscopically. | 0:44:13 | 0:44:17 | |
I think poor Hugh's been through enough already. | 0:44:17 | 0:44:19 | |
Poor bloke hasn't had much luck, has he? | 0:44:19 | 0:44:22 | |
I don't mean anything other than... | 0:44:23 | 0:44:25 | |
No, he's taken an absolute beating. | 0:44:25 | 0:44:28 | |
My grandfather, he took a bayonet in the lung, he had cancer | 0:44:28 | 0:44:32 | |
in the other but he made it through to 88 | 0:44:32 | 0:44:35 | |
so Hugh's going to beat that. He has to. | 0:44:35 | 0:44:38 | |
Are you sure you don't want to clear your head? | 0:44:38 | 0:44:41 | |
Sit this out? Arthur? | 0:44:41 | 0:44:44 | |
I'm not going anywhere. | 0:44:45 | 0:44:47 | |
-Knew it! -What? | 0:44:52 | 0:44:56 | |
I told you, I don't want your poxy chocolates. | 0:44:56 | 0:44:59 | |
It's Sacha you should be keeping an eye on. | 0:44:59 | 0:45:01 | |
Well, erm, finally got Mr Cannon's heparin. | 0:45:01 | 0:45:03 | |
-I just need to do his discharge papers. -OK. Thank you. | 0:45:03 | 0:45:08 | |
Can't all be Scotch eggs on the roof. | 0:45:15 | 0:45:18 | |
I'm not hungry. I just need to get out of here. | 0:45:18 | 0:45:21 | |
OK. Um, well, uh, | 0:45:22 | 0:45:26 | |
we have your meds now. So that's it. You're good to go. | 0:45:26 | 0:45:29 | |
About time. | 0:45:29 | 0:45:32 | |
Right. Well... | 0:45:32 | 0:45:34 | |
-call me. -Doctor Copeland?! | 0:45:34 | 0:45:37 | |
Trish, what is it? | 0:45:38 | 0:45:41 | |
OK, OK. Take deep breaths, Trish. | 0:45:41 | 0:45:43 | |
All right? What's wrong? | 0:45:43 | 0:45:46 | |
She's just got herself all worked up. | 0:45:46 | 0:45:48 | |
What is it? What... | 0:45:49 | 0:45:51 | |
Oh... | 0:45:54 | 0:45:56 | |
You meant you. | 0:45:56 | 0:45:58 | |
Trish, I'm so sorry. What's been scaring you? | 0:45:58 | 0:46:01 | |
No! No, look. That isn't going to happen. | 0:46:08 | 0:46:12 | |
You've got your big guy upstairs. Even better than that, | 0:46:13 | 0:46:16 | |
you've got me with Mr Levy, here, you've got the Holy Trinity. | 0:46:16 | 0:46:21 | |
We're in miracle city. | 0:46:21 | 0:46:23 | |
We need to move things along. | 0:46:23 | 0:46:24 | |
Mr Cannon should be long gone by now, OK? Good. | 0:46:24 | 0:46:27 | |
See you in theatre. | 0:46:29 | 0:46:31 | |
What is that? | 0:46:33 | 0:46:34 | |
It's a thumbs up. | 0:46:34 | 0:46:36 | |
-It looks more like a... -No, it does not! | 0:46:36 | 0:46:38 | |
-How's he looking? -BP and pulse are steady. | 0:46:46 | 0:46:50 | |
Hang in there, Hugh. You can do it. | 0:46:50 | 0:46:52 | |
Arthur, what was your grandad, then? | 0:46:52 | 0:46:54 | |
He was an Infantryman. Marched from Africa to Berlin. | 0:46:54 | 0:46:57 | |
Stapler, please. | 0:46:57 | 0:46:58 | |
Can't imagine it, can you? What they went through. | 0:46:58 | 0:47:01 | |
What about Hugh, what was he up to? | 0:47:01 | 0:47:04 | |
Aden. Singapore. Ireland. Falklands. | 0:47:04 | 0:47:08 | |
So fought long and hard, from the sound of things. | 0:47:08 | 0:47:10 | |
Stapling across the hilar vessels. | 0:47:10 | 0:47:12 | |
I've got nothing on these fellas. I mean how does this even compare? | 0:47:15 | 0:47:18 | |
What we do is like a front-line. People die. | 0:47:18 | 0:47:21 | |
Things we see every day - it takes real courage to keep coming back. | 0:47:21 | 0:47:24 | |
Don't sell yourself short. | 0:47:24 | 0:47:26 | |
I don't care what anyone thinks. | 0:47:27 | 0:47:29 | |
Heroes, any of that sort of stuff. | 0:47:29 | 0:47:32 | |
I just want to save lives. | 0:47:32 | 0:47:34 | |
Just got to focus on getting that bit right. | 0:47:35 | 0:47:37 | |
OK. Looks like we're done. Let's close him up. | 0:47:37 | 0:47:42 | |
Sutures, please. | 0:47:42 | 0:47:43 | |
Swabs. | 0:47:43 | 0:47:45 | |
Arthur, it's fine. We've done it. | 0:47:46 | 0:47:48 | |
Look, we did good here today. | 0:47:48 | 0:47:50 | |
-He'll be back on his feet in a few days. -And then what? | 0:47:50 | 0:47:54 | |
As it turns out, we did do the Lung Volume Reduction in the end. | 0:47:57 | 0:48:00 | |
-For real? -Only one lung though. | 0:48:00 | 0:48:03 | |
We're going to have to bring you back in to do the other. | 0:48:03 | 0:48:06 | |
Right. So thanks, I guess. | 0:48:06 | 0:48:09 | |
-Back in the driving seat. -Yeah. All yours. | 0:48:12 | 0:48:15 | |
He didn't come back to check on me? | 0:48:18 | 0:48:20 | |
No. I'm sorry. | 0:48:20 | 0:48:22 | |
Have a near-death experience and no-one to share it with. | 0:48:23 | 0:48:26 | |
Kind of think I need him more than he needs me. | 0:48:29 | 0:48:32 | |
You made a decision, your own decision, | 0:48:32 | 0:48:34 | |
and if he resents that then forget him. | 0:48:34 | 0:48:38 | |
Easy for you to say. | 0:48:38 | 0:48:39 | |
Dude, you know I'm terrible with directions. | 0:48:42 | 0:48:46 | |
There you go. | 0:48:51 | 0:48:52 | |
Do you know how long Doctor Copeland might be? | 0:48:53 | 0:48:56 | |
Um, I'm afraid I don't, no. | 0:48:56 | 0:48:59 | |
Do you want me to give him a message? | 0:48:59 | 0:49:01 | |
No. No, it's OK. | 0:49:02 | 0:49:04 | |
All right, let me know if you need anything. | 0:49:04 | 0:49:06 | |
-I just need to get out of here. -Take your time. | 0:49:06 | 0:49:09 | |
I'm still here. | 0:49:15 | 0:49:16 | |
You had a cardiac arrest, and then you had a fall. | 0:49:19 | 0:49:23 | |
Well, I was just taking some air. | 0:49:23 | 0:49:26 | |
You'll have to look after yourself more than ever, Mr Musgrove. | 0:49:26 | 0:49:30 | |
It was always Beth. Looking after. Holding me together. | 0:49:30 | 0:49:34 | |
I never knew why she waited. What did she see in me? | 0:49:34 | 0:49:39 | |
So young to get married and then she let me go off, well, | 0:49:39 | 0:49:43 | |
across half the world. | 0:49:43 | 0:49:45 | |
What happened last night? Why did you go to the allotment? | 0:49:47 | 0:49:50 | |
Well, it's where I'd always find her. | 0:49:50 | 0:49:53 | |
If she wasn't at home, she'd be there. | 0:49:53 | 0:49:55 | |
Anyway, I didn't know where else to go. | 0:49:57 | 0:49:59 | |
And you haven't arranged the funeral. I saw your letter. | 0:50:00 | 0:50:04 | |
I'm sorry. | 0:50:04 | 0:50:05 | |
Well, that's the end, isn't it? There's nothing after that. Nothing! | 0:50:05 | 0:50:10 | |
Goodbye. | 0:50:10 | 0:50:11 | |
There's things we didn't do. | 0:50:13 | 0:50:15 | |
Never saw. | 0:50:16 | 0:50:18 | |
Look at that. Look at that! | 0:50:18 | 0:50:21 | |
That's Bournemouth. | 0:50:21 | 0:50:23 | |
She drove there one day when I was in Borneo. | 0:50:24 | 0:50:27 | |
I thought it was funny. | 0:50:27 | 0:50:29 | |
Bournemouth and Borneo. | 0:50:29 | 0:50:31 | |
She said she'd take me there one day. | 0:50:33 | 0:50:35 | |
We'd walk on the beach and... | 0:50:35 | 0:50:37 | |
But I always put it off. | 0:50:39 | 0:50:41 | |
Oh, I looked forward to it. | 0:50:41 | 0:50:43 | |
But I never wanted to do it | 0:50:44 | 0:50:46 | |
cos I never wanted it to be over. | 0:50:46 | 0:50:49 | |
See, this card did so much for me. | 0:50:50 | 0:50:55 | |
But I don't know what's going to happen after this lot. | 0:50:57 | 0:51:01 | |
What am I going to look forward to now? | 0:51:01 | 0:51:04 | |
Well, you should go. You should see it. | 0:51:05 | 0:51:09 | |
See what she loved about it. That's what she wanted. | 0:51:09 | 0:51:12 | |
She wanted you to see what she saw. | 0:51:12 | 0:51:15 | |
The funeral isn't the end, Hugh. It doesn't have to be. | 0:51:15 | 0:51:18 | |
Oh, I just miss her so much... | 0:51:20 | 0:51:24 | |
in every possible way. | 0:51:24 | 0:51:27 | |
It sounds to me like you were the luckiest man alive. HE SCOFFS | 0:51:27 | 0:51:31 | |
Beth loved you, she never tired of you. | 0:51:31 | 0:51:34 | |
Wherever she went, she thought of you. | 0:51:34 | 0:51:36 | |
Now if someone like that loved you that much then you must be | 0:51:36 | 0:51:39 | |
a rare breed. | 0:51:39 | 0:51:40 | |
My perfect fit. | 0:51:42 | 0:51:45 | |
Well, don't disappoint her. | 0:51:45 | 0:51:47 | |
I'm going to make sure you've got all the help you need when you leave here. | 0:51:50 | 0:51:54 | |
-OK. -You won't be on your own. | 0:51:54 | 0:51:57 | |
Thank you. | 0:52:01 | 0:52:03 | |
Thank you. | 0:52:04 | 0:52:06 | |
-Hey, dude. -Hey, dude. | 0:52:10 | 0:52:13 | |
Dude, do you want to, like, grab a brew, | 0:52:13 | 0:52:16 | |
-when you're done with this place? -Yeah, like, totally, brah. | 0:52:16 | 0:52:20 | |
Cool. | 0:52:20 | 0:52:21 | |
I've got some things to tie up so... | 0:52:21 | 0:52:23 | |
Great. | 0:52:23 | 0:52:25 | |
So... Adele's chocolates. Come on. | 0:52:29 | 0:52:33 | |
How many did you eat? | 0:52:33 | 0:52:35 | |
-Three. Four. I thought she'd blame you. -That's OK. | 0:52:35 | 0:52:39 | |
I ate about 15. I knew she'd blame you. | 0:52:39 | 0:52:41 | |
Right. That's very big. But we'll be fine. | 0:52:43 | 0:52:46 | |
Same dream-team that worked on Lee. | 0:52:46 | 0:52:48 | |
Swab, please. | 0:52:49 | 0:52:51 | |
Now, if we're going to get Trish boxing in hymns and a habit, | 0:52:54 | 0:52:58 | |
that nerve there is the one we need to be very, very careful with. | 0:52:58 | 0:53:02 | |
Dom, I'm going to need your full attention. OK. | 0:53:02 | 0:53:06 | |
Sorry. | 0:53:06 | 0:53:08 | |
-Is your mind elsewhere or is it here? -It's here. | 0:53:08 | 0:53:12 | |
Good. | 0:53:12 | 0:53:14 | |
-KNOCK AT DOOR -Come in! | 0:53:15 | 0:53:18 | |
CT and X-ray for Miss Davenport. | 0:53:20 | 0:53:23 | |
How's Mr Dreyfus? | 0:53:26 | 0:53:27 | |
Better. | 0:53:27 | 0:53:28 | |
He thought it was "far out, man". | 0:53:28 | 0:53:31 | |
Anything else? | 0:53:32 | 0:53:34 | |
I'm sorry. | 0:53:35 | 0:53:38 | |
The shot about Professor Hope. It was, uh, cheap. | 0:53:38 | 0:53:41 | |
It was a little. | 0:53:41 | 0:53:42 | |
What time is it? | 0:53:46 | 0:53:48 | |
Time you got out of here. | 0:53:51 | 0:53:52 | |
Oh, come on! | 0:54:02 | 0:54:04 | |
Uh, Adele, is Mr Cannon still here? | 0:54:05 | 0:54:08 | |
No. He seemed to want to get out of here pretty sharp. | 0:54:08 | 0:54:11 | |
Dom, is there a problem? | 0:54:12 | 0:54:14 | |
No. No. I'm glad he's on his feet and heading home. | 0:54:14 | 0:54:17 | |
Now, Trish, you need to be careful with this voice. | 0:54:17 | 0:54:22 | |
But I reckon about a week or two in recovery | 0:54:22 | 0:54:24 | |
and you'll be back to normal, OK? | 0:54:24 | 0:54:26 | |
Well, I should have listened to you. | 0:54:31 | 0:54:33 | |
Asked him out when I had the chance. | 0:54:33 | 0:54:35 | |
You know, for someone with no voice, I understood you. | 0:54:37 | 0:54:41 | |
Loud and clear. So, thank you for that. | 0:54:41 | 0:54:45 | |
(Run after him, you silly fool.) | 0:54:50 | 0:54:52 | |
So you found a sofa, then? | 0:55:28 | 0:55:30 | |
Who says I'm not off somewhere hot for that pina colada? | 0:55:30 | 0:55:33 | |
What, without me? | 0:55:33 | 0:55:35 | |
Assumed you'd have plans. | 0:55:35 | 0:55:37 | |
-I should be going. -Um, look, I'm sorry. | 0:55:38 | 0:55:42 | |
About what? | 0:55:42 | 0:55:43 | |
The surgery, the biopsy, the meds... | 0:55:43 | 0:55:47 | |
I don't blame you for wanting to get out of here as soon as you can | 0:55:47 | 0:55:50 | |
but I had assumed it was me. I have a habit of doing that. | 0:55:50 | 0:55:56 | |
It's OK. | 0:55:57 | 0:55:59 | |
No, it's - it's not. Um... | 0:55:59 | 0:56:01 | |
Don't go. | 0:56:02 | 0:56:04 | |
Sorry? | 0:56:05 | 0:56:06 | |
Why don't you come for a drink with me? | 0:56:08 | 0:56:11 | |
And you can stay at mine, if you want. | 0:56:11 | 0:56:14 | |
I completely understand if you want to close the chapter, | 0:56:17 | 0:56:20 | |
go and get on with your life then you can just go and do that... | 0:56:20 | 0:56:23 | |
Oh, there he is. Here you go, mate. | 0:56:36 | 0:56:39 | |
I know you don't go in for this stuff | 0:56:40 | 0:56:42 | |
but I'm going to toast him anyway. To Arthur. | 0:56:42 | 0:56:44 | |
Our ultimate hero on the ward. | 0:56:44 | 0:56:46 | |
-Too much! Too much! -Bang on the money! | 0:56:46 | 0:56:49 | |
You all right? | 0:56:54 | 0:56:56 | |
Yeah. I was, erm... | 0:56:56 | 0:56:59 | |
I was thinking about my grandfather. | 0:56:59 | 0:57:02 | |
Um, so all the things he saw, and he just came home | 0:57:04 | 0:57:08 | |
and he hung up his uniform and just got on with life. | 0:57:08 | 0:57:12 | |
And that was the end of it. | 0:57:12 | 0:57:14 | |
And here's me, and I'm seeing a counsellor, | 0:57:14 | 0:57:17 | |
and, you know, my life is so easy by comparison. | 0:57:17 | 0:57:20 | |
Come on, you saved a man's life today. | 0:57:20 | 0:57:23 | |
And I don't mean just the medicine. | 0:57:23 | 0:57:26 | |
I... I mean his life. | 0:57:26 | 0:57:29 | |
Everything about it, you fought for and, well, | 0:57:29 | 0:57:33 | |
-if your grandfather wouldn't be proud of you for that, then... -BLOWS RASPBERRY | 0:57:33 | 0:57:38 | |
Sorry! | 0:57:39 | 0:57:40 | |
Um, I think we got a bit off course the last few weeks, didn't we? | 0:57:45 | 0:57:50 | |
-A bit. Yeah. -Friends? | 0:57:50 | 0:57:52 | |
Yeah. I'll take that. But... | 0:57:52 | 0:57:57 | |
But friends with the real you. | 0:57:57 | 0:58:01 | |
There's an Arthur underneath all this. | 0:58:03 | 0:58:06 | |
Ooh... | 0:58:08 | 0:58:10 | |
There. | 0:58:12 | 0:58:14 | |
That's better. | 0:58:14 | 0:58:16 | |
You do realise I've got my contacts in, I can't see a thing! | 0:58:17 | 0:58:22 |