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'Does she like anyone in this hospital at all?' | 0:00:02 | 0:00:04 | |
Look, she doesn't suffer fools gladly. | 0:00:04 | 0:00:06 | |
The trick is, never take it personally. | 0:00:06 | 0:00:08 | |
Have you had much experience with that? | 0:00:08 | 0:00:10 | |
I've split up with my husband. | 0:00:10 | 0:00:12 | |
He had an affair with me for months. | 0:00:12 | 0:00:15 | |
I can tell you, he definitely wanted to do that. | 0:00:15 | 0:00:17 | |
I don't want anything to happen to you. | 0:00:17 | 0:00:20 | |
First a surgeon, then an anaesthetist | 0:00:22 | 0:00:25 | |
then an intrepid traveller and now back to surgery. | 0:00:25 | 0:00:27 | |
You can see my reservations about your commitment. | 0:00:27 | 0:00:30 | |
But whatever the outcome, Dr Law, be warned. | 0:00:30 | 0:00:32 | |
This will be your last career change at Holby. | 0:00:32 | 0:00:35 | |
Aw, mate, I owe you one. | 0:01:18 | 0:01:20 | |
Hey! Oi! | 0:01:20 | 0:01:21 | |
I need the carbs, big day for the Lawman. | 0:01:21 | 0:01:23 | |
You do realise talking about yourself in the third person | 0:01:23 | 0:01:26 | |
is the first sign of insanity? | 0:01:26 | 0:01:28 | |
Insanity, genius. Fine line, amigo. | 0:01:28 | 0:01:30 | |
-Cheers, cheers. -Ah-ha. | 0:01:30 | 0:01:32 | |
Thank you. | 0:01:32 | 0:01:33 | |
Is it too much to ask that when you roll in at 2am | 0:01:35 | 0:01:38 | |
with your lover boy, you refrain from waking me? | 0:01:38 | 0:01:40 | |
Why so grumpy, Moley? Do you feel left out? | 0:01:40 | 0:01:43 | |
No. It's a question of respect. | 0:01:43 | 0:01:46 | |
# R-E-S-P-E-C-T! # | 0:01:46 | 0:01:47 | |
OK, I'm a serious person with a serious job, | 0:01:47 | 0:01:49 | |
and my team respect me, so I'd quite like... | 0:01:49 | 0:01:52 | |
Hiya, Dom! | 0:01:52 | 0:01:53 | |
-Hey. -Diggers. Move. | 0:01:53 | 0:01:55 | |
Yeah. Yeah, that's a lot of respect, right there. | 0:01:57 | 0:02:01 | |
Mr Law. | 0:02:17 | 0:02:18 | |
Morning. | 0:02:18 | 0:02:19 | |
Oh, Mr Hanssen, you're here. | 0:02:19 | 0:02:21 | |
Remarkably observant for such an early hour. | 0:02:21 | 0:02:24 | |
You're operating today. | 0:02:24 | 0:02:25 | |
Ooh, now we're entering the realms of the savant. | 0:02:25 | 0:02:27 | |
Funny! | 0:02:27 | 0:02:28 | |
Any objections? | 0:02:28 | 0:02:30 | |
-To? -My presence in theatre. | 0:02:30 | 0:02:32 | |
-No, no, no. Absolutely not. -Now there's a relief. | 0:02:32 | 0:02:34 | |
-It's great to see you getting the old knives and forks out. -Really? | 0:02:34 | 0:02:37 | |
Especially on my last day's probation. | 0:02:37 | 0:02:39 | |
Ah, now, I assure you that is purely coincidental. | 0:02:39 | 0:02:41 | |
I've only had the pleasure from an anaesthetist's point of view. | 0:02:41 | 0:02:44 | |
Who said that's about to change? | 0:02:44 | 0:02:46 | |
Sacha, my man. | 0:02:50 | 0:02:52 | |
You all right? | 0:02:53 | 0:02:55 | |
You all right? Come on, what are you after? | 0:02:55 | 0:02:58 | |
What makes you think I'm after anything? | 0:02:58 | 0:03:00 | |
Spit it out. | 0:03:00 | 0:03:02 | |
The theatre list is up, yeah? | 0:03:02 | 0:03:05 | |
Yeah. | 0:03:05 | 0:03:06 | |
Please tell me I'm on the assist for Hanssen's caseload. | 0:03:06 | 0:03:09 | |
-I think Dom is in the frame for that. -No, not Dom! | 0:03:09 | 0:03:13 | |
'Fraid so. | 0:03:13 | 0:03:14 | |
But my need is greater than Dom's. | 0:03:14 | 0:03:16 | |
Why is your need greater than Dom's? | 0:03:16 | 0:03:18 | |
Do I really have to tell you? | 0:03:18 | 0:03:20 | |
Oh, yes. Yes, sorry. Yes. | 0:03:20 | 0:03:22 | |
Oh, come on, mate, help me out. | 0:03:22 | 0:03:23 | |
It's all sorted. | 0:03:23 | 0:03:25 | |
Sacha, please, I need this. | 0:03:25 | 0:03:26 | |
If I could I would, but I can't. | 0:03:26 | 0:03:28 | |
Minions. Ever wondered what it feels like to win the lottery? | 0:03:34 | 0:03:38 | |
-Uh, yes. Standard. -Sometimes. -Well, today is the opposite. | 0:03:38 | 0:03:41 | |
St James' have had a power cut, you know what that means. | 0:03:41 | 0:03:44 | |
Wheel them in, wheel them out, ASAP. | 0:03:44 | 0:03:46 | |
Now, Mr Orson, bay three. Who's going to help me with... | 0:03:46 | 0:03:49 | |
Um... Can I help? | 0:03:49 | 0:03:52 | |
Cardiothoracics is a bit more technical than casts | 0:03:52 | 0:03:54 | |
and kidney dishes. | 0:03:54 | 0:03:56 | |
Well, lucky then that I spent five years | 0:03:56 | 0:03:58 | |
nursing at the National Heart under Harriet Spencer-Lamb. | 0:03:58 | 0:04:01 | |
Cardiothoracics is my passion. | 0:04:01 | 0:04:03 | |
I didn't know that. | 0:04:03 | 0:04:04 | |
You didn't ask. Shall I...? | 0:04:04 | 0:04:06 | |
Read on. I need to change. | 0:04:06 | 0:04:08 | |
Who did YOU murder in the night? | 0:04:17 | 0:04:18 | |
Spring cleaning. | 0:04:18 | 0:04:20 | |
Technically that happens in the spring. | 0:04:20 | 0:04:22 | |
Well, it's junk. And I'm fed up of it... | 0:04:22 | 0:04:25 | |
hanging around. | 0:04:25 | 0:04:27 | |
You all right? | 0:04:27 | 0:04:29 | |
Yeah, I'm fine. Why? | 0:04:29 | 0:04:31 | |
Well, you just seem a bit worked up. | 0:04:31 | 0:04:33 | |
I'm not worked up. Why would I be worked up? | 0:04:33 | 0:04:36 | |
It's fine. It's fine. | 0:04:39 | 0:04:41 | |
I've had my catharsis. | 0:04:46 | 0:04:49 | |
I just want things to get back to normal. You know? | 0:04:49 | 0:04:52 | |
OK. See you in a bit. | 0:04:56 | 0:04:58 | |
Dr Copeland! Doctor! | 0:05:06 | 0:05:09 | |
Hey. | 0:05:09 | 0:05:11 | |
-Are you off to theatre? -Imminently, lucky me. | 0:05:11 | 0:05:15 | |
What do you mean? | 0:05:15 | 0:05:17 | |
Well, who needs the King of Scandi-noir | 0:05:17 | 0:05:19 | |
watching over your every move? | 0:05:19 | 0:05:20 | |
Well, me, as it happens. Look, why don't you... | 0:05:20 | 0:05:23 | |
Dr Copeland. | 0:05:23 | 0:05:25 | |
Yes, Mr Hanssen. | 0:05:25 | 0:05:26 | |
We have a potential addition to today's list. | 0:05:26 | 0:05:29 | |
Female, 39, | 0:05:29 | 0:05:30 | |
multiple injuries, including upper GI bleeding. | 0:05:30 | 0:05:32 | |
Right. | 0:05:32 | 0:05:33 | |
So, if, as I suspect, she requires surgery, | 0:05:33 | 0:05:36 | |
we should inform our electives that there may be delays today. | 0:05:36 | 0:05:39 | |
-I can do that. -I'm sure Dr Copeland's more than capable. | 0:05:39 | 0:05:42 | |
In fact, I'm more than happy to take over altogether if you like. | 0:05:42 | 0:05:45 | |
Is that right? | 0:05:45 | 0:05:46 | |
Hundred. I mean, there's nowhere I'd rather be on my last day of trial | 0:05:46 | 0:05:50 | |
than in theatre with the maestro himself. | 0:05:50 | 0:05:53 | |
How romantic. | 0:05:53 | 0:05:54 | |
Dom? | 0:05:54 | 0:05:55 | |
Well, I would hate to pass up on a chance to work with you myself... | 0:05:55 | 0:06:00 | |
Ah, well... | 0:06:00 | 0:06:02 | |
..but I would also hate to deprive Dr Law of that opportunity as well. | 0:06:02 | 0:06:07 | |
So which is it? | 0:06:08 | 0:06:10 | |
Fill your boots. | 0:06:10 | 0:06:12 | |
Yes! Cheers. | 0:06:12 | 0:06:13 | |
Ah, here's the patient. | 0:06:15 | 0:06:16 | |
This is Caroline. | 0:06:16 | 0:06:18 | |
She came second place in a scrap between her bike | 0:06:18 | 0:06:20 | |
and a transit van. | 0:06:20 | 0:06:21 | |
Right, so if you'll do a gastroscopy | 0:06:21 | 0:06:23 | |
I will have a look at the ED assessment. | 0:06:23 | 0:06:26 | |
Dr Law? | 0:06:26 | 0:06:28 | |
Yes? | 0:06:28 | 0:06:29 | |
Gastroscopy? | 0:06:29 | 0:06:31 | |
I'm all over it. | 0:06:31 | 0:06:32 | |
Whatever that may mean. | 0:06:33 | 0:06:35 | |
-MUSIC PLAYS -Mr Orson. | 0:06:35 | 0:06:38 | |
Shush, woman! | 0:06:39 | 0:06:41 | |
I was listening. | 0:06:41 | 0:06:42 | |
Beethoven's Fifth, you know it? | 0:06:44 | 0:06:46 | |
I have heard it, yes. Reminds me of cute dogs. | 0:06:46 | 0:06:48 | |
As fascinating as this is, you were found by a neighbour | 0:06:48 | 0:06:51 | |
having collapsed due to shortness of breath. | 0:06:51 | 0:06:53 | |
-I assume you've been taking your diuretics? -Ow! | 0:06:53 | 0:06:57 | |
Quiet, please. Must you be so shrill? | 0:06:57 | 0:07:01 | |
I don't have time for this. | 0:07:01 | 0:07:02 | |
Quite a character, eh? He reminds me of my grandad. Highly intelligent. | 0:07:05 | 0:07:09 | |
-Very particular. -Yes. | 0:07:09 | 0:07:10 | |
Can you order him an MRI and something to shut him up, please? | 0:07:10 | 0:07:13 | |
We'll beat him into submission. Two strong women. | 0:07:13 | 0:07:15 | |
Look, just so you know, the whole "sisterhood" thing? | 0:07:15 | 0:07:18 | |
It's not my bag. | 0:07:18 | 0:07:19 | |
Morning, morning. | 0:07:21 | 0:07:24 | |
You OK? | 0:07:24 | 0:07:25 | |
Yup. I just got told. | 0:07:25 | 0:07:27 | |
Ah, yes, well you are working with Stalin reincarnate today. My advice? | 0:07:27 | 0:07:32 | |
Swap with the bank nurse, quick as you can. | 0:07:32 | 0:07:34 | |
I've handled worse than Jac Naylor, Guy. She doesn't bother me. | 0:07:34 | 0:07:38 | |
Sounds like she was lucky to survive the accident. | 0:07:47 | 0:07:51 | |
Yeah, looks like it. | 0:07:51 | 0:07:53 | |
Well, at least she was wearing a helmet. | 0:07:53 | 0:07:55 | |
Small mercies. | 0:07:55 | 0:07:57 | |
She had at least 80 stitches all in all. | 0:07:57 | 0:08:01 | |
Nasty. | 0:08:01 | 0:08:03 | |
Wouldn't catch me cycling on those roads. | 0:08:03 | 0:08:05 | |
You checked her notes, right? | 0:08:10 | 0:08:12 | |
Yeah. | 0:08:12 | 0:08:13 | |
And her name is Barnett? | 0:08:13 | 0:08:16 | |
Yeah, that's what it says on her ID. | 0:08:16 | 0:08:17 | |
Why? | 0:08:17 | 0:08:19 | |
It's not important. | 0:08:19 | 0:08:21 | |
You can double check if you want. | 0:08:21 | 0:08:22 | |
No, no. It's OK. | 0:08:22 | 0:08:25 | |
Ignore me. | 0:08:25 | 0:08:27 | |
How long will all this rigmarole take, hm? | 0:08:27 | 0:08:29 | |
This rigmarole would be over a lot quicker if you laid down, Mr Orson. | 0:08:29 | 0:08:33 | |
Is there anyone I can call for you? Any family? | 0:08:33 | 0:08:35 | |
I don't have any family. My mother died recently. | 0:08:35 | 0:08:38 | |
Oh, I'm so sorry. | 0:08:38 | 0:08:39 | |
Why? It's not your fault. | 0:08:39 | 0:08:41 | |
No, I know. | 0:08:41 | 0:08:42 | |
Do you live with anyone? | 0:08:42 | 0:08:44 | |
Not since my mother died. | 0:08:44 | 0:08:45 | |
Oh, you lived with your mum? | 0:08:45 | 0:08:47 | |
We're ready. | 0:08:47 | 0:08:48 | |
Right, OK. Come on, lie down and keep still. Come on. | 0:08:48 | 0:08:52 | |
That's it. This will be over shortly. Piece of cake. | 0:08:52 | 0:08:55 | |
I don't like cake. | 0:08:55 | 0:08:57 | |
OK, just need to see your name. That's it. | 0:09:01 | 0:09:03 | |
-I'm looking for my daughter. Caroline. -Yes? | 0:09:03 | 0:09:06 | |
Caroline Evert. | 0:09:06 | 0:09:07 | |
-Evert? -Well, Barnett these days. | 0:09:07 | 0:09:10 | |
Yeah, she's just through here. | 0:09:10 | 0:09:12 | |
-Is she all right? -Well, she got knocked off her bike by a van. | 0:09:12 | 0:09:15 | |
Uh, I've told her about riding that bloody thing. | 0:09:15 | 0:09:18 | |
She's got internal injuries, serious cuts and bruises | 0:09:18 | 0:09:21 | |
and she needs help with her breathing. | 0:09:21 | 0:09:23 | |
She's unconscious! | 0:09:29 | 0:09:30 | |
Sedated. Just so we could put the breathing tube in. | 0:09:30 | 0:09:33 | |
What about head injuries? | 0:09:33 | 0:09:35 | |
Only minor, but we'll keep a close eye on that side of things. | 0:09:35 | 0:09:37 | |
I can't believe this is happening. | 0:09:37 | 0:09:40 | |
One of our consultants'll come down | 0:09:40 | 0:09:42 | |
and he'll be able to explain more to you. | 0:09:42 | 0:09:44 | |
Oh, yeah, I bet he will! | 0:09:44 | 0:09:46 | |
Sorry? | 0:09:46 | 0:09:47 | |
I've had dealings with consultants before. | 0:09:47 | 0:09:50 | |
How do you mean? | 0:09:50 | 0:09:51 | |
Arrogant pigs. | 0:09:51 | 0:09:53 | |
-Well, I can assure you... -Who don't give a damn for your feelings! | 0:09:53 | 0:09:57 | |
I'll just go and get him. | 0:09:57 | 0:09:59 | |
Argh! | 0:10:03 | 0:10:04 | |
You all right? | 0:10:04 | 0:10:07 | |
Apart from looking like a complete wuss in front of a beautiful woman. | 0:10:07 | 0:10:11 | |
Yeah, dandy. | 0:10:11 | 0:10:12 | |
And how long have you had this tingling sensation in your legs, | 0:10:12 | 0:10:15 | |
-Mr Strongman? -Dan. Again, since I slipped last week. | 0:10:15 | 0:10:18 | |
I thought it'd get better, but... | 0:10:18 | 0:10:20 | |
Must've been a nasty fall. How did you do it? | 0:10:20 | 0:10:23 | |
Capoeira. Practising for this competition. | 0:10:23 | 0:10:25 | |
Brazilian martial art. | 0:10:27 | 0:10:29 | |
Well, as much martial as it is acrobatics and bit of dance, too. | 0:10:29 | 0:10:33 | |
Hence...the injury. | 0:10:33 | 0:10:35 | |
If you could just slip your top off for me, please. | 0:10:35 | 0:10:38 | |
So, capoeira. Learn something new every day, don't you, Cara? | 0:10:38 | 0:10:42 | |
Cara. That's a pretty name. Figures. | 0:10:43 | 0:10:47 | |
Got all the lines, you. | 0:10:47 | 0:10:49 | |
OK, well, the problem is the spine's a little curved here, do you see? | 0:10:49 | 0:10:53 | |
Between that and the sciatica, it could be spondylolisthesis, | 0:10:53 | 0:10:56 | |
where the vertebra has slipped out of position, | 0:10:56 | 0:10:58 | |
but I'd like to rule out | 0:10:58 | 0:11:00 | |
the possibility of Cauda Equina syndrome. | 0:11:00 | 0:11:02 | |
-Come again. -Come again. | 0:11:02 | 0:11:04 | |
Cauda Equina syndrome occurs when the disc material | 0:11:05 | 0:11:08 | |
is forced into the spinal canal and compresses the nerve roots there. | 0:11:08 | 0:11:11 | |
Is it serious, doc? | 0:11:11 | 0:11:13 | |
It could cause loss of bowel or bladder control, | 0:11:13 | 0:11:16 | |
but let's not jump the gun. | 0:11:16 | 0:11:18 | |
We'll give you an MRI, and we will take a look. | 0:11:18 | 0:11:20 | |
Will you be there to hold my hand? | 0:11:22 | 0:11:24 | |
Looks like someone's got a thing for our girl. | 0:11:26 | 0:11:28 | |
Seems to be cheering her up a bit, though. | 0:11:28 | 0:11:31 | |
Do you know what? | 0:11:31 | 0:11:33 | |
I always thought that you and her would make a good couple. | 0:11:33 | 0:11:35 | |
Me?! I'm far too old for her. Clearly. | 0:11:35 | 0:11:38 | |
Yeah, good point. | 0:11:38 | 0:11:40 | |
It is good to see her laughing again, though. | 0:11:40 | 0:11:43 | |
All right, thank you. | 0:11:44 | 0:11:46 | |
Caroline Barnett's gastroscopy. | 0:11:50 | 0:11:52 | |
And? | 0:11:52 | 0:11:53 | |
Clots in the stomach and duodenum, but no active bleed. | 0:11:53 | 0:11:56 | |
And how would you proceed? | 0:11:56 | 0:11:58 | |
-Exploratory surgery? -Why? | 0:11:58 | 0:12:01 | |
Belt and braces. | 0:12:01 | 0:12:02 | |
Not because you're desperate to get into theatre? | 0:12:02 | 0:12:04 | |
Still more chance of finding a spurter in there than none. | 0:12:04 | 0:12:07 | |
-Correct. -So we operate? | 0:12:07 | 0:12:09 | |
-KNOCK AT DOOR -Come in. | 0:12:09 | 0:12:12 | |
Caroline Barnett's mother's here. | 0:12:12 | 0:12:14 | |
Right. | 0:12:15 | 0:12:16 | |
So, do you want to talk her through the options? | 0:12:20 | 0:12:22 | |
Um, you know what? Um... I'd rather you did it. | 0:12:27 | 0:12:30 | |
I beg your pardon? | 0:12:30 | 0:12:31 | |
Well, er... Well, she'd want to talk to the top man, wouldn't she? | 0:12:31 | 0:12:35 | |
You don't usually pass up the chance to exhibit your inimitable charm. | 0:12:35 | 0:12:39 | |
First time for everything. | 0:12:39 | 0:12:41 | |
All right, have it your way. | 0:12:41 | 0:12:43 | |
Um, actually, I think Dom should take the case, after all. | 0:12:43 | 0:12:47 | |
What? | 0:12:47 | 0:12:48 | |
Well, it was out of order of me to muscle in like that. | 0:12:48 | 0:12:51 | |
What in the name of Odin... | 0:12:51 | 0:12:53 | |
Look, just count me out altogether. All right? Sorry. | 0:12:53 | 0:12:56 | |
Hey, how's it going with the Prince of Darkness? | 0:13:00 | 0:13:03 | |
Pft. | 0:13:03 | 0:13:04 | |
That good, eh? | 0:13:04 | 0:13:05 | |
Mr Orson. I have your MRI results. | 0:13:06 | 0:13:09 | |
Quieter, please. Your voice is drilling through my skull. | 0:13:09 | 0:13:12 | |
It appears your medication has stopped working, | 0:13:12 | 0:13:15 | |
which has exacerbated the valve stenosis, | 0:13:15 | 0:13:16 | |
so we're going to need to perform a valve replacement. | 0:13:16 | 0:13:19 | |
I need a valve replacement. | 0:13:19 | 0:13:21 | |
It's fairly routine. | 0:13:21 | 0:13:22 | |
I see. | 0:13:22 | 0:13:24 | |
And when do you propose this fairly routine operation | 0:13:24 | 0:13:27 | |
should be taking place? | 0:13:27 | 0:13:28 | |
Well, normally you'd have to wait, but as you're already in the system, | 0:13:28 | 0:13:31 | |
I can schedule you in for later today. | 0:13:31 | 0:13:33 | |
I can't. I've got Quiz Champion tonight. I never miss it. | 0:13:33 | 0:13:38 | |
Look, I've never got an answer wrong. | 0:13:38 | 0:13:40 | |
Quiz Champion? | 0:13:40 | 0:13:41 | |
It's a television show. | 0:13:41 | 0:13:43 | |
-It's perfectly natural to be nervous. -I know that. | 0:13:43 | 0:13:45 | |
Mr Orson, the valve in your heart is no longer functioning. | 0:13:45 | 0:13:48 | |
Without an operation, at some point in the not too distant future, | 0:13:48 | 0:13:52 | |
you'll go into certain heart failure, which will likely be fatal. | 0:13:52 | 0:13:55 | |
I'll be back later to talk you through the operation, | 0:13:55 | 0:13:57 | |
at which point I hope normal logic has returned. | 0:13:57 | 0:14:00 | |
I'll be right back. | 0:14:01 | 0:14:03 | |
Was that totally called for? | 0:14:05 | 0:14:08 | |
He needs an operation and he's banging on about missing a television show. | 0:14:08 | 0:14:11 | |
He's a little bit scared! No, now he's a lot scared. | 0:14:11 | 0:14:13 | |
Seymour Orson might remind you of crumpets | 0:14:13 | 0:14:16 | |
and cuddles by the fire with Grandpa, | 0:14:16 | 0:14:17 | |
but he needs the facts straight. | 0:14:17 | 0:14:19 | |
No, he needs your reassurance. | 0:14:19 | 0:14:21 | |
I'm not a social worker, Nurse Reynolds. | 0:14:21 | 0:14:23 | |
Mrs Evert? I'm Henrik Hanssen, your daughter's consultant. | 0:14:30 | 0:14:36 | |
Is she going to live? | 0:14:36 | 0:14:37 | |
Well, Caroline has received some... | 0:14:37 | 0:14:40 | |
I asked you a question. | 0:14:40 | 0:14:43 | |
And I'm trying to explain. | 0:14:43 | 0:14:44 | |
Is she going to live? | 0:14:44 | 0:14:46 | |
I certainly hope so. | 0:14:46 | 0:14:48 | |
Because I cannot go through this again. | 0:14:48 | 0:14:50 | |
Go through what, Denise? | 0:14:50 | 0:14:51 | |
I lost my eldest. Caroline's sister, Clare. | 0:14:51 | 0:14:54 | |
I'm sorry to hear that. | 0:14:56 | 0:14:57 | |
She died on the operating table. | 0:14:57 | 0:14:59 | |
When was that? | 0:14:59 | 0:15:01 | |
20 years ago. | 0:15:01 | 0:15:02 | |
Well, although Caroline's injuries are relatively serious, | 0:15:02 | 0:15:05 | |
-there's no reason to believe that they're life-threatening. -Right. | 0:15:05 | 0:15:08 | |
Right, so the main thing we have to decide is whether to operate or not. | 0:15:08 | 0:15:11 | |
-What? -We haven't located any internal bleeding. | 0:15:11 | 0:15:14 | |
Well, that's good, isn't it? | 0:15:14 | 0:15:15 | |
Indeed. | 0:15:15 | 0:15:16 | |
It may be in Caroline's best interests to perform | 0:15:16 | 0:15:20 | |
an exploratory procedure... | 0:15:20 | 0:15:21 | |
No. Well, not unless she has to. | 0:15:21 | 0:15:24 | |
Would you like some time to think about it? | 0:15:24 | 0:15:26 | |
No, thanks. | 0:15:26 | 0:15:27 | |
I'm very happy to discuss it with my team. | 0:15:27 | 0:15:30 | |
There's no point. | 0:15:30 | 0:15:31 | |
-I certainly don't mind waiting. -My mind's made up. | 0:15:31 | 0:15:35 | |
Right. As you wish. Thank you. | 0:15:35 | 0:15:38 | |
Nurse Harrison? | 0:15:38 | 0:15:40 | |
Well, we'd better prep Mr Cohen for his cholecystectomy. | 0:15:40 | 0:15:44 | |
-Right. -Tell the rest of the patients we're back on schedule. | 0:15:44 | 0:15:47 | |
Will do. | 0:15:47 | 0:15:48 | |
Apparently, you'll be joining me in theatre today after all, Dr Copeland. | 0:15:51 | 0:15:56 | |
How's it going, genius? You got that consent for me? | 0:16:08 | 0:16:11 | |
Dot-dot-dot-dash. Yes. Remarkable. It's Morse Code for V-V-V. | 0:16:11 | 0:16:17 | |
V Fifth. Fifth Symphony. | 0:16:17 | 0:16:21 | |
Seymour? The consent form? Look, I can tell you're nervous. | 0:16:21 | 0:16:26 | |
I am not nervous. I have things to attend to. | 0:16:26 | 0:16:30 | |
Seymour, is there anything specifically that's bothering you? | 0:16:35 | 0:16:38 | |
Is it Ms Naylor? | 0:16:38 | 0:16:40 | |
Ms Naylor? Very loud, that woman. | 0:16:40 | 0:16:43 | |
Pushy. | 0:16:43 | 0:16:44 | |
OK. So it's possible she's the reason you haven't signed your consent form? | 0:16:44 | 0:16:50 | |
It's possible. | 0:16:50 | 0:16:51 | |
I understand. Leave it with me. | 0:16:53 | 0:16:55 | |
What happened to you? | 0:17:05 | 0:17:07 | |
Hey? | 0:17:07 | 0:17:08 | |
Well, one minute you're overly eager | 0:17:08 | 0:17:10 | |
to wriggle into Hanssen's good books | 0:17:10 | 0:17:12 | |
-and the next I'm back in theatre again. -Not now, Dom. | 0:17:12 | 0:17:15 | |
-Well, I thought you needed this gig. -Yes, I did. | 0:17:15 | 0:17:17 | |
So why am I back in the spotlight? | 0:17:17 | 0:17:19 | |
Dom, just leave it. All right? | 0:17:19 | 0:17:21 | |
All right. | 0:17:22 | 0:17:24 | |
She's bleeding! Please, can someone help us?! | 0:17:35 | 0:17:37 | |
What's wrong with her? | 0:17:42 | 0:17:43 | |
It's OK, Denise. | 0:17:43 | 0:17:45 | |
Page Dr Law. | 0:17:45 | 0:17:46 | |
Well, why is she bleeding? | 0:17:46 | 0:17:47 | |
We'll know more when Dr Law's here. | 0:17:47 | 0:17:49 | |
Well, at least you managed to put a smile on her face earlier. | 0:18:11 | 0:18:14 | |
-You reckon? -Yeah. | 0:18:14 | 0:18:16 | |
Do you, uh... | 0:18:16 | 0:18:18 | |
Do you know if she's seeing anyone? | 0:18:18 | 0:18:21 | |
-Um... -Not as such. But... | 0:18:21 | 0:18:23 | |
Seriously? I think she's just... | 0:18:23 | 0:18:26 | |
Any chance you could maybe put in a good word? | 0:18:27 | 0:18:30 | |
Sorry. ED called and... | 0:18:31 | 0:18:33 | |
What? | 0:18:35 | 0:18:36 | |
Comfy? | 0:18:46 | 0:18:47 | |
Yeah. Thanks. | 0:18:47 | 0:18:49 | |
What's the problem? | 0:18:49 | 0:18:50 | |
She's bleeding. | 0:18:50 | 0:18:51 | |
Sutures need redoing. | 0:18:51 | 0:18:53 | |
It's you. | 0:18:53 | 0:18:54 | |
-You know I'm off the case, right? -Everyone else is in theatre. | 0:18:54 | 0:18:57 | |
-Dr Law. -Mrs Evert, I... | 0:18:57 | 0:18:58 | |
Get your hands off my daughter! | 0:18:58 | 0:18:59 | |
-What's going on? -Now! | 0:18:59 | 0:19:01 | |
-Jesse? -She needs my help. | 0:19:01 | 0:19:02 | |
-Right, whatever this is, it's got to wait. -I don't want you anywhere near my daughter! | 0:19:02 | 0:19:06 | |
Mrs Evert, I have to do this. | 0:19:06 | 0:19:08 | |
So rumour has it, Hatters completed the MDT challenge yesterday. | 0:19:16 | 0:19:23 | |
There is no way that that tool managed to sleep with | 0:19:23 | 0:19:25 | |
someone from every discipline?! | 0:19:25 | 0:19:27 | |
Apaz he did. I think he's quite hot. | 0:19:27 | 0:19:31 | |
What? | 0:19:31 | 0:19:33 | |
I can't fathom how any woman | 0:19:33 | 0:19:35 | |
would find that man even remotely attractive. | 0:19:35 | 0:19:37 | |
Seriously. Very, very attractive. | 0:19:37 | 0:19:41 | |
Oh, you cardiothoracic surgeons. | 0:19:45 | 0:19:47 | |
Are you all on a drive to give yourselves a coronary?! | 0:19:47 | 0:19:50 | |
Correct. Excepting Ms Naylor. She'll be the last one standing. | 0:19:50 | 0:19:53 | |
Yeah, standing over you, with a scalpel. | 0:19:53 | 0:19:56 | |
That is too dark even for a Tuesday. | 0:19:57 | 0:20:00 | |
Er, actually, on that, Ollie, could I have a word? | 0:20:00 | 0:20:04 | |
I hope that wasn't too bad. | 0:20:10 | 0:20:12 | |
I mean, it'd be totally wrong, wouldn't it... | 0:20:12 | 0:20:14 | |
Yeah, utterly. We can't encourage it. | 0:20:14 | 0:20:16 | |
-Can we? -Encourage what? | 0:20:16 | 0:20:18 | |
Forbidden fruit. Doctor-patient. | 0:20:18 | 0:20:23 | |
You're not seriously thinking... | 0:20:23 | 0:20:25 | |
No. No, we're not. | 0:20:25 | 0:20:27 | |
She was pretty grumpy this morning | 0:20:27 | 0:20:29 | |
and I'm presuming the marital breakdown is to blame. | 0:20:29 | 0:20:32 | |
Although, a bit of fun could be just the tonic she needs. | 0:20:32 | 0:20:35 | |
I mean, once he's been discharged. Keep it all above board. | 0:20:35 | 0:20:38 | |
It'd certainly help her to move on. Maybe get her smile back. | 0:20:38 | 0:20:42 | |
Uh. Did you just hear what I said? | 0:20:42 | 0:20:45 | |
So on balance... | 0:20:45 | 0:20:48 | |
Do you not... | 0:20:48 | 0:20:50 | |
Do you not think it's far too soon to just be setting Cara up | 0:20:50 | 0:20:54 | |
with someone, willy-nilly? | 0:20:54 | 0:20:56 | |
Are you a bit of an expert on the fairer sex now, are you, Diggers? | 0:20:56 | 0:20:59 | |
Well, it might come as a bit of a surprise, | 0:20:59 | 0:21:01 | |
but I actually have a very high EQ and... | 0:21:01 | 0:21:04 | |
Woman's intuition, is it? | 0:21:04 | 0:21:06 | |
No, this is just what she needs. | 0:21:06 | 0:21:08 | |
Uh. Just... Right. I just thought that the... | 0:21:09 | 0:21:14 | |
Sorted? | 0:21:16 | 0:21:18 | |
I want Hanssen on the case soon as he's out of theatre, OK? | 0:21:25 | 0:21:29 | |
I'll page him. | 0:21:29 | 0:21:30 | |
And can you update the mum? | 0:21:39 | 0:21:40 | |
Are you going to tell me what's going on? | 0:21:42 | 0:21:45 | |
She had a sister. Clare. | 0:21:49 | 0:21:53 | |
She died in theatre. | 0:21:53 | 0:21:55 | |
I was there. | 0:21:57 | 0:21:59 | |
I was just appointed registrar. | 0:22:01 | 0:22:05 | |
Then I operated on her. | 0:22:05 | 0:22:07 | |
And the mum recognised you. | 0:22:07 | 0:22:09 | |
She must hate the sight of me. | 0:22:11 | 0:22:13 | |
Yeah. | 0:22:13 | 0:22:15 | |
She was nervous about the surgery. | 0:22:16 | 0:22:18 | |
Denise? | 0:22:18 | 0:22:20 | |
Clare. Then I talked her into it. | 0:22:20 | 0:22:23 | |
So that's why you walked off the case. | 0:22:25 | 0:22:27 | |
That's why I gave up surgery. | 0:22:31 | 0:22:33 | |
Seeing Denise, it just threw me. | 0:22:36 | 0:22:40 | |
I didn't know what the hell to say to her. | 0:22:42 | 0:22:45 | |
I'm a coward. | 0:22:47 | 0:22:49 | |
You're not a coward, but you can't keep this bottled up any more. | 0:22:49 | 0:22:55 | |
You need to go and talk to her. | 0:22:55 | 0:22:57 | |
You saw how she reacted. | 0:22:57 | 0:22:59 | |
I'm the last person she'd want to talk to right now. | 0:22:59 | 0:23:02 | |
Nurse Reynolds. Just FYI. I am not a fan of postmodernism. | 0:23:05 | 0:23:10 | |
I prefer my beds made. | 0:23:10 | 0:23:12 | |
Oh, and I get a bit confused when my registrar consults me | 0:23:12 | 0:23:15 | |
for advice on my own case. | 0:23:15 | 0:23:17 | |
Your case? I apologise. | 0:23:17 | 0:23:20 | |
-I was under the impression that you'd given it to me? -No. | 0:23:20 | 0:23:23 | |
You were making Mr Orson nervous about the surgery | 0:23:23 | 0:23:26 | |
so in an effort to persuade him to continue, I thought | 0:23:26 | 0:23:29 | |
it best that another surgeon take over. | 0:23:29 | 0:23:31 | |
Hang on. That's not exactly how you put it to me before. | 0:23:31 | 0:23:33 | |
So you lied? | 0:23:33 | 0:23:35 | |
I was acting in the patient's best interests. | 0:23:35 | 0:23:37 | |
That's what we do here, isn't it? | 0:23:37 | 0:23:39 | |
No, we're here to perform surgery, | 0:23:39 | 0:23:40 | |
not play nursey-nursey by the bedside. | 0:23:40 | 0:23:43 | |
I understand you're a consultant | 0:23:43 | 0:23:45 | |
and you don't deal with such trifling, nursey-nursey matters, | 0:23:45 | 0:23:50 | |
but maybe if you had a bit more of a social conscience | 0:23:50 | 0:23:54 | |
instead of just washing your hands of Mr Orson... | 0:23:54 | 0:23:56 | |
Wow. Do continue. | 0:23:56 | 0:23:58 | |
-He's still your patient. -Hm. | 0:23:59 | 0:24:02 | |
Mr Orson. | 0:24:08 | 0:24:10 | |
I hear you're unhappy with my bedside manner? | 0:24:10 | 0:24:13 | |
It's possible. | 0:24:13 | 0:24:14 | |
You're a man of facts, so let me put this in terms you'll understand. | 0:24:14 | 0:24:18 | |
I have performed over 100 pulmonary valve replacements. | 0:24:18 | 0:24:21 | |
That's significantly more than | 0:24:21 | 0:24:23 | |
the average cardiothoracic consultant, nationally. | 0:24:23 | 0:24:26 | |
My outcomes are unrivalled. | 0:24:26 | 0:24:29 | |
So in short, I'm the best there is. | 0:24:29 | 0:24:32 | |
You don't have to have Ms Naylor perform this operation. | 0:24:33 | 0:24:36 | |
It's whatever makes you feel... | 0:24:36 | 0:24:37 | |
She's right. You don't have to have me. | 0:24:37 | 0:24:40 | |
Hell, what are a few statistics? | 0:24:40 | 0:24:41 | |
If used correctly, | 0:24:41 | 0:24:43 | |
statistics are often the most truthful indicators of outcome. | 0:24:43 | 0:24:47 | |
I'm glad two of us speak the same language. | 0:24:47 | 0:24:49 | |
I thought you felt unhappy. | 0:24:49 | 0:24:52 | |
So can we proceed as we were? | 0:24:52 | 0:24:54 | |
Certainly. Proceed as we were. | 0:24:54 | 0:24:57 | |
Dandy. You're scheduled in. A porter will come and collect you. | 0:24:57 | 0:25:00 | |
Nurse Reynolds, you're off the case. | 0:25:00 | 0:25:02 | |
It's funny, isn't it, you know? | 0:25:05 | 0:25:07 | |
Even though I don't bat that way myself, I can still appreciate | 0:25:07 | 0:25:10 | |
that Dan Strongman is an inhumanely good-looking fella. | 0:25:10 | 0:25:13 | |
Yes. I absolutely agree. Objectively speaking, of course. | 0:25:13 | 0:25:16 | |
Of course. Cara, what about you? What do you...what do you think? | 0:25:16 | 0:25:20 | |
Yeah, he's fit. | 0:25:20 | 0:25:21 | |
Must be all that practising of the martial arts thing that he does. | 0:25:21 | 0:25:24 | |
Yeah. You're into physical fitness, aren't you? | 0:25:24 | 0:25:27 | |
-Um... -Well, you've got that trophy in your car. | 0:25:27 | 0:25:29 | |
What?! Twerkmaster 2014?! | 0:25:29 | 0:25:33 | |
I think the Brazilian martial art of Capoeira is a little bit different to twerking, don't you? | 0:25:33 | 0:25:37 | |
Well... | 0:25:37 | 0:25:39 | |
Yeah. I'm going to chase up an MRI. | 0:25:39 | 0:25:43 | |
Right, well. I think that was for the best, don't you? | 0:25:44 | 0:25:47 | |
We need a more direct approach. | 0:25:47 | 0:25:49 | |
It think it has to come from the horse's mouth. | 0:25:49 | 0:25:51 | |
I think what you were doing was already quite obvious. | 0:25:51 | 0:25:54 | |
You might want to get that looked at. | 0:25:54 | 0:25:58 | |
Dear me. | 0:25:58 | 0:25:59 | |
No, no. This can't happen again! | 0:26:03 | 0:26:05 | |
Mrs Evert. | 0:26:05 | 0:26:06 | |
She's gone, hasn't she? | 0:26:06 | 0:26:08 | |
-Sorry? -My Caroline... She's gone? | 0:26:08 | 0:26:11 | |
No. | 0:26:11 | 0:26:12 | |
Mrs Evert, do you want to come and see her? | 0:26:12 | 0:26:15 | |
Is she all right? | 0:26:15 | 0:26:16 | |
Yeah, we've closed the wound up again. | 0:26:16 | 0:26:18 | |
Why did the stitches open up in the first place? | 0:26:18 | 0:26:22 | |
I think it'd be better if you spoke to Mr... | 0:26:22 | 0:26:25 | |
I want to speak to you first. | 0:26:25 | 0:26:26 | |
But Caroline is Mr Hanssen's... | 0:26:26 | 0:26:27 | |
About Clare. | 0:26:27 | 0:26:28 | |
COUGHING | 0:26:28 | 0:26:31 | |
What's happening now? | 0:26:31 | 0:26:34 | |
Um... Leave this with me. | 0:26:34 | 0:26:36 | |
Get Hanssen. | 0:26:36 | 0:26:37 | |
Denise, you come with me. | 0:26:37 | 0:26:38 | |
Dr Law's just going to do some more checks. | 0:26:38 | 0:26:41 | |
And that should pretty much take care of it. Actually, er... | 0:26:41 | 0:26:45 | |
Why don't you go and talk him through it all? | 0:26:45 | 0:26:49 | |
Really? Wouldn't it be better coming from... | 0:26:49 | 0:26:51 | |
I've got to go and check on Mr Bennington. | 0:26:51 | 0:26:53 | |
I already did that. | 0:26:53 | 0:26:54 | |
OK. | 0:26:58 | 0:27:00 | |
How you doing, mister? | 0:27:04 | 0:27:06 | |
Better for seeing you, but... nervous, to be honest. | 0:27:06 | 0:27:11 | |
It's not Cauda Equina syndrome. | 0:27:11 | 0:27:12 | |
Thank God. | 0:27:12 | 0:27:14 | |
Spondylolesthesis, and fairly minor. | 0:27:14 | 0:27:17 | |
So we'll administer a steroid injection into the spinal canal for the pain. | 0:27:17 | 0:27:21 | |
We'll do that in theatre. | 0:27:21 | 0:27:23 | |
Then it's one to two weeks' bed rest, | 0:27:23 | 0:27:25 | |
then you can have your Cap...oeira shoes back on and wow the judges. | 0:27:25 | 0:27:29 | |
Seriously, thank you. | 0:27:29 | 0:27:32 | |
Annoying thing is, erm... | 0:27:35 | 0:27:38 | |
I...don't have anyone coming to watch me. Perform and that, so... | 0:27:38 | 0:27:44 | |
That's a shame. It sounds great. | 0:27:44 | 0:27:45 | |
Yeah, yeah. No, it is. | 0:27:45 | 0:27:47 | |
Proper spectacle. V cool. | 0:27:47 | 0:27:49 | |
V cool! | 0:27:49 | 0:27:51 | |
I don't get that bit. | 0:27:51 | 0:27:52 | |
Sorry, that's, um... | 0:27:52 | 0:27:55 | |
Er, I wondered... would you be interested? | 0:27:55 | 0:27:58 | |
Oh, what, coming to watch? | 0:27:58 | 0:27:59 | |
Yeah, coming to watch me? | 0:27:59 | 0:28:01 | |
Maybe we could get some drinks, grab a bite to eat after? | 0:28:01 | 0:28:04 | |
No? | 0:28:07 | 0:28:09 | |
No, stupid idea. Sorry. It's been a while. | 0:28:09 | 0:28:15 | |
It's just, you're a patient. | 0:28:15 | 0:28:18 | |
Not for much longer. | 0:28:18 | 0:28:19 | |
I don't know anything about Capoei... Cap... | 0:28:19 | 0:28:22 | |
Capoeira. | 0:28:22 | 0:28:23 | |
Capoeira. Thank you, though. For the offer. | 0:28:23 | 0:28:28 | |
Tried, mate. No interest. | 0:28:42 | 0:28:44 | |
-Sorry, can I just have a quick... -No. | 0:28:44 | 0:28:46 | |
I appreciate how you must feel, Mrs Evert, | 0:28:49 | 0:28:51 | |
but I strongly advise taking the surgical route. | 0:28:51 | 0:28:54 | |
But you don't know for sure she needs it. | 0:28:54 | 0:28:56 | |
I strongly advise it. | 0:28:56 | 0:28:57 | |
Don't you understand? I can't... | 0:28:57 | 0:29:00 | |
In circumstances like these, Mrs Evert, you should try | 0:29:00 | 0:29:02 | |
putting your own feelings aside and think of your daughter. | 0:29:02 | 0:29:05 | |
I'm thinking of both of them. | 0:29:05 | 0:29:07 | |
Is there any way I can persuade you? | 0:29:07 | 0:29:09 | |
I can't give my consent. What if something went wrong? | 0:29:09 | 0:29:13 | |
Would you like me to go after her? | 0:29:17 | 0:29:18 | |
I think that would be pouring oil onto troubled waters, Dr Copeland. | 0:29:18 | 0:29:23 | |
You can't just leave it at that! | 0:29:54 | 0:29:56 | |
Well, what choice do I have? | 0:29:56 | 0:29:57 | |
We have to operate. | 0:29:57 | 0:29:58 | |
Her mother is next of kin. There we are. | 0:29:58 | 0:30:01 | |
What about her husband? | 0:30:01 | 0:30:02 | |
Divorced. | 0:30:02 | 0:30:03 | |
Look, you've got to try again. | 0:30:03 | 0:30:04 | |
For someone who refused to have anything to do with this case, | 0:30:04 | 0:30:07 | |
you're showing a remarkably keen interest. | 0:30:07 | 0:30:10 | |
Look, we've got history, OK? | 0:30:10 | 0:30:12 | |
Ah, so now the picture becomes a little clearer. | 0:30:12 | 0:30:15 | |
Thank you, Mrs Wakely. | 0:30:15 | 0:30:17 | |
Her other daughter was a patient of mine. | 0:30:18 | 0:30:21 | |
And you didn't think to share this little nugget of information earlier? | 0:30:21 | 0:30:24 | |
No. | 0:30:24 | 0:30:26 | |
Look, Dr Law, communication is vital. | 0:30:26 | 0:30:29 | |
Yes, yes, I understand that... | 0:30:29 | 0:30:30 | |
And you do not seem to be one of nature's great communicators. | 0:30:30 | 0:30:34 | |
Mr Hanssen, please... | 0:30:34 | 0:30:36 | |
But you still have a minuscule chance of proving me wrong. | 0:30:36 | 0:30:40 | |
Thank you. | 0:30:40 | 0:30:42 | |
How? | 0:30:42 | 0:30:44 | |
Well, perhaps you could encourage Mrs Evert to change her mind. | 0:30:44 | 0:30:48 | |
Uh, I, um... | 0:30:48 | 0:30:49 | |
As you have a history. | 0:30:49 | 0:30:50 | |
I don't think I could. | 0:30:52 | 0:30:54 | |
Oh, well, perhaps not. | 0:30:54 | 0:30:56 | |
SHE SIGHS | 0:31:07 | 0:31:08 | |
Seymour! | 0:31:09 | 0:31:10 | |
OK, hello, hi. | 0:31:10 | 0:31:13 | |
-What are you doing? -I've got to get back. | 0:31:13 | 0:31:15 | |
I've got to get back for Quiz Champion. | 0:31:15 | 0:31:17 | |
I never miss it. Never got an answer wrong. | 0:31:17 | 0:31:19 | |
I know you stopped picking up your medication up from your GP. | 0:31:20 | 0:31:23 | |
Why? | 0:31:23 | 0:31:24 | |
You knew it would make your heart worse. | 0:31:24 | 0:31:27 | |
Seymour? | 0:31:27 | 0:31:28 | |
OK. | 0:31:28 | 0:31:30 | |
Look... | 0:31:30 | 0:31:31 | |
I know what it's like, when someone close to you dies. | 0:31:31 | 0:31:34 | |
My mum died when I was really little. | 0:31:35 | 0:31:37 | |
It's easy to give up on everything... | 0:31:37 | 0:31:39 | |
These lifts, they are so slow. | 0:31:39 | 0:31:42 | |
You need to update the system! | 0:31:42 | 0:31:44 | |
OK, fine. | 0:31:44 | 0:31:45 | |
When did your mother die? | 0:31:49 | 0:31:50 | |
I was five. | 0:31:52 | 0:31:54 | |
2nd February, 1978. | 0:31:55 | 0:31:56 | |
-I'll never forget that date. -Saturday. | 0:31:58 | 0:32:00 | |
-Sorry? -2nd February, 1978. | 0:32:00 | 0:32:03 | |
Your mother died on a Saturday. | 0:32:05 | 0:32:08 | |
-How did you know that? -Days are important. | 0:32:08 | 0:32:10 | |
My GP changed her days. She changed it to Thursdays. | 0:32:13 | 0:32:16 | |
Thursdays aren't good for me. | 0:32:18 | 0:32:21 | |
That's why you stopped picking up your medication? | 0:32:21 | 0:32:23 | |
Because your GP changed the day she was working? | 0:32:23 | 0:32:26 | |
-Thursdays aren't good... -Er, are you going somewhere? | 0:32:26 | 0:32:29 | |
Yeah. I've got to get back. Got to get back for Quiz Champion, Quiz Champion. I never... | 0:32:29 | 0:32:33 | |
Mr Orson, I strongly suggest that you have your surgery today... | 0:32:33 | 0:32:36 | |
I've never missed it! I've never missed an episode and I've never got an answer wrong! | 0:32:36 | 0:32:39 | |
Fine. Have it your way, but it's been noted that this is against medical advice. | 0:32:39 | 0:32:43 | |
No, you can't let him go. | 0:32:43 | 0:32:44 | |
But he's not been taking his medication... | 0:32:44 | 0:32:46 | |
No, there's something more going on with him. | 0:32:46 | 0:32:48 | |
Look, if that oddball doesn't want to help himself, then, frankly, | 0:32:48 | 0:32:51 | |
-I'm not going to waste my time. -Oddball! | 0:32:51 | 0:32:53 | |
And I suggest, for your own career, that you drop this immediately. | 0:32:53 | 0:32:56 | |
Uh, uh, uh. No carbs before Marbs, babes. | 0:33:01 | 0:33:03 | |
OK, I'm not going to Marbs. | 0:33:03 | 0:33:04 | |
And does the concept of hypocrisy mean anything to you? | 0:33:04 | 0:33:07 | |
I'm in love. I have a faster metabolism. | 0:33:07 | 0:33:09 | |
NO! You just... | 0:33:09 | 0:33:10 | |
Oh, are you still angry that me and Lee woke you up this morning? | 0:33:10 | 0:33:13 | |
Then what? | 0:33:15 | 0:33:16 | |
Raf and Fletch are trying to set Cara up with a patient... | 0:33:17 | 0:33:20 | |
Right... Lee was a patient. | 0:33:22 | 0:33:24 | |
That's beside the point. | 0:33:24 | 0:33:26 | |
She's not ready and, um... | 0:33:26 | 0:33:28 | |
I can see it's going to end in disaster and, frankly, | 0:33:28 | 0:33:31 | |
I just don't want to get embroiled in any of it. | 0:33:31 | 0:33:33 | |
Embroiled? | 0:33:33 | 0:33:35 | |
Will you chill out? A little bit of rebound action never hurt anyone. | 0:33:35 | 0:33:38 | |
I'm kind of sick and tired of, um, people not taking me seriously. | 0:33:38 | 0:33:41 | |
I am a person. | 0:33:41 | 0:33:42 | |
Have you finished with that, Matilda? | 0:33:42 | 0:33:45 | |
No! | 0:33:45 | 0:33:46 | |
Now you've ruined it. | 0:33:47 | 0:33:49 | |
Hi. | 0:33:53 | 0:33:55 | |
CONTINUOUS BEEP | 0:33:55 | 0:33:59 | |
Mrs Evert. | 0:34:10 | 0:34:12 | |
Yeah, I know you might not want to talk to me right now... | 0:34:12 | 0:34:15 | |
It was like seeing a ghost, seeing you again. | 0:34:15 | 0:34:18 | |
It must have been quite a shock... | 0:34:19 | 0:34:20 | |
Brought everything flooding back. | 0:34:20 | 0:34:22 | |
Same here. | 0:34:23 | 0:34:24 | |
Look, um... | 0:34:26 | 0:34:28 | |
I believe you're having doubts... | 0:34:28 | 0:34:31 | |
consenting to Caroline's surgery. | 0:34:31 | 0:34:33 | |
Wouldn't you in my shoes? | 0:34:33 | 0:34:35 | |
I think you should reconsider. | 0:34:36 | 0:34:39 | |
-Are you serious? -Absolutely. | 0:34:39 | 0:34:41 | |
-I don't believe this. -Look, Denise... | 0:34:41 | 0:34:43 | |
You're the man who talked my late daughter | 0:34:43 | 0:34:45 | |
-into having an operation that killed her... -Yeah, yeah I... | 0:34:45 | 0:34:48 | |
And here you are 20 years later doing exactly the same thing... | 0:34:48 | 0:34:51 | |
-Which is why you should listen to me. -What?! | 0:34:51 | 0:34:53 | |
Look, don't you think I'd be having this conversation | 0:34:54 | 0:34:57 | |
-if I thought there was any other way to treat... -You lot! | 0:34:57 | 0:34:59 | |
You all know best, don't you?! | 0:34:59 | 0:35:01 | |
No. | 0:35:01 | 0:35:03 | |
I lost my beautiful little girl... | 0:35:03 | 0:35:05 | |
And I don't want history repeating itself. | 0:35:06 | 0:35:09 | |
Denise, look. | 0:35:11 | 0:35:13 | |
Look at the monitor. | 0:35:13 | 0:35:15 | |
Caroline's blood pressure is slowly getting lower... | 0:35:16 | 0:35:19 | |
She coughed up blood. | 0:35:20 | 0:35:21 | |
They're both signs that she's bleeding inside | 0:35:21 | 0:35:24 | |
and if that's the case, she'll be getting other symptoms soon, | 0:35:24 | 0:35:26 | |
things that are going to cause her a lot of pain... | 0:35:26 | 0:35:29 | |
It might be too late to help her then. | 0:35:29 | 0:35:31 | |
We have to do this now. | 0:35:31 | 0:35:33 | |
Please, say yes. | 0:35:35 | 0:35:37 | |
For Caroline's sake. | 0:35:39 | 0:35:40 | |
It's Nurse Reynolds from Darwin ward. | 0:35:47 | 0:35:49 | |
I need some advice on a patient. | 0:35:49 | 0:35:50 | |
No, no, please, I'll hold. It's urgent. | 0:35:52 | 0:35:54 | |
KNOCK ON DOOR | 0:35:56 | 0:35:58 | |
DOOR OPENS | 0:35:58 | 0:35:59 | |
Um... | 0:36:01 | 0:36:02 | |
She said yes. | 0:36:04 | 0:36:05 | |
What happened...? | 0:36:10 | 0:36:12 | |
Hey, what... Whoa, what are you doing...? | 0:36:16 | 0:36:18 | |
You said you didn't know anything about Capoeira. | 0:36:18 | 0:36:20 | |
So I'm showing you, | 0:36:20 | 0:36:22 | |
because... | 0:36:22 | 0:36:24 | |
Ah, careful, careful, your back! | 0:36:24 | 0:36:26 | |
Ooh! | 0:36:26 | 0:36:27 | |
I'm not taking no for an answer. | 0:36:28 | 0:36:29 | |
Come on - your go. | 0:36:29 | 0:36:31 | |
What? | 0:36:32 | 0:36:34 | |
No. | 0:36:34 | 0:36:35 | |
Just...mirror me. | 0:36:37 | 0:36:39 | |
This is ridiculous. | 0:36:46 | 0:36:47 | |
-Come on. That's great. -Hmm. | 0:36:47 | 0:36:50 | |
Let the rhythm dictate. | 0:36:50 | 0:36:51 | |
Sorry... | 0:36:57 | 0:37:00 | |
um... | 0:37:00 | 0:37:01 | |
I can't... | 0:37:01 | 0:37:02 | |
-Cara? -Sorry... | 0:37:02 | 0:37:04 | |
Mini-Me, have you seen Nurse Reynolds? | 0:37:29 | 0:37:31 | |
I've got bloods backed up from bays one to three, not enough beds... | 0:37:31 | 0:37:33 | |
-I'll do the bloods. -Thank you. | 0:37:33 | 0:37:36 | |
-Marriage Of Heaven And Hell. -Sorry? | 0:37:36 | 0:37:38 | |
Seminal text by William Blake. | 0:37:38 | 0:37:40 | |
Not dissimilar to our own little domain. | 0:37:40 | 0:37:43 | |
-Neuro-heaven, cardiothoracics... -Uh-huh. | 0:37:43 | 0:37:45 | |
And if your little nurse squeeze did her job instead of performing a disappearing act... | 0:37:45 | 0:37:49 | |
Oh, congratulations, by the way, | 0:37:49 | 0:37:50 | |
on not being at all cliched on that one. | 0:37:50 | 0:37:52 | |
-Mr Hanssen. -Ah, the inimitable Dr Law. | 0:37:58 | 0:38:01 | |
-I've had a change of heart. -Another one? | 0:38:01 | 0:38:04 | |
I'd like to assist on the procedure if I can. | 0:38:04 | 0:38:06 | |
OK, well be my guest. | 0:38:06 | 0:38:08 | |
I'm sorry. I made a mistake. | 0:38:08 | 0:38:09 | |
Well, if Dr Crosby doesn't mind withdrawing in this instance, | 0:38:11 | 0:38:13 | |
you're welcome to join us in your normal role as anaesthetist. | 0:38:13 | 0:38:16 | |
No, I want to be here as a surgeon. | 0:38:16 | 0:38:18 | |
I'm afraid that won't be possible... | 0:38:18 | 0:38:20 | |
-But it was me that... -I said no, Dr Law. | 0:38:20 | 0:38:22 | |
Cara? | 0:38:31 | 0:38:33 | |
You all right, love? | 0:38:33 | 0:38:35 | |
We...we didn't mean to upset you... | 0:38:37 | 0:38:38 | |
This was you? | 0:38:41 | 0:38:43 | |
Yeah, we...just thought it might help you get over things. | 0:38:43 | 0:38:46 | |
For the record, I did not concur with that sentiment. | 0:38:46 | 0:38:49 | |
Get over...things? | 0:38:49 | 0:38:51 | |
Yeah, I just want to reiterate, it wasn't... | 0:38:51 | 0:38:53 | |
You have no idea about things... | 0:38:53 | 0:38:55 | |
The breakdown of any marriage is hard... | 0:38:55 | 0:38:57 | |
It wasn't just any marriage. | 0:38:57 | 0:39:00 | |
Obviously, it's very personal to you. | 0:39:00 | 0:39:02 | |
Is it "any marriage" when your husband is undercover 24/7 | 0:39:02 | 0:39:04 | |
and you're just left...? | 0:39:04 | 0:39:06 | |
I thought he worked on the oil rigs? | 0:39:06 | 0:39:08 | |
..when, undercover, he sleeps with someone else | 0:39:08 | 0:39:11 | |
and tries to convince you it's all just part of the job... | 0:39:11 | 0:39:13 | |
and then he has a baby with her...? | 0:39:13 | 0:39:16 | |
Cara... | 0:39:16 | 0:39:17 | |
..and I have to help her give birth, on this ward | 0:39:17 | 0:39:19 | |
and I can't tell anyone? | 0:39:19 | 0:39:21 | |
What are you going to do? | 0:39:23 | 0:39:25 | |
I don't know. | 0:39:25 | 0:39:26 | |
It's kind of hard maintaining a relationship with someone | 0:39:29 | 0:39:31 | |
when your significant other is banged up at Her Majesty's Pleasure. | 0:39:31 | 0:39:34 | |
But, hey, maybe I should visit more often. | 0:39:35 | 0:39:38 | |
Maybe we could all go. We could make a day of it. | 0:39:38 | 0:39:40 | |
Maybe Dan could come, too? | 0:39:42 | 0:39:44 | |
MACHINES BEEP | 0:39:55 | 0:39:57 | |
INSTRUMENTS CLATTER | 0:39:59 | 0:40:00 | |
Well, that's a further five minutes on the procedure | 0:40:01 | 0:40:04 | |
while we wait for that to be replaced. | 0:40:04 | 0:40:06 | |
Thank you, Dr Copeland. | 0:40:06 | 0:40:07 | |
Has anyone seen a man come out here? | 0:40:09 | 0:40:10 | |
In his 50s, eccentric looking? | 0:40:10 | 0:40:12 | |
No? | 0:40:12 | 0:40:13 | |
Seymour! | 0:40:13 | 0:40:15 | |
SEYMOUR MUMBLES | 0:40:15 | 0:40:17 | |
Seymour! | 0:40:17 | 0:40:18 | |
I've got two minutes and 57 seconds! | 0:40:20 | 0:40:22 | |
I am not going into reception! | 0:40:22 | 0:40:24 | |
'Please, please, don't touch him!' | 0:40:24 | 0:40:27 | |
SEYMOUR SCREAMS, ALARM SOUNDS | 0:40:27 | 0:40:28 | |
Seymour, Seymour... | 0:40:28 | 0:40:30 | |
It's me, it's Fran. | 0:40:30 | 0:40:31 | |
Seymour, Seymour... | 0:40:31 | 0:40:34 | |
Seymour, it's me. | 0:40:35 | 0:40:37 | |
It's OK. It's all right. | 0:40:37 | 0:40:39 | |
Thank you. | 0:40:39 | 0:40:41 | |
Seymour? Seymour! | 0:40:41 | 0:40:43 | |
ALARM CONTINUES | 0:40:43 | 0:40:45 | |
It's only me. I'll help you get back. I'll help you get back. | 0:40:45 | 0:40:48 | |
HE MUMBLES | 0:40:48 | 0:40:49 | |
..Quiz Champion | 0:40:49 | 0:40:51 | |
I never miss an episode, | 0:40:51 | 0:40:53 | |
-GROANING: -I never miss an episode. | 0:40:53 | 0:40:55 | |
I'm sure the bleed is somewhere in the duodenum, | 0:40:56 | 0:40:58 | |
I just can't see where. | 0:40:58 | 0:41:00 | |
Suction, please. | 0:41:00 | 0:41:01 | |
BP's falling. | 0:41:01 | 0:41:03 | |
That's hardly surprising, is it, but thank you. | 0:41:03 | 0:41:05 | |
You really did want to leave because you wanted to watch Quiz Champion, didn't you? | 0:41:07 | 0:41:10 | |
-I've never missed an episode and I've never got an answer wrong... -Yeah, I know. | 0:41:10 | 0:41:14 | |
Have you always been able to work out what days of the week certain dates are? | 0:41:19 | 0:41:22 | |
Yes. | 0:41:22 | 0:41:24 | |
I remember when mother said that they wanted me | 0:41:24 | 0:41:27 | |
to go to one of those places and she said no. | 0:41:27 | 0:41:30 | |
She didn't want me being put in a box. | 0:41:30 | 0:41:32 | |
How can you go about your daily business in a box? | 0:41:34 | 0:41:37 | |
Can't argue with that. | 0:41:39 | 0:41:40 | |
Do you know what autism is, Seymour? | 0:41:45 | 0:41:47 | |
Autism is a social communication disorder | 0:41:48 | 0:41:51 | |
that is sometimes described as Asperger syndrome. | 0:41:51 | 0:41:55 | |
Did your GP talk to you about it? | 0:41:56 | 0:41:58 | |
Possibly. | 0:42:00 | 0:42:01 | |
Your mum must have helped you a lot. | 0:42:05 | 0:42:06 | |
You must be lost without her? | 0:42:08 | 0:42:09 | |
I'm not lost. I've got a timetable. | 0:42:09 | 0:42:11 | |
I mean... | 0:42:13 | 0:42:14 | |
My mother and I... | 0:42:14 | 0:42:16 | |
..shared the same shadow. | 0:42:17 | 0:42:19 | |
I've really...I've got to be going. I've got to be... | 0:42:24 | 0:42:27 | |
Seymour, how about this? How about we do your operation now? | 0:42:27 | 0:42:30 | |
Listen, and then afterwards, | 0:42:30 | 0:42:32 | |
while you're recovering, | 0:42:32 | 0:42:34 | |
you watch Quiz Champion here in the hospital. | 0:42:34 | 0:42:37 | |
How does that sound? | 0:42:37 | 0:42:38 | |
Yes... | 0:42:38 | 0:42:40 | |
Yeah? | 0:42:40 | 0:42:41 | |
Come on, then. | 0:42:42 | 0:42:43 | |
Seymour? Seymour? | 0:42:48 | 0:42:50 | |
Sit down. OK, sit down. | 0:42:50 | 0:42:51 | |
Can I have some help, please? | 0:42:51 | 0:42:53 | |
OK, Seymour, listen... | 0:42:54 | 0:42:57 | |
-What's happened? -It's his heart. It's his heart. | 0:42:57 | 0:42:59 | |
He's having a heart attack. | 0:42:59 | 0:43:01 | |
Well, I think I'm owed an apology, don't you? | 0:43:05 | 0:43:07 | |
High EQ. | 0:43:07 | 0:43:09 | |
I knew there was something going on. | 0:43:09 | 0:43:11 | |
So to be tarred with the same brush of insensitivity | 0:43:11 | 0:43:14 | |
when all along I was in distinct opposition to this harebrained scheme... | 0:43:14 | 0:43:17 | |
She's arrhythmic, let's forget the bleed and stabilise her. | 0:43:22 | 0:43:24 | |
Packs, please. | 0:43:24 | 0:43:26 | |
No change. | 0:43:26 | 0:43:28 | |
-Polyps. -What? | 0:43:28 | 0:43:30 | |
Yeah, um, it was in her sister's notes. | 0:43:30 | 0:43:32 | |
Clare was treated for FAP when she was a kid. | 0:43:32 | 0:43:35 | |
So there's a 50-50 chance of inheriting from a parent. | 0:43:35 | 0:43:38 | |
Well, check the bowel... Check the bowel! | 0:43:38 | 0:43:40 | |
All right, Dr Law, thank you. | 0:43:40 | 0:43:42 | |
Well, I never. | 0:43:44 | 0:43:46 | |
Am I right? | 0:43:46 | 0:43:47 | |
Yes, Dr Law, thank you. | 0:43:47 | 0:43:49 | |
One of the polyps is indeed the source of the bleed, | 0:43:49 | 0:43:51 | |
so let's get it stitched and the bleeding under control. | 0:43:51 | 0:43:54 | |
Would you care to stitch the bleed, Dr Copeland? | 0:43:54 | 0:43:56 | |
Oh, well, after that shrewd observation | 0:43:56 | 0:43:59 | |
I thought it might be prudent that Dr Law finishes up... | 0:43:59 | 0:44:02 | |
Really? | 0:44:02 | 0:44:03 | |
Well, it was his case originally... | 0:44:04 | 0:44:06 | |
But I don't want Dr Law anywhere near a scalpel today... | 0:44:06 | 0:44:10 | |
But I wasn't... | 0:44:10 | 0:44:11 | |
..and given your obvious reluctance I'll finish the job myself. | 0:44:11 | 0:44:14 | |
Where the hell have you been? | 0:44:19 | 0:44:21 | |
He's tachycardic and severely short of breath... | 0:44:21 | 0:44:23 | |
SEYMOUR PANTS | 0:44:23 | 0:44:25 | |
Right, take him straight to theatre. I'll be right there. | 0:44:25 | 0:44:28 | |
What happened? | 0:44:28 | 0:44:29 | |
The man you dismissed as an oddball has been managing undiagnosed autism. | 0:44:29 | 0:44:32 | |
And YOU discharged him when he needed a critical operation. | 0:44:32 | 0:44:35 | |
That's what happened. | 0:44:35 | 0:44:36 | |
Autism? | 0:44:36 | 0:44:38 | |
Wanting to watch Quiz Champion, not picking up his meds - | 0:44:38 | 0:44:40 | |
it's all about the routine, not laziness, or indifference... | 0:44:40 | 0:44:43 | |
Fine. If that's the case then he can go and see psych after his operation. | 0:44:43 | 0:44:46 | |
He wouldn't be having an operation if it was down to you, would he? | 0:44:46 | 0:44:49 | |
He'd be DEAD. You turned your back on him, admit it. | 0:44:49 | 0:44:52 | |
Fran, just back off. | 0:44:52 | 0:44:54 | |
This ward is overflowing with patients who need surgery. | 0:44:54 | 0:44:57 | |
Seymour Orson didn't want it. | 0:44:57 | 0:44:59 | |
I can't force him, it's GBH. | 0:44:59 | 0:45:01 | |
You turned your back on your patient when he needed you the most. | 0:45:01 | 0:45:04 | |
Why can't you just admit it?! | 0:45:04 | 0:45:07 | |
Someone should admit you. | 0:45:07 | 0:45:09 | |
That woman is single-minded and dangerous! | 0:45:10 | 0:45:14 | |
Look, I think you're overreacting. | 0:45:18 | 0:45:21 | |
I did tell you to swap your shift. | 0:45:21 | 0:45:23 | |
WHAT?! | 0:45:28 | 0:45:30 | |
Which one of us do you think he despises the most? | 0:45:34 | 0:45:37 | |
Cara, um... | 0:45:45 | 0:45:46 | |
We're... | 0:45:47 | 0:45:49 | |
We're truly, truly sorry | 0:45:49 | 0:45:51 | |
and I had no idea... | 0:45:51 | 0:45:52 | |
And I should've thought... | 0:45:52 | 0:45:54 | |
It was stupid and... | 0:45:54 | 0:45:56 | |
unforgivable. | 0:45:56 | 0:45:57 | |
Yeah, and, um, I'm sorry, too... for their actions. | 0:45:57 | 0:46:00 | |
We just wanted that big, bright, infectious Cara smile back... | 0:46:02 | 0:46:06 | |
Aw, look, I know you did it with the best will in the world. | 0:46:06 | 0:46:09 | |
It's just... | 0:46:09 | 0:46:10 | |
..too soon. You know? | 0:46:11 | 0:46:13 | |
But I'll be fine. | 0:46:14 | 0:46:15 | |
Right? | 0:46:19 | 0:46:20 | |
Yeah, you will. | 0:46:20 | 0:46:21 | |
You absolutely will. | 0:46:25 | 0:46:26 | |
Come on! | 0:46:30 | 0:46:31 | |
-JAC: -Are we ready for bypass? | 0:46:35 | 0:46:37 | |
Bypass prepped. | 0:46:37 | 0:46:39 | |
Knife. | 0:46:39 | 0:46:40 | |
Ms Naylor. | 0:46:42 | 0:46:44 | |
Could I see you in my office, please. | 0:46:44 | 0:46:47 | |
Can this wait until afterwards...? I have my hands full... | 0:46:47 | 0:46:50 | |
Unfortunately, not. | 0:46:50 | 0:46:51 | |
Mr Valentine, would you be so kind as to take over? | 0:46:51 | 0:46:53 | |
-Ms Effanga will be joining you presently. -Certainly... | 0:46:53 | 0:46:56 | |
Er, I'm sorry. What's going on? | 0:46:57 | 0:46:59 | |
-It's a matter best discussed in private, if you don't mind. -No. | 0:46:59 | 0:47:01 | |
I'm not going to be removed from my own theatre without a good reason. | 0:47:01 | 0:47:04 | |
As you wish. | 0:47:06 | 0:47:07 | |
There is a complaint of negligence against you. | 0:47:08 | 0:47:10 | |
Negligence. | 0:47:11 | 0:47:12 | |
Regarding this patient. | 0:47:12 | 0:47:14 | |
This is a joke. | 0:47:16 | 0:47:17 | |
No, Ms Naylor, I can assure you it's extremely serious. | 0:47:17 | 0:47:19 | |
So, Ms Effanga will be scrubbing in very soon. | 0:47:21 | 0:47:24 | |
May I ask you, please, leave theatre immediately. | 0:47:25 | 0:47:28 | |
She's doing great. | 0:47:59 | 0:48:01 | |
That was one of the longest hours of my life. | 0:48:02 | 0:48:05 | |
Mr Hanssen talk to you about the polyps? | 0:48:07 | 0:48:10 | |
Yeah. | 0:48:10 | 0:48:11 | |
So you're OK with the prospect of another op? | 0:48:11 | 0:48:13 | |
Have to be, won't I... | 0:48:13 | 0:48:14 | |
I've never really forgotten about Clare... | 0:48:21 | 0:48:24 | |
I just wish there was more I could've done to help her. | 0:48:28 | 0:48:30 | |
I'm sure you did your best. | 0:48:32 | 0:48:33 | |
My best wasn't good enough. | 0:48:34 | 0:48:36 | |
The hospital explained no-one could have done anything. | 0:48:36 | 0:48:40 | |
I always wonder... | 0:48:41 | 0:48:43 | |
What if I reacted quicker? | 0:48:43 | 0:48:45 | |
What if... | 0:48:47 | 0:48:48 | |
I spotted the problem sooner... | 0:48:48 | 0:48:51 | |
I've spent years on maybes and what ifs... | 0:48:51 | 0:48:55 | |
They're a waste of time. | 0:48:56 | 0:48:58 | |
It's the biggest regret of my life. | 0:49:03 | 0:49:05 | |
Clare didn't do regrets. | 0:49:05 | 0:49:07 | |
I'm so sorry. | 0:49:10 | 0:49:12 | |
Thank you. | 0:49:12 | 0:49:13 | |
Excuse me. | 0:49:16 | 0:49:17 | |
Knock, knock. | 0:49:31 | 0:49:33 | |
Hello. | 0:49:34 | 0:49:35 | |
-Sorry. I don't know what that was... -It's fine, it's fine... | 0:49:37 | 0:49:40 | |
Look, I just wanted to say I'm sorry about earlier. | 0:49:42 | 0:49:44 | |
Well, freaking out on you... | 0:49:45 | 0:49:47 | |
Just... | 0:49:47 | 0:49:48 | |
..they were my best moves. | 0:49:49 | 0:49:51 | |
I don't really know where to go from here. | 0:49:52 | 0:49:55 | |
Oh, God, Dan. | 0:49:55 | 0:49:56 | |
I didn't mean to... | 0:49:56 | 0:49:58 | |
I'm only messing... | 0:49:58 | 0:49:59 | |
THEY LAUGH | 0:49:59 | 0:50:00 | |
So... | 0:50:03 | 0:50:04 | |
you know this competition thing? | 0:50:04 | 0:50:07 | |
Stupid, really. | 0:50:07 | 0:50:09 | |
Well, is the offer still open? | 0:50:09 | 0:50:10 | |
To come watch you? | 0:50:10 | 0:50:12 | |
Really? | 0:50:12 | 0:50:13 | |
As friends. | 0:50:13 | 0:50:14 | |
Course. | 0:50:16 | 0:50:18 | |
It'll do me good to get out of the house anyway. | 0:50:18 | 0:50:21 | |
I know far too much about the Kardashians these days... | 0:50:21 | 0:50:24 | |
Cool. | 0:50:27 | 0:50:28 | |
Mozart's Piano Concerto No. 18, | 0:50:31 | 0:50:34 | |
B Flat Major, | 0:50:34 | 0:50:36 | |
K456. | 0:50:36 | 0:50:37 | |
Movement Three, | 0:50:37 | 0:50:39 | |
Allegro vivace. | 0:50:39 | 0:50:41 | |
How's Quiz Champion? | 0:50:43 | 0:50:45 | |
Not got an answer wrong. | 0:50:45 | 0:50:47 | |
All right, smart aleck, no need to gloat. | 0:50:47 | 0:50:50 | |
My name's Seymour, not Aleck. | 0:50:50 | 0:50:51 | |
Seymour, you know we spoke about autism? | 0:50:54 | 0:50:56 | |
Autism. | 0:50:56 | 0:50:58 | |
It's a social communication disorder... | 0:50:58 | 0:51:01 | |
..sometimes described as Asperger's. | 0:51:02 | 0:51:05 | |
Well, since your mum's gone, | 0:51:05 | 0:51:07 | |
life's been difficult, hasn't it? | 0:51:07 | 0:51:09 | |
No... | 0:51:09 | 0:51:10 | |
On your own... | 0:51:10 | 0:51:12 | |
Lonely. | 0:51:13 | 0:51:14 | |
Seymour... | 0:51:16 | 0:51:18 | |
how would you feel about talking to a psychiatrist | 0:51:18 | 0:51:20 | |
who could help you manage? | 0:51:20 | 0:51:22 | |
Things have really changed. | 0:51:24 | 0:51:25 | |
People with autism don't have to live in a box. | 0:51:27 | 0:51:30 | |
You could meet more people like you. | 0:51:31 | 0:51:33 | |
People who like Quiz Champion. | 0:51:35 | 0:51:37 | |
Thank you, Fran Reynolds. | 0:51:43 | 0:51:46 | |
You're welcome. | 0:51:50 | 0:51:52 | |
KNOCK ON DOOR | 0:51:54 | 0:51:56 | |
-Come... -DOOR OPENS | 0:51:56 | 0:51:57 | |
Mr Law. | 0:52:00 | 0:52:01 | |
It is customary after knocking to await an invitation to come in | 0:52:01 | 0:52:04 | |
before actually doing so. | 0:52:04 | 0:52:06 | |
Sorry... | 0:52:09 | 0:52:10 | |
But that's you all over, isn't it? | 0:52:10 | 0:52:12 | |
Always in a rush. Rush to get here, rush to get there. | 0:52:12 | 0:52:14 | |
Never really settling on anything, never seeing anything through! | 0:52:14 | 0:52:17 | |
I know I, um, failed today... | 0:52:18 | 0:52:21 | |
Undeniably so! | 0:52:21 | 0:52:22 | |
But you failed with feeling. | 0:52:26 | 0:52:27 | |
We have a tough time in today's litigious world, we surgeons. | 0:52:32 | 0:52:35 | |
Damned if you cut... | 0:52:37 | 0:52:39 | |
..damned if you don't. | 0:52:41 | 0:52:42 | |
Hardly surprising that many view us as psychopaths. | 0:52:44 | 0:52:47 | |
But today, in you, I saw something different. | 0:52:51 | 0:52:54 | |
Deluge of feeling. | 0:52:55 | 0:52:57 | |
Look, um, I should explain... | 0:53:02 | 0:53:06 | |
My history with the... | 0:53:06 | 0:53:08 | |
What I am saying is... | 0:53:08 | 0:53:10 | |
you displayed passion... | 0:53:10 | 0:53:12 | |
..and compassion, | 0:53:15 | 0:53:16 | |
which, when lacking, | 0:53:16 | 0:53:19 | |
can undo the best of surgeons. | 0:53:19 | 0:53:21 | |
So, yes, you failed in some senses, | 0:53:24 | 0:53:26 | |
but, in others, you are already streets ahead. | 0:53:26 | 0:53:30 | |
So, um...? | 0:53:34 | 0:53:36 | |
So, please carry on... | 0:53:36 | 0:53:37 | |
..and don't let me down. | 0:53:39 | 0:53:41 | |
Thank you. | 0:53:47 | 0:53:48 | |
I've spoken to Mr Hanssen. | 0:53:57 | 0:53:59 | |
Negligence?! | 0:53:59 | 0:54:01 | |
The patient refused to have surgery. | 0:54:01 | 0:54:03 | |
He was an inconvenience and you dismissed him because of that. | 0:54:03 | 0:54:05 | |
I can't force someone to have surgery against their own will. | 0:54:05 | 0:54:09 | |
Look, have I done something to offend you? | 0:54:09 | 0:54:11 | |
FRAN LAUGHS | 0:54:11 | 0:54:13 | |
OK, I admit that perhaps I could've dealt with the pastoral side of things a LITTLE bit better. | 0:54:14 | 0:54:18 | |
But let's just stop this nonsense. | 0:54:18 | 0:54:20 | |
Withdraw the complaint... | 0:54:20 | 0:54:22 | |
You go through life steam-rollering over those you perceive as weak. | 0:54:22 | 0:54:26 | |
You turn your back on them... | 0:54:27 | 0:54:29 | |
..because to you, it's all about survival of the fittest | 0:54:30 | 0:54:33 | |
and screw everyone else! | 0:54:33 | 0:54:35 | |
You have been here all of five minutes. | 0:54:35 | 0:54:37 | |
What the hell do you know about me? | 0:54:37 | 0:54:39 | |
The complaint stands. | 0:54:43 | 0:54:45 | |
Hey. | 0:54:53 | 0:54:54 | |
Looks like you're on your own, amigo. | 0:54:59 | 0:55:01 | |
Sorry? | 0:55:01 | 0:55:03 | |
In the bad books. | 0:55:03 | 0:55:04 | |
How come? | 0:55:04 | 0:55:06 | |
Turns out Scandi-man thinks I'm the bees knees, after all. | 0:55:06 | 0:55:09 | |
Oh! | 0:55:11 | 0:55:12 | |
See you later. | 0:55:18 | 0:55:19 | |
-Moley... -Look, actually I could really do without the... | 0:55:22 | 0:55:25 | |
Look, I'm sorry - for waking you up last night. | 0:55:25 | 0:55:28 | |
It won't happen again. | 0:55:28 | 0:55:29 | |
OK...right. | 0:55:29 | 0:55:32 | |
Good. | 0:55:33 | 0:55:35 | |
Do you want to watch TV tonight? Get takeout? | 0:55:35 | 0:55:37 | |
I presumed you were seeing Lee? | 0:55:37 | 0:55:39 | |
I don't have to see him every night. | 0:55:39 | 0:55:41 | |
We can call it recompense or whatever. | 0:55:41 | 0:55:44 | |
OK. | 0:55:45 | 0:55:47 | |
-That would be nice. -OK. | 0:55:47 | 0:55:49 | |
-I've actually recorded... -I'm not watching Brian Cox documentaries. | 0:55:49 | 0:55:52 | |
OK, I've got one on primitive art. Cave art? | 0:55:52 | 0:55:54 | |
No! | 0:55:54 | 0:55:55 | |
Um, how about the history of, um... | 0:55:57 | 0:55:58 |